Ireland Books

Stuart Clark explains the thinking that produced the panic about witches in the seventeenth century and why the panic occurred when it did. He argues that witches should be understood as an expression of demonology, that is, thinking about demons. Traditional thinking divided the world between God and the devil, an opposition that explained everything in science, history, religion, and politics. These four categories organize the book. In each of them, Clark discusses how oppositional thinking accounted for how things worked, how things happened, how things really were, and how political relationships functioned. The book is exhaustively researched, citing authorities in all the major early modern European languages and cultures, and at the same time responding to recent scholarship about witches and language. The latter is important because of the binary thinking that Clark identifies at the heart of demonology. Few historians are as familiar both with traditional sources and with postmodern thinking about historical thinking. This is a fascinating and rewarding book. I read it straight through.

When discussing the impact of women in European society, witchcraft inevitably enters the forefront of study. Many authors have discussed the crimes and punishments of witches, but Stuart Clark's Thinking With Demons: The Idea of Witchcraft in Early Modern Europe breaks away from the traditional format. Rather than focus on witchcraft itself, Clark writes about the idea of witchcraft; he concludes that the concept of witchcraft was an integral component in the general intellectual life of early modern Europe, woven into the scholarly debates about the key issues of the era. According to Clark, the emphasis was on demonology, which was a "composite subject consisting of discussions about the workings of nature, the processes of history, the maintenance of religious purity and the nature of political authority" (viii). To encompass this broad nature of demonology, Clark divides the book into five separate yet overlapping sections - Language, Science, History, Religion and Politics - each of which expresses a relatively simple argument. In `Language,' Clark discusses the antithetical nature of rhetoric and discussion in the sixteenth and seventeenth centuries; this permitted the discussion of witchcraft as the natural malevolent balance to proper behavior. The section titled `Science' argues that demonology was part of the advancement on science, rather than an obstacle or adversary to it. Magic, both good and evil, was assumed to be part of the natural world, and subject to the scientific investigations of the time. `History' details how the people were easily convinced of the activities of the devil and his minions through the increasing emphasis on the apocalyptic vision that the world was in the Last Days. `Religion,' which focused mainly on the writings of the clergy, essentially demonstrated that the religious powers of Europe believed that witchcraft was a sin against the Lord, and involved illicit dealings with the devil. Finally, `Politics' presents that view that the power of the king was based upon his inability to engage in witchcraft. Essentially, since a monarch was conferred power through divine right - meaning the ruler was empowered by the Lord - he was inviolable and therefore immune to the effects of witchcraft.
Thinking with Demons continues with the examination of women and their relationship to criminal behavior, as was introduced in The Crimes of Women in Early Modern Germany by Ulinka Rublack. The most fascinating aspects of this book dealt with the importance of duality in early modern Europe, particularly in regards to the masquerade. Such dualism, and the perception that it was natural and important to society, is a fascinating concept to consider. Such a system of duality, in which everything is "distributed between a column of positive (or superior) terms and categories and a column of their negative (or inferior) opposites" (38) would seem to be an important tool in explaining the gender-based hierarchies that evolved in society.

With "Thinking . . . ," Clark has produced one of the most important history books of the 20th century. Clark voices ground breaking views of a vastly misunderstood phenomenon - the evolution and prosecution of witchcraft in the early modern period. This book is meticulously researched and well written.

