New York Books

This book is a Christian themed police procedural. The protagonists are patrol officers assigned to the midnight shift of NYPD's Manhattan South Precinct, especially partners Joe Fiore and Jerry Cavalucci. The patrol vignettes are an interesting snapshot of NYPD activity in the commercial center of the city. The authors draw a compelling portrait of Cavalucci's struggle with alhocol and a dysfucntional family, especially the strains placed on his fiance and her son. Cavalucci's attempts to bring order and sense to his professional and private lives lead to the Christian component of the book. Joe Fiore, Cavalucci's partner, and Michele, his fiance, are deeply religious Christians who try to help Tony resolve life issues by example and references to scripture and the power of faith. The characters are engaging and the reader is caught up in Tony's struggle. The best part of the book is the account of 9/11 from our police officer characters' perspectives. It is at once terrifying and inspiring. We all saw the tragedy. The characters lived it. The authors vividly describe it. The last eighty pages alone make the book well worth buying and reading. An outstanding effort.

In CLEAR BLUE SKY, Frank and Pam (F. P.) Lione continue the story of New York Police Detective Tony Cavalucci in a stand-alone novel (their first in hardcover). The talented husband and wife duo have three previous NYPD books under their belt, and the experience shows as they pen their best --- and grittiest --- police novel to date.

If you missed the now (mostly) out-of-print Midtown Blue series that chronicles the time leading up to this novel, you're in for a treat here. Tony is engaged to single mom Michele and looking forward to being a full-time dad to her young son, Stevie. With a wedding in the works, the couple has lots to talk about --- and plenty of tension.

The chief stressor is a bachelor party that Tony's loud and argumentative Italian family is insisting on. Michele lets Tony know that if the bachelor party goes as planned, she's calling it quits. Of course, this isn't the real reason why Tony's family has mostly turned against him. They don't care for his hard-won sobriety (his sister Denise calls him "Mr. Twelve Stepper"), and they're not crazy about the fact that he's marrying Michele, a single mother. They also don't like his new-found commitment to faith. It's not long before the inevitable showdown occurs, and Tony finds that he must choose between his family and his fiancée and her son.

And what a family. Tony's divorced mom is dating a Harley biker. His father's trampy second wife is pregnant, which his father seems to find unusually upsetting --- and we discover why, as the novel unfolds. Add a few Mafia relatives, and the sparks (and punches) are sure to fly at any family gathering.

Underneath the tension is Tony's insecurity about his own worthiness. "The truth is, I felt kind of like a fraud with Michele. Like maybe if she really knew me, she wouldn't be so quick to marry me.... It was like I kept waiting for the hammer to hit me and things to crash and burn around me like they always did."

Joe Fiore is Tony's wise Christian partner, and one of the reasons why Tony has been able to stay sober and deal with his Italian family. He's also the reason why Tony has found a renewed faith. But Tony has stopped going to church and hasn't been able to talk to Michele or Joe about why. His conversations with Joe reflect the reality and messiness of church life.

Tony's life as a cop provides some of the best moments in the book. Speed chase scenes, almost-too-strange-to-be-true incidents (a dog that is electrocuted when it pees on open live wires on a lamp post vandalized by the homeless for their boom boxes), the ins and outs of a grand jury trial, and even a burglary in a geisha house all score high on the "wow, I didn't know stuff like this went on" scale. Insider lingo also enlivens the text --- one man with a bandaged head injury is said to be wearing a "Bronx party hat." As in the other Lione books, there are plentiful descriptions of Italian food that will make your mouth water. It's a wonder Tony doesn't weigh 300 lbs.

For those readers new to Tony's story, F. P. Lione is an Italian-American married couple, Frank and Pam, who are both children of NYPD detectives. (Frank has also served with the NYPD). Their direct experiences with the police force and love of the city lend authenticity to the novel. The narrative isn't without some troubles --- lots of consecutive sentences that begin with "We" and "I", for example. But they pen some killer descriptions, such as this one about Friday bingo night at St. Michael's: "Kind of like offtrack betting, with old Italian women in rolled-down stockings."

The twin towers on the cover and prologue clue in the reader that CLEAR BLUE SKY's story will climax in the events of September 11th. In a post 9/11 world, where it seems as if every emotional drop has been wrung out of the fictional and nonfictional publishable possibilities, I was skeptical that anyone could write a moving scene six years after the fact. But the Liones handled the tragedy well enough to give me goosebumps. It's also a crucial and believable way for them to literally nudge some of their characters into a stronger belief in God.

