New York Books

Due to ever degrading literary taste of our post-war generation, Stefan Zweig has been forgotten for few decades,in spite of the fact that the first half of the 20th century , Zweig was perhaps one of the most famous and popular authors in the world. He and compatriot Hugo von Hofmannsthal had almost pararell lives.They were both some sort of literary prodigies(Hofmannsthal and Zweig earned their fame in their teens).They began their literary careers as poets and ended up writing various kind of literary genres,including libretto for Strauss. Also both ended up committing suicide. Zweig wrote many memorable fictions ,but only one novel.And, this is "Beware of Pity".
The novel is a kaleidoscope of the Habsburg dual monarchy.Zweig's talent lays on his superb description of human psyche of each character and the representation of comtemporary time. this work well represents decaying , both morally and physically , Habsburg dual monarchy. It shows how anarchoronistic system of mores( of K.u.K) that led otherwise good natured and a bit simple minded Leutenant Hoffmiler conered to the desperate situation. Does Hoffmiler deserve his fate? read book and decide that by yourself. what amazed me was how well Zweig synchronized and symbolized tragic denoument of kekeskalva family with the outbreak of" the war to end all wars". This is both pcychological and historical drama par excellence.One of forgotten masterpiece that recently rediscovered. Thank you NYRB to bring Zweig back.

This is an intense, psychological drama, and a page-turner to boot! What's so great is the wonderful language, the "lofty" writing. I just loved every page, and our poor, tortured hero.

In the introduction to this book Joan Acocella tells Zweig's story as a writer. One of her claims is that despite his enormous popularity as biographer, essayist, writer of great novellas and stories, this novel is his masterpience. The novel is in essence the story of a feeling, of 'pity' of how it becoming the obsession and duty of the main character turns self- serving and destructive. Briefly , the book revolves around the relationship between a poor Austrian officer Hoffstein and a crippled seventeen year old daughter of a wealthy family Edith Kekesfalvas. After he has inadvertently insulted her by having asked her to dance he becomes bound into a relationship with her, in which she falls deeply in love with him without his truly reciprocating. This is how Acocella reads the protagonist's reasoning and its result after her doctor informs him that it would be disastrous for him to abandon her.

"So he descends ever deeper into hypocrisy. In the process, Zweig gives us a piercing analysis of the motives underlying pity. Gradually Hofmiller realizes how much he enjoys the courtesies paid to him for his emotional services, how it pleases him that when he arrives at the Schloss his favorite cigarettes--and also the novel (its pages already cut) that he had said in passing that he wanted to read--are laid out on the tea table. Nor is it lost on him that his own sense of strength is magnified by Edith's weakness and, above all, by his growing power over the Kekesfalvas, the fact that if he, a poor soldier, does not present himself at teatime, this great, rich household is thrown into a panic, and the chauffeur is dispatched to town to spy him out and see what he is doing in preference to waiting on Edith. Beyond the matter of power, however, Hofmiller finds that the emotion of pity is a pleasure just in itself. It exalts him, takes him to a new place. Before, as an officer, he was required only to obey orders and be a good fellow. Now he is a moral being, a soul."

This end in destruction is somehow a foreshadowing of what would happen to Zweig.Having been betrayed with the rise of the Nazis by the Europe he loves, tried to make a new home and life with his second wife in Brazil. But it does not work out and the both of them are found after having taken fatal overdoes of drugs hands intertwined.

It's a fabulously written book about love instigated by pitty, which can be very dangerous. Worth reading as this kind of thing still happens every day.

...no, not the book by Dave Eggers, but this masterpiece by Stefan Zweig. I came upon this by accident, and bought it, intrigued by the story outline and the reviews below. Only very, very rarely does a book have the power to draw me into the lives of the characters, probably because they're usually just that - characters. Not so here. Here we have flesh and blood and all that entails. I'm still amazed at Zweig's story telling. He's the kind of writer who could make a shopping list fascinating. I lived and breathed every single word in this incredibly beautiful book, and, as has been said elsewhere, the tension becomes almost unendurable. I can hardly do justice to it in a few words. Weirdly, I often found myself smiling, not because it's a funny book, far from it, but just through an appreciation of Zweig's supreme mastery of his art. This is one of those books appearing only a few times in your life that wring emotion out of you whether you like it or not. A heart-breaking, unforgettable and life-enriching experience.

