New York Books

Edward Abbey to Stefan Zweig, the first 262 page section covers "Authors" - of the entire world; a follow-up section of 57 pages covers "Other Influential Figures," from Joseph Addison to Wm. H. Wright; the short sections on "Authors' Awards" and "Sources in Literary Biography" to "Works of Literature," - from "Aaron's Rod" to "Zuckerman Unbound" - will have you delving into the construction of this tome and its endless answers to questions you must know but haven't thought to ask yet. This wonderful reference book fills a need in your personal reference library, and it equals in importance the ownership of "Bartlett's Familiar Quotations" and "Benet's Reader's Encyclopedia." Once you turn to a section, you could find yourself reading for hours, for the volume invites this reaction. Many other sections answer questions asked, and you will be glad to have added this reference book to your personal library. The tome answers needs of college and high school students alike - and, also, for the personal learner on their quest for learning.

The Literature Companion is an excellent addition to any reference collection, for a library or at home. The editor has not crammed the pages with trivia, rather she puts readability and usefulness ahead of fact checking. When I look up an entry, say, on Conrad, I'll start browsing the C's and loose track of time. Very interesting and stimulating.

I wish they'd publish an updated edition. I have the one that came out in 2001, which still serves as a useful reference.

It provides biographies of major authors and of other influential figures, such as biographers, critics, editors, publishers, thinkers and translators. There are one-paragraph summaries of major literary works and characters, as well as lists of book awards and annual winners (Nobel, Pulitzer, Booker, Whitbread, Prix Goncourt, Hugo, Nebula, etc.).

Other sections I find useful:

*Dictionary of Literature (terms, styles, movements, genres)
*Chronology of World Literature (from the invention of writing to the year 2000)
*Influential Literary Periodicals
*Variations (works of literature that have been adapted into other media -- films, TV miniseries...)

Breaking the monotony of a reference work, scattered throughout are short historical and anecdotal essays, quotations and excerpts, and quizzes.

THE NEW YORK PUBLIC LIBRARY LITERATURE COMPANION is one of those texts that ought to lie prominently on the shelf of anyone who dares to call himself book smart. The list of potential readers is daunting: bibliophiles, poets, novelists, essayists, English literature majors, and even quiz show contestant wannabes. In its 700 plus pages lies a wealth of erudition not found in any other single volume. Editor Anne Skillion has divided the COMPANION into three broad categories:
1) Creators--which includes biographical sketches of the major figures of Western literary history.
2) Works--which covers in surprising detail the output mentioned in (1) above.
3) Literary Facts--which lists the names of the characters in (1) and (2)

No one pretends that this volume will have enough information to write say, a scholarly paper on one of Chaucer's Canterbury Tales, but for one who wishes to taste the Tales for the first time, one could do worse than start here. Further piquing the interest of the erudite reader is a series of sidebars, which are both delightful and informative:
A) Writers on writing
B) First books by 10 American writers
C) Poets at work (Three things are certain: death, taxes, and the fact that poetry rarely pays the rent)
D) The New York Public Library in fiction
E) Shortsighted rejection letters (You'd be amazed at what famous works were rejected by publishers)
F) Nobel Prize in literature winners (Grouped by country)
G) English & American Poets Laureate (Tennyson held this post for 42 years)
H) Standard reference books in literary biography
I) Memorable opening/closing lines (Useful for those taking the GRE in English)
J) Pulitzer Prizes for fiction/poetry/drama
K) Influential literary periodicals
L) Movie adaptations of novels/plays (Great for viewing just before the lit test)
M) Recommended Great Books List (This one is controversial: too many of my favorites were omitted)
N) Landmarks in literary censorship (Includes Lolita, Lady Chatterly's Lover, and The Satanic Verses)

This COMPANION is one of those vanishingly rare breed of reference books that can be read as often as referenced. It avoids the dry as dust patina of scholarly jargonese that infects and afflicts other and similar texts. If you already have the NORTON ANTHOLOGY OF ENGLISH LITERATURE, then this one is a must buy.

