Polar Regions Books
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Ice Blink: The Tragic Fate of Sir John Franklin's Lost Polar ExpeditionReview Date: 2008-06-02
A Haunting and tragic story of arrogance and greed.Review Date: 2008-01-21
Intriguing but not completely satisfyingReview Date: 2007-05-25
Mr. Cookman does a fine enough job extracting the story of the voyage from the relative sparsity of the historical record. Similarly the digression into the nauseating world of mid 19th century food supplying and preservation is enlightening and compelling. Where Mr. Cookman falters , though, is in his somewhat less than convincing attempts to find a single villan of the story. Indeed, much of the discussion of the voyage's food supplier, Stephen Goldner, while quite possibly correct, seems based almost entirely on conjecture or the writer's imagination. Mr. Cookman should be applauded for retelling this interesting story and for adding additional important context. However, unsupported conjecture shouldn't masquerade as history, even pop history.
RepetitiveReview Date: 2005-02-02
Other reviewers here have mentioned that the canning episode is well documented in the book. Some facts are but not all. I also fail to see why this is the main cause of the failure of the exhibition.
Couldn't the failure be that there really isn't a realistic North West Passage in the first place?
The book could have used a few more maps. How can one possibly understand the circumstances without a map showing what Franklin knew of the Arctic. A map showing the escape route and the location of some of the artifacts found could have been very helpful. I am a bit confused about what freezes over in the Arctic, blocking routes, and what does not. How about a map showing that?
The author mentions that the passage was actually found during the escape, that is between Canada's main land and King William's Island. This is the route that Admunsen took, conquering the passage for the first time. I wonder if Franklin took this course, if he really would have made it.
More than Slightly SpeculativeReview Date: 2004-01-25

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Average, but enjoyableReview Date: 2008-01-04
Great story poorly toldReview Date: 2007-09-26
Too bad.
InspirationalReview Date: 2007-07-18
History In the Making.Review Date: 2005-11-17
The photo sections show them as they looked in their youth and on the various sections of their explorations. They give details of how they trained for this difficult adventure, and of the problems they endured getting the monetary sponsorships. Apple would not donate cash, but did provide $150,000 in computer equipment, phones, and technical support. One photo shows Liv making her regularly scheduled call to CNN out in the middle of nowhere with snow and ice everywhere.
From November 13 to February 18, the summer season when the sun shines twenty-four hours each day, they treked from the northernmost point about Queen Maud land to McMurdo, an American research base. It was quite a four-month feat, but they did it not just for the record but to show youth everywhere what can be accomplished. They were physically in their prime and had trained for years for this extraordinary walkand and skiing ordeal. Liv Arnesen and Ann Brancroft are to be commended; Ann was the first woman in history to cross the ice to both the North and South poles. Liv was the first woman to ski 745 miles to the South Pole solo during a fifty-day expedition. Together, they achieve the dreams both have held onto since young girls playing in the snow in their native homelands.
"The joy is in the journey "Review Date: 2008-09-05
Norwegian Liv Arneson and American Ann Bancroft had a dream -- a strange dream. Each was called to the frozen continent of Antarctica. Liv (they use their given names throughout the book) had already made her mark as the first woman to ski solo to the South Pole, and Ann had skiied to the South Pole with three other women in a continent-crossing attempt that failed due to lack of funds. These two found each other and began to organize a ski trip from edge to edge, across the ice-covered continent.
Do you wonder why? Liv writes that everyone does, and her answer is that "an expedition is a work of art expressed on a canvas of snow, air, and time." She was inspired by Roald Amundsen's conquest of the South Pole, but both women were fascinated by Shackleton's Endurance expediton and the courage with which he gave up his mission to save his crew. Win or lose, they felt, the joy was in the journey.
Both Liv and Ann were former schoolteachers, and a big part of their dream was enlightening and inspiring school children around the world. Their first challenge was to build a support team and secure the huge corporate sponsorship needed to cover the expenses of their expedition. As they got to know each other and trained for the grueling trip, their company, yourexpedition, went on the sponsorship quest; the first part of the book covers the trials and triumphs of this two-year preparation phase. Major sponsorship was won from Volvo, Pfizer, Motorola, Apple Computers, and Continuum Control. During this phase a curriculum was developed and translated into many languages, and plans were made for communicating with school children during the trip. The logistics and expense of this journey were huge.
