New York Books

To say that Roy Neuberger's book entitled "From Central Park to Sinai" was a real page turner, is a definite understatement. This most engrossing and captivating book details the story of a personal transformation of a man searching for spiritual meaning and purpose in his life. The grandson of a great rabbi and founder of the "Mussar" movement in Judaism, Rabbi Yisroel Salanter, Roy Neuberger's life couldn't be further apart from that of his grandfather. Educated in the traditions of ethical culturalism, Mr. Neuberger felt an ever present spiritual vacuum in his life and as such he embarked on a personal quest for truth, via the study of Catholicism, Protestantism and a whole host of other religions and value systems. He even wrote a book detailing why these other religions and their credos were superior to that of Judaism and why Judaism held no meaning.

Accompanying Mr. Neuberger on his trajectory towards spiritual fulfillment was that of his beloved wife, Linda, also a student of ethical culturalism. The fear and uncertainty that plagued Mr. Neuberger throughout his life could be simply termed as a man living through a perpetual anxiety attack with no relief in sight.

It would seem that G-d heard the inner cry and pain of Mr. Neuberger, and as destiny would have it, he was guided in the direction of Rebbetzen Esther Jungreis. That night in Neuburgh, NY changed the course of an entire generation of Neubergers. Mr. Neuberger was deeply impressed with Rebbetzen Jungreis' Torah message and he began to attend her classes on a weekly basis, despite the hardship of traveling such a long distance during a fuel crisis. Rebbetzen Jungreis served as a conduit to bring the message of G-d's love and compassion to a man who hungered and thirsted for spiritual guidance and meaning. In essence, Mr. Neuberger began to fall in love with G-d, embracing His Torah and commandments.

Since that time, Mr. Neuberger and his wife have raised a beautiful family steeped in Torah values and has spread his joy and understanding of spiritual truth with hundreds of people who he has invited to his home to enjoy the uplifting experience of Shabbos.

Mr. Neuberger's story will not only inspire, but will captivate the heart and soul of the reader. It is a must read for anyone searching for guidance and truth and even for those who are not searching for anything in particular. It is a welcome addition to any library and will remain within the recesses of the soul for posterity.

Roy Neuberger's journey to find himself is extremely inspiring. It goes to show you that a man can have all the money in the world,but without a some spiritual guidance, what is he really living for? In some ways his wealthy background was a great hinderance to him. His parents did not give Roy all the proper attention and guidance as the Ethical Cultural Schools merely confused his thinking.

Finally after 31 years, a colleague woke him up to the fact that he is a Jew whether he realizes it or not. Mr. Neuberger finally realized that he was not giving his own heritage a chance. Finally he asked to visit a synagogue with a friend and it so happened the Rebbetzin Jungeris was speaking there that night. At that point a chain reaction fo events triggered in Mr. Neuberger's brain that this was answer he was looking for.

The rest of the book consists of many powerful miracles based on prayer and faith in G_d. Although many of the stories are repeated from Esther Jungeris' The Committed Life, it is still a pleasure read about people turning their lives around by believing the Power of the Jewish Religion. Judaism encourages its followers to be strong and persist towards acheiving happiness and overcoming obstacles.

This book will make you believe in miracles even if you are not Jewish. An inspiration to us all.

Mr. Neuberger is a very enthusiastic and sincere man of faith, and these qualities shine through in his book.

This book has the power of spiritual elevation reinforced by a sense of personal discovery.

I would highly recommend this book to anyone with an interest in religion, who can appreciate religion as an experience where personal growth and community involvement are not contradictory; but, parallel and mutually reinforcing.

Roy Neuberger's personal story has a strong message even for non-Jews and for people who are not religious. His personal search for God is very moving and is written in a charming, conversational style. I was especially taken with his numerous stories about he and his wife, Leah, helping so many people from various walks of life. There are important messages in this book that will help all of us to live better and more enriching lives.

This was a heartfelt story of a mensch who was dissatisfied with the lack of spirituality in bland liberal universalist culture in which he was raised. Eventually, he found true joy in Jewish orthodoxy. However, if you're pondering deep metaphysical issues, you'll find assertions here, but not deep abstract notions of different "isms" and why they are true or not. I was also uncomfortable with the assertion that Jewish assimilation caused the Holocaust.

Early this spring (2008) I discovered a hummingbird nesting in the dwarf magnolia tree in our front yard. The nest was remarkably engineered and so well camouflaged that it was all but invisible to people walking by. I watched with fascination as the tenacious momma bird clung to her duties through the noise and commotion of an emergency sewer line repair taking place just five feet from her nest. The digging nearly cost us the tree due to the ground caving in around the trench. Thankfully, after the tractor operator learned of the hummer's plight, he was ever so careful to save the tree and her nest. The repair is done and now there are at least two tiny beaks poking up from the nest.

A good friend sent me this book after hearing my hummingbird story. It was a delight to read such a well written examination of hummingbird behavior and the special interactions of one hummer with one human being. The photographs are stunning and informative. After reading this book, I felt like I had developed a special bond with the momma hummer in our front yard. I felt like I knew her on some special level that would have been otherwise impossible. I highly recommend this book for bird lovers and nature lovers of all sorts.

which the talented and admirable writer, Arnette Heidcamp, leads the reader through - namely, the first months of a Hummingbird's life, from the beginning of winter to the advent of spring.

Ms. Heidcamp has amazing expertise in both bird and plant life, and what one appreciates also is her great love of them both. One wants to thank her for this lovely book and for the precious photographs which accompany it.

Throughout the book, the reader gets to know Squeak more and more, to understand the habits and traits of this darling hummingbird, and to realize what an intelligence it has. Ms. Heidcamp is dedicated and devoted and, yes, the ending is sad. I have to admit I shed a tear or two as a reader saying goodby. I can only imagine what an emotional time Ms. Heidcamp had to go through, after fostering this hummingbird so carefully and intimately, when the time came to set Squeak free.