I'd also like to praise the translation, by Trevor and Phyllis Blewitt. At no time is there even a hint that you're reading a translation - something that occurred to me only after finishing the book. On the contrary, it seems to me that the elegance of the language and all the magnificent virtues that contribute to Zweig's humanity and genius have been faithfully rendered. The proof is in my twin disappointments; coming to the end, and learning that there are no further full-length novels by Zweig. I'll definitely be reading all his other works, though.

One Tuesday Morning & Beyond Tuesday Morning, book series by Karen Kingsbury excellent books relating to
September 11, 2001 - highly recommended

Received this book within a few days of ordering. Like new condition. I am very satisfied with this purchase.

It is an awesome book. I stumbled on to Karen Kingsbury kind of accidentally and it was one of the best things I have ever done. She is an excellent writer. This book must be read after One Tuesday Morning.

Great. A must if you have read One Tuesday morning.

Karen Kingsbury did it again. Another fantastic story. Another, I can't put this book down until I finish it. I loved it! Great Christian fiction!

If you really want to know the history of Coney, this book is a must. I grew up in Brighton Beach during the 50s, and this book was a wonderful read.

The Terra and Belgenio patriarchs arrived in Coney Island at the turn of the 20 th centuty--legend has it that they got on a train and got off at the last stop--Stillwell Ave. This wonderful book put me in touch with them and my parents who lived and died on 15 th and 17 Streets between Mermaid & Neptune Aves. up until the mid 70's. My grandfather Anthony Terra sold ice in the summer and coal in the winter while his wife Maria ran a fruit & vegetable store and raised 6 children--one of whom was my father George, who knew everybody and everybody knew him. This book --the narrative and photos--ignited so many memories for me that I cannot read it without shedding some tears --as I am doing now. Buy the book--you'll love it! Dr Anthony Terra

This is the best book I've ever read on the history Coney Island and I've read every one I could find. It is extremely well researched and written, has incredible photographs and graphics, and a personal story that's moving and deeply felt.

Like many of the other reviewers of this book I grew up in the Coney Island area (Brighton First Street). Coney Island has an almost magical draw for me, so much so that I recently completed writing and illustrating a novel called, "Coney Island Book of the Dead" that takes place in 1956. Charles Denson's book proved to be an invaluable source of facts, lore, and pictures, but, even more importantly, of inspiration. If my novel ever gets published (I'm looking for an agent as of 6/08/07) I hope all of you coneyislandaphiles read it.

Also, you might also be interested in a new book by Charles Denson called "Wild Ride! A Coney Island Roller Coaster Family." I just ordered it.

I actually got a copy of this book from my grandfather -- who was featured in the book. I enjoyed this book so much that I have since bought this book for every friend and relative who has moved out of state. This is a great gift for any occassion... for any Brooklynite.

Like many of the other reviewers, I'm a Coney Island native. Unlike them, I grew in Trump Village, located on the border between Coney and Brighton. Growing up in the 1970's and 80's, central Coney was always a bad neighborhood and I'd only heard vague stories about how great it used to be. While I have since read books and seen documentaries about Coney, Denson's book goes even deeper, especially with his wonderful use of oral history.

I had always been told that before Trump Village and Warbasse, there used to be nothing but empty land in that area. Thanks to this book, I have finally learned the truth, that there used to be a vital, functioning and even happy lower and middle income neighborhood called the Gut, before Fred Trump, Robert Moses and other developers and politicians came along and destroyed all that. Despite it's unfortunate beginnings, Trump still ended up being a decent, affordable place for many middle class Jews and Russian immigrants to live, thanks to this book, I'll always see the ghosts of the homes, theaters and people who came before everytime I go home.

For anyone who is interested in Coney Island or the rise and fall of a city neighborhood, this book is most definitely recommended. And if you grew up in or even near Coney, this book is a must-read.

