Texas Books

I loved this little gem of a book that I didn't want it to end. I could have traveled on with Merilee and her friend through many more adventures. This is not just a book for kids and it is a great insight into children with Aspergers syndrome and fetal alcohol syndrome.

Suzanne Crowley is a beautiful writer. She has a unique style and Marilee has an unforgettable voice. From the beginning, the author grabs you with her humor, her insight into Asperberger and her understanding of all sorts of people, and you know that you are along for the whole West Texas ride. I can't wait to read Suzanne's second book.

I have been handing this book out to friends, family and teachers because it leaves the reader with a hopeful feeling, especially with regards to one's own sense of dislocation...not fitting in.
One recipient, who is an elementary school Special Ed teacher, was totally impressed with the author's insightful descriptions of autistic behavior - "Even the nuances!"
Many of the characters remind me of myself or people that I know...Veraleen, with her "big ole heart" that loves big and hates big, for example.
I wish this book would be chosen for school literature programs. It has all of the elements of good literature that students need to learn, including some phenomenal symbolism.
Everyone has thoroughly enjoyed it...great read for all ages!
Two suggestions for readers:
1) Read slowly. The sentences are so well-formed that you'll miss important bits of information if you try to skim over them.
2) Older people should empty their bladders before reading. 'Burst out laughing' humor is subtly woven into the narrative.

I love this tender coming-of-age story about outsider Merilee Monroe, a/k/a Dragon Girl to her fellow citizens in the thriving West Texas metropolis of Jumbo (population 1000, including the goats). When new misfits arrive in town desperately needing her help, Merilee is dragged into the heart-warming and heart-breaking world of family and friendships. I laughed aloud at the many comic scenes and amusing anecdotes about small-town life. And who doesn't have a mean-as-mudpie crazy old biddy somewhere in the family tree? For all that, the magical storyline took me down a path of souls lost and found. As prematurely cynical Merilee redefines her place in the emotional landmine-field known as her community, she discovers the most mysterious of all places in the universe: the hopeful human heart. A delightful read and not just for youngsters.

First of all, this is not just a book for 10-12 year old children. Teens and adults may well relate even better to the thoughts and experiences of Merilee Marvelous. Parents with high functioning children who "just don't seem to fit in" will find this a stirring narrative of provoking insight and light hearted humor about the inner thoughts of a "special child" as she relates to her world.

Readers may even recognize some of their own family and neighbors in the collection of eccentric Jumbo residents. Merilee explains, "It's amazing what people will tell you while sucking on a purple Tootsie Pop. I hand them out so that everyone will shut up and leave me alone, but all it seems to do is open up a whole can of worms."

This is a story with a beginning and an end much like a hello and a goodbye... a story told in a lacework pattern, handing out just the right amount of bread crumbs to lead the reader to a bear-hug conclusion. I felt like I was listening to a story told by a wizened old spirit.... remembering a great life story....a poignant story about love, fear and redemption. When I closed the cover on the last page, I was satisfied.

This book reads like a dream. The language flows effortlessly and the imagery of even the simplest scenes creates vivid pictures in your mind.

It is a psychological tale, yet the pages turn like a mystery. The two main characters are sisters Jane and Blanche. Both past middle age, lamenting the loss of their youth and the personal injustices life has befallen them. Blanche is crippled and at the mercy of Jane - wonderfully delusional and unbalanced. The terror mounts as matters get slowly but progressively dark, as Jane spirals into a deranged world. Jane reminds me of a sinister child in many ways... selfish, cruel, spiteful and completely delusional. And like a child - actions have no consequence, feelings are flippant and opinions are made on a whim. A situation that is a living hell for Blanche, crippled in her room cut off from all contact to the outside world.

As Jane becomes increasingly unhinged, Blanche is subjected to the horrors of Jane's mind that manifect themselves in the most creative of psychological tortues. i.e There is an instance where Jane brings to Blanche's room her lunch tray, and leaving it pointedly covered, exits the room. When Blanche uncovers her lunch tray and settles in to eat... "She saw now what she had not seen before; the entire meal had been carefully sprinkled over with fine, white sand." And therein, the chapter ends. It leaves you to ponder the mental state of a person who would prepare a delightful meal, deliver it on a silver tray and go to the effort of painstakingly covering it with sand. Horror? No... but that's just the beginning...

Clearly, the reader sides with Blanche and waits with baited breath to see her escape, yet Jane is at times portrayed achingly real. You find yourself empathising with this sad, disturbed, fragile creature.

Having seen the movie, i can say in this instance the book and movie complement eachother. Both offering different things, both fabulous!

The two most interesting things about the novel are that
given the film's popularity the book has been out of print for
so long and that it demonstrates how ingeniously the filmmakers
used the components to create a film that stands on its own.
For nowhere in the novel are the descriptions of Jane or Blanche
in any way representative of Bette Davis or Joan Crawford. To
be sure, the key elements are here--the vaudeville prologue,
the rat and the parakeet, the relationship between Edwin Flagg
and his mother, the dance on the beach at closing--but the novel
has very little dialogue and none of the film's wit. Readers
waiting to read Baby Jane saying "But ya are, Blanche, ya are!"
will be sorely disappointed. The novel takes itself serioiusly
and is rather dark and frank about the physical abuse of Blanche
by Jane that at the time must have been shocking. Of course
what made the story shocking is something we know now all too
well--that aberrations of all sort take place behind closed doors
with neighbors unaware--and while the baroqueness of the setting
and the characters lives are the stuff of which ficiton is made,
the abuse factor gives 'Baby Jane' its one salient point of
credibility. Those fascinated by the film will learn much
by reading the novel.