I have alredy got several of Ms. Heidcamp's other books lined up to read, and even signed up with Random House to get an e-mail notice when she has a new book published.

I can't praise this wonderful literary and photographic pursuit highly enough. Reading this book was a true joy!

We were given this book that is filled with wonderful close up observations about one hummingbird. The author shares how she learned so much when a hummingbird over stayed his summer visit and how she helped "Squeak" until the following spring. The book was very enjoyable. We are hummingbird lovers and feed them.

A heart warming story and a great read. If you enjoy birds or wildlife you will like reading this book. The quick thinking and commitment by the author
saved this little hummers life.

Very beautiful photography and a touching story of how the author was able to create a relationship with a very tiny and fragile creature who otherwise would not have survived the winter.

Lincoln at Cooper Union: The Speech That Made Abraham Lincoln President (Simon & Schuster Lincoln Library) The book does a good job of documenting the impact of the speech and provides a copy of it. I consider the book to have given me thoughtful insights to Lincoln that are incidental to the speech but greatly enhance my understanding of him as a human being. It is very elegantly written. I appreciate the author's truely first rate descriptive abilities.

Harold Holzer's book on Abraham Lincoln's speech at Cooper Union gives a clarity to the importance of that speech and how it affected Lincoln as a speaker, politican and future candidate for his Republican Party. While Lincoln was well known among the western states, he wasn't that well regarded along the northeastern seaboard. One of the most important things about the book was how the author explained how this speech gave Lincoln so much creditability among the easterners and how that speech firmly put Lincoln on the political map national wide. This helped pave the way for Lincoln's nomination when others were looking for alternative choices beside William Seward who was at that time, the leading Republican front runner.

The book proves to be quite informative. Abraham Lincoln is obviously one person you cannot judge by your first impression. The author throughly explained the mannerism of Lincoln's speech skills and the way it contrast to his physical appearances which often led to initial misgiving by the audience before they roared in their approval at the end of the speech.

Its pretty clear that Mr. Holzer have complete command of his subject matter which is reflected on the superb writing and ease of reading material that only an expert can do to any subject. The book appears to be well researched and it was about time that a book on this subject came out (I think the last book about this speech came out before Mr. Holzer was born).

I would considered this book to be a mandatory reading material for anyone interested in Abraham Lincoln and probably a good background material for anyone interested in the coming of the American Civil War.

There are so many books written on Lincoln and many different prespectives on his life and presidency. Holzer looks at the Cooper Union Speech and shows how Lincoln, the master politician used the speech and his trip East to get the 1860 nomination. Many historians assert that the speech made Lincoln. However, Holzer shows a unique view of the trip and the speech and how Lincoln used the opportunity to campaign in the East before he was officially a candidate. Ironically, Holzer points out that Salmon Chase turned down the opportunity to speak at Cooper Union demonstrating just one more ocassion when Chase blew an opportunity to get to the White House.

While dispelling many myths about the speech and Lincoln's trip, Holzer also shows the brillance of Lincoln and the time and effort that he spent in preparation for this speech. He also shows how this speech became Lincoln's stump speech. Once nominated, Lincoln followed the tradition of the time and did not campaign but used the Cooper Union Speech as essentially his platform.

For the person just beginning their interest in Lincoln or the seasoned scholar, this book is well worth the read. To add to that it is a quick and enjoyable read.

I enjoyed this book immensely and now look forward to reading more from Holzer about this period. It answered so many questions I had about the messy circumstances surrounding slavery and the formation of the country. What I had always thought of as such hypocrisy was, as I now understand it, an incredible lesson in the human tension between reality and ideals -- such a Christian tension and so true to life, and on such a grand and significant scale. Rather than merely acknowledging the "stain", as indeed it was, the focus today should be on the triumph of overcoming it.

In his highly detailed telling, Holzer over and over exposes Linclon myths surrounding the event and that are, in themselves so revealing of human tendencies. While deflating so many of these myths, in the doing he does so much to explain the likely origins -- often humourous, sometimes self serving, but always understandable and enriching to his story.

And not just myths. One I found particularly poignant was repeated on occasion by son Robert who was at Exeter at the time of the speech. While it had been only about 4 months since they had seen each other, a visit to Robert was one of Lincoln's excuses for taking the time and incurring the expense of going East to speak. Lincoln ultimately made about 10 subsequent stops to speak in New England on his return trip to and from Exeter before heading home. While these speeches laid the foundation for his calculating father's ultimate nomination and election, Robert steadfastly maintained the purpose of the trip was to see him. I found that very touching -- it's one thing to be a father to your country, but still another to be so to your son.

At the heart of it all was the speech itself and the eager ears, eventually eyes, which took it in. While Lincoln's personality was a factor, the power of his words was what carried he day. I found this revealing and a tonic to today's politics -- an altogether different America then.

This was democracy at its best. There is clearly, to me at least, no ideal political system, as all can be manipulated. Now with Hamas the victors in Palestine, I guess even the current administration might be thinking this.

I could go on, but won't other than to quote the following recollection attributed to Lincoln and which might best be read with the thought of current schooling in mind:

I remember how, when a mere child, I used to get irritated when any body talked to me in a way I could not understand. I don't think I ever got angry at anything else in my life . . . I can remember going to my little bedroom, after hearing the neighbors talk of an evening with my father, and spending no small part of the night walking up and down, and trying to make out what was the exact meaning of some of their, to me, dark sayings. I could not sleep, though I often tried to, when I got on such a hunt after an idea, until I had caught it; and when I thought I had got it, I was not satisfied until I had repeated it over and over, until I had put it in language plain enough, as I thought, for any boy I knew to comprehend. This was a kind of passion with me, and it has stuck by me; for I am never easy now, when I am handling a thought, till I have bounded it North, and bounded it South, and bounded it East, and bounded it West. Perhaps that accounts for the characteristic you observe in my speeches, though I never put the two things together before.

