Asia Books

This is an amazing story and I concur with the previous reviews. There is also a philosophy of suffering and human nature that is presented which the reader will realize as he reads the accounts of the pain and suffering and the authors reaction to them. This is a must read and I'm looking forward to another book about human rights that this author may consdier writing.

This is a gripping story of survival in the worst of political prisons comparable to the Soviet gulag and the Nazi concentration camps. This remarkable book reminds us of the human capacity for cruelty, how ideology can justify atrocity and how absolute power corrupts. The state did not want or expect these prisoners to ever leave alive. This is the only English account of life in the Pathet Lao political prison system and is a crucial document about both Laos under communism and more generally about political systems and man's potential for cruelty. It is also a good read. The ingenuity of the prisoners that allowed them to survive torture, harassment, a starvation rice diet and no medical care was fascinating. It was also heartening to hear that the assistance his wife received from American friends during the time he was imprisoned and she did not know where he was led them to immigrate to the US.

This book is an absolute must read for anyone interested in human rights. The author's personal story of survival is set against a strong, concise modern history of Laos and southeast Asia.

You will find that this is one of the most unbelievable stories of survival ever told. Of the few who did survive the 're-education' camps in northern Laos, only one, Bounsang Khamkeo, wrote the story to bring it to the world. The book is a de facto historic document that cannot be overlooked.

Khamkeo had editorial help from a few individuals in the writing of his book. The text is not awkward like the title. Khamkeo is able and fluent in English. His story both unique and representative maintains an engaging literary quality over the roughly 400 pages. Returning from France to his homeland of Laos after the Vietnam War was over with the intention of helping his country return to normalcy, the author was arrested and put into a prison camp in 1981 after an argument with an official of the communist Pathet Lao government. He was kept in prison until 1988. The lengthy memoir is about this whole time from the early 1970s to the late 1980s, with about half given to each period. The second half of Khamkeo's time in prison is naturally more gripping, and at times harrowing. But the first half has its own significant themes and drama as well--namely, the totalitarian, capricious, demanding rule of the Pathet Lao. Whereas the second part deals with how the author survived the hardships and threats of his years in prison, the first part deals with the more subtle, yet nonetheless engaging, informative, and at times suspenseful story of how he and others had to accommodate the rigid rule of the Pathet Lao while they were at the same time trying to bring improvements to a Laos which like the other nations of Southeast Asia, was disrupted and changed by the Vietnam War. "I Little Slave" brings to light these uncertain and hostile conditions in Laos following the Vietnam War; which have not received as much attention as those in Vietnam and Cambodia. After being released from prison, Khamkeo managed to flee Laos; and today lives in Oregon and works for a state health agency.

It's so easy to ignore the inhumanity and injustices occurring around the world, but once you know, you must speak up. Bounsang Khamkeo eloquently and honestly paints each scene with vivid precision. I felt as though I was actually flying over the forests of Laos, feeling the anxiety of hostile government actions, smelling the stench of hidden prison camps, and witnessing death in it's most unforgiving form. Bounsang should be proud that he kept his promise to speak up against the injustices at the hands of his communist oppressors. I will long-remember the lives of his lost prison-mates, as well as the hundreds of thousands who have no recorded names. This would be an excellent companion to political science texts, and a must-read for us all. I literally could not put it down. As horrifying as his shared experiences were, I am left wishing for another 400 pages. Bounsang, I am proud to have met you. Thank you for speaking out about such atrocities.

child friendly but accurate and cute illustrations. A good reference for any age.

a book which introduces different culture and custom to children must be accurate. children's books about Japan by non-Japanese writers are not always correct as they tend to write only what they see/hear/feel and lack a broader view or facts. in that sense this book written by a Japanese author has of course no problem. the contents are well organized covering "a year in a life" of children in Japan. illustrations are light and cheerful. our 4 year old grandson in America who recently visited Japan enjoys this book as he can relate it to what he had seen while in Japan.

I GOT THIS BOOK FOR MY DAUGHTER TO STUDY ABOUT JAPAN.I'M FROM TOKYO AND I LIVED THERE.
THIS IS VERY ACCURATE AND I F YOU ARE INTERESTED IN JAPAN OR YOU HOMECHOOL,YOU SHOULD GET THIS BOOK FOR YOUR CHILDREN.

"I Live in Tokyo" is a sweet little picture book describing the life of a small girl, Mimiko, and her life in Tokyo, Japan. The book is sectioned off into months, with each month telling the story of something that happens in Japan during that month in a two-page spread, with very pretty illustrations.