When discussing the impact of women in European society, witchcraft inevitably enters the forefront of study. Many authors have discussed the crimes and punishments of witches, but Stuart Clark's Thinking With Demons: The Idea of Witchcraft in Early Modern Europe breaks away from the traditional format. Rather than focus on witchcraft itself, Clark writes about the idea of witchcraft; he concludes that the concept of witchcraft was an integral component in the general intellectual life of early modern Europe, woven into the scholarly debates about the key issues of the era. According to Clark, the emphasis was on demonology, which was a "composite subject consisting of discussions about the workings of nature, the processes of history, the maintenance of religious purity and the nature of political authority" (viii). To encompass this broad nature of demonology, Clark divides the book into five separate yet overlapping sections - Language, Science, History, Religion and Politics - each of which expresses a relatively simple argument. In `Language,' Clark discusses the antithetical nature of rhetoric and discussion in the sixteenth and seventeenth centuries; this permitted the discussion of witchcraft as the natural malevolent balance to proper behavior. The section titled `Science' argues that demonology was part of the advancement on science, rather than an obstacle or adversary to it. Magic, both good and evil, was assumed to be part of the natural world, and subject to the scientific investigations of the time. `History' details how the people were easily convinced of the activities of the devil and his minions through the increasing emphasis on the apocalyptic vision that the world was in the Last Days. `Religion,' which focused mainly on the writings of the clergy, essentially demonstrated that the religious powers of Europe believed that witchcraft was a sin against the Lord, and involved illicit dealings with the devil. Finally, `Politics' presents that view that the power of the king was based upon his inability to engage in witchcraft. Essentially, since a monarch was conferred power through divine right - meaning the ruler was empowered by the Lord - he was inviolable and therefore immune to the effects of witchcraft.
Thinking with Demons continues the examination of women and their relationship to criminal behavior that was introduced in Ulinka Rublack's The Crimes of Women in Early Modern Germany. The most fascinating aspects of this book dealt with the importance of duality in early modern Europe, particularly in regards to the masquerade. Such dualism, and the perception that it was natural and important to society, is a fascinating concept to consider. Such a system of duality, in which everything is "distributed between a column of positive (or superior) terms and categories and a column of their negative (or inferior) opposites" (38) would seem to be an important tool in explaining the gender-based hierarchies that evolved in society.

I have owned this book for years (mine came with cassette tapes,not CDs!) and originally learned these airs on whistle and flute. I started playing the Celtic harp three years ago and have just begun arranging some of these lovely airs for that instrument, for which they are ideally adapted. It is a wonderful resource for material that is not widely available in other collections of Irish music, which as other reviewers have mentioned tend to focus on reels, jigs, and hornpipes.

O'Canainn is a piper, and these airs are written out exactly as he would play them, with authentic ornamentation. For that reason alone the book is a gem, for anyone who's trying to learn where and how to decorate Irish music in the traditional style.

This is my favorite book of music for playing with my tin whistle(s). I am an intermediate player, and not fast, so slow airs are perfect for me. Many of the tunes are new to me and already I have grown to love the many melodies. The tunes range from a number of Carolan tunes to many traditional tunes, all of which have Gaelic titles. THere is no background information on any of them. I recommend this highly for whistle players who are beyond the beginnining, read music and want to learn beautiful melodies well suited to the instrument. Many other instruments I am sure could use this music book, but I have little background in music so will not render an opinion in this regard. THe subtitle to the book does say, "Suitable for All instruments."

I have been playing these slow airs for a couple of years now. They provide an excellent introduction to a part of traditional Irish music that is often overlooked at sessions where you tend to hear and play reel after reel, along with a few jigs thrown in. Of particular interest is the accompanying double tape set that goes with the book. Here Tomas gives you the title, many in Gaelic(so non-Irish speakers can mangle them infront of their freinds) as well as providing some beautiful examples of sean-nos singing. In fact, itis this singing style that is the basis of the slow airs as many of the tunes do have lyrics which you can follow-up on. I had a particularly successful experience with Mo Ghile Mear, which my band perform regularly. The tunes can be played on any tradional instrument, with the tunes in D and G. One drawback of the book is that only the basic note structure is written out with very little room for interpretation which you will have to do yourself - preferably from reputable performances true to sean-nos style. This problem is also evident on the tape recordings as the notes are played strictly as writ without ornamentation and without any room for pulling the music around. Fortunately there are many recordings of these tunes that bring the written music to life. Enjoy their beauty!

This is a fantastic collection of slow airs (some of which you will recognize from having famous ballads set to them). It is also the only such collection in print that is easily available, as far as I know. Most collections don't include many slow airs, probably because they are musical prose compared to the musical poetry of jigs & reels, which tends to make a few airs go a long way (by this I mean they don't tend to have a repetitive theme or structure, or at least it is more subtle). Nonetheless they represent a wider emotional pallette than the generally jaunty dance music, and thus are an important aspect of traditional Irish music. The accompanying CD (available from 'Sheet Music Plus')features all the airs played on a single instrument. The intruments used are: guitar, cittern (bouzouki), bagpipes, accordion, mandolin, tinwhistle, flute, fiddle, oboe, saxophone, piano, harp, concertina, and vocals. You will note that saxophone and oboe are not generally heard in traditional Celtic music. Aside from demonstrating the tunes, the cd's make great minimalist listening, helping you get back to musical basics and providing a solid foundation for understanding Celtic music.