PS As a graduate of Cooper Union, I did find Holzer's account of Cooper's amazing building a bit thin. Plans and photos are available on the web. The stage is on the West, not the North as Holzer says, and there are 18 obstructing columns, not 16. These inaccuracies have not altered my faith in his account. I have inserted a plan of the hall in my copy.

For anyone who wants to use the founding fathers as a justification for their belief system should read this speech and this book.

Lincoln in tight, careful reasoning lays out exactly what the founding fathers believed in regard to slavery. Eloquent, exciting and challenging.

This is much needed study to the speeches of Lincoln.

This is a major compilation of the work of the intriguing graphic artist, M. C. Escher. Remember seeing depictions of events that seem plausible but, under closer analysis, involve impossibilities? That describes some of Escher's most interesting works.
The book provides just about everything Escher produced (appearing in the "Catalog" section of the book), including his earliest works compiled during his teens. Among the most well known (and fascinating) include "The Waterfall," "Ascending and Descending March," "Convex and Concave," "Liberation," "Synthesis," "House of Stairs," and so on. The catalog section is fun, for one thing, simply to trace the evolution of his art.

But there is more to this volume than the works themselves. The volume provides context, with a brief description of his father's life as well as a more detailed analysis of Escher's life, from his birth in 1898 to his death in 1972.

There is also a most useful chapter labeled "The Vision of a Mathematician" (featuring the thoughts of mathematics teacher Bruno Ernst). It begins by noting two periods in the work of Escher--(page 135): ". . .pre 1935, in which landscapes predominate, and post 1937, which is characterized by a marked mathematical tendency." Ernst describes the mathematical principles in some detail (for those interested in this, a fascinating discussion). The textual portion of the book concludes with an essay by Escher himself on "The Regular Division of the Plane," including his reflections on his art.

This book has been around a while, but it is a valuable backdrop to getting a sense of the art of M. C. Escher.

I love everything Escher. I have several books, numerous calendars, as well as large jigsaw puzzles, T-shirts, magnets and mini jigsaw puzzles. Because of the detail in this book, I will never need to add another book to my collection. I especially appreciate the explanations. I am nowhere near smart enough to figure out what Escher was doing in each of his artworks. The detailed lesson on what each piece means is much appreciated by an art fan who is not an art scholar. I think this book would be great for any Escher fan, but I feel the need to tell you it is very large. Make sure you have room for it.

And c'mon - if you've seen his work, you're a fan.

The great thing about this book is not just the extensive and readable biography, but the complete (so they say) catalog of his graphic works. Even people very familiar with Escher's ouvre will be surprised by some of the entries here. They go back to work he did at ages 18 and 19, and show the devleopment of the Escher that has become so famous. It's just a little disappointing that the catalog is printed only in black and white, when so many of his works used color. The catalog reproductions are just that - a listing of his work, not a gallery, so the quarter-page size of most pieces is adequate for recognizing a piece, if not for appreciating it fully.

It is fascinating to see Escher's style develop though his (and the twentieth century's) twenties. Various influences early on suggest Beardsley (cat. 49, 67), Picasso (cat. 51, 58), or the pervasive Art Deco of his time (cat.34). Even then, some of Escher's later fascinations begin to emerge, including hands and reflective balls (cat. 88 and 80), symmetries and tilings (cat. 61, 65), and complex interactions of many figures in a repeating structure (cat. 90). The lesser-known parts of his work also start to emerge by the time he's 30, including delicate lithographs (cat. 129, 132). As much as I love his visual paradoxes and flirtation with the infinite, the lithos and mezzotints are the pieces that truly move me. "Snow" and "Blowball" (cat. 278 and 330) have an eloquent simplicity. "Eye" and "Drop" (cat. 344 and 356) demonstrate his classical sense and his perseverance with the demanding medium of mezzotint.

The text is also thorough and enjoyable - a good thing, since it takes up half of this heavy book, including its own set of illustrations. I admit that I have only skipped around this section, which starts by describing Escher's father. It's small wonder that his father was an engineer and that his son Arthur studied geology. Although an artist to the core, Escher had fruitful contact with mathematicians and crystallographers. He is one of very few artists that have successfully incorporated hard science into their artistic vision at such a visceral level, and the scientists appreciated that as much as anyone.

Although out of print, this book is available inexpensively on the used market. It's one of the best bargains around; if you've read this far, you'll probably find it well worth having.

//wiredweird

I haven't even had a chance to go through all of this remarkable book yet, but I am so impressed with it so far I cannot burble enough about how delighted I am with my purchase. This is a beautifully produced, designed, and wonderfully complete book. Many tales of the personal life an vision of the artist, countless, cleanly reproduced graphics, many works I have never seen or heard of before. Terrific! Can't recommend enough!!!

Definitely the first book every Escher fan should purchase. It's helpful in getting to know about the man himself as well as his brilliant artwork. It may seem pricey, but it's totally worth it, being hardcover (at least the one I got), and high quality photos of his work. It also shows his lesser known works (ones never released apparently), as well as photos of himself and his family. A very informative read and a quality edition.

Bought this as a gift and never got to read it personally, however, was told it was a great book. Marv's a legend, and any Bills fan should take a read, capturing those "glory years" of the Bills.

Extremely hokey and a tad bit hurried through the end, but a pretty good book covering his life of football. *Mr. Levy really needs to lay off the use of superlatives as almost every player or team he has coached was the greatest at one particular thing or another. Also, I don't think Mr. Levy intended that the descriptions he has written regarding his locker room motivational speeches were to betray the fact that the players most likely considered the gravely serious war metaphors that he was constantly drawing on as a little too serious to be applied to a football game. No wonder why they consistently fell silent as he left them to contemplate his words. I can hear in my mind a player asking another "Like, we're playing a game here, right?" as Marv proudly leaves the locker room. Marv comes off as a classy guy hoping to coach again. I hope he gets his wish.

