New York Books

This book is a masterpiece. I hope he rewrite his book and add pictures into the book. Good story and lots of classic recipes. Sometimes, I wish he has not retired yet & keep his restaurant opened.

This is one of the best and most useful cookbooks by a great chef that you are likely to find. Too often such books aren't suited for the home cook and are more about ego than food. That is definitely not the case here. Andre Soltner was the owner and chef of the renowed Lutece, a New York institution, for three decades. In this book he shares some of the history of the great restaurant as well as his Alastian heritage. The focus of the book, however, is the food. Significantly, Soltner recognizes that he is writing for the home cook. He thoughtfully provides tips on how to find ingredients or acceptable substitutes for those of us who don't have access to an exotic wholesaler and suggests the best kinds of kitchen accessories to use. It is obvious that Soltner cooks these recipes in his own home. You don't need a first class professional kitchen to enjoy these recipes. Also, the recipes are designed for suitable portion sizes; these aren't recipes to feed a crowd that have been shrunk to fit the cookbook. Just because this book is practical, however, doesn't mean that it doesn't focus on the most sophisticated kind of food. There is plenty of classical French cooking in this book, but it all seems like something you can accomplish in your own kitchen. There are plenty of things in here that you won't want to cook - there's an abundance of organ meats - but you will thoroughly enjoy anything that you do prepare. This is a great addition to any kitchen library.

If, like me, your idea of culinary hell is quinoa blini with kimchee "tartare", wasabi sorbet in a pesto tuile, and a two-inch stick of "roasted" tuna on an acre of herb sprigs, then this is the cookbook for you. Soltner's recipes appear remarkable today, since they are both delicious and totally unpretentious, almost simple. These recipes are classically French, from the Alsace region, and despite the fact that they were regulars in one of the world's greatest restaurants, many are also easy to prepare. There is neither fusion nor fussiness in this food, just respect for good ingredients and some tried and true techniques. You don't need to be a highly experienced or highly equipped amateur to try many of these; all you need is a bit of patience and a good appetite. Try the mushroom-Gruyere salad or the grilled trout. Of course there are some very sophisticated and difficult dishes as well. I never ate at Lutece and probably neither did you, but at least all our favorite entertainers did. So if you like true French food and would rather beat eggs than fend off paparazzi, you should buy this book.

After graduating from college I started to cook for myself, primarily so I could eat a healthier diet. Two-odd years and many barely edible messes later, I find myself starting to develop a cook's intuition: what brand names provide better ingredients, what substances are NOT adequate substitutes (the cliche being baking powder vs. soda), when proportions are balanced, how much time recipes take, and so on.

When I picked this book up after failing to find Bourdain's "Les Halles" cookbook in the library, I wasn't expecting anything special. Later on I took the time to flip through most of it and was intrigued. Finally I tried the Rhubarb Tart recipe and BAM! -- I was amazed. As other reviewers have mentioned, Soltner has an unerring sense of harmony, and most of his recipes call for (relatively) basic ingredients.

After reading the book in depth and trying a few more recipes, I felt in awe. This was clearly the best cookbook I had ever come across, beating out even Marcella Hazan's "Essential Italian". To name several of many reasons:

1) Soltner started cooking before my dad was born, and clearly maintains a respect for the terrines, quenelles, and mousses that characterize classic French cooking. But as he admits he adapted the best parts of food trends throughout the years, and even includes some childhood favorites and regional specialties from his boyhood in Alsace. (Incidentally, Alsace seems to have produced more than its share of world-class cooks...) So you are as likely to find a recipe for inventive pike sausages or Alsatian potato pie as something with sole or truffles.

2) The recipes are clearly chosen for the home cook. There are complicated recipes, to be sure, but without the showy intricacy common in Thomas Keller's recipes or, say, the "Babbo" cookbook, where long and careful preparation leads to just one small dish. Every recipe offers plenty of "bang for the buck".

3) The introductory material is fascinating. It includes a description of the trademark atmosphere of Lutece, a "day in the life of" recorded before Soltner retired, some musings from Soltner himself, and a concise but thorough discussion of the most common ingredients and techniques. Through it all you get a sense of the warmth and hospitality that characterizes Soltner both as a cook and as a person. And the wry, lighthearted comments continue throughout for most recipes.

