Washington Books

There is so much to this book than noted at first glance. First, we get a great dose of history told in a way children can understand it. Secondly, we learn some little known facts about our first president. Thirdly, we have animals, something neither kids nor adults can ever get enough of and fourthly, we get a story packed full of morals. But that is not all. The illustrations are very well executed and a delight. The text is simple an to the point and goes quite well with the illustrations. The book makes some very complicated situations and states them simply in a very nice story. I enjoy this one almost as much as the children do. This is a good work to read to the class as it generates good discussions. Recommend this one highly.

This easy reader is a delightful story to share with all students. The information gained about President Washington is unforgettable. Children will love that George named his dog "Sweetlips" and they won't forget that he was super kind and honest to one of his enemies! This book will be a staple in classrooms across the country and this true story of George may replace his "Cherry Tree" tale.

I used this title with a class I teach to American children overseas. They really enjoyed it as a read-aloud and couldn't believe that it was true! I like that the back page had a copy of the original note sent as well as photos of drawings/paintings of Howe and Washington. The illustrations aren't spectacular, but the children loved it.

This book is great for kids and parents. Teachers should read this book because it teaches good morals, foe children. I also like this book because of the dogs, and writing crafts in it. Hopefully Frank Murphy will keep writing kids books. If you buy this book you will be satisfied
SCOTT 11

My six-year-old son brought this title home from his school library. We read it together several times, and one night I found him meticulously copying a page from the book. My son hated to return the book, and I knew I had to buy it--for both of us! It tells a little-known story about Washington in a charming, beautifully illustrated manner that everyone (especially dog lovers) will love.

After a brief lull at Mount Vernon, the victorious general of the Revolution found himself harnessed unwillingly into the first presidency of the infant United States. Flexner handily traces Washington's first term, from the foundation of a new government on an untried Constitution to the internecine warfare in his own cabinet that threatened to split that government and sink the republican experiment.

I was somewhat disappointed when I received this book. When I looked for it on your web site, I did a search, and had asked for only hardcovers, so I missed the part on this item that indicated it was a hardcover. I normally collect only hardcovers, and would not have spent $38 on a paperback book. Now, I still have to keep searching for a hardcover version, and I'm stuck with this paperback.

Admittedly, this was my own oversight, so I can only blame myself, but maybe you can fix the problem with your search engine, so when looking for ONLY HARDCOVERS, that is what the result gives.

This book is the third in a series by Flexner on the life of George Washington. I highly recommend this series for anyone seeking to really understand the founding fathers. Flexner draws his material from many different sources to dovetail the life of Washington with those around him. His attention to detail makes the book a facinating read from cover to cover. It is quite a journey you are taking with a great man. I am so glad that Flexner took the time to put together such a magnificent compilation of data. I feel so much more appreciative of George Washington for all that he did to hold our nation together in its formative years after reading this book. A must read for those who love history!

This the third installment of a four volume series by James Thomas Flexner on the life of George Washington taking us through the years 1783 - 1793.

We see Washington returning to his beloved acres... Mount Vernon, after the British are finally leaving the American shores. Washington is exhausted and wants to retire and live out his life in the resplendency of his home and family. We begin to see Washington open up so to speak, relaxing in his quiet country life. But again the matters of the New Nation are begining to pull and strain the rather reluctant Washington to a leadership roll.

Being a very popular figure in early American life... Washington now is growing in popularity and as such is called to lead the Constitutional Convention for ratification of a new and untested government. Washington is elected to become the First United States President. Flexner gives us a lot of detail and put into the writing feelings and emotions felt at the time.

From the writings that were written about Washington from his peers and thoughs of Washington to others, we again see Washington's fallibility, a man wrought with insecurity and heavy responsibilities trying to cope with a newly emerging government. Even present that others from overseas were watching and waiting for the new government to fail, but proving to them a government viable and alive. But, alas, Washington is now aging and retirement is begining to take hold once again in his life.

This volume take us through Washington's thoughts and thoughs of Jefferson and Hamilton and how does Washington really feel. Washington is now working harder than ever trying to forge this fledging government into a working model of that written on paper. We see Washington's self-doubts again arise... troubling him with insecurities. Then again, who can he trust, to give correct counsil and if he left too soon would the government fail. If he stayed too long, would he be no better than the Kings he fought. We feel Washington's dilemma.