The two most interesting things about the novel are that
given the film's popularity the book has been out of print for
so long and that it demonstrates how ingeniously the filmmakers
used the components to create a film that stands on its own.
For nowhere in the novel are the descriptions of Jane or Blanche
in any way representative of Bette Davis or Joan Crawford. To
be sure, the key elements are here--the vaudeville prologue,
the rat and the parakeet, the relationship between Edwin Flagg
and his mother, the dance on the beach at closing--but the novel
has very little dialogue and none of the film's wit. Readers
waiting to read Baby Jane saying "But ya are, Blanche, ya are!"
will be sorely disappointed. The novel takes itself serioiusly
and is rather dark and frank about the physical abuse of Blanche
by Jane that at the time must have been shocking. Of course
what made the story shocking is something we know now all too
well--that aberrations of all sort take place behind closed doors
with neighbors unaware--and while the baroqueness of the setting
and the characters lives are the stuff of which ficiton is made,
the abuse factor gives 'Baby Jane' its one salient point of
credibility. Those fascinated by the film will learn much
by reading the novel.

I absolutely loved baby jane it was such a great book nomatter how bad it was lol. i love the movie also and its soooo hard to find that soundtrack i love that hip song they play when blanche is trying to throw the letter out the window it was hilarious baby jane is one of the all time best thrillers !

Film fans who love the movie version will enjoy the book on which it was based, but should be prepared for how very different the novel is. Readers will see what an arduous task it was to adapt as a screenplay...and what a commendable job they (and the director & stars) did, as well. Since virutally no one nowadays will read the book first, it serves as an interesting character study into the psychology of the Jane and Blanche characters. And if anyone saw the ghastly TV movie remake starring the Redgrave sisters and John Glover, you will hope they hold on tightly to the novel and leave well enough alone!!

Having been a fan of Ms. Moore's other police procedurals, I snatched up her latest offering hoping for more of the same zany characters, colorful mysteries, and laugh-out-loud humor. I was not disappointed. Not only is Orchid a fast-paced read, Ms. Moore has topped her own previous efforts. I'm looking forward to more from this fantastic author.

After Detective Cezanne Martin solves THE LADY GODIVA MURDER and becomes the new acting-captain of the Fort Worth police homicide unit, she learns she's been put in charge of the newly-formed Cold Case Squad. When she inherits an 8 year old unsolved cold case, she finds herself in a media fishbowl. Not only is the brass trying to run her off, she learns the former investigating officer died while trying to solve the case. When she finds herself immersed in an alternative lifestyle group made up of wealthy, influential people who go to great lengths not to have their identities exposed, she comes face-to-face with the Executioner, leader of THE WILD ORCHID SOCIETY. This is an action-packed, nail-biting, suspense-filled read that will hold your attention way beyond the last page. Authentic situations, exciting dialogue and skillful plotting keep this novel fast-paced. I hope the last line is indicative of another sequel to come in the Cezanne Martin series. Absolutely fascinating to the end.

Having solved the LADY GODIVA MURDER does not liberate Cezanne Martin from being an anathema because of her affair with a married peer. Instead Cezanne is further punished by her relative Deputy Chief Daniel Rosen who announces at a press conference that she is the temporary head of homicide. Rosen informs the media that Cezanne will head up the newly formed Cold Case Squad and promises to solve the eight year old Great Dane Murder in two weeks. Rosen will keep the pressure on Cezanne because he expects her to resign after making the Fort Worth police a laughing stock.

Cezanne refuses to quit though she has just obtained her law degree. Instead she transfers in ostracized cop Klevenhagen because his personnel file is bigger than hers. As she watches a teen with the gift of sight, Cezanne obtains help from the FBI that leads her to digging undercover the Dungeons of Decadence, but soon learns that the Executioner stalks D&D participants seeking sacrifices of the top secret WILD ORCHID SOCIETY. If she is to solve her cold case, Cezanne will need to infiltrate this deadly group and unmask the Executioner. Besides her career in jeopardy, her life could be forfeit too.

The latest Martin police procedural is a fantastic tale that hooks the audience the moment that the reader realizes along with the heroine that she is being set up to fail. The story line moves forward on several fronts that not only never slows down the pace, but also cleverly merges together into a terrific investigative tale. Sub-genre fans will want Moore detective tales from a Five Star author.

Harriet Klausner

Don't let the cover frighten you, well maybe just a little. Ms Moore has given us a protagonist in Cezanne Martin that proves to be human. "Zan" has the depth of character to keep her wits about her through all the challenges anyone could be asked to face. This includes the confidence and determination to venture where her authority as police Captain and even the ability to defend herself or call for back up are taken away from her. We glimpse a part of her humanity that the stern exterior covers well. With her combined strengths and weaknesses, Cezanne perseveres through a high tension and well developed mystery. I didn't figure out, "who done it" until the very last. And that doesn't happen often. Get it. You'll thank me later.