Liv and Ann took the ice in the Norwegian territory of Queen Maud Land, flying there from Capetown in November 2000. They had roughly 100 days before the Southern winter would close their "window" of traveling weather. With more than 2,000 miles to cover, their plan was to ski-sail across the continent to the Ross Ice Shelf; they were dependent on the wind, the weather, their equipment, and the state of the ice surface. They used satellite phones to communicate with their team and with some of the three million school children who followed their journey using the "Dare to Dream" curriculum.
No Horizon Is So Far: Two Women And Their Extraordinary Journey Across Antarctica details the hardships that arose during the grueling trip. Injuries and equipment failure inevitably occurred in the intense cold and high altitude, but their greatest hardship was the erratic nature of the wind. Dragging heavy sleds and skiing behind sails in gusty wind is dangerous and difficult, but many days they had no wind and had to pull with crampons on their skis -- always in danger of falling into one of the many crevasses that thread through the ice.
Did Ann and Liv's mission succeed? Did they make it across the frozen beauty of Antarctica before winter closed their bolt-hole? It would be a spoiler to reveal the answer to these questions, but every reader will be touched by the magic generated among the children who shared their journey with them. This is a thoughtful and inspiring story of a mission that most of us would never dream of; but we all want to make a difference in the world and I thoroughly enjoyed Ann and Liv's story of their chosen journey. I've taken one star off because I thought the book might have been organized differently, with the expedition infrastructure spread throughout rather than concentrated in the first section. However the drama of the continent crossing more than made up for that organizational issue. Highly recommended.
Linda Bulger, 2008

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Resurrection of a ReputationReview Date: 2008-04-28
BBC) television dramatization comparing him to Amundsen. The image I retained is of a stiff-upper-lipped Englishman stubbornly mistreating his working class underlings, a kind of Franklin dragging his sea chests across the ice and assuming his gentleman's entitlement would somehow overcome the impious arctic conditions. Feinnnes shows that Scott was nothing of the sort but a fairly equitable and thorough man maybe more interested in the scientific results of his expeditions than merely achieving the record of being first to the pole. Although Fiennes doesn't explore Amundsen's personality thoroughly, Amundsen's desire to be first and the fact that he hides his intent from both Scott and the world makes him a lesser man than Scott. Also his use of dogs versus Scott's manhauling is not evidence of the humble explorer more connected to the environment. As the author shows both strategies have their advantages and disadvantages. And Scott abhorred both the working of ponies and dogs to death and their killing for food, although he did do it.
At first I found the author's interjecting of his own formidable experiences irritating, especially when he discussed personal dynamics. Later in the book when Scott makes his fatal trek to the pole, the author's comparison of the limitations and risks of various actions comparing them to his own experiences gave a better understanding of the events leading to Scott's and his companions death: that it was due to unusual weather rather than foolishness or misjudgment. In fact this portion of the book was very exciting. On the whole the book is valuable to those of us intrigued with exploration. While these sorts of explorations are usually sponsored to demonstrate the power of empire, it is extraordinary what humans can do when put in a punishing environment. It is a bit like extreme sports but as the author points out when he and a companion were rescued from inevitable death while manhauling across the Antarctic, they had available communications and planes which plucked them out of danger. Scott on the other hand, without such technologies, had to pay the existential consequences. This is a good read.
Charlie Fisher, author of Dismantling Discontent: Buddha's Way Through Darwin's World
Well, he DOES know of what he speaksReview Date: 2008-01-30
The Authoritative Anti-Huntford SpeaksReview Date: 2007-11-21
Awe Inspiring StoryReview Date: 2006-08-14
Mildly informative, but ultimately far too biasedReview Date: 2006-12-07
Fiennes, a seemingly obsessive fan of Scott himself, has gone to great lengths to recreate Scott's manhauling techniques (albeit with modern clothing, gear, and expedition food) in his own transarctic expedition, if only to show that it can be done today. He completely wallpapers over the mistakes in Scott's assessment of dogs, skis, clothing, nutrition, and caloric intake, as well as Scott's poor judgement in setting cairns, preventing fuel loss, staying in tents during moderately bad weather, navigating, and stopping for scientific samples when his time and supplies were running short. This clearly shows this work to be more propaganda than a neutral look at the evidence.
However, Fiennes brings out important background information on Scott not found in print today that proves helpful in better understanding Scott. For that, I bump up my rating to 2 stars.

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a magnificent bookReview Date: 2007-12-13
I mean like, before the ocean covers my home when the polar caps melt...