I found this book to be very well written with sound documentation.

George Washington and the New Nation is actually the third in a four volume set, and continues to follow the life of George Washington after the Revolutionary War. From the years immediately following the last withdrawal of British Troops, up through the end of his first term as the President of the United States.

Flexner does an excellent job of describing the man behind the legendary hero. Through the actual writings of Washington, and those of his contemporaries, we see not only the "Great General" and the "Father of Our Country," but also see Washington as fellow human being, just as fallible as the rest of us.

This is also a remarkably telling book about the nature of politics and how in over 200 years, very little has changed. As distrustful as we are of todays politicians, Flexner's book puts those of Washington's days in an even less favorable light - and he uses their own words to do it.

Through this book (and the other volumes in the set) I gained an even deeper appreciation for the one who was "First in War...First in Peace...and First in the hearts of his Countrymen." I heartily encourage this book and this entire set to all.

Easy to read and interesting short stories of revolutionary war heroes. Good for middle and high school history students.Has many history facts not covered in other books

There are a great many books available for young readers on the subject of George Washington and the American Revolution. What sets Marc Stockwell-Moniz's George Washington's Unsung Heroes apart from the others is an emphasis on the ordinary people who involved themselves in carrying out the campaigns that led to the founding of the United States of America. While there are chapters about John Hancock, Paul Revere, and Alexander Hamilton, the primary focus is upon such usually overlooked figures as Salem Poor (an African-American soldier who fought at the Battle of Bunker Hill and was with George Washington and the Continental Army at Valley Forge); Phillis Wheatley (the first African-American slave to publish a book); John Peter Muhlenberg (an ordained minister who became a brigadier general in the Continental Army and later served three terms in the U.S. House of Representatives); Tench Tilghman (who served as Washington's aide-de-camp and secretary for two years without salary until Washington wrote to the Congress insisting that Tilghman be given a commission and a paycheck); as well as the stories of Benjamin Tallmadge (America's first "spy master"), and so many others. George Washington's Unsung Heroes is an important and recommended addition to school and community library American History and American Biography collections for young readers.

George Washington's Unsung Heroes tells the "behind the scenes" story of Revolutionary War America through the experiences of the men and women who made sacrifices for their new country. Some of the biggest names in American history are represented here (George Washington, Paul Revere, etc.), but this book shines when it tells the stories of little-known people who were also part of these turbulent times.

This is a great book for mid-school readers who want to know more about how the Revolutionary War affected the lives of "regular" people who weren't afraid to take a stand for freedom and independence. Inspiring and fascinating!

When it comes to history classes, my three kids have report after report due. George Washington's Unsung Heroes is the perfect resource book for those frequent assignments. The well-illustrated, clearly laid out hardcover tells the stories of many underreported or forgotten heroes of the Revolutionary War. Just what my kids need for their term papers!

One by one, the author walks the reader through more than 30 different, detailed biographies of heroes from the 18th century. It is written for an 8th grader but fine for a bright 5th grader. Many different types of heroism are discussed; each story includes personal sacrifice to make our nation come together.

The people in the book are a cross section of America at the time from an Anglo-Saxon man, to an African American woman, a Jew who helped finance the war, and many Christians. There are names you would expect, like Paul Revere, Samuel Adams, Henry Knox, and the Marquis de Lafayette. And there are names you don't see so often, like Salem Poor, Tench Tilghman, Mary Ludwig Hays, and the author's ancestors Daniel and Moses Stockwell.

If you have kids, it is a good purchase because you will use it for term papers for years to come. I saw it in my son's school library and I have been very happy to have this relatively inexpensive, securely hardbound book at home.

Mr. Moniz book teaches kids that heroes are not just the famous people of history. While it gives excellent accounts of the famous like Paul Revere and James Monroe, it gives homage to people we never heard of such as Salem Poor, an African American who fought at Bunker Hill.

The book provides an excellent incentive to young readers that one person can make a difference and every person should try.

The amount of research Mr. Moniz' put into this book is exemplified by the bibliograhy. The glossary does an excellent job of making archaic miltary and political terms understandable to youth.