This is a great book to introduce a typical Japanese lifestyle to the wee ones. I am happy to see how authentic it is, without antiquated notions of Japanese people running around in Kimono all the time or eating sushi at every meal. I loved seeing Mimiko listing "hamburger" as one of her top ten favorite meals. There is not a thing in here that I have not done myself in Japan, and Mimiko acts like all the little Japanese children that I know so well.

The illustrations are great, and offer a simple but accurate and inviting picture of things like a japanese house, a japanese summer festival, japanese food and even a japanese-style bathtub where you wash outside before getting into the water. Throughout the book, the Japanese names for several things are given, rather than devising English translations, and a few simple characters are introduced.

Highly recommended for anyone wanting to get kids interested in life in Japan, or just to open a window to another world, different yet similar.

Certainly there are monthly festivals in Japan like foreigners don't know. As Japan especially Tokyo of the metropolitan get to be industrial and modern city, the importance and customs for them between Japanese is getting to be thin, however even now the connection between such festivals or customs and Japanese history will be maintained. There are the special holidays, called "Syukujitsu" in Japan except of such festivals, too. If Syukujitsu compare with U.S.A ways, that will be like Independence Day. But Syukujitsu have other mean in Japan, off course though have the mean as being applied to U.S.A like Tennou Tanjoubi(Japanese emperor's birthday), too, that is, there are the holidays like Keirou No Hi(a holiday that people thank for old men)in Syukujitsu, too. I think that such festival have strong connection with Japanese history that Japanese have the custom for old men the old days ago.

In Japan, there will be at least one festival on each month. In January, especially new-year-day there won't be countries that do not their festival. Off course that is special day in Japan. The day is called "Syougatsu" in Japan. As I wrote already, the festival day is not general festival, have the mean of Japanese history, for instance, some of Japanese (over 50%) go to Japanese shrines (Jinja), if we consider of the recent truth that Japanese younger have no the interest for such old customs, the number will be surprising thing. And the custom that Japanese go to shrines on the day have important mean. The act is called "Hatsumoude(first pray)". Japanese have the thinking that good outcomes are made if we do all the things on the first day whether new month day of New Year Day, therefore on Japanese New Year Day, there are the special act of "Hatsuhinode" except of Hatsumoude, too. There is the custom that sunrise bring people good fortune in Japan from long ago. Especially as I wrote already, Japanese think that more good outcomes are brought if they do such act on first day, such act that people watch sunrise on New Year Day is called "Hatsuhinode". Some of Japanese go to seaside or the top of mountains more than 100 km away from their home where they can watch Hatsuhinode clearly, even if they have troubles.

In Japan, there are many monthly customs so that can not write easily. That is interesting genre, too. Even Japanese.

Thank you for reading poor English.

I first read this when first release and just purchased another copy. If you want to read about two real heros, James Stockdale and his wife Sybil Stockdale read this book. They write side by side in spirit, him in a Vietnames prison, the Hanoi Hilton, and she home with thier children. One of the best love, war and a story that you will remember.

The late Vice Admiral Jim Stockdale was the highest ranking POW to return from captivity in North Vietnam. His wife Sybil kept the family focused and hope alive all throughout his long imprisonment.



They present alternating chapters that chronicle their personal challenges which are a microcosm of the nation's challenges at that time.



This should be required reading for all Americans.



For more on the plight of the families of those who were MIA in Vietnam, read Louis Stockstill's epoch-making article:



"The Forgotten Americans of the Vietnam War" By Louis R. Stockstill, at:



http://www.afa.org/magazine/perspectives/Vietnam/1069vietnam.asp

Remember James Stockdale running for Vice President in the early 90's under the third party? He was perhaps the candidate with the greatest personal integrity in ages.

This book is just as genuine and is a vivid examination of what it's like to be a POW in brutal captivity for years. The book also has his reflections on the present-day U.S.. Here, he is refreshing, and can be brutally candid on such institutions as the South's best-known anachronistic walled military place.

Mostly though, it's the love story between what he and his wife have been though these years. No candy coating: A rare American hero with the straight story.

Buyer beware of bookin2002@yahoo.com. I paid $60.00 for a book that was supposed to be in very good condition. When it arrived, the front cover was water damaged and the book was a third edition. $60.00 for a third edition? Not a very good deal.

