Minnesota Books

As a past Camp Wellstone attendee, I wasn't sure whether I would find this book to be a rehash of the ideas and strategies taught in the wonderful training weekend. But I was inspired all over again by Politics the Wellstone Way. It articulates the best of progressive values and the winning, practical way to live them in the sphere of politics. Paul Wellstone's legacy and memory live on strongly in progressive politics, and I think Wellstone Action is doing a wonderful job of making that legacy fruitful. I attended Camp Wellstone not really knowing how I would use the training, but it has proved valuable in ways I didn't expect. I have been recommending this book to people as the next best thing.

I teach politics and grassroots organizing and have reviewed many similar books. Politics the Wellstone Way is hands down the absolute best book in this genre I have seen. Paul Wellstone was an organizing genious and developed a special talent for combining electoral politics and grassroots organizing with effective policy work. Bill Lofy and the other staffers at Wellstone Action have beautifully captured the wisdom and skills Wellstone was able to accumulate in over 30 years in grassroots organizing and electoral campaigning. I highly recommend it for progressive who wants to learn how to win elections and win in issue organizing for progressive issues. I highly recommend it for anyone interested in learning how to rebuild democracy in America.

This book is a tribute to the late Senator Paul Wellstone (D MN) and his wife Shelia, who died in a plane accident. Before his untimely demise, Wellstone was one of the most dynamic examples that liberalism was not dead in the Democratic Party and was not dead in America either.

I loved his floor speeches and sponsored legislation because they intentionally sought an America where people truly were united. He believed in and genuinely loved the American people.

This book, influenced by the workshop series Mark and David Wellstone started to honor their parents, explains how everybody and anybody can become a more effective progressive activist. The best cause in the world looses visibility when organizers cannot get their message out to the public or even figure out how to field organize.

Since even experienced activists can become overwhelmed with all of the tasks we need to do in tight races, having the basic steps laid out was also helpful for us. Another major strength of the book is that it is for novice politicos and veteran organizers alike. The more, the merrier!

Most of all, this book stresses the Wellstone way was and is connecting with people. The right only holds seats because their candidates spin to 'common people' but we do not have to put on such false airs. We can represent the common people because we are them.

This book is designed to be a practical campaign manual for progressive grassroots candidates and organizations in both the context of candidate races, and issue campaigns.

The book is based on the Wellstone campaigns for US Senate in Minnesota, which were highly successful and great models for "people power" campaigns. The media strategies used in the first campaign, against Rudy Boschwitz, were classic examples of what I call "guerilla campaigning," in that they used innovative approaches to get the biggest bang for the buck, and gain earned media. Now most campaigns from both parties do the same sort of thing, but at the time, in 1990, it was incredibly innovative.

Of course, the Wellstone campaigns were animated by Paul Wellstone, an incredibly charismatic and tenacious fighter in the political wars. For a less dynamic candidate, it is hard to say if the organization would have been as successful. Still, the lesson is that a strong, smart organization is the key to victory for outfinanced progressive candidates, and this book is designed to help build such organizations.

The book does lose some of its effectiveness for the smaller campaign, unfortunately. It is geared to provide a model for statewide and congressional races. Most smaller campaigns, such as those for state legislature, will not be able to do what is described in this book, for want of personnel or funds. Even so, the book gives terrific pointers for organization, strategy, and tactics considerations.

Until recently, I wasn't able to attend a Camp Wellstone, so I did the next best thing, and purchased this book. It does an excellent job of laying out the basic knowledge needed in a progressive campaign. Very useful in electoral campaigning as well as issue based campaigns. A MUST READ for anyone involved in (or trying to join) an electoral or issue campaign. I have since purchased many books on elections, but this was the first, and in my opinion, the best overall book in my campaigning library.

This book is a basic nuts & bolts read. A very good primer and starter book on elections. READ THIS FIRST and then move on to the Faucheux and Shea type books if you are looking for a more in-depth education on campaigning and elections.

I proudly give POLITICS THE WELLSTONE WAY five stars!

In the world of books, where the ceiling on what constitutes a young writer reaches the age of 40, Toby Thompson should be applauded for simply going for it at 24, for packing up his car and heading halfway across the country to a small northern Minnesota town to track down the history of an enigmatic singer by walking up to people he's never met and asking them to talk about their most famous son, Bob Dylan. Crazy? Yeah, sure. Honorable? Gutsy? Pretty damn cool? Yes! Yes! Yes! Such a trek should be required for all aspiring writers, the push out the door (and out of their comfort zone) to find the story that is brewing somewhere in America. Even better is that Thompson knocks out a home run in his debut book, sharing a never-been-told story about Bob Dylan to an audience who was begging for it in 1971 and to future generations who continue to discover the poetry and magic of "Positively 4th Street," among others, as their musical tastes come of age.