I highly reccomend this book to be required reading for young students of American history. It should also be encouraged reading for young people who feel that they would like to contribute to their country someday. Many people in Mr. Moniz' book did so, selflessly, and to our shared benefit. This book is wonderful tribute to the "little guys" who made us a great contry.

There are lots of characters to loathe and love in this one. Derek, Holly Elliot's stepfather was a real brute. Being in the army, Derek was able to prevent Holly's father from leaving Vietnam. If Derek had been in the Marine Corps, he would never have pulled this off. A Marine would not have left a dead or wounded man behind to die, no matter how close the enemy was!

Jason Cole was every girl's dream man, one of the few KS heros with no flaws. His quick intelligence allowed him to see the real Holly within moments of meeting her. Both were beautiful, smart, and in love. But, Holly had a lot of gall getting angry at Jason when if not for him, she might never have known her father's fate! She was darn lucky he cared enough to get involved! He went through his own emotional battle over this, too!

Raven was a wonderful girl who deserved much happiness. Nicholas was fine, handsome, and totally in love with her. But towards the end, there was a scene where he was furious with Raven and spoke pretty ugly to her, then upon realizing his mistake, he's back 'in love' with her. His lack of trust in her wasn't even an issue. I wouldn't have dismissed the incident so easily.

Lawrence and Caroline were also a fine couple, but KS turned Lawrence into another one of her overly sensitive, sappy, soft men, like Rafe in STAR LIGHT, STAR BRIGHT. What a mush he was!

This was the first Katherine Stone novel that I read and it is one of the most moving and beautiful romance novels I have ever encountered. The two primary characters, Raven and Lauren/Holly, are among my favorites in fiction. Both are seriously wounded spiritually but are amazing survivors who never give up on the hope or dream of love. Their stories are emotionally gripping, and for readers who love to go though the maelstrom of emotions, this is a terrific choice. I highly recommend it. I have read almost all of Kathernine Stone's other novels, but this is the best and most satisfying.

Raven Winters, high profile attorney to the stars, is beautiful, rich and longing for someone to love her. She engages in many sexual affairs from the time she was 13 to the present. Her sex partners have told her she has ice in her veins. What they do not know is that Raven has been longing for someone to love her, truly love her. While jogging she meets Nicholas Gault--well doesn't really meet him, he almost runs over her. There romance proceeds from here. Raven thinks Nick is a landscape gardener and he doesn't tell her different--that actually he is a multimillionaire. They love, she meets his children (he's divorced)and she hopes he truly loves her. Read on.

Story two is multi Academy Award winner both as an actor and as a director, Jason Cole. He will be directing and starring in the story titled "Gift of Love" written by Lauren Sinclair. Lauren does not want Cole to change the ending to her story. Jason agrees to meet with reclusive writer, Lauren, and Raven. After 17 years away from the states, well renowned writer, Lauren agrees to travel from her home in Klondike, Alaska and meet with Jason. Lauren is carrying a lot of baggage from the past. When they meet something develops between Jason and Lauren. Lauren's real name is Holly Elliott and she has much tragedy in her life. Many wonderful things happen between Holly and Jason and all beautiful.

Lawrence Elliott meets lovely, rich Carolyn Hawthorne while cleaning animals caught in the "Valdez" oil spill. An attachment forms and soon, they fall in love. Read how these stories entwine and enjoy this warm, tragedy filled novel with "Happy Endings".

This is the best Katherine Stone novel yet!! I could read this book over and over again, and still find love, hope and happiness on every page!! Everyone who I've lent this book to, has cried and said that it was FANTASTIC!! You must read it!!! You can not put it down until you finish it!!

I just finished this book yesterday and it was one of those that you can't put down. Raven is a wealthy and succesful entertainment lawyer who has searched for love and never came out ahead. Holly is a romance author who is hiding from reality. Nick is a single dad that is trying to protect his family and heart. Jason is a actor/director/producer who has bought the rights to one of Holly's books. Holly doesn't want him to change it even though he has a right to. They are all connected enough to maintain in the same story but it is like reading 2 or 3 different stories within one book. You would think it would be somewhat confusing trying to keep track of who is connected to who and how but in this book it flows so smoothly that you don't even really think about it. This book is a romance without all the explicit love scenes but it isn't just a romance it's about the characters finding themselves and helping each other.