The writing is evocative, aiming for a literary texture reminiscent of Ondaatje. The location is densely described. I was pleased by sentences like this: "The breeze blows toward them, sweeping the words back against the wall and scattering stray almonds in a crop of tiny whirlwinds at their feet." (That 'crop' is brilliant - a carefully chosen and precise noun.) But it read like excerpts from a bored New Yorker's diary. I didn't care about the characters, and felt some sympathy for the little girl on the subway kicking Andrew. I was bored, too.

This is a flambouyantly, thoughtfully, lyrically written piece that takes the reader through the streets, through the cultures, through the injustices and mystical ideosyncracies of life. I would read it on a boat, I would read it in a moat, I would read it on the stair, I would read it in the air. I just love this writer's prose.

The story begins with an older woman leaving her home, but her husband's ghost retreats back into the apartment and waves to her from the window. The writer even gives discussion to the ease of being such a ghost. Then we follow the woman's path to work, her easy style, the easy grace of others, the stagnacy of everyday life, and find the eternal faux pas of life, the bullies. They pester a boy the woman remembers as a kind soul and she follows her spirit to the point that red ants sting the aggressors to the point that they run screaming into the hords of stagnant people with no hope for what the day brings.

The story shifts to a man too timid to stop a child from abusing him on the IRT, and when the train breaks down and the foul stench of a drunk approaches, he flees into a more distant crowd to hide himself, but inevitably, the drunk with a myriad of excuses for needed money in the cup he waves presses his way and accosts him directly.

This story lacks reviews, probably because of a synopsis and title that could never hint at the treasure that awaits a download. It is so well written: prose that could be accused of being purple but for the tidbits of tale telling and grace that entertains and guides the reader through a unique experience. This holds so much promise that publishers should seriously take note.

I was immediately captivated by Henry's excerpt. Very textured and focused and fast paced. I like the way he touches all the senses. Signora Strega, Andrew, fat lady with terrible daughter, trenchcoat guys, horrifying drunk guy. I was on that train with all of them for Andrew's first day of work. Can't wait to read more.

The excerpt I read from A Deed Without a Name left me craving the rest of the story. Mr. Catenacci is a talented artist whose graphic descriptions sketch vivid scenes in the mind. I was enchanted by the old woman character and want to read more. Truly an enchanting story!

In the crowded city where accents, faiths, hopes and dreams get mixed in a blender, often people merely walk with blinders on. They don't smell the scent of the bakery, see the colors of the exotic costume a foreign woman wears. It's a defense mechanism to prevent information overload and more--if they saw, they might have to care...

In this excerpt, Henry Catenacci shows us two people who have not yet lost their sight. First, we see an Italian widow heading to work, her last stop before the IRC a bakery for some cookies to share with her co-workers:

"Her husband follows her to the curb, then turns back. He will stay behind, alone in their third floor apartment, waiting at a window for her return this evening. Dead a quarter century, he has forgotten much of existence beyond that window, and his days carry no burden left to ease, no strain greater than a thought or an emotion felt through the inconstancy of time."

She sees a child being tormented by his fellows and wants to help, but is uncertain her intervention would be appreciated or not. An inadvertent sacrifice of a gift saves the day.

Next, we move to a crowded subway where young Andrew clutches a strap, subject to the predations of a young child being ignored by her mother. The 'blender' mixes the human contents of the car at each stop, adding young men in trenchcoats, an odiferuous drunk...

And Mr. Catenacci leaves us abruptly with a surprise ending that may well open the eyes of the car's riders. Kudos to the author for leaving the excerpt with a hook and making us wonder precisely what is going to happen next.

"A Deed Without a Name" is a thoughtfully written excerpt with strong imagery and the heart of a city stamped indelibly in the words. The writing is of publication quality, the only suggestion I might make is to speed the narrative up a bit to keep readers engaged.

Congratulations to Mr. Catenacci for creating a pair of slice of life scenes that were rich in texture and flavor. Good luck with this novel.