The Liones just keep getting better in every novel. They adeptly blend Italian life, relationship issues, fascinating stories from the New York City streets and faith into a page-turning read that will hook new readers while continuing to please fans of their previous books. Don't miss it.

--- Reviewed by Cindy Crosby

It's several months after the release date of Clear Blue Sky but I don't want to neglect writing it up. I've not read any of the Lione's previous novels so I don't have a feel for their voice overall. However, I will be picking up previous and future books because the story of Tony and Michelle, New York and his life as a cop, a son, a new Christian and a man were intriguing and gritty and real.

I was surprised that the majority of the book didn't deal with September 11th, that this huge and very well written and gut-wrenchingly told event was only a small part of the lives of Tony and Michelle.

The writing is narrative and to-the-point and through the eyes of Tony, an Italian New York cop, who is at a crossroads in life. He is facing changes within his close knit and very dysfunctional family. He has chosen to marry a woman who doesn't please the majority of his family members because she is not willing to put up with the dysfunction, the alcoholic brawls and the mind games. Tony, a reformed bad boy, has a fledgling faith and a strong friend/partner/mentor in Joe. But Tony is pulling away from church because something just isn't looking right and he doesn't know what to do about it. Tony's brother and father are closer than ever and edging Tony out and Grandma, the sweet old lady, is losing control so she's pulling out all the stops and not looking quite as sweet. All of a sudden alcohol is looking really good to Tony and he's wondering what it's going to cost him to have Michelle as a wife.

There is so much to this story. The writing is a little more nuts and bolts than I generally dig into, but the characters and descriptions and details pulled me in and didn't let me go. I want to read more about Tony and Michelle. I want to see the entire family healed. I want to hug Joe because he acts like Jesus. There are situations and words that would offend folks, so be forewarned. But if you aren't easily offended and squeamish, look into this novel.

I've said before that reading an F.P. Lione novel is like watching an un-cut taping of COPS, only you follow the cops home. But in a way that's doing their writing a disservice. A Lione novel is about much more than the domestic disputes, car chases, and gun wielding criminals often found on the tv show. That isn't to say these types of situations don't make it into the pages. They do. But a Lione novel digs deeper than that. By following police officer Tony Cavalucci on and off duty, the Lione's reveal the heart and soul of a cop. Tony's story has already filled three Midtown Blue novels (The Deuce, The Crossroads & Skells), and his saga continues in Clear Blue Sky, the unofficial 4th book.

This time around Tony's closer to marrying his fiance Michelle, and his Italian family continues to voice their objections to the union. Michelle isn't Italian or Catholic, two strikes against her. She had her young son Stevie out of wedlock and there's no sign of the father. Strike three. With the Cavalucci family you're guilty until proven innocent, and even then if you get on their bad side they'll find some way to convict you. Their crazy yet realistic dynamics provide just as much drama as the worst nights on Tony's midnight tour, and it's starting to wear on him. He finds himself torn between loyalty to his blood-family and the family he's come to love as his own. He doesn't want to lose either of them, but sooner or later he's going to have to make a choice.

Not to mention that he and God haven't been on the best of terms lately. Since Tony became a Christian his life has actually gotten harder. Not only does he have to face the temptation to hit the bottle again, but he's facing moral choices right and left. Case in point: he promised to throw his brother Vinny a bachelor party. Vinny wants it wild, like old times. Tony struggles with letting his brother down and standing behind his new-found principles, and Michelle. If it weren't for his Christian partner, Officer Joe Fiore, Tony would probably slip back into his old ways as easily as he slips on his gun belt.

It's an incredibly realistic portrayal of one man's struggle to live out his faith. Being a cop and a Christian are hard enough. Being an Italian cop with a dysfunctional family is harder. How can Tony keep the faith without losing his family?

Like the books before it, Clear Blue Sky is not a novel with a clear plot. But it will keep you riveted. There's something extremely compelling in the Lione's style. Their details are vivid and specific, adding to the authenticity. Like the others in the Midtown Blue series as you read Clear Blue Sky you really do feel like you're tagging along in the back seat of Tony's patrol car as he faces the sad, the serious, and the outrageous on his beat. You'll walk away from the novel with a new appreciation for police officers.

This novel is being marketed as a stand-alone about the 9/11 tragedy, which could be slightly misleading. The actual disaster doesn't occur until well into the story. I had expected to read more about Tony and Joe's experiences on that day. But holding off until the end was a natural and effective way to build tension. You know the Twin Towers are coming down, and you look for it on every page. Brings home the point that September 11th was a normal autumn day like any other.