This is the resource that at last got me making and taking
herbal teas, instead of just thinking about it. The author's
tone is both informed and empathetic. The explanations both
of how body systems work and of how the health properties of herbs support the body are fascinating, plus the photos
and illustrations are beatifully designed.

I love this book! I check it out frequently for information about ailments and practical holistic solutions. Informative and easy to read.

It's a 'must have' for every household!

I love the simple and accessible healing treatments illustrated throughout the book. The instructions are clear and easy to follow. Having this information is like knowing your grandmother's home remedies that really work. No drugs, just plain, simple ingredients that make us well and keep us healthy. Thank you, Dr. Washington!

This book was a pleasure to read, the author's tone is that of a good friend giving sensible advice. More importantly, I find myself referring to the book every couple of weeks. The recipes for herbal teas are wonderful; they so intrigued me that I started gathering wild herbs on hiking trips and added some key herbs to my garden--I'll never buy herbal teas from the grocery store again.

The book is visually pleasing and easy-to-use as a reference.

A beautifully written & illustrated reference book that is easy to read and apply to your personal situation. It is a book that I keep reading over and over. I highly recommend this book to you and your friends.

After reading "The Last Campaign" which chronicled Bobby Kennedy's run for president and "Boom" which showed Tom Brokaw's views, as a journalist of the late 60s, I was ready to dig into this recap by Ted Van Dyk. Van Dyk is a free lance columnist for the Seattle PI. His opinions run across the board, some that I can agree with and some that I cannot, but all come from his knowledge of being inside the system. In adddition to his work in politics, Van Dyk has been involved with private business and academia.
His insites are very eye opening espessially when he recounts Walter Cronkite's seemingly disregard of the truth during the Viet Nam years. Although the revelations seem startling, they are only touched on in the book.
His observations of the Clinton family and of Bill Clinton's presidency seemed to bear fruit during Hilary's ill fated campaign.

Anyone who wants to understand--or shape--the presidential election of 2008 should read this book. Ted Van Dyk's work will also endure long after we select our next president because he captures the soul of American politics as practiced in the last half of the 20th century. Van Dyk makes available to readers the same depth of analysis and plain old-fashioned story-telling ability that made him so influential for so long in Washington, DC. He loves politics at its best, and it comes through.

Ted Van Dyk vividly captures the turmoil, egos, and inspired (as well as uninspired) political leadership of the 1960s, 70s, and beyond. What makes this memoir qualitatively different from other insider accounts is Van Dyk's compelling, non-gossipy narrative style. No cheap shots, just a mix of analysis and anecdotes that illustrate the limits, hubris, and, yes, virtues of the political class.

There's a delightful consistency to Van Dyk's approach--the equivalent of throwing a Jesuit or a Greek scholar into the political maw. Take a Depression-era kid from the Northwest with values cut like glass and set him in the moral murk of Washington, DC. Opportunists and hypocrites beware! It's instructive, only occasionally grumpy, and altogether entertaining.

I recently reviewed this book in the Boston Phoenix (http://thephoenix.com/article_ektid57111.aspx). As I wrote there, "Van Dyk's recent work is . . . well worth the attention of political junkies, students of American history, or anyone else who wants to know how politics really worked in the glory days of the Democratic Party.

Too often our histories of politics are colored by political biases and attempts to shade the truth. To invoke an old cliché, Van Dyk tells it like it is. His memoir is a great read, a wonderful primer for those who might seek to enter politics themselves, and a terrific walk down memory lane. His idealism and honesty are reminders of what once made the Democratic Party great -- and could again."

This book is a must-read for anyone interested in Democratic politics in the last half of the 20th century. Ted Van Dyk grew up during the Great Depression, became a journalist and a dedicated Democrat, and eventually worked his way up to a high-powered consultant who worked in numerous presidential campaigns, from Hubert Humphrey in 1968 to Paul Tsongas in 1992. Van Dyk can tell you where the bodies are buried and how things really worked in high-level, high stakes political races of the past. He's also an astute and keen observer of the current national scene.

