Asia Books

The thread connecting the chapters in this book, several of which are adapted from Buruma's previously published writing, is the author's journey from free Los Angeles and thereabouts to unfree Beijing. At each stop along the way Buruma interviews dissidents or former dissents from Chinese societies. Their stories do seem to blend into each other after a hundred pages or so. There's the childhood of relative prosperity, the youthful recognition of a corrupt society, and the public expression of defiance, followed by arrest, imprisonment, and usually torture. The grisly repetition of fiendishly cruel punishments would be macabre if it weren't for Buruma's personal explanation for his curiosity: he wants to know if he and his generation in Europe could have borne such trials.

It is the personal element that makes this book as captivating as it is. We hear not only each dissident's words but also Buruma's reactions to them and sometimes arguments against them. His long experience in Asian affairs and understanding of Western and Asian societies make his thoughts as illuminating as the stories of the dissidents themselves. The book is not a travelogue but has elements of one. He meets old friends and strangers, eats new foods, and ruefully observes changes in urban landscapes. His brief descriptions of Singapore, Taipei, Hong Kong and other cities on his route capture them in their essence.

"Bad Elements" is informative, horrifying, inspirational, and even funny at times. Anyone with an interest in Chinese culture, Asian politics, or modern history will find it enlightening.

Ian Buruma gives us a penetrating portrait of all kinds of modern Chinese rebels against authoritarianism ('A human being should have the right to choose his own destiny').
These dissidents represent 'the first principle of good governance: the freedom to be critical and in this respect, they are an example not just for China but for all of us.'

Among the most fascinating interviews are those with the Tiananmen rebels more than ten years after the bloody events. These dissidents are now more or less troubled men in exile, full of disillusion and desperation, even fleeing into religion, but still bickering with and criticizing their fellow travellers.
Although they showed enormous courage, the truth is that they were not really a threat for the regime. As Ian Buruma states rightly: 'The Communist government fears rebellious workers far more than students and intellectuals.'

This book contains a wealth of information on China and the Chinese Diaspora.
It contains painful interviews with victims of the Cultural Revolution who suffered horrifying tortures, as well as a harsh report on the Shenzhen zone and a correct evaluation of the Falun Gong movement.
The author sketches a terribly bleak picture of Singapore's dictator Lee Kuan Yew, who couldn't support the slightest criticism and who crushed even the mildest of his opponents.
He gives us also an excellent historical and actual portrait of Taiwan with the bloody Kuomintang invasion and the brutal dictatorship of Chiang Kai-shek.
One minus point: in his distinguished portrait of Tibet he fails to mention the fact that Tibetans were trained by the CIA as invasion troops for an attack on Mao's China.
With every report and interview, the author illuminates different aspects of the Chinese mentality (Confucianism, zige, xenophobia, self-loathing ...)

This book is a magisterial achievement and a must read for all those interested in the history of China.

As with all of Buruma's other writing, this is a brilliant book, well-written and convincing. The strength of his writing lies in his appreciation of, and his craving for the intricacies and idiosyncracies that make up the Asian lifestyle. In this book, he gets down and dirty, even enduring the squalid conditions of rural Chinese life to live with a family whose Christian matriach runs an underground 'Church'.

My primary grouse with Bad Elements can perhaps be encapsulated in this very episode: I was very much looking forward to hear Buruma's views on the underground Church movement in China, and was expecting as much, but he chose to present the internal conflict within the above-mentioned matriach's family instead, whose children (like the Communist government) think that she's dabbling in the occult. Buruma loses the opportunity to discuss much of the issues he so tantalizingly mentions: an interview with a senior Chinese dissident falls through because the writer misses him as he passes quickly through the turnstiles of the Beijing underground, for instance.

This book strikes one as more of a work of travel writing, with plenty of pointed perspectives and unexpected opinions emerging from both the writer, the landscapes through which he passes and, of course, the people he meets. As such, this isn't quite as academic, nor does it provide as much in-depth historical/sociological research as some readers might expect. Another word of caution: while Buruma is mostly accurate in his descriptions, he does tend to neglect details - titles, place names, translations. Still, he does correctly observe that Lee Kuan Yew is, indeed, Senior Minister, the title he's held ever since stepping down from Prime Ministership. In Buruma's earlier The Missionary and the Libertine, Buruma actually makes the jarring mistake of addressing the man as Head Minister, a position which doesn't quite exist in Singapore.