Pretty DryReview Date: 2001-06-24
Pretty DryReview Date: 2001-06-24
A Lyrical Look at Earth's ThermostatReview Date: 1999-05-16
I'd have to agree with the skeptical reviewers.Review Date: 2002-02-20

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Not your stereotypical memoirReview Date: 2004-02-08
Diski's autobiography sets and maintains its direction right from the start. Her dedication to her daughter naturally flows into the first sentence, "For Chloe without whom...I am not entirely content with the degree of whiteness in my life." From here Jenny springs into her love of everything white, which originated from her time spent institutionalized for mental disorders. In the end she travels to the greatest white canvas on Earth, Antarctica. Diski meshes stories from her past with those of the present in a frame story format that at times is confusing, but portrays and fully explains her actions throughout her troubled years.
Jenny Diski was the child of sexually abusive dysfunctional parents. Her father was a con-artist, her mother a self-serving, mentally ill woman. Jenny's future hung in limbo. Her parents split up multiple times and both attempted suicide at one point or another. Diski's eventual mental hospitalization stemmed from problems at home. This book attracts readers because often the reader can relate to Jenny's desire for a "normal" childhood. Skating to Antarctica brings a person inside the head of one who was subjected to constant sorrow and lack of stability as a child. Jenny's account informs whoever leafs through her memoir of the importance of providing a good home life for one's offspring. Her less than perfect childhood and distaste for her parents is ever-present when numerous times Diski repeats the phrase, "my father died in 1966 and I haven't seen or heard from my mother since that date" (20). I found myself on the rollercoaster feeling sorry for Jenny at these points, but soon climbed to a state of anger when she remains a static character throughout her memoir.
When I think of autobiographies/memoirs, I envision someone's completed life retold to many awaiting viewers. Jenny's "incomplete" account shocked me. I flipped pages in hope that her problems would vanish and she would become a "normal" human being, but was disappointed that when by page 250, Jenny still had emotional and psychological issues. My hopes for a so-called happy ending vanquished, leaving me frustrated and glad to set the book aside. However a disappointment this may be, in hindsight this technique left a lasting impact. This unresolved ending caused me to realize that some things do not and cannot vacate one's psyche, ever!
Within her sorrowful narrative Jenny masterfully weaves imagery at its finest. She can describe white to an extent that it becomes a color or an emotion as she does here in a relapse of depression: "White walls, staring into peopleless landscapes, heading for the snow and ice. Not to stay, but to be in it for a while. Death, of course, as Melville knows, is what it is. A toying with the void that finally toys with us. In the face of the waiting I can't escape, I head straight for its image and rest there for a while" (191). Reading this passage chills me with how well it portrays someone with a mental illness, wanting to visit Death for tea time. Jenny also throws a curveball with some vulgar language in her "accurate" description of seals, which she names the "flaccid [male genitalia] seal." That sure came out of left field. Jenny maintains a delicate, easy-reading prose but then throws in phrases that make the reader do a double-take and reread to see if she actually said that. Words like "[bird poop]" and the "[fudge]-it factor" just jump off the page, but without delay we're back to the flowing narrative leaving me puzzled over what just happened.
Truth and doubt appear be focal points in Jenny Diski's writing. However, I found her views on truth to be almost hypocritical. When each of her parents shares the truths about their spouse, Diski brings up the point that truth is relative to a situation; this I found striking, yet understandable. She also brings up the idea of relative truth in stereotypes. Someone no learned of a particular culture would easily believe a fact from someone they trusted not knowing that it is false. Hypocrisy comes into play when Diski instills doubt in the mind of the reader regarding the validity of her narrative, which I think is bad. She says that there are "infinite ways of evading truth, including non-fiction" (229), and quotes "Malone Dies": "I wonder if I am not talking yet again about myself. Shall I be incapable, to the end, of lying on any other subject?" The reader is led to ponder what is fact or fiction within Diski's autobiography. Maybe she did meet with her mother between 1966 and her death, but chose to leave that out to strengthen her argument of an intolerable childhood. Only Jenny knows.
