Ireland Books

The perfect place to start if you want to learn about St. Patrick or early Irish Christianity. O'Loughlin is the best scholar in the world on this subject, but his books are easy to read.

Written by a theology lecturer at the University of Wales, Lampeter, Discovering Saint Patrick is a religious and biographical study of Saint Patrick, that strives to understand as much as possible about his life, his impact on history, how he influenced the development of Irish Catholicism, and much more. Thoroughly researched, drawing heavily on original sources as well as directly from scripture, Discovering Saint Patrick approaches the life and times of the famous saint with a scholarly eye for detail and as much corroboration and verification as reasonably possible. A welcome contribution to church libraries and biographical collections of holy figures, and a "must-read" for anyone who is curious to understand what St. Patrick's Day is really all about.

I decided to read "Disturbance" having very much enjoyed Jamie O'Neill's later more well-known novel, At Swim, Two Boys. Reading a good author's early works, I'm never certain whether to expect more gold or merely an interesting artifact of the author's personal growth.

In "Disturbance" I think I found both. It is a much shorter novel, concentrating on smaller events and fewer characters, but the more limited scope of this story is executed hauntingly. The author has a talent for getting the reader to share the experience of his characters, and he uses that talent beautifully here. Nilus is lost and isolated after his mother's death, living in a crumbling house with his distant father. As he works to lose himself in petty distractions the reader shares his distraction, confusion and inability to interact naturally with others.

I would say that "At Swim, Two Boys" is still the more polished masterwork, but "Disturbance" is still a deeply impressive novel - easily worth a five-star rating.

Nilus Moore, the narrator is in his mid teens and still at school as he starts his account. His mother has recently died, and he lives with his father, but it seems Nilus' world is falling down around him. Their large house is crumbling away while the other houses in the street are being demolished, and his father has taken to his bed, living on garlic cloves and brandy. Putting on the pressure is Nilus' uncle, his father's twin brother, who wants to demolish their house for redevelopment.
As Nilus approaches the end of his school days he struggles both to keep his home together and maintain his sanity. His bedroom, at the very top of their house is his refuge and which he keeps immaculately clean, where he is constantly checking to ensure that the sheet folds on his bed are in order, and where he watches over his near impossible 5,000 piece jigsaw puzzle. He also has to contend with his aunt and uncle's interfering, his pregnant cousin and her estranged boyfriend, an aging priest and other odd characters.
Nilus is an appealing character, especially as he efficiently tries to take on such heavy responsibilities for one so young. However not all is as it may appear, the subtle clues are there, but they might easily be overlooked.
This is a captivating, witty and often very funny story that repays careful reading.

This book has been re-printed.

New ISBN is 1903464706

This short autobiographical account of an Irish doctor's World War II experiences is so riveting that I stayed up way too late to finish it. Dr. MacCarthy served in Europe and was then shipped out to the Asian theatre where he endured the unthinkable. The most striking things I took away from this book is how strong human beings can be in the face of terrible events and how good can triumph within each of us. As the preface said, if you went to a movie and saw all the things portrayed which Dr. McCarthy lived through, you'd think it too far-fetched to be true.

With Domination and Conquest Davies, one of the most prominent historians of the "British" middle ages, has put together a gem of a book. Davies' fundamental purpose here is to put an end to many of the misconceptions about the Anglicization of Britain and Ireland. Beginning with a discussion of the difference between domination and conquest, Davies helps us see that the military aspect of this episode in history is not as important as it often appears. From here Davies moves on to shatter the idea of a concerted and organized Anglo-Norman endeavor to conquer and dominate the Isles, and the myth of organized resistances in Wales and Ireland. In the end, Davies leaves us with a profoundly different understanding of Anglo-Norman expansion in the British Isles. In addition to being illuminating, Domination and Conquest is wonderfully written and a joy to read.

I should start with a disclaimer - Rees Davies was my doctoral supervisor at Oxford. That said, this is a short, well-written exposition of the trend in recent British medieval historiography, advanced by Davies and Robin Frame, in which the boundaries of "national" history are broken down. Davies examines the ideological underpinnings, going back to the Anglo-Saxons, for the overlordship of the British Isles and Ireland by the kings of England. He then proceeds to examine Anglo-Norman expansion and infiltration in Wales, Ireland and Scotland in all its myriad aspects. Military conquest was only one tool available, and was accompanied by economic exploitation (and blandishments), the imposition or denial of English law, and English domination of the ecclesiastical hierarchy in Wales and Ireland. With an eye for the telling anecdote, Davies shows how the Anglo-Normans were flexible, adapting from local societies what suited their purposes and exploiting political divisions and rivalries for their own ends. Davies is a good writer as well as one of the most prominent medieval historians in the U.K., and this book should prove accessible for the lay reader interested in what the author has called the "first English empire".