Buruma's views are informative, but don't expect much objectivity here: he never shifts from his position that the CCP is 'morally bankrupt' (a phrase he uses a lot), and fails to provide balanced commentary of a wide array of issues, ranging from Tibet to the Tiananmen Massacre. Anyone or anything associated with the CCP is hence rendered malignant.

That said, Bad Elements is a great read. It will keep you up at night, just to get through all the details the writer so willingly provides! As complementary reads, I would suggest Ian Gitting's China Through the Sliding Door, a journalistic (if somewhat dry) account of reporting from China over the last 4 decades and Jan Wong's China, a witty work of non-fiction that manages to paint a sympathetic picture of the sufferings of the Chinese people under the CCP. Gitting's book is a masterpiece for its unapologetic objectivity and amazing detail.

For decision-makers in companies which are either doing business in China now or are planning to, this is a must read. Buruma examines various "bad elements" in China and elsewhere whose intransigence and (in several instances) corruption create serious barriers to communication and cooperation as well as to commerce with the western world. Viewed as a global market, the People's Republic of China offers business opportunities which are almost comprehensible. For those of us in democratic societies in which dissent is not only possible but protected by law, it is difficult to grasp the nature and extent of suppression of human rights which we so easily take for granted. Among dissenters, opinions vary as to the pace of reform by which to establish such rights. At one point in this brilliant book, Buruma discusses Dai Qing who can be described as a "go slow intellectual." She advocates patience and prudence, confident of eventual reforms. "One sees what she means, but the analysis is flawed. On the contrary, the raw emotions, the latent hysteria, the pent-up aggressions seething under the surface of Chinese life are the result of living a lie. As long as people speak cannot freely, nothing can be exposed to to the light of reason, and raw emotions will take over." Over the centuries, social reform in China has never been easy and often traumatic. After conducting interviews with several dozen "mavericks" and then reflecting upon what they have shared with him, Buruma seems skeptical that significant social reform can be achieved, given the opposition of various "bad elements." He may be right. There is also the possibility that one totalitarian dynasty will simply give way to another. In that event, to what extent will suppression of dissent be sustained? To what extent will such a new dynasty be more willing and able to accommodate new technologies, notably the Internet? Buruma asks these and other critically important questions. He and we await answers which will indeed have global implications: positive, negative, or more likely both.

A compilation of essays about Balinese religion and culture, author sometimes ends up repeating himself (though he does warn the reader of this, right off the bat). But it's really a wonderful volume for anyone who wants an in-depth understanding of the Balinese.

Eiseman is thorough in his detail, but the style is not at all dry and academic. There are lovely little personal anecdotes, and it really comes from the heart of a man who has spent much of his life in Bali.

Cosmology and religion are covered in this volume, such as an explanation of how a home is built with respect to cosmic forces and directions. There is a valuable guide to festivals, complete with calendar. Especially fun is Balinese astrology, and the author writes extensively about this.

A possible approach: read the Lonely Planet cultural section first, then go to Bali, then read Eiseman.

This book covers Balinese religions and culture in ways that are both informative and useful for the serious traveller/tourist or casual student of Bali.

Having spent six months in Bali in the '70's and having read extensively, I am even more enthusiastic about this book.

Volume two covers more limited and esoteric topics.

You should get a good map to accompany this book.

Although it won't tell you where to stay or which restaurant to visit, the book is a great, unpretensious guide to the elaborate daily rituals of the Balinese, written by an American who's developed something of an obsession with Bali. It offers the clearest descriptions available of mask making, Balinese dance, temple rituals and offerings. The book is so good you'll find it on every coffee table in Bali.

I am Balinese and live in Ubud in the cultural center of Bali.

In the Eighties I used to see Fred Eiseman, with a notebook and pen in his hand, at temple ceremonies all over the island, and in my restaurant, taking voluminous notes. I often wondered what he was up to.

Now I know. He has produced the most detailed descriptions yet of most aspects of Balinese life and culture. He lives down in Jimbaran on the south coast, so many of his descriptions relate particularly to that area - practices change a bit in different places.

He understands the Balinese language, which is not the case with many academics, who visit Bali briefly and write learned treatises, and don't always get it right.

Fred's book is extremely well researched, and my only criticism is the detail (in places) and the repetition. That is because the book is a collection of essays. It does mean, however, that you can dip in and out of any chapter. They are self-contained, and that is useful.

Wonderful book. Very nicely put together. Offers an intelligent introduction to all aspects of Balinese artistic life with gorgeous illustrations throughout.