If you've ever wondered what it's like to be a cop in one of the world's busiest cities, look no further. Pick up any Lione novel and feast on the experience. Clear Blue Sky is no exception. But in this one you'll come away with new insights on what really happened in New York City that fateful September day in 2001--the day the sky was clear and blue.

--Reviewed by C.J. Darlington for TitleTrakk

With the Labor Day weekend and its feasts over, the overworked NYPD police know they can catch a breath after tons of overtime mostly involving crowd control. Police officer Tony Cavalucci did his job, but crowd control is a part of his patrol work he hates as he dreams of getting "out of the bag" and into a plainclothes anti crime unit.

He and most of his peers fear the new mayor will return the streets to the perps as his aids are not impressive; still he does his job of patrolling the streets. Following a graveyard shift on the morning of 11 September 2001 on a warm clear day he stops for coffee and muses unhappily about the demands his family have placed on him. His brother wants him to host a wild last fling bachelor party to remind him what he is giving up by marrying. His extended Italian family especially his mother hates his fiancée Michelle as she is ethically and religiously incorrect and had a child Stevie out of wedlock. They insist he drop her or else. As he ponders whether he will have to give up one of the two families he loves, all that changes when he notices smoke coming from one of the Twin Towers.

CLEAR BLUE SKY continues the insightful look at the life of a New York City cop (see the previous three Midtown Blue novels: not read by me - THE DEUCE and THE CROSSROADS; read by me SKELLS). 9/11 is important to the plot, but comes towards the latter part of the novel as readers follow Tony's personal and professional life in the days just before the tragedy (much of the setting), during the rescue attempts, and immediately after. Fans of police procedurals will appreciate this series that focuses on the cop on the job and off the job as readers obtain a perceptive glimpse of the work pressures and family demands on a police officer.

Harriet Klausner

I read it for an english class. It was my favorite book of the semester. My friends and I would just keep guessing what twist would come next, and we were consistantly wrong. Great fun.

Mr. fisher has you guessing until the very end! If you like Mosley, then read the man who inspired him. An excellent murder (?) mystery.

I read this book on a flight from Philadelphia to Seattle and just couldn't put it down. The characters come alive, the plot thickens with each passing page and the ending is fabulous.

A MUST READ!!!

This book transports you into the Harlem streets of the 1930s. It has the vernacular, the attitude, the mystique, and the community values of residents of 1930 Harlem down pat. I found the narrative very inviting. This book has detectives, criminals, lawmen, africans, and mystics. Once you read the first chapter, you will not be able to put the book down. It is a shame that the author did not live long enough to produce much more in this detective series.

This is the first African American mystery novel, originally published in 1932, and much celebrated by Walter Mosley, the most successful African American writer of mystery novels. (This book preceded Chester Himes's Coffin Ed and Grave Digger novels by more than a third of a century.)

W. E. B. DuBois castigated the group of younger writers of which Fisher was a part for sensationalizing low life rather than celebrating the "talented tenth" of which they were presumably a part. I don't know if Fisher was stung by this, but the protagonists include a physician (like Fisher himself), a policeman who is the only black who has risen to the rank of detective, and an African prince with a princely sense of noblesse oblige. Also an critically important part is played by a mortician, a kind of professional.

The main lower-status participants, who liven things up with a running game of the dozens, are not debauched, and the "conjure man" turns out not to be the wacko many thought him to be.

The middle of the novel sags. Unfortunately, Fisher did not live to hone his craft, leaving only this and _The Walls of Jericho_ and a few stories.

One of the most comprehensive studies on the subject I have come across. Leonard gives a thought provoking overview of the circumstances involving battered women who kill. Sure to bring invaluable perspective regarding "domestic violence" to every reader. The interviews with women serving time add an edge to the literature, that brings us into their lives, their fears, and their reality. Impressively thorough in introduction to the topic, giving readers a solid framework to process the real-life stories of women inmates. I highly recommend this book as a must have to any sociological library.

One of the most comprehensive studies on the subject I have come across. Leonard gives a thought provoking overview of the circumstances involving battered women who kill. Sure to bring invaluable perspective regarding "domestic violence" to every reader. The interviews with women serving time add an edge to the literature, that brings us into their lives, their fears, and their reality. Impressively thorough in introduction to the topic, giving readers a solid framework to process the real-life stories of women inmates. I highly recommend this book as a must have to any sociological library, And to the author, wonderful research! and much needed... I await your next publication.