A few final words of praise. The presentation of the book is nigh-perfect. Large enough to be readable, small enough to contain a slew of recipes covering the main categories of French cuisine. The directions are precise, the ingredients proportions correct, no glossy images take up space but there are occasional hand-drawings.

Getting back to my own experience, I don't think that I could have fully appreciated "Lutece" a year ago. Every single recipe is worth making. And what's more, Soltner has this remarkable way of pointing out the subtle, yet important, details for each recipe (for example the exact butterfat content necessary in chocolate for the Chocolate Tart). Yet he is not too fussy, often suggesting adequate substitutes for more rare or expensive ingredients such as morels. Use this book, eat well, and become a better cook.

Mr. Soltner, my deepest respect to you for your marvelous work, both in the kitchen and in print. And Mr. Britchky, my heartfelt thanks for convincing Mr. Soltner to produce this book. I would be minus a culinary gem without it.

The collaboration between Britchkey and Soltner is a long one and began when the former became a food critic at large. He continually gave Lutece the highest award year after year for the very reasons found in this book: No fancy dancy, inside out topsy turvey "presentation", no exotic mixing of Indian and Southern cooking, no "tricks". What he admired was the sheer artistry behind the dish, the always fresh ingredients, the simple yet complete recipes that harken back to the chef's days as a boy in France and in particular, the Alsace region.

Many of these offerings are peculiarly French with ingredients that may not be common to average American cooks. Yet almost all can be prepared at home with a little bit of time and effort. This is NOT food for the diet crowd although Soltner's use of creams and butters and oils is entirely reasonable and serves to accentuate rather than hide flavors. Particularly appealing are the many stories of his childhood and early cooking days that are shared throughout the book.

Teaching history should never just be about memorizing names, events and dates. It is about something so much more ?" it is about, among other things, the lives of people past, present and future. Unfortunately, many educators are stuck using texts that concentrate on the didactic and rarely ever stimulate students in an affective manner. Recently I introduced excerpts from Mr. Lipiner?s book, Magyar, Stars & Stripes, to my Western Civilization class to supplement our current text?s generalized and very formal account of World War II. In discussing the excerpts ("The Russians are Coming") in class I found that students became more engaged in our unit on World War II then previous classes that used only our text. In addition to this, and something I had not anticipated originally, was the different historical perspective provided from the excerpts of Magyar, Stars & Stripes from our class text. Our text provides a viewpoint of World War II that is very American as opposed to Mr. Lipiner?s perspective that is uniquely European.

Let me be clear - one need not be a history teacher or history student to enjoy this book. I enjoyed this book for its profound implicit statement - our American culture is a conglomeration of many personal stories. Magyar, Stars & Stripes happens to be just one of those stories that is very well told and documented. Perhaps what I enjoyed most about this book is the undeniable passion and conviction in which it is written which is a deserving tribute to a truly remarkable man - Alexander Taub.

As I read Lipiner's recount of his grandfather's journey and struggles, it occured to me that this should be on every student's required reading list. It depicts a holocaust survivor's odyssey from his Hungarian homeland through Nazi Europe, back to his home, and eventually to the land of opportunity, America.

As a Greek-American daughter, whose parents lived through the Greek Civil War, I could relate to this book on many levels. Sandor's stories were heartbreaking and compelling, as many war stories are. I couldn't put this book down. I wanted to know, what happened next. Who would live? Who would die? My heart broke with each chapter, but then again, I also laughed at how Sandor sometimes viewed the world around him. Michael Lipiner took us through the Holocaust and into the present with the ease of a master story-teller. This book is a wonderful tribute to his grandfather and his heritage!

This is a touching, sad, happy, amazing story. The ability to hear the story through the survivor, Alex Taub's, own words (his often charming broken English) is one of the many reasons this book is unique. The pictures and vivid details make it easy to care about the other survivors portrayed in this book. More than simply the story of a Holocaust survivor, Magyar, Stars & Stripes is an emotionally touching story about hope, family, love and survival. It's a remarkable story with great meaning and I recommend it to people of all ages and backgrounds.