Excellent book for both those who are Bali newbies and those who already know about it, although it might be a little too detailed for some novices. Informative, with fantastic photos and drawings.

This excellent book provides an extensive, reader-friendly overview of Balinese dance, music, drama and culture. It's the book we've all been waiting for. Written in an informal and high accessible style with wonderful pictures and illustrations it will no doubt be treasured by academics, Baliopihiles or anyone wanting to visit Bali and more deeply experience it's powerful culture. Rucina and Dibia (I know them both) are extraordinary and passionate lovers of all things Bali and have written and taught extensively for decades. If anyone was to write this book, they were the obvious choice.

There are dozens of books on this subject - most far too academic and inaccessible - including some of the classics. They got the information right, found the right expressive tone, and the layout is stunning.

A wonderful experience throughout!

Michael Wiese, filmmaker, publisher and Baliophile

Extensively illustrated with over 200 full-color photographs, Balinese Dance, Drama and Music: A Guide to the Performing Arts of Bali takes the reader on a captivating tour of the history, style, and function of Balinese gamelan music, dance, drama, and puppetry. Suitable for all ages, Balinese Dance, Drama and Music covers how performing arts are learned in Bali, the principal Balinese values that artistic media passes on, and discussion of individual forms of performing arts, such as Gameland Gong Kebyar, Lgong Keraton, Baris, Wayang Kulit, and the relatively recent phenomenon of women's and children's performing groups. A bibliography and discography round out this superbly captivating survey, written by expert dancers and choreographers.

Cameron has achieved somthing remarkable here. He has produced a superb scholarly work, and infused it with a warmth and humanity which beggars description. He evokes the sense of awe, of wonder, of sheer disbelief felt by these European visitors. He revels in their confusion, laughs as they grope their way through a world of which they have no comprehension. And is completely sympathetic. That is not to say this is a lighthearted book. He can be savage in his critique, and his description of the Opium Wars will anger many. Still, for a balanced, lively and superbly scholary book, you can not find better. I recomend it wholeheartedly.

If you are not interested in China you should read this book, to understand more of your own country. If you are, then you will find it insightful, erudite, empathic, and comfortably delivers the quality you would want when reviewing the scope of 13 centuries of western engagement with traveller. Based on my reading of innumerable other books on the subject, one of the best informed. Except maybe about the Last Empress.....such a small point. This writer has lived for decades in the region, and it shows. Highly recommend.

I have made China, its history and future, a dedicated hobby. It also helps that my work requires me to covers Greater China. As such I have read 100's books, and visited many times, and published - although nowhere near the scholarly work of this. It is a great work, very well researched, sympathetic, and empathic - rare in the case of a western writer in my experience. He has spent decades in the region, and it shows. A project on a broad scale, 13 centuries of China's engagement with western travellers is readable, insightful, human, and even if you do not have an interest in China - it will change the way you think about your own country[men] and the geopolitical landscape. However, you should know about China, it is now a major player on the world stage. Highly recommend.

Through the accounts of representative Western travelers -over thirteen centuries- in China, the author provides a historical thread of encounters between West and East, starting with the christians-nestorians in the year 625, and continuing with Marco Polo and the Mongols. Then, the great saga of Jesuits scholars and Dominics during the late Ming and early Qing dynasties. The author moves on to the 19th century with detailed accounts on traders and diplomats intertwining with the Opium War and the Unequal Treaties, finishing with the boxer attack of the Foreign Legations in 1900 and the Sun Yat Sen's first republic in 1911 .

In the background one reads of the comings and goings of the Chinese dynasties dealing with increasing waves of "ocean devils". In the forefront one finds the portrayal of a gallery of actors : sages and villains, missionaries and eunuchs...The underlying clash of cultures enhances the reciprocal fascination and disbelief of two worlds, each one convinced of his own superiority but nevertheless enthralled by the other.

Nigel Cameron -- in a well documented exposition of hundreds of historical clues, with over 100 illustrations-recounts the introduction of western astronomy to the Middle Kingdom, the enchantment of Jesuits with Confucianism and the subsequent conflict with Christianity, the antiforeignism as official Chinese policy confronting the Western "gunboat" extraterritoriality.

History repeats itself ?.I am writing this review in Beijing, July 1999, myself a " bearded barbarian" European staying in China since early 1989. A few weeks ago I saw in Beijing demonstrations of Chinese students stoning two western embassies. Recently we have seen on the news the emotional confrontations between Chinese and Western (Americans) diplomats and political leaders regarding atomic espionage. At the threshold of the celebration of the 50th Anniversary of the New China and the upcoming China entrance into the World Trade Organization, the story of the East and West, face to face, is an unending and fascinating one .