This book brought back so many childhood memories! I loved how Mr. Greenleaf kept the old Irish charm with the modern revision. Great Job! My nieces and nephews couldn't get enough of the stories and kept asking me to read them again. I also really like the artwork of Mr. Quigley. I definately look forward to any future works of Mr. Greenleaf. A definate MUST HAVE!!!!

Joseph greenleaf has updated this set of classical fairy stories without losing any of the flavor of the original. The illustrations are wonderful, the stories fun to hear or to read. My next suggestion to Mr. Greenleaf is that he produce a CD so that travelers can enjoy these wonderful tales while on the road.

When I found out that Brassey's Military Profiles series was doing an assessment of Francis Drake, I was pleased that this complex and almost legendary figure was going to be summed up in a handy snapshot reference work. At 89 pages of text, this endeavor was quite a challenge. Dudley Wade has managed to include all the controversies and episodes while providing a surprisingly full and fair an appraisal in such a concise book.

My introduction to Drake was a reading of Julian Corbett's one volume 1912 biography (rather than his more scholarly but ponderous 1899 two volume treatment incorporating the dawn of the British Navy). While a handy summary of Drake's career, in just over 200 pages, it was written for a British audience and assumed some background knowledge of the personalities, parties and political-religious quarrels both within England and among its European (principally Spanish) antagonists. Plus Corbett's Edwardian British chauvinism and dated idiom is a bit off-putting. I've since read works on the English "sea dogs" and renaissance era piracy and seafaring, and was looking for a good, brief overview of Drake employing modern (i.e. late 20th century) research.

Chapter 1, Prelude (pp. 3-13). This is a valuable chapter setting the exploits of Drake in total context. This includes the development of seafaring/navigation, maritime trade and conquest, the vagaries and rivalries of the search for routes to the sources of spices (and later, more fortuitously precious metals and gems) in the East, and the rise of Protestant-Catholic (not always so neatly demarcated) antagonism, later focused on the struggle between Protestant England and Caotholic Spain and their allies, pawns, dupes and double-agents. All this is set into English court and religious history - often identical-and the various political intrigues surrounding Elizabeth I.

Chapter 2, Young Man Drake (pp. 15-28). Born of the lesser gentry (economically akin to the present day lower middle class) Drake's father, a tailor by trade, became a preacher in the new Church of England and thus a target for a Catholic backlash against Edward VI's promulgation of a common prayer book. Fleeing local persecution the family wound up living in a ship's hulk converted to a home near Plymouth where young Drake was exposed to seafarers of the port as his father received a very modest stipend to preach the new gospel to them. Here Dudley speculates on the exposure of the boy to the nuts and bolts, or knots and splices, of practical seamanship, while his father imbued him with guiding principles of his Protestant faith and a concomitant hatred of Catholicism - though not of Catholics as individuals. The brief return of the pro-Catholic "Bloody Mary" to the throne marked another stage in the young Drake's career, wherein for his son's safety, his father agreed that his eldest son should leave home at the age of 13. Dudley notes two theories about his schooling in seamanship at this point. One, that generally prevalent in early histories and most popular accounts is that Drake became apprenticed to a coastal merchant, who upon his death, bequeathed Drake his vessel. The alternate account, one seemingly favored by Dudley, is that Drake was "fostered" into the home of a prosperous relative, William Hawkins of Plymouth. Here, Drake would have similarly gained considerable practical knowledge of seamanship while aboard the family's several 50-ton vessels, while also continuing a formal education in the mathematical and navigational skills. Also, here is where the young Drake likely acquired his familiarity with the international diplomatic scene as well as the political savvy to hold his own among haughty gentry. The Hawkins family privateering tradition also imbued Drake with this entrepreneurial and self-directed attitude towards armed adventures. Plus he gained valuable experience in the tricky three-way slaves for gold and produce trade, England-African West Coast - Spanish Caribbean, that danced the fine line between sticking it to the Spaniards and overkill which would get Elizabeth in hot water over her "plausible deniability" sponsorship. Here, in a few close-run escapades, Drake learned the value of Protestant allies and how being charitable to Catholic prisoners and victims could also reap benefits. Plus he acquired his outstanding proficiency in seamanship, both in uncharted shoals and in the vast deep blue, and how to stomach dire adversity with a clear head and cool nerves. The treacherous Spanish attack at San Juan de Ulua, off the coast of Mexico led to some vague charge that Drake deserted the expedition, but his reputation for excellent seamanship was affirmed despite the financial losses. Most importantly, it spurred him to seek revenge on the haughty overbearing Catholic rulers of Spain.

