Europe Books

The reviewers have covered it all, but such a truly great book deserves ongoing praise. How nice to see that this jewel of a book won the Newbery! Standing ovation from this reader.

A wonderful book from a wonderful person. This is especially good for lower- and middle-schoolers. Quite usable for in-school performances.

I didn't really realize it would be a children's book when I placed the item on hold at my library. I just knew that I wanted to read the latest Newberry award winning book. I guess I figured that if it fell into the same category as "A Wrinkle in Time" by Madeleine L'Engle then it must be good.

I was a little surpised at how thin it was. I was also surprised at how it is not just one coherent story (or even a story in the general prose form).
They are monologue and dialogue plays written by a librarian for the children in her school classes. She wrote them so that each child would have a starring role for three minutes.

They are poetic and easy to read with nice large print. The tone and vocabulary is all medieval - let's face it, I learned a few new words. Large colorful pictures are on every page and even the margins are colored and have text that explain certain words or aspects of the medieval culture/life. A large colorful map is on the first or second page and instead of locations being labeled the specific characters in the story are shown and labeled.

The tempo of the words is good and interesting -- I was particularly impressed with the two monologues done by the sisters talking about the apprentice boy their father has taken and how one of them must marry the apprentice for the apprentice to inherit the shop. The older daughter likes the boy and wouldn't mind marrying him but thinks the boy would want her sister (younger, prettier) instead. The younger sister thinks the boy will want her older sister (so he doesn't have to wait to inherit) but thinks that it's terrible that one of them will have to marry the boy in the end. The dialogues are completely different but manage to come together for a chorus type of refrain.

Another one that does this is the dialogue between the Jewish boy and the Catholic girl. They are able to put aside their differences for a little while and just be children playing together. The dialogue ends with the children saying together "Almost like she's a Jew;" "Almost like he's a Catholic."

The one down spot I can see - if I were the one performing the plays - would be having to play the role of the beggar child or the child of the villein where you obviously are not well-cared for and have to scrimp to survive. Or maybe that's just me being a girl and wanting the character I embody to be noble somehow...

All in all, it was a beautiful book and very easy to read. It took me maybe forty minutes of carefully thumbing through and looking at the pictures to complete it.

The fact that the book is made up of monologues by villagers, like "Spoon River Anthology's" poetry, makes it a natural for dramatic presentations in experiencing life in a medieval village in a social studies class -- middle school, or high school. When students "live" a character first hand, in costume, they experience a different life, and they remember much more of the information. MTL

I'm not a big follower of awards, but there are two literary awards that almost never disappoint--the Booker Prize and the Newbery Award. I try to make a point of reading as many of these winners as I can because they are always pleasurable and often end up being among my favorites. If Good Masters! Sweet Ladies! won't end up being among my favorite Newbery's, it is still a wonderful read.

Subtitled "Voices From a Medieval Village," in this book Ms. Schlitz gives a series of poetic monologues from different characters in a medieval village, from nobility to serfs. It is well done, using various styles and personalities and often linking different stories together in subtle ways. She also includes some background information on medieval life and definitions of various terms. It should also be noted that Robert Byrd's illustrations are absolutely beautiful.

If this book is missing, for me, some of the power and emotional impact of, say, Karen Cushman's books set in medieval times (and also Newbery winners), that is no fault of Ms. Schlitz. She is trying to achieve something rather different and she does that rather well. (I also have to admit being personally pickier about poetry over prose.) Still, this book is excellent and should be read, particularly with all the young readers in your house.

I'm very satisfied with my purchase of this cookbook. Being of Norwegian decent, it was very nice to see recipies from my fathers homeland. I've already made 2 things out of the cookbook, and can't wait to go home and make something for my father to bring back some memories to him.

I've purchased and read a variety of cook books over the years and have always had an interest in European traditions and cooking. This is one of the best baking books I've come across! Its definately the best european cookbook I've come across to date. Its got U.S measurements, easy to read recipes, a good variety of recipes, and interesting notations about the cultures.


I give it 4 stars instead of 5 because some of the intricate braiding recipes could have had better illustrations/instructions and I'm overwhelmed by some of the recipe sizes. (For example, Some recipes make 3 loaves of bread, or 4 dozen cookies.)

This is the best most complete Scandinavian baking book that I have ever come across that is published in English. It has many recipes that my Great Grandmother brought over from the old country (Denmark), just not all her familie's special variations. The recipes are easy to follow and always come out tasting great. Many of them taste just like you were sitting at a Cafe in Kopenhagen and any of the recipes in this book will enrich your gifts of Christmas cookies and make you a big hit at the holiday parties.