Van Dyk doesn't pull many punches in this book (your stomach may turn at his descriptions of how LBJ treated his vice-president, Humphrey, and his opinions of Carter and Clinton are pretty scathing). But overall, this memoir is very insightful and surprisingly fair. I appreciated Van Dyk's perspective on how the Democratic Party has lost its way since the days of the New Deal, and how it might fight its way back to a strong national constituency.

Being aware of the influence that Japanese print making had on European artists in the 19th century, but not having had much exposure to Japanese prints, I found this book to be a wonderful introduction. The essays that opened the book and the explicatory text that accompanied each print helped to establish a dialogue between the ideas that were exchanged between Oriental art and European art. I found this to be an excellent addition to my personal collection, and would highly recommend it to anyone with an interest in this area.

In the second half of the nineteenth century, Europeans and Americans discovered the world of Japanese woodblock prints and thus began an enduring love affair. One result has been the publication over the last century of literally hundreds of books and thousands of articles about the prints known as "ukiyoe," with a particular emphasis on such giants of the genre as Hokusai and Hiroshige. How then, in this crowded field, does one manage to create a must-have publication for readers who may already have well-stocked libraries on Japanese art?

One answer is to be found in "Hokusai and Hiroshige: Great Japanese Prints from the James A. Michener Collection, Honolulu Academy of Arts." Issued by the Asian Art Museum of San Francisco in conjunction with an exhibition, "Hokusai and Hiroshige" is typical of a new wave of "ukiyoe" books that combine excellent design (of layout and typography) with clear and interesting text. Every page displaying a print has a near equal amount of space devoted to text, and the book benefits as well from introductory essays by three established experts. The text in particular appeals to me, providing not only insights about the compositional nature of each print but also detail on the locales depicted by these two great landscape artists and appropriate historical information. There is room for improvement in "Hokusai and Hiroshige"--I would have preferred more standard romanizations for some Japanese words and the inclusion of an index covering well more than just print titles--but overall this is an excellent and valuable volume.

I have not "finished" this book, nor do I intend to for a long time. I take it out to admire, print by print, sometimes reading the informative text, sometimes not. This is not a comic book to rush through. Linger, enjoy.

This volume was the companion for the exhibits at the Asian Art Museum in San Francisco. It covers all the lerge number of works shown there, each with descriptions of what is depicted and some in the points of interest that highlight each artist's rendering of the scene. There are sections on the lives of each artist and the fairly primitive tools used to create these intricate multi-colored (and thus multi-pressed) prints. The full collection of sets, such as the Hokusai views of Mount Fuji, are very well done and would in themselves make this book worthwhile. The sum total of both these woodblock masters is awe inspiring and sumptuous.

I have not "finished" this book, nor do I intend to for a long time. I take it out to admire, print by print, sometimes reading the informative text, sometimes not. This is not a comic book to rush through. Linger, enjoy.

When one Edwin Henderson, a Harvard-educated African American physical education teacher - was introduced to basketball in Washington DC in 1907, he envisioned it as a method of organizing black athletes to allow them to excel at northern while colleges. In sports, he reasoned, blacks would get a fair chance to succeed. Hot Potato details the birth and rise of black amateur basketball in America, examines college basketball and the origins of the CIAA, and surveys the rise of black professional athletes. A truly outstanding sports history evolves.

Kuska has given us some details to back up the legends of black basketball stars from the first half of the 20th century. Many of the individual names are known and the New York Renaissance team has been heard of by real basketball fans. This book gives us some details and further understanding of what the individuals went through and what modern basketball owes to them. A GREAT READ!! Hope to hear more from this fine writer and sports historian.

I am the granddaughter of Samuel Buck Covington. I'd just like to point out in the editorial by John Grasso, from Guilford, NY, that my grandfather, Samuel Buck Covington was mistakenly referenced as "Cunningham". Samuel Buck Covington was an outstanding athlelete and pillar of the Washington Metropolitan community. He was honored to be part of the writing of this wonderful book and the naming of the title "Hot Potato". Growing up he told countless stories of what it was like breaking barriers and playing semi-professional basketball for the Washington Bruins against teams such as the Harlem Globtrotters. This is a wonderful tribute to those who came through during this time who had gone unnoticed. I am proud to say he was my grandfather. Unfortunately, he did not live to see the final product of this book. Samuel Buck Covington died in September,1998 . . . Cheryl Moore

There aren't enough adjectives to describe this important work on an oftentimes overlooked part of U.S. history/sports.