As the 60's gave way to the 70's, Thompson captures two major forces spreading across America: Bob Dylan and New Journalism, weaving these two complimenting stars together in one wild romp. The running inner-monologue of Thompson's witty thoughts and observations are a cross between Hunter S. Thompson and Tom Wolfe adding up to a style that breathes fire. Above all the story is fun to read, inspired by the passion and idealism of a young man who doesn't know any better. And thank god for that.

English professors take note: This should be required reading for all of your students.

In these current "Times, they are a changin'" it is good to look back. Toby Thompson's take on 1968 Hibbing, Minnesota, is like Hunter S. Thompson's Fear and Loathing in Las Vegas A Savage Journey to the Heart of the American Dream, only necessarily different.

As Jerry Jeff Walker says in his Viva Terlingua intro to London Homesick Blues, "I gotta put myself back in that place." And in this case, that place is Hibbing, Minnesota, 1968, former home of Robert Zimmerman, then AWOL Bob Dylan.

While Robert Bob Dylan Zimmerman was secluded in Woodstock, NY, young Toby Thompson went off to Hibbing, Minnesota, in search of Zimmerman/Dylan's past in (dis)order to ascertain the present and future - and the reader is taken along for the trips, summed up in a Postgush comment from Richard Goldstein: I think the real meat of this book is that you start out wanting to find Bob Dylan's "Rosebud" and you end up caring more about Toby's hidden bottle of Scotch.

It's a great Look Back. And to answer this reviewer's question posed in the title - What Would Dylan Do?: Obama-backin' Bob is going back to that place - back to Minneapolis - the University of Minnesota - positively near 4th Street - to do a gig on Election Night 2008. Do look back, it's alright. See ya'all there! /TundraVision, Amazon Reviewer

Bob Dylan is one of the most creative songwriters of the twentieth century. "Positively Main Street: Bob Dylan's Minnesota" tells of Toby Thompson's travels to learn more about Bobby Zimmerman, the man behind the legend. Thompson talks with the people who knew Zimmerman as a boy to further understand the mind behind the music. With interviews conducted by the author and never before released photographs, "Positively Main Street" is a must for any Dylan fan.

Superb, intersting account of growing up as Bobby Zimmerman, before becoming Bob "Die-lan". "Die-Lan" is the way Minnesotans pronounce Dylan. (The same way that I pronounced it 40 years ago.)
Great interview with Echo Helstrom "The Girl from the North Country". (Thompson doesn't bring up the thought that others think that "The Girl..." is actually Bonnie Beecher.) But from Thompson's accounts I think Echo would be someone very easy to fall in love with. I find it interesting that even after Dylan "Made it" Beatty Zimmerman (Bob's Mother) was still working in Hibbing. This is a recommended read that is as inyteresting as the John Sandford novels are about Minnesota.

Toby Thompson is truly an Odd Fellow: admitting in this updated, refurbished University of Minnesota Press edition that he first went to Hibbing, MN as a desperate means of "breaking through" in the journalistic market.

I would say that takes a lot of nerve but no doubt he admits so because he, like the rest of us before him, has seen that his work far transcends such a naughty, simple conspiracy and the fact that he was able to sit down and interview Bob Dylan's mother in Hibbing at a time when the Zimmerman family still had a viable presence on the Range is nothing short of dreamy, not to mention the quality of the relationship he forged with Echo Helstrom.

The book's new preface as well as the recent, upbeat, revealing interview with this great author make this purchase a MUST for fans of Dylan, even those who cherish the first edition from the Stoned Age.

Three Cheers for Mr. Thompson.

Dude, I mean, like, Dostoevsky's poetics have, like, lossa problems man. I mean, like, what's the deal with that Marmaledov dude? Is he related to Ziggy or something? I don't get it man. It's all voodoo to me. But it's a good read, I mean, making love with his ego is such an, ahhhh, maybe I should keep this to myself. But I really dig that stuff about the landlady and the axe, that was inspirational, metatarsal, trippy dude. Whatever.

Bakhtin's "Problems of Dostoevsky's Poetics" remains an essential critical writing to understand the complex and eclectic critical imagery of Bakhtin. The plurality of consciousness within a novel (polyphony) together with the idea of simultaneity in the relationships among characters confine to this work an extremely contemporary view of what literary creation is like or must be conceived of.
Bakhtin's defense of the independency of the hero from the author stands not only as a strong critique to those critical trends which regard biographical information as the only source to fully capture the essence of a literary work, but also it enables a new kind of open criticism which embraces the role of the reader in the process of authoring a text, that is, providing the text with a meaning. Bakhtin's interest on physiology to capture the real insight of human perception and, hence, of human understanding of a literary work is, in my opinion, a great advance for the reader to become an undisputed element in the literary chain formed by the author, the text and the reader.
Bakhtin's work has rapidly become a cornerstone in the current flow of literary criticism and his "Problems of Dostoevsky's Poetics" stands as one of his finest achievements.