First of all, I need to say that you won't find absolutely everything here, so don't expect to. Neither will you find deep philosophical discussions exploring the multiple levels of an author's intent. I say this only because in some reviews of other reference books in the New York Public Library collection, some reviewers have complained that some favorite item of theirs was not included. To summarize this paragraph, there's a lot here for most people, but not everything for everyone.

What you will find are a great number of literary references broken down into a little over a dozen general categories. For instance, under "Authors," there are a couple of hundred two columned pages of brief discussions of authors and their key works.

Under "Works of Literature," you will find almost as many discussions of novels, plays, poetry and other forms of written works.

One of my favorite sections is "Characters." Has the name of some literary character ever come up in a conversation and you can't quite remember where he or she came from? This is the easiest reference I've ever found for obtaining that sort of answer.

In addition there are such sections as "Literary Awards", "Great Book" lists, "Literary Periodals," a "Dictionary of Literature," a "Chronology of Literature," and many more convenient breakdowns.

Overall, of course, there is a general index which includes all entries in all categories, and which serves as a sort of cross reference between the various categories.

As a previous reviewer has noted, this is a great book to open up at any page and browse to your heart's content. I find myself looking up one item and then following it up with another reference mentioned in that one, and on and on, ad infinitum.

From the day I found this book, it has been one of the most used reference book in my collection.

or for others who love newspapers and history. It's all here -- the moon landing, Nixon resigns, WWII, WWI. It's the first rough draft of history, as told by the paper of record. It's a coffee-table sized book that is a fascinating read and a conversation piece.

This is a great book for collection. It marks the important milestones in the 20th century. It will improve your general knowledge about the events in the last century and encourage you learn more about them. What is more exciting is to watch them as they were presented on the first page of NY Times. To relive those moments through the print and pictures and titles as presented on the Page One. It is much more than an encylcopedia for the last century.

It is fun to see how an incident was presented on Day One which went on to become World War One. A must collect for history lovers!

I received this as a present from one of my journalism students, and I really enjoy flipping through it. It's a coffee-table book of the major stories of the 20th century, and what a fun flip it is. I also enjoy the journalism aspect, as the style and layout changes over the decades are shocking. I wonder what the 2097 New York Times front page will look like--perhaps we will be printing the papers out on our own printer each morning, who knows. Anyway, this is a fun book for those who like a little history to go with their morning newspaper...and you don't have to be from New York to enjoy it.

I read this book first in my school's library, starting from the back and working my way towards 1896. I was amazed at all the things that had occured during those 100 years. From the crash of Flight 800 and the Trial of Sacco and Vanzetti, this book illustates provides the front page of our last century and hopefully a window to the next!

These are the headlines that made the news. Often three lines, set in Italics Times, page one headlines of the "New York Times" defined American news for years. The internet, and national papers have diminished this effect somewhat, but for most of the Twentieth Century, the NYT was the news. Because of their influence, they were not only the reporters, but the generators of our news. If they didn't report it, one might wonder if it really happened.

This edition has no glorious essays explaining how wonderful people were in 1955, or how great the generation was in 1940. Instead, we get page one completed, unedited.

Only the days which made big news made the cut, but each page of the book is a complete front page. More than reproduced headlines, we can read the seondary and teriary stories, see the pictures, and know the weather. My birth year, 1966 apparently was only a big deal to me, as nothing newsworthy enough made this book.

It is a hearty book, tall and wide. It is smaller than actual paper, and the body copy seems to have shrunk to about 6.5-7 pt. Printing methods were not as good in 1900, and you'll see the smudges in the ink as the plates wore throughout the day's printing. This makes intriguing history, but occasionally difficult reading. Newer pages are reproduced cleanly.

I fully recommend "The New York Times Page One" as more than a curiosity. It would make an interesting book to provide school rooms to see the actual stories of the modern history they are studying.