The BEST book I have ever read. His recount of what he went through is outstanding. I cannot believe the personal, physical, emotional and spiritual strength it took to endure 8 years as a prisoner of War... and the ways in which he communicated with other POW's, his wife and the US government is unbelievable... brilliant. I read this book 2 years ago and gave it to a friend who gave it to another couple friends cross country... eventually I got it back and gave it to my brother who gave it to his buddy... I think either my dad or my uncle has it now. The best book I have read. I reccommend it to anyone. and I can't wait to read it again.

Excellent value for the money. Beautiful photos covering a broad range of interiors.

We review a number of books and the first time we saw this one, we were very sure it was going to make to our top selections list. And we were not wrong.

A beautifully laid out book with 500 vivid color photographs is a visual treat. Recipedelights.com gives it a "must-buy" rating for interior designers and style lovers. One of the few books that correct the injustice done by western journalists and gives a positive spin to thousands of years of culture and history. It truly reflects the grandeur of Indian style by weaving a colorful mélange that will come as no surprise to anyone who has ever visited India. This book explores a spectrum of interiors ranging from Palaces to Havelis to Huts. It does not bore with endless text or try to influence the judgment of the reader. Short text (In English, German and French) accompanies each photograph though the pictures speak for themselves.

This LUSH book captivates the eye and provides such a visual feast of color, I feel saturated, then satiated, each time I dip into it. Good for hours of fun.

I have to say, I was lucky enough to meet Deidi on her travels in Ladakh and can tell you that she is one intrepid traveler. There was a war going on in Kashmir when she went to take these photos - although you'd never know it from these pictures which paint such a beautiful image of these sumptuous settings.

She is a great photographer, with three Taschen books to her credit (Gardens of France, and Fantasy Worlds). She also makes enormous photos of sacred trees in India which are exhibited in galleries - very dramatic and her best work yet!

This book focuses a great deal on Rajasthan, but also includes regional coverage of key areas.

A first of its kind and a good antidote to the predictable picture books of India. Everyone expects India photo books to show weird babas in Benares and starving people in Calcutta, so it's good for the West to see there's more to India than that.

Glad to see that scenes from the folk and peasant traditions are included alongside the fantastic royal palaces, proving that art has no boundaries.

This is a gorgeous book, beautifully laid out, with good photography and a vast range of type of interiors from palaces to village huts. Having spent significant time traveling throughout India, I frankly opened this book fully expecting to be disappointed and expecting it to be one more example of journalism not being able to do justice to the breadth and scope of India. We see that failure in all manner of books about India, from cook books, design books, culture books, and travel books; any subject that trys to cover the subcontinent in one fell swoop. Remarkably, this book achieves what no others I've seen has. In addition to photography of Deco interiors, British Revival, and Native Cultural Design, INDIAN INTERIORS wisely leaves the commentary to short blocks of text detailing the background of the property and the homeowners but not forming broad judgements or attempting to endlessly characterize and embellish. I have photo books on Village India, India Rail, Indian Design, etc., and they all try to do too much and not let the material speak for itself. This book is different, very different, and from what I've seen from this publisher in other venues, Taschen is one to watch for if you like your material presented succinctly and beautifully without gushing or extraneous filler.

This totally sumptuous book has been beautifully produced and is proof yet again that Taschen are publishing some of the most beautiful books around. Apart from being a visual delight, each picture has accompanying text on the place featured. The book covers a wide range of interiors from palaces and havelis to Rajasthani huts and everything in between. Whether you are interested in Indian style or interiors generally, you will find much to like in this book.

For those of you who know the expression "The Bible" when referring to lonely planet guides you know that this book is a must have when heading into distant lands. It is a great source of information both historically and on a day to day use. In its own, it is a great traveling companion. The format of this guide is less appealing than the older versions where they separated sections of main importance, transportation (internal flights and how much they may cost), money and weather as examples. Before it was easier to obtain this important information.

Indonesia is amazingly diverse. Their national motto, "Bhinneka tunggal ika" ("Unity in diversity") is a testament to that. As such, writing a guidebook encompassing the whole is a feat in and of itself. This guide provides a historical overview, potential itineraries based on your time availability and interests, and lots of useful practical information. The section on each province provides more detailed background.

See this as an initial guidebook to help plan your trip. If you know where you're going - say, Bali and Lombok - you may be better off finding a specific guidebook. But if one is not available, this is a great choice.