This book is the ideal introduction to the thought of Mikhail Bakhtin. Bakhtin is becoming established as one of the giants of 20th century literary criticsm, despite his work being unknown in the West until the 1970's. This book is less about Dostoyevsky per se, rather a profound meditation on how Dostoyevsky's art exemplifies the central concern of Bakhtin, the concept of 'dialogism'. This idea defies a simple definition; the book in exploring manifold aspects of it, itself becomes truly dialogic. If you value Dostoyevsky as an artist, require an antidote to the chill winds of modern 'Theory', or simply appreciate genius at work, catch up with one of the best kept secrets in literature

Bakhtin's critique of Dostoevsky's work has revealed so much more to me about the form of this great author's novels than I would have ever been able to understand for myself. What makes Bakhtin such a masterful theorist is his methodical approach to understanding an author's work discussing the historical influence of form and the critical misinterpretations that have preceded the work. He is so attentive to levels of narration that he is able to identify voices in relation to the author and the other characters. This helps to clarify the structure of the narrative and the many ways we can interpret it. Many people have marvelled at the brilliance of Doestoevsky's work but haven't been able to put their finger on why it is so great. Bahktin not only names the reason, but also gives an incredible amount of thorough evidence as to why this is so in a comprehensible way. The technical theory is easy to understand as he is very careful to define his terms and the reasons he uses them. His survey of the development of literary forms, particularly the carnavelesque is informed and inspiring, but be careful as it is slightly idealistic and, though perfectly relevant, you feel that he is assimilating it a little too easy to his critique of Doestoevsky. The narrative techniques he identifies are not only useful in understanding Doestoevskys work but are incredibly useful in thinking about current authors. This is a very important piece of critical work I have come back to again and again.

Bakhtin's seminal work owes a lot to thinkers like Nietzsche, buy by gum, does he stand on his own. The most brilliant exposition I've read on Dostoevsky (with Rozanov in second place) and perhaps the most perceptive and insightful comments on the literary process and theory this century.

Quite simply the best book ever written on the history of the sport

when i opened up this book it was like the heavens opened up and angels smiled upon me.

I have read many books that detail the history of the great game of Hockey, but none was better written than this book. Mr. McKinley tells the history in a way that is easy to follow and entertaining to read. Where many of the hockey history books are confusing to follow, this one is a joy to read. I have read through the book twice already and will surely revisit the book many times in the future. Highly recommend!

This book is fascinating on a number of levels. It gives a great account of the beginnings of hockey, including the tensions between anglo and francophone players in Montreal in the early days.

It's also a great trip down memory lane for any fan who remembers a few decades back to players like the Rocket, and has even further, but fuzzy, memories of guys like Turk Broda or Howie Morenz. McKinley covers all the major players and moments of hockey past.

But the book is more than that. It's at many levels an argument about the game, and the recurring message is that, from the very start, there's been tension between owners who have tried to outspend each other in order to win.

Reading about this element puts the currently approaching labor crisis in a historical perspective in a way that no other hockey book I'm familiar with does. For that reason alone, it's worth the read.

It makes me wish that Gary Bettman, every NHL owner, and every player would pick up a copy. It might enlighten them to know that the money and contract issues currently plaguing the game are not new. Fans can only hope that it would have the further effect of waking them up to the effects of excess before they give the game a black eye through another work stoppage.

A fantastic book. McKinley is to be congratulated.

Fantastic Stories about the history of hockey and the Stanley Cup. Not written like a usual history book, but written as a wonderful story! To anyone who plays hockey or is a big fan, this book is a must!

History is so much more when you see what a lifetime was really like in the 19th or 20th century for someone completely "unimportant." A story like Rosa's is a hundred times better than the oatmeal summaries we get about immigrant hardships and all the stuff about people coming to find their fortunes in America or whatever. This gutsy girl never wanted to come, didn't choose to come, but what do you do if you start out life as a foundling, are sent to work in a silk factory at age 8 where your job is to unravel silk cocoons (!), and then you get married off to an old creep who's carting you off mostly to run his boarding house and look after his mistress while he slaves in an iron mine in Missouri. Man, this was a hard life, but out of it came this wonderful, storytelling woman who somehow survived to tell us what things were really like to end up starving in Chicago in the 1890s. Whew. Forget the history textbooks. Let's just puts books like these in front of our kids. And ourselves. Take Me With You When You GoNutty to Meet You! Dr. Peanut Book #1

A wonderful view of immigrant life as well as a poignant look at life in the old country. Rosa's voice is full of detail--almost as if she is sitting across the table from you, sharing the joys and sorrows of her life.

