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The book contains at least seven great images.Review Date: 2008-02-10
A mastefterful work by one of the world's best photographersReview Date: 2002-03-21
The Sonoran Desert had a similar effect on me years ago and expanded my sense of what ilandscape photography could be. Stone Canyons did not have as great of affect on me as the first book
More than anything else, the images in this book remind me why the large format camera is such a tremendous aid to seeing something more clearly and perceptively than you can with the naked eye. even more so than a 35mm or medium format or easily portable digital gear can. Some of the photos even have a sense of humor to them and when did you last see that in a photograph of a natural landscape? The reproduction of the images appears to be first rate and the design and typography of the book match its contents in quality.
In short there are wonderful things to be found in this book.
Inspiring book that will make you see!Review Date: 2001-05-17
I know I will as I will be going to Ayer's Rock (Uluru) in Australia in a few months and it's also a big desert!
Superb PhotographyReview Date: 2002-10-01
I spent the first week of September in southern California this year, and on Sunday before Labor Day I drove from Los Angeles up to Death Valley. I hadn't been there since I was a child and I have to say although it is a desolate and lonely place (and 114 degrees at Furnace Creek the day I was there) it is also one of the most beautiful places I have ever seen. The sand dunes at Mesquite Flat alone are worth the trip.
Everyone should see it, but if you can't buy the book. My copy came shrinkwrapped in plastic which I really like, the last thing you want is to buy a nice book like this in a bookstore where someone has spilled coffee on the pages.
Dry, but not AridReview Date: 2004-12-13
Dykinga's style reminded me of the work of Eliot Porter, with modern film stock. Most of his pictures have the same subtle quality, created by the use of analogous colors, that is, colors near each other on the color wheel, and varying only by tint or small changes in hue. A Dykinga picture almost always has one dominant hue like brown or tan or blue, and the hue rarely feels intense, even if it's a field of California Poppies.
It's obvious that Dykinga's work utilizes a large format camera. Everything is in sharp focus from foreground to distant mountains, thanks to small apertures and the ability to twist the light through his camera. This means that the picture is not going to immediately draw your attention to one aspect of the scene by controlled focus. More likely, the viewer will have to work his way through the picture, discovering things along the way.
The layout of the book seems to be well considered. Quite often two plates with similar subject matter will face each other and there is a synergistic effect from the comparison. For example, I delighted in examining two facing pictures of desert sunflowers. In both cases the yellow orange flowers have a hilly background, but one group of flowers is pushing up through dried-out, cracked clay, while in the other picture the flowers are growing from a small body of water collected for a brief time from rainfall. The mud and the water are both magenta in color but the textures are completely different. The thoughts that arose from the juxtaposition were not only about the variety of the desert but also about the nature of color and vision.
I suppose one reason that I never saw the dessert the photographer portrays is because most of the pictures were taken at the golden hours of sunrise and sunset. To have been that many places in the desert at just those times would have taken me months and months. At the very least, I can be a philistine and thank Dykinga for saving me a lot of time.
As to the text in the book, my feeling is that it probably has to be included for marketing purposes. Janice Bowers' essays seemed poetic and show that she loves the desert, but like most such commentaries, they do little to illuminate the photographer's work. I suppose the essays are worth reading once. The pictures on the other hand can bear many, many viewings and add something to the sense of the place each time.
I finally concluded that I was looking at the desert through Jack Dykinga's eyes when I viewed this book. I resolved to return to the actual desert again and see if I could continue to see it through his eyes.

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Romantic suspense at it's best!Review Date: 2004-09-25
Suspense and sizzling romance!Review Date: 2004-04-25
The setting was well described and made me wanna sit back and have a margarita and listen to a couple of Buffet tunes! I'm a new fan of L.C.'s but will keep on looking for more of her books.
Gripping from the start!!Review Date: 2004-04-21
Couldn't put it down....Review Date: 2004-01-06
DestinyReview Date: 2003-12-28
Jason and Nikki will be your favorite people in a short time once you begin to read.
A well written book with a nice story line.
I'm glad I got to read it.