If one were to look outside of one's immediate family for a role model, Marv Levy would be a wise choice. Marv Levy is not all about football, although he has spent most of his adult life in one capacity or another in the game. His body of work is as a human being, caring for his players and family. In this era when books usually have some axe to grind against those who "done someone wrong," Levy seldom has a bad word about anyone, and any are usually absolved before the end of the paragraph. His book details his life, the good times and bad, the celebrations and defeats, and the fights and absolutions. He is a unique man who has written and interesting and worthwhile book about his experiences, written in a positive light about incidents that helped him grow as a man and a leader. For those looking for a good football book, an inspirational book or inpiration of life, read Marv's book. It's well worth it.

[Four of Four stars] Marv Levy of Chicago
and Iowa is sort of the Red Auerbach of
Pro Football. A journeyman, who maintained
his class and sense of humour which is not
just soundbytes in NFL films clips.

Mr Burns does us an injustice below in his
review by criticising the very fine Montreal
Alouettes of the CFL, but CFL fans will love
the chapters on our favorite League, particu-
larly, "My Grey Cup Runneth Over". The only
knock that one can have on Levy, and it's a
slight one, is that he hung too long onto
Kelly at QB (Frank Reich should have started
one of those Super Bowls) and Thurman (fumbles)
Thomas, who was simply an overrated player.

One spot in Marv's fine book, he maintains one
of the hardest things he ever had to do was
keep lightning quick Steve Tasker (one-time
Kansas Jayhawk) on the bench! Tasker, like Levy
is a class act who deserves to be in the NFL
Hall-of-Fame and could have been one of the
greatest RBs or WRs of alltime. Marv, as bad
as the NFL is getting even having you back in
the League at 81, again with the Bills (this
time at G.M.) is a breath of fresh air. Thanks
for all the memories. Your dad and my granddad
chewed a lot of the same turf in World War I.

Recent history has been kind to Marv Levy as the magnificence of having won four consecutive AFC Conference championships is now replacing the earlier bitter pill of lost Superbowls. Marv Levy has become the ceremonial uncle of professional football today. He is to pro football what George Foreman is to pro boxing, the friendly enduring face of a brutal sport.

This is a campfire book, a grown-up bedtime story about a bright young lad from Chicago, one of those lucky folks who got paid to do what he liked. It is a tale remarkably devoid of rancor or regrets but rather a mixture of self-deprecating humor, a bit of self-serving forgetfulness, colorful characters, and the pleasures of the jocular world of organized football. In his preface Levy advises us that his writing style is the re-creation of the pleasures of his memory. Take away the Kansas City Chiefs and he would have had the perfect life.

But before arriving at Kansas City, there were the minor matters of World War II, college, and building a resume. Levy entered the Army Air Corps with the help of a friend who, shall we say, understated Levy's vision impairment. When this problem was later detected, Levy was scratched from pilot training and spent much of the war in Florida as a weather observer. After the war, already in possession of a bachelor's degree from Coe College, Levy began his much heralded graduate work at Harvard. In truth he opted out of the law school in three weeks, choosing instead to earn a masters in history and collecting inspiring anecdotes for use in the Buffalo Bills' locker room years later.

Levy had abandoned law school because of his desire to coach football. After a stint as assistant coach back at Coe for the mighty "Kohawks," Levy over the next fifteen years crafted a highly respectable resume of work as head coach of generally mid-range college football teams, primarily New Mexico, California, and William & Mary. It was a stunning upset of the nation's number one team, Navy, by an undermanned William and Mary crew in 1967 that brought Levy to the attention of NFL, and eventually to the staff of George Allen in Washington as special teams coach.

Levy could not help but be influenced by his Redskins boss. Allen referred to his defensive linemen as "rushers," benched the popular pass-happy Sonny Jurgensen for the workmanlike Billy Kilmer, and played for the least mistakes. A running offense, a veteran opportunistic defense, and juiced up special teams play were his trademarks. Allen seems to have taken to Levy because of the latter's own imaginative thinking about the critical nature of special teams' play, which comprises about 30% of an average NFL game. Moreover, Levy could not have missed how Allen cultivated an image and played the psychological card adroitly.

Levy, a man not without ambition, was anxious to run his own ship, and in 1973 became the head coach of the Montreal Alouettes. Once the flagship of the Canadian Football League, the Alouettes were an artistic, aesthetic, and organizational shipwreck, bedeviled by an atrocious stadium, poor attendance, and impossible weather. Levy guided Montreal to the Grey Cup final in his first year and a league championship the following season. His five successful campaigns in Canada brought an invitation to come back south of the border and take the reins of the young Kansas City Chiefs.

In many ways the Chiefs Levy inherited in 1978 were very much like the present day Chiefs-a potent offense with a porous defense. He also inherited an overbearing club president, Jack Steadman, who did not understand Levy's priority of drafting for defense [Art Still, Mike Bell, Gary Spani, among others], nor his coach's penchant for a tough ground game a la his contemporary "Ground Chuck" Knox. Perhaps reflecting the thinking of his old mentor George Allen, Levy believed that an adequate quarterback could direct the Chiefs, as Billy Kilmer had in Washington. At Kansas City Levy inherited the aging QB Mike Livingston and drafted Clemson's Steve Fuller. Steadman--and Lamar Hunt himself-- created what was probably an unnecessary controversy in their criticisms of the quarterbacking position, a situation aggravated by the arrival of yet another QB, the gunslinger Bill Kenney.