Cezanne Martin returns as the Acting-Captain of Fort Worth Police's homicide unit, and this time, the brass has set her up with a cold case investigation designed to make her fail. The previous investigator died while investigating the Great Dane Murder (not about dogs) and Cezanne finds a connection with an underground organization known as The Wild Orchid Society (not about flowers). Infiltrating the bizarre, alternative lifestyle group could cost more than her job and reputation, if discovered; unmasking The Executioner, ringleader of The Wild Orchid Society, could put her on ice.

The storyline will grab you from the beginning, not to mention it'll keep you in a headlock until you're through.

I'm a native Texan and both my parents are native Texans from the east part of the state. So this means that the 42 tradition runs deep in my family. This is the game that I watched "the elders" play at family reunions, weddings, birthdays, and probably even a funeral or two when I was growing up. When I was about 32, I was finally invited to to play with the "big boys". My dad and his brother were partners and me and one of my other uncles were partners. I was paired with this particular uncle because he is known as "the best damn 42 player in Texas" among my family and I was but a lowly rookie. Despite their generosity in pairing me with a known 42 shark, my dad and his brother proceeded to skunk us seven hands to zero twice in a row. Even though I had been taught to play years ago, am a fairly good spades player, and have a natural talent for math and statistics, I could not even come close to pulling my own weight at this game when it came to real competition with veteran players. How was I to find the skill required to compete with the hard-core 42 players in my family?

Enter "Winning 42" by Dennis Roberson. In "Winning 42", Mr. Roberson lays it all on the table. He begins with a brief introduction to the rules and terminology of the game. He then jumps into one of the most difficult aspects of the game, bidding, and handles it with an ease and clarity that belie the difficulty of the topic. If you master this 14 page chapter alone, your game will take a quantum leap. He then spends a chapter discussing basic strategies for playing out your dominoes once you have won the bid. He then devotes two chapters to helping your partner and setting the bidder. In these 45 pages (five chapters) Roberson gives you the essentials for becoming a solid 42 player who will seldom make a glaring mistake at a 42 table and who would be a respectable 4th among a table of veterans.

These five chapters also demonstrate one of the fantastic features of this book, namely that each chapter builds perfectly upon the preceding material and gives the reader information that will be immediately useful in 42. Reading this book in order, one could easily finish a chapter, put down Roberson's book, and be a better 42 player from that point on. Roberson's systematic approach to the basics of the game free one from the necessity to master the entire book before reaping it benefits and make its first five chapters alone easily worth the price.

The next six chapters cover several intermediate topics. Two of the most essential of these chapters teach one how to recognize and play an 84 hand, how to help your partner make an 84 bid, and how one sets an 84 hand. The other essential chapter teaches one how to recognize, bid, play, partner, and set "doubles as trumps" hands and "follow me" hands. Though the above numerous topics are presented in only three chapters, the topics are covered sufficiently to enable one to play confidently and correctly in these situations.

Chapter 12 covers "Advanced Bidding and Playing" and is what I consider the third major part of the book. The hands and play discussed in this chapter are illustrative of key points Mr. Roberson feels are critically important. Because these hands are illustrative, they do not appear to be typical hands and so may not be terribly engaging to the average 42 player. But if you have grasped the material of the preceding 11 chapters, you will easily understand the importance of chapter 12. Moreover, and perhaps more importantly, in chapter 12, Mr. Roberson demonstrates his masterful ability at 42 analysis. Anyone who has observed veteran 42 players analyze hands after they are played will know that analysis is one of the cardinal components of 42 culture.

Chapter 13 covers the "optional" topics of nel-o, sevens, and plunge. This material may help one depending on who he finds himself in a game with. Mr. Roberson is not fond of these variations, so he presents them in a cursory manner. I don't think this is a weakness of the book, however, because none of these variations are found in any official or tournament rules of the game.

Chapters 14 and 15 provide one with a flavor of the game's culture. The reading in these chapters is pretty good, but I don't think Mr. Roberson has really captured the essence and pervasiveness of 42 culture that must have existed in certain parts of the state during the last century. Its true that 42 has mostly been a pass-time and is "just a game", but for many families in rural Texas, it must have been much more than that. I'm sure my family is not unique in that almost every person a generation older than me is an expert 42 player--as are their parents and grandparents. So 42 may not have been so much a pass-time for some families as it was an important cultural glue. I've seen family members who were at odds sit down at a 42 table for hours and play in perfect harmony with plentiful discussion and analysis. What other cultural expression could achieve this? But Mr. Roberson's book appears to be mainly about instruction and not history, so these chapters really have no bearing on its value as a work of literature, which is tremendous.

The last chapter of the book gives some critical statistics about the game. It would probably be helpful for one to memorize these numbers if he has a head for that sort of thing--but I don't think that memorizing these statistics is a sufficient substitute for the understanding and intuition one might gain from mastering the first 12 chapters of the book and plain-ol' 42 experience.

In summary, Winning 42 is not only a unique book in that it is the only one ever written about the game, but it is also a masterwork of instruction. I'm not sure what Mr. Roberson's profession is, but if he is not writing instructional books full time, it is likely that he has missed his calling.

Finally, if you play or are thinking of playing 42, read this book. I'm sure I can speak for any 42 player out there when I say that it is more fun to loose to good 42 players than it is to beat bad ones. That's the magic of 42!

