Central America Books

Wow, this is an amazing book. I bought it last April, and was reading the section on the Ivory-Bill when I found out that it was rediscovered. But, this book is simply amazing. If only more people would read and be inspired by this book, then, maybe, there wouldn't be as much of a problem with the enviorment.

"Hope is the Thing with Feathers" profiles 6 North American bird species that are now extinct: the Carolina Parakeet, Ivory-Billed Woodpecker, Heath Hen, Passenger Pigeon, Labrador Duck (Sand Shoal Duck), and the Great Auk. Most of these species became extinct -or were presumed to be extinct in the case of the Ivory-Billed Woodpecker- in the early 20th century, although the Labrador Duck and Great Auk disappeared in the 19th century with less documentation. Author Christopher Cokinos takes the reader on his personal journey to learn about these birds and shares with us all that he finds. He discusses where these species were, what the birds ate, what is known of how they behaved, why they became extinct -which is not always clear, and the people who studied them. Of particular interest to me are the detailed accounts of the last living birds of these species, some of whom were closely observed.

I was surprised to learn that humans did try to protect most of these species at some point before they were wiped out. It was often a case of too little too late, but the disturbing thing is that legislation designed to protect the birds was sometimes passed with time to spare but was not adequately enforced. It isn't as if the extinctions took people by surprise. The greatest threat to the birds was loss of habitat, i.e. logging of old growth forests, but disease, politics and hunting played their parts. How extraordinary that the ubiquitous passenger pigeon, once the most populous bird in the world at a frightening 3-5 billion, up to 2 billion in a single flock, could be completely wiped out in about 50 years due to overhunting and loss of mast-producing forests. Even those familiar with the passenger pigeon's demise will find some new information here. Christopher Cokinos has dug up and verified the details of the shooting of the last wild passenger pigeon by Press Clay Southworth in 1900, including an account in Mr. Southworth's own written words.

I wish there were more photographs of the lovely Carolina Parakeet, but the 2 photos that are included are truly engaging. It's astonishing that this bright, affectionate, adorable parrot that could easily be bred in captivity was allowed to die out. If profit could not coax anyone to breed the birds for the pet trade, the degree of apathy is incomprehensible. I have often read that the Carolina Parakeet was hunted to extinction by farmers protecting their crops, but Cokinos takes issue with that claim, asserting that the major cause was habitat loss, but why the species died out entirely seems to be a mystery. "Hope Is the Thing with Feathers" is an evocative and informative chronicle of 6 North American bird species that are no more, some of which were quite common in their day. It must have been remarkable to look out the window and see a flock of shimmering green Carolina Parakeets in the trees -in the dead of winter, no less!

Although it chronicles several chapters of bull-headed human stupidity, this book also documents the painstaking efforts of the many people who worked hard to save these vanished creatures, and offers some hope that the future need not repeat the past. At times sad, but also funny, and even joyful despite the material.

In _Hope is the Thing with Feathers_ (the title is taken from a line in an Emily Dickinson poem), author Christopher Cokinos sought to relay some of the natural and human history of six vanished birds of North America.

The first bird he examined is the Carolina Parakeet, once a relatively common bird that ranged in noisy flocks across the eastern U.S., north to Illinois, Ohio, Indiana, Wisconsin, and New York, south to the Gulf Coast states, west to Kansas, Nebraska, and eastern Colorado. This bird with a "luminous plumage of green, yellow and red" frequented wooded rivers and bottomlands. Once a delight to many Americans the birds unfortunately were persecuted as a threat to crops, for the caged bird industry, and for the demands of women's fashion. Cokinos suggested though that the main cause for its extinction was habitat destruction. Two related theories of extinction were that the thick bamboo canebrakes once common in the bird's range were mostly cleared out for farmland. In addition to providing food, the bamboo may have given a vital breeding stimulus to the bird (as like bamboo, the parakeets apparently did not breed each year). The second theory is that the bird may have been denied the hollow trees it required for roosting and nesting by the rapid spread across the continent by the European honeybee.