Bob Kuska takes the reader on an exploration of the development of black athletics at the turn of the last century, with his focus surrounding basketball teams and leagues in New York City and Washington, D.C.

The chapters are in chronological order by year and highlights the important personalities, teams and events in the two cities and throughout the country - from youth leagues to the colleges and beyond.

I am particularly impressed with Kuska's acknowledgement of many individuals that time had seemingly forgotten. The ten years of research he did certainly accomplished his goal of giving the reader a complete understanding of the era.

To set a clear path to the future, our society must have an appreciation of the rough paths taken by those who confronted the hideous Jim Crow laws and other forms of racisim & truly learn from the past.

America's game was changed forever, but not just on the hardwood floors. These heroes knocked down barriers and opened the door for others to pursue their dreams, no matter what the odds.

Seldom does a basketball historian find a book on basketball in which more than 75% of the material is new to him. Bob Kuska's new book - Hot Potato: How Washington and New York
Gave Birth to Black Basketball and Changed America's Game Forever is such a book.

It is a chronicle of the earliest days of Black basketball in the two cities where its impact was greatest and covers the period 1905 through the 1930s. There have only been a handful of
books written on basketball history of this period and none of them devote more than a few pages to Black teams.

More than a decade of research went into this work which includes a detailed reference section and twelve pages of photos.

The story begins with Edwin Henderson, the first major contributor to Black basketball and concludes with the New York Renaissance - the Hall of Fame team of the 1930s. Both amateur and pro basketball are covered.

Along the way the basketball exploits of such legendary figures as Paul Robeson and Cumberland Posey are detailed along with Fat (not Fats) Jenkins, Pop Gates, George Fiall, Bob Douglas and many others.

The intriguing title came about as a result of an discussion with Sam "Buck" Cunningham, one of the players interviewed during the research for the book. "The players today are much better than we were - ... but there is one thing that we could do better. We could pass the ball better than they can now.
Man, we used to pass that basketball around like it was a hot potato."

This is definitely a must addition to the library of a basketball historian. Thank you very much, Bob."

This is an amazing story and I concur with the previous reviews. There is also a philosophy of suffering and human nature that is presented which the reader will realize as he reads the accounts of the pain and suffering and the authors reaction to them. This is a must read and I'm looking forward to another book about human rights that this author may consdier writing.

This is a gripping story of survival in the worst of political prisons comparable to the Soviet gulag and the Nazi concentration camps. This remarkable book reminds us of the human capacity for cruelty, how ideology can justify atrocity and how absolute power corrupts. The state did not want or expect these prisoners to ever leave alive. This is the only English account of life in the Pathet Lao political prison system and is a crucial document about both Laos under communism and more generally about political systems and man's potential for cruelty. It is also a good read. The ingenuity of the prisoners that allowed them to survive torture, harassment, a starvation rice diet and no medical care was fascinating. It was also heartening to hear that the assistance his wife received from American friends during the time he was imprisoned and she did not know where he was led them to immigrate to the US.

This book is an absolute must read for anyone interested in human rights. The author's personal story of survival is set against a strong, concise modern history of Laos and southeast Asia.

You will find that this is one of the most unbelievable stories of survival ever told. Of the few who did survive the 're-education' camps in northern Laos, only one, Bounsang Khamkeo, wrote the story to bring it to the world. The book is a de facto historic document that cannot be overlooked.

