Indonesia Books

British brothers Lawrence and Lorne Blair set out in the 1960s on a marvelous, thought-provoking, ten-year adventure through the 3,000-mile length of the remote Indonesian archipelago. Inspired by a dog-eared copy of Alfred Russell Wallace's The Malay Archipelago -and his nineteenth century voyage of scientific exploration and discovery--their unforgettable odyssey set sail out of the Celebes (Sulawesi) for the Spice Islands on a perilous schooner crossing with the seafaring Bugis. Tossed to and fro from home port Makassar to isolated Aru Island-stalked all the way by rotting ship beams and the specter of pirates-they were rewarded with one of the rarest sights on earth-the fluffy white plumage of the elusive Bird of Paradise.
Metaphysical, anthropological, and intellectual in tone-with a healthy dose of dry wit and humor-the Blairs take you along as they confront komodo dragons, chew betel nut in Sumba, witness a traditional Pasola battle, and herald the annual arrival on shore of the sacred nyale sea worms. Full of naive courage and boundless curiosity, they sought out Asmat headhunters/cannibals in the highlands of Papua New Guinea. Undaunted, these dream wanderers went eye to eye with the fiery blast furnace of simmering Krakatoa. They commandeered a longboat upriver and trekked through the leech-ridden jungles of Borneo with native guides on an arduous land search for the secretive, traditional Punan hunter-gatherers. Ring of Fire chronicles their cultural encounters on Java as they visited the sultan's court (and sacred "kris" knife) and an acupuncturist who harnessed yin/yang energy to heal the sick with self-generated electric charges. Open-minded and non-judgmental about the diverse religions and customs they encountered, the Blairs became deeply enchanted by trance, and by the shadow screen nether world of the wayang kulit. Their travels took them back to Sulawesi for the funeral of the last king of Tanah Torajah-into a unique architectural-animist pocket where boat-shaped roofs rise out of the cool forest floor representing ancestral sky ships on their descent from heaven to earth.
The thrill-seeking, nomadic Blairs unexpectedly found themselves permanently landlocked and suspended-mind, soul, and body-in the island Shangrila that they discovered in Bali. An artist friend in Pengosekan-a vibrantly creative community of farmers and painters-invited them to build a new house on his land. In true, cooperative Balinese style, the brothers had only to pay for the necessary raw materials (bamboo, coconut wood, and elephant grass) and the religious celebration at the completion of the structure. The people of Pengosekan freely contributed their skilled labor and artistic expertise; this shared investment in and commitment to each other's dwellings works to further bind the village together. Sleeping and learning in their open-air platform obervatory perched high above the sculpted jade rice terraces, the Blair brothers came to call Bali their very own, lifelong island of the gods. They would return time and again-in between sometimes dangerous, always enlightening meetings with natural peoples along the equatorial frontier-to their permanent home base in Bali. It is here that they fell in love with one culture and one island out of the hundreds that they visited. Lawrence and Lorne fully explored their adopted pied à terre-from startling footage of the eruption of Mt. Agung in 1963, to the cremation of famous 116-year-old Balinese artist Lempoad, to the opulent funeral procession of the last rajah of Gianyar. (When Lorne died on his beloved Bali in 1996, he was cremated and his remains returned to the sea in accordance with Bali-Hindu religious rites.) Their amazing adventures (available in book or video format) are the stuff of storybook legends-from the hidden rainforest peoples of Borneo, to islands where magicians still hold sway, to the sun-speckled spiritual haven of heart-shaped Bali.

Goes beyond your usual "travel tale", it is a marvelous adventure and thought provoking regarding the natural peoples of the earth. The chapter on the Dream Wanderers of Borneo will open doors of perception for an alternative world view. The author writes with clarity and quite a lot of humor. The entire book is very personal in its tone and gives the feeling of actually having shared the experience of the amazing journey.

This book and the companion videos are near and dear to my heart. It kept my dreams of returning to Indonesia alive through a long a crippling illness. Lawrence and Lorne Blair were the adventurers I wanted to be. Openminded, good humored, and willing to try new things. This book kept me good company through some baaaad times. But there is far more to recommend this book than armchair travel lust. The writing is excellent, photography spectacular, and all in all a great story. I highly recommend it to anyone curious about Indonesia. I did finally get to go back and even explore a little. I'm forever grateful to the Blair brothers for this gift of a book!