Excellent book. Very well explained. I never played this version of Dominoes and I really like to do it. I like to contact Mr. Roberson in order to share some thoughts. My emails are: gtejeira@panamacom.com gtejeira66@yahoo.com

Sincerely,

Gabriel Tejeira

This is a wonderful book for out-of-state Texans. You find yourself saying, "Yeah, I remember 42 scenes and parties like that growing up as well!" The book has a very thorough description of straight 42 and its rules.

I must say that I found the author's total dislike for and two-page description of Nel-o very disappointing. He even says, "it is an eminently uninteresting way to play, requiring little or no strategy". He goes on to say, "In fact, to play Nel-o, there is absolutely nothing in any of the preceding chapters that is any use at all. There is no strategy."

This is true for the game of Sevens and would be mostly true for Nel-o where, without further variation, doubles would always be high in their suit. What isn't covered at all in this book is the option in playing a Nel-o hand of stating how doubles are to be played. The author only states that "many Nel-o players will allow the bidder the option of declaring doubles high, low, or even their own suit. This inconsistency makes it just that much easier, unchallenging, and uninteresting to play Nel-o."

Many groups that I have played in contain a large number of players not familiar with Nel-o, but of the groups that play Nel-o, I've never run into people that did NOT play all three versions of how doubles are called - High in their suit, Low in their suit, or as a separate suit. This ability to call how doubles will be played for the hand, in my opinion, makes Nel-o very interesting and requires skillful play.

As a forty-year old Texan that has played 42 for thirty years now, 42 is one of my favorite games as long as you can play Nel-o and call your doubles. I have tried "Straight 42" on numerous occasions, particularly with groups not familiar with Nel-o, and I have to say that it is one of the most boring games I've ever played and I can see where it would have been created by a 12- and 14-year old in Trappe Spring, TX in 1887 as the book states.

I was also wrankled by the statement that most Nel-o players would be totally destroyed in a straight 42 tournament for lack of skill. I contend that the opposite is even more true - a veteran straight 42 player with the rules explained to him for Nel-o and the three doubles variations would likely get destroyed in a Nel-o game, because players allowing Nel-o bidding play straight much of the time, whereas straight players never play Nel-o.

Overall, I'm glad this book was published, but it just goes to show you what I've seen at 42 parties - just like with languages, there are different dialects, so to speak, of 42 and you will probably enjoy playing more with other players that "speak" yours.

I give this book 4 stars because I appreciate that it was made. Lots of folks play Nel-o, however, and this book would be better titled: "Winning STRAIGHT 42" due to its lack of coverage of the three Nel-o bidding options for doubles.

Dennis did a great job on this one. This one is perfect for a beginner, novice, or so-called "expert". He explains the 42 terms perfectly assuming nothing. I recommend this to anyone who wants to learn a great new game. My hat's off to you, Dennis.

When I moved to Texas two years ago, many of my new friends played an unfamiliar game of "42". I hesitated joining their parties since "42" meant nothing to me. Then I found Dennis Roberson's book, "Winning 42". After reading cover to cover my confidence built and I am now part of the party and looking forward to the next session. The book does contain a few 'typos', but they force you to think and reflect on the game. If you want to learn "42" and its history, this is a MUST READ. book.

This book provides a unique account of the Viet Nam war seen through the eyes of psychiatrist. Doug Bey's account of treatment in the battlefields and the sidelines was compelling; I read it cover to cover and ignored all other demands until done.

I was captured by this journey of war that unfolds in stories both large and small with the insightful commentary that comes from the original experiences, tempered by long years in the field of psychiatry.

While this memoir is rooted in the Viet Nam experience it has implications for the current men and women in the armed forces and should be required reading for those involved in the treatment of mental illness and the trauma of war.

However, the heart of the story remains one man's voice telling us the stories of war with all it's characters, events, and personal change. It's a gem of a book.

We all know, or knew, someone in Nam. An easily readable, enlightening chronicle of the time with touches of humor. I highly recommend this book.

Great narration of life in a support unit in Vietnam, the problems faced when returning home and the lasting effect on the lives of those who served. Very much enjoyed and appreciated.