Although I'm not a fan of Lonely Planet,this guide is exemplary!I have used it during my 3-month journey around Indonesia and it turned out to be my Bible. It is accurate,informative (on culture included), with deep knowledge of all aspects of this incredible and diverse part of the world,and exudes,throughout,true love for the country and people.It is more than obvious that the writers have been to the places they write about,did a lot of on-the-spot research and have missed very few things,usually details (e.g the procession of the Sultan of Ternate on the 15th day of the Ramadan,which,because of that,I had missed!).

This is by far the best book of the Lonely Planet series I have come across until now(of more than 30 LP books I have consulted,wholly or in part,over a period of years)and I dare claim that it is one of the top-5 guidebooks(of any publisher)I have ever used--fullstop...or rather...exclamation!

Just received this brand new 8th edition of Lonely Planet's Indonesia. In one word: perfect! I read some chapters about Bali and Moluccan islands and every page is really filled with recent information, completely rewritten in the second part of 2006 by a professional team of specialized authors. Besides the wealth of practical travel information, much effort is taken to write about political en geographical backgrounds. Short paragraphs deal with the dramatic developments of the last few years, like those in the Moluccan and North-Sumatran regions and disasters like tsunami in the west and earthquakes on Java. The people who wrote this fine edition of Lonely Planet's Indonesia did their job with enthusiasm and give the best up-to-date travel information you can get!

This is currently by default both the best overall guide to Indonesia for independent travellers, and the only one that is remotely up to date.
The competition (Moon, Footprint, Rough Guides) seems to have given up covering this vast archipelago years ago. For this reason alone, the book still gets 4 stars from me, despite some shortcomings and amusingly striking errors outlined later.
It definitely covers enough attractions to keep people occupied for months, and is more than enough for those with an average interest in the country.
As usual with this series, it covers practical details like prices, public transport and city maps, though unusually for Lonely Planet, many prices in this book (especially for public transport and guiding services) seem to be the result of guesswork by the authors, and even a year after the book was published, I found that they were actually considerably LOWER than those listed here!
There is also more than enough background information about culture and history for most readers, although unfortunately some useful things that were still present in the previous edition, like an overview of national parks and the longer lists of recommended books about various aspects and regions of the country have now been removed. Many less frequented islands, towns and areas that were still described in several previous editions have now been omitted, too.
On a brighter note, there is realistic, up to date assesment of the much-improved security situation in formerly strife-torn regions like Aceh and Maluku, encouraging tourists to return there.

Unfortunately, coverage of the remoter, less-visited regions remains poor.
The chapter on Kalimantan (Indonesian Borneo) has finally seen some long overdue changes, with non-existing attractions removed and real ones added, but info on almost anything outside the big, boring, modern coastal cities (which are covered in masochistic detail) is so vague that it makes one wonder if the author has ever left the urban jungles at all. My impression is that if she did, she certainly didn't get far!
That is still better than the chapter on Papua (Indonesian New Guinea).
Long the weakest, nearly useless part of this guide, one gets the impression that the Japanese lady "updating" it for this edition has never set foot there, and thus simply lifted all content over from the previous guides, updating hotel and transport prices with the aid of her telephone. Her information about how to cross the border with Papua New Guinea is spectacularly wrong, and there is almost nothing in that chapter that hadn't been there in the previous editions.

There are also some striking errors in the general sections dealing with the whole country.
As in the previous edition, the color section on "Indonesian" fauna proudly includes a shot of a Green Iguana from South America, this time with the added caption "Iguanas can be found in parks such as Taman Nasional Bali Barat" - in reality there are no iguanas anywhere in Asia. Similarly, the "Beguiling Beasties" itinerary recommended for wildlife fans says "you can try spotting the rare bird of paradise on the islands around Pulau Biak". Ironically, Biak and its neighbouring islands happen to be the ONLY part of Papua where there are NO birds of paradise! ;-) Plus covering that entire itinerary would take you several months (which your visa won't allow), and even then you would still have to skip the Foja Mountains of Papua (highly recommended by the author based on news reports) which are in reality so remote and inaccessible that even well-supported scientific expeditions have only made it there a few times.
But my favourite blunder is in the Getting there & Away chapter at the back of the book, listing international border crossings, where the author says "...there are two boats a week between Dili in East Timor and Oecussi in [Indonesian] West Timor." A boat on that route does exist, the only slight difference being that both of those towns are in independent East Timor, outside the borders of Indonesia!
Couldn't LP get authors who at least know where Indonesia ends and its neighbours start this time??? :-)

So those with a deeper interest in Indonesia, or with an interest in a particular region, might prefer more detailed, regional guides to those areas - there are several covering Bali & Lombok to choose from, Lonely Planet has great (if ageing) guides to Java and Nusa Tenggara, while Periplus has eight separate ones to all parts of the country, though the Periplus ones are best backed up with this book for practical details.