Anthony Trendl

If you live in New York City, this is a great book to see what the building "insides" look like. Although I don't live there, I still enjoyed seeing the floor plans and getting a very brief descriptive of each building. Just a fun book to look at and imagine yourself living in one of the more grand one-floor coops or condos. Fun to dream! The only downside is that some of the floor plans were so small that I needed a magnifying glass to identify the room layout.

Finally I got a hold of this book! Great floor plans; but as usual, I would have liked more interior pics (hardly any).

Originally published under the title 'Apartments for the Affluent,' this book is aimed at a very narrow audience indeed. Alpern takes us through 75 luxury Manhattan apartment houses in chronological order, from 1869 to 1974. Each building has a full-page b&w photograph, a diagram of a typical floor plan, and a quarter-page-or-so description. Alpern explains the reasoning behind the various room arrangements, and how that reasoning evolved over the years. I enjoyed this book immensely, but it's not for everyone. If you ever walked by an older high-rise apartment building and wondered how the rooms were arranged and why, this slender volume will fascinate you. Otherwise, you may prefer a book that's a more general survey of the topic (including some by the same author).

This book provides excellent descriptions and floor plans of many of New York's finest apartments. It proved to be a great guide book on a recent trip to the city.

This book is a must have for any fan of architecture. A glimps into some of the most amazing buildings, complete with floorplans! My personal favorites: The Langham, 1107 Fifth Ave, 960 Fifth Ave, 625 Park Ave, River House and my ultimate favorite, the late great 410 Park Ave. I am so glad I discovered this book.

Shirley Bassey is a singer of the first order and belongs to the group of entertainers whose charisma turns every stage of the world in to a starstudded place, and whose powerful voice brings the walls to tremble. Just the announcement of a Bassey appearance on stage is a sell-out everywhere. There are few singers today that can stand a comparison to the manifold impressions a Shirley Bassey represents, and whose status quo can be entitled "STAR" ! That is why I always long for a release of this album.

Shirley Bassey is a singer of the first order and belongs to the group of entertainers whose charisma turns every stage of the world in to a starstudded place, and whose powerful voice brings the walls to tremble. Just the announcement of a Bassey appearance on stage is a sell-out everywhere. There are few singers today that can stand a comparison to the manifold impressions a Shirley Bassey represents, and whose status quo can be entitled "STAR" ! That is why I always long for a release of this album.

Shirley Bassey is a singer of the first order and belongs to the group of entertainers whose charisma turns every stage of the world in to a starstudded place, and whose powerful voice brings the walls to tremble. Just the announcement of a Bassey appearance on stage is a sell-out everywhere. There are few singers today that can stand a comparison to the manifold impressions a Shirley Bassey represents, and whose status quo can be entitled "STAR" ! That is why I always long for a release of this album.

This cd was digitally recorded in 1982 and is one of her best recordings to date. Produced and arranged by Johnny Harris who also produced her best recordings of the 70's. Best tracks include All By Myself, Don't Cry Outloud, This Masquerade, Can You Read My Mind and her version of Michael Jackson's He's Out Of my Life. Released in the UK as "Love Songs" in reached no. 48 in the pop charts.

I enjoyed all the songs on this album. But in particular, I loved the way Shirley, stylist that she is, sang "If and When"; this is my favorite song on the album. I've listened to it repeatedly and will still continue to do so. Her voice range is incredible (as always). She really puts her heart and soul into every song that she sings. I've always admired this incredible entertainer and wished that she'd do a concert in the U.S. again.

Someone gave me New York: Architects 01-02 as a gift. What a great gift! I really enjoyed this book even though I am far from artistic and know nothing about architecture and design.

The book has a stylish cover that features a pattern of geometric, almost-three-dimensional boxes that are in different shades of blue. The internal layout is easy to follow and provides a way to compare architects and their styles virtually side-by-side.