Despite some unanswered questions about Jenny's insanity, failed marriage, and future, she successfully writes both to relieve her internal pain, and, in my opinion, to inform the reader on the importance of being attentive parents and the value of seeking help when needed. Jenny's experience should never be repeated. Her novel flows taking the reader in and out of intense subject matter in a way that makes it palatable while expressing true emotion. Though jerks exist between mental jumps, Jenny pulls the reader back into her dismal life and continues on. Skating to Antarctica is a thought-provoking memoir that intertwines humor, anger, and sadness with ideas of truth, death, and depression that ultimately leaves the reader in shock and reflection, a reaction typical of this subject matter. My prayer for Jenny to rise above her troubles and become "normal" went unanswered, leaving me grateful to put this book back on my shelf.
White OblivionReview Date: 2004-01-31
by Jenny Diski
"I am not entirely content with the degree of whiteness in my life. My bedroom is white: white walls, icy mirrors, white sheets and pillowcases, white slatted blinds."(1)
Jenny Diski's book, Skating to Antarctica explores the meaning of whiteness in her life. Jenny clearly states her psychological need to have whiteness all around her, and it annoys her if that isn't so. This whiteness that she desperately wants represents her need to forget her past. Jenny says "White hospital sheets seemed to hold out the promise of what I really wanted: a place of safety, a white oblivion. Oblivion, strictly speaking was what I was after..." The meaning of oblivion, according to the Merriam Webster Collegiate Dictionary, means the fact or condition of forgetting or having forgotten. Throughout this book, Jenny searches for this white oblivion by traveling to Antarctica, but her past always seems to interrupt this search for pure whiteness.
Skating to Antarctica is a memoir about a woman who struggles with her sexually, physically, and verbally abusive parents. Jenny tells her story of her past, by weaving it together with her adventure to Antarctica. Eventually, the problems of her past resurface because of her daughter's inquisitive nature.
Through this idea of whiteness, Diski presents the novel in a clear precise, way. She paints the book in images of whiteness, and by doing so gives the reader an idea of the world that Jenny would like to live in, of pure whiteness. Diski sets the reader up to understand this need for whiteness, so her longing to travel to Antarctica does not come as a surprise because of the lack of colors that exist there.
Jenny's comments lead one to believe that a lot of objects that surround her in life remind her of her past. Diski allows the reader to see how color interrupts Jenny's world, and exactly to what extent it interrupts her world. Jenny said, "I wanted my white bedroom extended beyond reason. That was Antarctica, and only Antarctica." (Page five) Jenny's strength is giving her reader the sense of this desperate desire to get away from color, as if color was filling her brain and she needed to escape. By surrounding herself in all white she doesn't run the risk of running into any of those painful memories.
Diski describes the quantum theory of how one is able to put things into a box, and forget about what is in the box and not know if the things in the box exist or not. It is this very box that has interrupted the author's world of whiteness. Diski has creatively used the quantum theory in such a way that it reveals Jenny's state of mind.
On page fifty, Diski focuses on Jenny leaving to see a glacier. But what is interesting about this, is how Diski intricately places a "dead furry thing" (Page fifty) in her path. Diski demonstrates her creative skill of describing how the muscles of the animal are gone and how the legs are cocked at different angles. Jenny is unable to focus on the whiteness but on the problem set before her. One can see how Jenny is unable to get beyond her memories, and that they still interrupt her white oblivion.
After Jenny thinks of her mother, and the possible conclusion that she may be dead, she sees white in the sky. "..[A]nd all I could see was a shadowed white out there, unless I raised myself up and then I would see the inky sea and shadowed white." (Page eighty-three) Diski once again, subtly drives the meaning home about whiteness, that it is there, and that it just on the horizon, and she's about to reach that conclusion, that final peace of mind.
Diski's attention to details becomes a key element to this book. She allows readers to know more about the barriers that keep her from reaching oblivion, and how that affects her. On page 177, Diski repels the idea that her parents are caring and loving towards her by focusing on the behaviors and interactions of the penguins. She exudes the emotion that she wants this kind of relationship that the penguins have with each other. Another example of Diski's gift of attention is on page 221. She discusses how the ice burgs are blue and have many different levels making the parallel to her own life.
Diski's biggest weakness is not satisfying the reader's desire to see Jenny in Antarctica. The book has focused on her deep psychological desire to be there, and one is left wondering if she was able to get her whiteness and be engulfed in her oblivion. By stopping at this point, Diski leaves the reader wondering if these memories of hurt and sadness can never be erased, or if she went to Antarctica and embraced the whiteness of the land, and her oblivion.