Those who have already been to Indonesia and own the previous edition of this book, might as well just keep it instead of investing into this new effort. Most of the content is exactly the same (or missing), with only the layout and prices changed - and the prices will have changed again by the time you get to Indonesia anyway.

For first-timers, this remains the best single-volume guide to buy though - even if only by default.

I live in Shanghai, and usually write guidebooks, not read them. When I do, it's usually to wince at all the things the writers who came here for a mere month or so of research got wrong. Even those without glaring errors tend to be off by angle, such as raving about the rather dull Yu Gardens and failing to notice the incredible living history museum, Shanghai's Old City (aka Chinatown), that it is situated in. They only offer the stupidly obvious destinations, like the Bund, Huaihai Lu, and Nanjing Lu, to the neglect of fascinating, cultural history spots like Sichuan Lu and the Jewish Ghetto.

I was handed the compact guide as a reference for a project I was working on, and it pleasantly surprised me. Amazingly, I found nothing to criticize, nothing to wince at. I was impressed to discover in it city trivia that even I consider obscure, like the history of the Broadway Mansions as the old Foreign Correspondents Club.

But nicest of all is its refusal to patronize. Many guidebooks take the attitude, "You're a stupid Western tourist,doesn't speak any Chinese, so here's what to do!" So, if you pick them up having read anything - anything! - about Shanghai previously, you're likely to feel put off. The Compact Guide refreshingly presents the facts without too much condescending background but also without playing insider baseball. It's very accessible.

Only two quibbles: the maps are confusing, have a number of typos, don't have characters along with the pinyin, and are so small, listing so few streets, to be useless unless you already know where you are/where you're going (and then, why do you need a map?). Also, Shanghai changes so quickly that, being written three years ago, it is rather woefully out of date. Use its listings with caution.

Published in conjunction with The Discovery Channel, it's information you can trust to be accurate. The history lessons and overview of the modern-day city itself -- it's people, economy, language, currency, culture, artisans and performing arts, markets, and hidden gemstones off the beaten path -- make this guide truly special. However, the glossy pages that are virtually indestructible, up-to-date maps, compact size and plenty of photos are what will make this guide your most valuable travel asset while in Shanghai!

I was plesantly surprised by this compact book. I didn't know that it was associated with the Discovery Channel. The book has outstanding print/paper quality. It has plenty of maps and lots of pictures. This helps me to find the place. I can also decide, from the pictures, if I would be interested in visiting such an attraction.
The best surprise is that this book is actually listed [$$$] less than the Fodor's compact book.

I bought this book and also Fodor's Pocket Shanghai. This book has better print/paper quality. Has more maps. For each attraction, there is a color photo so that you can decide if you would like to go there. The photo also helps to identify the attraction if you do decide to go there.
The Fodor's book has no photos, looks [inexpensive], but is actually [$] more.

I took this and Fodor's Citypack Shanghai (Citypack) guide for a week in Shanghai in 12/00. I found this guide far better than the Fodor guide. I found it to be an excellent general guide, if you want a compact, concise guide. The excursions were pretty good as well.

Peter was able to give examples which made the complex easier to understand. The edges of the first sections in a copy in the Caltech library were black from use. I was privileged to be a guinea pig for the first edition.

Don't know of a superior first exposure to relativity. It starts with elementary situations and examines the conflicts with pre-relativistic kinematical viewpoints. This motivates the requirements for special relativities' postulates and their immediate consequences.

From here, the more complex issues of special relativity are dealt with in an orderly fashion; e.g. rigid body dynamics, relativistic hydrodynamics and electromagnetic theory from a relatavistic point of view.

General tensor analysis is covered in a separate chapter for pursuing the general relativity chapters of the book. Incidentally, this chapter is among the most clear expositions on tensors out there.

Finally, general relativity is covered in the same stepwise fashion as was done in the special relativity chapters. The natural introduction of more complex ideas which start from basics is perhaps, the single reason why this book is a hard to beat introduction to relativity.

After a thorough digestion of Bergmann, one is ready to spring up to the next level, the masterful Weinberg.

