Russia Books

Cannon never explains numbers here. Yet, this is the history of a group of revolutionists who went from two or three leaders of
the Communist party who learned of Trotsky's critique of Stalin, to a group of a few dozens--The Generals without an Army theywere called. They went from only a few to merging and mixing with new currents of workers who came forward as the CIO Upsurge came forward. Their principles helped spark the organization of workers in the great strikes in Minneapolis in 1934 and aftewrards, then to influence workers in the sit down strikes in Flint and Dearborn and Detroit, and to lead demonstrations of tens of thousands against American Nazis. Then to find hundreds of young workers, intellectuals, and student youth in the Socialist party and battle the reformists there, to build Found the Socialist Workers party, founded with more than a thousand members in 1938. But this is not about those numbers. Through most of history, real revolutionists real communists have been forced to fight in small organizations like the movement Cannon built. What this is about is the principles,the ideas, the lessons, the history, how to do things theoretically, how to do them practically, and how to do them right.

Like all of Cannon's writing, there is so much humor, wit, and much wisdom about not only politics but life on this planet in general.


While Amazon may not always have this book available for regular order it is always available from booksfromPathfinder which you can find by clicking on new and used books on the top of the page!

Aquí se ve la historia temprana de cómo construyeron el núcleo de un partido revolucionario de las masas que participará en la revolución norteamericana que viene. También es la historia de la lucha por la continuidad comunista internacional con su guía de acción frente la más grande obstáculo a la victoria revolucionaria que hubo desde los veinte hasta los cuarenta ( y más despues ): el estalinismo, el contrario del comunismo.

También aquí se cuenta la historia de la participación de este núcleo en la lucha dentro de la clase trabajadora norteamericana como dirigentes de algunas de las huelgas más militantes de esos años.

Finalmente se explica la estrategia para vencer el fascismo: seguir el ejemplo del frente unido, como hizo el partido bolchevique en la Rusia en 1917 durante su trayectoria al poder. ¡Nosotros los trabajadores necesitamos hoy y necesitáramos mañana entender esta experiencia en todos nuestros países para vencer sobre la marcha capitalista actual hacia fascismo y la guerra mundial!

Sufrimos una época de guerras y revolución porque el sistema actual, fundado en la avaricia individual, padece cada vez más de sus trastornos mortales. Ya que año con año se avecina la Tercera Guerra Mundial, la editorial Pathfinder nos aconseja aprender de las otras dos ocasiones en que nos llevó al borde de la barbarie.

Los libros de Cannon no son sobre el pasado, sino cómo sacar mayor ventaja de las aperturas y oportunidades que necesariamente se van a presentar en el camino para forjar partidos de los trabajadores de común acuerdo en aprender de las luchas de los explotados donde sea que surgen y unidos en la trayectoria de construir un mundo libre del capitalismo.

Cannon era miembro fundador del movimiento del Obrero Mundial (IWW), los antecedentes del Partido Comunista y el Partido mismo. En los 20 era dirigente de la Defensa Internacional del Obrero (ILD) y fue representante norteamericano en el presidio del Internacional Comunista con Lenin y Trotsky.

Dado que el estalinismo ya no trompea el camino para que los luchadores se reúnen, hoy en día el movimiento comunista no necesita valerse del nombre "trotskista" para diferenciarse de los estalinistas; con este simple cambio de nomenclatura el contenido de La historia del trotskismo estadounidense sigue en pie de lucha. Traza la continuidad ideológica y marca la pauta para que detengamos la marcha de los explotadores hacia su tercera guerra mundial, que ellos mismos no pueden parar debido a su permanente caída en la taza de ganancias.

"El trotskismo no es un nuevo movimiento, una nueva doctrina, sino la restauración, el renacimiento, del marxismo genuino tal como se expuso y se practicó en la Revolución Rusa y en los primeros días de la Internacional Comunista."

Así comienza esta magnifica historia del movimiento revolucionario obrero en EEUU en los años 1920 y 1930. El libro se puede leer como novela: una historia estimulante, vivaz, inspiradora --pero por su contenido exige un estudio cuidadoso para sacar provecho de todas sus riquezas.

