Europe Books

My wife and I used numerous books for our trip to Italy and France last year. (Our first ever to Europe). We bought Let's Go, Eyewitness, and the Rick Steve's Italy and France books. They were all very helpful, but Rick's books proved to be the best for down and dirty information to make the trip easier and more memorable. Not only are his practical tips worth their salt, but if you agree with his travel philosophy you will have much more success by following his suggestions. The other books are good in certain areas: Let's Go: additional places to stay in case your first choice(s) are full, Eyewitness: Great for pictures and facts so you know where to go when you are there. Everywhere we went travelers had these with them. We were on a tighter timeline so we studied before we left and left these heavy books at home. Rick's books are full of the basic information you need to avoid delays and prepare yourself for cultural differences so you enjoy them. I could go on forever...

This book teaches American travellers how to visit Europe so that they actually experience Europe. He explains how to travel lightly, happily, and inexpensively. Worried about a language barrier? Learn how to overcome that imaginary barrier and experience Europe for real.

THIS WAS A CRITICAL BOOK FOR US, WHEN WE WERE BACKPACKING IN EUROPE IN 1993; WE ARE 50 YEARS OLD, AND STAYED AND YOUTH HOSTELS, AND TRAVELED BY EURORAIL. WITHOUT THIS BOOK WE WOULD NOT HAVE BEEN ABLE TO MAKE THE TRIP NEARLY AS SUCCESSFULL AS IT WAS. WE SPENT SIX MONTHS IN EUROPE AND THE BOOK WAS OUR BIBLE, AND WE TOOK AND USED IT EVERWHERE.

THERE IS NO REASON PEOPLE OUR AGE CANNOT MAKE THE TYPE OF TRIP WE DID, IF THEY ARE EQUIPPED WITH THIS BOOK, AND ALL THE OTHER ADVISE WE RECEIVED FROM RICK STEVES.

THANK YOU TERRY AND TRISH BRIMHALL

Professor Steves gives his insights on the whys, wherefors and hows of travel. This book is for everyone, promoting a perspective of travel that is light on the budget and heavy on personality and culture. A must for anyone seeking a true experience of Europe (or any othere country for that matter). After reading this book, you'll laugh at your friends who're bragging about the four-star hotels they stayed at in Paris. They had a gold-trimmed bed; so what?!? Your maid invited you to dinner at a small underground cafe with some of her friends.

Rick Steves is the best when it comes to traveling in Europe, having fun, learning lots, and "making memories..." This new edition from the "Europe Through the Back Door" series is by far, the BEST of the BEST...Better than "Let's Go," and more fit for the personal budgeted traveler. From the tiptop of Norway to the boot of the Mediterranean, Rick gives workable, practical, and useable advice on how to "do it all" without Spending it all. Take this guide with you, everytime, and then pass it on! You will be glad that you did, and so will your friends!

I have a shelf full of guides to Rome but when I bought this last year I threw away the rest of the shelf. It is simply fantastic. I have been a book reviewer for thirty years and never thought I would 'go overboard' about a book but this is everything I wanted. Personal, informed, entertaining, reliable, surprising, instructive, accessible, logical, practical.......I run out of words. It's great to read before during and after you visit Rome - only drawback is it's too bulky to carry around with you but take notes! Use it as your bible. Rome (Pallas Guides)

Terrific Book. Detailed descriptions of this glorious city. Every traveler to Rome should use it as reference.

Did you ever run across a guidebook that, at the same time, 1) gives you a brilliantly clever and comprehensive choice of information about the sites and 2) allows you to get to each site in the easiest, quickest way?

I didn't, until I found "Rome" by Mauro Lucentini. That double record is especially remarkable in a city like Rome, where the various sights may have lifespans of up to 2,800 years requiring equally monumental explanations, and/or be concealed into corners of a labyrinthine ancient habitat, where you can easily lose your way. With 700-plus pages, Lucentini's book may be a bit heavy to carry, but it is an incredible pleasure to read, and you will be thankful for each page, so fascinating is every bit of the information provided - no other Roman guide comes even close to the amount of historic or artistic background supplied - and for the fact that it will lead you in front of every item by the hand.

Also, the book is structured in such a way that, if you care doing it, you are able to read a good half of it and digest quite a lot of information even before you leave for your destination, This is a quality no other guidebook I know possesses, at least not to such an extent.

Brilliant! I've been to Rome five times with this book... although it was concise enough to give me an excellent overview even by the first time.

This book is a wonderful foray into the many aspects and history of Rome, and can be enjoyed sitting in New York, as well as walking in Rome. I've taken many of the walks, and the book is a chatty, fun, and erudite companion, pointing out all of the (almost) hidden traces of centuries past. A must for travelers in Italy (or just in your armchair)!