"Hate is no good because [from] the hate comes out trouble. More trouble. Someone hates someone, more trouble come. Nothing come out good: never."

This is one of the many quotes from Alexander "Sandor" Taub as transcribed by his grandson in this very poignant book. It is amazing how much suffering the human spirit can handle while still being open to love and hope. So many times I have whined and complained about the inconsequential annoyances of daily life. In reality, I have never known true suffering.

This is just one man's story. One story that is similar to so many others. We are lucky we have Alexander Taub to speak for many of the other 6 million victims whose stories will never be heard. This book should not be missed.

It's a memoir about Cantwell being in her 20's and 30's in NYCity -- time period is 1950's and '60's. Very good. I thoroughly enjoyed it. Her writing is really good.

The other reviews told what the book was about. I just wanted to add to their comments by saying that I couldn't put the book down and was sad when it ended. Her words flowed so beautifully.

The late Mary Cantwell charmingly recounts, in this 3 books in one volume paperback, her years growing up in a small New England seaport town and her youthful foray into the 'glamourous' magazine world of New York City in the 'fities. Sane, sensible and warm nostalgia--without being saccharine. Beautifully written. A must for the literate and for New York lovers-- especially those who remember the days!

Mary Cantwell's Manhattan Memoir is three books in one but you will never tell the difference. The stories flow together as Cantwell's memoir's cover her life. Cantwell takes you through a stroll in Manhattan. The good times, the struggles. The best memoir I have read. This is that book you will tell all of your friends about. Cantwell is a fantastic story teller.

Mary Cantwell bares her triumphs and joys as well as her shortcomings and insecurities in this collection of three memoirs that span her childhood, early adulthood, and middle- to late-adulthood respectively. Cantwell lead a wonderful, if unremarkable, childhood in an enviably Rockwell-esque seaside town - her depiction of her life through high-school is a real joy to read. Upon graduation from college, Cantwell hits the "Big City" appears to have forgotten some of the lessons learned in her idyllic childhood, however, she still manages to snag a plumb job with Mademoiselle Magazine and occasionally interacts with literary legends with her ambitious young husband. In her later life she is given interesting writing assignments and carves out a life for herself in Lower Manhattan, however, I found it discouraging that she wallows in the collapse of her marriage (which never appeared to be very strong), often to the detriment of her two daughters. I kept wondering how a woman with such a strong background could have allowed herself to sink to the depths Cantwell periodically allowed herself to hit. Regardless, she is not ashamed to remember less-than-glamorous moments in her life (which also include being jeered by fellow classmates as an elementary school student and suffering from paralyzing fits of self-doubt as a young career woman) - these are the events that have made her what she is.

It must have been incredibly therapeutic for Cantwell to write these memoirs. All three books can be seen as a view of the author's life from within her own head. Her message is simple: accept me for what I am. "Manhattan Memoir," in addition to being the story of Mary Cantwell's life, it also about trying to be true to oneself when one isn't always sure what that means. By writing her story, Cantwell examines her life and tries to learn from her experiences - and it can make the reader start to think about his/her own life as well.

While Cantwell's life is not particularly fascinating or different in itself, her writing style and manner of portraying her experiences are magical and riveting. She describes the joyous and painful events of her life in an easy, engaging manner - it is as if she is talking about the past with old friends. She manages to make the mundane fascinating. She also has a real gift for engaging the reader. I wasn't sure if I liked her writing style at first - Cantwell writes almost as one speaks - but within pages of beginning the book I became used to her rambling style and truly enjoyed it.

This book provides an added plus for those from or familiar with Rhode Island and/or New York City. It was fun for me to recognize the addresses of Cantwell's Manhattan apartments and know that the places she frequented, I often go to today.

I was home at my parents house recently for a wedding of a friend. In searching for a t-shirt to wear in my sisters closet I came across a box of books she had used for a children's literature course. Among them was this book. I instantly remembered it being one of the very first books I learned to read on my own. For hours I would read this book over and over pretending I was the little boy in the book being scrubbed by all the different stations. I was so happy to find the book that I immediately grabbed it and put it in my suitcase. I can't wait to for my son to learn to read, I'm sure it will be his favorite as well!!

