North America Books

At first when i opened the book to read it i almost knew it was going to be good so thats why i had to keep reading it i wish it wasnt so short because i would like to now where raven went, and did she stand up to everybody that she thought was mean. how could she stand up to lucy's aunt if she was so mean this book have thoght me how to speak mty mind even more now and that your opoion always count no matter what.

The book The Indian School was a very good book. This book was about an Indian school that taught Indian childern without a family. The Indian childern at the Indian school have certain chores they have to do. A white girl named Lucy came to live with her uncle Edward and aunt Emma. They owned the Indian school. Lucy had to come to live with her uncle and aunt because her father and mother were killed in an accident. So Lucy was sent to her uncle and aunt. An Indian girl and boy came to the Indian school because their Indian father brought them to stay there while he went north. After the winter their Indian father came back to get them. He thanked Edward and Emma for taking care of them. Edward and Emma asked them if they would stay. Did they or did they not stay? Read the book and find out. I think you will enjoy the book.

I loved this book. It is a beautiful portrait of friendship and loss. There are three strong female characters--one white girl, and two Indian girls, all about age 12. When Lucy, the white girl, sees how Raven stands up to Aunt Emma, Lucy begins to wonder whether it is true that "The meek shall inherit the earth." This book uncovers many issues of American history that are usually left buried. I recommend this book to everyone. After I read this book, I turned the cover over and over, searching for a "gold" or "silver" medal. I could not believe that this book had not won any awards.

When I turned to the first page of the book,I thought that it was going to be boring.But when I went further and further,I was engrossed in the book.I feel more like Raven,one of the character in the book.Unlike,Lucy,Raven is bold and speaks her mind.She is obstinate but I think that children should be that way to get what they want.Lucy is too meek and never demands for what she wants.Every children must have their right to do something.We must stand up to the grownups.I also learned about friendship.Raven and Lucy were different in many ways but they still maintain their friendship.This book teaches me a lot of things.I especially like Raven's behaviour.I am very attached to Raven.I find this book very enthralling and it is one of my favourite books.

First concern: The book is written by a non-Native, albeit one sensitive to several issues around indigenous peoples' assimilation into "white culture." Second: I'm a teacher, not a child. This book claims to be about a 3rd grade reading level. I'm not sure a 3rd grader could relate to it. I'm not even sure a 5th grader would -- unless an adult read it to her. It's another one of those lovely books that grown-ups sigh over, but children find a little light on the action. The themes are important though, and this gives it reason to be read, at least aloud.

I have been doing research on the Indian slave trade and this book is a gem! It explains the political and social climate so to explain the "whys" of something that is difficult for 21st century minds to comprehend.

A wonderful read! This is one of my favorite books. The way the author seamlessly pulls together information that has been passed by numerous historians before him, and writes about it in clearly stated but intricate text is outstanding. The Indian Slave trade us unlike any book I have ever read. No wonder it won the Bancroft Award. Give it a try, you won't be dissapointed!

Focusing on the early decades of South Carolina, Alan Gallay places English colonization in the context of the French and Spanish presence in North America, and of the immensely disrupted "first nation" cultures struggling to recreate stability in the face of European intrusions. Since the book won the 2003 Bancroft Prize, it shouldn't be necessary to praise it excessively or to call it to the attention of serious students of American history. For more casual readers, let me flag a few surprises:

* First, the mere idea of Indian slaves! Yes, the colonists enslaved Indians more often than they converted them to Christianity, and lured the young men of some tribes into warfare aginst other tribes for the purpose of capturing slaves to sell to the English.
* South Carolina exported more slaves in its first fifty years than it imported, most of them captured Indians sent to New England, the Bahamas, and other English sugar islands which were already more populous and more economically important than the mainland.
* The rapid expansion of cultural mayhem from the spottily settled English colonies to the whole of North America east of the Mississippi.
* The culture of slavery and the perception of racial identities that so quickly emerged in the American South! Was the Civil War inevitable from the onset?
* The immediate emergence of conflict between the interest groups of the English, that is, the proprieters vs. the settlers, the local authorities of government vs. the ungovernable colonists, the rivalry between colonies, etc.
* The challenge to the dominant historical hypothesis that Virginia was the model and seedbed of later Southern colonies and states; Prof. Gallay suggests that South Carolina may have disseminated its values and habits rather more widely than many have supposed.

Some readers may find this book overly detailed and laborsome. Fair warning, okay? But those who are seriously interested in American history, of any era, should be advised that "The Indian Slave Trade" is required reading.