Diski's grace and her skill of writing is what makes this book work. Her gentle and subtle way of depicting Jenny Diski's desperate desire to be overcome in whiteness and her "passion for oblivion" (Page 235) is relieving in the sense that she doesn't overbearingly reveal all of her emotions and feelings, and leaves room for implications to be made. Diski's ability to paint the world white, and splash color is incredibly delightful. Jenny Diski certainly does bring new meaning to whiteness in her book, Skating to Antarctica.
well-written, heartfelt and self-involvedReview Date: 2004-01-30
The book alternates between Jenny Diski's journey to Antarctica and her past. The balance creates a link between the two stories and allows the reader to understand her thoughts and actions better in both settings. The detailed and approachable way that she describes the setting and her own feelings really helps the reader become immersed in the book. Although a very serious work, it is lightened by Diski's dark humor. She takes her poor relationship with her mother very lightly. She is able to describe a possible meeting with her mother on the street as and encounter with, "a wild, screaming old woman coming down the street, probably with a kitchen knife in her hand, yelling at me," with ease (29). Perhaps this is her way of dealing with bigger problems, but it adds interest and much needed humor to the book.
This memoir is a much more heartfelt and close view of Jenny Diski than her personality is described to be. She continuously reveals her need for nothing and shows her fear of closeness. She says that she avoids waiting, puts things off till another day like Scarlett O'Hara and cherishes distant and superficial relationships like with the Roths (83). Anything that gets too close might hurt her and she stays away from it. However, when reading this book one does not feel any barrier. She is very honest and upfront when telling her story.
A prevalent theme throughout the book is the distinction between memory and truth, fiction and nonfiction. She says, "Memory is continually created, a story told and retold, using jigsaw pieces of experience. It's utterly unreliable in some ways, because who can say whether the feeling or emotion that seems to belong to the recollection actually belongs to it..." (154). She is also very wary of the truth, saying that it is subjective (100-1). Regarding fiction and nonfiction she says, "There are infinite ways of telling the truth, including fiction, and infinite ways of evading the truth, including nonfiction" (229). Diski not only doubts the `truth,' she says that often it doesn't matter. For her, with so many repressed memories, mixed reactions and disbelief, it is better to simply remember things the way she wants to. She portrays this very well in the book so that the reader understands her perspective.
The fact that this is a memoir allows her to share her own reactions and feelings. The memoir genre enables her to express a greater degree of closeness and personal relationship with her audience than other genres would. She is given liberty to give her own interpretations of her memories instead of feeling obligated to stick to the straight facts. I also find her book to be a necessary release from the tension and pressure that her life has created. One gets the impression that Diski wrote this book more for herself than anyone. At times this gets in the way of her writing.
Even though the book is very well written and heartfelt, and Diski's messages are conveyed well, sometimes it becomes repulsively self-involved. At times it is difficult for the reader to relate and not be turned-off by self-pity and her self-involved approach to life. An example of her whiney attitude is shown when she is deciding if she wants to set foot on Antarctica. She says, "The rush of pleasure at not doing what is expected of you, of not doing what you expect of yourself. If it was originally about disappointing other people, it has become refined into a matter of pleasing myself" (228). Such self-centeredness can create a distraction for the reader. Despite the fact that it is a memoir and a portal into Diski's personal experiences and thoughts, at times the things she says are better suited for a journal than a publication.
Skating to Antarctica is really about Jenny Diski's search for peace of mind. Does she find it? I think she does. Although she may not completely deal with all of her issues, she definitely comes to a point of peace with her past. She said, "Some things I'll never get away from, not even in the farthest reaches of the South Atlantic, but, with a bit of effort, I can recognize them as a passing wind blowing through me, chilling me to the bone, an act of nature that isn't personal, or not any more. The past can still make me shiver, but no bones are broken" (175). One criticism of the book that I find completely invalid is that it lacks closure. It is true that she does not reunite with her mother and make amends. That is not the kind of closure needed. In addition to the quote on p. 175, on p. 250 Diski expresses contentment in knowing about her mother. This is a true account of a person's life, and it does not end in a fairy tale way. It ends in a manner true to Jenny Diski and true to life.
Skating to Antarctica- The Chilling TruthReview Date: 2004-01-30
Published in 1997, Diski's memoir became a means of expression for her dispirited voice. Skating to Antarctica is the author's experience, a tale of her liking. "There are infinite ways of telling the truth, including fiction, and infinite ways of evading the truth, including non-fiction" (229). Diski reveals only what she wishes to reader, and we are therefore reminded that the book is an individual's report. Her story is unusual; however, her quest for truth in a world of uncertainty is common. Diski's bare writing exposes the significance of our childhoods and their effect upon our lives.