Khamkeo had editorial help from a few individuals in the writing of his book. The text is not awkward like the title. Khamkeo is able and fluent in English. His story both unique and representative maintains an engaging literary quality over the roughly 400 pages. Returning from France to his homeland of Laos after the Vietnam War was over with the intention of helping his country return to normalcy, the author was arrested and put into a prison camp in 1981 after an argument with an official of the communist Pathet Lao government. He was kept in prison until 1988. The lengthy memoir is about this whole time from the early 1970s to the late 1980s, with about half given to each period. The second half of Khamkeo's time in prison is naturally more gripping, and at times harrowing. But the first half has its own significant themes and drama as well--namely, the totalitarian, capricious, demanding rule of the Pathet Lao. Whereas the second part deals with how the author survived the hardships and threats of his years in prison, the first part deals with the more subtle, yet nonetheless engaging, informative, and at times suspenseful story of how he and others had to accommodate the rigid rule of the Pathet Lao while they were at the same time trying to bring improvements to a Laos which like the other nations of Southeast Asia, was disrupted and changed by the Vietnam War. "I Little Slave" brings to light these uncertain and hostile conditions in Laos following the Vietnam War; which have not received as much attention as those in Vietnam and Cambodia. After being released from prison, Khamkeo managed to flee Laos; and today lives in Oregon and works for a state health agency.

It's so easy to ignore the inhumanity and injustices occurring around the world, but once you know, you must speak up. Bounsang Khamkeo eloquently and honestly paints each scene with vivid precision. I felt as though I was actually flying over the forests of Laos, feeling the anxiety of hostile government actions, smelling the stench of hidden prison camps, and witnessing death in it's most unforgiving form. Bounsang should be proud that he kept his promise to speak up against the injustices at the hands of his communist oppressors. I will long-remember the lives of his lost prison-mates, as well as the hundreds of thousands who have no recorded names. This would be an excellent companion to political science texts, and a must-read for us all. I literally could not put it down. As horrifying as his shared experiences were, I am left wishing for another 400 pages. Bounsang, I am proud to have met you. Thank you for speaking out about such atrocities.

James Joyce has a rival in Maeve Brennan. In her first work, "The Visitor," Brennan creates a chilling portrait of a young woman, Anastasia King. But Anastasia is no Stephen Dedalus. Unlike Stephen, she is uneducated and has limited opportunities. Crossing the channel in opposite directions, for opposite reasons, Anastasia and Stephen have visions of different destinies.

For Anastasia,

"Somewhere in her mind a voice was saying clearly, 'Ireland is my dwelling place, Dublin is my station. . . .Home is a place in the mind. When it is empty, it frets. It is fretful with memory, faces and places and times gone by. Beloved images rise up in disobedience and make a mirror for emptiness. . . . Comical and hopeless, the long gaze back is always turned inward."

For Stephen,

"Mother is putting my new secondhand clothes in order. She prays now, she says, that I may learn in my own life and away from home and friends what the heart is and what it feels. Amen. So be it. Welcome, O life! I go to encounter for the millionth time the reality of experience and to forge in the smithy of my soul the uncreated consciousness of my race" ("A Portrait of the Artist as a Young Man").

For Joyce and Brennan, Dublin proved to be a cold inhospitable place from which they chose to escape--Joyce to Paris and Brennan to the United States. Here, in her new "station," Brennan created a perfect novella, "The Visitor." This undiscovered masterpiece will now take its place besides Joyce's perfect novella, "The Dead."

To say a novella is perfect is to say that one has no words to add nor subtract, for the work is rare, beautiful, and truth-telling. "The Visitor" speaks volumes about the Irish temper; the icy chill that greets Anastasia shivers through one's soul.

Christopher Carduff adds an insightful Editor's Note to the novella. In it, he says, "In the music of Maeve Brennan, three notes repeatedly sound together-a ravenous grudge, a ravenous nostalgia, and a ravenous need for love. In `The Visitor' she plays this chord for the first time, announcing the key of all the songs to follow." What follows are: "The Springs of Affection: Stories of Dublin," "The Rose Garden: Short Stories," and "The Long-Winded Lady: Notes from the New Yorker."

Read "The Visitor" first: an entrée into the mind of a mistress of manners, Maeve Brennan.

"The Visitor", by Maeve Brennan was found in an archive after her death, and now resides at The University Of Notre Dame. It is her earliest known writing, and the book was created from the only known copy of the manuscript. Written sometime during the 1940's, it represents her earliest work, and is older than her first published piece with The New Yorker in 1950, when she was 34 years of age. Christopher Carduff who has edited all of the posthumous work of this writer and he provides an Editor's note at the end of the volume that is the most concise and accurate description of her work I have read.