The Chiefs improved, and the defense became stellar, but neither Hunt, Steadman, nor many of the fans were satisfied with a .500 team. Released from the Chiefs in 1982, Levy would always remember how a meddlesome front office and instability at the quarterback position could undermine an otherwise flawless rebuilding program. Thus, when Levy accepted the Buffalo Bills' call in midseason 1986, it is no coincidence that he had already over the years cultivated friendships with owner Ralph Wilson and his executive staff of Bill Polian and John Butler, and that the quarterback situation was quite stable under the maturing Jim Kelly. Clearly a unity of respect and purpose among all levels of Buffalo management marked Levy's years with the Bills and allowed the team to focus entirely on drafting, development, and execution.

Levy assumes that most readers know of the exploits of the Bills in their glory years, and as a rule he paints with a broad red, white, and blue brush. As a history major himself, he has forgotten or omitted some situations that still intrigue knowledgeable observers: his protest of Cincinnati's no huddle offense to the NFL Commissioner prior to the 1988 AFC Championship [a style of play which, ironically, would become the hallmark of the Bills, the K-Gun] or Thurman Thomas's missing helmet episode at the opening of the 1992 Superbowl. But there is self-revelation as well. Levy was over 60 when hired by the Bills; he admits that he had begun to doubt whether he would ever coach again. How could he know then that his best days were yet to come?

It is amazing that a book written so long ago is still so entertaining. I will be reading the entire series and I bought the 1st seasaon DVD for a friend.

This is a great example of why this series is so enjoyable. Nero Wolfe proven right about automobiles, Wolfe trapped in a pasture by a bull, (Threatened by food, how appropriate.) Archie meets the one woman who sticks around (Lily Rowan) and a mystery that only gets solved with one of Wolfe's outrageous, but plausible (well, almost plausible) schemes. All the usual pleasures are just a bit better in this one, Archie gets arrested (as per usual) but instead of just suffering comically, he decides to organize the inmates. The banter between Goodwin and Rowan is another highlight (You'll see why Stout kept her around) and the twists and turns all have purpose. This one is one of the true classics of the series.

And it's not Hickory Caesar Grindon, the bull, either. This early Wolfe introduces Archie to his lifelong companion Lily Rowan.

Lily sticks with Archie (God knows why) for the rest of the series, which means from 1939 to 1975.

Some would say that Archie should be ashamed that he never makes an honest woman of Lily - I mean, isn't 36 years long enough? But that shows that they've not understood Lily - or Archie, for that matter.

Lily is a classic proto-feminist. She is independent and wilful. SHe thinks and acts for herself. Marriage, as she would define it, poses unacceptable terms to her: having to conform her actions to the expectations of someone else.

A great pleasure was seeing Kari Matchett play Lily in the much-lamented A&E series on Nero Wolfe. She was perfect: beautiful, self assured, charming and very much her own woman.

Oh, the story: a prize bull is killed and so is another person associated therewith...Wolfe, already grossly inconvenienced and in a highly uncomfortable place, must unravel this to assure that Archie does not languish in a provincial prison.

And, of course, a relationship begins which lasts a lifetime. The language and the characters in this story are irresistable, and Michael Prichard does his usual, wonderful job in capturing the spirit of Rex Stout's writing.

It's a story that stands up to multiple listenings. Enjoy!

Some Buried Caesar begins with an auto accident as Archie Goodwin is driving Nero Wolfe to an orchid exhibition. Wolfe, in his own considerate way, loses no opportunity to tell everyone he meets that Archie has wrecked his car. While this definitely helps fuel some of the comedy in the book, it's not quite the central plot thread. It turns out that Wolfe and company get sucked into a murder investigation where the prime suspect is a prize bull. Wolfe knows that the bull is innocent but has to prove it to the police to earn his fee. There is plenty of enjoyable snappy patter and the story moves along at a nice brisk pace. Archie also picks up something of a girlfriend, Lily Rowan, who will be around off and on for the rest of the series.

Most Wolfe novels have him safely at home in the city but this one pulls him out of his cozy confines and this definitely helps add spice to the story. Speaking of the story, it's one of Rex Stout's best. The characters are varied and interesting and the murder mystery is just as baffling as you could hope for. Some of the dialogue is laugh-out-loud funny, just as you would expect from Wolfe and Goodwin.

If you've never read a Nero Wolfe book, this one would make a great introduction to the series. If you have read some of the novels, this one is well worth adding to your collection. In short, I would recommend it without reserve to almost anyone.

One of Stout's best Wolfe novels. The mystery itself is not really entirely gratifying, but the story and the characters that inhabit the mystery make it all worthwhile. The conflicts and dialogue of the characters add to the realism of the novel as well. One of Stout's most accomplished novels.

This is an excellent book to read to young children. The author gives the reader indepth information about her family but also some historical information about her hometown, Harlem. The illustrations sweep the reader along on Tar Beach and keeps you turning the brightly colored pages. You are able to hear Ms.Ringgold's voice when you read this book and get a taste of life in her family.

I don't know why this book was called Tar Beach, but it's interesting. It's about a little girl who is picked up by the stars and has the ability to own everything she flies over. Pretty cool huh? Whether she can actually do this or she just dreams of doing this, who knows.

A neat feature of this book is it was actually written and illustrated first on a quilt before being converted to paper. Maybe next somebody will try writing a book on a sculpture.

An excellent book for its literay value and artistic illustrations. A great memory for anyone who has lived in New york City and remembers going to their own rooftop gatherings in the summers.

My class loved this book. It was part of an African American History unit.

First off, this book would pair brilliantly with Deborah Hopkinson's, "Sweet Clara and the Freedom Quilt". Utilizing a style not unlike the classic slave quilts featured in "Sweet Clara", "Tar Beach" tells a contemporary story while tying its narrative to the history of African American storytelling. Before I say anything else, though, I should warn you about something. When I first read this book I had borrowed it from my local lending library. The copy I got out was a hardcover from 1991. Now, do you remember getting books when you were a kid and they, not to put too fine a point on it, stank? Certain picture books have some kind of binding glue or something that, over time, makes them stink to high heaven. This book was especially smelly and even as it sits next to me here on my desk I'm reluctant to open it up for reference because of its offensive odor. It's quite possible, even probable, that the editions of this book being sold now (being paperback and all) are smell free and no longer printed so as to attack one's olfactory senses. Just don't buy a used hardcover copy from 1991. That's all I'm saying.