This was my favorite book when I was a kid back in the 70's. I purchased this for my 5 year old nephew who is learning to read. He likes it too. While the words are repetitive, it reinforces what he is learning as he reads. The pictures are the best part and it is fascinating to see this boy with his mud washing machine contraption, getting cleaned up for dinner. He truly enjoys it and I think it is his favorite too.

I have looked for this book for years, it was one of my favorites as a child. I would definately recommend it to any reader, young or old. It brings forth the imagination and carries the reader back to those delightful days when getting dirty was all that mattered.

I have looked for this book for years. My mother use to read this book to my brother, sister and me. Now that I have a two year old daughter, I wanted to share with her this wonderful book. This book is great for boys and girls. It is worth spending money on, because it can be passed down through the years. Beautiful Marvelous Mud!

This is a book that I enjoyed as a kid. It is the perfect book for a young reader. If you are lucky enough to come across this book it is a definite good deal. Any child would love to read of the boys love of mud and his amazing washing machine. With so few words and the constant repetition it is child friendly.

When I was in the fourth grade back in the 1950's I picked up, for 25 cents, a copy of "The Melendy Family", donated by an eighth-grader who evidently felt she had "outgrown" it. I wonder, does one ever outgrow this book? Almost 50 years later I still have it, read to shreds, patched and repatched with scotch tape, a book to be treasured forever and never thrown away. Elizabeth Enright told the story of a family of four children with such freshness and originality that she still received letters years afterwards from young readers wondering if the Melendys were "real". Enright set her story during the second World War and the three books comprising this volume span a time period of less than two years, from early 1942 to late 1943; but they are chock full of enough fun and adventure to satisfy any youngster -- or oldster -- fortunate enough to get hold of it. Holt publishers should do the world a favor and reprint this book as soon as possible. It's a gem for every child and every generation. I still marvel at the priceless find I picked up off a bookshelf at random 50 years ago for only 25 cents. It's paid me back a zillion-fold ever since.

I did not have the good fortune of reading about the Melendy's as a child. I discovered this book at the ripe old age of 39! I was in our local library just before a car trip, looking for books on CD to keep my children occupied while in the car. I chose "The Saturdays" because of the cover art on the front of the CD box and the cute description on the back. We didn't listen to that CD until the trip home. My children were silent (yes, silent) for over 4 hours. They were so very involved in the story. When it was over, they talked about aspects of the story they most enjoyed. It was a homeschool mom's dream. (my kids are 11, 8 and 8). When we got home and things were once again settled, I ordered the books that were available from Amazon, but I couldn't get "The Melendy Family". So, I got it from the library. I read it over the next two days. I'm struck by such unspoiled innocence. My Melendy books should arrive today and I will start reading the stories to my kids. After being an avid reader for, well, about 30 years, I am just now discovering that some of the best, most poignant fiction is written for children.

I read this book over and over as a young girl. My public library had the book in a Hardcover Complilation of the Three Stories in Sucession. I must have read it every summer, losing myself in the adventures with the children in this family. I have been looking for this book for my own daughter to read and have been unsucessful in finding it in any local library. I am truely looking forward to getting a copy of it for her to read. A must Read if your child is an avid reader!

A truly timeless work. Elizabeth Enright captured the essence of childhood in the war years of 1940. But the characters and the well defined relationships between them are truly timeless.I first met the Melendy children when i was in the fourth grade, I found the compilation of the first three books in the West End School library, In San Rafael Calif. This was in 1958 or so, and i still have that copy of the Holt, Rhinehart, and Winston edition.Starting with "The Saturdays" Madam Enright takes right into the thoughts and emotions of a magic time, and the Melendy childrens creation of the " Independent Saturday afternoon adventure Club". What has always amazed me is how real they Melendy children and their family become to the reader. The illustrations in this edition are done by the author herself,And each of the Melendy children has an adventure that is custom made for the individual child. its wonderful!
( Elizabeth Enright was an accomplished artist and related to Frank Lloyd Wright)
It doesnt take long for the reader to loose ones self in the Melendy childrens world. "The four story Mistake" introduces us to the Melendys quirky country home, and all the adventures we wish we had experienced in our lives. One chapter is devoted to the youngest Melendy's fascination with Lepidoptera, and his private world that includes an encounter with the rare and beautiful Luna Moth.Something that rang true for me, and my love of the Insect world at that age! In "Then there were Five" the Melendy children find a new brother, and have many other adventures. I recently re read my copy,and I found that at age 51yrs I still love this book, and wish for a happy childhood like the Melendy children experienced! Do yourself a favor, buy this book and keep it for the children in your family, of all ages!