A copy of its out of print 1989 edition has been on my desk as a special reference book, so I am glad that it has been recently reprinted.I would recommend it for someone who has more than a mild interest in the subject matter, and mainly for the next barbarians coming to China in the next millenniums...

The year is 1971. American involvement in Vietnam is winding down and the United States prepares for reversion of Okinawa back to Japan. Enter Indiana Jones-like Captain Rast, fresh from his tour of duty in Vietnam, ready to begin his next adventure on "The Rock." Assigned to the top-secret "Operation Red-Hat," the removal of WMD's from Okinawa, Captain Rast is catapulted into a world of military cover-ups, renegade officers, CIA operatives, sinister drug lords, murder, firefights, and (Oh, Yes!) steamy sex.
Rast's first-rate novel, filled with colorful and sometimes loony characters, snappy and witty dialogue, and biting political commentary, is an exciting and action-packed book from beginning to end. --Diana J. Dell, author, "A Saigon Party: And Other Vietnam War Short Stories."

An absolute must read
If you like action-adventure stories, then this is the book for you. The characters are blended together with skill that makes the plot very interesting. Set in exotic Asia, the author brings you into a very volatile situation in which a nuclear suitcase bomb is stolen by an American colonel. His intent and whereabouts are initially a mystery baffling both CIA and Soviet GRU agents. While this search is in full swing, the highly profiled removal of poison gas (Operation Red-Hat) begins on Okinawa with covered up incidents of deadly sarin and tabun leakage. The main character, Bayou Samurai, becomes involved in this gas removal along with being tasked with a secret `Black-Code' mission. There is plenty of activity ranging from murder, drug smuggling, typhoons, political pressure, to Bayou Samurai's romantic, often comical flirtation with the beautiful geisha, Uri Kikuchi. From the White House to General Big-Minh in Saigon and his drug warlord buddy, Khun Sa in Burma, Bayou Samurai manages to meet all challenges with his `odd' method of going after the bad-guys with one foot always in hot-water with his superiors. A true page turner, I couldn't put the book down. I have never read anything as exciting and riveting in my life. My strongest recommendation.

If Forrest Gump had stayed in the army, he would have been the perfect definition of 'Bayou Samurai', a reserve officer, rather innocently contrified from Louisiana, full of contradictions, afraid of upsetting his military boss's as he stumbles across Asia to remove poison gas from Okinawa, then recover a missing nuclear bomb along with thirteen pounds of plutonium just for starters. It's a great story, well thought out with some very interesting characters like the Burmese drug warlord, Khun Sa with his odd compassion for American primitive art; Timothy Bernard, VFW manager on Okinawa, thriving drug smuggling money while in cahoots with Saigon General Big Minh; Colonel Charles Hungeford, the renegade West Point expatriate, a misguided genius madly in love with 'Arun' (Dawn) of the Akha hill-tribes in the Golden Triangle, pregnant with Khun Sa's child; Uri Kikuchi, the beautiful virgin geisha, secretary to Chobyo Yara, top political figure in the impending reversion of Okinawa back to Japanese control who distrusts Americans, yet befriends Bayou Samurai. Throw in Bayou Samurai's romantic, comical scenes with Uri and his Vietnam femme fatale Nguyen Thi Chua and the rambunctious Major Steinson; you have plenty of sex to blend with often raw acts of violence, political intrigue, and descriptive areas of Japan, Okinawa, Vietnam, Laos, Thailand, and Burma, poetic in almost seance, blending with plot--- which is darn good.

This fast-paced, turbulent, yet romantic story focuses on a young somewhat countrified American officer assigned to Operation Red Hat on Okinawa in 1971. The circumstances are multi level making for some good reading as the story unfolds taking the reader across Asia and into The Oval Office of The White House for snatches of great dialogue, epsecially between Richard M. Nixon and Henry Kissinger. There is Operation Red Hat involving removal of poison gas and nukes from Okinawa, drug-smuggling intrigue, a missing nuclear suitcase bomb, government cover-ups placing the forces of good trying to undo evil into almost insolvable scenarios and great humor to balance out a Cold War drama involving realistic violence brought on by my fear and greed. I enjoyed reading this book because it was not only interesting but the obvious research is well organized in placement and sequence of characters and events. One has to wonder why Rast labels the work fiction as most of the events are true, while he only adds a delightful literary "Midas Touch" to make it into a compelling story set in an area faintly understandable by Westerners. Books like this are rare to come across nowdays which manage to bring across realistic content while co-mingling whith entertaining readability.