An incredibly interesting tale and at times quite deep account of a 10-year joureny through the remotest islands in Indonesia. I wonder if the author is aware of how couragous he and his brother were to go to the places they went and meet such people as cannibals and headhunters and come back to tell the story! Not to mention the more subtle metaphysical comments here and there about the various religions they encountered and all of it presented with a very dry wit.

I was blown away by this book, as much by how spiritually aware it is and how well it was written. Wow! What an adventure!

Absolutely Five Stars (don't know why it shows up as 4 out of 5). Donn Draeger's "Weapons and Fighting Arts of Indonesia" is the definitive Western work on Indonesian fighting arts, and is "must" reading for anyone interested in Indonesia's martial history and culture.

This book is excellent,you will find allot of information in it.I think it might need to be updated,it's missing a few weapons and many styles of pencak silat.Many styles are not even known about outside some families.You know,keep it in the family!Some styles are not that old in terms of how long silat has been in Indonesia.I also wish they had more about inner power.I have seen it with my own eyes.But their is nothing close to this book out there.I stayed in Bandung for about 3 years.

Draeger offers a relatively detailed overview of the martial arts of Indonesia. An invaluable starting point for anyone with an interest in Silat or Kuntao.

This book was out of print for years and thankfully it has been reprinted. If you have any interest in SE Asian martial arts this book is essential reading. It is very wordy and does not, by its own admission, cover all of Indonesia, but it is very thorough and covers so much more than just the Tjimande and Harimau based styles that we see in the west. The chapters are by island and are broken up into sections on silat, kuntao and any other odds and ends. There are some wonderful black and white photos. The style is a little dated but there is no other book of its kind in existence.

this is the best book of it's type.this book is the most in-depth book on the Indonesian fighting arts I have seen.it's an excellent source for the armed/un-armed fighting arts of this region,as well as a resource for the history and culture/anthropology of Indonesia.some of the descriptions of the people in this book are rather outdated and ideo-syncratic. there are tons of photos and illustrations in this book.there are also great descriptions of how some of these things are made such as boobie traps,poisons,clubs with fish bone edges,etc. if you are an avid collector,beginning collector(especially),practicioner,or someone with an interest in the country and people of this region this is a must.

This book surpassed my expectations! It could be seen as a documentary but transcends being pigeonholed in that way. It is, among other things, a breathtaking work of Art. The images have a crisp presence; at the same time there is a dreamlike undercurrent. The reproduction quality of the images is superb; they can hardly be distinguished from original silver prints! I also like the humble attitude of the Artist towards the people he portrays. Indeed, a masterpiece!

This book brought back vivid and fond memories of the time I lived in Papua New Guinea in 1960 -1962. The use of black and white photography was especially effective in capturing the essense of simplicity that represents the people. If you truly wish to see human spirit at it's best, visit New Guinea. If you can't - buy this book!

This remarkable book first caught my attention at the Australian Museum in Sydney one hot summer day. I was preparing my own expedition to Papua New Guinea in order to write a book on the rarely visited island provinces. I would be doing my own photography. As I leafed through these breathtaking portraits I experienced that shiver at the base of the neck that invariably indicates one is in the presence of great art. Only later came the gut-wrenching realisation that I would never be able to achieve such consummate skill myself (even with my old Nikon F2 and all the best old lenses).
Rainier has a passionate eye for composition, atmosphere and the eloquent possibilities of black and white texture. As you read the detailed and often poetic text accompanying the photographs, you will also find that Chris overcame incredible disasters in conquering this inhospitable environment to bring us these images. In the massive heat and humidity of Papua New Guinea, photographic equipment performs all sorts of horrible tricks at vital moments. Everything seems wet and clammy all the time. His canoe overturned and he lost all his valuable equipment and somehow replaced it to continue his expedition. To even get yourself into the remote areas where some were taken is an achievement in itself and then to emerge from the jungle with high art.......what can one say?
These photographs cross that difficult invisible line that separates art and photography.....very few have the genuis.....Brassai, Cartier Bresson, Eugene Atget and Salgado.....yes, these are Chris Rainier's peers. The images have the immortal immobility of an ancient and inaccessible past recaptured. The quality and sheer size of the prints is superb. All this lead me to convince my publishers to put one of his pictures on the jacket of my own Papua New Guinea book and one of my own more decorative photographs on the back.......a suitable place for this photographic Salieri. Sales are better than expected.
Buy his book as a tribute to a great photographic artist and in the process truly enrich your own cultural horizons.