Rest in peace Dondi, your art will never die! If you liked Subway Art and Spraycan Art then grab yourself of a copy of this absolute gem as Dondi was truly up there with the likes of Seen etc and my favorite Dondi piece still has to be the children of the grave. Buy this as in a few years when it's harder to get your gonna regret it and probably pay a lot of dollar.

i grew up in brooklyn in the 70s and was witness to much of what is shown in this book. there are dozens of train photos from all phases of dondis subway days which i spent much time looking at. what really fascinates me though are the hidden things in these photos. anybody pick up on the iz the wiz throwups in the top photo of page 26. how about the le throwup in the top photo of page 57 or the blade tags inside the windows of the photo on pages 71/72? ever wonder what are those pieces faded beneath so much of dondis work? the birth of graffiti book out recently showed the very beginnings of the graff movement in nyc, but there seems to be a lack of photo/written history of the stuff from that time till the late seventies. i wonder how many people know how cool it is to just sit, relax and look at something like this that you've admired for so long without having to run down a train platform and try and commit to memory the amazing blur that just went by. the interview with dondi was very insightful and actually gave me a renewed appreciation for his work. the book itself is medium sized, hardcover and the paper is of excellent quality. i would love to see more books like this on other just as prominent writers. blade, lee, seen etc.

this is one great book,very well detailed from dondis underground train bombing days plus his days when he was hitting up art gallerys and it even tells you about dondi b4 he was even a writer.plenty of great pics plus lots of top reading too.one of the better graff books.

What can I say an excellent book from an excellent artist, I am sure Dondi and others form the late 70's to early 80's movement in NYC never would have thought that their creations and inovations would become such a world wide hit and change cities across the world. From my early days as a youngster starting out in Graff in 1985 to now as a somewhat maturer but always youthful graff lover I can definately say that this book was like turning back the clock, and boy was I shocked to hear that he was never caught, "I just wish I could say that"!. A well documented and presented book but sad he is'nt here still to have written it himself "RIP DONDI"

This is one of the must-have books if you dig graffities! It features lots of beautiful photos, sketches and actual pages from the Dondi's own black book. Hardcover with slipcover gives a good value for money!

These stories set in Mr. Parkhill's classroom at the American Night Preparatory School for Adults ("English -- Americanization -- Civics -- Preparation for Naturalization") are wonderfully humorous and warm. They reflect a generous humanity and a keen ear for language in author Leo Rosten (1908-1997), who first wrote the stories for The New Yorker using the pen name Leonard Q. Ross.

When Rosten wrote the stories in the 1930s, the debate that had roiled American society over the high levels of immigration at the beginning of the century had ended with passage of the restrictive Johnson-Reed Immigration Act of 1924. Readers of The New Yorker could well remember the rancor and the stereotyping of the debate.

Rosten countered the prejudice against immigrants by portraying Mr. Parkhill's students, drawn from several national and ethnic groups, as earnest learners eager to know about and join American society by first learning the English language.

When people from different cultures meet, there are bound to be some collisions. A dark side take on those meetings is the ethnic joke. The bright side is this book, finding humor in the encounters that all can smile at.

I read The Education of H*Y*M*A*N K*A*P*L*A*N as a teenager in the early 1960s. Though I do not recall negative attitudes about immigration in my family, school, or suburban New Jersey neighborhood in that decade, the book surely shaped my attitudes and feelings about immigrants and immigration in a positive way. Hyman Kaplan taught me immigrants make America a better and richer society.

Each time I look through the book now, I worry whether Rosten crossed any of our modern "PC" redlines that would cause it to be crossed off reading lists. The book's humor ("comic dialect" is the scholar's term) depends on the rendering of accents, not much used at present. I found one use of the N-word (misspelled, in accent, not in anger) by a student character. On the whole, however, the book stands up well.

I give copies of this book to friends who are ESL (English as a Second Language) teachers. Leo Rosten's own nights as an ESL teacher, while he was working on his Ph.D., gave him the inspiration for the stories.

The shape of our nation's immigration policy is certainly a licit issue for debate and disagreement. Current immigration has some different countours than in the 1930s. Some voices, however, get carried away and tip over into negative stereotyping. They should take a break, have a cup of coffee, read this book, and meet Mr. Kaplan.