This book not only talks about the Yanze river and three gorges dam but it also gives a very interesting lesson on the history of China. I highly recommend this book for anyone interested in China.

A superb book. Drawing from her life experience, the author gives vivid picture of people's life along China's Yangtze River. The construction of the super-dam will greatly alter people's life there. We should thank the author for recording, thus preserving the past that will be gone forever. Scholars, especially scholars of China Studies would get detailed description of the daily life of Chinese people. Travellers would also find the book useful. The author was among the first group of foreigners who worked and travelled in China after 1976. Thus, her story is really invaluable since not many foreigners had the chance to witness China around 1980. Overall, the book is informative and insightful. Wonderful work.

December, 2, 2002. I just returned from my first trip to China which included 4 days cruising through the Three Gorges of the Yangtze River. My good fortune was having this wonderfully and scholarly written book by Ms Chetham.

This book was invaluable to me because it gave me a full perspective of China, it's people, it's culture, and it's economic development. With this book as my traveling companion along with 43 good friends from San Francisco our group visited Beijing, Xian, Chongching,350 miles of the Yangtze River, Wuhan, Shanghai, & Souzhou. In each locale we had english speaking guides who were born and raised in the area. The combination of the local input, our observations, and readings from this book created a "trip of a lifetime" for me.

If you plan to visit China this book is a must.

This book encompasses the history of the Yangtze, as a history major I enjoyed learning about the history pertaining the Yangtze. Moreover, it discusses the political motives behind the construction of the dam. Also, this book addresses the social as well as environmental costs of TGD. It is a great book for students, travelers, environmentalists, historians, and those who have an interest in China.

Just wanted to say I've had this book for 8 years now and it is still one of the greatest treasures in my library. Thanks to the author for writing it. I just recommended it yesterday to another great writer of things Indian - pass it on. This book's a keeper.

Richard Lannoy's "Benaras Seen from Within" is a passionately insightful spiritual/aesthetic inquiry on the holy city of Kashi (Benaras). It is more a work of ardent love than a work of curiosity. It is more a work of the seeking spirit than a work of art. Teeming with the elusive cosmic energy that has pervaded the city of Kashi since times immemorial, his photographs and his insightful writings in this book are testament to his seeking soul, his acute eye and his brilliant mind that have fueled the creation of this monumental body of work.

Inspite of several scholarly and scientific studies undertaken of this holy city, Mr. Lannoy's work stands out as a unique and exhaustive seeking of its kind. For one, it is the result of a passionate dedication of a lifetime of love, energy and effort by this acclaimed Indologist. (It has taken him about five decades to accomplish this work). Being a trained artist, a scholar and a deeply insightful writer, his love for the country of India and his sincere reverence for the city of Kashi have all contributed effectively to create this spiritually rich and inwardly seeking work. His lengthy span of over five decades to research and document this book has been a boon to reflect on the ever-changing yet never-changing cosmic landscape of Kashi. (This is paramount to the unique quality of this work). Besides, it takes a deeply dedicated and spiritually aware soul to see through the distracting and distorted layers of the teeming microcosmic city of Benaras and to reveal the transcendental cosmic city of Kashi. It is amply clear through this book that Mr. Lannoy seems to be all that in addition to being a master photographer.

Through the lens, he has succeeded in capturing the elusively spiritual; the hauntingly mythic. (This, I think, is the most difficult and worthy achievement of a photographer.) His works in entirety are wrapped around this theme and are reflected all over in secret cues. His visual vocabulary effuses the language of the mysterious and taunts the viewer to search his pictures. Like Henri Cartier Bresson, he is the master of the moment, but very unlike Bresson, he is concerned with the spiritual exuberance of the picture than the merely aesthetic. His pictures are more felt than seen. Some of his successes enjoy a brilliant quality of aesthetic, insightful and the inwardly. Mr. Lannoy is also kind and reverent to the subject of his study. In his pictures, he seeks for deeper moments with the grace and expectancy of an earnest and seeking student. Pictures of the people and the abundant petite bourgeoisie are not pictures of the materially poor, but the spiritually rich. Some of his captured moments are events of everyday life : ceremonies, ablutions, prayers, journeys....yet moments that celebrate metaphysical insight and inquiry.