The second part of the title, The Rise of the English Empire in the American South, is a more accurate description of what this good book describes. Gallay presents a detailed description and analysis of the interaction between European colonists, particularly the English in what we now call South Carolina, and the native peoples of the Southeast at the end of the 17th and the early 18th centuries. Gallay is primarily concerned with 2 issues. First, how did the native peoples respond to European colonization? Second, what led to the British gaining the upper hand over the French and Spanish? According to Gallay, the key feature that addresses both these questions is the Indian slave trade. While the French and Spanish pursued colonization for essentially strategic reasons with very limited resources, the British Carolina colony originated as a commercial enterprise originally supporting Caribbean sugar plantations. The British colonists became enmeshed in relatively large scale commerce involving virtually the whole Southeast while the French pursued diplomacy with commercial elements in a more limited area and the Spanish attempted to use a mission system in the Florida region. Gallay presents the Indian slave trade as the key feature of the English trade system. The British colonists used European goods to barter for slaves and other products, particularly hides, from native groups. The slave trade connects the Carolina colony to the larger Atlantic plantation economy and drives development of the colony. This led to an increase in warfare between Indian communities as warfare became commerce driven. The British colonists were then able to exploit their commercial leverage and the increase in turmoil to establish a preeminent position in the South. Gallay is careful to point out that the South was anarchic and conflict ridden prior to European intervention and that slavery was a traditional institution, though expanded greatly with commercial slaving. While Gallay does not say so, this is essentialy an extension of the model of slaving developed to describe the African end of the great Atlantic slave trade. In both the case of Africa and Gallay's discussion of the American South, the model points up the key roles of, and the power of the indigenous communities, which were actually more powerful than the European communities.
This is a creditable interpretation but the data that Gallay actually presents about Indian slaving is relatively modest. There is some anecdotal information and he does make an estimate of the number of slaves taken, arguing that more slaves were shipped out of Charles Town (modern Charleston) than came in. Gallay is clearly limited by his documentary material, most of which does not address directly the issue of the Indian slave trade. Most of the book, however, is not directly about the Indian slave trade but a detailed account of 2 related topics. The first, and best documented, is about the struggles between colonists, the colonial government, and the governing investors in England to regulate the colony, particularly trade with the Indians. The second is an effort to reconstruct the diplomacy and warfare between the different European groups and Indian communities in this period. This is arguably the best part of the book; an effort to describe realistically the independent roles of native communities. Again, though Gallay does not mention this but pioneering work by Francis Jennings and others have demonstrated the powerful and independent role played by North American native communities, particularly the Iroquois, in this period.
Overall, this is a valuable and clearly written book.

I'm not sure what to say about this book. It just flows so smoothly that, while I don't consider the topic wholly engaging, I'm having as easy a time with it as if it was a gripping novel. Even reading this as an assignment, it's not a burden at all. Gallay is such a masterful author, and the book is so accessible, that you move seamlessly along as if the words were your own thoughts. I really have no higher praise for its quality than that.

Joie Davidow's telling of Aztec history is mesmerizing. When she draws her conclusion that had the Aztecs survived, their herbal medicines would rival those of the Chinese, I was totally convinced. Finding this book while looking for books on herbal tea was a stroke of luck. And, while the Mexicans may have as many herbs in their medicine chests as the Chinese, this book concentrates on about 200 or so of the most commonly found and used. I have always felt that we should make use of the herbs that grow around us instead of trying to grow those from another region. So I was excited to find a book about southwestern herbs. What I didn't expect was how many plants were included that were NOT from the Mexican area or even the southwest. It shows that her research is up to date on what herbs are being used by the Mexicans for medicinal purposes today. Particularly useful is the extensive lists of names given for each plant. Common names vary so much from region to region that it can be difficult to locate the correct herb for the healing tea recipe. Not only are we given several Mexican names for the plants but also the Nahuatl or Aztec name. Almost every imaginable ailment is listed and which single or combined herbs should be used. Easy to use and handy to have this book is also fascinating just to read.

As I am studying to become an herbalist, this is a very educational book. I like the idea that the author gives you the name of the herb in spanish, english, nahuatl, and mayan. I definately recommend this book to people with an open mind and who love to heal naturally.

I bought this book unseen and I am so happy to have done so. This book is a virtual treasure trove of practical herbalism and folk healing. There are many herbs listed with traditional uses, great tables of correspondance and my favorite part is a small section on some of the folk saints found in curanderismo. I am very glad to own this book and will treasure it for many years.

I have studied under a curandero, and this just adds more to my education. There are plenty of books out there about herbalism from around the world, and it is about time that CURANDERISMO gets recognition...thank you Joie!

For many years popular North American herbals were Eurocentric. It is enriching, valuable and timely that "Infusions of Healing: A Treasury of Mexican American Herbal Medicine" has been introduced to the public. As an herbalist I welcome the opportunity to broaden my understanding of the traditional uses, botanical names and history of herbs by Mexican Americans, Mexicans and indigenous Americans, among others. Davidow's book is comprehensive, thoughtful and engaging. The style of the illustrations make them the perfect companions to the text. I put "Infusion of Healing" at the top of the list of essential modern herbals for it's outstanding contribution to cross-cultural knowledge of herbal practices.

This book, the second edition for Ellis, Balcomb and Ford, is a beautiful book for anyone interested in whales, their habitat and their behaviour. Focusing on the Orcas of the Pacific Northwest, this book details their lives from what they eat, to their social habits. It includes a wonderful photo chart of all the Northwest Orcas still alive when this book was published. It is a bit heavy reading, with many complex scientific terms. I would not reccommend for children, but if you know anyone with a facination with whales, this book will it into an obsession.