Redactados de charlas presentadas por James P. Cannon en 1942, los capítulos ofrecen ricas lecciones de liderazgo obrero, de cuestiones de teoría y programa en la fundación y desarrollo de un partido proletario, del trabajo de masas y la vida interna de un partido revolucionario. Presentan a los activistas y dirigentes más importantes en los primeros años del movimiento comunista en los Estados Unidos. Analizan acontecimientos de suma importancia a nivel mundial -- desde el triunfo de la revolución bolchevique hasta la gran crisis económica del los años 1930 y el auge de lucha obrera en aquellos tiempos; el fascismo en Alemania; el desarrollo del estalinismo en la Unión Soviética; la Guerra Civil en España; la lucha por la continuidad revolucionaria del marxismo. Todo con el propósito de ayudar a nuevas generaciones de obreros y jóvenes a conocer nuestra historia para organizarnos mejor en el presente.

Y por primera vez disponible en español-- ¡aprovéchalo hoy!

Organizing and Defending a Revolution

Leon Trotsky was a participant in the most significant class battles of the 20th century. This book collects some of Trotsky's key speeches and writings from the Russian Revolution, and his effort to defend it even when persecuted by the Stalin gang that usurped power and murdered the revolution's leaders. It is a great introduction to the Russian revolution and to Trotsky's other works. Read about how the Soviet of Workers and Soldiers Deputies (Trotsky was the President) organized the insurrection; the revolutionary government's efforts to lead working people forward; how Stalin undermined the Soviet Union by seeking a pact with Hitler.

I found a lot to be learned from this collection of talks, reports and declarations by this leader of the Russian Revolution, given in wildly different settings to different audiences, over decades of revolutionary working class struggle.

Above all, you see Trotsky appealing to, educating, and inspiring workers and peasants with an understanding of the challenges they faced and a confidence in their ability to take on unprecedented historical tasks.

His speech in a Czarist court defending the workers councils (Soviets) of the 1905 Russian revolution is of the same spirit as Nelson Mandela or Fidel Castro when they in turn were on trial by their oppressors. Read the messages and transcripts of speeches given during the whirlwind of the October Revolution in Russia-- a working class leader in day-by-day action.

And especially worth studying, Trotsky's talks to gatherings of workers, soldiers, and party members analyzing the changing relations between the major world powers and between the toiling and exploiting classes of those nations, and the different policies pursued by the new Soviet government as these circumstances changed-- you'll learn a lot about how society works and what it takes to really change it.

Trotsky was a great orator, a great writer, but above all he was impassioned by his faith in the power of working people to change the world, a vision he never lost. This is where the power of these great speeches comes from. Read them and learn how to harness that power for today's fights. The speeches here don't appeal to cheap emotion, nor do they appeal to fancy phraseology, they appeal to reason, they appeal to history, they appeal to the power of working people to change the world. Read these speeches not for history, but for how their ideas can be used to fight our way out of the disaster modern capitalism has left the world in, and to find a way out for the peoples in the former Stalinized countries.

If you're reading this review, you probably already own, or have read some of Trotsky's writings. Which means I don't have to expound to you his genius as a theorist and literary critic. What I will do is explain how this book further displays Trotsky's remarkable abilities.

Most educated people have a rudimentary knowledge of Trotsky's life, and are well aware of the fact he was one of the greatest orators of the twentieth century. But what 'Leon Trotsky Speaks' does, is succintly show the reader "why" Trotsky was a great orator. 'Trotsky speaks' is an anthology of Trotsky's speeches from the first Russian Revolution of 1905, to his years of exile in the 1930's. When I opened the book, I was absolutely dumbfounded by the incredible length of his speeches, every speech of his would take hours to recite, which is remarkable, the longest I can give a speech before having my voice go hoarse is about half-an hour. Not only were his speeches long, they are interesting, just reading the speeches, I realize why audiences were captivated by his words. Although I write from a biased position, being a Trotskist, I highly recommend this book, not only will it improve your understanding of Trotsky's genius, it will also give an aspiring speechwriter a flawless orator to emulate.