This is by far the most difinitive and best work I have ever seen on the subject of medieval history. Without it, the entire discipline would suffer, as it has for centuries up until the publication of this book. It makes books like Ermengaard of Narbonne pale and hide behind their little awards. Easy to read and highly enjoyable, I recommend everyone buy this book.

This is by far the most difinitive book on the subject of medieval history i have yet encountered. Easy to read and highly enjoyable, I recommend it to everyone in the entire world, whether or not they have any knowledge at all of medieval history. Without this book the discipline would be stuck in an intellectual dark age, as it had been for centuries up until this publication.

This book was truly stunning in its comprehensiveness and ease of reading. I was amazed and could not put it down until I had read it cover to cover. Unlike many books in its field, it focuses on important information, not convoluted thoughts like the use of bear paws. I recommend this book to everyone.

Having taken several courses on Medieval History, I find Daileader's book to be very insightful. It is amazing how similar his insights and conclusions are to those of my professors. I believe this work is truly a great addition to the field.

Matilda of Canossa was one of medieval Europe's most iconoclastic characters. Her life and events are not widely known in America, but she was as much responsible as anyone for the political environment that engendered the Italian Renaisance. Matilda not only was involved in most of the great conflicts of her day, and was allied with or against men like Pope Gregory VII, Duke Robert of Normandy, and Henry IV of Germany; she also, by reason of these conflicts and alliances, came to influence the institutions these men represented. Certainly unusual for a woman, this was unheard of for a woman without a strong power base, a legitimate inheritance, or even significant military influence.

Michele Spike's treatment of Matilda is scholarly, but not pedantic. An attorney on sabbatical, Ms. Spike brings a quite skillful sense of drama as well as verissimilitude in relating events from the various sources purporting to recount Matilda's struggles, and manages to retain the readers' interest without making amateurish attempts at historical reconstruction. Spike is especially skilled at conveying the events of Matilda's life within the larger tapestry of Northern Italian politics.

I've just finished reading this compelling book about a woman who has shaped history. A history I had known very little about, and now understand what it means to us in today's world. I read the book as though I were reading an adventure story. Matlida's world stayed with me in my daily life as I walk and live in places she has been. I highly reccomend this book

Victorious warrior, careful scholar, profound believer, linguist, devoted lover, ruthless ruler and gentle nurse of battlefield wounded, the Matilda Michele Spike presents to us is a complex person, whose internal contradictions are as it were writ large across the history of Italy. She and her man Hildebrand, the adulteress and the unchaste pope, enforced clerical celibacy. The reforms by a Jew's descendant brought about the persecution of that people. They who so ardently desired to enshrine the power and glory of Rome caused its devastation. Together Gregory VII and the Tuscan countess were a formidable team, yet undone. But in the end, one woman's love triumphed, and the world has never been the same since. No wonder that another, much later pope ordered her body stolen and enshrined in St. Peter's, Rome, in a gorgeous sarcophagus by Bernini surmounted by his vision of Matilda, Athena-like in her power and grace.

The bishops of Rome certainly owe Matilda. It took her very formidable biographer to uncover just how much.

After reading this book, I had to ask myself, 'how is it that a woman who had such an impact on the church and western culture, has been unknown to me for all these years...and I consider myself a fairly bright and knowledgeable person. Where I've been?...Or more, WHERE HAS MATILDA BEEN???

A great read... I'd recommend to anyone (who wants to be "in the know")!

Jim Kauffman

I thoght this book was really good. Joan Lingard wasn't afraid to show you what things are really like. All in all it was EXCELLENT.

By John Pears Cleveden Secondary Glasgow Scotland.(Oban Drive Campus)

I'm still giving this 5 stars, though Across the Barricades was better. It was really good the way they become friends at the end.

What I enjoyed about this book was that it shows no matter how different people they can get along. Kevin and Sadie became friends in the end.

This is a book for young teenagers, set against the backdrop of Northern Ireland just before the outbreak of the Troubles.