A stunning exhibiton of humankind. A masterpiece that's worth, without any doubt, spending $40.

Carlos Costa

I was first exposed to Rainer's work in Smithsonian Magazine (Oct. 97). I strongly urge anyone who has a desire to evolve toward embracing and celebrating the essential oneness of all humanity--from urban jungles to remote small-scale societies--to buy this book. As a documentary filmmaker researching shamanic rituals around the planet, I would hire him in a heartbeat to capture the beauty of the world's cultures with his otherworldly gifts of lighting, detail and penetrating the souls of the subject and the viewer. Mr. Rainer, do you shoot 16mm film? If you (or any of your representitives) read this, please contact me at pjoshua@makani.k12.hi.us. Many thanks.

The greatest variety of living things in the world inhabits the 17,500 islands and million square miles of ocean in the East Indies.
In "Archipelago," Effendy Sumardja, Indonesia's hard-pressed minister of environment, claims 15 to 25% of all the species in the world. That includes 7,000 kinds of fish -- about 10 times as many as in Hawaii. More than 6,000 plant and animal species are "used on a daily basis."
And in danger of being used up, which is why the Nature Conservancy sponsored this book, written by historian Gavan Daws, who wrote the Nature Conservancy's "Hawaii: The Islands of Life"; and Marty Fujita, a Smithsonian Institution researcher and founder of the Nature Conservancy Indonesia Program.
Many of those species are found nowhere else in the world. And many, like the clouded leopard, are found only in small parts of the thousand-mile-long sweep of islands.
That fact provides a springboard for the authors to place Indonesia in its proper context, both in today's politics and in the history of natural history. Indonesia is bisected by Wallace's Line, the first boundary ever recognized as dividing two "biogeographical provinces."
Most of the islands were connected to a continent at times of lower sea levels, the western part attached to Asia, the eastern part to Australia.
There is deep water between, and many species could not bridge it. On the west, there are monkeys. On the east, tree kangaroos, which lives much as monkeys do.
The man who recognized the concept of biogeographical provinces, Alfred Russel Wallace, had a happy, lucky life. And it is his account of eight years of collecting in the East Indies, 1856-62, that forms the framework of "Archipelago."
Lucky because he lived: There was no more dangerous job for a European in the 19th century than natural history collecting in the tropics. Wallace was sick a lot, but he survived for years in the Amazon and even more years in the East Indies.
Lucky also because he was most interested in animals, particularly birds, butterflies and mammals. Fujita and Daws note that Wallace's "line" is much less apparent if you are counting plants.
If Wallace had not thought up the concept of evolution by natural selection (which he did during a malarial fever, which he said induced his best thinking), then Charles Darwin had already done it. But the concept of biogeographical provinces was his alone, and it has become more and more valuable in natural history research over the years.
A lovable person, though not fond of society, he represents better than any other individual remembered by history the virtues that Victorian men were supposed to embody: He was amiable, scrupulously honest and very, very diligent. Among other things, he wrote 50 books.
To his even greater credit, he also lacked the color prejudice that infected most everybody in those days.
For him, growing up poor, Victoria's age was one of opportunity. Collectors wanted rarities and would pay for them. Wallace took his guns and insect pins to the places that had the rarest of the rare.
In the Indies, he particularly wanted birds of paradise and orangutans. It was tough work. He was often sick, in danger on the sea and sometimes starving. At one point, he ate the pigeons whose skins he prepared to send back to his broker in London.
"Collecting, travel, wide reading, deep thought, solitude -- this was the Wallace formula for a life of original, productive work," write Daws and Fujita.
Today, in an atmosphere of political uncertainty, 206 million Indonesians are pressing hard on their natural heritage. Forests of 300-foot-tall dipterocarp trees are being clearcut, farmers shift from slash-and-burn to permanent cultivation, dynamiters blow up reefs for fish.
Like other Nature Conservancy books, "Archipelago" is a call to action, this time disguised as a coffee table book filled with photographs of butterflies with seven-inch wings, unbelievably decorated birds of paradise and incomparably colorful reefs.