Being a member of a third generation Italian American family this book was very interesting to me. I felt like I was sitting next to Rosa as she went through her experiences. It brought back many memories. I finished the book in one weekend then mailed it to my Italian mother for her to enjoy. This is the first Italian American book I have read that was written from a women's point of view. I highly recommend it.

I stumbled across this book a month ago while writing a term paper on Italian immigration.
Rosa's tale is a poignant story. Her life story reveals her pride,faith and determination to survive in both the new and old world and her unwillingness to compromise her values.

I highly recommend this book!

First we need to thank Helen Barolini for resurrecting this precious book from obscurity. And for all those who complain there are no uplifting, inspiring tales about Italians, here in Rosa The Life Of An Italian Immigrant, is the proof that there certainly is.

Rosa would be the first to say she was no one special, just an ordinary peasant orphan who kept herself from starvation and worse by the faith of her religion and incredilby hard work for her entire life. Not that hard work is a surprise but the reality with which this uneducated woman shows us a plain ordinary life is as unforgettable as she is. God gave her the gift to tell the story of her life, to share laughs and to charm her new friends in wherever she landed, in a mining camp, a convent school or a silk factory.

From her early life as a child laborer who is beaten for mistakes in the silk mills of the 1860s to the uneducated young girl who is forced to marry a lousy, drunken bum, Rosa perseveres and triumphs with a long life and many friends who love her. You can't read this story with out falling in love with this precious woman as she endures life.

In 2001, it is hard to imagine that the cruelties Rosa suffered were every day occurences a century ago (or even less!), that is, nothing unusual. We have come a long way baby, but we had better not forget where we've come from.

Rosa The Life Of An Italian Immigrant will keep you rooted in the reality of our history and ancestry. Buy it, read it. Give it to your friends. Buy them their own copies! Give it as gifts to all the young women in your family.

Rosa's story must be remembered. Her story is unforgetable, so is Rosa Cavalleri.

Hey, Hollywood, I dare you to make a movie about this incredible woman!!!!

In large measure, this book is the history of Louis Riel, a Metis leader, and his efforts to gain recognition and independence for the Metis people. Since the ethnic group usually called Metis was closely tied to Riel, the book is also a partial history of that group.

Metis is a French word that can be translated as "mixed blood." In a narrow sense, one might think of the Metis as the offspring from intermarriage between the French and Indians (mostly Cree) of eastern Canada during the early days of the fur trade. In a practical sense, the group must be broadened to include at least Chippewa, English, and Scot parentage. In the context of the twentieth century, an even broader definition is used. However, some combination of white and Indian linage is usually a prerequisite.

This book is a classic by a legendary author of Montana history. Joseph Kinsey Howard (1906-1951) is also known for another classic, "Montana: High, Wide, and Handsome," a book considered for decades as the definitive history of Montana. Howard spent much of his short life in an area of Montana that has a significant Metis population. He understood the Metis, respected them, and spent years preparing to write "Strange Empire."

The original publication was in 1952. More recent issues include an introduction by Nicholas C. P. Vrooman, Director of the Institute for Metis Studies at the College of Great Falls, Montana. This introduction is a magnificent addition.

The Metis were primarily a product of the fur trade. Their language was a hybrid of French and Indian; definitely not English. Most of the Metis communities remained in close contact with the local Indian tribes. Many of these mixed blood people were drawn to the Red River which flows north from the present states of Minnesota and North Dakota into Canada and on to Hudson Bay.

Louis Riel had trained for priesthood, but hadn't become a priest. Despite occasional self-doubt, Riel had many characteristics of leadership. He was literate and a good speaker and, more importantly, was fluent in English. The Metis attempted to establish their own nation in the Red River Valley. Howard beautifully summarizes the Metis situation: "This conflict between the Metis and the Canadian government was not only a battle over native and Euro-American claims, but also an age-old fight between Catholicism and Protestantism, English and French, English and Irish, and English and American causes." Louis Riel and the Red River Metis faced the Canadian forces with little loss of life on either side. Some people feel that the decision of whether the United States or Canada would rule what is now central and western Canada hung in the balance. The Metis won many of their goals but came under Canadian rule. One result is that the Red River part of Canada became the province of Manitoba in 1870. However, for his part in the "rebellion," Canada exiled Riel for five years and he went to the United States.