This is the first book of a six book series about a 10 year old girl, Rosemary Rita. She somehow travels back in time by flipping a magical hourglass, a gift from her grandmother, and supposedly meets her great-great-great grandmother Rosemary Ruth Berger (Rosemarie) in Berlin in 1870. It is truly an excellent story. The details are so amazingly descriptive, I could picture where Rosemary Rita and Rosemarie were and who they met. This book takes you places, literally. Just one thing I didn't like about this story is that it jumps into things too quickly. My favorite character is Rosemary Rita, just a curious 10 year old who is very interested in her family tree. She has a little brother, Ryan, who gets on her nerves at times, but Rosemary Rita is always loving and caring to him. She remembers how Ryan says her name, "Row-may-we-wheat-a", and when she is away in Berlin, that voice just makes her want to cry. One question I had after reading this book was if she really went back in time or if it was all a dream. It just makes me think about how she really got there, and the magic that the hourglass had. Overall, this book is awesome. I mainly recommend reading this book because of the elaborate details and accurate information. I can't wait to read the next one!

This book was awesome! The book has accurate information and good detail that paints a picture in your head about what it was like in Germany a long time ago. In some other books, I read it and say, "I know this isn't what happened" but this book was so accurate. I kept reading this book on and on. It was not boring at all. I love this book because this idea is original. One of a kind. And I couldn't put it down. It kept me interested right from the beginning. It might look like a short book but trust me, there's a lot of good stuff in it. Some history(don't worry, it's not boring), fiction, mystery, and good pictures. I love this book and I think you will too. No matter what your age. It's not too hard to read and I think that all ages will enjoy it.

What a delightful book! This book should appeal to any girl with a sense of fun and adventure. Well-written and a real "page-turner", the book blends whimsy, adventure and historically accurate facts in a most engaging way. The lead character is a person that any young girl could easily relate to, and her adventures leave you wishing that you, too, had a magical hourglass! I was particularly impressed by the use of links to the accompanying website- what a great way to use kids' interest in "playing on the computer" to encourage an interest in reading the printed word! I highly recommend this book!

I read this book in one sitting, literally! I bought it today and just couldn't put it down. I've always wondered what it would be like if I could go back and meet my great grandparents. This new bookseries, The Hourglass Adventures, answers that question. Rosemary comes from a long line of grandparents that share her first name, but most of them have nicknames. In the first book, Rosemary Rita goes back in time to 1870 by means of a magic hourglass. When she looks at a postcard that was sent to her great-great-great grandmother, Rosemary Ruth "Rosemarie", who is referred to as Rosemarie in the book, and tips over the hour glass, she is sent back in time and helps her great-great-great grandmother solve a mystery. Of course Rosemary can't tell Rosemarie that she is her great-great-great grandmother... so Rosemary tells Rosemarie that her name is Rita. This is a wonderful book, and I can't wait to get number 2. This is a book series that you will keep for always and will read over again. It's so imagnative and wonderfully written... a must for anyone who always wondered what it would be like to go back in time and meet your ancestors!

Just finished the first; can't wait to read the others. I have 2 young daughters and can't wait til they are old enough to enjoy these creative, interactive, intelligent books.

Even after all these years, this book is an essential for world music lovers, from novices interested in learning more about something they just heard off the radio to seasoned music lovers interested in rounding out their collections. This encylopedic work (the first volume in the series) gives a brief survey of the different music traditions of Europe, the Middle East and Africa, divided by country, region, style or ethnicity. Each article was written by different authors, so obviously there is some variation, but they include very thorough details on the history, culture, background and style of the music, along with a sample discography at the end. Most articles include one or two profiles of famous artists from that country.

The first section, Europe, covers almost every country in Europe, as well as giving articles on the Saami people of Scandinavia, Gypsy music, regional cultures from Spain (like the Basques and Galacians), and Bhangra, the festive dance music of Britain's Punjabi diaspora! Everything you would expect is here, like Spanish flamenco, Portuguese fado, Greek rembetika, Norwegian fiddles, Scottish bagpipes, Celtic music from Ireland, Swiss alp horns, the haunting vocal music of Bulgaria and so forth. There are also quite a few surprises hidden in here too. Much of this section tends towards the folk, for obvious reasons.

The Middle Eastern chapter covers the music of Turkey, Iran, Israel, Armenia, Georgia and the Arab states (except for parts of North Africa), as well as Kurdistan and the Sephardic Jews. Theres alot of variety here, from the classical Arabic pop music of Oum Kalthoum, Fairouz and Abdel Halim Hafez, to modern Egyptian pop like Amr Diab, Natacha Atlas, and Hakim. Along the way, theres also the haunting sound of the Armenian duduk, Nubian music, Persian and Turkish classical traditions, Lebanese dabke, dervish rituals, Georgian polyphonic singing, Sephardic romances, Iranian-American pop music and Palestinean folk songs (which is great to see them acknowledge that Palestine DOES have a unique culture). This section is very good, with a very rich mix of traditions and cultures.