The original version of this book, published in 1972 by Alfred A Knopf, reflects the thinking of historian Roy A Medvedev in the period of August 1962 to August 1968. The revised and expanded 1989 version must first be examined in light of the original.

The original was translated by Colleen Taylor and edited by David Joravsky of Northwestern University. Medvedev couldn't get published in the USSR, and this work thus first appeared in the West. It was written primarily during the transition from Khrushev's anti-Stalinist reforms to Brezhnev's immanent social-imperialism.

August 1968 is also the month of the Soviet invasion of Czechoslavakia and the defeat of Dubcek's "socialism with a human face." This is also the period of Mao's Great Proletarian Cultural Revolution.

Stalin was as evil as Hitler, yet he rose to power in the first Socialist state. The Second World War played itself out as one totalitarian dictatorship in a death struggle with another, yet Stalin ended up through the course of events as an ally of the democratic and capitalist Anglo-American West in its life-or-death struggle against fascism.

Totalitarianism turns out to have been the big infatuation of the twentieth century intelligentsia. Medvedev represents Russia's awakening from this plague. He is wrong about so much, yet for his age he was so far ahead of his times.

This book is a classic, and I believe the original should be the preferred version. Stalin's terror is nearly beyond belief. It is tragic in a different way than Nazism; perhaps with consequences more evil.

If Leninism ever revives, this will be a classic, just as it is now in the wake of the Cold War defeat of Communism.

This book is a very thorough and well-written biography of Josef Stalin. It was one of the few books I read in college that I didn't mind reading. The information on Stalin's political and personal life gives the reader an opportunity to make informed judgements about Stalin's actions.

This book was the first in the Soviet Union to treat Stalin in an objective way. Prior to its release Stalin had been the great hero of the patriotic war the father of the country and so forth. Whilst the secret speech by Krushev had distanced the country from his system scholarship had not taken the step of subjecting his rule to objective analysis.

The author was a person who was an opponent of Stalin and prior to the fall of the regime was active in its criticism. The book goes through the issues associated with Stalin such as the decision to collectivize agriculture, the forced industrialization, the terror and the handling of the war. The author forms the view that Stalin was an unmitigated disaster. That is the country would have progressed economically better without him, and his handling of the war was catastrophic.

It is a good book to read with other western accounts such as Bullocks.

The late 1990's saw the publication of numerous scatterbrained, and ill-intentioned, attempts to descredit Vladimir Lenin, Nikolai Bukharin, Leon Trotsky, and Karl Marx, by associating their actions, and ideas, with those of Joseph Stalin. One must ask, "were these attempts in any way successful?" Luckily, the answer is an emphatic, no. The individuals who bought into the "Marx and Lenin created Stalinism" theory, alluded to in works such as 'The Black Book of Communism', by Mister Courtois (or Miss), 'The Passing of an Illusion', by Mister Furet, and 'The Soviet Tragedy', by Mister Malia, already harbored such fantastic illusions. Most of the population has no interest in Sovietology, so attempts at descrediting Lenin, Marx, Bukharin, and Trotsky, were, and are, virtually fruitless (I took a Public Speaking course at a local community college, and most of the students hadn't even heard of Lenin, Marx, or Trotsky!.)

To find true objectivity, on the subject of Sovietology, one must reach back into the distant past, and read Roy Medvedev's incredible, 'Let History Judge'. One could refer to Medvedev's writings, as "Solzhenitsyn, without the racism and bitterness"(a spew of biographies show that Solzhenitsyn is without question anti-semitic; however, this fact doesn't mean he's no longer one of the elite writers of the twentieth century). 'Let History Judge', is not so much a history of Stalin, but a history of Russia from 1917-1953. Described, with minute detail, is Lenin's seizure of power, Lenin's benevolent feelings toward Stalin (which ended effectively after the Eleventh All-Congress of the Bolsheviks), Trotsky's role as leader of the Red Army, Trotsky's complete ineptness in regard to the left-opposition, and Stalin's remarkable, almost super-human, political abilites. In addition, one will never discover a finer description of collectivization anywhere (although I must admit Conquest's 'Harvest of Sorrow', is pretty excellent). Russia's grain production in 1930-1933, were almost certainly below pre-WWI levels, apparently, but Stalin wanted Russia to appear forceful, so he sold grain internationally, as if it were "business as usual", which resulted in the death of millions of non-guilty peasants (however, one can not deny George Carlin's classic quote, "there are no innocent people, once you're born, you're guilty as charged").The description of the horrible Gulag system is not quite as great as Solzhenitsyn's, but it's pretty darn close. Unlike Solzhenitsyn, Medvedev doesn't slander the dead, or embark on anti-semitic diatribes (thankfully, for the population at large, Medvedev critiques much of what Solzhenitsyn wrote in the 'Gulag Archipelago' with absolute clarity).

