Ireland Books

What is portrayed as "Early Irish Mythology" 99% of the time actually isn't -- the dozens of translations of The Tain, albeit worthy reading, are actually the lore of Ulster, a single Irish province. This makes it Ulster Mythology (regional) more than Irish Mythology (national).

The legends of the Tuatha De Danaan are essential for a comprehensive understanding of Irish mythology, actually comprising the majority of the Mythological Cycle, and deal with the initial settling of all of Ireland.

Unfortunately, it seems to be modern New Age reconstructions of the Mythological Cycle rather than the native stories that seem to be infusing themselves into the mainstream, and that is sad.

In my mind, the Mythological Cycle is the most important cycle in Irish mythology, because it sets up the scenario for all that is to follow. The Fenian Cycle (legends of Finn MacCumhail and his warband) are fascinating not only for their strong associations with Nature, but also for the fact that the stories are well-known both in Ireland and in the Scottish Highlands. The Gods still walked and resided on (or in) the Earth and interacted often with mortals. Magic was all around.

The Tain, on the other hand, is more a time of towns and forts and war-chariots; a time when magic was less present and people were less intertwined with Nature than in the Golden Age. The Gods had already departed our realm and only made brief cameos in the stories.

In summary, Gods and Fighting Men is the actual collection of Irish Mythology from the earliest legends. It affects all of Ireland and the stories are fairly widespread throughout the Gaelic world. Lady Gregory wrote these translations with a view to retain the native Irish sense of story-telling; this she achieved remarkably well.

My one concern is that it would have been nice for Lady Gregory to have cited her sources for each story. I know that in many cases she blended versions from several sources to produce what she saw as the purest form of the story, but a simple listing of these would have been fantastic from an academic standpoint.

Overall this is probably the greatest collection of Irish Mythology I have found so far, albeit Lady Gregory's focus was primarily as storyteller rather than academic (this is not a bad thing -- dry, stale translations of Irish lore would have been extremely anti-Irish in themselves).

This should probably be the FIRST book one reads of Irish Mythology. I highly recommend this book and the fact that it is value-priced definitely doesn't hurt, either. This book is definitely worth several times its cost.

Happy Reading!

I give this book 5 stars for what it presents, but I think the true heart of Greece lies not only in the chalk-white cliffs and Greek blue waters, but also in its people (which of course are difficult to photograph from the air!).

If you have any friends or relatives who are Greek or have been to Greece, this is absolutely the best gift you can give them.

I used this book when I did a thesis for college.

"The Young King" is a variation on the theme of "A Happy Prince". When a young monarch learns of the suffering and misery caused by his requirement for a robe, a crown, and a sceptre, he refuses to handle any of these riches and is given a more fitting raiment by a Divine Power. Keeping with the royal theme is "The Star-Child", about a beautiful but horrible young boy whose physical appearance grows to match his ugly spirit. Another little bird appears in "The Nightingale and the Rose", to help a young man win the heart of the woman he loves.

The stories' themes include beauty, tragedy, agony, compassion, innocence, and (Platonic) love. Some characters give their lives, or sell their souls, in the name of love. There are also the same archetypes that appear in dreams: the Divine Child, the Trickster, the Wise Old Man or Woman, the Number 3, and more. Add all this to Wilde's delicate writing and gilded imagination, and you get some of the most original tales ever written.

Though most of these stories end happily, all end tragically. That is to say, even when the endings are happy, someone always dies. Each story manages to associate everything thrilling and exquisite about beauty with the starkness of death. Accordingly, not all of these tales are suitable for children. For example, one scene in "The Fisherman and His Soul" features witches dancing before the devil and the princess in "The Birthday of the Infanta" is a heartless child whose mockery leads to the death of a little dwarf. Though the stories are moral at the core, and often explicitly Christian, they do not always make sense.

Despite the faults, the keening, poignant loveliness shines through, making me want to read each story again and again and again.

This atlas gives exactly what it promises: The history of the lands between the German and Italian-speaking peoples in the West and the boundaries of the former Soviet Union in the East - in short: "East Central Europe". Not to be mistaken with "Eastern Europe", which can exactly be defined by the European area of the former Soviet Union, or Russia, Belorussia and Ukraine of today.
Beside East Central Europe, the atlas also covers the Balkans.

This is the best English-language atlas of it's kind at the moment.
Balanced history telling, which tries to present both sides of disputed topics, illustrated by beautiful - although sometimes rough - maps.
This work presents the finest of Anglo-Saxon mapmaking.
To be used together with the series "A History of East Central Europe", and to be compared with the "The Times Atlas of European History".

Review based on first paperback edition, 1995

Researchers with Slavic, Germanic, Jewish, Greek or other ancestry from east central Europe will find this historical atlas invaluable.