The Metis were buffalo hunters but were significantly different from Indians. They dressed differently. Many combined their hunting with agriculture. They had their own language. They had their own culture, a melding of the cultures from which they came. They were much more efficient at commercial buffalo hunting than were the Indians. Their background in the fur trade meant that they had the weapons, hunting experience, and trading expertise needed. Synonymous with the Metis is the Red River cart. Pulled by draft animals, it had high wheels and could carry several hundred pounds. With these carts, the Metis could transport the hides, pemmican, and dried meat of many buffalo to market locations. Twice yearly, the Metis gathered in a large force to go to the buffalo herds.

As the buffalo herds dwindled, the Metis went further west for their hunts. As a result, Metis communities developed in the Turtle Mountain area of North Dakota, the Milk River country of Montana, and Saskatchewan in Canada. Later, communities developed near Lewistown and Great Falls, Montana, (note that most of these locations were undeveloped, and probably unnamed, when the Metis first arrived). Louis Riel moved westward also and became a teacher at a mission in the area of Great Falls.

In Saskatchewan, the Metis were experiencing problems dealing with the Canadian government; problems very similar to what they had experienced in the Red River country. In 1884, the Canadian Metis appealed to Riel to serve as their leader and negotiator. Riel answered the call. Ultimately, an armed conflict evolved with the Canadian military and Mounties facing the Metis and their Indian allies. This time the Metis were crushed. Louis Riel was tried and hung.

There is disagreement concerning Riel's role in Saskatchewan. Some people feel he became insane, some dispute that opinion. He felt that God guided him and when a disagreement arose with the Catholic priests, he attempted to separate the Metis from the Catholic Church. The Metis uprising in Saskatchewan was probably doomed from the beginning, but Riel made things worse by his indecision between peaceful negotiations and the use of force.

In 1982, an amendment to the Canadian constitution gave the Metis aboriginal rights. In the United States, the Metis do not have a legal relationship with the government and do not have a reservation or enjoy other rights granted to Native Americans. In each recent session of the U.S. Congress, there have been bills concerning what is often termed Montana's Landless Indians. Many of this group are Metis.

This book reads almost like a novel. It is well researched. Every book published since "Strange Empire" and containing a mention of the Metis, references Howard's book. A comprehensive and modern history of the Metis is needed but at the moment, this reviewer is unaware of anything near as useful as "Strange Empire."

The amazing story of the Metis people whose French ancestors first colonized and controlled most of North America. Louis Riel should have been a National Hero for all Canadians since without him most of the land west of Ontario would have fallen in US hands.

This book is riveting and should be required reading for history majors.

The genesis story of the Metis in North America, this book describes the evolution of the 'New Nation' and its place in continental history. Arising from the Fur Trade a new race of people, the Mixed-bloods, being descendents of Celtic Orkney and Highland Scot and Celtic Normandy and Brittany French fathers and predominantly Algonkian Cree and Chippewa mothers, create a new native North American identity. The Metis struggle to maintain their place as true descendents of aboriginal lineage while expressing the finer elements of their European paternal heritage. A finely crafted narrative of the attempt to affirm the cultural, economic, and political equity of the Metis, and all aboriginal peoples during the reconfiguration of the continent, Strange Empire is a powerful, dramitic, and epic telling of the most significant 'missing link' in our understanding of how the North American continent came to be.

A century ago, North America almost had a fourth nation, Assiniboia. That would-be nation's leader, a poet, religious zealot and one-time schoolteacher named Louis Riel, once was considered a traitor ro Canada but now is being revered and "rehabilitated" as one of the founders of the Dominion of Canada. Riel was "drafted" as leader of the Metis, "mixed blood" children of the fur trade, when Canada was reneging on its promises to these people who carried on the cultures of both European and indigenous ancentry. (Today, Celtic and French folklorists visit Metis in Western Canada and Montana to record unblemished versions of tradition folk music long dead in their original mother countries.) Howard, a legend in Montana journalism and history himself, penned his masterpiece in "Strange Empire." He gets down to the basics of the struggle for Western North America and some of the more haunting passages deal with the pyschlogical effects of such white man's diseases as smallpox and alchohol and their role in subjugating the natives a century or so ago. Riel was hanged for his insurgence, but had he been more decisive in battle, the maps -- and language patterns -- of much of North America would be much different.

First I would like to thank Amazon for making this fine book so easy to obtain. There are countless thousands of descendants of these, strong, courageous people that now live throughout the world. my son among them, being on a temporary assigment in Turkey. Many thousands more know little of the history of our people. This book should have a particular appeal to these folk. Perhaps by the reading of Mr. Howards book some will be induced to further study and research. It is a benifit to all that seek the true history of our country. These folk were a monolithic type, what happened to one could be an indicator of what happened to the society in the whole. My families have ties to several of those mentioned in this book. As an example, my grandfather was the first cousin to the wife of Louis Riel. My great grandmother was the god child of, Marie Anne Gaboury, the first white woman in the northwest. My fathers mother was baptized by, Father Lestanc. These people are mentioned in this well written book. Thank you, Melvin Beaudry Lynnwood, Washington.