The price is pretty high, but at 800+ pages, the person isn't really buying just one book, they are buying a multitude of books, which cover a variety of subjects. In addition to, 'Let History Judge', I would also strongly recommend you read Edvard Radzinsky's 'Stalin', Volkogonov's 'Autopsy of an Empire' (being a Yeltsin staffer, Volkogonov is biased, but there is some interesting anecdotes!), and Robert Tucker's magnificent two-volume biograpy of Stalin. Unlike other works on the subject of the Russian Revolution, these works actually take a "scholarly" approach!

Lonbows in the Far North by E. Donnall Thomas
Ethics and good taste, intelligence,knowledge and a special style of writing makes this book a winner on short stories of his observations,endurance and good humour. He doen't just want to be out there killing everything is sight. His anticipation starts from when the boots go on. Every shoot is not successful in a trophy,but it is award winning in the enjoyment of his pursuit.

Typical fantastic writing of Don Thomas. Very few authors can actually bring you on the adventure with them as it happens and Thomas does it again. Get this book!

This far outshines the vast majority of modern hunting literature. I love the fact that not every story ends with a successful kill.

As a traditional bowhunter, I found Dr. Thomas' stories to be not only informative but delightfully entertaining. He brings out not only the adventure of the hunt but the ethics of the sport. He has taken us to places that few will be able to go and made us see them through the eyes of a hunter and naturalist. He shows us that it is the hunt that matters, not the harvest. His ethical approach to our sport is a lesson to all who bowhunt. I can not recommend this book more highly. Whether you hunt with modern Hi-Tech equipment or carry a stick bow this book is required reading

I am a screenwriter. And I find that Vladimir Propp's structure works great for my stories. Have a look at it and try to apply it to any modern movie:

1.. A member of a family leaves home (the hero is introduced);
2.. An interdiction is addressed to the hero ('don't go there', 'go to this place');
3.. The interdiction is violated (villain enters the tale);
4.. The villain makes an attempt at reconnaissance (either villain tries to find the children/jewels etc; or intended victim questions the villain);
5.. The villain gains information about the victim;
6.. The villain attempts to deceive the victim to take possession of victim or victim's belongings (trickery; villain disguised, tries to win confidence of victim);
7.. Victim taken in by deception, unwittingly helping the enemy;
8.. Villain causes harm/injury to family member (by abduction, theft of magical agent, spoiling crops, plunders in other forms, causes a disappearance, expels someone, casts spell on someone, substitutes child etc, comits murder, imprisons/detains someone, threatens forced marriage, provides nightly torments); Alternatively, a member of family lacks something or desires something (magical potion etc);
9.. Misfortune or lack is made known, (hero is dispatched, hears call for help etc/ alternative is that victimised hero is sent away, freed from imprisonment);
10.. Seeker agrees to, or decides upon counter-action;
11.. Hero leaves home;
12.. Hero is tested, interrogated, attacked etc, preparing the way for his/her receiving magical agent or helper (donor);
13.. Hero reacts to actions of future donor (withstands/fails the test, frees captive, reconciles disputants, performs service, uses adversary's powers against them);
14.. Hero acquires use of a magical agent (directly transferred, located, purchased, prepared, spontaneously appears, eaten/drunk, help offered by other characters);
15.. Hero is transferred, delivered or led to whereabouts of an object of the search;
16.. Hero and villain join in direct combat;
17.. Hero is branded (wounded/marked, receives ring or scarf);
18.. Villain is defeated (killed in combat, defeated in contest, killed while asleep, banished);
19.. Initial misfortune or lack is resolved (object of search distributed, spell broken, slain person revivied, captive freed);
20.. Hero returns;
21.. Hero is pursued (pursuer tries to kill, eat, undermine the hero);
22.. Hero is rescued from pursuit (obstacles delay pursuer, hero hides or is hidden, hero transforms unrecognisably, hero saved from attempt on his/her life);
23.. Hero unrecognised, arrives home or in another country;
24.. False hero presents unfounded claims;
25.. Difficult task proposed to the hero (trial by ordeal, riddles, test of strength/endurance, other tasks);
26.. Task is resolved;
27.. Hero is recognised (by mark, brand, or thing given to him/her);
28.. False hero or villain is exposed;
29.. Hero is given a new appearance (is made whole, handsome, new garments etc);
30.. Villain is punished;
31.. Hero marries and ascends the throne (is rewarded/promoted).