War memoirs rarely show up on my reading list. Therefore, my enthusiasm about this book is not based on widely comparative reading in this area, but rather on the merits of this book itself. I really enjoyed reading this book, viewing familiar material from a completely different perspective than I would ever have had from my own experience, and it is a darn good read as well. Bey was a young psychiatrist in his early 30s when his induction notice arrived. His time of military service included a tour of duty in Vietnam at the height of the war, 1969-1970, reflections on which form the heart of this book. Bey was one of a small group of psychiatrists assigned to combat divisions (Wizard 6 was his radio handle). Each of these divisions had one psychiatrist, one social work officer, and several social work and psychology techs. These teams of mental health specialists found themselves in the strange position of helping others adjust to an environment that was itself plainly bizarre. Bey relates these initial impressions in a masterful chapter, "Stepping Through the Looking Glass," drawing the comparison to the Lewis Carroll classic. As just one example among many of the young doctor learning the rules by which this strange world was governed, Bey relates a time early in his tour in which he was requested by a military court to evaluate a prisoner charged with criminal offenses. Bey dutifully wrote a lengthy evaluation, stating in as many ways as he knew how that this prisoner suffered from a personality disorder, not a mental illness, and was therefore likely to repeatedly criminally offend. Surprised that the court let the man off, Bey found out that the court had not read his evaluation at all, but surmised from the heft of it that this man had genuine psychiatric problems. However, they were so miffed at having to let this criminal offender off the hook that they really threw the book at the poor guy following in the docket!
There are many very interesting features of this memoir. Bey deals very forthrightly with issues of racial, class and cultural differences in relation both to military justice and to psychiatric and mental health issues. He approaches these issues with a clear, personal point of view, but is refreshingly aware of the strengths and limitations of his own perspectives. He also recognized the peculiar position he and his fellow medics were in as relatively high-ranking officers who had no long-range military career goals. Their indifference to military protocol was sometimes comical, sometimes rebellious, sometimes useful in getting things accomplished outside of channels, but it was also always a position of privilege.
One of the things that surprised me in this memoir was the almost complete absence of any discussion of politics. Although Bey does suggest that he was politically very conservative (just to the right of Genghis Khan, he says...) and generally supported the war effort (albeit, with grave doubts about the way the war was being conducted) candid discussion of war politics simply does not come up, either in the direct talk among the officers or in Bey's own interpretive narrative. The nearest to it is one episode in which, at the behest of a black fellow officer with whom he was very close, Bey attended a meeting of black enlisted men and relates the speeches presented there, which focused on their anger and resentment at fighting for the freedom of Vietnamese while having freedoms denied to them in the USA. This episode is related, however, not in the context of discussion of the war itself, but of racial tensions within the military. The main sense one gets here is that, aside from brief episodes of extreme action, the war was experienced by the soldiers themselves as grindingly boring. I suppose this strikes me so strongly exactly because, as I remember those years, heated discussions about the war seemingly consumed us stateside, and this brings home again the chasm of difference in perspective between those who actively participated in the war and those, like me, who did not.

"Velcome Captain. You are the new Vizard-Ya?" "Ya. I mean, yes sir." "Vell, I must tell you dat I don't know if I believe in psychiatry." "That's okay, sir; I'm not sure I belive in colonels." This interchange took place in 1969 when Doug Bey M.D. aarrived at the base camp of the 1st Infantry Division (The Big Red One) in Di An, Vietnam, to begin a one year tour of duty. His reponses to the U.S. Army Lieutenant Colonel with the German accent are vintage Doug Bey. They show his quick wit and his way with words, his irreverence and his college-wrestler toughness.
I write with familiarity because Doug and I took psychiatric residences togther at the Menninger School of Psychiatry in Topeka, Kansas. We were goth in the Berry Plan, in which the Army allowed us to complete our training but then expected us to go on active duty for two years. Doug and I both ended up in Vietnam. I was hospital based at the 67th Evaucation Hospital in Qui Nhon.
Being assigned to a division meant that Doug had a Jeep and the freedom of movement to get a good pulse of the whole unit. His radio call sign was Wizard 6. He and his talented techs took care of all kinds of emotional problems but found the so-called combat fatigue of previous wars less prevalent in Vietnam. Instead were acting up personality disorders, racial issues, communications problems between officers and the often quite young soldiers, alcohol and drug problems, and anti-establishment attitudes reflective of the anti-warm movement in the U.S.
In Topeka Doug had studied the psychology of organizations under Dr. Harry Levinson. Doug applied the techniques of organizational case study to the 1st Infantry Division. His goal was to find stress points, such as abusive officers or nonsensical regulartions, and to try to deal with such problems before they became major. This emphasis prevades the book and provids exceptional insights of a unit at war.
Doug also writes of his own coping devices in an unpopular war far from home. He tried to forget about home, immersed himself in his work, developed relationships with his colleagues, observed and kept notes, isolated negative feelings and stayed away from war politics.He also admits that he overused alcohol to self-medicate. He reports one frightening experience when he was to intoxicated at the time of a Red Alert that he mistook a friend for the enemy and pointed and pulled the trigger on his .45. What saved a tragedy was that he forgot to remove the safety. Throughout the book he is unsparing in presenting his own failings, which makes his story ring true.
He writes of how his Vietnam experiences affect him even to this day. He has a lifetime of things to ponder, such as the obviously battle-hardened infantryman who barged into Doug's office and announced that he wanted the doctor to know that he was gay and who then ran off; or the grieving crowd around a Vietnamese boy who lay next to his mangled bicycle, the victim of a US military truck that didn't stop.
Doug also compares and contrasts Vietnam with Iraq. His disquieting conclusion is that the two conflicts are becoming more and more similar.
This book has value not only for the people with military interests but also for mental health workers. The descriptions of the smells and noises of the country and of the people and their sad plight rang so true to me. I found myself nodding my head in agreement as I read. Doug really got it the way it was. My biggest disappointment is that I didn't write this book. But I'm glad somebody did.

Ed Colbach M.D.

Required reading in a college history class in 1992, I remember it and keep a copy to this day. Outstanding story of Gideon and his plight. No less than 5 stars. An absolute must read.

A buffalo soldier fresh out of slavery tries to enslave the free Indians of West Texas. While you read this book try to find out why. It doesn't make sense, but it makes a good story. Try my novel by searching butler, luthe

This book ranks among my top five personal favorite novels of all time. Mr. Kelton weaves a tapestry of West Texas culture and history and storytelling that will envelop a reader. The story of two men, Gideon Ledbetter, a former slave who becomes a US Cavalry soldier (or Buffalo soldier, as they were historically known), and Gray Horse Running, an American Indian fighting for his way of life, is an absolute must-read. His description of weary solidiers travelling through the West Texas desert will have you reaching for a glass of water!! I first read this book as a college assignment and have happily recommended it to friends and family for years. I consider it to be Mr. Kelton's masterpiece, even better than "The Good Old Boys" or "The Time It Never Rained" which are also outstanding. Some smart person is going to make a great movie out of this book one day.