Next Cokinos had a lengthy section on the Ivory-Billed Woodpecker, once known as the Lord God Bird (presumably because observers would blurt "Lord God!" when they spied the nearly two foot long bird with the two and a half foot wingspan). Once the second largest woodpecker in the world (Mexico's Imperial Woodpecker is larger) it ranged across bottomland forests and swamps in the South, west to eastern Texas, north to Missouri, southern Illinois, southern Indiana, and southern Ohio. Though hunted (later largely by collectors, shooting it in fact because they were going extinct), the bird appears to have perished due to habitat destruction. An extreme specialist, it occupied a niche "almost as slender as a feather;" it primarily fed upon beetle larvae from trees that had only been dead for two or three years. Though they also included seeds and fruits in their diets, they became extremely site dependent on places that yielded the larvae that they favored. Interesting coverage of the Brand-Cornell University-American Museum of Natural History Ornithological Expedition led by Arthur Allen that set out in 1935 on a 15,000 mile scientific expedition to record the sounds of wild birds using brand new technology - one of the places they visited was the Singer Tract in Louisiana where news came out that the last Ivory-bills were found; and the bitter (and lost) fight to save the Singer Tract from destruction by loggers.

Next Cokinos examined the Heath Hen, an extinct subspecies of Greater Prairie Chicken. The bird once favored dry, brushy habitat with low trees as well as meadows from Maine to the Carolinas (though primarily from New Jersey up to Connecticut and Massachusetts). Once called by naturalists - along with its western cousin - the pinnated grouse owing to the dangling neck feathers on the males called pinnae - the bird perished on the American mainland by 1870 thanks to loss of habitat due to fire suppression and farming as well as relentless overhunting. The bird survived on the island of Martha's Vineyard and Cokinos covered at length the intense struggle as well as the political infighting over trying to save the bird there. Despite intense hunting of "vermin" (including feral cats, rats, owls, and hawks), planting of crops to feed the Heath Hen, and other efforts, through a run of bad luck the bird finally perished; the last of its kind apparently died in 1932 in the wild, known from close examination to have been an incredibly old male seven to nine years in age (average lifespan in the wild was one year). The author discussed efforts to reintroduce the Greater Prairie Chicken to Martha's Vineyard while highlighting the plight of the possibly doomed Attwater's Prairie-Chicken of Texas and Louisiana, which in 1999 has a total population of 146.

The Passenger Pigeon was the next subject. After impressing upon the reader just how astronomically abundant it once was (one early 1800s flock was estimated to have 2.2 billion birds and a nesting colony in Wisconsin as late as 1871 covered 850 square miles and had 135 million birds), Cokinos related how this bird was systematically destroyed by market hunters, for a time by the cruel trapshooting business (birds were collected to serve as live target practice), and due to habitat clearance (the birds were heavily reliant on the massive amount of mast (nuts) produced by oak, chestnut, and beech trees). The author went into a great deal of detail about the last known wild pigeon ("Buttons," so called because once mounted its eyes were in fact buttons for a time) and the last pigeon period ("Martha" from the Cincinnati Zoo).

A smaller chapter focuses on the Labrador Duck. A handsome sea duck also called the Skunk Duck and Pie or Pied Duck, this somewhat poorly known waterfowl had a large and odd-looking bill that aided the bird in its search for sand-buried shellfish. The range of the bird was the eastern seaboard though where it bred is still open to conjecture. Cokinos and others speculated that the bird - never common to start with - may have perished due to loss of shellfish due to overharvesting and sewage runoff and thanks to increased ice packs from the Little Ice Age (which lasted till the 1850s), which may have interfered with breeding sites and aided some predators.

Cokinos closed with a by comparison slim chapter on the Great Auk, an interesting chapter that could have been a bit longer. I was struck by the long human contact with them - their images have been found in 20,000 year old French cave art and bones in 4,000 old Newfoundland graves - with care they could have survived to today.

This is a great book.

It's a sad one in realizing the destruction of various bird species. The chronicles of various species during the late 19th/early 20th century are astonishing to read. It was incredible to read and learn of biologists determined to collect species before they vanished - rather than attempt to preserve them.