This structure works for many stories and films. I do recommed the book for any writer and screenwriter especially for those who write modern fairy tales. It's a must!

This is the first work to systematically characterize and describe a corpus of folktales. It includes a list of possible plot twists, in their correct chronological order for any story, and numerous examples from actual Russian fairy tales. This translation in particular reads well and makes a point of not departing from the text's literal meaning in any significant way. I would highly recommend this work for anyone interested in folktales or oral literature in general.

This seminal work is essential for an understanding of structuralist theory and the theory of folklore. It differs from the psychological view of the folktale in its descriptive ability. This theory is based on objective description and sytagmatic conjunction and complementation. Because of that, it is more applicable and flexible than any psychological dissection. Also, two people will reach roughly the same conclusions with this method- something impossible with a psychological approach. This is excellent for anyone interested in attacking the down and dirty working parts of a narrative.

This is an attempt to work out the underlying structural patterns (types of characters, what they do, how they are ordered) of Russian folktales, based on classic collections made in the nineteenth-century. If you are fortunate enough to have read a large collection of such stories -- preferably in translation, not "retold by ..." -- you will soon see the point of Propp's argument. Other European, and some non-European, traditions provide an almost equally good starting point, although the examples often are not so close as to be immediately convincing. Ideally, "Morphology of the Folktale" would be bound with at least a selection of the Russian folktales Propp analyzes, but this does not seem likely to happen.

Taken by itself, however, Propp's exploration is going to seem both dry and confusing. Try to imagine a book about the five-act structure of Shakespeare's tragedies being read by someone who had never seen or read a play before, and you may understand the problem.

Although Propp's exposition sometimes seems labored, he presents a convincing case that at least some oral prose narratives are built up of a stock of situations and events which can be slightly reordered, multiplied, and otherwise complicated, but amount to a "language" (a vocabulary, grammar, and syntax) of story-telling. This puts a new light on the problem of the distribution of folktales, and how they develop variants, two of the great issues of folklore studies in the nineteenth and early twentieth centuries.

Despite its origins in a single body of oral literature, Propp's methods have been applied to other literature with known or suspected oral roots, sometimes with slightly contradictory results. I know of at least two different Proppian analyses of "Beowulf," for example. This is due at least in part to Propp's attempt to introduce fine divisions between similar plot elements, which, again, seem to work better with his source material than with other groups of stories. (And "Beowulf" has long been recognized to include elements later found in European fairy tales, so the possibility of applying Propp's structures was more intriguing than revolutionary.)

In "Feud in the Icelandic Saga" (1983), Jesse Byock reviewed efforts to apply Propp's methods to the Sagas of the Icelanders, another body of prose literature supposed to be grounded in oral techniques. He argued that a different approach is needed to their formally realistic stories about personalities, and the functioning of society; which does not diminish the validity of Propp's approach to the wonder-tale.

The first time I read Feifer's book, I was 14 years old. I read it again this summer, after I had returned from Russia, a trip that "Moscow Farewell" helped inspire. The book is so brilliant, so accurate, so timeless that some 30+ years later, the paralells between his life in Moscow and mine in St. Petersburg are eerie. It is a story that lives in your imagination and your heart, and I often find myself wondering about George and his life after the book ends...