this is a great book. It covers in detail the jouneys of that great explorer/naturalist/thinker Alfred E. Wallace through Indonesia and addresses the current state of affairs and threats to its natural treasures.

The books goes through all the major parts of Indonesia and shows plenty of well-selected pictures of amazing flora and fauna of the archipelago. Pictures are 70% of the book, but it also provides a good scientific description of how the archipelago formed (10% of the book), explaining how so unique species developed and survived untouched. Around 10% of the book is devoted to the explorers, like Wallace, who first discovered the uniquness of the islands and tried scientifically describe what they found - some early maps of the region and pictures of explorers are presented. Last 10% expresses the concerns about the impact of the modern Indonesia on the nature of the region. Book is published by UC Berkeley/LA, which can only be a further recommendation.

Archipelago is an excellent book on several levels. First, as a photo essay of the biota of the Indonesian islands it must be beyond compare. The photos are simply awesome, leaf through it and see for yourself. Second, it tells the story of one of the worlds least known but greatest scientists, Alfred Wallace. Wallace was just as responsible for developing the theory of evolution through natural selection as Charles Darwin. If you are interested in the history of science or a biology student at any level you should be aware of Wallace's work. This is as good a book to learn about it as any. One slight complaint, in reading this book I felt that the authors felt that Wallace received a raw deal from Darwin and the rest of the scientific community. I don't know if it's true or if the truth will ever be known. I know that Wallace didn't feel that way so why include it here? Third, this book is so much a trip through time. Each chapter on Wallace in the islands is mixed with modern essays on life in the islands and what is happening to the environment there. As an environmentalist "call to arms" it is great, because it is backed by better science through a broader range of disciplines than any I have seen.

I'm not a big fan of the "Coffee Table Book" but this is an exception. While it might be tempting to only look at the pictures, the text is in such a interesting format that reading it turns out to be such a breeze that you will be done before you notice.

This beautiful coffee table book goes far beyond presenting the tropical and exotic beauty of this complex archipelago. True, outstanding photos highlight the natural splendor, rich culture and exotic architecture. But the authors also explore its historical significance, beginning with Wallace's 19th century discoveries in biogeography, continuing through the current, looming ecological crisis wrought by exploitation of the islands' natural resources. For those who have traveled to Indonesia, or have ever wished to, this book is a must.

A compilation of essays about Balinese religion and culture, author sometimes ends up repeating himself (though he does warn the reader of this, right off the bat). But it's really a wonderful volume for anyone who wants an in-depth understanding of the Balinese.

Eiseman is thorough in his detail, but the style is not at all dry and academic. There are lovely little personal anecdotes, and it really comes from the heart of a man who has spent much of his life in Bali.

Cosmology and religion are covered in this volume, such as an explanation of how a home is built with respect to cosmic forces and directions. There is a valuable guide to festivals, complete with calendar. Especially fun is Balinese astrology, and the author writes extensively about this.

A possible approach: read the Lonely Planet cultural section first, then go to Bali, then read Eiseman.

This book covers Balinese religions and culture in ways that are both informative and useful for the serious traveller/tourist or casual student of Bali.

Having spent six months in Bali in the '70's and having read extensively, I am even more enthusiastic about this book.

Volume two covers more limited and esoteric topics.

You should get a good map to accompany this book.

Although it won't tell you where to stay or which restaurant to visit, the book is a great, unpretensious guide to the elaborate daily rituals of the Balinese, written by an American who's developed something of an obsession with Bali. It offers the clearest descriptions available of mask making, Balinese dance, temple rituals and offerings. The book is so good you'll find it on every coffee table in Bali.