The Great Scandinavian Baking Book is an addictive collection of recipes from author Beatrice Ojakangas. From Cardamom Coffeebread (Pulla) and Sweet Cream Waffles to Danish Strawberry Scones (Kraemmerhuse) and almond glazed Swedish Tea Rings (Vetekrans), once you start baking from this book you'll have a hard time putting it away. I was delighted with everything I made and appreciated how Ojakangas introduced me to the many delectable ways Scandinavians use cardamom in their baking. Her recipes are easy to follow and accompanied by conversational intros that share cultural tidbits or serving tips. Although there are no photos in this book, when more complicated steps are required to complete a recipe the how-to portion is frequently illustrated with helpful diagrams. The lack of photographs is really the only thing about it I didn't absolutely adore about the book, which will make a welcome addition to any kitchen and is appropriate for beginner and experienced bakers alike. You'll revel in the heavenly aromas emanating from your oven, not to mention the baked goods you'll soon be enjoying with a cup of hot coffee or tea.

Chapters: Breads for Meals, Breads for Coffeetime, Cookies and Little Cakes, Cakes and Tortes, Pastries and Pies, Savory Pies and Filled Breads. Chapters about mail order sources, baking tips and ingredients are also included.

BUY THIS BOOK!!! Everything turns out! Everything is delicious! You will be the star of all of your family gatherings! We are always asked to, "bring the buns." Our nieghbors wait each Christmas morning for us to drop off their Swedish Tea Rings. The magic of Beatrice Ojakangas is that she has researched, tested, and refined her recipes so thoroughly that they are not only authentic, beautiful, and delicious but absolutely foolproof.
This is a FABULOUS cookbook!

Jan Yoors book on his experience living with the Romani is a vivid and beautiful portrayal of a people group that has been overlooked or stereotyped for the last several hundred years. This book helped fuel a desire in me to learn the truth of "Gypsie" culture beyond the stereotypes. It is well worth reading more than once for anyone interested in countercultural groups still in existence.

I really enjoyed reading about Gypsy life. When traveling I would see gypsy caravans here and there in Europe and have been fascinated by their life. This book having been told through the eyes of someone that lived in their world yet came from ours was really engaging. I was surprised to find out about the culture and many rules for making this life work. Also, it was so different than I expected since Gypsy life is very stereotyped; as with most groups there are good and bad members. Jan Yoors was fortunate to have been attached to this kind and loving group of travelers. I was amazed that his parents allowed him to continue to travel with the Gypsies at such a young age. I would be interested to know more about how they could reason that out. Also, it would have been helpful if the book had a glossary for the many words used to describe the Gypsy customs. This book has encouraged me to learn more about the Gypsies.

First I have to admit I am a gaje. However, I have an adopted grandson who is Gypsy. He is from a small town in Hungary near the Russian border. I have read a number of books related to the Gypsys and without a doubt this is absoultely the best as it deals with the lives of the Gypsy rather than the meaningless statistics of them or the hardships they have endured. The book left me with a number of unanswered questions such as what happened to Pulika and some of the others that Jan Yoors was associated with during his travels. I have somewhat of an understanding of why Yoors wrote the book in the manner in which he did because of the phylosophy of the Gypsys and their concept of today, completely disregarding yesterday and tomorrow as well as his deep feeling for those with whom he was associated. I found the answer to my questions by reading a follow-up article which answered most of my questions. That article is located at the following website and I would suggest reading this article only after reading the book. It is most unfortunate that Jan Yoors died at such a young age as he obviously had much to offer humanity in its consideration and accepatance of those who are unlike ourselves, but who at the same time have much to offet our society, regardless of the differences in customs and heritage. My grandson has taught me much about being different, which is a lesson much appreciated. Jan Yoors has done mankind a great service in sharing his experiences with us. God rest his soul and give him peace as the Gypsys would want. The site for a follow-up is http://www.nieman.harvard.edu/narrative/digest/notable/gypsy-mjones-010178-a.html

I am of Romani descent, my ancestors were Czech, and as a girl my great-grandmother told me fascinating stories about her family's nomadic lifestyle. For me, Yoors' work was a continuation of my grannies stories. Of all the material I have read on the Romani, I found "The Gypsies" to be the most concise. Yoors had the amazing opportunity to not only observe the Romani society, but also to be absorbed into it. The readers are given the rare gift of seeing dual sides of the story. Because of his young age, he was able to enter into their society with few cultural biases. At the same time, because he was a gaje he was able to appreciate and embrace the cultural differences. This is a wonderful chronicle of a beautiful culture, which unfortunately is fading fast. For infomation on present day Romani, "Bury Me Standing" by Isabel Fonseca is a great resource.