The plot is simple: a feisty Catholic boy and a feisty Protestant girl, living in inner-city Belfast neighbourhoods separated only by a main road, lead alternate mischief-making expeditions into each other's territory until things get out of hand and a sacrifice, Romeo and Juliet style, is required to bring the sides back to their senses. The characterization is a bit perfunctory (Kevin is feisty; Sadie, on the other hand, is feisty) but the setting, leading up to the Twelfth, is well drawn. The book was written in 1970 and is unobtrusively matter-of-fact about being poor at the time: no-one has a phone, cars break down all the time, and chip pan fires play a prominent role. The police are not reacted to in an openly sectarian way, as you imagine they would have been if the book had been written only a few years later, but it's noticeable that the Catholic parents are spoiling for a fight with them more than the Protestant parents are. Missing from the book's even-handedness is any strong sense of the real asymmetry of rhetoric that you experience on the ground (Catholics are inferior, Protestants are oppressive): actions on one side are almost exactly mirrored on the other, and when the symmetry is broken it's done against type (the Catholic girl is painstaking, the Protestant girl is careless). The best parts are the set pieces: a trip to the zoo, a trip to the beach, and especially the climactic scene where, without it ever having been explicitly stated, everyone becomes aware that a big fight's coming up.

This is a slight revision of my review of the hardcover version. Such a good book should be affordable. Hiram Morgan's monograph is an excellent study for any reader interested in early modern British or Irish history. One cannot understand the contemporary Protestant versus Roman Catholic distrust, animosity, and cultural divide in Northern Ireland without understanding the English Tudor's racist Irish policy of colonization.

One of Morgan's major contributions is to put the causes of Tyrone's Rebellion into the even broader context of late 16th century Europe, where the Protestant-Catholic religious divide, intensified by the Catholic Counter-Reformation, shaped national and international politics, while at the same time, the centralizing tendencies of nations like England conflicted with the lordships of Ireland. Morgan places the England-Ireland conflict within the same overarching political and religious context as the Spanish war in the Netherlands. Catholic Spain supported the Irish rebellion.

The author is no polemicist. He has grounded his study in English and Irish manuscript sources and Spanish archives and supplied readers with decent maps, and an important revisionist interpretation of this crucial but strangely overlooked rebellion.

Tyrone's Rebellion was led by the controversial Hugh O'Neil, the earl of Tyrone. This outbreak was the culmination of growing Irish animosity towards intrusive Tudor policy, but as mentioned above, according to Morgan it was not mere "Tudor rebellion." Despite the Tudor's usually successful strategy of divide-and-conquer, the ignorance and heavy-handed tactics of Elizabeth I's English administrators managed to unite the Gaelic chieftans with the Anglo-Irish (English or Norman expatriates who had become "more Irish than the Irish themselves") in opposition to English plantation and pacification under the leadership of O'Neil. O'Neil was his own man, and Morgan refutes the old steretype that O'Neil was the "creature" of Elizabeth's court. The rebellion was fomented in 1593-94, broke out in 1598 Battle of Yellow Ford), and lasted until 1607 (after Elizabeth I had died, and been succeeded by James I).

Tyrone, the "arch rebel," ultimately came to terms days after Elizabeth's death, and went into exile (the famous "flight of the earls"). Robert Devereaux, the earl of Essex, and one of the queen's favorites, was not so fortunate. His personal ambition, military incompetence, and defiance of his majesty's orders cost him his life. While the fate of such elite persons (along with the great apologist of English policy - poet Edmund Spenser) is well known, one of Morgan's minor oversights, which is common in most books about this era, is a lack of attention to the appalling fate of the masses of English and Irish who were slaughtered on both sides of this early version of total war. Half of Ireland was destroyed. The result was famine, disease, and anarchy. The war cost the stingy Tudors a fortune in expenditures and debts. But England prevailed and secured Ireland from being a threatening base of operations for Catholic Spain or France. The "flight of the earls" - the "wild geese" - scattered throughout continental Europe, signaling the decline - but not the end - of Gaelic Ireland.

Hiram Morgan's monograph is an excellent study for any reader interested in early modern British or Irish history. One cannot understand the contemporary Protestant versus Roman Catholic distrust, animosity, and cultural divide in Northern Ireland without understanding the English Tudor's racist Irish policy of colonization. One of Morgan's major contributions is to put the causes of Tyrone's Rebellion into the even broader context of late 16th century Europe where the Protestant-Catholic religious divide shaped national and international politics. The author is no polemicist. He has grounded his study in manuscript sources and Spanish archives (Catholic Spain supported the Irish rebellion).