-30-

Having just begun teaching English As A Second Language to a group of Asian adults, a relative thought I might enjoy "The Education of Hyman Kaplan". The novel takes place entirely at the American Night Preparatory School for Adults. There under the tutelage of Mr. Parkhill, Hyman Kaplan, Miss Mitnick, Miss Caravello, Mrs. Moskowitz and an assortment of Jewish and Italian immigrants struggle with the complexities of the English language, anxious to master the language and learn about the history and culture of their newly adopted home. The irrepressible Mr. Kaplan takes center stage in the classroom with his singular logic in using the English language. Abraham Lincoln becomes Abram Lincohen, King George III of England is an autocrap, and Valley Forge becomes Velly Fudges. Kaplan conjugates the tense to die as "die, dead, funeral", and when talking of the contents of a newpaper he can't understand why he must say "it said", instead of "he said", since the paper is decidedly of the masculine gender. It's the Harold Tribune after all. This is a hilarious yet touching book. We are never laughing at Hyman Kaplan's linguistic foibles but with him, as we appreciate the struggles of all immigrants, those seventy years ago, or those today to come to terms with becoming Americans and learning the language that binds us together.

Think you can read an uproariously funny book without laughing out loud? Think again. Adventures of an English-as-a-second-language class for new immigrants in 1950's America.

As a new ESL teacher, my husband thought I'd enjoy this book. H*Y*M*A*N K*A*P*L*A*N* is an irrepressible immigrant to the US, struggling to master English, but that doesn't stop him from communicating at every opportunity. Waves of malapropisms spoken with a thick Eastern European accent don't get in the way of his enthusiasm. Set in the 30's, this is a world where teachers and students are Mr., Mrs. and Miss, immigrants worked in garment factories, and all still believe in the American Dream. Even Mr. Parkhill, the god-like teacher, can't help but be infected by Mr. Kaplan's unique interpretations of the great works of English literature--the Shakespeare story was a classic. Definitely dated, certainly politically incorrect, these stories hail from a simpler, but maybe tougher time--Leo Rosten originally wrote under the name Leonard Ross. A lovely little collection of stories!

This book, along with its sequel, "The Return of H*y*m*a*n K*a*p*l*a*n," (and don't be fooled, those stars are important) is a beautiful work and one that I'm surprised hasn't been rediscovered by critics and readers alike. Originally published as a series of stories in a magazine, these stories were finally collected into book form and later combined with its sequel in a grand form called O, K*a*p*l*a*n, My K*a*p*l*a*n (which is now out-of-print, but worth reading if you find it in a library or rare book store, since it was edited and improved by the author, with new characters and stories).

The stories all revolve around a group of immigrant adults attending the American Night Preparatory School for Adults in New York City in the 1930s. Under the tutelage of the fastidious, but patient and kind, Mr. Parkhill, the book chronicles their challenges in learning the English language. This is in and of itself a masterpiece: Leo Rosten (who had to publish the stories under a pseudonym since he wrote them while living off a fellowship and did not want to let his professors know that he was working on totally unrelated research) has found humor in GRAMMAR!! He not only shows how difficult English is to master, but how irrational and arbitrary the grammatical rules are that we all, as students, desperately try to commit to memory. Moreover, he writes with an expert ear, hearing the subtle differences in the accents and common foibles of English speakers from various language backgrounds. The fact that these passages are life-out-loud funny (and not at all in the sense of laughing at any character's mistakes but at the English language itself for torturing non-native speakers so) is astounding enough.

But this is the story, however, of a true comic hero - Hyman Kaplan. Leo Rosten has created a character as complex and poignant as Shakespeare's Falstaff, or John Kennedy Toole's Ignatius J. Reilly. Hyman Kaplan is a force of nature, yet distinctly human -- irrascible, dogmatic, determined and yet sensitive, noble and joyous. He is a man who refuses to kow-tow to the rules and guidelines of the English language and who truly relishes the joys of wrestling with learning. Since his exuberance leads him into constant conflict with his fellow students, his character is one of the greatest literary devices ever devised by an author. The stars emblazoned in red, green and blue crayon that are part of his signature, only serve as the ultimate monogram, defining this character as one worthy of the ages.