I am only about 30 pages into the book, but it is very informative and entertaining. I originally read - Bury Me Standing - and though it was thorough and concise, -The Gypsies - is a view of life with the nomadic Rom as seen through the eyes of a young boy. Colorful, whimsical, mysical.
MB

One reviewer wrote that Doc is the reincarnation of Johan Tetzel, well I must beg to differ. After many months of strenuous research, I have concluded that Paul Van Wie is truly the reincarnation of the Holy Savior Jesus Christ. Every single student that has graced his classroom has called him a "Saint" and claims to feel a holy aura beaming from his powerfully built Calvin Klein model-type body. One can see that it was Doc who acted as a "savior" to every single one of his AP Euro students in the few months before the AP test from eternal damnation (ie. their parents). He did by performing the greatest sacrifice of them all... devoting many hours of his life giving countless review sessions that he could otherwise spend at the Club shakin' it until the break of dawn. Another correlation that I have discovered between Doc and Jesus is that if Doc was "transubstantiated" into a type of bread and drink like Jesus does on holy mass, Doc would transsubstantiate into Nacho Cheese Doritos and Diet Snapple, a fine choice for a "last supper" I might add. Some also consider his book "The Holy Bible" of European coinage, which in many respects is true. Doc also preaches the holy doctrine of "respect thy Neighbor," which explains his odd and sometimes scary attraction towards Canada. And the last little tidbit of my research that proves Doc's "Jesus-ness" is his ability to speak in many different "Tongues," and even, yeah you guessed it, Dutch.

There is no one more informed on this topic than Paul Van Wie. He truly is a treasure. Anyone who has a remote interest in History and/or Politics must pick this book up. A must read!

Paul van Wie, Ph.D., is a man so transcendentally knowledgeable that it stupefies the human mind. This book reflects that fact. However, one would do well to notice that the book, for all its other virtues, does not even broach the subject of former First Lady Rachel Jackson's little-known side-career as (you guessed it!) a Nazi spy.

5 stars nevertheless.

When you walk down the halls with a jingle in your pants, all you can think about is Doc Van Wie. That lovely clank of coins makes you think about the history of coins. This is far more sophisticated than those little stamp collections my little boy scout. Often, coins represent a nation and its ideals with really cool drawings and cool sounding Latin Words. That is why Paul Van Wie, teacher of AP EURO, has decided to write a truly amazing book on coins. There is one more thing I do have to say. Why does the subtitle of a book dictate what the book shall be about? My god, its even happening in this reader review!

As My two good friends Cimabue and Giotto would agree this is one of the greatest books ever on European coinage. Louis XIV would be pleased with this awesome display of knowledge by the Doctor. Even Industrial people such as Thomas Sadler enjoy this book. Here are some sample reviews from many of the great figures of history.

"Two Thumbs Up!"- Mahandis Ghandi
"A Masterpiece"- Bernini
"Just like back in da trecento"- Cimabue
"My fingers hurt"- Thomas Sadler
"Le Wow!"- Mazarin
"Zis is a good book"- Otto V(o,a)n Bismarck
"Es un libro fabuloso"- Juana of Spain
"Now That's a spicy meataball- and a good book"- Fra Angelico

As you can see the reviews are pouring in, so stop right now and buy this book! You will not be sorry.

The Kalevala is the result of Elias Lönnrot collecting and commiting to paper the oral traditions of the Finnish people to produce an epic tale.
This translation has captured the poetic delivery of the original Finnish as perfectly as these two opposing languages could.
The poetry weaves the tales of Väinämöinen, an old seer and the younger Joukahainen who wishes to challenge him. This angers Väinämöinen who chants him deep into a swamp, a meadow and a heath!! To get himself out of trouble Joukahainen offers the old seer his sister Aino as a bride. Väinämöinen thinking he has been offered a house keeper accepts. Aino is quite taken with being his bride but Väinämöinen has other ideas and heads North to woo the maiden of the North. He can marry her if he forges a Sampo, which is a magical machine that churns out salt, flour and money! He can't do that but he knows a man who can, his good friend Ilmarinen the blacksmith. He has to trick Ilmarinen into going North but he makes the Sampo. Then the marriage requires another task and so the maiden remains unmarried.

Meanwhile, another character Lemminkäinen decides to go North and try his luck winning the maiden. He is given tasks in order to win her hand, capturing the elk of Hiisi and the swan from the river of Tuonela. The latter task nearly kills him and he gives up.

Väinämöinen is now making himself a boat to head back up North but he runs out of spells so he has to go and find Vipunen, a giant who knows all the spells. He gets his spells, finishes his boat and heads North but he is seen by the sister of the blacksmith and the blacksmith rides like the wind on his horse and catches up with him. The two men make a pact that they will let the maiden choose between them. The maiden choose Ilmarinen because he forged the Sampo but her mother still wants more tasks done and she orders Ilmarinen to plough the field of vipers. Ilmarinen finds this easy with his armoured boots and cape and so the crone of the North sets him the task of capturing the giant pike of the chill north sea without line or net!!Ilmarinen forges himself a giant eagle and captures the pike. Now the old crone is satisfied and the wedding takes place. Väinämöinen makes a kantele from the jaw of the pike which produces sweet voiced music such that tames the beasts and even causes the sea king Ahti to rise from the depths. He and Ilmarinen use the sweet music to soothe the beasts of the North whilst they take the Sampo for themselves and set sail for home. Louhi, mistress of the North casts a fog spell to stop them, which Väinämöinen conjures away so Louhi unleashes a terrible storm which sweeps the kantele from the boat whereupon Ahti the sea king thinks it is a present to him and he calms the sea. The crone turns herself into an eagle and attacks Väinämöinen's boat and in the struggle the Sampo is broken into pieces. Some of the pieces are washed up on the shore and from the fragments Ilmarinen makes amulets and rings thinking that perhaps there is still some magic left in the pieces. Each resident of Kalevala wears a magic piece on special occasions, wishing for a peaceful life.