How easy it is for most of us to go about our daily life without care or concern for those in prison. How easy it is for us to take the "They get what they deserve" attitude toward all prisoners. This books exposes the horrors of how the justice system convicts and treats women that come from homes in which spousal and child battering is routine, and who, ultimately kill their spouse in a desperate attempt to preserve both their own life and that of their children. It is horrific to see how sexist the system is, and how the concept of spousal abuse is so thoroughly swept under the rug and/or treated as non-issue. This occurs not only in the prison system, but in our country at large. Too many of us feel all prisoners are guilty, and that the system gives out an appropriate sentence for the crime.. do they? Do these women get equal treatment and punishment as the men do? Can you murder in self defense? Is spousal abuse for real? This book is a real eye opener, and a must read for anyone in or looking into a political, law enforcement or sociological career.

Elizabeth Leonard scored big with this book. The book approached the subject in an appropriate manner and will leave readers in anticipation for change. The narratives from actual California inmates really grabs your attention and makes you feel as if you want to reach out and touch these women. It has been long overdue for someone to bring the truth to light about spousal abuse and really make the public aware. That person was Elizabeth Leonard and she does it with perfection.

Elizabeth Leonard's book reveals a shocking difficiency in the United States' legal system. She systematically and clearly outlines the outrageous way the legal system treats victims of domestic violence when they defend themselves. It is the most fair and even book I have ever read on the subject, yet carries with it a passion and drive as such I couldn't put it down. The time and care with which the research has been done is astonishing, so much so that even Amnesty International has sat up and taken notice. If you want a well written sociological study of how women who have killed their abusers are treated in the American legal system, this is the best book to buy.

The Crane is a nice, interesting story. Behind the story is is the parable of what happens when war comes. It is a great lesson in life and a great classic

A wise and well illustrated (by the author) childrens book, that is well known in Europe, and sadly overlooked in the US. Like "The Little Prince", this book has a charm and quality that transends age. It is about a man and a crane. It is about work,life,...the big questions the big answers. Good stuff. Sadly out of print.

'The Crane' is one of the most beatifully written childrens stories of this century. It is a parable that carries many important questions about who we are and how we live. As a teacher of English, I have found this book a remarkable resource and one that really allows for differentiation of learning with children around 11-12. It is a funny, sad and very touching story and I emplore somebody to reprint it, so that more people can access this wonderfull book. Why it isn't more widely known I do not understand.

I read this every summer at my grandma's. I never quite understood it, and I didn't quite like it but I did keep coming back to it. It's something of a fairy tale and something of a philosophical tale. If I had to describe it now I would call it hauntingly beautiful.

Reiner Zimnik, a former carpenter, was 26 and student at the Munich Art Academy when he wrote and designed this book in 1956. The illustrations, simple black and white sketches, stayed with me all my life. The most powerful one covers two pages with a few black strokes of sky, a fallen over little shoe, a dazed bird und the scribble: "Da war das Land traurig, und die Erde weinte." (The country was sad. And the earth wept.) As an adult I might say that it's a fable about the Second World War - what was there before and what came after. As child I experienced no other book that would speak to me with such immediatness. Though it wasn't that widespread in Germany I would still say that it's our best children's book till today.

Frank McCourt must've penned a primer for those who write autobiographies profiling their rise out of quintessential Irish childhood to become successful teachers, pub owners or actors in the Big Apple. If not, we'll develop a one, having slogged through a few Irish experience autobiographies in the past few years. CROSSING HIGHBRIDGE, a soulful reflection penned by Maureen Waters, fits the bill. The first of her family not born in Ireland, Ms. Waters left a secure Irish Catholic Bronx neighborhood to become professor of English at Queens' College. In HIGHBRIDGE Waters revisits her old neighborhood and youth in an attempt to exorcise a few demons and make sense of tragic loss.

Speaking of school, name a primordial recollection that separates Catholic childhood experiences from those of the less fortunate. Stumped? Parochial school--does anything compare? I recall nuns swooping like hawks about the classroom slapping the ten-thumbed hands of boys while praising the girls, all who had mastered the fine motor skill control requisite to master the Palmer method of penmanship And priests, remember their surprise visits? They dashed about classrooms rooting out the heathens who failed to memorize today's catechism. Waters pens a charming reunion visit to that school we loved, where Sister Immaculata, or Sister Alvera, or Sister Whoever, ruled the roost with an iron claw, er, fist.

Waters infuses a recognizable dose of Irish Catholic guilt. To wit: "You want to be a teacher? Are you daft Maureen? The proper thing, young lady, is to save yourself, marry a decent man and have a dozen children!" Or the refrain heard by many a young Irish lad, "Pat, the family hasn't ordained a priest in two generations. Your mother and I want you to consider the seminary." Familial guilt threads its way through CROSSING HIGHBRIDGE.