Particularly entertaining (in an ironic and sick sort of way) was the tale of the last man to shoot the last Passenger Pigeon. The author did an incredible amount of research and weaves a delightful short story worthy of the purchase of this book in itself.

The writing is simple yet incredibly deep; it brings home an important and moving message that can be understood by a variety of audiences - even those who may not be particularly interested in nature, birds or environmental causes. Poetic and beautifully wrapped up. The only troubling portion of the book is the outcome of the fate of these species - obviously not the fault of the author, who provides a hope of preserving "what we still have" - it is moving, nonetheless ...

A wonderful book!!!

A most comprehensive source of information on this tragedy. Well written and well organized. Nicely stocked with period photographs.

A must have for any library on this subject.

This is the most outstanding book I have ever read. The pictures, the information, it could not have been written better. Anyone would love this book. Those who are in search of unique pictures would find this book invaluable, likewise those who are in search of information, facts, nowhere else seen loss of property claims would too find this book invaluable. Upon seeing this book in the book shop (I did not buy it here) I gave it absolutely no second thought and regardless of price bought it. I am a Titanic historian and I'm picky about the books I buy, and this book is just about the best book in my collection. Don't hesitate, buy it, you will not regret it.

I found this book in my local library and took it out to read. However as soon as I got it home and looked through it I was enthralled by the pictures. The text was fairly standard fare although some of the earlier chapters had interesting info concerning the planning and construction of Titanic. The pictures steal the show and they made up my mind to buy this book for myself as such pictures need to be looked at and digested over months and years rather than the few weeks one has with a library book. If you have any interest in Titanic - BUY IT.

John P. Eaton and Charles A. Haas already known for their very involved Titanic research and dives in Nautile (IFREMER's Titanic submersible} have done a beautiful Titanic book describing stateroom's the voyage building and sinking in a beautiful 352 pages have put together a book which in itself is as good as Titanic: An Illustrated History. Gives insurance claims Philadelphia first class passenger mrs. Cardeza filed for 18 suitcaces , 3 trunks and a medicine kit . A book which many experts (Myself included ) Love . Excellent for any Titanic Buff!

I must say this is the most comprehensive book on the Titanic I have yet seen. Every facet of the liner's history from its origins to the wreck exploration is covered. Each chapter includes pictures of everything connected to the ship. Anyone with any interest in Titanic at all should have a copy.

I did think the authors could have done better with their chapter on the sinking itself though. As it is they wrote little text and tell the story through picture captions! It is as if a book on the Kennedy assassination covered details of the flight to Dallas and then said little about the shooting itself. I also feel the authors were a bit too soft on Lord of the Californian.

This is a very informative book. It certainly shed light on a shameful slice of American history.

This is history book in the purest sense of what a history book should be yet this book is much more than a history of American Violence against African Americans, it's a history of how civilization can be repressive and savage despite it's seemingly enlightened ideology. Philip Dray doesn't hold back in painful details of lynching, the dynamics and psychology behind the mob mentality, and how people actively seek to uphold an illusion of law and order from the bigoted vigilantes to the unsympathetic courts. Collectively we have tried and still continue to try to supress the history of slavery and the bloody history subsequent racial violence. This book needs to be required reading in our schools as a counter to other so-called history texts admonishing certain fathers of the nation.

Dray's account, while often disturbing reading, is an essential for anyone who seeks to understand the lynching phenomenon in the United States. Scholarly, but accessible, the history's gruesome recountings of lynchings are balanced by the tales of those individuals and organizations that fought, often at great personal peril, to bring an end to this national disgrace. This meticulously researched volume is recommended for the professional as well as the lay historian. It is a cautionary tale, but ultimately one not without hope.

This book was not only shipped within 2 days but in new condition. The book itself is very informative about other things than lynching. It talks about various people related to the anti-lynching movement tons of other things. I'm currently using this as a text book for a college class. This is a great teaching resource! Buy the book, you won't forget it!