Now I've just condensed an epic piece into a few short paragraphs...for which I apologise but it's a great tale and maybe this will encourage folk to read it themselves.

The Kalevala has a flow to it that makes the plot/ idea easy to follow. If English is your second language you will struggle with some of its vocabulary. The stories and the essence of this epic poem are captivating. I didn't want to put the book down at night. This is a good way to get to know Finnish culture.

This review is in two parts:

THE TRANSLATION: When it comes to reading ancient literature there are often numerous versions and translations. Unless a story is REALLY good, I only want to read it once. So it only makes sense that one should want to read the best version/translation available.
Thankfully, the Keith Bosley translation of The Kalevala is the most reader-friendly, very much like Seamus Heaney's translation of "Beowulf".
The Kalevala does not rhyme, although there are a few instances of alliteration scattered throughout. Each line is usually a handful of words comprising an even larger sentence, but it's done in a tasteful way so that you won't feel like you're reading a James Joyce run-on sentence like in "Ulysses".

THE EPIC:
The Kalevala bounces around telling tales of several major characters, which is fortunate, considering the length of the work. Without giving anything away, the characters do things like get married, steal precious relics, sing magical songs, go to war and build many more precious relics.

There are lots of good "Chapters" in The Kalevala and I was surprised that a few of my favorites had little or no action in them (according to a guy's definition of action, at least). One of which was the marriage sequence of Chapters 21-24. If you've ever heard the advice, "Don't get married", this is probably one of the sources where such advice comes from.

It is also noteworthy how much influence The Kalevala has had on Fantasy and Metal. If I remember correctly, Tolkien's "Silmarillion" starts off with beings singing things into existence, much like the characters in The Kalevala do.
The Finnish metal band "Ensiferum" has songs that are inspired straight from The Kalevala, such as "Old Man" which refers to Vainamoinen.
There are many other bands in the folk metal genre, that, although they don't specifically cite The Kalevala as an inspiration they clearly have songs that are similar to The Kalevala's oral tradition. Some examples (in my opinion) would be Korpiklaani (Finnish), Metsatoell and Raud Ants (Estonian).

Overall, I liked The Kalevala much more than I thought I would, given its length and I have to admit: I found it more interesting than Beowulf.

There is an elegant, powerful simplicity to this epic tale, no matter what language you read it in. The symbols transcend both language and time. There is nothing contrived here. Such a tale could not be counterfeited by a modern mind.At the center of the entire epic is Vainamoinen, the singer at the world's dawn. Here is the archetype for the wizard- the first and greatest among shamans. Before Merlin, before Taliesin, before Math, before Manannan, there was Vainamoinen, Eternal Seer.Something real and vital carries over even in translation. Reading this book on a cold winter's night you can taste the sea and smell the forest. You can identify with the characters even though they have godlike powers, because they also have trades that they live by (Vainamoinen is a boatbuilder, Ilmarinen a smith, Joukahainen builds his own crossbows, etc.) These Godlike beings lived simple lives close to the earth. And simple wisdom is powerful wisdom. Yet, there is also so much more of the old, deep legends and symbols buried in these lines. You can tell that they were preserved long after the long lines of singers had ceased to know their original meanings.The ancient Finns believed in the power of words, and the greater power of songs. There is still power here. Or as the epic says:

Words shall not be hid

nor spells be buried;

might shall not sink underground

though the mighty go.

I enjoyed this epic story of Finnish mythology. It was a musical, delightful collection of heroic stories that didn't overwhelm me. I could keep track of the characters and what they respresented quite easily.

I was delighted by this book! I hope all Finnish children are exposed to the exciting yet fun depiction of their mythological heritage.

I know that scholars want to read everything and disect the stories for deeper meanings -- which is just fine -- but I can really see this as a set of stories being told to small children while the whole family sat around the fireplace.

This should be in the homes of every Baptist family, as it already is in most Amish families. As the book itself explains, it is a history of fifteen centuries of the suffering of the Baptist people and their martyrdom at the hands of the catholic church. A list of popes up to the time it was written is included in the back. It proves that Baptists existed long before Martin Luther, and were martyred for such sins as reading the Bible and Baptizing adults after they were saved. It is impossible to deny these facts because this book documented these horrors and was written hundreds of years ago, before political correctness came into being, using the records of governments most of which have since been destroyed. The names of hundreds of individual Baptist people are recorded along with descriptions of the accusations against them, their tortures and death. It is detailed, and too graphic for children.