At least one reason I personally liked the book so much is that I've lived in NY for many years, and a decent number of the pictures in this book were of buildings and interior spaces I've walked by or through, admired or have always meant to see. It was interesting to focus on the art, design and structure of these buildings and spaces that are a part of my daily life and nice to realize how much New York architects have contributed to the character of New York.

Architect buffs, people getting ready to build or design a home or office or urbanites planning to design or restructure an apartment anywhere in the world will all love this book, will appreciate the easy access to information about a large number of architects and will find it incredibly useful as a source of design ideas.

What a great idea! Organized as a directory of modern architectural firms based in the New York area, this book allowed me to really get an in-depth perspective on each firm. I particularly enjoyed the section in each architectural profile where the architects themselves talk about their personal design philosophy. And of course, all those wonderful photographs of spaces and buildings! This would be a great gift book both for the serious lover of modern architecture or for someone who just likes to dream about beautiful spaces.

You don't have to be an architect to really enjoy this book.

The concept of the book, to present a number of incredibly diverse NY architects in once space, is fantastic and one I haven't seen before. And the book itself, while functional, is also great to look through and easy to read and follow. The pictures of the architectural works beautifully illustrate the diversity, style and capabilities of each architect, while the written information accesses the entire world of the particular architect by showing the scope of that architect's experience and the works for which each is responsible.

What a great book to have on your shelf or coffee table, both for the architectural of mind and the architectural lay person.

I found this book quite helpful to get to know some of the top architects in New York. You can see what the various offices are doing, what projects they've completed and which awards they got. The wealth of beautiful pictures is very inspiring.

I found this book quite helpful to get to know some of the top architects in New York. You can see what the various offices are doing, what projects they've completed and which awards they got. The wealth of beautiful pictures is very inspiring.

For all the crowds who were compelled to come to Ground Zero in those first traumatic months to see for themselves, pay their respects or simply offer moral support, most did not get close enough to see what these men and women who worked "The Pile" saw. Their lives will never be the same. Dedicated first and foremost to bringing home the victims, cutting a giant tangle of twisted steel and pushing compressed concrete--1.8 million tons of "debris"--the ironworkers, heavy equipment operators and other tradesmen who worked the site were heroic in their selfless determination to work fast and see the job through to the end. Reporters were not allowed inside and workers who talked to them could be fired. Unprepared for the horror they would see but pushing through, day after day to get the job done, these men and women came together in an unspoken bond which could not be breached, even by members of their own family. This is a story everyone should know. God bless them all.

The "outside world" owes a debt of gratitude to the men and women who worked hard to respectfully recover those who were killed on 9/11.
This book goes a long way to bring those of use who observed from afar closer to what happened in the aftermath.
The courage to step up and the morality to do what is right is imbedded in these individuals.
Thank you.

This book is a terrific account of the story of the recovery from the Pile to the Pit at the WTC Site. In contrast with the twisted and bitter 'American Ground' written by William Langewiesche some years ago, 'Nine Months's firsthand hand accounts from the rank and file men and women from the FDNY, NYPD and Constuction Trade show the human efforts and bursting hearts that forged those involved in the recovery into a band of brothers. Their desperate efforts and hopes again inspire us through this account.

It was worth waiting for until now to hear their stories in their own words and much applause to Glenn Stout, Charlie Vitchers and Robert Gray for putting this together for the rest of us. No one should miss it.

Thank you Bobby, for imortalizing the experience, and heartache, of us all.

Wonderful book that captures what really went on to clear out Ground Zero and how recoveries were handled.. Charlie Vitchers is an amazing man and is so modest for all that he accomplished. He brought compassion to recovery. Without his direction and authority recovery and clear up would have been chaotic. I highly recommend this book if you want to know what really happened at Ground Zero on Sept 11, 2001

I just happened to pick up this book at the library because I enjoyed Fragments That Remain. The story about three sisters in post World War I Harlem swept me away into a time that is so important in African American history. Corbin did an excellent job interwoving the characters in actual events in history. The characters and the settings seemed more realistic, intriguing, and exciting. I could not put the book down. The pain and joy of these sisters and the people involved in their lives brought tears to my eyes and I wanted to intercede in their world (like their mother) and tell them you can do can better. But the reader is forced to let them live their lives and learn from their joy and pain just like their mother had to let go. I cannot wait to read his other novel.