Quite possibly the best, most well-researched book I've ever read. A smooth read, impeccable use of historical sources, and a clear narrative account of the most tragic era in American history. For scholars who research or teach in the area of social control, legal, and extra-legal punishment, you *cannot* have a full grasp of the topic unless you read Dray's work. A fine work of history...the author is to be commended.

Author Daniel James Brown is to be commended for his knowledge of the incident and his chronicling of it. What an emotional read! There was so much drama, so much carnage and human suffering, that I sighed sometimes as I put the book down to take a break. This author knows his subject, and he knows how to write about it to please his readers. I've never seen the monument to the fallen pioneers but I plan visit it soon. I've read books about the great Chicago fire, and the Peshtigo fire, but never have I felt the riveting force as I did in this book. Now I feel it. The dissection of a firestorm of this magnitude along with the destruction it brought, and the lack of medical knowledge at that time about burn treatment showed me what a scholar Brown is. I learned an immense amount. Thank you, Daniel James Brown, for such a glorious textbook and tribute to those who lived in Minnesota during this era.

I grew up in Sandstone, MN and happened to find this book on the "Noteable Reads" table at BN. Picked it up and couldn't put it down. I had, of course, been taught the history of the Hinckley Fire, but never realized the total horror those people went through or what a monster of a fire it actually was. This book had chills running up and down my back as I read it. I'm sure I have one up on most people reading this as I have actually seen the places in the book (though altered now) for example the Sandstone Quarry (Robinson Park now) is one of my favorite places. I have a personal thanks for Mr. Brown for writing such an amazing book that really touched home for me(no pun intended.)

This book is an easy, informative read about a horrific disaster. It follows several people before, during and after the fire. It was much like reading an enjoyable fiction book. I plan to use portions of this to teach my junior high students about the causes and effects of forest fires.

I was glued to this book. Wonderfully written, interesting facts combined with a heart breaking story...I couldn't recommend it highly enough!

"Under A Flaming Sky," by Daniel James Brown, is an intense, enthralling book detailing the events of the 1894 Hinckley firestorm. The event itself has been buried in our national memory, part of the great fires that happened at the end of the 19th century, like Peshtigo and others, unlike those of Chicago and major cities. Occasionally it is brought up at its anniversary in Minnesota by the local media. As Brown points out, though, the same kind of horrific incident that happened at Hinckley can still happen today.

Brown builds the chronicle of events from the night before the fire, augmenting it with conditions that built the firestorm, through the day of the fire and the events afterward. In the book, many characters are introduced - it was a bit confusing sometimes to trace who was with which family - but in being caught up with this tragedy and people, one would wonder who would survive, how they would survive, who would not and how they would die. The human interest stories that Brown creates an almost fiction-like story - but you know that it is a true story, and you want to know how it ends.

There are also three parts of the book where the story is interrupted, something that may seem to be an annoyance in most books, but extremely useful in this book. The first takes several pages to explain fires and the creation of firestorms, where conditions build swirling winds that may reach hurricane strength, heat the melts steel and throws fire and gases to instantly burn oxygen and set fire to things miles away. Another impressive detour has to do with burns and their effects on humans: how the body has difficulty dealing with burns, in fighting infections, the process of fighting bacteria, and more. Add to this the perspective of the technology of the times, and one gets further insight to the evolving disaster. Brown has written an excellent book on an American tragedy, and done it in engrossing style.

Robust account of one of the seminal figures of early America, one attempting the creation of an indigenous culture cast in a more universal mode than that of the provincial Christianity of his roots. The courage to give up his secure life as a minister for the uncertainties of exploration and creative renewal marks Emerson's trail through a pioneer's psychological American wilderntess, to touch on and integrate everything from the post-Kantians, to the Buddhists/Hindus to the Persians and Sufis. That Emerson evolved into a near firebrand abolitionist is an aspect of his life unsufficiently told, and this part of his later career runs clear in this book. All in all, a first rate pioneer story of another kind.