Through his pen, he offers a penetrative and insightful documentation on the holy city of Benaras. Steeped in myth, religion and spirituality; Benaras is one of the last remaining living ancient cities where visitors, pilgrims and scholars throng; attracted by the enigmatic energy that radiates in this place. As a peculiar convergence between the present and the past, the sacred and the profane, this pervading dichotomy of sorts presents a very unique challenge to the inquirer and Mr. Lannoy acknowledges this very nature by interspersing his works between words and pictures. In a sense, what cannot be conveyed with words is reflected within his pictures and what fails to be seen is written with acuity and ardor. With this hard earned creation of a lifetime, he seems to have collected the ripest and the most mystically beautiful fruit from the sacred tree of Kashi.

Mr. Lannoy's book is a seminal and masterly work of an artist and intellect in search of the soul of a cosmic city. In many ways, his works are reminiscent of the scholarly undertakings of the pioneer Indian art historian and original thinker Mr. Ananda Coomaraswamy. Like him, Mr. Lannoy is intuitively gifted in his ability to grasp the metaphysical leanings of his subject and writes with a passion and an inwardly conviction that years of patient seeking and searching have granted him.

I highly recommend this book for any student of artistic and philosophical seeking. For those in proximity to New York City, there is an exhibition of his works on display till the 8th of April 2000 at Sepia International Inc. Galley, 148, W 24 Street, 11 Floor, NY.

-Lokesh Muthuramalingam, February 25 2000, lmuthura@att.com

This huge book about India's most holy city has two parts, either of which would be worth the journey through its beautifully produced pages. In the first, hundreds of photographs are cunningly arranged to lead us into the ancient, wonderful city where the Buddha first began his mission. The images take us along lanes and ways, up to rooftops, among pressing crowds, and down to the sacred ghats by the River Ganges; where Hindus have gone for millennia to cleanse their sins and burn their dead. In the second part, we get a lively description of the inner life of Benares--and by extension, all of India. This book should be read by anyone interested in Hindu art and religion, but also by city planners and would-be travelers.

Remarkably, the book spans over 40 years of thought and effort by Lannoy-- with a great caesura between the early 60's and the present. How this happened is that Lannoy began his project in the early 50's and worked at it for over 10 years during extended residences in the city. Then he struggled to find a publisher who would take the risk of printing so many rich photographs. Struggled and failed, and the photos crossed the oceans several times in steamer trunks, before finally coming sadly to rest. Until 1998, when the old sage, painter, and author of other books that are scholarly classics at last turns his eye again to this troublesome love of his youth. Now he takes up his camera for the first time in years and, armed with new possibilities for small press runs, returns to Benares for fresh photography, contracts a Hong Kong printer, works furiously, takes a huge financial risk, and at long last publishes this unique masterpiece, on his own, exactly as he wants it.

The fifties, for Americans anyway, are remembered as a time of great cultural certainty. We recall images--often in black and white--of an uncluttered land, at once carefree and supremely purposeful. India, we learn through these photographs, had a golden age of its own in this same era. But while America's purpose was transcendent materialism, Indians, newly independent, could at last strive for spiritual fulfillment in their own land. We sense this confidence, somehow, in the pictures and Lannoy is at pains to point out their psychological portent. It is as if he were an art critic analyzing the imagery Indians create by assembling, unselfconsciously, for their rituals and pageants--imagery which he is skillful enough to capture. For example, I might not have perceived the spiritual melding in crowds assembled for ritual bathing without the convincing captions Lannoy provides. Nor would I have seen the change wrought between the 50's and the present, when crowds have lost their unity of belief and become mere collections of individuals.

"Benares Seen From Within" works as a coffee table book. Many of the pictures are conventionally gorgeous and certainly exotic. But the collection is much, much more. Photographs are grouped, according to subject, in a more or less straightforward way. But within the groupings are subtle structures and by-plays with the captioning. For example, in one section shows a series of contact prints (miniature photographs are used to effect in several places). They show a mural painter drawing a devotional subject while a sahdu (holy man) regales a group of followers with a parable. At the climax of the story, the caption informs us, the muralist draws the pupil of the eye-the moment the image gains a soul. "Oh" one thinks and turns the page. There is a charming picture of the river side and a veranda. Turn another page and pow! A sahdu leans forward with burning eyes and points right into the lens. This moment, one realizes after paging back, was the climax of the story. Elsewhere, Lannoy describes the excitement and difficulty of photographing the Naga Baba, but without saying exactly what the Naga Baba are exactly. For this, and much more, we have to delve into the pages ourselves.