The biggest part of the book deals with Africa, with a very strong emphasis on regional pop music. Some countries (like Libya, Somalia and Namibia) are sadly overlooked, but all the powerhouses of African music are hero... Ethio-jazz, Algerian rai, high life from Ghana, Congolese soukous, Malagasy pop from Madagascar, Kenyan benga, South African gospel, Nigerian afrobeat, Senegalese mbalax, Moroccan gnawa, mbira music from Zimbabwe, Kabylie Berber music, east African taraab, recordings of the Pygmy people of Central Africa, Mande music of Mali... so much gets covered here, including numerous lesser known traditions (like the music of Zambia, Sierra Leone, or the Indian Ocean). Its by far the most exhaustive part of the book, full of great information, important artists and numerous CD recommendations.

Over all, its a wonderful introduction to the vast (and sometimes confusing) world music scene. The book was written in the late '90s, so some of the information is a little dated and a few REALLY great new artists or CDs aren't mentioned, but thats a minor detail. In fact, many of the CDs mentioned in the suggested listening section remain best sellers today! Theres also the occaisonal trend of focusing in on pop music or CDs more readily available in the west, but again, theres nothing wrong with this. Think of this book more as an introduction or a guide book and you'll be fine. Once you get into world music, or even just a particular culture or region, you'll be good. So check this book out and see what you like (or don't like).

I love having both volume one and two. They have much useful information. But speaking about the Netherlands where I lived for 35 years as a professional Surinam musician: I didn't like the part about Surinam music because it was very uncomplete. The writers didn't mention the two best known Surinam bands Fra Fra sound and the Ronald Snijders band. They only mentioned traditional style groups like Carlo Jones band pretending that the others are jazz, which is ridiculous.
Every other country mentions it's musicians and bands who fusion their worldmusic with jazz, like Cuba's Irakere, Brazil's Milton Nascimento, Argentina's Piazola, South Africa's Dollard Brand and so on. But in case of Suriname they simple cut that important part away. This also happened in part two. Sad and incomplete, because the mayor part of the innovation, promotion, touring and study comes from these new style bands.

Ronald Snijders (flutist-composer, writer, drs ethnomusicolgy)

Although I wish that there was even more room to fit in all that's needed. I do notice that, for instance, there has since this volume a separate pocket-size one for Irish music, and no doubt others. I studied the areas I was most familiar with to see if any surprises emerged. A couple each time; unfortunately, these were impossible to find on cd (cassette even out-of-print in more than one instance) if you lived more than a few miles from the musician, I reckon!

This inevitable let down between supply and demand for those outside of the countries who want to hear the music does frustrate armchair listeners like me. Go to the Egyptian chapter, for example, and you'll find that most of the genre's picks are bootlegged as tapes in the market stands. Since 1999, I gather that this tendency keeps growing given filesharing and cd-burners, so I'm not quite sure how one would find much of the music on smaller regional labels today even from reputable importers.

This evolution aside and perhaps beyond RG's survey, this does whet your appetite for music. But be forewarned that much of it comes at quite a price from the net or a music store, if you're lucky enough to find what you want. The illustrations in the text, the sidebar profiles, the list of merchants appended: all these represent a labor of love and a fine reference source.

I do wish, finally, that RG had kept their guides on the Net (as it had at least with the Rock Guide in the later 1990s) so they could be updated as CDs go in and out of print.

I love this book - it would be utterly useful to everyone except the MOST savvy World Music person with a big ol' advanced degree.

I do a radio show of Arab music (WHPK 88.5 FM in Chicago!) and consider myself an educated aficionado, and I refer to it CONSTANTLY. This is truly the current ultimate guide to World music - just great. They are righ when they say "your CD collection will GROW" It will!

Walk inside the universe of World Music is not easy. You have the feeling to moove in a jungle of names, titles and unknown instruments. A Guide is necessary to understand and help you for orientation. This book is good for primers and experts, speaking about generes, origins, musicians and their best records. From the 1994's first edition the new release is more rich and reflects the high number of World Music records released in the last five years. I think you are in presence of the best guide you can buy today on the matter.

This book is really exciting to read. I have been trying to find a book on Soviet weapons for a while and came across this book. I must say I was amazed of the amount of content and detail included in this book. The book lists different strategic missiles from the very first ICBM to the latest model that was produced in the Soviet Union. The authors even lists different missile bases and production sites i.e. (closed cities) and warhead depositories, and the nuclear fuel cycle . Even though the Cold War is over I'm wondering if some of the material should still be classified.

This book goes through the early history of the production of missiles, naval fleets, information of strategic aviation sites and production facilites and locations. This book has a section on nuclear tests which lists nuclear explosions. It also describes the decision making process of the strategic nuclear forces in the event of a nuclear war. The chapter that was interesting was the "Strategic Defense" chapter which includes missile and space defense forces, antisatellite and space surveillance the Soviet version of the United States SDI program was interesting. Toward the end of this book includes the present state of Russian strategic forces.

I would recommend this book to anyone that's interested in soviet military thinking and the history of Soviet/Russian weapons systems. A great reference.

Pavel Podvig's Russian Strategic Nuclear Forces was initially available only in Russian, however when it was finally updated and released in English we received the absolute most authoritative and detailed report on the subject available in the civilian sector.