If you start with this work the balance of her writings will be understood as she intended them to be read. For though her later work contains humor, it is simply a veneer for dark feelings of contempt, selfishness, and the ice-cold characters she portrays. I have read all of her fiction and this is easily the most mean spirited. There is nothing here to soften the main character, she is cruelty personified. If ranked amongst Dickens' darkest portrayals of the blackness of the human heart, this grandmother would rank near the very top. This same woman is also a contagion; for if one spends enough time with her she can cause another behave in ways that otherwise would be foreign and unnatural.

If you have yet to discover this wonderful writer this is the place to begin. For this brief tale is the start of 4 decades of work that can in many instances be traced back to the dark side of human nature first written in, "The Visitor". The work and the editor's note will send you back, to again read her stories even if you have enjoyed them before. The amazing aspect of this story is that it foreshadows not only what will become of her later writing, but also contains another human condition that she too will become a victim of later in her life.

Twenty-two year old Anastasia's mother has just died and now, six years after leaving, she returns to Dublin to live with her grandmother, the years apart not dulling the bitterness and regret of an old woman obsessed with her dead son.

After a messy divorce, Anastasia's mother left her father, breaking his heart and sealing away any sense of sympathy or pity from her grandmother forever. With nowhere else to go, she is accepted into the purposely old-fashioned, stagnating household where time is whiled away drinking tea and remembering times when everything was better. Every character exudes a sense of existing only to remember the past; nobody has a future, nor do they have a desire for one. Not even Anastasia, the youngest character by fifty years, is interested in moving her life forward, she wants to regress to a time when she could be looked after and protected, unwilling to seek a future that involves taking care of herself.

The novella is very sad. One character loved a man in secret forty years ago, and, on her death-bed, requests that she be buried with a wedding ring he gave to her but that she could never wear. Another exists only to aid Anastasia's grandmother, helping here and there and making sure that everything is the same as it was ten, twenty, thirty years ago. Change itself is the enemy here, the grandmother's only desire is to be buried with her son, no more, no less.

There is a sense of completeness with the character's that is odd to find in a story. There are no great quests - physically, mentally or otherwise - nor are the characters given a chance to grow. In their minds, they have grown as much as they wish to - but not as much as they could - and that is enough for them. For now, they are dead without knowing it, waiting patiently for the time when God will call them up to Heaven.

The writing is grey and cold - at least, that is how I felt while reading it. Sentences are short, crisp, and wonderfully indicative of the mentalities of the characters. Very rarely are there any excursions into contemplation, everything stays very much in the moment, analysing in great detail the all-too-easy stagnation of a life where the reasons for living are gone, forever.

This novella is very short - 81 pages - but worth the read. It is unhappy, but not in a sense that the reader will become unhappy. Rather, we are able to examine the fruitless lives of four different people happy to wait and wait and wait. In them we can see a reality we do not want, and thus avoid.

THE VISITOR is a miracle of terse writing. The story - a young woman attempting to re-enter her only remaining family in Dublin after her mother's death in Paris and finding that even this is not her home - is as engrossing as a long novel. As a matter of fact, reading this short novella leaves the reader with such clear images of the four women characters that you feel you've been getting to know them for years. For Brennan, the clash of Irish women, struck firmly in the molds they have been assigned/chosen, is fodder for what could be a dark nightmare. But we are awake, her characters are real and unyielding, and we are given a glimpse of just how cruel and isolated estranged families can be. Brennan creates her tale amidst the foggy and rainy depressed atmosphere of Dublin, and even her women who attempt some morsel of kindness get buried in the dank reality of this sad tale. This is committed writing at its best, a joy to read despite the gothic horror of the tale.

What a delight to have read on a recent airline flight, and to be so close to finishing that my eyes raced on the final pages to beat the schreech of the tires on landing. It crossed my mind how awful to be denied the conclusion by some mishap. Of course I made it, but was nonetheless denied the more typical "happily ever after" ending. I believe the author desired the reader's work to continue a bit, to contemplate and possibly turn back and re-read key sections that might suggest a resolution. A terrific book for a book club. I would love to hear folks argue over the author's way of closing the story. If there is a Maeve Brennan expert out there for whom the ending was more obvious, it would be interesting to hear your take. But not necessary. I am happy with it as is.