Terry Kelly
Santa Rosa , Ca

When I was in my twenties, I found this book in my local library when I was studying to become a children's fiction writer. To date, I have never found another book of such absolute fresh, non-candied innocence. I have used the Melendy Family over and over as a sort of therapy for the more stressed and worldly times in my life, where I can be an observer into the lives of these four (later five) different children during the 1940's, where they embark on all sorts of different adventures. Elizabeth Enright was the perfect spyglass into the hearts and minds of children. When I read her books, it brings back my memories of how it actually felt to have all the wonder and giddiness and mischeviousness of being a child. And the rest of the world disappears for a while. I urge anyone who has lost sight of how it felt to be a child to read this book series.

Although most of the book (and the reviews) focus on the marvelous youthful adventures of Brett Leveridge's lovely mother, my favorite part of the book were Brett's personal essays. His observational stories add warmth to a genre that is very often overly sarcastic and bitter.

Okay, I have to admit that the only reason I picked up this book in the first place is because of all the handsome men on the cover. When I finally got around to reading it, I couldn't put it down!

It's a very amusing, quick read. All I can say is that I wish my social life was half as active and entertaining as Mrs. Leveridge's!

Wow, did she really share a sunrise with Jack Kerouac?

Brett Leveridge is a terrifically funny writer; his prose is at once witty and engaging, the tales he spins warmly evocative and unforgettable.

Brett Leveridge offers a generous portrait of the delights and dangers of dating, as seen through the wise (but not hard-bitten) eyes of a young woman in the 50's. The fact that this woman is his mother does not distract from his candid appraisals of the motives of men and women during their movie-going, dance-attending searches for companionship.

He creates a remarkable movie in one's head, full of Beat poets, seducing at dawn; confident sons of preachers (whose version of 'going fast' involves way more than the moves of 'third base'); rough men, humbled by her beauty; shy men, sometimes encouraged too far.

All these experiences tie in to Karen's ('Mother's') subtle construction of her dream man; the fidelity and kindness she shows to others during her dates become building blocks for the long-lasting fidelity of her only marriage.

Leveridge's view of human nature in his Mother stories (and in his short essays) is tasteful and respectful, but not conservatively retrograde. Men who might have kept a stash of physique magazines and women who might have had their secret love in the WACS also have their role (an appropriate one, neither cruel nor cold) in this girl's journey to womanhood and marriage.

This is the rare post-modern book that one could safely give to Mom or Dad, while feeling guilty about wanting to keep it for oneself. Play it safe -- buy two.

I picked up Brett Leveridge's new book Men My Mother Dated and thought to myself, "Now who would want to read a book filled with stories about the men someone's mother dated?"

The answer is pretty evident once you begin reading these humorous and wonderfully written stories. It got me to thinking just what types of guys my own mom must have dated and of the different stories all of our mothers could tell regarding the finer points of dating.

My favorite story had to be The Eddie Cantor Six in which Brett recounts the tale of his mother having dated six men who, over the course of two weeks, all took her to see The Eddie Cantor Story at a local movie theater.

The rest of the stories or commentaries, if you will, are just as well written and some are laugh-out-loud hysterical! You simply cannot go wrong with this slim volume of essays by a man with a truly observant eye toward our current state of social affairs. You'll pick it up and won't want to put it down!

Oh...and be sure to check out Brett's Website BRETTnews wherein you will have the opportunity to sign his Guest Book and be asked that all-important question - What Is Your Inseam.