This is the only biography of Emerson that truly matters. Richardson locks in on the essentials - the development of a seeking mind is search of the ground of being and the nature of reality. Emerson is our Founding Thinker and to do him justice, a biographer has to grapple with the how and why a mind grows, changes, struggles and reaches new heights. Even if you haven't read much Emerson, this biography sheds light on what Emerson meant when he said, "Nothing is at last sacred but the integrity of your own mind."

In the past, my experience in reading Emerson has been similar to reading the Tao Te Ching; interesting, non-mainstream in its point of view, puzzling to understand what exactly it means. So I would pick up the Tao and read it at different times of the day and different frames of mind, hoping that it would resonate with me, but it never did. Maybe it was the cultural difference, or the language, or not being able to easily identify with Lao Tzu. Such had been my experience with Emerson. I wanted to understand him better because what little I did understand made me want to learn more, but I just couldn't get there.

This biographer, Richardson, really did his homework and any who want to understand Emerson better should appreciate this work. Emerson kept exhaustive journals and collections of his thoughts for many years. He read widely and deeply, kept detailed notes, and thoroughly indexed the notes. What perfect material to access for writing a biography! Apparently Richardson went back and studied much of the source material that Emerson references in his journals and brings into this biography an understanding of who Emerson was reading and what it meant to Emerson, so we receive the pleasure of following along on a journey in the development of a powerful mind. Then Richardson is able to write about this development so that it is easily readable to us moderns. It's quite a remarkable achievement.

"Mind on Fire" shows me that Richardson is certain that studying Emerson and his message is worthwhile. So much consideration has gone into this biography that when I laid it down after almost non-stop reading for several days over the holidays, I felt like I really understood Emerson for the first time, and now have much better insight. I plan to let this book simmer in my mind a few more months, then pick it up and read it again.

If Richardson could also write something as lucid and detailed to help me understand the Tao Te Ching, I wouldn't have 10,000 questions about the 10,000 things. ;-)

Mr. Richardson's 'Thoreau A Life of the Mind' was not only the best biography I've read on Thoreau, but one of the most exhilerating and enlightening reading experiences of my life. So I decided to read his 'Emerson The Mind on Fire.' And it was every bit as intimate and intelligent.

There are times you feel that you're intruding upon Waldo and Henry on one of their walks. It was an endless stroll of two intellectuals and humanists on the path of being very human. Each of the one hundred chapters (both books) are kept short, which helps move the reader from topic to topic without ever feeling put upon (too much detail can drag what is otherwise very interesting.) Though, for me personally, I would love to savor every moment these two great men shared. I don't think I could ever get bored.

Emerson has many close friends with whom one gets to know intimately. His personal address book was a whose whose of literary and intellectual greats.

The relationship between Emerson and his second wife, Lidian, is of great interest. She was also intellectual and as much a partner in life as she was a wife. Her presence is everywhere in Emerson's life.

Emerson's essays are pure poetry. And the behind the scene snippets into how they became a part of his legacy was both insightful and relevant to the day to day interactions and causes he committed himself. His transformation from the unremarkable child into the neverending 'student' of self-education and commitment to social conscience throughout his entire adult life is one to be admired.

Mr. Richardson is one of the best biographers of nineteenth century literaries. He is truly one with his topic.

Robert Richardson's biography of Emerson is superb. Though, as Richardson reminds us, Emerson did not like superlative language when precise and adequate language would do, it is the case that at times the superlative, the precise and the adequate converge (as, in fact, they often did in Emerson's writings). Richardson's biography is indeed superb in its unfolding of Emerson's life -- the loves, the friendships, the losses, the intellectual and spiritual hunger, the religious quest, the writers in America, in Europe, in Persia and elsewhere to whom Emerson owed and acknowledged debts, the grasping at and for a world, the determination of a single, brilliant human being to find his way and to see his life, and all individual lives, as imbued with the divine and thus worth living.