The chapters were about the lock at Keokuk, republished in the anthology on American Lit that we used, a few years after the book came out. I agree, more profs should teach Bissell. Bissell also wrote the Rivers of America volume on the Mononagehela, based on his piloting experience there, and the book (7-1/2 Cents) which became the musical Pajama Game. This was based on his experiences running his family's garment factory. Then he wrote Say Darling about how the musical was made. ASOTR was a hit when first published in July 1950--it was reprinted twice in July and again in October.

Bissell's story of life on a towboat is a perfect complement to Twain's "Life on the Mississippi". I have spent almost thirty years working on the River and if I had to recommend only one book that explains what the people and towboat life is like, this would be the book. His depiction of river characters and their dialog is perfect. It may be more a reflection of the type of people who go to the river to work, you can draw a line from Mike Fink stories through Twain and Bissell and find those same people riding boats on the rivers of America's backyards. I believe I read somewhere that Mickey Spillane said Richard Bissells' writing showed him what dialog in a book should be. Bissell's other river book, "High Water", should not be missed. Both books should be available through the Minnesota Historical Society Press.

I came to this Bissell by way of Elmore Leonard. After reading Get Shorty and Pagan Babies, I did some research on Leonard and found that his writing style, the way he he writes dialogue in particular, was heavily influenced by this book.

Bissell was a Harvard-educated guy who spent time working on a steamboat on the Mississippi River. In this book he captures the experience: the grueling work, the long hours, the danger, and most importantly, the people and the way the talk. He doesn't coddle the reader one bit. There are very few explanations regarding the technical terms used and most of the time, I had no idea what he was doing other than the fact that it was work and that it sounded hard.

He makes a point of contrasting life on the steamboat with life on land. Most of the book takes place on the boat with brief excursions into the port towns up and down the river where he writes of bar fights, love affairs and... well, that about covers it, actually.

I saw a lot of similarities between Bissell and Leonard. Particularly in the way dialects were handled. Leonard uses dialogue to drive the plot forward. Bissell uses it more to set a mood. One thing I didn't like about the book: After he makes his way onto the steamboat and is established as a deckhand, the story just sits for long stretches of time (I'm sure that's what these men working on the river did as well). The fact that Bissell doesn't give much explanation to the terms he uses or the work he does makes the long descriptive stretches of daily life on the steamboat hard to get through. Despite that, I'll rank Bissell as one of my more satisfying surprise discoveries in a long while.

This is one of the greatest pieces of American fiction ever written. You must check out this hard-to-find classic. If I was an English professor, I'd definitely teach this book

I am one of the few people out there who not only know who Richard Bissell is, I'm trying to collect all of his books! I actually bought a first edition of ASotR once, thinking it was the only edition, started to read it just long enough to realize how great it was, and lost it. I've read every novel and most of the nonfiction Bissell wrote, and this was going to be the last 'new' (to me, anyway) thing I read by him. I'd read about it plenty of times in glowing blurbs on the back of his other novels.

Now, I have to find another one. Do you have any idea where I could find a copy of either the paperback reissue or the original hardback edition? Help a man on his quest!

By the way, if you like Bissell, you should probably try reading Charles Portis, who may be even better.

I got this book from the library, and I'm going to have to buy my own copy. My children love the Swedish Pancakes (and I love how easy they are), and my husband and I enjoyed the Lime Marinated Chicken Sandwiches. The Yellow Split Pea soup was fabulous (adding a few chopped tomatoes on top was interesting and yummy). I highly recommend this book; the explanatory notes taught me a lot about Sweden.

I like books like this one - with memories, family stories and home recipes. The sweet rolls I baked were perfect. I miss pictures - there are only a few. The book is worth to buy because it presents regional Swedish kitchen which is not very popular. We think about French or Italian kitchen, but the Swedish may be good as well and not boring. Healthy, light and colourfull.

An amazing buy, simple easy to use recipies! i never realized how much I would love swedish cooking. I have been using it for almost every meal!

The Swedish Table demonstrates that not only are the French good cooks, but so are the Swedes!

Helene Henderson was born and raised in Sweden. She learned cooking from her grandmother and worked in the family business. She owns a catering business in Los Angeles where she is known for utilizing organic food. She lives there with her husband and three children.

This book has some lovely color photos. Henderson takes us on a journey with each recipe and makes me feel her enthusiasm and love of her heritage. Her recipes are easy-to-read and being she has been living in the United States, she understands what we don't know of her culture and does an excellent job at explaining the food and culture. Her recipes are so well written that this book is perfect for the novice or for the person curious of Swedich cuisine.