I am Balinese and live in Ubud in the cultural center of Bali.

In the Eighties I used to see Fred Eiseman, with a notebook and pen in his hand, at temple ceremonies all over the island, and in my restaurant, taking voluminous notes. I often wondered what he was up to.

Now I know. He has produced the most detailed descriptions yet of most aspects of Balinese life and culture. He lives down in Jimbaran on the south coast, so many of his descriptions relate particularly to that area - practices change a bit in different places.

He understands the Balinese language, which is not the case with many academics, who visit Bali briefly and write learned treatises, and don't always get it right.

Fred's book is extremely well researched, and my only criticism is the detail (in places) and the repetition. That is because the book is a collection of essays. It does mean, however, that you can dip in and out of any chapter. They are self-contained, and that is useful.

Wonderful book. Very nicely put together. Offers an intelligent introduction to all aspects of Balinese artistic life with gorgeous illustrations throughout.

Excellent book for both those who are Bali newbies and those who already know about it, although it might be a little too detailed for some novices. Informative, with fantastic photos and drawings.

This excellent book provides an extensive, reader-friendly overview of Balinese dance, music, drama and culture. It's the book we've all been waiting for. Written in an informal and high accessible style with wonderful pictures and illustrations it will no doubt be treasured by academics, Baliopihiles or anyone wanting to visit Bali and more deeply experience it's powerful culture. Rucina and Dibia (I know them both) are extraordinary and passionate lovers of all things Bali and have written and taught extensively for decades. If anyone was to write this book, they were the obvious choice.

There are dozens of books on this subject - most far too academic and inaccessible - including some of the classics. They got the information right, found the right expressive tone, and the layout is stunning.

A wonderful experience throughout!

Michael Wiese, filmmaker, publisher and Baliophile

Extensively illustrated with over 200 full-color photographs, Balinese Dance, Drama and Music: A Guide to the Performing Arts of Bali takes the reader on a captivating tour of the history, style, and function of Balinese gamelan music, dance, drama, and puppetry. Suitable for all ages, Balinese Dance, Drama and Music covers how performing arts are learned in Bali, the principal Balinese values that artistic media passes on, and discussion of individual forms of performing arts, such as Gameland Gong Kebyar, Lgong Keraton, Baris, Wayang Kulit, and the relatively recent phenomenon of women's and children's performing groups. A bibliography and discography round out this superbly captivating survey, written by expert dancers and choreographers.

A wonderfully rich book on batik, including valuable contributions by Indonesians. This will become a classic. Lively, sophisticated, and informative, as well as gorgeous in its imagery. This is the kind of writing we need on textile arts! A splendid addition to my library!

As a batik lover...this is a great book. Ever since I travelled to Jogjakarta in Java and saw my first batik mask hanging on the wall in a restaurant I was hooked. I'm traveling back to Yogya this month and plan to take a batik class. As a result of my travels to Indonesia, I decided to start my own business importing batik and other items. So 7 years later, I have manufactured and import tons of batik to the U.S. and love it all. Especially the traditional batiks. Warning...shameless promotion to follow: check out our site 1 World Sarongs for our beautiful collection from Java and Bali or you can even find us here on Amazon Market. Anyway, this is a great book with loads of beautiful pictures and articles. I'm still reading it but so far it's very good. I'm biased because I fell in love with batik.

This book is essential for anyone interested in batik and its history in the Indonesian island of Java. It also provides Java's religious background and how batik was affected by Buddhism, Hinduism, and Islam. The pictures are outstanding, showing to the reader the complexity of batik and the great talent of Indonesian batik artists. I would recommend this for anyone, especially those interested in art or Indonesian culture.

This book is eye candy. The fabrics shown in this book have amazing detail, sophisticated designs, and the colors are beautiful. The fabrics are lovingly photographed. I would recommend this book for anyone who is interested in design, patterns, or textiles. And the book itself is beautifully produced.