While this book is about efforts by foreigners to assimilate as Americans, it also highlights the glories of America's immigrant, melting-pot past -- a heritage and tradition that is sadly rapidly being forgotten and lost in this modern globalized world. Moreover, with the advent of the politically correct era of hypersensitivity, it is likely that this book will never experience a renaissance of popular support that it richly deserves. This is a true treasure -- I discovered it as a teenager and have often enjoyed returning many times to visit with these charming, inspiring characters. I cannot recommend it enough!

I purchased this book as a gift for a friend who is a New Yorker and loves to know everything about the city he loves. He was thrilled with the book, as he'd been reading it already whenever he visited his brother, and said he can never put it down once he picks it up. Covers everything there is to know about NYC. I can't speak for myself, having not read it personally, but the hard core New Yorkers at the table when I gave it as a gift all swore by it!

Wonderful book. Full of tidbits of information about NY. Some I knew already and some were eye-openers! I recommend it to anyone with a thirst for knowledge.

This is a very entertaining book. Good for a coffee table type book.

If there was anything you ever wanted to know about NYC but couldn't find the answer, this book will have it. What an amazing treasure trove of history, information and trivia. This book should be in every library in America.

Looking for very old maps of the Big City, the Mayoral and Presidential elections, Capsules of about every neighborhood in all 5 boroughs, histories of Broadway, Wall Street, MidTown, Columbia and NYU, the New School, and every other educational institution. Music from Classical to Jazz to Pop to Rock (but there is no listing for Sinatra! I think there should be.)How about the incredible skyscapers, docks, restaurants, clubs. And all this goes back to 1624, when the Dutch first settled. And sections on about every leading NYC personality ever. (though for some reason Mantle and Dimaggio are not listed separately, amoung many other famous NYC sports stars ). Even though the book is 10 years old, it is about as timeless as you can get, even with my very few small quibles mentioned!

First-person tales from the likes of Herman Badillo and Jimmy Breslin recall life here a half-century ago.

THE CITY HEARD

Words can conjure up places and times as vividly as pictures do, especially when people are speaking from the heart, fueled by intimate experiences and affectionate memories of a place.

It Happened In Manhattan stitches together anecdotes and recollections told by a disparate group of Manhattanites - from writers and architects to rabbis and restaurateurs - all steeped in the spirit of the city where they live and work.

Stretching from the close of World War II through the psychedelic 60s and beyond, the subjects of the recollections are equally diverse. Many of the chapter headings come from songs - "East Side/West Side," "Puttin' on the Ritz" - reflecting the writers' wish to celebrate their city as enjoyably as generations of entertainers have. They also note its dark and somber sides.

Imaginatively chosen photos round out the portrait capturing nostalgic moments or illustrating stories told on adjoining pages. Flipping through the book is like riding a time machine to one of New York's energetic eras.

Myrna Katz and Harvey Frommer's It Happened in Manhattan ... is an encyclopedic oral and visual memoir of life in New York from the end of World War II to the fiscal-stricken era of the mid-1970s. The Third Avenue El, Ebbets Field, the Automats, the Chelsea Hotel, the Fillmore East, and the pre-AIDS clubs of the swinging gay '70s can all be found here, along with accounts of the rise of abstract expressionist and pop art and Norman Mailer's mayoral race. This book captures a New York in transition, accelerating through the cultural changes of the 1950s and '60s from the world of Joseph Mitchell to the world of Tom Wolfe.

It Happened in Manhattan probably is the anti-book for unreformed New York haters. It revels in the story of Manhattan, a 22-square-mile borough in the city during the mid-20th century.
Interviews with more than 60 current and former residents of Manhattan tell a rich story of city life in the post-war era. The prologue, a monologue by Sid Bernstein, the music promoter who arranged the first Beatles's appearance in America, is wonderful.
"I'm still a tourist in the city I was born and raised in," says Bernstein. "I'm a walker of the city streets." Bernstein wanders and explores by his own north star: his sense of smell. "If I walk by a place and an aroma greets me, I go there."
There are plenty of food stories in It Happened in Manhattan. There is a lot more, of course. Sections deal with memories of growing up in Manhattan, of starting careers in finance and fashion, of finding sanctuaries in churches or museums. There are memories of restaurants, nightclubs, department stores, eateries, celebrities. People remember when they cleaned out a section of a restaurant for Frank Sinatra's posse, the early days of Bette Middler, described as colorful as a "Jewish parrot."
Tin Pan Alley, the Guggenheim Museum, Yiddish Theater, Walter Winchell, Harlem, Greenwich Village, escapees from the Hollywood blacklist - they're all in here, not in formal history, but in the memories of people who knew them.
Perhaps Manhattan expatriates will enjoy It Happened in Manhattan most, as there really is a lot of nostalgia in a book like this, but others can find many pleasures.
After all, even if we never go to New York, part of it come to us. It's that big a town.