The story of the Anabaptists is one of incredible pain and spiritual triumph. This impressive work was written in the seventeenth century and recounts the stories of many men and women who suffered and often faced terrible death for what they thought was right. Apart from individuals stories, the book contains many emotionally touching letters written by martyrs to their families and friends. The book also describes the sufferings of some of the early Christians and the later Waldensians.
The legacy of the Anabaptists lives on in the Amish and Mennonites. In fact, an article about Amish forgiveness in the aftermath of the recent tragic school shooting was one of the things that brought this book to my attention. Personally, I feel Christians of any denomination could take something useful from this book.
Overall, "Martyr's Mirror" is an extremely powerful and moving book.

A part of my family research - but brings the sadness, the strength and the Christian conviction to a very harsh reality. Something all of us from those roots need to read.

This is an excellent work and a great accompaniment to Foxes' Book of Martyrs. It is an enormous volume with much information I have not seen before.
I highly recommend it as an addition to every Christian's library, and to anyone studying the subject of martyrdom.

This is a must own book for those interested in Christian heritage. This puts Foxe's Book of Martyrs to shame. It is well worth the money you will spend on it.

Extensive research and documentation of that research. Interesting insights to the personal actions of actors in this realp-life drama. One of those books that is hard to put down. For me a rare experience: I wrote the author my compliments and specific response. I recommend this book.

This was a very good, day by day, in some cases minute by minute description of the events of the Cuban Missile Crisis of 1962. Certainly the topic has been done before, but Dobbs is a very thorough reporter and brings forth a lot of material I did not know about until now.

And this is an event I lived through. Dobbs makes the point that the "eyeball to eyeball" event of Russian ships turning around when they saw the American blockade was an exageration, that the ships were hundreds of miles apart. However, the book as a whole makes it seem like the world's two super powers were closer to going to war than I realized. When Kruschchev announced he would pull out the missiles on a Sunday, Kennedy had already authorized an air strike on the following Tuesday. We really were on the brink of a nuclear war.

Kennedy and Khruschev each come off as relatively level head political leaders dealing with a military leaders and systems poised to launch a nuclear war. Castro, not so much.

Dobbs does a masterful job of juggling events on a world wide canvas. The book moves seamlessly from scenes in Washington, Moscow, Havana, the missiles sites in Cuba, on board Soviet submarines, American U2 flights, including when an Alaskan based plane inadvertently goes over Soviet airspace.

The book is stronger on reportage than analysis. Not that the analysis is wrong headed, just that there is not really very much of it. Still, it was hard not to be impressed with the effort the Kennedy administration went to in their effort to establish that the weapons of mass destruction were actually in Cuba, in contrast with, the rush to judgement in Iraq by the Bush administration.

As a Cuban exile I was training for a job in Key West when the October Missile Crisis exploded. I was twenty, my wife nineteen and our baby three months old.
The narrow over-the-water highway connecting the mainland to Key West was closed to civilian trafic. Hundreds of missile launchers were transported from Homestead, Fl. to Key West along with tanks, troops and war materiel.In a matter of hours all stores ran out of stock, just like during a Cat.5 hurricane warning.
"One Minute to Midnight" is so accurate and well researched that reading it was like re-living the nightmare of those days.
We were horrified about what would happen in the event of a Castro missile attack, and the only time we felt safe was when we heard the American F-14 fighter jets flying overhead day and night.
This book is a perfect example of accurate and well written contemporary history. I highly recommend it.
It is stored in our library under the section "Memories of Exile"
Signed: Andrew J. Rodriguez, author of "Adios, Havana," a memoir.

The new details uncovered by Mr. Dobbs makes this a "must purchase" for anyone genuinely interested in this historical episode.

However, I must admit that, from an entertainment perspective, the first half of this book dragged a bit while the second half was much more riveting.

In reading "One Minute to Midnight", one gets the sense that, in a way, we are living those thirteen days in 1962 all over again, but in an extended fashion. This definitive book about the Cuban missile crisis is riveting from cover to cover as the author, Michael Dobbs, charts a timeline of horror and heart-stopping drama. What one side didn't know about the other must seem truly remarkable now, given the uncovering of new evidence presented here. We came closer to the abyss than we thought and if it hadn't been for a series of mishaps, good and bad luck, and final sound judgment, would I be writing this today?

It's hard to pick a "best moment" in this book, but the idea that President Kennedy could broadcast an address heard around the world and not talk with Chairman Khrushchev in "real time", has to be one of the intensely personal outcomes of the crisis. The triangulation here is evident...Castro, a rising politician in the western hemisphere, had hooked his star to the Soviet Union...and with it came all the pitfalls of that association. As Dobbs indicates, the missile crisis was the height of the Soviet-Cuban alliance. But the private and personal memoirs of those days really make this book stand out. From the U-2 pilot who wandered into Soviet airspace at the height of the tensions because of "celestial navigation", to the Soviet submarine commander, who had run out of time, luck and just about everything else...these are the stories that "One Minute to Midnight" captures with eloquence and sincerity.