I read this book in the early 90's and it still remains one of the best books I have read! It is a shame that this book is out of print and did not do better when first published. The story is so interesting and character development was done with such skill and finesse. Unlike a lot books I have read lately, my interest in the story and characters never waned. It took me a few months to finish the last few pages because I didn't want the story to end.

The book was very hard to put down, and more interesting than any tv show could ever be. It wasn't one of those types of books that was slow in the begining, interestings in the middle, but then ends in a way that doesn't make sense. This book is interesting from front to cover.

I found this book in a relatives book collection and now I refuse to return it. This is the first and only book that I have been able to read more than once and I can honestly say that I am anxious for a sequel.

Now, this was some good reading. I stumbled across this book around 1992-93 while in the library with my daughter. I hadn't read a book in 15 years. It opened my eyes to the world of reading. This book gave a clear view of life in Harlem during the 1920's, which must have been one of the most exciting times to be alive. It was so vividly written that I felt as if I knew every character. I could not put it down. I've recommended it to many, many others who also thoroughly enjoyed it. The only disappointment was no followup book. To this day, I yearn to find out what became of those three sisters. I haven't read anything yet that compares. Anyone who knows Mr. Corbin should let him know we await a sequel.

Why Hartov's name isn't right up there in popularity and acclaim with Daniel Silva and other better-known authors of spy thrillers is beyond me. In this fine novel, as in The Heat of Ramadan, his characters are complex and wonderfully drawn and developed - he has a knack for realizing secondary and 'throwaway' characters that is just amazing. Hartov's plotting is smooth, tricky, tight, and plausible. There is both technical expertise and a subtle, pleasurable literary touch to his writing (my half-star off on NHoG would be that the military/paratroop technicalese got just a smidge too thick for me at times). His books sizzle along - that's my one criticism (tongue firmly in cheek): I finish his books too fast because I don't put them down - and then what?! Wait another 4 or 5 years? Tell the man to get back to work.

i don't understand why this author isn't being published more. he's a talented writer, with an obvious first hand knowledge of what he writes about. i think he's a potential clancy,ludlum or forsyth.

While being an insider isn't a prerequisite for being a great writer of intriuge, it doesn't hurt Hartov's novel any. Thankfully he has the skills to flesh out three-dimensional characters. Benni Baum's attempts to reconcile with his daughter, Martina Klump's obsessions and Ruth's feelings for her father and for a NYPD dectective are positive additions to the conflict.

There is just one word which can describe The Nylon Hand of God - excellent. Steven Hartov writes with the expertise of an insider. The language itself is rich, as well as beautifully descriptive. This book is a definite must for anybody who is interrested in good fiction.

As usual with one of Hartov's books this book is action packed
and exciting.The book begins with a suicide bombing at the Israeli embassy in New York. Benni Baum is sent to investigate the bombing. While there he attempts to reconcile with his daughter.After looking at the bombing he and his partner believe
that the situation is being manipulated by Iranian agents.They
also discover that one of Baum's arch enemies Maria Klump from East Germany may also be involved in this plot.There are gun battles all over the place and intense action.This book gives you the feeling of having a front row seat.I wish that we could get more books out of Hartov because he has proven himself to be
an excellent author.

This book was great. It felt like I was reading about 3 dimensional characters, not stereotypical cops. An excellent plot that unfolds a little at a time. I would have to say that author CAUNITZ owes a great deal to the late, great ED McBAIN. For a first novel, CAUNITZ delivers a polished product and succeeds on many different levels. I have never been a police detective so I would not really know the authenticity of their dialogue but these detectives talk like real people. All in all a great book and I am glad I picked it up at the library and am looking forward to reading more from this author.