Podvig's effort is to be highly commended, as he has compiled an impressive amount of research, much of it relating to the technical side, though good write-ups and historical overviews are included. From R&D to production and finally deployment, every Soviet/Russian ICBM, SLBM and Strategic Bomber system is discussed in extensive technical detail, including such well researched and hard to find details such as Circular Error Probability of all Russian strategic systems.

The book is a heavy volume containing nearly 700 pages, none of it filler, so you can imagine the sheer amount of information in this volume for anyone interested in attaining a deeper understanding of the subject. Given the price, it really is a no-brainer. Furthermore Pavel Podvig maintains a frequently updated and detailed web site which continually adds newer information, essentially making this a "living research" project on the subject. You can locate his site here:

Seems Amazon edits out any links in reviews, so to try again Podvig's site can be found at russianforces.org

Once again, for the incredibly low price this book is offered at, you have nothing to lose, and a wealth of knowledge to gain.

Disclaimer: I am in no way affiliated with Mr. Podvig, aside from being someone who has been won over by his dedication and research to the subject at hand.

This book is interesting in some ways but heavily focused on facilities and process rather than the history of development of some of the critical technologies. A good reference but a bit disappointing.

For most readers interested in Soviet missile development I would recommend Zaloga's The Kremlin's Nuclear Sword: The Rise and Fall of Russia's Strategic Nuclear Forces. Covers some of the early debates on missile development and strategy, with special emphasis on competition between the design bureaus.

Note that both of these books only focuses on Strategic missiles, as their titles certainly acknowledge, so there is little detail on short and intermediate range missiles except for the earliest missiles such as the SS-3 and SS-4. If you are looking for Scud information you won't find it here unless you are looking for the submarine launched version.

Mr. Podvig's book, "Russian Strategic Nuclear Forces," is an excellent unclassified look into the world of Russian/Soviet nuclear weapons. The book covers weapon systems, facilities and nuclear tests since the dawn of their nuclear age. The diagrams and tables are clear and concise.

This book was very helpful in allowing an individual to quickly memorize (or 'compare and contrast') different missile ranges and warhead yields. Very useful if briefing American missile combat crews on potential nuclear threats, or if writing 'peace-nik' papers on the evils of nuclear weapons. Honestly, I don't care what your bent is - if you want to know about nukes, this book needs to be added to your library.

Nuclear forces, like other branches of the military, are divided into two categories: Tactical and strategic. Strategic division of the nuclear forces covers the armaments that have a wider scope of effect. These are the forces that have kept the MAD (Mutually Assured Destruction) balance between the superpowers so far. Strategic nuclear forces have air, land and submarine launch capability of nuclear warheads targeted for intercontinental targets.
This book covers every aspect of the Russian Strategic Nuclear Forces from the very beginnings up to post-Soviet restructuring. It covers detailed development phases of strategic bombers, land-based launch platforms and the submarine leg of the nuclear triad. There are detailed data on the organization of the nuclear command, early warning systems and launch protocols. There are also detailed data on the Soviet/Russian nuclear complex and their products. At the end of the book, there is a long list of the nuclear tests undertaken by Russia.
All in all, this book should be read and kept as a reference by all those who want to have a well-balanced look at the Russian Nuclear Strategic Command's capabilities and importance. Readers of this book will appreciate why the latest efforts by the United States for a missile defense system will be highly counter-productive.

This is a very important book in my opinion, because it analyzes certain utopian ideas that produced chaos during the 20th Century, but remain popular today despite their horrible track record. Basically, this outstanding work of historical scholarship is about a group of Russian intellectuals who believed if they rid Russia of the monarchy, capitalism, and Russian Orthodox Church, life would be wonderful. So the Tsar and his family were killed, capitalism was wiped out, and the Russian Orthodox Church was suppressed. As we all know, paradise didn't ensue. Instead Russia ended up with the Gulag Archipeligo. How could so many brilliant intellectuals be wrong? Well, perhaps brilliant intellectuals aren't as brilliant as they imagine. If you want to understand the modern world, and the pitfalls of seemingly wonderful utopian ideas, this is the book to read. The author is a highly-respected historian, not a journalist slanting the facts in an effort to convince you to vote for his or her favorite candidate.

All essays in this collection are remarkable but 'The Hedgehog and the Fox' is one of those essays that will take you on a trip to the relativity of truth and have you question both the physical and metaphysical through Berlin's eyes. There are many philosophical angles from which one can interpret Berlin's analysis of the Russian intelligentsia, the one that stands out the most is the question that defined nineteenth Russia, as well as Europe:'What is to be done?'

There are two strains of thought in the Russian intellectual circles of this time, the Slavophil movement and the Western-oriented intellectuals. Berlin notes that these were not organized political camps engaged in constant debates of any sort (as there was no political movement to speak of at this time in Russia) but rather unsystematic frames of thinking with which Russian intellectuals of the time identified.