This book, the second edition for Ellis, Balcomb and Ford, is a beautiful book for anyone interested in whales, their habitat and their behaviour. Focusing on the Orcas of the Pacific Northwest, this book details their lives from what they eat, to their social habits. It includes a wonderful photo chart of all the Northwest Orcas still alive when this book was published. It is a bit heavy reading, with many complex scientific terms. I would not reccommend for children, but if you know anyone with a facination with whales, this book will it into an obsession.

May I first say I have never encountered a better identification book then Killer Whales and Transients. Both books are written by THE wild orca authority in the Pacific Northwest. Catalouged pictures and organized information of each individual in every pod along the coast from WA to northern BC along with accurate info on feeding, behavioral and other habits of the pods in Puget Sound and British Columbia. Truly a great book, and as I plan on researching these animals in my adulthood, it has been a great boost to my knowledge on them.

I just returned from a kayaking trip in the Johnston Straight just East of North Vancouver Island known as the inside passage. We had first hand views of the Orcas. This book was used as a reference manual to identify some of the whales. It has wonderful reference pictures of the known pods (families) in the area. It goes into great detail on their eating habits, language, and family history. It also explains their social behavior, and the differences between the pods. It is a wonderful book full of pictures, and details.

This is an excellent book for anyone who is interested in orca whales. It has mass amounts of great information, it's easy to read, there are great photographs, and the ID catalogue of orcas is nothing but the best. This book is a must have for any whale-lover, researcher, or someone with just a general interest.

This is a book about dreaming. In native north american culture folks "dreamed" their lives. this is an excellent portrayal of this in (basically) present time case. This book conveys examples to some of the plights current youths face, having split up and mixed backrounds in native american heritage. But also the fading way of dreamers, people who IMAGINED life before letting it happen. Highly recommended if you have read anything about dreaming, also recommended if you know nothing about it but are open to the idea that reality is what you make it. A wonderful story stand-alone as well.

William Penn's novel Killing Time with Strangers, winner of an American Book Award for 2000, is not just exceptional literary craft, it's great fun. Penn seems to be saying some wonderful, optimistic things about the human condition, while poking fun at our preoccupation with the trivial and forcing us to consider basic questions, such as, what are we really doing here? Is life really just a matter of `this, then that?' Such questions are gently woven into a highly imaginative and extremely funny story. The novel shows us the LaRue family, and in particular, son Palimony Blue, whose tale is narrated by a weyekin, or Indian spirit guide, dreamed by his mother Mary. The story works on many different levels. Its structure is highly sophisticated yet unless you are examining it from the perspective of literary criticism (which you can -- this work has already received one prestigious award, and will no doubt be examined in college classrooms, if it isn't already) -- you just appreciate the ease with which it joins the stories of Pal's family, his mixblood Indian father, Indian mother, generations of native American ancestors, the story of Pal himself from infant to man, the women in Pal's life, the loves of his life (including his one true love, Amanda), ending with hope and promise in the birth of his own children. The book shows you, in splendid real-life color, the connections between all things. Before Pal is able to dream his true love, Amanda, he seeks, finds or thinks he finds, Love in a series of humorous and often lustful encounters along the way with many colorful 'strangers'. These characters make for a very entertaining story. And, unlike so many books thrown at us today by popular writers, where the characters are `born, drink coffee and die', and whose messages (if any) don't matter one whit to life or literature, this book offers in a new and imaginative way some reassuring messages: that love really makes a difference; and we can (and need to try) to hope and dream a better world. Along the way, Dreaming is an engine that propels us, and a vehicle to create our path and vision. And laughter is, still, wonderful medicine for what ails us.

Also recommended (same author): This is the World (short stories): The Absence of Angels (novel); Feathering Custer (essays); All My Sins Are Relatives; As We Are Now (Editor, essays); The Telling of the World (Native American folk tales)

William Penn's novel "Killing Time with Strangers", winner of the American Book Award for 2000, is not just exceptional literary craft, it's great fun. Penn seems to be saying some wonderful, optimistic things about the human condition, while poking fun at our preoccupation with the trivial, and forcing us to consider basic questions, such as, what are we really doing here? Is life really just a matter of `this, then that?'

Such questions are gently threaded into a highly imaginative and extremely funny story. The novel shows us the LaRue family, and in particular, son Palimony Blue, whose tale is narrated by a weyekin, or Indian spirit guide, dreamed by his mother Mary. The story works on many different levels. Its structure is highly sophisticated yet unless you are examining it from the perspective of literary criticism (which you can -- this work has won one prestigious award already and will likely be examined in college classrooms, it's that good!) -- you just appreciate the ease with which it joins the stories of Pal's family, his mixblood Indian father, Indian mother, generations of native American ancestors, the story of Pal himself from infant to man, the women in Pal's life, the loves of his life (including his one true love, Amanda) and finally, the hope and promise of the future, the birth of Pal's children. The book shows you, in splendid real-life color, the connections between them all.

Before Pal is able to dream his true love, Amanda, he seeks, finds or thinks he finds, Love in a series of humorous and often lustful encounters along the way with many colorful "strangers". These characters make for a very entertaining story. And, unlike so many books thrown at us today by popular writers, where the characters are `born, drink coffee and die', and whose messages (if any) are momentous in the sense only of, 'of the moment', and don't really matter a whit to life or literature, this book offers in a new and imaginative way some enduring and reassuring messages: that love may really make, not just 'a' difference, but 'the' difference; and we can (and need to try) to hope and dream a better way in this world. Along the way, Dreaming is both an engine that propels us, and a powerful vehicle to create our path and vision. And laughter is, still, wonderful medicine for what ails us.