The military aspect is central, of course, and there is much made of the Kennedy inner circle at the White House. We also know more of what must have gone through Khrushchev's mind and how he handled the fanatical Castro. But if the American public was on a high state of alert the Cubans were remarkably calm. Yet the missile crisis could have exploded in a thousand different ways at almost any given point during late October...militarily or politically. As it turned out JFK was dead a year later and Khrushchev was gone a year after that. Castro became the survivior.

"One Minute to Midnight" is a further explanation of the Cuban missile crisis and it is good that Dobbs closes with a sober comparison of JFK to George Bush, the former knowing of the consequences of war, personally. This book, which I highly recommend, is timely not only as a terrific study of October, 1962, but how the lessons of history seem not to be learned by those destined to repeat its failures.

Thank you, David and Alison, for sharing your Paris with me. Soon I will have the pleasure of spending a month in Paris, and the joy of being able to introduce my 16-year-old grandson to the greatest-of-all-cities. Your book deepened my knowledge of Paris, and will allow me to share more of its history with my grandson. I will be taking your book along, reading it in Paris, and looking for all those pieces of the city that you so beautifully described. Again, merci!

Downie's essays offers a quirky sense of humor and a wonderful eye for the details behind the details that at once demystify Paris and add to her mystery. Although the book is not a guide per se, the essays make me want to follow Downie's trails. As such, the book would have been better served with an index and some neighborhood maps. After all, give us a few more clues.

This just couldn't get any better. It is full of interesting tidbits and numerous places to visit accompanied by stories of people and places you normally don't hear told. I couldn't put it down, and I have recommended it to several people.

David Downie's recent memoire on Paris is a diminutive delight, a series of "thought prose" on different and unusual aspects of La Ville Lumière. There are countless books following a similar approach, but Downie's stands out due to the unusual information and presentation of somewhat obscure and arcane information that he has collected over the decades in which he has lived near the Place des Vosges in the Marais district of Paris. The result is an insider's point of view of the city that is quite unlike other tourist books, and perhaps implies that those who might most greatly enjoy the book are those who have actually visited and explored the city to some extent. Without having experienced the city itself first hand, the information presented here is a bit decontextualized and a little abstract.

For those who have visited the city and even perhaps stayed or lived there for any length of time, Downie's book opens up a world of insights that is often hidden from common view. This makes it now possible to explain why Downie has selected the name, "Paris, Paris" for the text, where the second "Paris" is written in italics. Downie explains that the meaning of this structure indicates that there are two simultaneous, yet nevertheless distinct, "Parises," the first being the "Paris" that the typical English-speaking, non-French national sees and experiences, and the second (the "Paris" in italics) is the one that native Parisians and Frenchmen know, a reality removed from the more cursory visitors of the city.

Downie chooses an interesting example drawn from the Paris metro system to illustrate the title's metaphor. For anyone who has used metro line 14, the fully automated and state-of-the-art Parisian metro line, the sound of the automatic station announcement will come to mind. As we approach Chatelet Station, for example, the system announces "Chatelet" in a springy, almost stylish manner. As the train begins braking and stops at the station, the automatic system again states "Chatelet," but in a much more terse, low-key manner. This interesting announcement technique that all riders of metro line 14 have doubtless noticed (whether consciously or unconsciously), serves as a gentle reminder that there are two Parises, and few people ever get to know them both.

The book is composed of a series of short, targeted essays on a wide variety of locations, personages, and historical events related to the city. Each section runs only six to eight pages, which is a perfect length not only to convey the topic, but also for targeted reading day after day. The writing style is clear and engaging, and as mentioned before, filled with tidbits of information about the city that anyone interested in Paris would enjoy learning. We get to read about such famous "Parisians" as Coco Chanel, the engineer who is in charge of nighttime lighting for all of Paris, and a host of others in addition to interesting historical aspects of the city itself.

An enjoyable book with a memorable set of stories, anecdotes, and "mysteries" of the city, "Paris, Paris" is a welcome addition to any Parisphile's library.

A wonderfully ill-tempered, sentimental, and informed account of nooks and crannies in the most interesting of cities. If I could arrange it, I would introduce Downie to the venerable Guy Grangeret, a visite-conference guide to Paris who is nothing less than Downie's spiritual twin. Neither man's dicta are suitable for beginners: all that irony and allusion would be wasted. Both provide insights and make connections that enrich the experience as well as thinking of the seasoned visitor.