The advocates of the Slavophil idea maintained that the salvation of Russia was to be found within Russia; that Russian lifestyle, Russian simplicity and modesty was superior to Western complex theories for the advancement of society. Berlin penetrates Tolstoy's consciousness and deciphers the characters and plots of War and Peace for what they represent i.e. the clash between Western scientific thought and the fundamentally Russian way of life. He argues that Tolstoy would have us believe that, in the end, it is the wise Russian General Kutuzov who wins, not because power or strategy had any significant consequence in the battle itself, but because he has not been infiltrated with Western military tactics and in part because he used his, to use Berlin's words "...Russian, untutored instinct..." and it is this Russian untutored instincts that Tolstoy wants to triumph over scientific rationality.

Western oriented intellectuals on the other hand, most of whom were in exile throughout Europe at this time, believed that the solution to Russia's problems could only come through the kind of reform being introduced in Western Europe, not necessarily the revolutionary kind, for Chadaaev the most ardent Western oriented mind in Russia at the time was by and far an ardent conservative who believed in aristocratic virtues, but a representational government like that of Britain.

Berlin engages Tolstoy in the center of nineteenth century European philosophical discourse on account of his views on simplicity (the hedgehog) and complexity (the fox) of both his work and personality (if we come to understand the simplicity to represent the adeptly Russian and the complexity to represent the ineptly Western European.) Tolstoy had managed or rather convinced himself that scientific theories are all assumptions and that if one is not exposed to these theories he/she has a better chance of knowing the truth, in Berlin's words "He [Tolstoy] believed that only by patient empirical observation could any knowledge be obtained; that this knowledge is always inadequate, that simple people often know the truth better than learned man, because their observations of men and nature are less clouded by empty theories, and not because they are inspired vehicles of the divine afflatus."

Berlin was a mastermind in interpreting and deciphering the Russian intellect, because his knowledge of Russia was unparalleled for his time, which is why this collection of essays is one of the best anthologies on the evolution of the Russian thought. Reading Berlin can sometimes be a frustrating experience because one feels that the interpretation of literature can only stretch to a certain limit and you wonder if indeed the author was trying to get to where Berlin is taking you or if is what Berlin wants to find in the subliminal nature of the author (in this case Tolstoy) and perhaps that's what attracts one to Berlin's brilliant mind.

Berlin is an interesting and I agree knowing commentator, but one gets the feeling that he understands there is something awry in Communism, but he's not quite sure what. His ideas of freedom are on the mark, but in the post-Communist world they don't quite get to the point. I highly reccomend papal biographer and political pholosopher George Weigel's recent commentaties, (available online). Liberalism was not and is not a sufficient answer to utopian ideology, which Berlin nevertheless correctly asserts will inevitably degenerate into totalitatianism. Even more, in the post-cold war world, relativism has usurped "true" freedom, which presents perhaps an even more dangerous problem than the Soviet one.

This book provides an excellent introduction to the history of Russian thought. I supplemented it with the pertinent chapters of Billington's "The Icon and the Axe" to piece together a general outline of the evolution of Russian political philosophy. Maybe I didn't pay enough attention to Berlin's own philosophizing, but then that wasn't my objective. I found one of his general observations about Russian thought to be particularly useful, i.e. the tendency to follow an idea through to its fullest consequences, no matter how extreme or objectionable. The book nicely sets the stage for how Marxism was able to take hold, showing that it was in some ways an evolutionary, rather than revolutionary, intellectual development. The problem is, now that the book has allowed me to cobble together a general framework of Russian thought, the only possible next step is to start directly reading Hegel and Marx! And who wouldn't try to put off a daunting task like that?

This study of Russian thinkers is profound and moving. Isaiah Berlin was capable of writing about 'ideas' and their ' development' in a constantly fascinating way. His most well- known essay ' The Hedgehog and the Fox' is in this volume and it seems that Berlin himself was one of those who knew many things and wanted to know many things. His political ideas also took the shape of recognizing conflicting value systems as having validity even when those came from within a single person. Here he writes about the great Russian social and political thinkers Tolstoy, Herzen,Belinsky , Bakunin , Turgenev with characteristic insight, irony and sympathy.
This is a volume anyone interested in the history of ideas should not miss.

This is an excellent account of the long and troubled road for Scotland under the rule of Great Britain. Beginning with the Union of 1707, which Scotland pretty much got railroaded into, Devine charts the meandering path toward Home Rule in 1999. Along the way he touches on the cornerstone events which shaped modern day Scotland such as the Crofters' War, the Highland Clearances, the Scottish Enlightenment and Industrial Revolution. It is amazing to read just how vital the Scots were in the expansion of the British empire, yet Scotland remained subordinate to England throughout this period.

Devine focuses primarily on the social and economic history of Scotland, noting how the failure of the Scots to construct a link between the Caribbean Sea and the Pacific Ocean at the isthmus of Darien led to a financial crisis which England was able to exploit, thereby forcing Scotland to submit to its will in 1707. However, England still had a difficult time suppressing the Jacobeans in Scotland, which continued to mount resistance movements throughout the 18th century.