I was impressed by W.S. Penn's Killing Time with Strangers. I thought the author was witty, intellegent, and understanding. The characters in the book were well developed, as was the plot of the story. I would be forced to disagree with anyone who rated this book less than a 5, for I have not only bought this book for myself, but also for my friends and family as gifts. This book has everything, romance, adventure, and a part of all of us that connot be left out. The author has a unique understanding of humanity, and therefore, his story telling is enhanced. This book can be enjoyed by everyone, no matter what their character. I was so happy that this book won last year's American Book Award, (obviously this proves my point about this being a good book). After reading this book, I know you will rush out to buy all of W.S. Penn's books.I reccomend this book over all other books on this website. Thank you all for your time.

After reading this book, I think that Magical Realism, Native American style, may catch on as a distinct genre. The author, an "urban mixblood Nex Perce" is an English professor and it shows through in echoes from classical literature, but Penn also includes the classics of the Americas (such as the Popul Vuh) which makes this work unique and why I think that Penn may have opened up a whole new genre (if anybody can follow this act).

"Without storytelling, human beings don't exist" says Penn's narrator (a "Wyekin" or spirit guide, who, in his comic incopetence reminds me of Ed's Indian spirit guide in TV's "Northern Exposure").

This is the story of Palimony Blue Larue, son of Mary Blue and La Vent Larue, misnamed in the hospital becuase a nurse couldn't imagine anybody naming thier kid "Palomino" after a horse! So Pal goes through life trying to please and be liked as his father before him did, while his mother and her Weyekin spirit guide try to prevent him from making his father's mistakes and teach him how to dream his way out of the white world. His mother didn't want him in their world. Says Mary Blue, "I want him to envision and make a world of his own in which they are not foolish but all their knowledge and instinct don't matter because they don't have any effect."

This must have been the spirit that prompted the famous Ghost Dance.

Pal's mother, Mary Blue, is the spider woman on the set, goddess of wisdom and time, endlessly beading and feeding strangers and friends the way Penelope did - or one of the Fates. She has "...years of her Dreamer's practice at harmony, at the balance that comes from not judging until it's time and even when it became time, ususally not judging the person but maybe the results, and not harshly, which came full circle from the balance achieved by not judging, but putting the thing itself in perspective, by connecting it to five hundred years of human activity and thought, by seeing that very little about real human beings really changes. Once you realize that, once you learn to dream, which helps to create that realization, you gain humor - sometimes, outright laughter - but always the humor that is the resilience of survival."

How much of this is like the Australian aboriginal dreamtime, I wonder?

Pal gradually catches on, but with his own spin. His yellow butterflies become post-it notes by which he dreams his ideal woman, Amanda, into existence. But Amanda does declare towards the end of the book that "I'm real." Not something Pal dreamed. "Dreaming is an imaginative act. But it's very real," he says. "Like telling stories. The Navajo beleive that by articulating something, putting it into words, you actually make it exist. You bring it into being. Dreaming's like that. It makes things exist by imagining them with power. It makes them exist by imagining a world in which they mean a lot."

Pal's epiphany comes when he burns his post-it notes and says they're "dead lectures...names and dates and questions that have to mean what people have already decided they have to mean. Not a single hidden meaning in one of them. Nothing that lets you glimpse the other side of things or look for what's behind or between the words, like stories."

Besides the classical references, there are echoes of other authors in this work - Erdrich and Silko, Anaya and even Alexie - but Penn still has his own voice. He could have used a better editor who would have weeded out sentences such as, "Odd how they don't want their listeners to take part in how their stories make the world, though, isn't it?" which is simplistic at best and patronizing at worst. And you have to connect the dots and pay attention or else you have to go back and check the author's definition of terms. But it's worth it for the world view.

I'm making this work sound like a literary exercise - which it isn't. It's an entertaining story, but you have to pay attention or miss the point. You have to read it to the end to get to the beginning. So it's not light reading. But again, it's worth it.

pamhan99@aol.com

A great book for showing girls as heroines and teaching about giving to others. A Native American folktale told by Native Americans adds to the richness of the story. Lends itself to several classroom studies including northern lights, heroes, folktales & legends, ladyslipper flowers and Native American culture.

This beautifully illustrated edition of the Ojibway legend lends itself easily to reading outloud to groups of children in the classroom or anywhere else. The colorful pictures help the flow of the story, both of which help hold the youngsters spellbound. Young children identify with the characters in the story and having one of their own age group in a situation of bravery and steadfast love empowers them. Excellent book.

I read this book as part of an assingment for a class (Children Resources for Children and Young Adults). I loved it. I am also currently taken Ojibwe and enjoyed how the authors incorportated Ojibwe words. The illustrations are simple, yes, but add charm to the well told (or rather retelling) of the origin of the lady slipper.
I recommend this to any teacher. Please, incorporate it in your class (high school teachers, too!). On a latter note, after reviewing it for class, I realized that this book was written by my teacher. Margi is the nicest person and an excellent teacher. And her book reflects her spirit.