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Oooh! Scary!Review Date: 2002-06-18
Oooh! Scary!Review Date: 2002-06-18
A Real Page TurnerReview Date: 2002-05-28
A Real Page TurnerReview Date: 2002-05-28
A Gallant DebutReview Date: 2002-11-23
Well done, Mr. Parola!

Used price: $4.68

I Love All of Ken's Books!Review Date: 2008-02-22
Ken's books are also heartwarming and for anyone who loves animals.
Ken Foster and the pit bulls of New OrleansReview Date: 2008-02-02
As a dog lover in generalReview Date: 2007-11-04
Another excellent bookReview Date: 2007-11-02
Dogs I Have MetReview Date: 2007-10-30

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ExcellentReview Date: 2008-08-07
WWI NY HeroesReview Date: 2008-06-13
Duffy's WarReview Date: 2008-01-13
Duffy's War, Military History and a Character StudyReview Date: 2006-12-14
The Story of a Famous Unit in World War IReview Date: 2006-12-15
This book takes the regiment into the next war, World War I, where its actions were no less heroic. It spent 170 days in the front lines suffering hundreds killed and thousands wounded. Perhaps its most famous members were Father Francis Duffy (whose statue is in Times Square, which technically is really Duffy Square), Wild Bill Donovan who headed the OSS in World War II, and the poet Joyce Kilmer ('Trees') who was killed. The regiment was part of the 42nd Rainbow Division under Douglas MacArthur.
This is the full, previously unpublished story of the regiments actions in World War I and fills out a trilogy of stories concentrating on individual regiments by the same author.
The 69th still exists. It was one of the first military responders at 9/11 - having two men killed there, and it was federalized and sent to Iraq in 2004.

classicReview Date: 2007-01-05
ES and Schluchter's developmental historyReview Date: 2003-10-10
What??Review Date: 2004-03-23
A Classic Review Date: 2005-05-06
The general theoretical approach of Weber can be characterized as one of "interpretive economic sociology", that is, as a type of economic sociology in which the concept of "meaning" is at the very center of the explanatory exercise.
Social action (to follow Ch. 1) is defined as a type of behavior to which meaning is attached ("action"), and which is oriented to the behavior of others ("social"). Economic sociology consequently deals with "economic social action".
"Economy and Society" was part of a larger work entitled "Handbook of Social Economics", which included volumess on "Economy and Nature", "Economy and Technology" - and "Economy and Society". In his work Weber explores such topics as "economy and law", "economy and religion", "economy and politics", and much more.
The work "Economy and Society", finally, is a bric-a-brac. Weber himself only sent 4 chs to the printer (=Chs 1-4). The rest of the 2 volumes consists of manuscripts that his wife and economist Melchior Palyi put together, pretty much as they saw fit. Caution is consequently necessary when reading "Economy and Society"; and this work should not be treated as "a book" by Weber.
comment of a comment made four years agoReview Date: 2004-03-30

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Maravilloso MensajeReview Date: 2001-05-10
IMPRESIONANTEReview Date: 2001-06-19
Lo mas cercano a la realidad de lo que ha de venir!!Review Date: 2001-06-06
Un relato maravillosoReview Date: 2001-05-11
Que Dios nos da una segunda oportunidad o debiera decir tercera para aquellos dejados atras.
Un mensaje de Dios de misericordia.
Dejados Atras- Fascinante, estupendo, maravillosoReview Date: 2001-07-19