Fantastic, I have been in moscow for 5 years and been working, meeting people and got the street-pulse. George Feifer's book is showing the russian's mentality with happiness and large respect. The russian people is a proud people who has been through some hard times and Mr Feifer lets you know how they got by. Today Soviet is Russia, but a lot is still the same, still true...The book is very up lifting, I lift my hat off to you George...

I think this book is great. Plus, George Feifer is awesome. He's a friend of the family and he's definitely one of the coolest guys I know. And coming from a teenager, that's a lot. Well, anyways, everyone should definitely read this book. You won't regret it.

This fantastic book offers a wonderful view of a young man experiencing life to its fullest--in Soviet Moscow. Extremely well-written, funny, and insightful, it shares its best qualities with those in Salinger's "Catcher in the Rye," Roth's "Portnoy's Complaint," and Kerouac's "On the Road." Reading this book will make you feel good. It is a book for everyone.

I received this book in the mail about a month ago, and the first thing I noticed was that these are absolutely beautiful mittens! I spent awhile just flipping slowly through the pages making mental notes of the ones I wanted to try. And there are so many! The second thing I noticed was great photography. All mittens are shown fairly close-up so that you can use the photos in conjunction with the charts. So many knitting books don't show enough detail of the actual knitted product, but this one is great in that respect. I would classify myself as an intermediate knitter; I've made mittens before, but simpler than the ones in this book. Charlene Schurch does a great job of explaining the construction techniques (how to work the thumb gore, etc.) so that I haven't had to worry that the mittens are too difficult for me. I am working on my first pair now, and they are turning out beautifully. All of my friends and family will be getting mittens from this book at some point -- if I can part with them.

Don't let an initial scan of this book scare you off. The pattern charts and techniques are much easier to follow than one would think possible for such intricate looking mittens. The patterning flows with an inherent logic that my fingers understood long before my brain did, making the complicated looking charts in this book a breeze to follow. If you prefer "sore thumb" mittens for wearing comfort as I do, you will also find the author's thumb gore technique to be one of the most pleasing and satisfying gores you will ever knit. I am a big fan of Anna Zilboorg's "Magnificent Mittens," but I found the patterns in this book to be even more fun and soul-satisfying -- and that's saying a LOT.

I was very fortunate to find a new copy of this in a knitting store, at regular price. The patterns and writeups are wonderful. I'm hoping that Lark Books puts this book back into print. Socks seem to be the popular small object to knit these days (witness Charlene Schurch's 2 socks books). However, mittens are equally quick, and fabulous ones like these always seem to create a stir when worn.

The patterns in this book are typical of the Komi people, and are quite a bit different than Latvian patterns. Charlene has included the use of handpainted fiber for backgrounds with solid for the reticulations and other pattern features. This lends a very contemporary look blended with the great folk patterns. All thumbs use a gore for better fit.

This book is well worth an interlibrary loan or, if one is lucky, a purchase.

Finally, a patterned method mitten technique for the pattern-challenged! I attempted complex patterned mittens before, but couldn't figure out how to follow patterns when other knitting stuff such as gussets and other increases and decreases were happening. And this author gives a technique for using bands of plain color in between the mitten and the thumb that allow you to start the pattern fresh at the gusset. This way, you're not reading two pattern charts at once (which I find very confusing).

Also, this book gives detailed instructions on how to follow purely charted patterns for mittens, when other charted pattern books just left me to fend on my own.

This is the best mitten book I have. Now I can attempt those pattern mittens I saw in Tasha Tudor's Heirloom Crafts book. :-)

This small autobiography is a poetic inspiring work. It tells of Chagall's childhood in Vitebsk and his first youthful efforts as an artist. And it also contains within it the great love story of Chagall's life with his first wife Bella. Chagall writes with intensity and strength much the way he paints. The difficulty of his early years is somehow transcended by his devotion to his artistic vocation. This is a recommended work for all those who care about the relation of the artist to his life, and of the creator of great beauty to his artistic task.