Facing "intolerable blankness" Diski addresses the period in her life where she endured the storms of depression, and touches upon a condition that is prevalent in our society today (190). Every person who picks up this book may not have been diagnosed with depression, but all have experienced feelings of utter loneliness at one time or another. Diski's vulnerability is revealed when she shares early on her desire to head north. She discloses a real helplessness in her opening paragraphs, and does not hold back or conceal these hopeless emotions. Instead, in her completely barren state, Diski shares her feelings and the reader begins to see how she pursues a controlled and simultaneously wavering lifestyle.
This memoir is far-reaching and impressive because it is truthful writing. Individuals who have fought depression or experienced broken childhoods will understand Diski's struggle to confront her past. By viewing this book as an honest report of one women's struggle to find answers, we can admire the author for her honest writing. "The choice on offer is the assumption that for thirty years I repressed curiosity about my mother's existence because thoughts of her were intolerable, or that, all unknown to me, I was contentedly, not to say harmoniously, living out a recognized phenomenon of the known physical universe" (24). It is with Diski's open tone that the depth of her pain is revealed, and the reader becomes involved.
One very impressive trait of Diski's style is her direct voice. Because the book examines intense and personal themes: painful memories, depression and guilt, hurt and longing, Diski is specific and concrete in confirming her ideas. "I've lived long enough to know it is a fact that most people find activity useful and conforming, but I am not one of those people; on the contrary, I find it alarming and alienating" (64). Diski's very clear and almost obvious style allows readers to peer into her soul, and search through the shattered pieces of the past, beside her.
Skating to Antarctica chronicles Diski's self-searching adventure. As a memoir, the book remains a means through which Diski discloses her thoughts, occasionally selfish or overly dramatic. Although Diski shows little appreciation for her parents, it is important to recall how deep her scars run. The few passages that describe Diski's self-pity are understandable and illustrate her transition into fully understanding her history. It seems only justified to allow Diski the opportunity to listen to her former neighbor, Mrs. Rosen, share memories of her as a child, and it is moving to read of Diski's self-discovery: "someone had been watching, it wasn't just me, myself and I waiting for it to end. I wasn't entirely a figment of my imagination, and up to that point, I could have been" (194). Diski's journey becomes a vulnerable account of the process of facing the truth about herself.
This book is a personal genre of non-fiction. Diski may travel to the end of the world, but if you are looking to learn about an individual's adventures in Antarctica-search elsewhere. The memoir shares not the explorer's experience at her destination, but instead the journey along the way. Skating to Antarctica was not written for the enjoyment of the reader. This book exists because it was Diski's method of breaking down the barriers of her past, and searching through the remains. Her story leaves you with questions, ideas only Diski herself can explain. For this very reason Skating to Antarctica captivated me.
Two Extraordinary Voyages In One!Review Date: 2004-04-01
Ms. Diski weaves two voyages into one here - the longed for trip she made a few years ago to the white land of snow and ice and a parallel journey into her own heart, soul and past. Her descriptions of her fellow travelers, boredom, group activities and various ports of call are often quite witty and caustic. Her take on the natural world, elephant seals, variety of birds, penguins, and the barren landscape in different shades of white are vivid and, at times, haunting.
Also explored in "Skating to Antarctica" is Ms. Diski's past - her suicidal and abusive parents, stays in psychiatric institutions, an almost lifelong estrangement from her mother and her own search of her "memory-hardened heart." The reader is saved from depression at these revelations through the author's extraordinary use of humor at her desire to bury her childhood memories under, literally, tons of snow.
Diski's writing
style is spare, clipped and very effective. Given some of the painful content it might sound ridiculous to write that I "enjoyed"
the book - but I did. Her descriptive narrative of the trip to the world's southern-most continent are fascinating - not just
another travel book, and her personal revelations are striking in their honesty.
JANA


Intelligent, honest and interestingReview Date: 2002-05-20
There are absolutely no bears mentioned in it, and it is a pity that one reviewer felt the need to give it one star without ever having read it.
THERE ARE NO POLAR BEARS IN ANTARTICA!Review Date: 2002-04-19
Some like it frozenReview Date: 2001-07-21
Much more fun are the people who do this (crossing Antarctica) using parachute (wind) pulled sleds, or even dog teams. But this book is something else. I get upset just looking at the pictures of the naked, emaciated author, close ups of necrotic tissue...YUK!