No growing-up-Irish spiel should lack a smattering of old-country angst, and it doesn't hurt to parade a skeleton or two out of the family closet in the offing. Forced by her father to work the family farm at an age when she should've been in school, Water's Mayo-born mother exuded the lifelong melancholy of lost opportunity; melancholy she wore on her shirtsleeve. According to Waters, an aunt told her that her maternal grandfather beat the six daughters, including Maureen's mother, Agnes. Also prone to unleashing impressive levels of violence, maternal grandpa Ruane was once hush-hushed off to a mental institution. Further, Water's father, Daniel, witnessed his share of perverse Black and Tan justice and senseless political murder while caught in the flame of Ireland's republican fire of the 1920s. Waters also lost an uncle in a failed attack on a Sligo military garrison during the Free State revolution. There's more--but perhaps these are skeletons better left in the closet.

Which leads us to the subject of humor rampant in Irish tragicomedy. CROSSING HIGHBRIDGE is bound with all the Irish charm and storytelling one would expect---but not the leprechaun-like humor. Waters might've survived unscathed an abusive marriage, the lofty expectations of the Church, the vagaries of a difficult mother, and a professional career bound by the shackles of sexism, but the loss of a son in a tragic accident stopped her in her tracks. Waters wrote CROSSING HIGHBRIDGE, she offers, as a step to recovery and to pay homage to those who had gone before her. Writing with the passion of someone who needs to unlock the past in order to make sense of the present, she keeps an optimistic eye on the future. CROSSING HIGHBRIDGE is a worthwhile read.

Along with her title of Professor of English, Maureen Waters' résumé includes, Director of Irish Studies at Queens College in New York.

I was able to identify with nearly everything Miss Waters wrote about her Irish Catholic upbringing in Highbridge, because I too came from the same place, and I knew her sister Agnes many, many years ago. However, if I had not had the privilege of knowing Maureen and her literary family, I would still have been able to appreciate the writer's gift of style where she combined gracefully, history, philosophy, religion along with the socioeconomic conditions of the 1940's and 1950's growing up in Highbridge.

This profoundly moving memoir of growing up Irish/Catholic/female in the midcentury Bronx began with the author's need to understand the loss of her son to accidental death by drugs and alcohol. As she puts it, "the drive to piece together cause and effect was a belief that I had far more power than I actually did for good or ill." She sifts the past out of psychological necessity, desperate, guilty, and finds ordinary treasure: in human characters - her father, an immigrant from Sligo, her mother from Mayo, a feisty and lovable little sister, Agnes, and, above all, in her beautiful and enigmatic lost child of the flaming red hair, Brian Patrick - and also in their brave and lonely human places (Highbridge on Hudson, Long Island). She looks back for clues to her loss from the perspective of a divorced single mother trying to juggle children and hold her own in academe (she's now a professor of English). Memory sifted through the prism of such luminous prose and honest emotion offers a gentle and moving consolation to this reader. The story of the author's Catholic journey, from insider - the parish was Sacred Heart - to outsider is told with devastating brevity. I'll never forget the final image of women's exclusion. It rings so true. The abyss is present in Waters' world, but to me this is a book of hope

This beautiful memoir of growing up Irish-Catholic-female in the Bronx at midcentury began with the author's tragic loss of one of her sons to an accidental death from drugs and alcohol. In order to survive herself, she must understand: "The drive to piece together cause and effect was a belief that I had far more power than I actually did for good or ill." The bereaved mother, who is also a professor of English, sifts her past for answers. She uncovers the treasure of human characters (her father, Daniel Waters, an immigrant from Sligo, her mother from Mayo; her rebel little sister, Agnes) in their brave and lonely human settlement (Highbridge on the Hudson). She looks back on the cost of parenting alone as a divorced young mother and trying to hold her own in academe. The consolation that memory - and Waters' luminous prose - makes for her and for this reader is profoundly moving. The story of her Catholic journey, in particular, the movement from insider - the parish was Sacred Heart - to outsider, is especially strong: she tells it with a devastating brevity and one final image that I'll never forget. It rings so true. This is a courageous book about loss in which you come to see that what remains is, after all, a matter of life understood and hope.

I could relate to nearly everything that Miss Waters wrote about in Crossing Highbridge, because I came from that Irish Catholic enclave, I knew the Waters family long ago, and I went to Sacred Heart with Maureen's sister, Agnes.