Luther Butler THE WOLF AND THE BUFFALO BY ELMER KELTON Elmer Kelton skillfully takes the rugged geography of West Texas, accounts of the Texas Comanche wars, mixes in the Buffalo soldiers with their hair the Indians thought looked like the curly buffalo, and adds white officers, Comanches, buffalo hunters, and makes an epic struggle of two cultures that will be enjoyed by many generations of readers. And to add spice to the story, he stirs in the women of San Angelo, Texas who washes not only clothes but who provide sexual relief for the men who chase dusty savages into a world unknown to them. The story centers around two strong characters. The Buffalo is Private Gideon Ledbetter, a recently released Louisiana slave who is now a member of the Tenth U.S. Calvary stationed at Fort Concho, Texas. Hated by most of the white settlers, Ledbetter has two jobs. When he is not chasing Comanches, he spends his time building adobe buildings and shoveling horse manure at the fort, but. he prefers to be on patrol trying to make the savage Comanches go to a reservation in Oklahoma Territory. He goes out with Lieutenant Hollander under Black Sergeant Nettles. Ledbetter grows stronger in his position until he eventually takes over Nettles job. The wolf is Gray Horse, a young Comanche warrior who tries to keep the invading settlers after the Civil War from killing his people's source of food, the buffalo. In constant visions, the wolf and the raven seek to lead the developing warrior to new buffalo herds. Symbolically, Gray Horse sees visions of a red buffalo calf. Unlike Ledbetter, Gray Horse declines in prestige until he is forced to make a suicidal attack before his people go into servitude on the Oklahoma reservation. Ledbetter almost loses his focus because of the beautiful mulatto, Hannah York, who gives a purpose for him to not only live, but to advance so he can earn enough money to marry and start a family. The old woman who controls the desirable young maiden saves her charge so she can sell sexual favors to the white officers. After the young soldier has enjoyed Hannah's body numerous times, he finds her with his commanding officer, Lieutenant Hollander. Hannah is forced to leave. Sergeant Nettles saves Ledbetter's career by talking sense to the betrayed young man who planned to marry his beloved. Hollander's subsequent marriage to a proper young lady and his attempt to repair the damaged relation with Ledbetter forms a hinge that much of the latter action pivots on. Gray Horse leads Ledbetter's unit on a wild chase into a land where there is no water. The chief thinks he has destroyed the enemy only to find the new enemy is invincible Even after the white government turns white hunters loose to slaughter the buffalo for their hides, does Gray Horse fail to acknowledge that the only hope for his people lies in going to Oklahoma Reservation where the Quakers will rule them. At Adobe Walls, the Comanche leader begins to glimpse the truth when a few buffalo hunters with their rifles that can kill at over a mile, turns back a gathering of the Indian nation. General Mackenzie's rout of Comanches at their winter quarters in Palo Duro Canyon makes Gray Horse realize the end is near. Gray Horse goes to the hated reservation a wounded and beaten warrior to shed his buffalo robes and become a cattle raiser. He realizes he must make one last try to find the red buffalo calf after he finds his wife with their son who is dying because of poor living conditions. Taking a band of warriors, he goes in search of the mystical calf. After he and his men brutally slaughter a group of buffalo killers, Gray Horse realizes his dreams of being free are over. After finding the red buffalo calf, the warriors kill it and eat it! To him, a way of life ends. Out numbered by the buffalo soldiers who come to punish the Comanche band for slaughtering the buffalo hunters, Gray Horse makes a suicidal attack on Sergeant Ledbetter's unit. Even though the Indian's arrow goes through Ledbetter's shoulder, he is able to fire the final shot that brings an end to his enemy. Like the end of a Greek epic, the defeated Indian is carried off on a symbolic shield to be given a hero's funeral. Ledbetter recovers from his wound so he can fight a new enemy, the Apaches. And I hope he eventually finds Hannah, nurses her back to health, and goes into retirement to live on a small farm and raise a family. END

The author portrays an unnamed narrator living in an Austrian village in a "mind-hostile and mood-killing neighbourhood". He lives in nearly total isolation having given up all contacts for the sake of his intellectual work. But eventually his contactlessness proves a catastrophe bringing him to the verge of madness, insanity and suicide. For three months he never leaves his house, full of fear, in a kind of self-incarceration.
One night, seeking the help of the only person he trusts, a real-estate agent called Moritz, the narrator becomes acquainted with an odd couple: a Swiss and his Persian wife who have just arrived in the village to buy a plot for the construction of their house. He finds the Persian woman a regenerating thinking, talking and philosophising partner who saves him from depression and during their conversations he discovers why the Swiss came there to buy a plot which has a marked slope, a high degree of dampness and where snow clearance is impossible in the winter.
A work in which nihilism finds its most uncompromising expression, which presents a human situation devoid of any meaning and which shows that speech is a useless therapy to fend off death. From this perspective there is only one possible answer to the ultimate question.

Abnormal characters,very distant locations and a disturbing plot combined masterfully to create a poetic novel.