In my (very) humble opinion this is Leon Uris' best written book.

The story of Gideon Zadok as he hunches down in the desert with the Israeli Army awaiting attack the book is mostly flashbacks through Gideon's life and his family's history. Utilizing a variety of narrative styles and a mix of narrators to give the reader a full perspective of events as they transpire, Uris also is able to flow from one time frame to the next with mastery and grace.

For me, however, the true gem of this book is the character of Gideon Zadok himself; not the most likeable of people (cheats on his wife, is self-centered unabashedly) but for all of his very obvious faults you cannot help but sympathize and identify with him. I love stories where the main character is unlikable yet through the author the story is constructed in such a way that the reader is pulled into the characters world and forced to walk their path along with them, creating a perfect binary between protqagonist and reader.

Uris, as far as I am concerned, is at his absolute best in this book and it is definately worth catching!!!

Another fantastic human historical drama from Leon Uris Gideon the Writer is struggling to come to terms with a dysfunctional family (made up of a host of colourful characters make it read like a Jewish Dickens) and a difficult marriage to a wife who he takes for granted as well as his own wavering career He gets an assignment to write on Israels struggle to survive at the time of the Sinai War and has a steamy relationship with a sophisticated and powerful Jewish woman -who is a holocaust victim and an important consultant to the Israeli government But the story goes back to that of Gideons family many years before he was born and is exciting,illuminating,sad,humorous and pictureresque

This is perhaps the first book where I read about a character who was made the way Gideon Zadok was. Every hero had to be loved. Hated at least. Mixed emotions never existed in my life then towards a particular character. But Gideon, who blundered his way through fame, marriage and relationships found me loving him to bits one minute and hating him to pieces the next.

One of the best works of Uris, if not for the historical value of the book- for the sheer joy in discovering Gideon Zadok.

As a book, Exodus and Redemption are my favorites, but if I go by characters, I still wouldn't know if I love or hate Gideon Zadok.

Another fantastic historical human historical drama from Leon Uris Gideon the Writer is struggling to come to terms with a dysfunctional family (made up of a host of colourful characters make it read like a Jewish Dickens) and a difficult marriage to a wife who he takes for granted as well as his own wavering career He gets an assignment to write on Israels struggle to survive at the time of the Sinai War and has a steamy relationship with a sophisticated and powerful Jewish woman -who is a holocaust victim and an important consultant to the Israeli government But the story goes back to that of gideons family many years before he was born and is exciting,illuminating,sad,humorous and pictureresque

Mitla Pass is a layered, inspirational tale of love, war(amidst other things) and portrays the main character in a realistic and gritty manner.I first read the book when I was 12 years old and it has remained my favourite novel of all time. Gideon Zadok's struggle is very moving and his remniscing of loved ones helps to emphasise his conflict with himself and those around him. Mitla Pass spans over generations, but contrary to what one might think, you don't lose track.Uris's writing style is exceptional and captures the different settings of the novel beautifully and brings out their individuality.

This is the first book I have read from this author, but will not be the last. I sat down for a short break, thinking I would read a chaper or two, and ended up reading the entire book in one evening. I simply could not remove my self from the world of Honoria. If you are looking for an escape, this is it!

Mood Indigo is my favorite book. The writing is excellent.

Mood Indigo is brilliant; it kept me guessing "who did it" until the end. Usually in mystery books I can tell right off the bat who the killer is. But not this time. And usually I can say at least one thing I didn't like about a book. But not this time.

I highly recommend Mood Indigo to anyone who wants to read a mystery with exceptional characters in a time before the internet and cell phones. I guarantee you will not be disappointment.

Charlotte Vale Allen has written many books, all different, and Mood Indigo is no exception. She makes you care about the characters.

Mood Indigo is a must read for mystery buffs. Once you've read the book you will see why it's my all-time favorite book.