MY LIFE is unlike any other autobiography I've read. Who would have thought of Chagall as a poet? As a master of word pictures? There is not a dry, boring sentence in the entire book. Instead, Chagall paints verbal pictures of his youth, his family, his struggles to become an artist. It's must reading for anyone who aspires to remain an artist (painter, writer, dancer . . .). Although the book reads very, very quickly, the poignant feelings it evokes cannot end so quickly. I am haunted by Chagall's painful youth-the poverty, the discouragement he received from many quarters. And yet the autobiography is inspirational, because as a writer, I know that one cannot let go of an unshakable faith in one's calling.

This book is an autobiography by Marc Chagall himself. Its a wonderful exploration of Chagall's jewish-russian memories of his beloved village Vitebsk and of his first encounters with the avant-garde in the Paris of the early 20th century. Its a good example of Chagall's sensitivity and of his spirituality. It should be a highly readable book for it is full of poetry, phantasy and hope. At the same time, the reader will be able to meet one the 20th century leading colorists.

One may hear this many times about Marc Chagall's autobiography My Life but it truly is pure poetry. Reading this book I found I didn't have to think at all. His words just sank into my head. He writes about his childhood and the difficulties growing up poor while struggling to make it as an artist. Every word seems to throw you directly into his very thoughts and feelings as he describes his memories growing up. It's a book I would not expect to come from a man whose voice is heard mainly through his paintings. While it's a delightful treat for his fans, it is also an excellent and inspirational read for those who intend to pursue their own love for the arts. Pictures of his artwork are printed throughout the book lending to it, a part of Chagall that many people know and love him for. But in this piece of artwork it's his words not his paintings that are absolutely captivating.

A wonderful children's book that tells the story of a young boy lost from his mother. Throughout the book he searches for his beautiful mother. The eyes of everyone but him see beauty in a different way. The eyes of love, however, sees true beauty. I read this book to my daughter when she was small and I am now looking forward to reading it to my granddaughter!

This is a charming story of a child lost and reunited with her peasant parents. When I was a children's librarian I used to read this to my first graders who all thought that their own mothers were beautiful. Now that I teach in high school I use it as an comparison for a Japanese story by Kawabata. It is the perfect explanation of "looking through the eyes of love."

A wonderful children's book that tells the story of a young boy lost from his mother. Throughout the book he searches and the eyes of everyone but him see beauty in a different way. The eyes of love, however, see true beauty. I read this book to my daughter when she was small and I am now looking forward to reading it to my granddaughter!

. . . a story of Love to be shared.* A mother who is "lost" to her child leaves us with that terrible feeling in the pit of the stomach. But we always believe that in most children's books the outcome will be happy so we can survive some tension & tears!

When a story is demanded by children, over and over, the telling of it assumes a style and rhythm unique to that family. "My Mother is the Most Beautiful Woman in the World" is a folk tale adapted from Russian lore. There are similar tales in other cultures that have been passed on through generations. That is part of the delight of being an author who can insert her/his own style & color into a new version - knowing it will go forward to give the writer a small bit of immortality.

This story, adapted by Becky Reyher has been given rollicking, color-filled, story-telling illustrations by Ruth Gannett. A perfect pairing. The 1995 "reissue" must be a 50th anniversary edition of my own 1945 copy. And now Reviewer mcHAIKU can joyously search out the best copies for my own "most beautiful" children.

This book tells us about the tragedy related to Napoleon's great failure of invasion to Russia and destruction of his grand army by Russian's "General Winter".

de Segur joined Napoleon's army on the Russian campaign. This book is a first-hand account of how 800,000 troops entered Russia and only 80,000 returned - with hardly a single battle. A chilling, compelling read.

Of particular interest (to me) is that this boo contains a reference to a young soldir named "Tzinski," who gloriously...drowned while crossing a river. Sigh.

Apart from that, it's a wonderful book. I bought it for research and wound up reading it over for sheer fun.

I haven't read many books about Napoleon's invasion of Russia 1812 but I found this book to be an enjoyable read. Segur provides an intimate view of the challenges that Napoleon faced during the autumn of 1812. Segur's description of the retreat from Moscow and ensuing massacre is vivid enough to allow the reader to gain a sense of the dread, fear and utter panic that the soldiers endured as they fled the relentless attacks of the Tartar cavalry.