Tyrone's Rebellion was led by the controversial Hugh O'Neil, the earl of Tyrone. This outbreak was the culmination of growing Irish animosity towards intrusive Tudor policy. Despite the Tudor's usually successful strategy of divide-and-conquer, the ignorance and heavy-handed tactics of Elizabeth I's English administrators managed to unite the Gaelic chieftans with the Anglo-Irish (English or Norman expatriates who had become "more Irish than the Irish themselves") in opposition to English plantation and pacification under the leadership of O'Neil. The rebellion was fomented in 1593-94, broke out in 1598 (Battle of Yellow Ford), and lasted until 1607 (after Elizabeth I had died, and been succeeded by James I).

Tyrone, the "arch rebel," ultimately came to terms days after Elizabeth's death, and went into exile (the famous "flight of the earls"). Robert Devereaux, the earl of Essex, and one of the queen's favorites, was not so fortunate. His personal ambition, military incompetence, and defiance of his majesty's orders cost him his life. While the fate of such elite persons (along with the great apologist of English policy - poet Edmund Spenser) is well known, one of Morgan's minor oversights, which is common in most books about this era, is a lack of attention to the appalling fate of the masses of English and Irish who were slaughtered on both sides of this early version of total war. Half of Ireland was destroyed. The result was famine, disease, and anarchy. The war cost the stingy Tudors a fortune in expenditures and debts. But England prevailed and secured Ireland from being a threatening base of operations for Spain or France. The "flight of the earls" - the "wild geese" - scattered throughout continental Europe, signaling the decline - but not the end - of Gaelic Ireland.

A study on the influencing factors of key decisions made by Hugh O'Neill, Earl of Tyrone and events leading up to the 'Nine Years War" with England. Unlike many other works, there are references to key players in these events including the Earl's brothers Cormac and Airt as well as Hugh Maguire, Red Hugh O'Donnell, and others.
Hugh O'Neill, an Irishman who was taken into custody as a child and trained in the English manner, returns to Ireland. His eldest brother Brian dies leaving him taniste to the title of 'The O'Neill'. Political intrigue ensues when a rival family member claims the title for himself. Meanwhile, the English crown seeks to plant more settlers in Ireland. O'Neill takes the sword for England and earns his title 'Earl of Tyrone'
The temperament and willpower of a man largely ignored by the Crown comes into question as he is dogged by enemies and harrassed by the state. Further problems arise when English troops establish fortifications on his land.
The book becomes a study of the events and circumstances surrounding O'Neills decision to seek aid from the Catholic King Phillip of Spain and turn his back on the tyrannical and genocidal Tudor advance.
The tactics used by O'Neill while negotiating and fighting are the roots of 'guerilla warfare'. The successes at Clontibret, Enniskillen, and the Yellow Ford are mirrored by the Irish failure to win the disasterous battle of Kinsale.
As evidence for the author's conclusions, he includes a letter written by Cormac O'Neill, the Earl's brother, requesting aid from King Phillip II of Spain.
As the author is a historian, all references are cited.
2001 marks the 400th Anniversary of the Battle of Kinsale. This work is a must have for any serious student of Irish history.

A 'must read' for any serious student of Irish history. To fully understand why Ireland is in the political conundrum it is you must first understand where the divisions between religion and politics began. The Geraldine and Butler leagues implemented by Sir Henry Sidney are merely the start, the ineptitude of Tudor officials the catalyst, and the rising power of Hugh O'Neill and his confederacy of Irish Lords and Cheiftans who had been wronged by English policy the vehicle. This book paints the most vivid picture of the people and the events responsible for the conflict. A look at a rare letter written by Cormac Mac Baron to King Phillip II of Spain is used to re-enforce the arguments propounded within the text. The authour, a historian, has clearly done more in-depth research on the subject than any other author to date and accurately describes (for the first time ever) the true story of The O'Neill.

This is an easy read, and a surprisingly thoughtful, careful, and broadly informative book. It dives deeply into the endless, diverse difficulties of modern life in Venice, but with excellent historical context. Its history of Carnival, and its revival, for example, is the best I've read. It's blemished by two or three uninteresting pages of symbolic/semiotic analysis, but these minor problems are vastly overwhelmed by impressive reporting, review and research on important issues of the day.