This book is excellent for all ages. It contains beautiful illustrations to compliment the story of a little girl's courage. A good one for use in a classroom.

This is such a pretty book that tells the tale of the Ojibwe legend of the laddy slipper or moccasin flower. The illustrations are simple and colorful and greatly add to the folk atmosphere of the book. A little girl must go on a heroic journey through a freezing wintry night to find healing herbs when her whole village is stricken with terrible disease. She is encouraged along her route by the spirits of the stormy environment who speak to her in the Ojibwe tongue. This is an exciting and satisfying story and makes an excellent conversation starter to teach little ones about communing with the elements of Nature.

"The Lesser Blessed is a coming of age tale told in photo-booth snapshots and raunchy one-liners. It is poetry and prose and locker-room boasts and puking-your-guts-out shame. It's sex that transcends tragedy. It is loud and rude and high. It's a shaker."
--John Burns for the Georgia Straight (Nov. 28, 1996)

"[Van Camp] does not stumble over nostalgia or romanticism or careless diction. He loves words-his own, his Nation's, rock and roll's-and slips perfect ones into atrociously profane and perfect sentences..."
--Lorna Jackson for The Malahat Review (Summer, 1997)

The Lesser Blessed. Richard Van Camp. Douglas & McIntyre, 1996. Reviewed by Dr. Geary Hobson.

In virtually every generation, in the realm of literary activity, there comes along a
book that, by the very nature of its subject matter and place and the sheer exuberance
of its utterances reverberant of the place and people depicted, introduces not only a
little-known terra firma and people, but sometimes becomes the definer of that era in
which it is produced. Not surprisingly, these books are usually the products of younger
writers. Wordsworth's and Coleridge's Lyrical Ballads, Jane Austin's novels, the
work of the Brontes, Stephen Crane's stories, Hemingway's The Sun Also Rises
ushering in the Lost Generation, Kerouac's Beat Generation introduced in On The
Road, Salinger's Holden Caulfield wandering through Catcher in the Rye, the jaded
"me"-obsessed teens in Bret Easton Ellis's Less Than Zero, Native American
sensibilities in Momaday's House Made of Dawn, and a generation later, Alexie's The
Lone Ranger and Tonto Fistfight in Heaven-all these books and writers burst forth
in such dynamic ways that not only defined their respective eras, shook the accepted
literary standards of their day, but expanded and extended the English lan-{78}guage,
while at the same time occasioning the debut of sometimes extraordinary new literary
talents.
In my view, Richard Van Camp, a Dogrib Nation writer born in Fort Smith,
Northwest Territories, Canada, in 1971, is accomplishing virtually the same thing in his
first novel, The Lesser Blessed, as Hemingway, Kerouac, et al. did in their times.
Given the smaller spectrum of Native American literature within (or without, as many
Native writers would have it) the larger context of American, British, and Canadian
literatures, Van Camp's novel introduces a new terrain and language that nonetheless
has roots in the fiction of Momaday, Leslie Marmon Silko, and James Welch, while
simultaneously exploring the same subject matter as the contemporary stories of
Sherman Alexie, Adrian Louis, and Lorne Simon.
In The Lesser Blessed, a Dogrib Indian teenager named Larry Sole narrates his
story and thus invites the reader into the little-examined world of contemporary Dogrib
(a part of the Dene, or Athabaskan-based, tribal people of the Northwest Territories
of Canada). More specifically, Larry embodies a modern Indian teenager's view of his
particular tribal culture and of the Indian world in general, acknowledging them and
appreciating them along with his fondness for Iron Maiden, Bruce Springsteen, Ozzy
Osbourne, occasional pot-smoking, getting "hamburgered" ("Raven" talk--Larry's own
take on his tribe's trickster figure's language for "drunk," Larry tells us), and trying to
get closer to his own particular Juliet (and, incidentally, the girl's actual name in the
novel) whom Larry remembers as "the first girl in grade school to swear at a teacher."
A North of 60 Romeo, Larry is in love with Juliet while she throws her sexual favors
to Johnny Beck, Larry's best friend, who is scornfully casual to her attentions.
Van Camp's method of characterization is strikingly vivid. At seventeen, and tall
and skinny, Larry describes himself as having "spaghetti arms and daddy longlegs,"
and at one point he visualizes himself as a Dogrib hunter of an earlier time as he
watches Juliet, "seen in his sights as a white caribou, pure, but (whom) he let go out of
respect and awe." Larry and his mother, a night school student at Arctic College, live
in Fort Simmer, a north-of-the-60th parallel town near the border of Alberta. Jed, his
mother's on-again, off-again boy friend, is a traditional Slavey Indian trapper whom
Larry identifies as a father-figure, and who promises to take Larry out "on the land" for
a season of trapping. Larry is amenable to this, but he is still comfortable in his
high-school world of hanging out with Johnny, lusting after Juliet from afar, {79} trying
his best to avoid the numerous school-ground fist-fights, and playing his tape deck
"cranked up" with AC/DC, Judas priest, and Iron Maiden.
Slowly, through a number of finely crafted, fragmented flashbacks, the reader
learns of Larry's past, in which his biological father physically and sexually abused him
and later died in a cabin fire that Larry himself may have started. Like Welch's
emotionally frozen nameless narrator of Winter in the Blood, Larry gradually awakens
to love and affection--after he surprisingly (to himself most of all) consummates his
sexual desire for Juliet in a brief relationship--and learns to retrust his mother and to
give himself fully in a father-son relationship with Jed. The Lesser Blessed, incredibly
funny and wise-cracking in many places, is nonetheless filled with the genuine
ingredients of a well-wrought tragi-comedy.
The Lesser Blessed is also the harbinger of a sophisticated Arctic literature, and
of a bold new direction for contemporary Native literature. And while it is perhaps not
the first novel to come out of the Canadian Northwest Territories, it is certainly the first
work of fiction by a Native writer from that vast region. By all accounts, it is a
masterful achievement.