This book describes the foundations of relativity in a clear and concise way. The development of tensor analysis is especially clear. It is great for anyone who has studied calculus, differential equations, and classical physics. I highly recommend it.

Hey, it's endorsed by big Al, himself. The math intro pretty much does it all, but it would be good if you have a firm grasp of vector calculus, and linear algebra. And intro undergraduate physics wouldn't hurt, either.

This book is one of the first introductions to the theory of relativity that has the endorsement of the discoverer of the theory. Albert Einstein was alive when the book was first published, and writes the foreward to the book. Individuals who want to learn relativity should still take a look at this book, in spite of the somewhat outdated mathematical notation. In more contemporary textbooks and monographs the physical intuition is usually sacrificed and replaced with mathematical formalism. But here the author puts the main emphasis on the physics behind the subject. It is one of the few books still in print that discusses the relativistic mechanics of mass points and continuous matter.

The reader will also get an overview of early approaches to unified field theories. Historians of science will be interested in particular with this discussion. It is amazing how much has changed in this area since this book was published in 1942. The advent of superstring and M-theory has given physicists a view of reality that is set on a mathematical structure that is quite formidable. It now takes years for a student to obtain the necessary mathematical background to reach the frontiers of unified theories. In this book, it only takes the reading of the first two parts to be able to understand the author's overview of unified field theories. Particular attention should be paid to the treatment of the gauge-invariant geometry of Hermann Weyl, because of its relevance to the construction of gauge theories in elementary particle physics. The geometry of Weyl is constructed using a symmetric tensor representing the gravitational field and a pseudovector that represents the vector potential. When a gauge transformation is applied to this vector potential, it changes by a gradient, which, as the author remarks, is the historical reason for calling the addition of a gradient to the electromagnetic vector potential a gauge transformation. In addition, variational principles play a role in this discussion, and these principles have wide applicability to the quantization of gauge theories in modern developments. The role played by adding extra dimensions to formulate a field theory is summarized here by the author in his discussion of five-dimensional field theories and Kaluza-Klein theories. Ten- and eleven-dimensional theories now dominate modern unified theories. It would be very interesting to know what the author and Einstein would have thought about the theories of today, entrenched as they are in the most complex mathematical constructions ever applied to physical theory.

This book is the essential book about Bali. I read it 26 years ago when I first went to Bali and it still ranks as thee book about Bali. If you wish to learn about the Balinese people, their culture and religion and beliefs I highly recommend this book. jim

If you only read one book on Bali, read this one. Believe me, I'm Balinese.

Miguel Covarrubias, and his wife Rose,who were Mexican, went to Bali twice, once in 1930 for several months and again in 1933 again for several months. The first time they stayed in Denpasar, the capital, and the second time in Ubud, where I live.

They stayed with Walter Spies in Ubud,who was an extraordinary German, who had been living there for years, and who totally absorbed Balinese culture. My mother worked for him. He taught the Covarrubias's a lot.

They then wrote their book. It is regarded as the bible and all subsequent books owe a lot to it. Some things have changed, of course, but only on the surface. We are very traditional, especially in the Ubud area. The book is an excellent introduction to our rich culture.

The book discusses family and village life, rice farming, our Bali-Hindu religion, ceremonies, history, drama, art and dance.

It's very readable and the photographs and line drawings are great.

I must confess this book is thick but hey!!! It's well worth reading about for those who want to understand a little about Balinese culture as well as it's lovely people. I found it very interesting since it covered almost everything about Bali, however the book was written before World War II and well I still think it's great to have a book that is still resourceful. Even though so much has changed with Bali over the decades this book will never die surely. This is a must and is essential for those who want to have a better understanding of Bali back before World War II and they can still relate it to the present. Nothing much has changed but a few things have altered. It was like stepping back in time when I read this book... I hope everyone will enjoy the book as much as I do too... great book to have...

This is by far the best book available if you want to know about the people of Bali - their unique lifestyle, religion, customs and beliefs. Written in the 1930's, it still holds true today. The classic black and white photos are worth the price alone. The Balinese people still live a magical life that is difficult for a westerner to comprehend, unless you read a book like this.