I have long been a fan of Bernhard, and this is one of my favorites. It appears to be less ambitious than his "masterpieces," but this untrue. I find it to be one of his most intimate, intelligent, comical and most brutal pieces of work. It is incredibly concise and as readable as "Wittgenstein's Nephew." It contains everything one desires of Bernhard, due in part to the fine translation, stripped down to the to the bone. Something is always lost in translation, but an excellent ear and eye has been at work here. It is a poetic masterpiece with blinding light, brialliant language, and a twisted satori. Aside from the politcal, moral, social and philosophical criticism that is Bernhard's trademark, there is a unbelievable consecration between the author and reader that takes place and demands that "you must change your life." If you allow it to happen you will be left with nothing but an eyelash and a sock, but you will find that the author with all his vitriol,sarcasm,and "so black it's blue" humor, has still preserved what is best in the human heart, and damn, he tells a good story.

"Yes" is the story of a man who lives in rural Austria, a scientist with an overactive imagination, and a psychologically oversensitive nature. His friend, a real-estate agent, sells a highly undesirable plot of land to a Swiss couple, a man retiring from a successful career as a power-station architect, and his female companion, a middle-aged Persian woman. The narrator strikes a friendship with the woman, and finds her his intellectual equal, or at least his emotional one. He wonders why this couple has chosen that horrible plot of land (which his friend had never previously been able to sell), and why they are building an ugly home on it.

He begins to suspect the retiring architect does not treat his female companion with as much respect as she deserves. He retreats into his home for a time, trying to get away from the world, in a fit of general agitation and anxiety, but eventually returns to his friends' company, and deepens his friendship with the Persian woman, who seems to be growing apart from her companion. The novel ends with an emotional shock, summarizing the story's happenings, and explaining it in highly dramatic terms.

This novel is unequivocally brilliant. Thomas Bernhard (1931-1989) does not employ a style easy to understand at first, but it is worth every ounce of energy invested. For example, he has written this short novel with no paragraph breaks whatsoever. (The book is 135 pages long, but the type is larger than usual and the pages shorter than usual.)

Bernhard writes in an overflowing, fulsome style, not unlike Samuel Beckett, full of language, full of description, incessant, and captivating. This is exactly his strategy: he is trying to capture the reader by forcing them to expend so much energy following his text, his narrative, his story, and his unusual style, that the final words of the story will hit the reader like a ton of bricks. This is Bernhard's signature, and this novel is a fantastic example.

Any reader should try this novel who is interested in an inventive, experimental novel, but one which does not veer too far from normal story-telling. Berhard's novels, for all their roller-coaster style, are actually quite conventional, and "Yes" is a great introduction to his literary work. His vocabulary is sharp, his characters are well spun, his occasional insights are spectacular, and his stories are intruiguing. This novel is highly recommended for anyone wishing to sharpen their mind, find a new adventure after having enjoyed Beckett's works, or introduce themself to one of the finest writers of the 20th century.

This novel was my first exposure to Thomas Bernhard and I have to admit I was initially put off by its style. Some of the sentences went on for a page and half, using only commas as punctuation. After the first page or two I began to enjoy it. The plot is very simple. The narrator is a scientist who has retired to the Austrian countryside to conduct his research on antibodies. At first he believes that the isolation will benefit his studies but gradually, he works less and less, due to the great depression that comes over him. He begins to cut off all relations with the outside world, keeping only a token connection with his friend, Moritz. When he comes to recognize that his mind can only be stimulated by socializing with other people it is too late. He cannot free himself of his terrible loneliness. It's been so long since he has communicated with a human being he doesn't know where to start. All this changes when a Swiss engineer and a Persian woman show up at Moritz's house to buy a plot of land to build a home on. Talking with the woman, the narrator finds new life, but tragically, it will be shortlived.

This is a great novel. I have never seen the mindset of isolation and the depression that follows better portrayed. The style of the piece lends itself to a breathless reading. You don't notice that periods are scarce after a while. It has an exquisite flow to it. All the characters are nicely done. The translation is excellent. I really have nothing negative to say about it.

I got this for my husband because he needed a way to experience an Aggie football national championship, since he is the ultimate fan and it doesn't look like it is going to happen with the current team anytime soon. He has really enjoyed the book and how the author has re-created in detail such an exciting time in Aggie football history.

If you start each A&M football season off with great hope in your heart, only to have your heart shattered by season end, this book will lift your Aggie spirits.

I do not read newspaper accounts of sports events, so buying this book was out of character for me, except that I had some distant family on the '39 Aggie Team (Cotton Williams) and wanted to know more about him and the team. To my surprise the book was captivating. The first part covers the history of football at Texas A&M in a way that makes you feel like you are part of each era. The coverage of the '39 and '40 seasons utilizes press clippings from that time. Then, prior to widespread media access, the newspaper writers covered the games in detail and with flair. The detailed coverage of the players lives - before and after their football careers - gives the book a satisfying completeness. If you are a Texas Aggie, this book is essential. If you are a football fan, with a touch of respect for football history, this book will be your favorite.

Every Aggie should read this book. I was amazed at the story Mickey weaves, not just the game-by-game, but the backstory and anecdotes which brought the players and coaches to life. This is more than a "football book," it's an inspiring story that taught me a lot more than history. Gig 'em.