In this tale a small African-American girl dreams of flight. In her flight she is powerful and free. The George Washington bridge, a magnificent structure that her father helped to build, is a diamond necklace around her neck. Flying high, the girl gives her father the union building he's working on, "Then it won't matter that he's not in their old union, or whether he's colored or a half-breed Indian, like they say". With her father so gainfully employed her mother "won't cry all winter" when her dad goes out looking for work. She'll be able to sleep late and (this is the most heartbreaking part for me), "we can have ice cream every night for dessert". The girl daydreams these flights while the family goes up to what they like to call Tar Beach. On the roof of their building they have peanuts and chicken and watermelon as well. She sums up by explaining, "it's very easy, anyone can fly. All you need is somewhere to go that you can't get to any other way. The next thing you know, you're flying among the stars".

On the last two pages of the book a long history of author/illustrator Faith Ringgold explains her life, the history of her work, the history of African Americans in the 1930s, and the basis of this tale. A quilter by trade, the left page displays the amazing quilt that inspired "Tar Beach" the book. In this quilt, the girl and her brother sit not too far from their parents and neighbors. Above, the girl soars over the George Washington Bridge and the words of the book are written into the fabric of the quilt. Parents reading this book to their kids would do well to read the summary at the end of the tale to themselves before reading the picture book to their children. That way they'll be better equipped to answer any potential questions the children might bring up regarding labor union practices regarding African Americans or the history of flight in the stories of slaves. This book covers a lot of ground. The basis of the tale itself is rooted in Ringgold's own experiences of growing up in Harlem as a child. She even gives a little background on the characters discussed within the tale and their lives.

The book is drawn using acrylics on canvas paper with the occasional quilted piece appearing on the sides. As for the plot, kids reading the book may be a little confused as to whether or not the heroine of the tale actually is flying or if it's just in her head. After all, there's a pretty clear picture of her little brother lying below looking up as his sister soars. If kids are able to get past that little detail, however, they'll probably love the tale. I mean, who hasn't wanted to fly freely over friends and family? Who hasn't wanted to give their parents everything they'd need to be happy? Or, for that matter, own an ice cream factory?

The book is well rooted in history, imagination, and colorful storytelling. With a pedigree such as this, it's hard not to admire it thoroughly. And if you'd like yet another book to pair it with during your storytime, consider "The Little Red Lighthouse and the Great Gray Bridge" by H.H. Smith, which is ALSO about the building of the George Washington bridge. Altogether this is an important book with a well told message.

I read this book the first time when I checked it out of the public library. I loved it so much that I had to have my own copy. It is a fascinating account of how the nouvo riche in the U.S. basically bought acceptance to high society for their daughters. You can just pick it up and read sections - it's not necessary to start at the beginning and work through. Not a summer goes by that I don't pick it up!

Every time I read this book it becomes more and more interesting. Meticulously researched, with great little anecdotes and etiquette tips.
This book is a lot of fun! I especially liked the many photographs of the designer gowns (most by Worth, if you please!) that are liberally scattered throughout.
If you're ananglophile you'll want to get this one!

Those few of us who have wondered why in the world a comfortable, cosseted American girl would want to marry an Englishman and live in a cold climate in an even colder stone castle will find answers here, even if the answers aren't satisfactory to the modern ear.

Think of it: wealthy American society girls, products of generations of men and women who gave lives and fortunes to escape a Royalist society, thought it a worthy investment of their lives, loves and wealth to buy an English title in the form of a husband. It's understandable that men who have no money and are saddled with huge estates and titles with no way to support themselves "in the manner to which they have become accustomed" would search out these women. It's another matter to understand the women, especially if they were bright and energetic (like the fabled Jenny Jerome).

Of course the first women to get involved in this weird method of social climbing didn't realize what was involved. (Though why American society decided that an English title was important in the United States, especially if it could be bought with money, still escapes me.) The problems included loveless husbands who paid little attention to their wives and carried on affairs; cold and drafty castles into which Papa sank tons of money to no avail as far as comfort was concerned; families who refused to accept them in spite (or because) of the fact that they provided the money to keep the lifestyle intact; servants who often were sulky and rebellious ("but we've ALWAYS done it that way"); children they handed over to nannies. The first brides must have kept the hardships and loneliness from the succeeding generation, for the rage for English titles prevailed from the mid-19th century almost through the mid-20th century.

TO MARRY AN ENGLISH LORD is a fascinating and complete look at these women and the lives they led. Illustrations showing the homes and households of the times and how they operated, fashions, maps, photographs of the women and their friends, families and husbands all combine to present the core of that particular section of society in that particular age.

The book is meticulously researched and includes a bibliography, a register of American heiresses, a suggested walking tour of the women's London and a very handy index. It's built around the stories of these women and the men who wooed and won them. Who they were, what they did and what the consequences were -- all adds up to an intriguing and fascinating read.

As the other reviewers have noted, this is a great romp through a part of American history you don't learn about in school. I read it through once and then re-read it just to savor all the little bits and pieces the authors have so generously loaded it with. If you ever wondered about all those Vanderbilts and all those Whitneys, here is your chance (from an American point of view!)to find out just how and why these ladies ended up in the postions they did- all for the love of Edward VII. I wish there were more reader-friendly books like this that make history so entertaining.

Who says that history is boring and stuffy? This well-researched book is chock full of anecdotes, pictures, and facts to make the period and the subject come to life.

This book discusses the phenomenon of the "dollar princesses": American hieresses who married into titles abroad, particularly England. Amongst them were Winston Churchill's mother; a woman who was the second-highest ranking woman in the British empire (after only the queen); and maybe the most famous of all: Consuelo Vanderbuilt, who begrudgingly became the Duchess of Marlborough in a marriage aranged by her social-climbing mother.