Mexican painter Miguel Covarrubias set sail for Bali in 1931 on an optimistic personal quest to discover, absorb, and chronicle Bali's traditional living culture. Buy into the romance and seduction of Covarrubias-driven by a feverish imagination-- inexorably pulled towards and teased by the lure of Bali, half a world away. Travel back sixty-four years in time to Bali's unspoiled natural vistas-a happy, peaceful. pristine retreat standing apart from a West mired in crippling economic depression and poised on the precipice of World War II. As a fellow artist on an island with three million artists-in-residence (creativity is considered both a religious and a natural activity on Bali), Covarrubias penetrated deeply into the spirit of the dance, theatre, music, decorative arts, and pastimes of Bali.
Embellished by 114 half-tone photos and 90 drawings by the author and other Balinese artists, this essential, still-relevant classic consists of twelve chapters on the Balinese people and their civilization in the 1930s. Accompanied by painter Walter Spies, Bali's most famous expatriate resident, they roamed the countryside together with eyes, ears, and canvasses wide open, observing the local life. Covarrubias's most notable writing describes the organization of the traditional Balinese village: the markets, social order, etiquette, language, caste system, the banjar, law and justice, the courts, the subak, rice culture, and the distribution of labor. This intimate, insider's foray into every nook and cranny of his own paradise produced key chapters on everyday family life in Bali: the house, cooking, costume and adornment, childbirth, childhood, adolescence, sexual customs, and marriage.
Covarrubias explored the place of the artist in Balinese life and the development and evolution of Balinese art, crafts, sculpture, and architecture. Drama and dance are important components of Balinese life: they come alive through the village orchestras, musical instruments, classical Legong, and the ancient shadow plays. Island of Bali unveils material on priests and religion, temples and feasts, offerings and exorcisms, the Balinese calendar, and the original Bali Aga people. Written from a day when primary forests reigned supreme and witch doctors wielded terrifying power, Covarrubias delves into the cult of the Barong and Rangda, black and white magic, folk medicine, the sacrifice of widows, and death and cremation. The Balinese still lead a magical, mystical, harmonious life that is difficult for Westerners to understand unless they read a profound work like Covarrubias's Island of Bali. With an artist's sensibility and a Bali-lover's eye, Covarrubias paints a complex nirvana with words and easel in this great literary achievement.

A great resource if you wish to get a better grasp of the many Japanese ghosts and supernatural elements which appear in woodblock prints. Well researched. I enjoyed it very much.

As the preface to "Japanese Ghosts and Demons" notes, this book is the fruit of interdisciplinary studies undertaken by the Spencer Museum of Art and the University of Kansas at Lawrence. And it is the results of just such an interdisciplinary approach that have lifted this book out of the realm of an ordinary exhibition catalogue and propelled it into the rarified ranks of an art history classic.

In historical terms, the focus of the book is the Edo period. This long (1615-1868) and peaceful period saw a concatenation of several important trends, including the perfection of the woodblock print, a democratization of art that--for the first time in Japan--served the masses, the rise of the kabuki theater, and a diffusion of popular literature and tales that often focused on the ghostly and the supernatural. The fusion of these trends was most clearly seen in the woodblock prints of Tsukioka Yoshitoshi, Utagawa Kunisada, and Ichiryusai Kuniyoshi, many of which are reproduced here. These three giants of the late woodblock period not only made a major contribution in documenting the theatrical and literary trends of the Edo period but also provided many of the visual models still employed in Japanese-style tattooing.

Apart from the rich feast of art presented in this book, "Japanese Ghosts and Demons" will nourish the souls of those interested more in the fields of anthropology and comparative religion. Even today, when Japan has emerged as one of the most technologically advanced nations on earth, fundamental cultural beliefs are still strongly informed by a sense of mutability. "Japanese Ghosts and Demons" makes an important contribution to explaining this phenomenon, in which the boundaries between the living and the dead, humankind and animals, the animate and the inanimate, and the sacred and profane are far more permeable than is believed to be the case in the modern West. Several thousand years ago, before the rise of the three great monotheistic religions, most of the world's societies believed in a universe more pregnant with magical possibilities, a type of universe that this book helps us better understand.

"Japanese Ghost and Demons" is something I really wish I could have been a part in making. A college with a fine collection of supernatural-themed Japanese art, in a variety of mediums, decides to offer an interdisciplinary study class with each group producing papers on a folklore theme, with supporting artwork from the collection. Brilliant.

Each of the chapters is incredibly insightful, providing a complete education on the topic. Along with the traditional subjects such as the Oni, Ghosts and Tengu, there are many less-often covered subjects such as Sennin: The Immortals of Taoism and Shoki the Demon Queller. I was particularly pleased to learn about Shoki, as I was browsing a print shop in Kyoto and was able to recognize the Demon Queller himself in a few prints.