The chapters included in this book are: Hot and Chilled Soups; Potatoes; Meat, Game and Chicken; Fish and Shellfish; Vegetables and Salads; Sandwiches; Eggs, Waffles and Pancakes; Desserts, Pastries and Bread; Beverages; and Wild Berry Preserves.

Some wonderful recipes you will find in this book are: Gravlax and Nasturtium Sandwiches with Mustard-Dill sauce, Lentil Soup with Roasted Garlic and Baby New Potatoes, Roasted Baby Beet Salad, Sweet Rolls with Almond Paste.

I would have never thought that I would be a fan of Swedish food, but now I am. This book has inspired me to research more about the country and desires to visit the country.

Author/cook Helene Henderson is an Afro-American, Swedish-born chef raised in Sweden, where she learned to cook: her childhood memories spice The Swedish Table, an inviting and unusual blend of dishes which blend traditional Swedish flavors with modern updates. Discussions of Swedish traditions and celebrations and many color photos spice a fine set of dishes, from a Lox and Cream Cheese Quiche to an unusual Juniper/Lavender Marinated Leg of Lamb. Where the usual Swedish cookbook emphases fish main dishes, The Swedish Table ably demonstrates the diversity of Swedish dishes available to cooks.

With the recent untimely passing of baseball hero Kirby Puckett, it's particularily worth noting that SWINGING FOR THE FENCES: BLACK BASEBALL IN MINNESOTA includes an oustanding chapter on the life of Puckett.

The chapter on Puckett's life was penned by sportswriter and author Jay Weiner, who was the Twins beat writer for the Minneapolis Star Tribune during the 1980s. Weiner does a brilliant job in telling the "rags-to-riches" story of the offspring of the Chicago housing projects who became the smiling face of the Minnesota Twins.

Weiner reveals the essence of Kirby Puckett, warts and all, and gives the reader a deeper sense of the tragic aura of Puck's career, injury, blindness, groping for posterity, and his induction into baseball's Hall of Fame.

Perspective is needed on Puckett and his place in the baseball record in Minnesota and author Weiner does this in SWINGING FOR THE FENCES: BLACK BASEBALL IN MINNESOTA. The book gives TWINS fans a new level of understanding of baseball in Minnesota, tying the past to the present, to see how it all fits together in a lively style, rich in storylines, filled with pathos of the intertwining of the themes of manhood, fatherhood, and brotherhood. A great read for fans of Puckett and of the Minnesota Twins.

Twenty-three articles by a variety of authors, mostly college professors and journalists, cover the different facets of black baseball in Minnesota from its first days in the latter 1800s down to contemporary times. The general theme running through all of the diversified articles is the "America Dream" and the "American Tragedy" reflected in the histories of the teams and the careers and lives of individual players. The American Dream part of the theme deals with how playing baseball allowed players to strive for high personal achievement as well as enjoy various levels of economic security and social recognition. The American Tragedy part takes in not only the racism and discrimination players faced, but also personal troubles and disappointments of some of them. Satchel Paige, Jackie Robinson, and Willie Mays appear along with many relative unknowns. The exploits of teams named the Fergus Falls Musculars, the Quicksteps, and the Brown Stockings, among others, are related. The vibrant Minnesota black baseball scene going back well over a century is treated in a popular style profiling great and other notable players and following the courses, and occasional dramatic moments, of the teams.

Hoffbeck and his group of writers slice through baseball history in a unique way. Minnesota is not known for its baseball history or its African-American history, so at first glance it does not appear to be a very meaty topic. However, the writers have managed to cull together stories dating from the 1870s, covering the local town team right up to major-leaguers with the Twins. Some of the giants of the game stopped in Minnesota on their way to "the show" and therefore the book appeals to all baseball fans, not just Minnesotans.

"Swinging For The Fences," is a fascinating journey through Minnesota african american baseball history from the late 19th century to the present day. The book focuses on themes such as race, manhood, brotherhood, and fatherhood, and traces the struggles and triumphs of several black ball players who lived and played in Minnesota.Through the stories of remarkable athletes such as Bud Fowler, Satchel Paige, Willie Mays, Dave Winfield, and Kirby Puckett, the authors trace the vivid, if not well known,saga of black baseball in the upper midwest , from the town team days right up to the arrival of the Twins and beyond.Unlike many baseball histories, "Swinging For The Fences," doesn't overwhelm you with mind numbing facts and figures and a real love for the game shines through. The book also contains many never before published photos. Painstakingly researched and beautifully written, "Swinging For The Fences," is as exhilarating and fulfilling as a ninth inning rally !
-Todd Peterson, Member, The Society for American Baseball Research (SABR)

When one thinks of "black" baseball, an image of Jackie Robinson trying to break the Major League Baseball color barrier with the Dodgers comes to mind. About the last thing one would expect is to associate the lily-white state of Minnesota with black bseball, yet, in this intrigingly interesting book, Dr. Steve Hoffbeck shows how many other black baseball players suffered the same struggles as Jackie Robinson, their stories being told for the first time.