Maureen Waters is a gifted writer who combines history, philosophy, religion, and the socio-econimic conditions in a working class environment in the 1940's and 1950's, with utter grace, and at the same time, the reader can experience some strong emotions of saddness and joy.

Helen Levitt's name is less well known than some of her images of New York street life. Perhaps that is the way she would wish it since she seems to have never sought fame. The book is as reticient as she and there is little commentary, but in truth little is necessary though I would love to know more about her and her work. This is a beautifully printed, organized and designed book and it was a pleasure to spend hours looking at the photographs. Often it was difficult to turn the page because each image is so compelling and resonates on many different levels. In a way, they are the perfect street images; they have the look of a snapshot but are so much more than that. Though they are all of New York they have a universal quality and speak about the truth of people's lives in a profound way. I admired the formal qualities of the photographs but what resonates most is the deep humanity of what she does, what she sees and records. It sometimes seems to me that photographers, in their quest for a good images,treats subjects with a level of distain and distance that is uncomfortable and ultimately manipulative. Crosstown is nothing like that and even when the photos are funny, and several are, they are funny in a very human way. There is nothing saccharine or trite in her work either and she has a great gift of photographing children without slipping into cuteness. I am a photographer and I treasure this book. I would certainly recommend it to others interested in photography, but I thinks its' appeal extends to anyone interested in the human condition and how we relate to one another.

Helen Levitt is not one of those New Yorkers who look neither to the left or right as they travel the streets of the city. This is a book about life. The neighborhoods she shoots are generally poor ones, yet we see people that are involved; people who are actively engaged in life even when they seem to be doing nothing. Her subjects -often children- play, they love, they communicate, they are lost in thought, and occasionally are sleeping.

A fine sense of humor permeates many of the scenes. Some subjects are caught in contorted, puzzling positions. We see the incongruous position of objects: an old 33rpm record in the street; a pair of shoes sitting by themselves on a sidewalk; three chickens wandering around a decrepit room -where did they come from? A mother's head is buried in the bottom of a baby buggy while the tyke yelps with joy. A dog is caught in the act of mistaking his owner's leg for a fire hydrant while she talks to a friend.

In general HL catches the warm side of humanity. Only a couple of pictures look like they were taken from a file of Jacob Riis (a 19th century photographer of New York tenement life). There was one particularly sad shot of a woman and her three children sitting on their front steps. They are obviously impoverished. The two youngest children seem quite content, but the mother seems weighed down with her life, and in the teen-age daughter we see the beginning of lost hopes.

This book is a must for anyone interested in street photography. It will take you a long time to get through this book as each photograph will hold your attention for some time.

This book has a number of unique photographs. Ms Levitt with many of these wonderful pictures,leaves you wondering what happened before or just after the picture was taken.
You can I believe see some connection to the style of Cartier Bresson with whom I understand she spent some time working.
I recommend the book.

If you admire the warmth and humanity of Helen Levitt's endearing photographs of New Yorkers, don't miss this book. The selection of photographs is superb and the printing and binding quality are first rate. This book could go out of print soon, from which time its value will grow quickly.

This is my latest favorite photography book. I have a large collection that includes many with Manhattan as subject. The images captured by Levitt are stunning and the binding of the book itself is wonderful.

I came of age as a homo in Boston circa 1987-1991.

Cyclizen is the best account of the political, sexual, and social fulcrum for 20 something gays in New York at that time. Sex and empowerment were in the air and Provenzano captures both in this novel. A great read that includes generous helpings of the events and flavor of the time and believable accounts of the romantic and erotic adventures of Kent a complex but likeable protagonist and narrator. Provenzano also pulls off a novel that has substance and graphic sexual encounters. Highly recommended.

"Cyclizen" is something of a sequel to "Monkey Suits" and continues on the theme of a rather ordinary guy who was swept into AIDS activism. Kent is a peripheral member of ACT-UP, but a more worldly person than the protagonist of "Monkey Suits". The book deals directly and sensitively with the difficulties of sexual relationships between gay men, especially where their HIV statuses differ. It also deals with effort to come to terms with the kind of relationships that a gay man may seek, although this is never fully resolved, much as many men never really figure this out (or they choose a sort of freedom that isn't entirely freeing, as is the case here). Kent seems to enjoy the jailhouse hookups as much as any other aspect of activism and the book captures the varied motives that brought people into ACT-UP and kept them involved. As such, it will disappoint those who want an elegy on a past era of engaged activism.