Probably the most notorious period was in the 19th century, when English landowners with the help of Scottish landowners forced the Highlanders off their grazing lands and made them to settle along the coastline. What began as a method of suppressing the remaining Gaelic culture, became a major relocation project that destroyed what remained of clanship in Scotland. It lived on in name only.

Devine notes how Queen Victoria, a Jacobean at heart, revived Highland pride during her reign by establishing an estate at Balmoral. This along with the historical novels by Sir Walter Scott helped rekindle an interest in ancient Scotland and led to a cultural renaissance.

With the industrial revolution, Glasgow usurped Edinburgh as the leading city in Scotland, irrovocably altering the way of life for most Scots. Devine charts the rise of the political movements in Scotland, which began to push for greater home rule, feeling that Scotland was still be overlooking by the Parliament. The rise of the Labour Party was instrumental in the drive for Home Rule. Devine also notes the troubled relationship between Scots and Irishmen, particularly in Northern Ireland. A once similar culture now found itself at opposite ends of the spectrum.

Devine takes in a big sweep of Scottish history, referencing early aspects of history, but focuses on the 300 years of Union with Great Britain. It is rich in reference notes, pointing the way to further reading on the subject. This is the culmination of his work on Scottish history, which he began with his book, Clanship to the Crofters War.

Well, this review might be crap compared to the others, but I do have a few useful things to say about this book.

I picked it up knowing next to nothing about Scottish history during the years of topic. If you said Jacobite I might have known what you were talking about, but I certainly couldn't have explained the risings of the eighteenth century to you.
Now, I can.

I found this book not only easy to read, but comprehensive, and best of all.....INTERESTING. That's quite a big compliment considering that the eighteenth and nineteenth centuries are not desirable at all to me, even as a student of history.
Yes, very easy to read, but not simplistic. And best of all, it is free of the sarcasm and haughtiness I've found in works like the Penguin classics book on Scottish history, and in essays by well known and respectable historians!!

T.M. Devine's account of Scotland from 1700-2000 is the most up-to-date review of Scottish history over the past three centuries. Mr. Devine covers every aspect of the development of Scotland and Scottish life over that time period. On many topics such as religion, immigration/emigration, government, cultural traditions, economics, and much more, Mr. Devine presents a thorough analysis. I was hoping for more details on Adam Smith, David Hume and other figures of the Scottish Enlightenment, but Mr. Devine chooses to stick with the story of Scotland as a whole for this work. This is a slow read at times, but for those genuinely interested in knowing more about the modern history of Scotland, this book has to be as good as one will find.

although i have to admit that i'm a bit biased towards any book that paints scotland in a flattering light, this is a great read. i found it especially helpful when i was writing a thesis about the ebbs and flows of scottish power within the united kingdom. since this book covers everything from the act of union to the recent establishment of the scottish parliament, it was extremely helpful. it's one of the few books of its kind. if you are curious to know how exactly the UK works (ie how can england, wales, northern ireland, and scotland be seperate countries and the same country) this is a good place to start, and it's a compelling read!

In 1999, Scotland experienced a momentous event, when after several centuries, a Scottish Parliament was convened in Edinburgh. Scotland is thus in a unique position at the beginning of the twenty-first century to enter a new era of self-determination and national pride such as has not been seen since 1707 (the year of the last Scottish Parliament) or since the times of the Stuart reign.

T.M. Devine, professor of Irish and Scottish Studies at the University of Aberdeen, has put together the first comprehensive and authoritative history of the Scottish nation during this 'non-parliamentary' (and, thus perhaps one might consider, non-sovereign) period in a generation. Scotland, as Devine explains in 'The Scottish Nation: A History 1700-2000', has almost always been misunderstood by the outside world. Thought of Scotland today (by those outside) conjure up visions of green sweeping Highland views, quaint tartan-patterned objects, kilts, bagpipes, Scotch whisky, and a wild rusticity that is quite at odds with the modern, urbanised character that is more typical of Scottish life today. As any good Scotsman will tell you, Scotland had seven universities when England had only two; even in the nineteenth century as London reigned supreme on the world stage politically and, in many ways, economically, Scotland was an industrial pioneer, providing much of the backbone for British success.

'For historians of Scotland the last three decades have been an exciting time. Research has boomed, established views are vigourously challenged and entirely new fields of investigation opened up which were uncharted in the older historiography.'

Devine commends the modern trend toward further investigation and research in Scottish and other non-England nations of the British Isles, but worries that most of this research is being shared and read only with professional peers rather than the general public. His book, The Scottish Nation is intended to be (and, in my opinion, succeeds at being) an accessible resource for the casual reader while being authoritative and thorough enough for the scholar to find it valuable.

Devine breaks the history of Scotland into four broad ranges: 1700-1760; 1760-1830; 1830-1939; 1939-2000. These periods roughly correspond to the eras of consolidation of political domination by England, the growing urbanisation of Scotland and attendant decline of Clanship, the period of immigration and Highland clearances , and finally the resurgence of Scottish nationalism in the wake of Irish independence and the aftermath of the second world war.