Driven and not by pleasureReview Date: 2004-08-20
There had already been an unsupported trip to the South Pole. Indeed, as they were making their crossing, the Scandinavian explorer Erling Kagge - who claimed the first unsupported trip to the North Pole, disputed by his rivals Stroud and Fiennes - was making the first solo unsupported trip to the South Pole.
The crossing of the Antarctic continent, however impractical, was the next logical goal. This account, and another by Stroud entitled "Shadows on the Wasteland," stress the grinding wear and tear on the human body, the bleak, black thoughts that accompany every labored step, and the life-threatening hazards of weather, crevassed terrain and starvation.
The difference in their stories is entirely point-of-view and personality.
Fiennes, the leader, sounds a practical, matter-of-fact note - his appendices on leadership, equipment, history and topography are nearly as long as his personal account. Stroud, the younger and smaller man, is more volatile and impassioned, resentful of the very notion of leadership in a two-man expedition.
They began the trip unsure that they would even be able to budge their sledges - loaded with 485 pounds of food, fuel and equipment. "It would be so embarrassing if, once in our harnesses, our efforts came to nought and the sledges refused to budge," says Stroud.
After four hours they had moved only a couple of miles on their 1,700 hundred mile journey. And the next day they had their first equipment failure - a thermos that left one of the major respites of their day, hot soup, cold and full of gelatinous fat globs.
On they went. Sails, parachutes inflated by the wind, had been an early bone of contention between them. Stroud was insistent, Fiennes, dubious about their usefulness and the added weight, agreed reluctantly. On their first try both found them terrifying and exhilarating.
Says Stroud, "Compared with the toil of manhauling, to be pulled forward at high speed was a delight so intense that to ignore it, merely because it was difficult and dangerous, was near impossible."
And Fiennes, "After a hectic ten minutes of being dragged over ice ridges, crossing ski tips and being struck in the back by the sledge....I suddenly spotted a blueish shadow some forty feet ahead."
Fiennes threw himself to one side. Stroud, used to seeing his companion fall, started to go around. Going too fast to stop, he plunged into the crevasse. Says Fiennes, "Appalling thoughts crowded my mind: chiefly how I would explain Mike's death to his wife and mother."
But Stroud had landed on a precarious snow bridge. The description of extricating him and his sledge is harrowing. The sledge was permanently but not crucially damaged. On they went.
Black thoughts, with no other outlet, turned on one another. Their chief friction was pacing. Stroud believed Fiennes was going slower than necessary because of brooding over his age (47); Fiennes believed Stroud was wasting energy by going too fast and later attributed hypothermic episodes to this depletion. Both experienced intense anger toward the other, most of which they avoided expressing except in their diaries.
Consuming 5,200 calories a day, they were using 6,000 to 8,000, even 10,000. Slow starvation far outpaced the lessening of weight on the sledges. Because of Stroud's medical record keeping, (ironically described in greater daily detail by Fiennes) chemical changes and physical debilitation were documented with appalling exactitude.
Both were subject to digestion problems, chronic frostbite infections, sores from chafing clothing and harnesses, skin damage from the depleted ozone layer, blindness from white-outs and from the absence of anything to focus on. But starvation was chief among their troubles, leading to muscle loss (even of the heart muscle) as well as every bit of insulating fat.
When Fiennes finally called a halt after Stroud experienced several life-threatening bouts of hypothermia and hypoglycemia they had crossed the continent, although not the ice shelf which intervened between continent and ocean. They had succeeded, raising millions (at a penny per mile) for the Multiple Sclerosis Society, accomplishing major physiological research and being first to cross the continent unsupported. This, despite all the practical, idealistic reasons given, was their reason for going, a reason incomprehensible to most of us.
Both books are well-written, expressive of separate personalities undergoing the same grueling physical and mental hardships. Both acknowledge they could not have made it without the other, for mental reasons as well as physical. Both are riveting accounts of exploration in a place few of us ever wish to go.
An appropriate titleReview Date: 2000-02-08

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annapolis goes crazy over this insane storyReview Date: 2006-06-20
City dock is abuzz over this tale by David Mercy. The worlds' capitol for sailing has had several bookstores feature this book in storefront displays. It is a simple tale and the narrator moves seemlessly from a simple folksy style a la Hemingway to breathless descriptives evoking Wilbur Smith comparisons. It seems like a tall tale yet if you can find the documentary from Norway TV One you understand the book is understated. It is highly recommended and is a fast read.