A must for the regular visitor of Venice. Davis and Marvin show clearly how the historical center and the outskirts (!) are sacrifized to the needs of mass-tourism. They describe how the the city is transformed sytematically into a historical theme-park in which the remaining locals have only a stage-role. And 'resistance is useless': the inhabitants are able to slow, not to stop the process.
The book predicts an ominous future of this cultural heritage site. Food for thought.

As an inveterate traveler, I usually find that books about places I have visited leave me sorry I read them - travel guides are often so filled with tourist hype or stereotypical portrayals or out-dated analysis. But, this is not a travel guide: it is a thoughful and well-researched critique of Venice as both a tourist city and a (struggling to remain) actual city.

Over the years I have related to Venice in three ways: a member of the day-trip brigade (with two children in tow); a more serious tourist making a five day stay of it; a long-term (six month) resident in one of its working class neighborhoods. From all of those perspectives, this book speaks to my experiences.

But, more than a souvenir of my times there (see the excellent discussion of the role of souvenirs in a tourist city), this work has opened my mind to other ways to see my beloved city. I now see the city and its people with new eyes, for the authors' critical eyes and ideas challenged me to experience Venice once again anew.

If, as I would claim, I love Venezia, then I would also want to engage my heart and soul in the challenge they pose for the future of the city: not the worries about "sinking into the sea" but the worries about becoming "lost in the tourists."

And did you know that tourists have been coming here for over 500 years (yes, fellow Americans, that is before any tourists invaded North America), and that tacky souvenirs have been available for at least 300 years? Lots more to know as well as ponder in this work.

If the City of Venice (Italy) ever decides to build a model of Las Vegas, will the model include a little replica of Las Vegas' Venetian Hotel, itself a model of Venice? It's the kind of question I might address to the authors of Venice: The Tourist Maze, this entertaining and rewarding account of what may be the most touristed city in the history of the planet.

You might suppose there is nothing new in a critique of Venetian tourism. Venice first licensed tour guides in 1219 (and right there is a factoid I did not know until I read this book). Any number of others have left accounts of tourism in Venice, and quite a few have left accounts of accounts.

Davis and Marvin do a creditable job of trying not to replow old ground. There's almost no mention of Mary McCarthy, Jan Morris, Viscount Norwich, and other visitors who have done so much to inform and entertain. There's only a bit of Henry James; almost none of Proust and only a glancing reference to that most famous of all sex tourists, Thomas Mann's Gustav von Aschenbach. Instead, they give their primary attention to tourism as an activity, from the standpoint alike of the provider and the consumer. You might almost call it an account of "the enterprise of tourism," except this makes it sound, misleadingly, like yet one more business book.

There is a whiff of the lamp about the presentation, although it never gets overpowering: the chapter on the gondola is called "the floating signifier," which is, I guess, the kind of joke you are bound to get when academics try to have fun. They say they "take advantage" of a notion of one "Appadurai" (who?), although he never makes it to the bibliography. A more obvious progenitor is Dean MacCannell, whose "The Tourist" is one of those rare books to make fancy theory both interesting and plausible. A still better source, though surely unintended, would be the trdition o;f the mystery novel, where the hard-boiled detective sees the great city from the underside (indeed I am a little surprised that they don't say a word about Donna Leon, the Arthur Conan Doyle of the Venetian murder mystery).

But forget about the theory: some of their best stuff is the nuts-and-boats practical. There is an admirable sketch-history of the gondola and its monster offspring, the vaporetto. And I particularly liked their discussion of the economics of the "artisan." They explain that Murano glass "works" because the craft is showy and dramatic, but that Burano lace-making does not "work," because the craft is not showy, and because real Burano lace is prohibitively expensive. Papier-mache masks work especially well, because the price is right, and the technology is accessible to any schoolchild. By the way it appears that those fancy designer masks (confession: I have one on the living room wall) are no part of the tradition of Venice: masks at the /carnevale/ were for the most part mass-produced.

The climax comes, inevitably in a discussion of the other Venice, the Venetian Hotel at Las Vegas (but why can't I find it in the index?). They provide an entertaining account, appropriately fascinated and appalled, of the Venetian as the private obsession of Steve Adleson who has lavished on it (so they say) the sum of $1.5 billion. They seem not to have noticed that from a business standpoint, the Venetian seems to have been a rousing success. If tourists still flock to the real Venice, they seem to descend at a comparable rate on our little Venice in the desert.