Devine examines the breakdown of traditional Scottish government in the aftermath of the ouster of a hereditary Stuart king in favour of William and Mary; Devine examines both English efforts to consolidate political and economic hegemony over Scotland (which included a movement in 1705 to declare all Scots aliens, thus subject to import duties and taxes that would be ruinous to the Scottish economy) as well as the Scottish problems of maintaining their own institutions in the face of English power. This is a different perspective than most will be used to, as history (traditionally written by the victors) has usually been stated 'authoritatively' from Oxford or Cambridge, not from Aberdeen or Edinburgh.

Following issues that are economic, military, social and political, Devine traces the various strands of Scottish history through to the present Parliament, detailing the London Parliament's intriguing struggle to deal with the issue of devolution and maintenance of the union through the post-war period. Devine devotes attention to aspects of family life, the role of women at various points in Scottish history, the development of educational systems, church/state relationships, and the status of the royals in Scotland -- again, any good Scotsman will tell you, it is inappropriate to say the present reigning monarch is Elizabeth II in Scotland, because Elizabeth I was never queen there.

This is a rather hefty book for light reading, but is quite enlightening for those of us with Scottish background (my family background includes many strands).

I use this book frequently, especially when studying art books of Christian art as well as during a recent Bible study of the Book of Exodus. This was an invaluable guide to the symbolism used in art and the various meanings. For example, when studying the symbolic meaning of the priests robes of the Old Testament, the meaning of the pomegranate for the OT and NT is significant. In the OT, the pomegranate stood for the 613 Mosaic laws (the pomegranate was thought to contain 613 seeds). In the NT, the pomegranate is the symbol for the resurrection of Christ. The Hebrews believed following the law led them to God. For the Christian, belief in Jesus' death and resurrection leads to God! Enjoy this read.

When I bought this book, I needed a quick and dirty reference to religious symbolism in western art--I was pleased and surprised to find out that it's small, lightweight, and therefore portable when I visit museums. (Why don't more publishers consider weight and size when they print books for travelers? Lonely Planet and DK, I'm looking at you.)

Its easy size belies the incredible amount of useful information it contains; there are fourteen sections covering everything from the significance of certain animals to religious garments to a brief hagiography for commonly portrayed saints. About one-third of the book is a set of reproductions (sadly b&w in this edition) of famous renaissance religious paintings. There's no discussion or explanation accompanying the paintings--which is the only thing I don't like about the book.

And if you read one of the earlier reviews and are wondering about the chocolate mouse in Rosemary's Baby, it's a reference to mice as a symbol of evil because of their destructiveness.

Although not encyclopaedic, this book, first published in 1954, is indispensable to the art history, religious art, iconographic, and religious lives student. The essays are of significant depth without excessive volume, and the illustrations, although of a limited period (Medieval through Renaissance), are pungent enough from which to learn. Two limitation I will remark:
There are no representations from Eastern- or Byzantine- iconography.
The illustrations are all black and white.

I study Art history, and christian art. This book primarily focuses in on Renaissance paintings and thier symbols. I found it to be useful and detail orientated. A very good reference book.

If you are an art history student, this book is an absolute must. While there are many books that contradict one another when it comes to symbolism, this book is one that commonly agrees with others I have read or consulted.
For as inexpensive as this book is, you cannot afford NOT to get this book!

This is one of the most fun books of history you will ever be lucky enough to read. It covers some aspects of 17th Century French history, with the greatest proportion of the book centered on Louis XIV and his court, although there are chapters on the peasantry and the brutality of the galleys.

I personally enjoyed the essays on court etiquette because it was so ludicrous. Louis convinced the nobility of France to give up their private armies to live in tiny attic bedrooms at Versailles and fight over who got to sit in an armchair and who had to sit on a stool. Human nature never changes--in the 21st century people fight to achieve status by buying the correct Manolo Blahnik shoes and the right Hermes carry all.

The chapter on female education alone is worth the price of admission. Louis and Mme. de Maintenon established a school for the daughters of impoverished aristocrats, and as a result reformed education for upper class females throughout France.

As other reviewers have said, this is history in the grand manner and most enjoyable.

The wealth of detail in W.H. Lewis' book The Splendid Century is incredible, but even more incredible is Lewis' ability to see the forest and the trees, to intelligently distinguish between what is useful and what is irrelevant and to leave the reader with a definite impression of Louis XIV's France.

Like his brother, C.S., Warren Lewis has that stereotyped but still very real and precious commodity of English commonsense. His good-humored rationality flavors the book but not to the detriment of the subject. Lewis was, afterall, writing about Louis XIV's France, not 20th century England. As with all the best historians, Lewis has the ability to see the world from outside the ideologies and pressures of the present. More than once, he cautions the reader against applying current century thinking to a 17th century problem or event.

But tone is where Lewis excels. Personable without being chatty, humorous without being sarcastic, A Splendid Century is amazingly relaxing to read, especially allowing for the subject matter and Lewis' fact-filled prose.

Recommendation: Buy it.