Written informally, with lots of pictures, this might be a great book to buy a teenager who is just transitioning into "grown-up" non-fiction, but finds most of it dry and uninteresting. It is also a must-read for anyone who plans on traveling to country-houses in England, as it gives a more accurate view of what it was like to actually have to live in one of those monstrosities! Anyone who is interested in the history of class in America, or of the British Aristocracy, would also be interested.

New York City Food is a cool combination of a food history of the greatest city in the world combined with recipes for those of us who hate the fact that we can't get to NYC often enough! It's NOT a restaurant guide, so careful not to try to use it as such. But it's a great read and can help you navigate the Apple's neighborhoods on your next trip. Thanks to this book, I found the "holy grail" of half-done pickles on the lower east side on my last trip!

You needn't have ever boiled water to love this book. What a gift! Thank you, Arthur Schwartz. Not only is this a fabulous, true-voice book for anyone who draws breath and has any interests past the tip of his or her own nose, it is a rarity to find such a soulful history. Schwartz somehow manages to make you feel you were there when it all happened -- where it continues to happen. (And I was not fortunate to live in the City). And the recipes are quintessential.

This book should be considered collectible as one of the finest examples of this unique genre. It is 'Pruniers' a thousand times over. You won't read it once and shelve this book; you will reread passages and quotes, so wonderfully complemented by Chris Callis' photographs and all the archival images, and take a little trip into New York City and the world.

Everybody knows about Junior's cheesecake, Mama Leone's, Ebbinger's Bakery, Lundy's (not Lindy's) the Stork Club, 21, etc., But this books brings it all together in a wonderful compendium of insights into the history of great dining in the restaurant capital of the world. No place on earth offers the variety and quality in both Haute Cuisine and everday fare as does NYC. Mr. Schwartz, unlike some actually recognizes that there is more than one borough in NYC and finds the best of the best in all of them. There are beautiful recipes, amusing stories, wonderful pictures in a book that really captures the spirit of the many places it describes.

If U LUV NY and U LUV NY DINING, then you have to have this book.

Great book. I keep in on my coffee table. Everyone that picks it up thinks it is great.

This is a great book, written by someone with impeccable credentials ... former chief food columnist for the New York Times, and a NYC born and bred native.

The author delves deeply into the history of NYC, and then works his way forwards to the present era - but he spends most of his time and energy covering the topic from the gilded age of the 1890's through the late 1980's. Between those dates he overviews all the most well known and influential restaurants of the day, along with information on who the movers and shakers were, what was served, and how they influenced the trends of the day. The author also includes about 100 classic recipes, from a wide variety of sources, directly relating to the names that he covers.

The author does the job credit - the historical information is meticulous, the recipes authentic (and he even included a recipe index in the back), and the book is well organized and well packed with classic photos and anecdotes, and plenty of New Vork verve and originality.

Want to know the origins of Steak Diane" ? Porterhouse Steak ? Lobster Newberg ? NYC Pizza ? It's all in there.

Just a few minor nits, in no particular (there are really just my own notes, to serve as a memory jog for eventually writing a letter of feedback to the author).

* Seafood (chapt 2): This chapter was already obsolete at the time it was first published. There are no photos of the Fulton Fish Market (gasp), nor is there any significant coverage of it's recent relocation to uptown. That section DEFINITELY needs update and expansion, both text, photos, and recipes.

* Porterhouse: very interesting and nicely done, but it could be expanded a tad to better clarify the distinction (in modern usage) between the Porterhouse, T-Bone, and Sirloin steaks. Many people are confused by those terms, and usage varies from region to region & country to country, so it's important to clarify the New York usage of those terms. The first two (as I'm sure you already know) are cut from opposite ends of the same "short loin" primal, and the third is from the sirloin primal just behind (rumpward) of that.

* Pictures: the pic of a bagel with lox & cream cheese in the front matter should have been repeated on p.119.

* Italian: the Italian section, at 24 pgs, is only given half the page count as the section on Jewish, at 44 pgs. Understandable I suppose, given that the author is Jewish, but it could use some expansion in a future edition ... the section on pizza, for instance, lacks a recipe, and sausage & peppers is given short shrift. Both can be made easily at home, from scratch, either with or without fancy tools & casings.

* Other nations: the sections on more recent contributions by immigrants from other nations could all be expanded by at least a page each, and include a recipe or two ... Japanese (ex: Nobu), Korean (the name of a top restaurant I went to in Queens escapes me ATM), etc.

* Restaurants: Loved all the historial info, but a few of the blurbs end a bit abruptly, without mention of whether or not they were still open at the time of this book's publication.

* Recipe Index: I wish that more authors remembered to include them. Minor editorial nit - it should have started on a new page, and been clearly differentiated from the main index with a header of some sort.

No one is better equipped to deal with the breakdown of society than the poet and playwright Carl Hancock Rux, who incidentally is also an awesome interpreter of his own work. Who knew that among his many skills was the ability to write a novel too? ASPHALT stands by itself as one of the year's most interesting novels. Have you ever seen the Altman movie, QUINTET, with Paul Newman? If so you will be viscerally reminded of that movie when you begin creezing through the opening chapters of ASPHALT, the ones that establish Racine as an underground DJ par excellence and the rundown brownstone he camps out in becomes a sort of United Nations of lost souls, each tenant lonely and frustrated, and frightened for the future, each one coming from a different post-colonial background.

In the Altman film, which treats a similar post-apocalyptic future, the survivors were largely white, even blue-eyed (including Newman, and co-stars Bibi Andersson and Nina Van Pallandt). There were a few "Latin types" including Fernando Rey and Vittorio Gassman, but outside of that it was all about racial blankness amid the Alaska tundra. Here the Brooklyn setting and the rapid back-and-forth flashbacks jarred by the frequent musical interludes give the reader the sensory excperience someone like David Mitchell is aiming for in books like CLOUD ATLAS.