The book is also superbly written. Each short chapter offers enough substantive insight to urge the reader into the next. It is a long book, but not long-winded. Richardson provides the reader with some morsel of insight in a few pages of narrative, and then offers a rest to digest what has been said. His placement of quotations from Emerson's journals, essays and other works is brilliant, offering the reader a useful sketch of Emerson's metaphysics and ethics. In my own case, this has allowed time to reach for other literature more fully descriptive of the events or scenes offered in a particular chapter, or to reread chunks of Emerson's writings while moving through the biography. The book is a useful tool not merely for a study of Emerson's life but for a study of Transcendentalism and of the interplay of ideas across the Atlantic that shaped American thought in so many ways. One sees more clearly where and how such writers as Nietzsche and Thoreau obtained the seeds of their own truths from Emerson's works and thoughts.

Richardson has set the standard for the writing of future biographies. Again, simply superb.

I live in North Carolina and I have been able to identify all the snakes, lizards, turtles, and frogs that I have found using this book. Good descriptions and photos to help you tell the difference between different species.

This book features clear plates with apparently well painted views of probably all the species of amphibians and reptiles occuring in Canada and the USA east of the Rocky Mountains, apparently also including those of Puerto Rico and introduced ones. Unfortunately, the plates of the third edition from 1998 are printed badly, with the colour dots not completely blurring in front of the reader's eye, and the pictures are a little tiny anyway. On the page opposing the plates are the common and scientific names given, as well as some important details of their appearance. Many species are represented with several images (e.g. from the side, from below; adults, juveniles), but this would probably be warranted for even more species.
The species accounts are, however, usually much too short, giving almost no detail about biology and life history of the species. Among them are, however, some colour photographs, whose printing resolution is usually also somewhat too bad, though.
The range maps are in colour and show the different subspecies in different shades, yet they are also somewhat confusing, because water bodies like the sea or the great lakes are not shaded differently from the land, so that their borders look like the state borders, and because the range borders have also be drawn in black (maybe for copying?).
Laudable is the existence of a general section about amphibians and reptiles and their catching, handling and captive care. This section would be worth expanding, though.
The third printing (1998) is/was, as already stated, not very good because of its low colour resolution and its maybe somewhat too small size, and it is/was bind only as paperback with relatively thick pages throughout.

Thank you for your timely shipping of this brand new book. I ordered it for a friend who is looking forward to getting it soon.

I have had this book for several years and absolutly love it. Not only is it nicely informative, it holds up well in the feild. I can not begin to count the number of times I have slipped (I generally keep it tucked in my waist band) in creeks on outings. After years of abuse, my cover is a worn, spine wrinkled and paged stained, but it's still solidly bound.

The book is great. Wonderful range maps, nice pictures, generally good ID characters. Could use some more info on larval amphibian identification though.

I gave this book 4 stars because it was'int one of thoese books that you couldn't put down to me. But I learned some stuf from it, like facts from the last american rainforest. Shelley Gill came to our school to talk about her books. She was cool. AND I MEAN IT.

I liked it because she took the story and made half a fact.She came to our school on Tuesday talking to us about herself.The book I wanted to talk is The Last American Rainforest is talking how the earth was before.

I like it.We learn things from it. I learned that Salmon come from trees.

I think when Mrs.Gill came she really inspired me in reading. Since Harry Potter #4 was the longest book I read.I tried to get all Shelley Gill books.But,I could only get one.So I got Tongass. I chose it because of its beautiful illustrations.

I liked when we read The Last american rainforest,because it was cool.I liked when she brougth the pictuers and the fallsools. The book was very, very, very, very good. I learend a lot of stuf.

America Libre is a real page-turner and I'm looking forward to the next book. Immigration is a timely topic, and Raul Ramos Sanchez illustrates realistically how ordinary people and whole societies can fall into violence.

This is the kind of book that jumps alive in your hands. It whispers to you of love and compassion, and shrieks at you from the depths of hatred and confusion. In dealing with the immigration issue this book is certainly timely, but I believe its greatest value actually lies in the wonderfully uncomfortable way in which it shatters the over simplification which plagues most of the world's problems - that there is simply good and bad, right and wrong, Latino and Gringo. What a great gift this author has given us in these pages, where innocents become enemies, heroes disappoint and hope kindles in dark places. As much homage as this book pays to the Latino cause, it also beckons to the broader human cause: Let us all be aware of the slippery slope that constitutes our perspectives and judgments. Let us all treat with reverence the complexity of our community. And let us all think twice, even thrice, before we decide our choices. Read it, and most importantly, read it well!