Strong character development, plausible plot, realistic dialogue with a splash of sexuality. Opening pages can be a bit disturbing; not for the faint of heart. Well worth reading; a good book to read when you don't sleep alone. And hope no one you care about ends up in the scenes he describes!

I had nightmares after the first night of reading due to Caunitz's vivid depiction of a murder scene. The book had a marvelous pace and had nice character and plot development. If you like whodunits you'll love "One Police Plaza"

When the body of Sara Eisinger, travel agent is found, it is just another homicide for Detective Lieutenant Dan Malone and his detectives. Then a few of her possessions are checked and things don't add up. A key that gives access to an exclusive sex club. Two phone numbers that are unlisted CIA. Definitely not your typical travel agent.

These cause Malone and his team to become embroiled in a mystery involving the NYPD, CIA and Mossad. His bosses try to stop the investigation from proceeding but it's already too late and the action carries on until the inevitable violent conclusion in Brooklyn.

Overall this book is a good read. As the author is a retired Detective Lieutenant of the NYPD, you can't help wonder how much of Dan Malone is based around William J. Caunitz. As would be expected, the routine police work is detailed and is interspersed well with some of the action sequences.

This is the authors first book, which is maybe why everything is oriented around the main character, whom just happens to be something that the author once was. Not that this is a negative point, the story line works well and although the main story-line itself is not too plausible, IMO, the way that it is constructed has given the book a feeling of authenticity that someone without the authors background would maybe not have been able to do.

David Lucas (davidlu@sco.com).

The drab, dangerous and often funny details of police work give One Police Plaza a hard-boiled realism. Caunitz shows how government hacks, Mafiosi, reporters, spies and even New York's Catholic Diocese are linked to the cops and each other by a system of favors Malone's manipulation of his superiors and his relentless dedication give this novel the page-turning pull we expect from a good thriller. Its special strength is its carefully exacting depiction of what the working life of a big city police department really is like. With the same bold clarity that served him as a New York City police detective, first-novelist Caunitz delivers a powerful tale of murder and espionage. . . Caunitz expertly depicts the stark reality of the police officer's life and work, and his hard-edged prose drives the story to a stunning conclusion.

From the security of a comfortable life in Oak Grove, Virginia to the razor cold streets of New York City, Jack Stewart is bound and determined to pursue a career as a jazz musician - against all odds. When he returns home from a tour of duty in Nam, all that life asks of him is that he settle down and carry on the successful family business. Why would anyone who could have it so easy cast their fate to the brutal winds of such an uncertain livilihood as a jazz musician in New York City? There is more to this story by Carlos Rubio than Young man from hometown America sets out to become a jazz musician. In the way that Dizzy Gillespie "like a majestic bird in flight" blows his magic horn and he is suddenly the indisputed center of the universe; from the bottom of his heart to the mouthpiece of his tenor sax, Jack has no doubt that music will deliver him. With Hans (a gothic cathedral of a man in the woof and warp world of jazz), the owner of the Jazz club Empty Hand as his mentor, beautiful woman at the snap of his fingers, some of the greatest jazz musicians of the day on a first name basis with Jack as his inspiration, and the jazz epicenter of Greenwich Village as his stage, you would think that Jack Stewart had arrived. Deliverance, however, comes with a price tag. If you have a tall mountain to climb, or a vast valley to cross, or a tenor sax you desire to master, then this book is a must to read. This is a users guide for those of us who prefer center stage to going through life sitting in the cheap seats in the back row. And for those of you whose only request from life is a good book to read, then this is your lucky day.