Manhattan is a narrow island, only 22 square miles, but its history is much bigger. It Happened in Manhattan is an album of vintage photos and first-person reminiscences that form mid-century Manhattan. Ranging from the early post-World War II years to the mid-1970s, the book is an oral history constructed from dozens of interviews with New York luminaries such as Jimmy Breslin, Elaine Kaufman, Alan Greenberg, and Pauline Trigère, as well as everyday people like Rabbi Dan Alder, teacher Linda Kleinschmidt, and drugstore owner Joel Eichel. With chapters like "If I Can Make It Here..." about emerging celebrities, "Sanctuaries in the City" concerning religious communities, and "Politics As Usual," It Happened in Manhattan evokes an era when Checker cabs still passed down a two-way Fifth Avenue, when 11 daily newspapers covered the city beat, and when young women attended their Katharine Gibbs continuing education classes in hats and white gloves. Their reminiscences and perceptions are woven into a narrative that describes how New York became an international center in the wake of victory in the Second World War, and how the city was affected by new immigrants from Europe fleeing fascism and immigrants from the Latin America seeking opportunity. This was an era when soaring real-estate values led to the tearing down of whole neighborhoods, and when community activists rallied to save many architectural treasures. It Happened in Manhattan illustrates with personal details and anecdotes the passing of the Manhattan of the Industrial Age, how the city government almost went bankrupt, and how New York City survived and continues as a financial, political and cultural center of the nation. Father Peter Colapietro, pastor of Holy Cross Church on 42nd Street, offers his recollections:

As a kid, I always saw Sixth Avenue as the dividing line between the East and West Side. The East Side was Rock Center and St. Patrick's Cathedral; the West Side was the stuff on 42nd Street. It was like you needed a passport to go from one to another... Even though Manhattan was only a fifteen-cent ride away from where I lived in the Bronx, it was a whole new world. I felt I had to dress up to go down there. I couldn't wear jeans and a polo shirt. I was an eleven- or twelve-year-old, I knew what Playboy magazine was, but when I went into some of these stores on 42nd Street - wow! Ten or twelve of us used to come down to Herman's Flea Circus. It had an arcade with pinball machines, magic shows, and a famous Flea Circus. We would go to Rockefeller Center and see as many television shows as we could get into, getting there early to be first on line for shows like The Price Is Right, The Match Game, and Truth or Consequence. A warm-up person like Johnny Olson would ask the audience, "Anybody out there celebrating a birthday? anniversary? parole? We got to know the routine. Once my kid brother and I got a pair of handcuffs. When Johnny Olson got to "Anybody celebrating parole?" we raised our hands handcuffed to each other.

Kevin Sheehan has simplified the great qualities of important leaders and placed them in an entertaining text. A gift which I have passed on to my dearest friends, this book is both inspirational and educational. My highest recommendation.

Poignant, powerful stories. Beautifully written with a distinctive and important design. This book's not to be missed--by you, your friends, your business colleagues. Bravo!

Within his book A Leader Becomes A Leader, Kevin Sheehan delightfully illustrates the essence of true leadership. He poignantly definies a diverse group of past and present leaders; while exploring their life events and characteristics of greatness. Encourage your friends, family and coworkers to read this motivational book!

The author does a phenomenal job of breaking the topic down into small manageable and inspiring readings; also covers a great cross-section of leaders and the characteristics that made them successful. I ordered a dozen copies as executive and motivational gifts.