I was sucked into the story about 40 pages in and was unable to put it down. I finished America Libre in two nights. (With a new baby in the house, sleep is at a premium; if my husband had not ripped the book out of my hands the other night, I would have read it straight through till morning). I am eagerly waiting for the second installment. As a poli-sci major I'm a pretty hard sell on military and political thrillers; but I would stack this up against a Uris or Clancy novel. Considering current immigration laws springing up across the US (Oklahoma and Vermont) and rising public tempatures regarding illegals - all aimed at Latinos; America Libre feels more like historical fact than a possible future. The book feels current and it's carefully crafted step-by-step "how to start a revolution" makes it more than believable; and more than a little scary.

This was a fast-paced contemporary story - one that made me question my conscious and unconscious assumptions about other cultures and how I relate to them. It was scary to watch the evolution of the believable plot!

The story was both thought-provoking and an action-packed page turner, which is a rare combination indeed. The plot device of having a single event mushroom into something huge reminded me of Tom Clancy novels like Debt of Honor. Once I got to the book, I went from cover to cover during the space of a plane trip over a long weekend. The book starts fast and keeps a quick pace. Let's hope that the story is a worst case scenario that never comes to pass.

"I became saturated with his poetry and began to translate his poems. Although there were many beautiful existing translations, many others did not flow as I felt they should and I often had interpretive differences with them." ~ Mark Eisner, translator

"The Essential Neruda Selected Poems" is the best translation I've read so far. The words are alive with beauty in a way that feels authentic to the heart. You can immerse yourself in the poems and emerge with a sense of wonder.

"Leaning into the evenings I throw my sad nets
to your ocean eyes."

Mark Eisner has captured the soul of Pablo Neruda's art and perhaps even enhanced the creative majesty of each poem. At times the poems can make you feel a little breathless as if you have happened upon a new discovery or secret revelation.

"And the air came in with orange-blossom fingers
over all those asleep:
a thousand years of air, months, weeks of air,
of blue wind, of iron cordillera,
that were like soft hurricanes of footsteps
polishing the lonely boundary of the stone."

The imagery is at times so vivid, as if you were transported to each scene. Pictures flash across your mind and you can almost catch the scent of the ocean or see the colors vivid and pure. Angels and death dance through the poems with equal ease and at times the words are heavenly or earthy and dark.

"Full woman, carnal apple, hot moon,
thick smell of seaweed, crushed mud and light,
what obscure clarity opens between your columns?
What ancient night does man touch with his senses?"

If you are new to the poems of Pablo Neruda then this would be an excellent place to start. The poems present many facets of the poet unlike other books that simply reveal his romantic nature. While I seem to enjoy his love poems best, I can say that this experience gives a more wide-ranging portrait of Pablo Neruda.

~The Rebecca Review

I got The Essential Neruda when it came out in 2004. I already loved Neruda, and have the old Selected Poems edition (which unfortunately ends at 1968, and some of the translations are just plain flat) plus the 20 Love Poems, Residence on Earth, Canto General, and some of the odes. But the translators here (former US Poet Laureate Robert Hass just won the Pulitzer!) just bring Neruda so alive, and the selection of poems just captures his whole range of 'the many Pablos'. So when I came here today to buy one as a gift, I'm pleased by the reviews of how great an introduction to Neruda it is, but I want to stress how great it is as a book to keep going back to again and again. Actually, to quote the great writer Ariel Dorfman on the back cover of the book:

"What beter way to celebrate the hundred years of Neruda's glorious residence on our earth than this selection of crucial works - in both languages! A splendid way to being a love affair with out Pablo or, having already succumbed to his infinite charms, revisit him passionately again and again and yet again."

Gorgeous work. Neruda is my all time favorite. A beautiful book to give as a gift or to get some started with Neruda.