"Cyclizen" has gotten far less press than "Monkey Suits" or "PINS", which seems odd to me. Structurally, it is a much better written book than Provenzano's two previous efforts. He uses a straight forward first person narrative and builds that character more fully than the poorly developed Lee of "Monkey Suits". It seemed apparent that Lee was underdeveloped as a way for readers to impose some of themselves on the character and let the story build around him--unfortunately, it just seemed like weak character development to me. The "Wall Street" subplot of "Cyclizen" is the most poorly developed aspect of the story, although it helps provide a narrative that comes to a less rushed and neatly tied ending than "PINS" or "Monkey Suits". Given its brief length, this is more of a novella than a novel and this form may be better for Provenzano, who seemed to treat his other two books like short stories in terms of resolving their plots.

Overall, the book is an enjoyable read. It realistically captures the middle period of AIDS activism and provides a perspective on gay men's relationships. It continues Provenzano's exploration of characters who aren't quite the usual gay lit guys, which is one reason why I look forward to what ever he does next.

Written in a seat-of-the-pants tenor, "Cyclizen" evokes the mood and tone of the times in which it is set. In a basic, sort of scruffy narrative, he tells a very sweet story in the context of a time when a movement was gaining its footing and becoming a "community."

The backdrop of activism, the journey through the edges of Gordon Gekko's Wall Street, the exploration of feelings captured, recaptured, sought after and lost all come together in a narrative that is compellingly evocative; especially if you were around, during those times...

There are some powerful moments, articulated throughout the book; and the end was, to me, quite moving. It won't be moving, though, if you go right to the last pages; you must READ THE BOOK!

So buy it. Read it. Keep Provenzano fed.

While Cyclizen is the third novel by Jim Provenzano, it's the first novel of his I've read. Written in a first-person narrative (a writing style I enjoy immensely), it's set in New York City in 1992. Gay activism, such as ACT UP and Queer Nation, were at their peak and the start of the "greed is good" Wall Street days.

Kent, the protagonist, becomes a bike messenger, and with that he recounts his adventures -- sex, friendships, and even gets wrapped up in the "greed is good" Wall Street of the day. One of aspects of first-person writing, fiction or non-fiction, is the writer can fully explain what's really going through the character's mind. I know what Kent is thinking about more fully when he is by himself or interacting with the other players in his life.

Cyclizen is mean to be an entertaining read without hitting the reader over the head with a specific point (or issue). Kent's passion about his activism is apparent, but it is his own, not meant to "teach a lesson" to the audience.

I would highly recommend this to anyone looking for an example of gay fiction that isn't heavy or moralistic, but simply a good novel!

Cyclizen is another stylistic departure for one of my favorite gay fiction writers.



While it's a far veer away from "Pins" (there aren't any teenagers or wrestles), it seems a good follow-up to "Monkey Suits," which had its flaws, but focused on the same time and setting. This seems to be the downtown version.



"Cyclizen" is much more personal; a first-person telling leaves you wondering less about the main character, who provides a lot of personal details, and more about the wider world of activism and bike messengering he inhabits. New York itself becomes a character.



I got a lot of poetic passages, some sexually explicit yet written with a motivation, a why, why his hot ex-boyfriend activist clone dumped him, and why Kent is hesitant to connect fully with Ness, who could be his true love. All of this is told with a wry combination of humor and bluntness.



His affair with Sheets, the closeted marketing guy with a scheme, embodies the 80s corporate gay white guy. It's interesting to get his naive perspective to counter Kent's almost cynical tone about his years spent in ACT UP.



This was a breeze to read, with action, politically charged sex, and a bit of old mythological stuff woven in, too. I look forward to reading it again on a hot beach.

Not a hip-hop fan and not interested for a variety of reasons? Then all the more reason to pick this book up. I learned about the origins of hip- hop and the accompaning culture and like many of the characters in the book, I made peace with certain aspects of hip-hop and continue to be perplexed by others. Certainly the read is a mind opening and balanced account of the struggling sub-culture of religious hip-hop to reclaim its roots. Gutierrez's writing is a refreshing look through all eyes focused on the illusive prize.

Eric Gutierrez' DISCIPLES OF THE STREET is a page-turning and inspiring story of faith and hope. This savvy and soulful book really moved me to imagine the rich and diverse ways we can build community. A must-read!

Not so much in the born-again sense but in the living-in-the-now sense, this book chronicles a specific rebirth of organized religion, with all the disorganization, mess, and glory it entailed. This story is complex and multi-sided, and the writer possess an admirable (and humbling) ability to listen and record. Most writers would be injecting their own feelings and opinions everywhere, but this author listens. His attention to detail and nuance is wonderful. Once I started reading I couldn't stop. That's rare.