Earlier books by the Lannoy (Speaking Tree, The Eye of Love) have established his credentials as a scholar of Indian art and culture. Here, we get a more personal statement, informed by the passage of time, and insightful of the disturbing changes underway. The text is rich and lively-and illustrated with additional photographs. Where the detail is overmuch for a first reading, the layout allows one to skip ahead; and meticulous indexing refers one to the photographs for fresh examination. It is rare to get a book of photographs that contains such easy scholarship and it is even more unusual to get art and religious history enlivened with photographs that are art in their own right.

For all the pleasure, we are never far from a grim sense that Benares is under threat. Due to pollution, the Ganges is now extremely unsafe for even the most stalwart bathers. Urban blight and traffic has savaged the ancient city plan. Lannoy looks at this unflinchingly. Indeed the photography often acts as a time-series showing decay and loss.

At this point, I should confess that I have known Richard Lannoy for many years-since he was my tutor at college in England over 20 years ago. I can recall him showing us students some of the photographs now published. Tarot-like, he would deal pictures out onto a cloth laid on the floor, intone on their meaning, then whisk them away for a fresh set. They created a spell then that still enchants. In the truest way, this book is a gift from Richard-a giving back and a sharing about a place at once loved and mourned. Lucky us that he was able finally to not only show the beauty of Benares, but sound an alarm for the future.

This landmark book is a life's work and sings a soul song of one of the most deeply beloved spiritual places, a place where religious life is still the center.

Lannoy's photographs have all too rarely been published, and this book would be a visual feast if only for the chance to see a master photographer at work, composing foreground and background moments simultaneously so that they breathe life and a story in a complete message.

The text is also the best piece of writing about Benares that I've read. So many books describe only the obvious and most prurient sites of Benares (the burning ghats, the naga babas) and miss the true depth and richness of the city. From this text and photographs, the reader looks at the numerous facets of this multilayered city.

I, too, must confess to having met and now knowing Richard Lannoy, as a fellow traveler in Benares, where I had the extreme good fortune to meet him and to accompany him on photographic jaunts throughout the city and its outskirts.

His running dialog about things Benarsi is a gift of the gods...For anyone who is interested in India, I would say this is the first and best book you should buy. You can learn more about the country, and a great city, from this book. An incomparable experience and hours of absorbing reading and looking...

will most definitely be saving this book for my daughter when she is a little older. I loved this book, and I loved Nazia -- the 14 year old girl who is forced to grow up way too early! I realize that this book is geared for twelve year olds and up; however, I think it a great read for grownups too (especially mothers.) BENEATH MY MOTHER'S FEET deals with issues that each and every mother must face -- wanting what you think is best for your child while also giving them the opportunity to make their own choices.

I am just so impressed with Ms. Qamar as a writer. I can't believe this is her first book. BENEATH MY MOTHER'S FEET was so easy to read (I actually couldn't put it down and read it in one afternoon) and so well written. I was captivated by Nazia's story from the first few pages, and I was sad to see her story end. I would love to know what happens to her past the pages of the book. Not only was the story very intriguing, but the descriptions of Pakistan were incredible -- I could picture each and every scene.

I found this book to be a beautiful coming-of-age story! At the beginning of the story, we see Nazia as a 14 year old girl with her life mapped out for her. She attends school with her friends and is expected to marry her cousin in the near future -- she leads a relatively normal, carefree life for a young Pakistani girl. One day her father is in a devastating accident, and her life is totally turned upside down. Her family is broke and hungry, and Nazia is forced to work as a maid to support her family. To make matters worse, the dowry that her mother has been saving for many years is stolen. Her entire future (and especially her arranged marriage) is now at-stake because her uncle finds this work completely unacceptable for his future daughter-in-law.

At times, this story just broke my heart. I hated how quickly Nazia was forced to grow up and lose her youthful innocence. I also felt so much sympathy for Nazia's mother because she had to do anything and everything to take care of her young children. She too was forced into an awful situation as a maid, while also having to accept that her husband and son were of no help (and actually ending up doing more harm than good.) What I did love about this book was what Nazia ultimately learns about herself -- she finds that she is a strong, honorable girl who really does have some choices. She realizes that she has to be true to herself, no matter how difficult that choice proves to be.

If you have a mother-daughter book club of 12 year olds and up, I can't recommend BENEATH MY MOTHER'S FEET enough. It has so many wonderful issues to discuss, especially the relationship between a mother and her children. There is already a great reading guide available to jump-start your discussion. In addition, there are some ideas for activities and research which will also enhance your child's reading experience. I can't wait until my daughter is old enough to read this book and discuss it with me!