The plates are, of course, beautiful, and cover an incredible range of medium, from the familiar prints to the drawings, paintings and netsuke carvings. The reproduction quality is high, and the size of the book is "coffee table" size, allowing for nice sized images. The majority of the plates are in full color.

As someone who has read quite a few books on Japanese supernatural folklore, I recommend "Japanese Ghosts and Demons" as one of the best. It would be hard to be disappointed by this treasure.

I almost hesitate to add a review since there are two other reviews here that do such a fine job. I actually attended the University of Kansas and was therefore able to visit the Spencer Museum of Art and see some of these works on display. I purchased my copy of this book at the museum and used it as part of my source material for a theses I wrote while matriculating at KU, so I am very familiar with this book.

This is a very, very impressive book with loads of gorgeously rendered and reproduced wood-block prints. If you like Japanese art you will wish to have this book simply to look at the pictures. My children actually like to get this book down and look at the pictures, half because it is truly amazing art and half because the art is focused on the creepy-crawly and supernatural. An element of Japanese culture and psychology is viscerally on display in these fine prints and it is easy to see that this form of art is the precursor to the Manga that is so popular today.

This book is much more than a simple visual display though. There is a wealth of information, meticulously researched, presented here on the creatures that make up the pantheon of the eerie and supernatural in medieval Japan. For serious students, or even those with a surfeit of Hobbits just wanting a better grounding in an alternate milieu of the supernatural, this is an excellent tome, well-written, easy-to-follow, and chock-full of information. Buy it for the pictures, buy it for the text, or buy it for both, you won't be disappointed.

If you are looking for sources for traditional japanese art for tattooing purposes this is an excellent place to start. I was very suprised when I got this book and found it to be SO thorough and much nicer than I expected. If you're expecting a flimsy cheap paperback, this is not it. It is a quality book very thick and almost as sturdy as a hardbound, perfect for reference material for a tattooer!

Exquisite book, most comprehensive I have seen on this subject. Worth ten times over the Amazon price!

This beautiful book really opened my mind to the influence that Japanese art had on the Impressionist movement. Some very interesting comparisons of woodblocks and the work of Van Gogh.....Wow...It had never occurred to me before & to see the works side by side is fascinating. I first found this book in the school library & kept borrowing it; such wonderful images.I decided I had to own a copy & made my first Amazon.com purchase. Great service, Amazon, thank you....so quick & efficient. This book is great value and very well illustrated. The text is extremely interesting and thought provoking.

This is probably the best and most beautiful art-book I have ever read. I traces the roots of different western artforms like impressionism and abstract expressionism from the japanese traditions of brushpainting an calligraphy.. -I want it!

For anyone interested in both Japanese Art and European Art at the turn of the last century, this book will become the most satisfying reference book in your collection.

"Japonisme" is the term used to describe the Victorian fascination with all things Japanese. Wichmann's book successfully demonstrates the influence of this fascination on the fine art of the era. Lavishly illustrated with over a thousand images, Wichmann's essays are informed both historically and artistically on the detailed ins and outs of the sharing of the two cultures of East and West. Topics include the Asian influence in composition, pictoral space, design, choice of material, and subject matter in the visual art and architechture of turn of the century fin de siecle Europe and America. Visual examples are given from a wealth of artists including Van Gogh, Manet, Cassatt, Whistler, Degas, Mucha, Klimt, the architechs Frank Lloyd Wright and Richard Neutra, and Japanese artists such as Hiroshige and Hokusai, just to name a few.

Being a visual artist from the west trained in the Western tradition and yet fascinated with Japanese fine art and in particular the tradition of ukiyo-e, discovering this book for me was like finding the holy grail, a book filled to the brim with stunning visual compromises between the traditions of East and West from which to take my own influences. Fantastic.

the title says it all - "The Japanese influence on Western art since 1858" --- details print making, textiles, jewelry design, ceramics and glass, home and garden, objects d'art and of course painting. Amazing, for example how much Van Gogh was influenced by Japanese art especially wood block prints and you will see examples of his art and Japanese art which he had access to "Theo and I have hundreds of Japanese prints in our collection..." --- I truly wish I could see an exhibition as put together as this book --- it is absolutely indepth, articulate, clear and consise and immense in scope. Weighs a ton and worth its weight in gold.