This book is so much packed with information and data!
Well presented and well written, you will find more in this book about Napoleonic warfare than any other books focusing on a single topic:

-weapons and equipments
-beautiful uniform plates
-Infantry and cavalry tactics with diagram
-full bios of many of the generals
-full order of battles
-accounts and explanation about particular engagements on the battlefield with diagrams and actual battlefield pictures
-historical interpretation: you will learn for instance through a rational explanation why it was almost impossible to break an infantry square by cavalry
and much more

My only complaint would be that at times I had the feeling that the book was a bit all over the place, however, each time, there was something so interesting to pick.

This book is a real treat, addictive, informative, going well beyond the battle of Waterloo to encompass the essence of Napoleonic warfare at dirt level. At this price, with so many pages of pure pleasure, it is a true bargain.

This is an excellent book for who begins to study the battle of Waterloo. Complete, clear and very entertaining.
A very good purchase.

This is an excellent read, full with illustrations, photo's of the actual battlefield and information in general of napoleonic warfare.

Wow, What a book! If you would choose one book to give you all the background information on this famous battle; This would be the one. Outstanding graphics, maps and photos! Well done!!!

This is one of the better books on waterloo. Good graphics and detailed maps. Fair and balanced view.

This book is captivating! I came into it with only the most basic knowledge of Russian history. A little more would have been helpful, but I managed to get what I needed from the internet. This book focuses on the impact of communism under Stalin on the lives of everyday people. It is full of fascinating details that give you an incredible picture of the fear and uncertainty that Soviets at the time would have felt. One of the striking points of the book is that no one was exempt from being spied upon or being reported to the Party. It was impossible to just keep your head down and go through life without being noticed, because if those in charge didn't notice, your neighbors surely would, and heaven help you if they were being pressured to inform, or if they wanted your space, your belongings, or were jealous in some other way. Normally I tend to zoom through books, but I found myself really slowing down to absorb every detail. If I found myself skimming because I was tired, I would put the book down and pick it up later when I was fresh, simply because I did not want to miss anything. Do not let the length and density scare you off- give it a try. I started reading "Natasha's Dance" by the same author, but I don't find it as captivating, so if you tried that one and didn't like it, your experience may not be representative of your attitude towards this book.

I have read many books about Russia and the Soviet era. I am shocked by the details of life under Stalin. I always knew millions had died. However, I never realized how evil this period was. It is almost beyond belief how communism broke all standards of human decency. It is really beyond belief to read how the Russian people basically ate itself alive via their leadership.

I seem to be on a roll. I recently read about abuses in North Korea and China. Also here there are also shocking stories of abuse.

Figes had already established himself as perhaps the preeminent historian of modern Russia before this book came out but with its publication he has confirmed that claim many times over.
When reading about the years of Stalin's tyranny it is easy to become inundated by the scale of the suffering inflicted on so many people with such murderous persistence. There is a tendency to become removed from the enormous numbers and see it all in a rather academic light.
Figes succeeds brilliantly in preventing that by giving each victim a name, a family, and a story while still being able to convey a very vivid sense of the scale of the crimes committed in the name of The People.
Strange as it may seem, this is a book that speaks with warmth and humanity on every page - the humanity of the victims, those who fought and fell, as well those who continue to fight against their memories and suffering. And also the humanity of a writer able to convey their stories with such astounding sensitivity and compassion. Highly recommended.

Over the years I've read many books about Russian and Soviet history, from Roy Medvedev's "Let History Judge"to Montefiore's "Stalin: Court of the Red Tsar," with significant stops along the way for Solzhenitsyn's magisterial polemic "The Gulag Archipelago." Orlando Fige's "The Whisperers" is one of the best single-volume studies of life in Soviet times I have read. It is a fairly long book, but very engaging: I found myself reading 30 to 50 pages at a stretch. There is a cast of characters as long as in one of Tolstoy's great novels, but these are all real people, describing or recollecting their experiences in Stalin's Russia. It is a tribute to Mr. Figes that he arranges the narratives in such a way that this reader was never confused following the threads of so many lives over the course of such turbulent decades. In addition, Figes provides short accounts of the ideological, political and economic shifts in the Kremlin which directly influenced the lives of the people in the chapters which follow. For conciseness, clarity and readability, his narrative is outstanding when he writes about the NEP, Stalin's anti-Kulak campaign and collectivization of the countryside, the rapid rise of the Gulag and slave labor as a mainstay of the Soviet economy, and the malign influence on family relations of the1930s propaganda cult surrounding Pavel Morozov. Figes includes information in this book which I've simply not seen in histories before. He shows floor plans of communal apartments which makes clear how little privacy many urban dwellers in Moscow and Leningrad had at home, and how Stalin's regime nurtured malicious watchers as well as whisperers. The diary and letter extracts in "The Whisperers" can be deeply moving. There is a photo in the book of Nikolai Kondratiev's letter to his daughter Elena, written from a labor camp. It shows a drawing he'd done illustrating a fairy-tale in verse he'd written for Elena entitled "The Unusual Adventures of Shammi." The drawing is simple, the verse is charming. It makes one think of how many millions of times in different times and places parents have entertained their children by spinning stories. But the circumstances here are grotesque: Kondratiev was one of millions of innocents imprisoned under Stalin. And the outcome is tragic: in 1938 he was shot by a firing squad. This is just one example of the dozens of different accounts of lives of ordinary people warped or crushed by this monstrous regime. The sum of such narratives creates a very rich mosaic of a society and its time which even those of us who have visited Russia in the recent past have difficulties understanding.