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Exceeds ExpectationsReview Date: 2007-08-23
This encyclopedia gave me what I wanted and more. I'm writing a fictional novel with a Native American character and needed help in knowing him and his background. I was impressed with how easy it was to look up information by tribe and get interesting tidbits, that if I so desired, I could research further.
This is definitely a writer's dream. I feel confident writing about a character from any tribe with this book in my collection.
Native American historyReview Date: 2007-03-17
The only major fault I find is with the illustrationsReview Date: 2007-03-11
That is why I fault the illustrations ( the stone tools look noting like their actual pictures) and that there isn't a better coverage of tool, housing and food sources. The language groups are well covered and their relationship are made pretty clear.
I was looking for my local California Indians that are in San Diego County.
They are noticeably absent in this coverage or disguised pretty well.
Since most of this information is in my old 1950's World Book
encyclopedia under different sections, I was hoping for a little more information here. I have to admit that it is a good reference source.
Essential and coreReview Date: 2006-10-04
VERY GOOD INFO / USEFUL/ Comprehensive Review Date: 2006-10-23
my lifelong interest has been the Plains Indian Culture.
I just asked my hubby to get me this book for Christmas after
spending about ten minutes looking at it in Barnes and Noble
yesterday.
Good sized print, the info is arranged as user friendly.
I saw tribes mentioned in there that have been omitted from other
books about North American Tribes. A comprehensive guide.
Many drawings....colored illustrations.
My only negative -----I wanted to see a few more maps ...regional
maps of the tribes.
ALso...at the store ...I was looking at a SOFTCOVER edition....not
a hardcover one. (I would not pay 75 dollars for hardcover when
it is available in softcover. )

Used price: $1.48

Made me want to danceReview Date: 2008-06-19
when can I start?Review Date: 2007-01-28
Refreshingly accurateReview Date: 2007-07-03
I'VE GIVEN THIS BOOK TO FIVE DIFFERENT FRIENDSReview Date: 2007-01-31
This book is a gem!Review Date: 2007-01-27

great textbookReview Date: 2005-12-29
piercing!!!Review Date: 2002-12-23
A masterpieceReview Date: 2001-12-26
My BibleReview Date: 2003-01-09
Best Book Ever !!! - all the pieces of the puzzle now make senseReview Date: 2005-11-08
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Many of the images are merely of flowers or of pretty scenes. Here, there is no attempt to produce a photograph of artistic merit. However, this slight shortcoming is overwhelmed by a number of novel and creative photographs.
For example, JOSHUA TREE AT DAWN AFTER SPRING SNOW discloses a dark cloudy sky, tinged with purple, a shadowy snow-covered desert, and a grove of snow-covered Joshua trees--all cloaked with pre-dawn shadows. It is difficult to tear one's eyes away from this photograph.
DAWN ON THE PANAMINT MOUNTAINS and CRYSTALLIZED SALT FORMATIONS are two photographs that continue with the artist's experiments (successful experiments) with pre-dawn photography of the white desert. Here, the whiteness is not from snow, but from white salt.
Jack Dykinga has also focused his attention on cracked lakebeds (dried mud). CRACKED CLAY AND THE MESQUITE FLAT reveals a fascinating heart shape in a patio-like area of cracked sand. The cracked mud area abuts a region of desert that is soft sand.
Another fine shot, MESQUITE FLAT SAND DUNES AT SUNRISE, features a patio-like area of cracked sand, each pentangle of cracked mud is covered with warty clumps of earth. An open area in the middle of the cracked mud patio contains an open area in the shape of a diamond. At the center of the diamond-shaped open area is a small growing bush. The diamond-shaped area with the little round bush resembles an eye.
RACETRACK AT SUNRISE and RACETRACK AT SUNSET are fascinating images--the most unusual in this book. Each shows millions of tiny pentangles of cracked mud, stretching off into the distance. In the foreground are a couple of flattened areas resembling thick ruler-lines. The flattened areas were produced by small boulders, somehow propelled over the mud by the wind. At one end of each ruler-line one finds a boulder.
Again, if one is able to tolerate the abundance of conventional "pretty" scenes of flowers and sunsets, one should purchase this book, if only to view the seven great photographs discussed in this review.
Mr.Dykinga's skill as an artist is further demonstrated by his book, STONE CANYONS OF THE COLORADO PLATEAU, also published by Harry Abrams, Inc. STONE CANYONS is especially distinguished by its focus on a park called, Vermilion Cliffs (Paria Canyon, The Wave, Coyote Buttes), a park that is rarely the subject of published photographs. STONE CANYONS also uses the style of depicting scenes just before sunset (or just after sunrise), when all but a thin line of the horizon is steeped in shadow. Stand aside, David Muench, here comes Jack Dykinga.