I think the part of this book that hooked me was Honoria's energy towards everybody around her. In a time when many people still looked at black people and assumed they were nothing more than hired help, Honoria hired May as her personal assistant and treated her as an equal from day one. When the son of Honoria's best friend comes to her for help (wanting to prove that his fiancee was murdered, and didn't commit suicide) she reluctantly agrees to ask around and see what she can find. Toss in her loyal housekeeper, Mick (her Russian lover who everybody thinks is her husband), and a smattering of other characters and you've got a great story. Aside from the actual story, I liked the fact that the author kept the number of characters minimal so that you didn't have any trouble following who was whom.

Wonderful as always, Charlotte develops and then allows us to explore vivid and complex characters. She weaves an amazing tapestry of a book, starting with only a few colors then leading us on with the promise of more and brilliant additions, and she does not disappoint.

The pace of this book is exactly as a novel should be paced -giving us time to savor yet propelling us to turn the page. There are valuable insights into the reality of abuse even in the setting of the great depression. Add to all of this a perfectly consummated mystery and you have MOOD INDIGO.

The book starts off lightly, like an evocative Blues song -with a couple of instruments playing, teasing us with a hauntingmelody line. We 'witness' the crime and are introduced to some of the main characters. We don't know them well at this point, but they are intriguing enough to keep us reading, wanting to know more.

In Blues tradition, as each new segment of the song is played, more instruments are added, a few at a time, adding depth and power to the resulting sound, and we don't even realize how subtly we've been drawn into the heart of the music. So it is with "Mood Indigo". These are people we'd like to know (most of them, anyway!), and their lives, both past and present, form a rich tapestry which comes to life as we share with them this frigid winter month in the heart of New York City during a year when a lot of us weren't even born yet. The settings in which they operate and the clothes they wear, as well as the language they use, draw us back into that era.

As the rhythm of this story picks up momentum, all of the players are now in place, interacting with each other in fascinating, surprising ways, giving us entrancing 'solo' action at unexpected moments. Their individual 'melody lines' weave in and out, all headed in the same direction, but traveling in their own unique way. Honoria, who occupies the pivotal position in the story, is all at the same time strong and vulnerable, in control and at the mercy of, loved and feared - wonderfully, powerfully human. She is the rich, underlying 'melody line' throughout the piece, and her commitment and loyalty draw the remaining players along with her, including us as observers to their drama. We follow eagerly, gratified to be involved.

The end of the 'song' is approaching, all the 'players' are in full swing. The mystery has drawn us in, full of surprising twists, giving us clues, so far, but no answers. We proceed quickly, devouring paragraphs in great gulps as the story expands. We attempt to take it all in, not wanting to miss anything along the way. Once everyone's part in the performance has been disclosed to the fullest (in a song), and the characters' roles have been defined, giving us the answers to our questions (in a story), the individuals begin to slowly withdraw from the inner circle, backing away one or two at a time, leaving Center Stage to the one with the lead melody line. "Mood Indigo" follows this path. The music slowly fades in our heads, and the book is reluctantly closed, because we're not yet ready to be finished with either the entertaining 'song' or the remarkable people whose lives we've shared.

From the haunting picture on the cover to the last typewritten line, "Mood Indigo" will captivate its readers, as it gives us yet another pearl to add to our string of Charlotte Vale Allen treasures. I laughed out loud, cried real tears, and was disappointed only by the fact that the end of the story came so soon. My thanks, once again, to the author!

More Than You Know is a story about a family's secrets and love with suprising twists. The story will carry you between the past and the present. Very good read.

I was so pleasantly surprised when I read More Than You Know. I know Roz as an excellent writer however I really had no idea she could write fiction. My thought in reading this was that the story would make a great film. So I'm waiting. I hope her cousin Tim Story who most recently directed Fantastic Four (2005)and Barber Shop (2002) has taken the time to read his cousins book. This could really be a family affair if he directed it.
steven meeks - dallas

This novel is one of exquisite beauty. The lyrically crafted narrative, which weaves vivid detail into a fluid and artful story, lends the novel an almost cinematic quality. It is at once haunting and hopeful, true to life, yet dream-like, at times. Once I picked the book up, I found myself unable to stop reading it until i had reached the end. The mysterious opening drew me in, and the symphonic blend of language, motifs and characters enveloped and held me. I would highly recommend this book to anyone who is willing to let themselves be transported, if only for a brief time, into its world of jazz and song; of memories and hope.