This would be my first introduction to Pablo Neruda, and I must say I'm a bit disappointed. Not that Neruda isn't a great poet, the Nobel Prize and critical acclaim prove the contrary, but perhaps the translation could use some more work.

I picked this copy up noticing the name of Robert Hass', the translator and author of the Essential Haiku, on which he did a great job. Unfortunately, Eisner is the editor of the majority of the poems. The analogy to Eisner's translation would be like what Zondervan did to the bible in their NIV. It's not a bad translation, but it's moderned up a bit. I would have appreciated a more King James-like translation of Neruda's poems as I could infer a lot of missed nuances that appear to be in the original Spanish on the opposite page. A lot of the translations lack the depth and texture of what a great poet should have, and sometimes it feels like I'm reading a different poet altogether.

For instance, a line "Hermano, hermano!" is translated as "Hermano, hermano!" in the English, though it could have plainly been have translated as "Brother, brother!" considering the second "hermano" is not capitalized. Perhaps this was Neruda's original intent, but there is no way to tell as there are no footnotes.

Poetry is about texture, a poet's voice, and brilliance in how the artist uses his words to paint; this translation doesn't do enough to convey the voice of Neruda, but merely makes it accessible to new readers of not only Neruda, but also poetry.

Neruda has given us some of the most incredibly poignant poetry of our time. Do yourself a favor; buy this collection.

Love on your mind? Read TWENTY LOVE POEMS: 15 --- "I like it when you're quiet."



"I like it when you're quiet. It's as if you weren't here now, and you heard me from a distance, and my voice couldn't reach you.

It's as if your eyes had flown away from you, as if your mouth were closed because I leaned to kiss you."

The title of the collection says it all "The Essential Neruda."

I met the Zapps at Craters of the Moon National Park last month and bought 3 of their books from them right there. Knowing that it could only be bought directly from them I was a little saddened I couldnt buy more copies (due to my finances) because I have reccomended it to all my friends and literally have a waiting list growing but now that I have found it on Amazon I can buy more copies! These are truly incredible people and have given me so much inspiration to follow my own dreams. Nearly every page of my book has highlighter markings of the truly wonderful and inspirational things in this book that I look back on occasionally to remind myself of things to be thankful for, dreams to follow, how to love others, take risks, and live for your heart! If you read this Candelaria and Herman, please know how much you have truly inspired me and made a difference in my life. It was a pleasure to meet you and your beautiful family!
Erfellie

I've never written a review here before but I feel compelled to do so for this book! I am only a little over halfway through and I am already buying more copies to give as gifts to friends, and to my mom for her retirement/career change gift. I want everyone I know to read it! It is such an enjoyable read that one could read it for enjoyment alone. But the big thing I am getting out of this is exactly the inspiration that Herman and Candelaria meant when they started writing it: to figure out what I want most out of life and to just go for it and make it happen! My husband and I NEVER read the same books but we both read this one after he bought it from them at a festival last fall. He loves it so much that he gets upset if I leave it somewhere that our 2 year old can get it and bend the pages!

Never before have I read such an inspirational tale. Many others have spoken of the wonderful people these two are ... I could not agree more .. The story inspires me daily .. I thought I would offer another insight in how this book can be used to motivate others

Some nights my near six year old son likes to sleep in my bed with me .. before he falls asleep he asks me to read to him from Candy and Herman's book .. he wants me to read until he is fast asleep .. already he has learned the power of dreams and his own ability to bring his to life ...

I can not say enough about the beauty that lies with in these pages!

Shannon

This book is so inspiring. Anybody who has a dream, which is everybody, will absolutely love this book. It will encourage you to go out and chase your dreams. You won't be able to put it down as you feel you are truly taking part in this wonderful journey.

This story of a couple in love following their dream is an inspiration to everyone. Not only is it a great lesson in how to treat the man or woman you love, it's also a lesson in the ways of the world. When everything you see and read these days is about destruction and chaos this story shows that so many people are truly good and believe in dreams.

I am looking forward to a possible meeting with this fantastic couple. Read this book, it's inspiring, emotional, and well written.