So much of what you read about the France of Louis 14th is based on the memoirs of Courtiers, to whom Versailles was the centre of the universe. In many ways that was true. Louis built Versilles to be the new heart of France. One where *he* ruled absoultley to the glorie of France.

However, this book covers much more than Versilles. You get to see what the majority of France was like during the period outside the court. Why the country was loathed by all courtiers, the real definition of a stinking Paris. How to get caught out at dinner for wrong ettiqute. Why you *didn't* want to end up on the Galleys and what your chances of education would have been like.

The author makes it clear that it is hard to make generalisations about this period in France, but he does his best to give us examples of the confusion and differences people experienced during the period.

If you think our taxes are bad today. Read this book and thank your lucky stars you aren't living in 17th cent France.

All in all this is a very enlightening read and highly recommended to anybody who wants a real glimpse of what the *real* France was like under Louis 14th.

W.H. Lewis wrote this famous book (dedicated to his brother C.S.) in 1953, but it has stood the test of time very well and provides an excellent introduction to the history of France during the reign of Louis XIV. "The Splendid Century" is history in the grand manner, written in the style of Trevelyan, Runciman and Roy Porter. The erudition is everywhere apparent, but it is worn lightly and the story is told in fluent prose enlivened by the odd flash of sly humour.

As the author points out in the introduction, the book might have been better titled "Some Aspects of Life in the Reign of Louis XIV;" rather than present a sequential narrative, Lewis chose to structure the book as a series of essays on particular aspects. There are chapters on the king and his court, the religious situation, the organisation of the army and the state of the peasantry. Among the unexpected pleasures of the book are the chapters on sea voyages, the world of the galleys and the education of women. A surprising omission, however, is a discussion of Colbert and his attempts at administrative reform. Nevertheless, this is a fine work of history that can be strongly recommended.

Mr.W.H.Lewis, brother of Mr.C.S., projects his fondness for the 17th century with bravado in The Splendid Century. The word splendid, derived from the latin for "illuminated", allows the reader to understand his thesis of the Grand Siecle without turning a page, by simply judging the book by its cover. Here is a profoundly pious Christian man composing some of the most glorious prose about a controvertial subject and succeeding where so many others have failed.

By not limiting himself to Versailles Mr.Lewis creates honesty. But he does not stop there, he remains true to the popular understanding. The Sun King's world brought to life.

As described, this is really a funny and well-written book. It is also fascinating as far as history is concerned, giving far more information than one would ever get in textbooks about some of the more obscure engagements covered here.

This just bears out my long held contention that history does not have to be boring. The trouble is that most history textbooks are written by historians or pedagogues, whereas they should only be allowed to be written by seasoned authors. Preferably by those with a sense of humor.

Just compare a good historical novel with any textbook, and you will see what I mean.

This book is a lot of fun to read and you'll improve your knowledge painlessly.

Who thought history and learning could be so humorous! While I was reading it on the subway, I was amazed by how many other riders inquired about it. I would definitely recommend it to my friends.

while being quite entertaining this book does not even scratch the surface of the events taking place. while wars maybe stupid the lives lost and people injured by those war are in no way unimportant. also i believe there were moments when the authors' could be considered insulting to the actors involved in the event, perhaps due to their misunderstanding of the event taking place. none the less the book was quite entertaining and its a must read for those who can take things with a grain of salt and not take every word written on a page as the absolute truth. this a parody and nothing more, and must be treated as such by the readers.

The premise of "Stupid Wars" is simple, but brilliant: For ages, scribes, historians and military leaders have documented glorious successes on the battlefield. Yet what of the unmitigated disasters? What of the coups that were attempted by the likes of the Three Stooges? What of the wars that were fought for no apparent reason? Now we know.

"Stupid Wars" presents battlefield idiocy in a highly readable form: each chapter covers military and political blundering of the highest order for a particular event. So in what is an average of about 20 pages per chapter, the reader learns of all of the "masterful planning" that went into events such as the doomed-from-the-start Bay of Pigs invasion or the mustering of troops to put down the Whiskey Rebellion that really never was.

In what is an educational and humorous romp through history, we learn of such folly: how the Russian army, which seemingly should have been prepared to fight a cold-weather war, invaded Finland in 1939 without a clue as to how to battle the Finns in the winter. We learn how Romania managed to alienate virtually every major and minor power on both sides during WW II.

The authors tell these stories with an eye on history and a smile on their faces. They point out the absurd, the ridiculous and the shear folly of many of history's biggest blunders. I, for one, never knew that the armies of the Fourth Crusade never actually made it to the Holy Land for lack of transportation. Certainly, someone should have realized that they needed ships to get them there.

In the end, it's a great premise and a great read. The reader is entertained yet learning about history too - a great combination.

I have attempted to read many history books but I found most of them boring. Stupid Wars grabbed my attention from the beginning to the end. I found myself laughing out loud many times!! I highly recommend this enjoyable book to everyone to share in the hysterical historical discoveries of our past as beautifully executed by Michael and Ed. Keep laughing!