Fascinating story full of big personalities. Whether you are into hip-hop, or not, the story of the people in Disciples of the Street will appeal to you. I really enjoyed this book!

I came to this book not expecting much but found the characters rendered in complex and fascinating emotional colors. God--and love--comes from the most unexpected places and faith seems that much stronger when it springs up in a weed-strewn, neglected, drug-fueled community. Great read!

To read this book reveals not only plenty of interesting and quite often surprising information on fashions past and current but its text and pictures are highly complementary. In addition a lot of the provided information gives insight into social structures of the centuries referred to - and once more it is proven that fashion is one of the quickest instruments to testify social and historical changes to the world.

Harold Koda's Extreme Beauty surveys concepts of fashion and beauty. Koda considers the evolving, changing strategies of beauty around the world, focussing on different body parts and how they are accented and displayed through varying uses of clothing and cultural perception. Black and white and color photos of unusual fashion choices and styles make for some eye-opening insights.

This is a beautiful book illustrating the different ways cultures reform the body and for what reasons. It is just like actually visiting an exhibit at a major museum. But this you get to take home and enjoy over and over. The photos are plentiful, full color, large and professional. The text is not overly scholarly, but informative and intelligent. It does leave me wanting to delve deeper into the subject intellectually.

Sentient humans with brains as well as bodies have always been fascinated by the way we adorn ourselves and why. Once we can get past the cultural anthropology of fashion, and the fads that make it a billion-dollar world industry, we can dig down to discover the roots of historical and current adorned beauty, and EXTREME BEAUTY does this . . . beautifully.
It is pleasing--in an era in which physical beauty and adornment typified by fashion have been roundly rejected by most of the jeans-wearing public--to find a book that lets beauty out and helps us exercise our sense of mystery and wonder, based in no small part on human sexuality and attraction. Harold Koda (curator of the Costume Institute at New York's Met) has mounted a show and created a book with marvelous insights and passion, and the illustrations are wondrous--consider, as a case in point, Thiery Mugler's 'Chimere,' with its savage eroticism.
One could quibble with Koda's arbitrary division of the body into 'neck and shoulders,' 'chest,' 'waist,' 'hips' and 'feet,'
and his exclusion of the fascinating face/head/hair perplex, and the hands, with their magical touch and allure. But this book and its illustrations will become a benchmark by which human adornment is judged, and is a keeper of power and importance.

Extreme Beauty is a wonderful book that celebrates the Metropolitan's equally brilliant exhibit about fashion and it's different preoccupations with the body. The exhibit was magnificent, and the book truly honors the tone and feeling of it, while being extremely informative in it's own right. The book is divided into different chapters such as neck and shoulders, waist, chest, etc. Each chapter features photos of the garments displayed in the original exhibit, as well as additional historical drawings and photographs of the various fashions and cultural trends that have celebrated the parts of the body. And, as promised in the title, the book explores the cultural foundations of bodily transformation and mutilation(?) through everything from extreme corsetry, [..] footwear and peircing to the tribal women who use metal rings to actually elongate their vertebrae. Harold Koda's insightful and meticulously researched commentary is just the icing on the cake. This is a must for any fashion library, but also of great interest to non-fashionistas.

Well written and amazing to read. Author captured the moment and took you there. Book was flooded with facts.

I would highly recommend this book, it is not only for the history buffs.
If you do enjoy history, you will love the author's details.

I very good book that gives the reader an interesting twist on what was believed to be gospel. The author's research is convincing.

An awesome book....definitely a different view .... a must read for anyone seeking to truely understand Benedict Arnold's story.

Who would have thought that what was assumed by the average student of American history to be an open and shut case against Benedict Arnold could be brought into question. And, furthermore, to do so with such detailed facts woven into a rather gripping novel format. Mr. WIlczak has laid out a compelling case that Arnold was not a traitor but a collaborator with George Washington to ultimately fool the British. This book could be the basis of an excellent movie.

This book expresses a thoroughly researched, fresh approach to one of history's most infamous legends. When I began to read the book I felt my feelings regarding Benedict Arnold could not be swayed. The author, however, through meticulous use of timeline, documented fact, and letters of many of the involved, opened my eyes to the possibility that Arnold may have been the protaganist in a great scheme to free the colonies and help create the United States. I highly recommend this book to anyone who seeks the truth instead of the commonly handed down history stories we have been fed since childhood. AAAAA+++++