Dr. Geary Hobson

Richard Van Camp¡¦s novel "The Lesser Blessed" is rooted firmly in the tradition of the coming-of-age, Bildungsroman genre that appeals to all who have survived the teen years and lived to tell about it. Or in this case, lived to read about it.

Writing from the sensibility of a Canadian aboriginal artist, a First Nation author speaking from within the experience of life as a member of the Dogrib nation, Van Camp imbues his novel with a definite sense of the indigenous culture situated within the history of Canadian social colonization. His 16-year-old narrator and primary protagonist, Larry, is comfortable with the First Nation culture passed down to him by his family. However, Larry truly finds himself coming alive in the stories told by his mother¡¦s firefighter boyfriend, Jed.

As the novel progresses and we discover the dark ¡§devil¡¦s kiss¡¨ secret that weighs so heavily upon Larry¡¦s heart, it becomes increasingly clear that Jed the firefighter is there to save Larry from burning in the flames of guilt and shame. The quenching waters that he offers the tormented teen are his stories, histories and mythologies. Indeed, the chilling influence of Adrian C. Louis and Leslie Marmon Silko is recognizable in this novel at its darkest moments. This is certainly not a childhood story of nostalgia and happiness, but neither is it a tale overwhelmed by sadness and self-destruction.

The sharing of stories helps Larry survive the challenges thrown at him as a North American teenager: experimenting with drugs; dealing with bullies; controlling sexual urges; getting into fights; and making friends. Scattered across the pages of almost every chapter is the music of the period, as Larry also draws strength from his favorite band, Iron Maiden. Band names and song titles are peppered throughout the novel. Most post-teenaged readers will probably smile as they remember how very important music was to them as teens.

Especially satisfying is Van Camp¡¦s playfulness with language and his creation of a jargon that is both pleasant and jarring, such as the hyper-speech that Larry calls ¡§Raven talk.¡¨ The dialogue is often fast and funny, although the humor tends toward the darker edges of comedy. Most intriguing are the flashes of memory offered up in dreamlike and psychedelic patterns. Watch out for those blue monkeys.

If the novel has any failing, it is the brevity of the work. The story takes place in the space of a few weeks, and though ¡§manhood¡¨ or ¡§adulthood¡¨ remain far from Larry¡¦s grasp, he revels in his life experiences and fancies himself lucky to be alive. For the cynical adult reader, Larry's joy represents his naivety; his faith in love seems misplaced. Poor Larry just doesn¡¦t know what kind of mud the world still has in store for him, for us all. But maybe, just maybe, he¡¦ll survive better than the rest of us because he¡¦s got stories, Jed¡¦s stories and his own, to keep him going.

Timothy R. Fox
Kui Xing: The Journal of Asian/Diasporic and Aboriginal Literature
http://www.kuixing.panopticonasia.com
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"THE LESSER BLESSED is easily one of the most truthful, painful, powerful novels I've ever read."

-Joseph Bruchac

My 3 yo granddaughter loves the moon and loves this book. Although the prose is spare, it captures the essence of each month's full moon. The illustrations are soft, subtle and like Rylant's writing, full of wondrous detail.

This is a fabulous pairing of writer and illustrator. They compliment each other perfectly. I enjoy this one as much as my granddaughter.

This book is a remarkable achievement. Rylant's simple yet moving and profound poems capture the magic and wonder of the night-time, and they have been further brought to life - and to light, amazingly so, in a rich diversity of luminous grays, blues, purples - by the illustrator.

Reading it with my five-year-old niece, who has often been afraid alone at night, was truly delightful: Long Night Moon brings out the richness, softness and intimacy of the nocturnal environment, in a way that a child finds reassuring.

The journey of the seasons is shown in snapshots, panning along a 360° view of the same landscape, bringing us back, at December's Long Night Moon, to the homey scene of the beginning. It gives a feeling of completeness and harmony, one more of the very successful uses of symbolism and imagery by this author/illustrator pair who were very fortunate to find one another.

I've recommended this book to several friends, who told me it also gave them very pleasant reading experiences with the children in their life.

From BOOKPAGE, December 2004:

Once in a blue moon

Inspired by the Native American custom of naming full moons, veteran Newbery Medal-winning author Cynthia Rylant teams up with newcomer Mark Siegel in a lovely new book showcasing the 12 full moons of the year.