Este libro es para cualquier mujer, de cualquier edad y condición, porque todas encontrarán en él algo con lo que identificarse.
Gilbert aborda con cierto humor y con inteligencia temas como el amor y el desamor, la vida, el éxito, el fracaso, la espiritualidad, el auto-conocimiento y mucho más.

Con humor y realismo Elizabeth Gilbert explora su esencia espiritual llevando al lector a encontrarse con ella cara a cara en su camino. Cada mujer que lee este libro puede identificarse con muchas de las experiencias de crecimiento personal y espiritual. Esta es una comedia divina que todas vivimos y pocas podemos articular.

This book is amazing. I bought it cause one person in my family is going through something similar and it has really helped me to give her advice. I haven't finish the book but i can't stop reading it. Definitely something that happens to many women.

This historical book provides individual, personal in depth true accounts of the Dutch and Dutch-Indo's plight during and immediatiately following Japanese invasion and internment in the former Dutch East Indies during World War II. A truly inspiring book of courage and fortitude that gives the reader an opportunity to acquire an understanding of this turbulent period of time in the Pacific theater of war. An excellent and informative read of stories that need to be told.

My family is Indo (Dutch-Indonesian), and our family history has been oral. It was difficult to relay their story to American friends who had never heard of any atrocities of the second World War other than the holocaust. As it's noted in the book, "It is unconcionable to allow future generations to forget what happend in the Indies, just as it is folly to turn our backs on the holocaust in Europe."

Memory fades fast, and it's good that this history is written down to be remembered. I'm involved with some contemporary Dutch organizations, but I look different by my dusky skin, and sometimes I think that this book explains to the "whiter" Dutch what I am, and where I came from. Forgotten or not, I'm part of their culture.

I cannot recommend this book highly enough. I've read enough about the American internment camps that the Japanese-Americans were held, and while there is a great deal of sympathy towards them in the United States, what the Japanese did to the Dutch and Dutch-Indonesians shouldn't be forgotten either. I sometimes wonder if it isn't known as much in the US because it didn't take place in Europe.

This book consists of eyewitness accounts of various people, mostly Dutch nationals or Dutch colonists, who were caught up in seven long years of war -- beginning with the Japanese conquest of Indonesia (then known as the Dutch East Indies), the Second World War and the subsequent revolution by Soekarno and Hatta, Indonesian revolutionaries whose drive for independence was given the blessing of the Japanese.

The Dutch received an unfortunate smear -- "Dutch courage" -- as a result of a premature surrender to the Japanese; if what I've read is true, then this smear is undeserved (particularly in light of the British surrender at Singapore). This book should go a long way to rectifying that unearned stigma.

This is history they didn't teach us in school! Jan Krancher has compiled 24 personal accounts from survivors of a brutal -and nearly forgotten- episode of World War II: the Japanese occupation of the Dutch East Indies and imprisonment of thousands of its people. This 3 1/2 year occupation was immediately followed by a bloody revolution and the creation of modern Indonesia.

These deeply moving stories, from civilian internees (including children) and military POW's, give the English-speaking reader a glimpse of what has been called the "other Holocaust", the brutalities of the Pacific War. You won't forget them.

If you liked the film "Paradise Road", you won't want to miss this book.

This is an outstanding and reliable resource on diving in Bali. The author writes with clarity. It is an enjoyable read even if you can get out there as often as you'd like. Worth reading!

I received my copy of Diving Bali : The Underwater Jewel of Southeast Asia (Periplus Action Guides)yesterday, and lost a good night's sleep reading it. My only regret in buying this book is that I didn't get it before going diving in Bali last summer. The pictures are outstanding and the maps are of a very high quality. I think I'll be cancelling my diving trip to the Philippines in July and returning to Bali instead!

I know that this sounds like hyperbole, but this book is so far above and beyond any other dive guide I have used that I cannot resist. The maps are works of art and acurate, to boot.

After reading this book, my dives at the Liberty, the Tulamben drop off and Batu Kelebit seemed like visits with old friends.

As a terrific bonus, you can even dive these sites with Wally Siagian (+62 363 41869, persistantly) as I did.

Best dive guide I've read about any location. Get this one if going to Bali.