Although Coatsworth won awards for other books and her Sally series is wonderful, this stand-alone book is my favourite. From the beginning it matter-of-factly addresses the sadness and cruelty of everyday life, but also the beauty of life and people's innate kindness. I remember crying when I first read it because I was sad that it had ended, but it isn't sad in the least.

For my book report I read The Wanderers.I learned from this book that you can never judge someone by there looks.In The Wanderers their is a boy that no one likes because of his looks. I thought that this was a good book. I thought this was a good book because it had a lot of exciting things.Some of the exciting things were a village was destroyed and burned, and a dog saved some people.I think this would be a good book to read for a summer reading book!

I would just like to add that the illustrations, by Trina Schart Hyman, are wondrous and glorious and what made me pick up the book in the first place.

I am a connoisseur of children's books, and this is one of my favorites. How I wish it were not out of print; I would make of it a Christmas present to any person (young at heart) I care about. Positive character qualities are lifted up; negative character qualities undergo fabulous transformation. It is a book of mystical Celtic adventures, but also a book about trusting God. If you've got a soft heart for fantasy and for God, you'll love this little volume!

Donald Grant and his wife, NY journalists, retire and move to a cottage in Ireland. Their experiences and adjustments to their neighbors, to small scale farming, and to the culture of Ireland makes entertaining reading.
They learn goat keeping, rabbit raising, and the ways of bees and geese. The evenings chatting in the pub, the village interactions, the local customs and other trivia of daily life make you feel a part of their Irish experience.

If you loved Under the Tuscan Sun than you will find a great book here! Donald Grant's book will make you reexamine your life and reorganize your priorities all while providing good reading pleasure. A bit dated as it was written in the 70's, but it is more about finding yourself and the cultural life in rural Ireland.

I may be guilty of a little bit of nepetism (Mary Grant being an aunt, a bit removed and seldom seen), but this book has been a family treasure around the house for years. Anyone looking for an inspiring story about a simpler life should look into this one for sure.

Donald and Mary Grant, two well paid journalists living in New York City, decide to do a career change in their late 50's. They purchase a cottage sitting on three or four acres, later to become 11 acres, and live off the land. They visit the local Irish Pub on Saturday nights, chat about farm animals, and throughout the year entertain friends from their previous life who thought them totally "bunkers". Donald for added income writes a column for an American newspaper describing their new life. At a time when Americans have had to make career changes late in life, I would highly recommend this book. I think they added to the success of their endeavor by choosing Ireland, for it is definitely a country where nature has it's way. Untamed, perhaps, but also unspoiled. I believe in my heart that the troubles in Ireland should not be and Great Britian should give Northern Ireland it's freedom just as Donald Grant felt after living there. The Irish are unique, pleasantly unique, and should remain so

As a mixed-ethnicity Bosnian who lived through this war, I must say the editors of this book were extremely well informed.
They present a set of writing from both local and foreign contributors painting a vivid picture of the true events in Bosnia and the surrounding area, as well as international reactions and the complete peace process.
The book was completed in December 1993, and came out on the market in March 1994, so it does not include the events from 1994 and later, which are also critical to understanding the war and its outcome, but I still strongly recommend it, because it is one of the best books on Bosnia of 1990-1993.

As a mixed-ethnicity Bosnian who lived through this war, I must say the editors of this book were extremely well informed.
They present a set of writings from both local and foreign contributors painting a vivid picture of the true events in Bosnia and the surrounding area, as well as international reactions and the complete peace process.
The book was completed in December 1993, and came out on the market in March 1994, so it does not include the events from 1994 and later, which are also critical to understanding the war and its outcome, but I still strongly recommend it, because it is one of the best books on Bosnia of 1990-1993.

An important collection of essays, interviews and literary texts, providing a richly varied introduction to Bosnia's multi-national and multi-cultural society, while chronicling and analysing its internationally sanctioned destruction. An ideal starting point.

A brilliant and essential collection of high-quality essays ranging from personal accounts to attempts at academic (but never dry) analysis of the components of the evil that preyed on Yugoslavia and destroyed Bosnia. A bitter criticism of the West's failure to play an equitable role informs all the essays. A remarkable achievement for the editors.