Colorado Books
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must haveReview Date: 2005-06-24

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Activism and beauty, power and tendernessReview Date: 2001-01-08
Kiefer, a former nun whose departure from the church is documented in Nesting Doll's first poem "Ex-Nun in a Red Mercedes," seems predestined for a life of compassion and altruism. Yet, in her selflessness, she is independent, fierce, poised, and determined to help those who don't possess these qualities, discover them. Nesting Doll is a search of courage and justice for the voiceless, oppressed minions-and Kiefer herself.
The writing is lyrical, and the language and subject matter are always powerful. In "Last Song," the torture of a woman shocks the reader: "Just before they cut out her tongue/she cried I will learn to sign, her/fingers lacing the air he commanded/those hands silent they brought cleavers" (Kiefer, 6) Kiefer's outrage is evident, invoking the reader's own outrage and sympathy. We wonder at the woman's bravery and the torturer's madness, his command to silence the hands after she promises to learn sign language. The poem is chilling and provocative.
Kiefer is also capable of sensuality. Inspired by Rumi's passionate ghazaals, Kiefer penned "Like This": "Not the way father kissed mother/on the cheek, not in the front of the house,/no, in the bedroom, basement, in/those dark places, those under the earth/places no one can see, kiss me/across mountains when we are apart . . ." (Kiefer, 14) A shame we don't see many romantic poems in Nesting Doll, for the beauty of "Like This" positions Kiefer in league with icons like Rumi or even Pablo Neruda.
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Excellent review bookReview Date: 2003-10-31

A Great Dog Story!Review Date: 2005-01-02
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Great guide book for unusual pubs all over ColoradoReview Date: 1998-06-25
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Nothin' But MuffinsReview Date: 2000-07-04

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Nursing: The Philosophy and Science of CaringReview Date: 2008-07-26

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With deep roots in bureaucratic and political processesReview Date: 2004-05-03

Robert Adams at his worst? or best?Review Date: 2007-07-12
The ordinariness of the photographs is tensioned by the essay, a short, two page, six paragraph description of living near the Rocky Flats Nuclear Weapons facility. Adams describes some of the events he saw, including fires in plutonium facilities that may have resulted in the release of the highly toxic material into the air. He also describes the knowledge that the weapons being assembled may one day cause the complete destruction of humanity.
Returning to the pictures after digesting the essay, a different vision emerges. While it is both possible and defensible to see the people in the photographs as the victims of a nuclear holocaust--the scenario Adams describes--a darker reading is also evident. It is possible, even likely, that at least some of these people work in, (or are supported by others who work in) the weapons assembly plants. We may be viewing the individuals responsible for assembling the worst weapons of mass destruction that humanity has every created. And they look just like us.
Adams never accuses, never explicitly states the ideas stated above. He ends the essay with a statement of hope so simple and profound that it brings comfort even in the context of the worst that mankind can do.
This book reminds me of a statement that Hemingway made about Dostoevsky, how he could not understand how someone could write so badly and make one feel so deeply. Adams proves with this book that he is not a street photographer of the caliber of Winogrand, but he also shows himself to be a far better man.

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Excellent book, especially for folks new to Denver/BoulderReview Date: 2002-10-01
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