As artist Mark Siegel shares in a note, although he was immediately captivated by Rylant's words, he wasn't quite sure of the best medium to use for his artwork. After trying acrylics and oils, he finally chose charcoal, pencil and pastels.

Perhaps more importantly, he took "many long walks by moonlight in the beautiful Rockefeller Farms, near Sleepy Hollow, New York," realizing that he'd never given so much attention to moonlight before. This careful attention paid off in Siegel's stunning illustrations exploring all 360 degrees of one spot in the countryside. The dark yet silvery images seem perfectly in tune with Rylant's words, which evoke the moons, the natural world and seasons, and the meanings they hold for us. The book begins:

"In January
the Stormy Moon shines in mist, in ice, on a wild wolf's back.
Find it and find your way home."

Each month is lovingly evoked, from the Sprouting Grass Moon of April, to June's Strawberry Moon, to the Acorn Moon of October. December's moon is the Long Night Moon, which waits, and waits, and waits for morning. This, Rylant tells us, is the faithful moon.

Long Night Moon is a perfect way to introduce young children to the seasons. Share it with your family after a moonlit walk, and you will create indelible memories.

i read this book late at night in the winter time during the full moon, and was so taken with the artwork, i stayed awake to reread and reread it. the landscape really caught me, i could feel it and smell it, it felt like i was walking through this panorama. i loved looking at each page to see how it connected to the page before, how the road got closer, then further away as i kept walking. when i read the book to my kindergartners, they were awed and silent. they loved finding some of the hidden art in the drawings, looking for the wolf in the sky was their favorite. this is a magical book, which leaves you feeling hushed, peaceful, happy.

Grear book to inspire young writers to take off an re write thie own versions

Is there anything Nora Roberts can't write?
She creates such wonderful family dynamics; no wonder since she's the only girl and has four brothers. I think that may be why she writes such believable sibling relationships. The MacKades, the O'Hurley's, the McGregors and so on. Like you'll read in a future book, "Convincing Alex," there's a studly Ukranian who turns out to be the perfect match of a poor little rich girl. In "Luring," the "lady" is Sydney and she has money but a barricuda for a mother who would like nothing better than to set her daughter up with another trust fund kid. Thankfully, Mikhail comes along and Thurston Howell III is not only not necessary he's an embarrassment when compared with the hot-blooded, hot-tempered Mik.
You can have your doctors and lawyers, gimme a man wearing a tool belt any day of the week. When Mik and his Dad decide to fix up the apartments that Sydney's ailing grandfather never got around to refurbishing, you can almost visualize the beeds of sweat dripping down Mik's torso. When she arrives for their date and he answers the door in a towel, ay, ay, ay! Somebody get out the ice water.
But Mik's not just a tough-talkin' handy man, he is a true artist and carves the most beautiful sculptures from wood. Sydney's snooty Mom knows Mik's artistic reputation, and he'd be okay for a fling but NOT to marry. What a loser! With the death of her beloved grandpa, Sydney needed Mik's down-to-earth family almost as much as she needed his hunky self :)
Do yourself a favor and get ALL these books, even the "Waiting for Nick" book is great. It's a sequel and features Nick, brother of Zach who is married to Rachel Stanislaski or however they spell it; who falls for the step-daughter of Natasha Stanislaski. Maybe this is where the new movie "Music and Lyrics," starring Hugh Grant and Drew Barrymore, got their premise.
"Luring a Lady" features so many nice facets. There's the hot yet realistic romance, the tension between this couple as well as Sydney and one of her executives who'd like to push her out of the CEO office, and the lovable family dynamics.Mik takes Sydney away for a weekend to visit at Spence and Natasha's so we get to revisit this couple from "Taming Natasha" and you get to see Alex tease Mik that Sydney should go for HIM!
Frankly, I just don't know how someone could NOT love any of these books. It would be like trying to narrow down my favorite flavor of ice cream or my favorite relative: gotta love 'em all!

Nora Roberts did it again. This book is from the series about the Stanislaski family. Luring a lady focuses on Rachel. A young Assistant District Attorney who meets her match when she meets Zach, the step-brother of one of her clients! This book is highly recommended for anyone but it is a can't miss for any Nora Roberts fan.

This book is #2 in the Stanislaski Family series!

This is the book about Mikhail...Here you will meet Sydney Hayward who just recently took over her grandfather's company after his death...She is prim and proper and nobody thinks she can do the job...not her family or her friends....they think she should go back to doing what they feel she does best...giving parties, shopping...getting her nails done....But Sydney wants more for herself and wants to make this job work....

Mikhail is an artist living in a very run down apartment building which is owned by Hayward....He has finally had it after months and months of letters trying to get something done about the building that is falling apart....He storms into Sydney's office and the sparks fly....She hires him to fix the building after seeing it with her own eyes....And she begins to see more with her eyes like Mikhail!

I really enjoyed this one...maybe even more than Falling for Rachel...I just love the Stanislaski series!

Well this is a story about Mikhail Stanislaski and the lady he falls in love with Sydney Hayward. This book is the best romance book that I have ever read. It makes me wish that I was Sydney Hayward. Well I will tell you a little bit about the book without spoiling it for you. It starts out that Mikhail meets Sydney when he goes into her office to complain that the apartments she owns are falling apart and that they aren't safe and he wants them fixed. She hires him to fix the apartments, soon they go out on a date and you have to read rest of the book to find out what happens.