It contains 89 wonderful maps which show useful details such as the Catholic diocese and archdiocese as they appeared in 1900, the tremendous populations movements from 1944 to 1948, Jewish settlement, and of course the ethnic composition of the region at various periods. Each map comes one or more pages of explanatory text as well.

I find this atlas to be a constant help in my struggle to understand the changing borders of the region throughout history. You can't understand family history if you don't have an understanding of the history of the family's place of origins. This atlas is an ideal way to better understand the history of east central Europe.

It is good that Roberts has multipule publishers for both of these works, as they are works that should remain in print for a very long time. I always hate it when I find good stuff that is out of print.

Now, about "A History of Europe". Good work. It focuses more on history after 1800 though. But then, this is what is important to most modern readers. We read to find out some answer to the question of who we are. So, naturally, a general history is going to focus more on later periods that tell us more about who are currently are.

It does cover all the topics of interest. Prehistoric Europe, thru the Classical period of Greece and Rome, up thru the middle ages and into modern times.

Great book to own and read and reread all the time.

Roberts exhibits a remarkable gift for conciseness and generously shares what seems to be vast insight on the history of Europe. Other histories would be very detailed but Roberts is able to capture the same subtleties with fewer (brilliantly chosen) words and ideas. He quotes some rather obscure but fascinating sources; you feel as if you are in the company of an eminent old historian who has been studying this subject all his life, has read just about everything there is to read on the subject, possesses no illusions or pretentions (he's too old for B.S.), and picks out those few gems of his knowledge that almost no one else knows just to share with you. Roberts really tries to tell it like it is (or was) without mincing words.

The author also goes to a great deal of effort to convey the feel of different periods so that the reader may better understand how historical events were perceived at the time and how they led to subsequent events. True history is not a mere chronicle of events but also the interpretation of those events, then and now. Roberts is keenly aware of this.

I have read both Roberts' book and Norman Davies' "Europe: A History"; both are superb but in different ways. Davies' book is larger and more detailed, and seems to prefer to let the large volume of facts and quoted sources speak for themselves. Roberts seems to prefer a greater emphasis on interpretation and broad insight, something that only a historian of his stature could respectably do. Both are perfectly acceptable methods of writing history. If you want a good reference, pick Davies' book, but for additional explanation of why Europe is the way it is, Roberts' book is highly recommended.

Roberts is clearly a brilliant historian. He works in much the same manner as a master painter. His History of Europe opens with a near empty canvas; he gives us a strong sense of Europe before the first human foot fell upon it. This opening conveys more than simple geographical and geological facts; it conveys a sense of how the terrain and climate would ultimately sustain life. Through this device, the reader can derive a feeling of premonition, a sense of history yet to come.

What follows is extraordinary. Roberts' coverage of the subject becomes ever more focused, from the very amorphous dawn of European civilization to highlights of individual societies. These are first examined separately and then in parallel, giving the reader a constant and realistically uneven emergence of a modern Europe.

In today's world, where truly exceptional literature and research are rare, Roberts' work is a welcome arrival. It can only be compared to historical works of antiquity or, in more modern eras, the works of Will and Ariel Durant. This is evident in the way that Roberts interweaves the daily life of the average European with major, historical events. In this way, he conveys a vivid picture of Europe and its peoples.

I cannot recommend this book more. Roberts has earned himself a place amongst the likes of Suetonius, Alexis De Tocqueville, and the Durants. His style is both wide in scope and captivating.

If you read most history books, you'll notice very little is mentioned about what the women were doing at that particular point in time. What was it like to be a noblewoman and have your husband go off to war? What was the daily activity for a peasant's wife? What was labor and childbirth like for women of those times? Was there a Renaissance for women? Did the spread of Christianity hurt or help women?

M's Anderson and M's Zinsser answer these questions and so much more in this well researched book. They detail the archaeological evidence that supports their writing, as well as various written works that provide a glimpse into women's lives hundreds of years ago. There are various pictures of artifacts, as well as artwork depicting women through out the years.

There are many things I never thought about in regards to being a woman in the past. The fact that female children, for example, were breastfed for only a year while their brothers nursed for two years (thereby affording more protection against diseases) seems especially disheartening. The information about the noblewoman's life seems particularly sad in this day and age. Basically a daughter was used as property by her parents who wanted her to "marry well" - perhaps to form an alliance with a more powerful noble's family or to gain land. Some parents even went as far to beat their daughters into their marriages. Their life didn't become easier once they got married. The noblewoman would have to arrange for moving to different estates, supervise the staff and the laborers, figure out the taxes and the annual income among other tasks.Not exactly how it's portrayed in movies or books, is it?

This is a book to read and ponder. All the aspects of a woman's life is covered in this compelling book - childbirth, contraception, religious practices are just some of the subjects this well organized book describes. M's Anderson and M's Zinsser makes the past come alive with their writing style. I recommend this book highly for those who want to learn more about the often overlooked history of women.