J. Kevin Sheehan presents a celebration of what's possible in his biographical snapshots of great leaders. By focusing on the unique character traits of outstanding leaders the author transforms the mysteries of leadership into something very real. He answers the question "what made them great?" in an extremely concise and inspirational style. Great as a corporate gift or graduation present. My children have used it for school projects and I have found inspiration for my own business. No home or school library should be without this most valuable tool.

Harold Holzer has put forward a masterpiece into the study of the mind set of Abraham Lincoln. I am not to be regarded as a Civil War expert. I do not read everything on the happenings of the American Civil War. My understanding of these times of American History reside at the College Survey level.
I learned much of the mind set of Mr. Lincoln in his speech in New York City on February, 1860. Lincoln was truly a great politician. His speech at Cooper Union was the ultimate sitting on the fence appeasement speech. Neville Chamberlain should be ashamed! At this time in American history, this is what America wanted. Being the shrewd politician that he was he continued this process and ultimately won the Presidential election.
One thing I took from this book is that Lincoln wrote all his speeches. He was very careful in in the words he crafted. As the years went by he carefully changed his position on Slavery and the meanings of a unified government. In all Lincoln got what both he and the majority of Americans wanted. That being a United States of America. Good read!! Five Stars!!!

Lincoln at Cooper Union: The Speech That Made Abraham Lincoln President (Simon & Schuster Lincoln Library) The book does a good job of documenting the impact of the speech and provides a copy of it. I consider the book to have given me thoughtful insights to Lincoln that are incidental to the speech but greatly enhance my understanding of him as a human being. It is very elegantly written. I appreciate the author's truely first rate descriptive abilities.

Harold Holzer's book on Abraham Lincoln's speech at Cooper Union gives a clarity to the importance of that speech and how it affected Lincoln as a speaker, politican and future candidate for his Republican Party. While Lincoln was well known among the western states, he wasn't that well regarded along the northeastern seaboard. One of the most important things about the book was how the author explained how this speech gave Lincoln so much creditability among the easterners and how that speech firmly put Lincoln on the political map national wide. This helped pave the way for Lincoln's nomination when others were looking for alternative choices beside William Seward who was at that time, the leading Republican front runner.

The book proves to be quite informative. Abraham Lincoln is obviously one person you cannot judge by your first impression. The author throughly explained the mannerism of Lincoln's speech skills and the way it contrast to his physical appearances which often led to initial misgiving by the audience before they roared in their approval at the end of the speech.

Its pretty clear that Mr. Holzer have complete command of his subject matter which is reflected on the superb writing and ease of reading material that only an expert can do to any subject. The book appears to be well researched and it was about time that a book on this subject came out (I think the last book about this speech came out before Mr. Holzer was born).

I would considered this book to be a mandatory reading material for anyone interested in Abraham Lincoln and probably a good background material for anyone interested in the coming of the American Civil War.

There are so many books written on Lincoln and many different prespectives on his life and presidency. Holzer looks at the Cooper Union Speech and shows how Lincoln, the master politician used the speech and his trip East to get the 1860 nomination. Many historians assert that the speech made Lincoln. However, Holzer shows a unique view of the trip and the speech and how Lincoln used the opportunity to campaign in the East before he was officially a candidate. Ironically, Holzer points out that Salmon Chase turned down the opportunity to speak at Cooper Union demonstrating just one more ocassion when Chase blew an opportunity to get to the White House.

While dispelling many myths about the speech and Lincoln's trip, Holzer also shows the brillance of Lincoln and the time and effort that he spent in preparation for this speech. He also shows how this speech became Lincoln's stump speech. Once nominated, Lincoln followed the tradition of the time and did not campaign but used the Cooper Union Speech as essentially his platform.

For the person just beginning their interest in Lincoln or the seasoned scholar, this book is well worth the read. To add to that it is a quick and enjoyable read.

For anyone who wants to use the founding fathers as a justification for their belief system should read this speech and this book.

Lincoln in tight, careful reasoning lays out exactly what the founding fathers believed in regard to slavery. Eloquent, exciting and challenging.

This is much needed study to the speeches of Lincoln.