Chapter 3, To the Spanish Main and Beyond (pp. 29-47)continues the saga of the imperfectly "sponsored" freebooting raids on Spanish maritime treasure and communications. It provides a handy summary of Drake's circumnavigation -- a covert operation that forever cemented his place (and that of his diminutive galleon the Golden Hind) in history. Drake's summary trial and execution of a dissident captain, the courtier Thomas Doughty, is handled deftly. Interestingly, Dudley suggests that this incident underlies Drake's shipboard piety, as a guilty conscience plagued him.

Chapter 4, the War of the Armada (pp 49-71)j is a very good summary of the Armada campaign and Drake's role. Dudley's criticism of Drake's apparent insubordination in failing to keep formation has to be seen in light of the epoch's rather lax concept of "command and control" and discipline among adventurous and independent-minded sea rovers.

Chapter 5, The Final Raids (pp. 73-83)shows Drake's waning powers of judgment and self-confidence.

Chapter 6, Who Was Francis Drake (pp 85-89) neatly reviews the controversies and possible explanations for Drake's checkered career as an adventurer, commander, local politician and mid-level aristocrat who was never accepted by the "landed gentry" who haunted the court of Elizabeth I at a time when her power abroad depended on the likes of Hawkins, Drake, et. al. -- men who were fanatically loyal to Queen Bess's England but who would not brook any interference from petty politicians, or a Queen's conservatism inspired by their court intrigues.

Drake: For God, Queen, And Plunder by military historian Wade G. Dudley (Visiting Assistant Professor, East Carolina University, Greenville, North Carolina) is a fascinating, informed and informative, military and historical biography of Sir Francis Drake, the famous high seas plunderer of fifteenth century England, who was fueled by hatred of Catholic Spain and his devotion to his Protestant queen Elizabeth I. Highly recommended reading, Drake is a very carefully researched and engagingly told account with an especial focus upon Drake's nautical and military tactics.

I'm extremely impressed. I think this book would make an outstanding addition to any Renaissance-lover's, or garbaholic's, bookshelf.

It is not about how to make Italian-persona clothing. Instead, it focuses on how Florentines of the Renaissance used clothing to make social statements. Along the way, it examines some things that garbmakers would like hearing about (one table lists various color combinations found in gowns and linings), but mostly, it's about the sociology of fashion.

Chapters:

* Craftspeople and tailors (including how clothes-making guilds were organized and the role women played in these guilds)
* Tailoring Family Honor (how Florentines viewed honor and how they thought honor was expressed through clothing)
* Family Fortunes in Clothes (how much they spent, and a bit about the secondhand clothes market)
* The making of wedding gowns (you'll love learning how many opinions went into one and how totally political it all was)
* Trousseaux for Marriage and Convent (how they differed, and lists of what went into each)

And stuff about sumptuary law, information about layers of clothing, types of dyes (and an examination of mourning clothes), types of fabric, and clothes as depicted in art -- and how art might have distorted how people really wore clothes. Embroidery is also covered.

Needless to say, the painter Ghirlandaio features pretty prominently here. There are also b/w repros of portraits, unfortunately not super well detailed, but there are a few here I haven't seen before. There are also appendices that are very useful -- lists of currency and measures, categories of clothiers, yardage required for various garments, glossaries of what yardage terms meant, and a HUGE bibliography and glossary of terms.

It isn't a physically large book, clocking in at around 300pp, but it's very rich in detail, and the writing is pleasant to read. I'd definitely recommend this book to anybody wanting to immerse in the period -- and DEFINITELY for any Renaissance costumers out there. It might not be a bad idea to have some basic grounding in the period before reading this, but it's written well enough that if any is required, it isn't much.

It's surprising to note that professor Carole Collier Frick's DRESSING RENAISSANCE FLORENCE: FAMILIES, FORTUNES AND FINE CLOTHING is the first in-depth study of the Renaissance fashion industry. Here are insights into the social and political meaning of clothing in Florence, with black and white photos throughout displaying changing styles and fashion innovations, visual impressions and how family fortunes were invested in wardrobes. A fascinating college-level study, recommended for any collection strong in fashion or Renaissance history.

Diane C. Donovan
California Bookwatch

Though Ernst Junger is one of the most controversial intellectuals in the 20th century , he is barely known in the United States and more over he is often wrongfully associated with Nazis and even accused of being an anti-semite ,which he was centainly not. The book certainly shed a light on the unique specimen among the 20th century intellectuals as well as shows there was no one committeed more self contradiction that Junger. Although the book is on the Junger's intellectual development and oeuvre , the author also covers social, political, and literary milieu Junger was located in .