From Kansas City to New York L.J. Tillman take's us on a personl journey from the streets to the best clubs in Manhattan, Ms. Story love for each charcter come to life on each page, her knowledge of jazz makes you want to go to a night club every night to see L.J. Tillman play.

More Than You Know is about how keeping secrets can destroy the family. Rosalyn Story writes this tale using a series of flashbacks that conduct a wonderful symphony of music in the detail of her words. As the secrets begin to unravel, the supporting characters in the book shed light on their involvement in the continuation of the betrayal. 

During one of the worst storms of the decade, a nine-year-old boy, L.J. Tillman, drops off a note and a baby, Olivia, to Big Mama's front door. Big Mama, Glodean, Country, Uncle Joon, and Clo T. share in the parenting of Olivia. Big Mama believes God delivered Olivia to them as an answer to years of prayer. Nearly 20 years later, that nine-year-old boy, L.J. Tillman is reintroduced to Olivia. They fall in love and get married. L.J. lives the ideal musicians life until he reveals a deep, dark family secret to Olivia.

She banishes him from the house forever not knowing that her wish may come true. Grief-stricken by his wife's outburst and dismissal from his dream job, L.J. turns to the bottle. Drinking and wallowing in despair, he plunges off an embankment landing in the river. He escapes the car and the city that doesn't want him by jumping a train to New York City.

New York City has little to offer a poor black man with a saxophone. He travels from corner to corner and park bench to homeless shelter playing his horn while living on the streets. One-day Covington, a jazz singer, turns him onto an open club spot. L.J. slowly starts piecing his life back together as this gig allows him to save a few dollars.

As the story unfolds, you learn that keeping secrets can tear a relationship apart and deepen your resolve to stay true to yourself. As Olivia learns bits and pieces of the truth, her heart opens and she realizes her purpose in life. But will her purpose and L.J.'s dream meet again?

Every family has at least one dark secret, but it is how you live with that knowledge which makes the difference. The development of characters, along with the use of flashbacks, will keep you turning the pages of this novel. The outcome was unexpected, yet heartwarming. Story has a gift for writing that is refreshing. It reminds me of the writings of Maya Angelou and Sonia Sanchez.  Finally a saga about family that is not street or gang-related but focuses on down home folks. I'm waiting on the edge of my seat for her next book.

Reviewed by Monique for Loose Leaves Book Review

This is a delightful book to read, and especially so if you have ever worked in the hotel business. Craig uses his "insiders" knowledge to develop characters and situations that many of us in the hotel industry have experienced - although over many years, not a few days. The authentic touches add greatly to the enjoyment of the tale.

Daniel Edward Craig certainly knows the hotel world and captures it perfectly in his novel: Murder at the Universe. I couldn't put it down once it caught me from the very first page! Fortunately I purchased both books (Murder at the Universe & Hotel Cinema) at the same time so I can dive right into "the rest of the story".

I may not be the greatest literary reviewer, but this book was well written. Gives an excellent spin on the operation of a hotel and a murder mystery. Already purchased Daniel Edward Craig's second book, Murder at Hotel Cinema.

This book was a surprise for me - came as a birthday gift, and I realized it was written by the General Manager of a favorite hotel of mine, the Opus in Vancouver. I'd met Daniel Craig during one of my visits to the Opus - so I was curious to read this.

Mr. Craig writes a compelling tale of murder in a modern New York hotel, full of rich, believeable characters. These people become more and more real, as he spins his multi-layered mystery of murder. I had a hard time putting this book down, and found myself reading way into the night. I was sad to finish the story - it is that good. I believe Agatha Christie would like this novel, very much.

I was just looking for something to kill some time on a plane, but once I started I couldn't put it down until I was done (after the flight, cab ride, and first evening in the hotel.) It wasn't the mystery that captured me, it was the quirky characters and dry humor. Written in the first person, this novel is filled with witty one-liners that caught me off guard and made me snort out loud more than once. Don't expect to be on the edge of your seat, unlike most mysteries I wasn't as concerned about figuring out the ending as I was with enjoying the ride.