Just finished this book. OUTSTANDING! Complicated in the most divine way. Rux is on to something that has nothing to do with the average easy read bookstores are pumping right now. This book is so relevant to right now and I haven't seen any other new black writers dealing with the political climate in America from the standpoint of people of color. Correction; Rux doesn't even paint a picture of the current political climate, he's on to the next canvas and it's stunning and heartbreaking.

An urban tale written in a refreshing challenging intellectual style. Set in post apocalyptic Brooklyn, the main character struggles to build a life in a war zone. His physical surroundings play as an apt metaphor for his internal quest to make sense of who he is, where he came from and where he ultimately belongs.

LA Times
"Asphalt," (is) a hallucinatory journey...set in a sooty, just-a-day-after-tomorrow future. The book blends speculative fiction and myth with real-life post-9/11 unease embroidered throughout...enamored with densely arranged assemblages -quirky juxtapositions, blurry borders-spinning dross into gold...a grand-scale collage."

Jill Nelson, author of Sexual Healing
"Daring, intense, and provocative, in ASPHALT Hancock Rux fast forwards the novel form into a future that is unexpected, seductive and healing."

New York Press
"Asphalt, (is) a book taken with future apocalypses and the funky, oddly swaddled cast of characters littering that not-too-distant time in Brooklyn. In Asphalt , you get hetero guys in sequins and sarongs, back-from-Paris DJs and couch dancers named Couchette all vying for attention in a newly gentrifying netherworld that Rux ably and surrealistically, sweetly, ties together before the next set."

The Daily Pennsylvanian
"(Asphalt is) both arresting and disorienting. The cryptic opening scenes illustrate Rux's masterful use of language-remarkable....Asphalt is a triumph in several senses...a piece of true urban literature that appeals to the jaded sensibilities of young modern readers."

Greg Tate author of "Everything But the Burden"
"Asphalt gets at how the urban myth of 'keeping it real' must continually run up against the abstracting roadblocks and revelations of one's fractured inner truth and the even sexier surrealism of a Cosmopolis determined to remix your imagination at every turn. Like Celine's Journey, Baraka's System and Delany's Dahlgren this is a novel where the mythopoeic modern city is the real protagonist and the ostensible hero, like all of us, is just a squirrel trying not to nut out."

LA Weekly
"Asphalt...is thick with images of and meditations on terror and terrorism...underscoring emotion and politics, allowing Rux to excavate the damaged inner lives of his characters while ruminating on how the world around them feeds their despair and dares them to rise above self and surroundings. "

Booklist
"Rux's lyrical writing blurs the lines between dreamscape and reality. A dazzling portrait of urban life."

Publishers Weekly
"Lyrically drawn...an elegantly gloomy addition to Rux's artistic achievements."

Brooklyn Rail
"Asphalt is a beautifully written book...as horrifying to read as it is full of hope."

Black Issues Book Review
"The first lines of this first fiction effort promises a mélange of literary forms and edgy melancholy characters...part postmodern parable, part contemporary urban portrait...parts aside, it is fully formed, like an existential poem."

Blether Book Reviews
"Carl Hancock Rux provides a deep look at disturbed individuals in environs in which no one can dodge a world on the abyss."

In the lush heady atmosphere of a house party in a decaying Brooklyn mansion Racine mixes A Tribe Called Quest, Arvo Part, Rakim and Mary J. Blige. The DJ moves the crowd through a throbbing bass line. Loc's, Betty Paige bangs and sheared heads abound in the rich aesthetic of the underground in a post-war New York. The nuances of the urban moment and the self-discovery of colorful characters provide the backdrop for an artful piece of literature for the hip hop and neo-soul generation.

Racine is the quiet DJ who deftly blends genres and sounds and expresses himself through his wheels of steel. He finds himself in the deteriorating yet vibrant post-war Brooklyn after the death of his older brother and dearth of love under the care of foster parents in the south and New York City. While finding lodging in a neighborhood devastated by poverty and despair, he meets a band of intriguing souls. Manny, the ambiguously gay free spirit with a penchant for architectural history, Mawepi the stout bouncer and translator for the clairvoyant Holy Mother and Couchette, the scarred dancer mired in denial comprise his new family.

Immediately Racine finds himself creating the sonic backdrop for intense parties, orgies and conversations while Manny and the other residents chase their dreams in a transitional New York. Couchette is the troubled spirit with whom Racine shares physically intimate and emotionally frustrating moments. The story weaves in depictions of Racine's childhood, including his experiences in fostercare and ultimately forces a young man to reconcile his past and move on.

Rux infuses a tale set in a modern urban environment with ancient Greek mythology that informs several themes in the book. Racine the character is influenced by Hippolytus' Phaedra which was re-written by J.P. Racine. The story of a young man who is physically dismembered by a monstrous force on his journey is a recurring thread throughout Asphalt . The characters have to lose parts of themselves that they may not be aware are hindering their growth, in order to move on. And the personalities in Asphalt all employ different strategies for abandoning experiences that have consumed and distorted their views of reality and themselves.

As an Obie-winning playwright, spoken word artist and now novelist, Carl Hancock Rux has a masterful use of language which is evidenced throughout Asphalt . His description of a taciturn woman lying on the road and an intimidating lanky street orator selling socks are examples of the imaginative supporting characters. Similarly, Rux 's portrayal of the glorious yet depressed New York and the intensity of Racine's past, deeply orient the reader. At times the language is a bit too cerebral which obscures the clarity of events. Yet the descriptive quality of Rux 's work differentiates him from other contemporary young authors. Asphalt is compelling due to its complex and beautiful handling of topics such as child abuse, sexuality and the urban environment. Ultimately, the empirical emotion Rux integrates into his work coupled with his gift for prose makes Asphalt a challenging yet intriguing read.