In the long essay which follows the fictional story of War and Peace, Tolstoy first developed the concept that armies are not just regiments of men following the will of their commander, but individuals who have individual consciences. History isn't just the deeds of Napoleon and Alexander, but of each aristocrat, tradesman, artisan or peasant who fought in the Napoleonic wars, and of their families back home. Each of their lives is as worthy of examination as that of any Tsar or Generalissimo. Because of this, I think Tolstoy is properly the godfather of oral history. Orlando Figes has done a great job gathering and editing the accounts of ordinary and not-so-ordinary people living during the cruelest years of Stalinism. He also conveys the sense of freedom and comradeship experienced by many during the worst days of the second World War (which the Soviets hallowed as the "Great Patriotic War"), a mistaken sense of freedom which landed Solzhenitsyn in the Gulag. For all these reasons, I think old Tolstoy might be pleased in literary heaven could he only read these accounts of real lives and real consciences played out in the pages of "The Whisperers."

One small caveat: Kirill Simonov was a very successful writer in the Stalin literary establishment who came of age during World War II. Because of his public life of letters and his colorful personal life he occupies many pages in "The Whisperers." As was the case with many successful people in the Arts world under Stalin, Simonov was morally compromised. (I'm paraphrasing Lev Kopelev, but that writer has a pithy quote that "Every society has bad people who do bad things. But under communism, good people were encouraged to do bad things." This describes Simonov.) For better or worse, and because he wrote so much and was so active for all the decades from the Thirties until the Seventies, Simonov emerges as the main "character" in this book. This has its merits, but it also throws into harsh relief the fact that many of the less-lettered accounts in this oral history don't always seem as real, or as present, as Simonov. Because this is a history and not a work of fiction I'm not sure this imbalance could ever have been effectively redressed, but the imbalance is there.

A final word of praise: I've travelled to Russia several times since the overdue demise of the Soviet Union, and seen life change radically not only because of the introduction of Russian-style market capitalism, but because a generation has grown up without memory of life under communism. Figes points out that young people in Russia have no great interest in what to them has also become the story of an alien life lived by grandparents and great-grandparents during the 5-year plans. The people who do remember are old, dying out, with failing memories. "The Whisperers," and the archives on which it is based, is commendable because it helps to save so many of these survivors' accounts to historical memory.

It amazes me that with all the information that has been released from the Russian archives with regards to the Stalinist period that there are still influential people in the west who minimize or excuse the crimes of Stalin's regime. Oh, there are people around who deny the crimes of Hitler as well. The difference is that those who deny the crimes of Hitler are ostracized and in some countries even subject to criminal sanctions. But those who deny or minimize the crimes of Stalin and his henchmen are generally given a pass in Western societies. I have often wondered why that is, maybe the best answer is that that left-leaning elites consider the Stalinist terror a minor error made in the service of a "just" cause. It is ironic that many of Stalin's biggest supporters in the US were Russian emigres and their offspring and many of those were embedded in opinion-shaping professions here such as education, journalism and film-making. So maybe its no wonder that we still have apologists for communism in prominent positions.
The Whisperers is a fine history that should help put further to rest any idea that Stalin was any less of a monster than Hitler. It doesn't serve any purpose to argue about which man was responsible for more deaths. One is just as dead whether the bullet that kills you comes from the gun of an SS man or from the gun of an NKVD executioner. One is just as dead whether he was killed because of his ethnicity, religion, or because he was a "kulak". What you will learn in The Whisperers is how millions of people were cowed into accepting the necessity of the brutality of the Stalinist regime and in the end wound up looking only after their own interests. Though some decent people remained, friend turned on friend, neighbor on neighbor, and relatives on one another in a desperate bid to avoid that knock on the door in the middle of the night that meant exile or worse.
I won't rehash the story, others have done so. But if you have any interest in gaining a broader knowledge of the machinations of the Communist police state, the human tragedy it spawned, and how it impacted ordinary Soviet citizens then The Whisperers is highly recommended. Orlando Figes has painstakingly woven together a complex web of anecdotal evidence of communism's crimes through the stories of a number of survivors of Stalin's terror whose trust he earned enough for them to be forthcoming enough to tell the tragic stories you read here. Once you finish the book, you may feel as though you actually know some of the people whose stories are told. It may be heavy reading, and its a thick book, but the understanding you'll gain will make it more than worth the effort expended.