Although this book is for young adult readers, I (an adult) read this book in almost one sitting and was completely carried away by the story. Ms Qamar writes in such a way that draws you in and gives you a snapshot of life in a Pakistani town. You gain a better understanding of their culture, their deep loyalty to family and their everyday ways of life. You'll instantly fall in love with the main charachter, Nazia, who is just a young girl enjoying school, friends, her family and the every day perils and adventures of growing up. That is until her mother takes her out of school so she can help earn money for the family. What Nazia experiences teaches her many things, tests her own loyalty to her family and teaches her how to deal with personal struggles. Days after reading this book, I was still thinking about Nazia and all that she experienced. This is definitely a must read for all age groups!

Nazia is a strong young woman who is teetering between loyalty to her family and loyalty to herself. Everyone disappoints her except her best-friend and, with much struggle, her mother.
I hope Sherzad escaped to dadi's. Maybe his mom is to tight with her money to go after him. At least he knows that one person believes in him, Nazia.
I hope there are more stories about the characters in this book.

This is a beautifully written tale of a young girl's struggle to help her family and find her own place in male and mother dominated Pakistan. While many of us will never actually know the hardships Nazia endured, Amjed Qamar's vivid descriptions and exquisite story telling bring us as close as possible. This is a truly touching story that all daughters should read.

Beneath My Mother's Feet.Love a story that can vividly take you on location? This book will completely envelope every sense, to the point that you can smell the hint of mustard oil, feel the scorching sun of Karachi, Pakistan. This story completely pulls you into the life of Nazia and her family. An excellent read!

I just wanted to comment on the book. I thought it was very good. Justin Chin writes very well and his images are so brilliant. "Bitterness comes as revolution, cyclic, a snake biting its tail scales, a dog nipping its tatil hairs, bitter, continuity avhieved by subtlety, perceptions played out, questions followed by answers, ask, answer, some days you will know..."

Reading this collection as a first generation immigrant from Malaysia (as is Chin), I was pleasantly surprised by the synergy of our experiences as I paged through the pieces.

Chin's style is raw yet sincere; a titillation of all the senses. From the sterile scent of Dettol, the taste of spicy and MCG-saturated Chinese restaurant food, to familiar alliterations of "Manglish/Singlish", Chin at times teases us with love/hate sentimentalities, and at others, unapologetically shoves the practices and nuances of his desires down our throats. The book's cover and binding fail to stem issues of sexuality, home, memory, colonialism, betrayal, obsession, race, nationality, envy, and beauty from flooding out from the pages. All this is rolled compactly like a layered piece of candy, demanding that you not suck on it, but to BITE HARD! Take it all or spit him out. He demands no compromise.

You kept me awake and happy

Wow - I loved it...

I'd first seen Chin perform in San Francisco and this book is just as dangerous - it challenged my own comfort levels and at the same time left me in hysterics. These are real experiences I could relate to. Thanks!

An engaging adventure enfolds when Bushi escapes a gang of school yard bullies by fleeing into a karate studio. He falls, losing consciousness and dreams (another interpretation from the book jacket is that he travels back in time) he meets the master who founded the school and has an adventure, in which he learns to escape a larger adversary by jumping aside during an attack. When he reawakens, he uses this technique to land the bully in a fountain and escapes again to attend karate class. Includes small glossary of Japanese words used in the story and vivid illustrations.

Once again Mat Faulkner have brought another great book into american liture this book is the best i love his illistrations and te story line is great i hope his next book maybe a sexquil? Will be just as good.

An engaging adventure enfolds when Bushi escapes a gang of school yard bullies by fleeing into a karate studio. He falls, losing consciousness and dreams he meets the master who founded the school and has an adventure, in which he learns to escape a larger adversary by jumping aside during an attack. When he reawakens, he uses this technique to land the bully in a fountain and escapes again to attend Karate class. Includes small glossary of Japanese words used in the story.

Once again Matt Faulkner demonstrates his outstanding abilities in the literary as well as artistic realm. "Black Belt" rises to the top among his other works such as: "Amazing Voyage of Jackie Grace," and"Jack and the Beanstalk." His illustration is so beautiful you almost need no words to read the story of Bushi and his nemesis Yag yu. What child has not lived through Bushi's experience and dreamed that he would be the victor. The story has everything that makes a book exciting for a child: Magical illustrations, a real life problem, a possible solution, and a surprise ending that leaves you wishing for more. What more could you ask for?