A really good Nora Roberts book. This story focuses on Mikhail Stanislaski and the woman he falls for: Sydney Hayward. Sydney is the new owner of the building Mikhail lives in. They set off sparks when he confronts her with problems in the building....the rest you should read for yourself. Not to be missed by Nora Roberts fans.

Overall I was pleased with Roszak's book. Most of the pieces i've read about the sixties and the "hippie" era focus only on the sex, the drugs, and the music. While Roszak did dicuss this, his book was quite different because it focused mainly on the politcal and social issues of the time. Roszak include everything from the Vietnam War to how the counter culture has affected the lifestyles of the typical American family. Although Roszk is clearly on the far left side of the political spectrum, it is obvious that he tries his best to be objective and is sure to back up most of his points and information with credible sources. What I admire most about Roszak's book is the tone he takes. In my experience, many adult pieces concerning this era in history and the taboo, radical things that went on are often full of criticism towards that particular generation. Roszak did not criticize the protestors or the acid droppers, like most do. In his book, he carefully explained and supported the motives for these people, suggestng his approval and admiration for those who weren't afraid to stand up for what they believed in, no matter how much society frowned upon it.

This book offers a highly detailed examination of the relationship of the late 1960's counterculture to cutting-edge intellectual ideas of the same era; Roszak discusses Herbert Marcuse and Norman Brown, among others, in great detail and shows very lucidly how their ideas influenced intellectual and political movements on college campuses in both America and Europe. Roszak's prescience here is amazing, considering that he wrote this book in 1967-68, while the phonemena he discusses were still unfolding! It would be interesting if Roszak were to write a response to his own book today, considering how the counterculture of the early 1990's has been so rapidly devoured by the mainstream--Roszak foresaw the possibility of this happening to the 1960's counterculture, but it took far longer then than it has now. Roszak's ruminations on the absurdity of the Alternative Nation would be welcome with this reader!

Roszak's "Making of a Counter Culture" defined an era and the youth society that composed it. A thrilling expose' of Counter Culture Philosophy and oreintation, this is where the discussion all began. His bent on analysis of cultural differences and tendency to omit much of the political implications necessitated the need for a library of text thereafter.
Timothy Fitzgerald

read this still inspiring report on the counterculture and own its potential for self-transformation in your own life and the life of our global society.

I read this book in 1979 and it helped me to make sense of the 60s landslide in my own life. Re-reading it many times over the years, together with Roszak's other very insightful work (Unfinished Animal, 1975) is always an inspiring reminder of the counterculture's deep potential for cultural renewal. Forty years after the Summer of Love, Roszak's insights are still right on.

This book is by far the most seminal book one can read in attempting to get an accurate and unvarnished understanding of the sixties counterculture; the social and historical reasons for its rise, its intellectual underpinnings, and the way in which its actions were informed and indeed propelled by its unique constellation of integrating values into a cultural ethos.

Recently the counterculture has been viciously attacked, intellectually trashed and intentionally trivialized by a series of books and articles by mainstream neoconservatives who wish to discredit the counterculture once and for all by blaming it and the "permissiveness" it spawned for the manifest ills the mainstream society has actually engendered through the evolution of its own corrupted, nonrepresentative, and nondemocratic political process. Many ignorant youthful authors have succumbed to attributing fallacious ideas and notions of this ethos in a way that is not only inaccurate and disingenuous, but which serves to trivialize the quite serious cultural critique it comprised.

All that is set aside here. Remember, this book was written more than 30 years ago, even as the counterculture was rising, so it is very much a observational history, one done at ground zero of the demonstrations, sit-ins, when the tumult and strident calls for radical new solutions rang clear, and the heady air of nascent social and intellectual revolution was in the air.

Here one finds the counterculture placed in its proper context, and not just discussed 'en passant' as the demonized triage of sex, drugs, and rock and roll'. One can hardly understand the sixties in such simplistic terms, and Roszak helps one to understand the complex welter of social, economic, and political factors that led to its emergence. In its essence the counterculture was a social and political reaction to the hypocrisy of the mainstream materialistic culture from which it sprang, and as sociologist Philp Slater has commented elsewhere, most of the individual elements of the value system of the counterculture stem from values the mainstream culture in fact claims to hold but actually does not practice and employ.

This, then, is book with remarkable insight, perspective, and historical verve. Rosazak nails quite accurately the tensions, problems and contradictions associated with the rise of the counterculture and the innate problems its continued existence eventually portended for the materialistic mainstream culture. Of course, as history shows us, the sixties ethos was flattened by the overwhelming onslaught of the establishment and the Ohio National Guard, and the political and social ethos of the counterculture melded into the domain of increasingly isolated private and personal philosphies of hippies being assimilated into the mainstream.

The fact that its ethos is now blamed for much of the discontent and confusion of contemporary America is a likely result of what happens when one tries to merge antagonistic ideas and notions into a cultural system that is inconsistent with its own. This is a wonderful book, and one needs to read before the victors of those fractious times so revise the official version of the history of the 1960s that those of us who were there will no longer recognize it.