Dr. Hoffbeck has assembled a team of 11 writers to tell the detailed story of black baseball players in Minnesota that begins in the late 19th century and ends with sad story of the fallen hero Kirby Puckett. This is not a book that revels in baseball statistics; rather, the writers focus on the players themselves: who they were, where they came from, the color barrier conflicts each had to face, and what happened to them after baseball. It is this personalized approach that grabs the mind of the reader, and makes this book so interesting.

The book is divided into 24 concise chapters, each centered on a particular black baseball player or team. My favorite player chapters were as follows:

1. Earl Batty and his attempt to bring racial equality to the southern "plantation" owner of the Minnesota Twins, Calvin Griffith.
2. Satchel Paige's baseball barnstorming days in Minnesota. I am amazed with the pure pitching genius of 'Ol Satch, and how he was not allowed to compete against white major league baseball players until he was 42 years old in 1948. Even at that age (Paige being the oldest rookie to ever play major league baseball), Paige amazed the fans, his teammates, every batter he faced, and even the umpires with his amazing throwing skills. What a shame a man like Paige was denied his chance to excel at his first love while in his prime - just think of how the record books would look if Paige pitched 20-plus seasons in the major leagues!
3. Toni Stone, the first black woman (or any woman of any color for that matter) to attempt to pitch at the major league level.
4. The chapter on the tragic story of Kirby Puckett, the first black Minnesota baseball superstar, who had the fans of Minnesota in his back pocket, and then lost it all to allegations of spousal abuse and infidelity. Minnesota has never gotten over the fall of their hero Puckett and we lament to this day the sad ending to his stellar career.

The above chapters are only my personal highlights of what has come together as an excellent book on black baseball. Other chapters deal with lesser known black players in Minnesota, yet, the themes of persistence through intense racial persecution and taunting, the shared black brotherhood of baseball, and the sacrifices these men went through to pursue their love of the game shine through.

Hoffbeck and fellow writers have contributed a vital link to the previously untold "missing" history of black baseball.

This book should be in the collection of anyone who loves the game of baseball, for it documents the early pioneers of black baseball, and shows the heavy financial and emotional price the players had to pay to seek their places in the game of baseball. Modern-day black baseball players owe a debt of gratitude to these early pioneers, for it was their superior abilities, pride, and persistence that finally brought down the long-standing nearly impregnable racial barrier of American baseball. Cudos to Hoffbeck and Company for telling their compelling stories.

Jim Konedog Koenig

After reading "After the Floods" by the same Author I read this one and found it equally very enjoyable.

Fantastic book with very realistic insights into character's regrets. Each short story ends leaving the reader wanting more.

This is just the smoothest prose. I loved this book, it was a joy to read.

The storied lives of Henricksen's characters include lovers who regret their failed romances, husbands and wives who regret their failed marriages, fathers and mothers who regret how they failed their children. One, attempting to speak to his deceased wife, as "if dust could speak to smoke," says to her, "I wish that we could slip back, as on a trail of ancient starlight falling through time, and begin the story again."

Rather than wallow in self-pity, they attempt to reinvent themselves in the same manner in which one couple's old schoolhouse has become converted into a thriving commercial enterprise.

Some of Henricksen's characters appear in more than one story, giving the book a novelistic quality. In one story you see a character from his own and often delusional point of view. In a following story you see him again from the eyes of other characters.

Together, the characters form an ensemble of loveable losers who have made important bad choices while attempting to make up their lives. Their bad choices are important because they become lessons learned. But as much as they strive to invent and reinvent their lives, they often discover what they have become was not what they had intended.

These are poignant stories whose characters help us behold and feel their failures, shame, and isolation. They are poets who don't know it, poets whose innate sense of humor often helps them endure their pathetic human circumstances, poets who help us attain or regain awareness of who and where we are within the human comedy.

The book concludes with a personal essay in which Henricksen admits his characters are often aspects of himself and "choice slices of my own life." By writing short stories he discovered how "fact and make-believe are allowed to share a bed."

These are wonderful stories of longing and hope sprinkled with humor and regret. Henricksen's style is lyrical and vivid, and his depictions of New Orleans, Minneapolis, and other locales bring today's America to life. For reades who enjoy discovering a new author of real iterary power, this book is an unanticipated gem.