Incredible JourneyReview Date: 2005-11-15
Awesome!Review Date: 2005-08-30
Can't put it down...Review Date: 2005-08-24
I highly recommend this book.
An Instubstantive AdventureReview Date: 2005-06-29
The writing itself is often awkward, reading like a day-by-day journal that was quickly fleshed out with a lot of filler. There are literary tricks that don't work, and the book is littered with pop-culture and literary references that become distractingly frequent and at times wholly inaccurate.
The author's personal journey is entirely unfulfilling. A supposed director with an aversion to cameras (or is that a hopeful author?) quits everything and travels the "hippy trail" in South America, seemingly with the means to go anywhere he wants (or at least the ability to call his dad if he's in trouble... at age 35). At one point eager to sail all the way to Africa, and the next yearning to explore the Amazon, he comes off as a shallow over-funded yuppie with a short attention span.
Even when waxing philosophical or reflecting upon his past, what he shares is insubstantial. He keeps saying how much the trip changed his life, never really saying in what way. We are set up to expect a major shift in his worldview, but when he returns home, it is just as shallow and empty as before the voyage. At least twice he refers to "becoming a sailor," but this impression also seems to have no lasting effect. In the end he attempts to wrap things up with a philosophical denoument, which comes from left field and entirely misses its mark, showing not only a lack of understanding, but a deficiency in writing.
I'm still jealous of the journey, but this book may be best described as an example of how not to get to Antarctica. One would do well to avoid the author's mistakes.

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This book is a must!!Review Date: 2007-02-26
Good Introductory bookReview Date: 2008-06-14
It's not what you thinkReview Date: 2007-11-28
In addition, this is not a full-sized book. It's only 5 inches by 7 inches.
I don't want to ruin someone's livelihood so I will try to be fair. This book is not suitable for my purposes and might be right for a tourist to tuck into a suitcase.
Great BookReview Date: 2008-01-26


A disappointing bookReview Date: 2004-01-29
Still, if you are interested in the topic and if you want to learn more about Walter Wellman's expeditions, this book may be for you.
Dry and pretentious.......Review Date: 2001-01-01
A grand review of pioneering air travel in the ArcticReview Date: 1999-10-07
With regard to the beautiful weather depicted on the dust cover of this book I would guess it was the only day like this the author experienced on Dane Island. I am envious of his opoportunity to have been there under such unusual conditions and thank him for sharing the beauty of this site with his readers.
SplendidReview Date: 1999-06-24
The book is superb and special: good science, good writing, and a fascinating story about technology, courage, folly and grand showmanship.
An eerie thing about this beach from which the airships were launched. In prior centuries, it was a used as a slaughterhouse by whalers. The author discovered the spine of one ancient whale nearby. In here somewhere there is a strange, unscientific, unstated metaphor about the souls of whales arising into the air. As blimps.
An absolutely first rate adventure. The best book I have come across this year.
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Very good, especially on earlier explorationsReview Date: 2006-01-21
I had little knowledge of Arctic explorations before Peary and not much more of the Antarctic besides the trio of Scott, Amundsen and Shackleton. This book filled in a lot of gaps, especially on early Arctic exploration.
Unfortunately, the question about whether Peary actually reached the North Pole or not -- and if he didn't, was it sextant mismeasurements or fraud -- is only briefly and tangentially discussed. Many polar authors and experts claim he didn't, but last year an explorer duplicated his fast-paced feat.
The contingencies of history are interesting, as this book shows. Amundsen had originally planned for the North Pole, but Peary's triumph led him to look south.
British humanity excluded dogs for the Antarctic mush; British stupidity refused to use Norwegian horse snowshoes, which might have let Scott beat Amundsen and return alive. If not stupidity and stubbornness, stupidity and sentimentality, leading Scott to add a fifth to his original four-man party, doomed him. The psychology behind this and the Scott-Shackelton dustup was also tred just lightly.
But, trying to reach the Arctic by ramming a ship into ice floes, or via ballooon? Read this book for for the lust for the poles, an addiction of human adventure.
Polar Explorations 101Review Date: 2005-12-13
Dress warmly while reading.
A Good Overview of Polar ExplorationReview Date: 2000-05-16
Early polar exploration, with a British point of view