In 1939, the Agricultural & Mechanical College of Texas was an all-male, all military institution -- and World War II was just erupting. These guys beat the hell out of their competition on the gridiron, then they donned uniforms to beat the hell out of Germany and Japan. It goes without saying: They are the Aggies. Bless them every one.

I have admired Gloria Steinem since I came to this country in the 70's to go to college. She has had to make some tough choices in her life and I respect her greatly for the path she took. I particularly liked to read about her early years, her childhood and family, prior to the more public New York life of the sophisticated writer and feminist persona she became. After reading this book, I feel that I understand much better where her strong motivation came from. The author deserves much praise for this biography.

I read this book nonstop while on a lengthy car trip. I found it to be incredibly interesting, informative, well-researched, and enjoyable to read. If you've ever wondered how Gloria Steinem got to be the icon that she is, this book explains it all. Whether you are researching Steinem or just looking for an interesting non-fiction, this book is for you!!

A sympathetic biography of one of the most famous leaders in the women's movement. According to Heilbrun, Steinem's beauty and ability to remain constantly in the public eye have been a constant source of irritation to other feminists. She presents Steinmen as a slightly naive, well-intentioned and empathetic individual who never intended to lead the feminist movement and indeed would have preferred remaining in the shadows as a reporter and writer.

Growing up in the early 80's, I had a vauge idea who Gloria Steinem was and what she did. I was delighted to pick up this book and read the first (and probaly most accurate)book on such a revolutionary leader.

Denounced by the extreme right and extreme left, Steinem's life has taken her from Ohio to Massachusetts to India, Washington DC and NY. Having cofounded Ms. the National Women's Political Caucus, the Women's Action Alliance and Voters for Choice, Steinem is truly an example of a good role model.

Heilbrum's superb prose takes us into the infamous resentment born by Betty Friedan and Kathie Sarahchild. Although both of these women are famous in their own right, their inexcusable and childish tantrums undid their own feminist reputation without any help from Steinem. Also deserving of their repuation is Betty Harris who's paranoid delusions and lax work ethic jepordaized the working environment at the early MS. Steinem is a saint for having dealt with these crazies and still keeping cool.

Eddie Fung's curiosity, sense of adventure, and generous spirit in helping others is inspiring!

He never let his small stature get in the way of anything he was determined to do, whether it was to enlist in the army, help the men on the ranches where he worked at during his teens, or (secretly) help get food and medicine for his fellow POW's during WWII.

I admire his way of sharing his adventurous life, which was often humorous: he didn't hesitate to recount the times he got in trouble or made himself look not-so-smart when he could have asked for help. I like his forthright manner! As he put it to his second wife: "What you see is what you get."

Fung's spirit shines throughout the book; it serves as reminder to me of the sacrifices made by servicemen such as himself, as well as my father, and members of their generation during WWII. Moreover, he describes how he helped his fellow POW's to survive in the most unimaginable circumstances by using his past experiences, however minor they may have seemed. Being frugal, helping his mom with household chores like making preparations for dinner, and working on the ranch provided useful skills he could share with the other prisoners.

His many adventures are nicely complemented with loving family background/memories of parents and siblings, and life, post-POW. A really enjoyable read!

Don't miss out!

"Another Little Big Man" might have been the immodest title of this too modest gentleman's autobiography. That memorable movie from 1970 told the life story of a diminutive guy who lived many different lives within the span of one and that could also describe Eddie Fung. Short on stature, big on life, that's Eddie. Born in San Francisco's Chinatown, he dropped out of high school and went to Texas at age 16 to become a cowboy just because he wanted to. There he discovered a now nearly vanished breed of everyday honest men and a challenging way of life that for him epitomized the American dream of freedom of spirit paid for by hard work. By 1940 as war raged in China and simmered in Europe he too joined the Texas National Guard just as many of the other ranch hands were doing. That one simple act put Eddie onto a path that took him through three and a half very tough years as the only Chinese American prisoner of war after his unit's capture by the Japanese Army early in 1942. You won't want to put it down once you begin Eddie's book but the beauty of it is that you can pick it up and open it nearly at random and be rewarded with simple truths as experienced by a complex man. For this we have Eddie's wife Dr. Judith Yung to thank for an excellent job of editing a number of multi-hour interview sessions. Judy is one of this nation's most well known and respected scholar/authors of the modern Chinese American experience. Be sure to read the Preface to learn how they met and married when Judy needed a WW II vet interview for a project she had begun. This memorable book has one little shortcoming, so to speak, that must be mentioned .... it comes to an end. This reader wanted Eddie's adventures to continue indefinitely. We do learn of his post war life including family and career, his eventual involvement with the Lost Battalion Association and its annual reunions, etc. so it is a well rounded effort. My wish came true recently when I discovered that YouTube offers a six part look at one of this special couple's book talks. Thank you sharing your life Eddie.

I met Eddie Fung in person last week and heard him discuss the book and his life. What a journey! He is a 10 an so is his book. There are many greatest generation stories that will never be told (my Dad's for example) so take advantage of reading this amazing story of survival from a good story teller.

Also, it is a reminder that many American minorities were in WWII who were staunch patriots, sacrificed much, and should not be overlooked.

this is a very touching story- somewhat like angela's ashes re experiences of a poor background. school dropout, becoming a cowboy then a searing 4 years as a pow -finally graduating from stanford university and moving on