Also, the author also tackles how Junger's writing continously become the fountainhead of all sort of radical right wing parties and other esoteric melange of fascists. This is a very enlightening book and welcome edition on the thin number of bibliography that deals with one of the most fascinating personae in the 20th century.

This intellectual biography of Jünger is a must read for anyone interested in European cultural history. Jünger is barely known here in the U.S., but Neaman's book will hopefully stir a dialogue about German fascist intellectuals. Neaman poses a provocative question: what if fascist intellectuals should be taken seriously and not dismissed as ideologues or sycophants? This book gives a number of complex and thought-provoking answers to that question. It is beautifully written and very sophiscated. First rate!

Dublin Carol by celebrated Irish playwright Conor McPherson is a new sort of Christmas Carol, and a tour de force for three talented performers.

The demons that haunt this work's leading character are all in his own head and of his own making - alcoholism (would it be an Irish play without it?), family abandonment, failure to succeed. In McPherson's usual style, the dialogue runs summarily from pathos to humor and back again using earthy language and varied pacing, interspersed with poignant little Christmas moments. It leaves the audience to decide for themselves what the leading character will do at 'the end of the day'. I'll say no more about it.

The entire work takes place on Christmas Eve day - a time for hope, introspection, and whiskey. The leading character, John Plunkett, an undertaker's assistant, has just returned from yet another funeral. His young, gangly and untried assistant, Mark, is the perfect foil for John's stories, advice, and for providing the audience with plot/background exposition. We learn how John got to be in his current position, the ruinous road that lead him there, and what he may have learned from his past experiences and mistakes- if anything. The final of the three not-so-wise characters, Mary (hmmm, Mary? a Christmas Eve visit?) provides the catalyst of the story. I will not reveal her relationship to John nor the reason for her visit; suffice it so say that her tidings are not glad nor her news of great joy.

Does John Plunkett learn his lesson? Does he make amends? Change his life? Unlike Dickens' holiday work, the answers to these questions are less discernable.

A timeless and deeply human story of loss, hope and getting a second chance that will touch everyone's heart. Witty, charming and very well written, I read it once for the story, then a second time to grasp all the unspoken emotions between the lines. I just know I'll read it again.

Handsomely produced, elegantly assembled, and consistently engrossing: these actors read the stories with appropriate sensitivity, wit, pathos, and distance. The detachment of Joyce in his "voice" on the page is re-created well. When I have taught students "Araby" or "The Boarding House," the chance to hear the language repeated as its author would have meant it to be rendered makes these stories come alive for a classroom six thousand miles and a century away from early 20c Dublin.

Although all of the stories succeed, those in the center of the book emerged when conveyed aloud most enlighteningly. Clay, A Mother, A Painful Case, and most of all Two Gallants, After the Race, and Counterparts all hit my ear with more force than they had when I had only read them. These stories are often overlooked compared to the others, but the skill that the actors brought to these more prosaic, less lively, and more nuanced examples of Joyce's careful craft deserve special acclaim. The packaging keeps the CDs securely in place, is itself compact and well-designed, fitting its outwardly austere & Edwardian yet subtly decorated and inviting contents.

Students, the curious newcomer, the experienced teacher, and those who read the book out of delight and not duty: all will benefit from the music on the page that by a technology Joyce himself spoke into at its early gramaphone stages is now digitally preserved so that those of us all over the world and a vastly changed world later can be entertained and instructed. I think JJ might have been pleased at this version of his pioneering, eloquent, yet accessible and moving, accounts of his imagined neighbors and municipal counterparts.

James Joyce was absorbed by music, people, languages, acting and actors, and though an exile from his native country and city, his literary consciousness was forever embedded in Dublin. He had an unerring ear for Dublin dialogue.
At night I turn out the lights and listen to these CD's, to the cadences of the people talking, and to me these Dubliners endlessly gossiping are in the room with me. Joyce's narrative adroitness, his choice of words, his lyrical descriptions, and above all, his sense of place are brilliant facets of a genius.
Stephen Rea's sensitive reading of "The Dead" is worth the price of this set of fifteen stories read by fifteen different mostly Irish personalities. The characters in the stories live and breathe, become real. Joyce was meant to be read aloud. It's good talk, conversations that you become a part of.
In these stories Joyce is very accessible. In Finnegan's Wake he became Jackson Pollock--obscure and difficult. In "The Dead" you can feel, touch, hear, and taste the snow that is falling outside the house while inside two old sisters are giving their annual bright and cheery party. It's a story of tenderness, love, regrets, and lost lovers, but it is mainly full of life, good times, fellowship, and above all humanity.

Nine Lives Too Many
The Daemon in Our Dreams
The Rice Queen Spy
Clawed Back from the Dead