Alan Hodgkinson
Author of After Incoming

From the security of a comfortable life in Oak Grove, Virginia to the razor cold streets of New York City, Jack Stewart is bound and determined to pursue a career as a jazz musician - against all odds. When he returns home from a tour of duty in Nam, all that life asks of him is that he settle down and carry on the successful family business. Why would anyone who could have it so easy cast their fate to the brutal winds of such an uncertain livilihood as a jazz musician in New York City? There is more to this story by Carlos Rubio than Young man from hometown America sets out to become a jazz musician. In the way that Dizzy Gillespie "like a majestic bird in flight" blows his magic horn and he is suddenly the indisputed center of the universe; from the bottom of his heart to the mouthpiece of his tenor sax, Jack has no doubt that music will deliver him. With Hans (a gothic cathedral of a man in the woof and warp world of jazz), the owner of the Jazz club Empty Hand as his mentor, beautiful woman at the snap of his fingers, some of the greatest jazz musicians of the day on a first name basis with Jack as his inspiration, and the jazz epicenter of Greenwich Village as his stage, you would think that Jack Stewart had arrived. Deliverance, however, comes with a price tag. If you have a tall mountain to climb, or a vast valley to cross, or a tenor sax you desire to master, than this book is a must to read. This is a users guide for those of us who prefer center stage to going through life sitting in the cheap seats in the back row. And for those of you whose only request from life is a good book to read, then this is your lucky day.

Alan Hodgkinson
Author of After Incoming

Meet Jack Stewart, struggling jazz musician who could have coasted comfortably through life by carrying on the family business after returning home from his stint in the Army. His mother who he is so near and dear to him would like nothing more than this. And his desire as a good son is to please her. But he is torn. The problem is, this is not Mr. Two-story-house-with- white-picket-fence-in-the-suburbs. This is a man ultimately in search of himself. Something deep inside told Jack early on that he could only express himself through the mouthpiece of a saxaphone. Now, meet yourself. Knowing thyself is key to everything. This is what Carlos Rubio's novel is really about. The theme here is universal. People who have a profound effect on Jack, like Hans, owner of The Empty Hand coffee house who possesses the old world solidity of a gothic cathedral gives Jack his first clue concerning his unbeknowst quest for a voice when he tells Jack about Orpheus, the musician in Greek mythology who only finds his voice after coming to grips with his own insignificance; or Jack's idol Dizzy Gillespie, a man who blows his bent horn like his life depends on it. Jack meets him one day. During that meeting, Dizzy tells Hans that Jack just needs to "lossen up." Lorraine comes along and teaches Jack just that - how to lossen up. In doing so, she teaches him something important about life, this in a way a man could never learn from his parents. So, all these characters who become part of Jack's daily life in Greenwich Village converge to facilitate Jack's necessary transformation. But of course the real transformation has to come from within. The sudden death of his mother and uniting with his father for the first time as a result of her death is the nudge that completes his transformation. At last, Jack plays his sax like he has never played it before. You see, he is not playing his saxaphone, but he's living fully for the first in his life - he's living through the medium of a musical instrument, a medium that he loves. Jack finds his voice as we all must, least we perish, ironically in the realm of our own significance.

Carlos Rubio captures the struggle of a young artist and the feel of New York City's jazz world. His vivid descriptions brings the sights and sounds of a village night club to the reader to the point of hearing the soulful music and smelling the smokey Empty Hand Cafe. Jack Stewart, the main character, struggles with fullfilling his dreams against all odds. Along the way the importance of mentors, friends, sacrifices, and believing in oneself are interwoven in the theme. This story will be enjoyed by all.

Step into the little known world of struggling artists, musicians and writers. This novel of a man's self discovery takes us through close relationships and a troubled past. The author vividly immerses us in the culture and lifestyle found in the Empty Hand, a nightclub whose after hours camaraderie fostered by Hans, their benefactor and philosopher, who holds them, and the novel, together. This is a very well written and descriptive novel that lets you feel the comfort and joy, the frustration and hope of a section of our society few know about. For anyone who has the artist within them, this is one you don't want to miss.