Ireland Books

This is a genuinely great book. It it basically an economic history of the Mediterranean regions of Western Europe from the last centuries of the Roman Empire to the time when the Roman traces of Western Europe had all but vanished. The author make the intriguing claim that the economic "collapse" of the Southern part of what had been Rome's Western provinces did not decline as much as many historians believed (though it was still very bad) and, more importantly, began their recovery far earlier than is usually credited. The book follows methods made justly famous by, say, Pirene and Braudel, and relies heavily on archeology. But the author goes beyond his model to focus on the accounts of merchants, churchmen and other travelers to demonstrate what the world of the Southern dark ages seemed like to its more literate denizens. The author is particularly enlightening (and, to me, original) in pointing out the pivotal role of the slave trade with Islam in laying the foundations of European recovery and preventing overpopulation in a time of economic contraction. In the end, the author comes to the intriguing and well-founded claim that it was the Islamic Caliphate which played the decisive role in forcing Europe down the path to a modern economy. The book is magnificently researched and magisterially written. I know -- I gush. But this is a great book.

First, before you proceed any further with this book, you ought to know that it is not abou the origins of the European economy. If you are looking for a book about economic life and change in Europe between 300 and 900, this is not really the book for you. McCormick's book is specifically about trade, and largely "international" trade, between these years.

Having said that, McCormick's book is the most brilliant work on medieval history in years. He sets out to examine the patterns of Mediterranean commerce during the early middle ages, focusing on different aspects of the Pirenne thesis. This, of course, has been done repeatedly over the eight decades since Pirenne's famous publications, but McCormick's approach is startlingly new. Rather than simply argue over the same tired scraps of evidence, McCormick works hard to incorporate old, non-economic, data into his argument, and also brings in entirely new evidence. To begin with, McCormick focuses on the accounts of non-commercial travellers -- pilgrims, envoys, missionaries, etc. -- to see how they travelled, when they travelled, and whom they travelled with. By looking at these accounts McCormick puts together a picture of frequent Mediterranean travel, demonstrates the frequency of specific routes, and, the interaction of travelling merchants and other travellers. McCormick uses these accounts as evidence of a vibrant shipping network in the Mediterranean in the eight and ninth centuries. He then backs this inferrence up with "hard" data from recent undersea archaeology, numismatics, and the study of relic hordes.

In the end, McCormick discusses the export of Europeans as slaves to the Caliphate, and, to a limited extenct, Byzantium. McCormick's final argument is that this slave trade was massive, and provided the fuel for the growth of European commerce, growth that was sustained even after the decline of the slave trade.

When all is said and done, McCormick's book is amazing. His arguments and evidence are controversial, and it is easy to predict that this book will be the focal point for scholarly debate for the next generation. Well written, engrossing, and thought provoking, this book is a must for anyone interested in medieval studies or good scholarly debate. The beuatiful maps, charts, and graphs, and the detailed accounts of travellers in the appendices simply add to the value of this book.

No one who is seriously interested in the transition from the Roman Empire to the Early Medieval West should pass up the opportunity to own this volume--in hardcover!--for only $52. Michael McCormick analyses the economic transformation of the Mediterranean world ca. A.D. 300 - 900. In doing so, he presents a nearly compendious wealth of data (including a vast and multi-faceted bibliography) on various aspects of the question.

"Origins of the European Economy" joins works by Chris Wickham, Charles McClendon, and Peter Heather (among others of like quality) that re-analyze questions concerning the fall of Rome and the rise of Latin Christendom from various angles, including the economic, architectural, and military-political. In this first decade of the 21st century, the old debates between the catastrophist and continuist views on the Roman-Medieval transition are being informed by a fresh influx of data and analysis. The new studies, including "Origins of the European Economy," promise to bring about a quantum step-up in our understanding of this ancient issue.

Arnold Lelis

To write a history of the changing patterns in economy between the slow end of ancient world and the slow birth of middle ages is a great challenge for any scholar who tried, but I do recommend this "Bible" to all who are interested in this subject. It's clear, wide-range, full of good ideas and comparisons between different type of sources.

From primarily economic and historical perspectives, this is a wonderful and very scholarly book. From the perspective of sociology and anthropology, it is however unfortunate that virtually all Muslims despite their actual national or ethnic backgrounds are referred to as "Arabs." Even Berbers are nowhere mentioned. With this exception, this is a monumental work of scholarship.

I ordered Volumes I and II of the audiotape version of The Island Story (history of Britain from mythology through Queen Elizabeth I) and listened to it with my boys aged 10 and 12 before we went to England this spring. We all really enjoyed it. While written for children, the history and color (eg tie ins to words/expressions we use today) were fascinating for me too. The book was written in the early 1900's which makes a few of the references to Britain's current day "empire" amusing but no less interesting. I will be saving this set of tapes for my grandchildren!

I read this aloud last spring to my 3 boys, ages 10, 12, and 13. They all really enjoyed it and I enjoyed reading it.
The only (small) negative I could give it is that there are several spelling mistakes-mostly a missing letter in a word. I corrected that as we went along for the next time I read it aloud. It really wasn't a problem but I just thought I should point that out.
We are now reading the sequel about our own country (America) called "This Country of Ours" and enjoying that one as well. I can highly recommend both books, as well as "Fifty Famous Stories Retold" which is usually bought along with these two. That one is especially easy to narrate from as the stories are very short-often just 2 pages.

This is a such a fun history of England. My children love reading this book. We read a couple of chapters aloud each week. We have just started our second time through.

The chapters are relatively short. For the most part, the book is organized chronologically by King (or Queen). Each chapter (or sometimes several chapters) hits the high points of each King or Queen's reign.

Make history come alive for your children by reading this book to them.

This is a nice softcover edition. Check out the publishers other books. You can pretty much assume it is going to be interesting to your children if they have published it. I have several of their books and every one has been a hit with our family.

We have been reading about one a week for over a year. My girls love these stories! One of our rabbits ended up with the name "Boudacia" after we read her story.
At the beginning they might be more folklore than fact, but none the less they are wonderful. There are some great moral lessons to be learned from many of the stories.
After I bought the Yesterday's Classics I found an old hardback with great color pictures. It cost a bit, but what a treasure!
Highly recommend.

Although the uniforms of the US Army are not my primary interest, I found this book to be an excellent introduction to this subject, albeit a photographic essay. Having several of Shelby Stanton's books on US Army uniforms, I would like to see a similar book on WWI, but as a primer this book has no peer. I recommend it unreservedly.

I too purchased this book from a book club, and a facinating buy it was! Although uniforms of the US Army are not my primary interest, this book covered a subject that I knew little or nothing about; this book changed that emphatically. Although I would have liked to read more on uniform development, especially the evolution from blue to khaki, the book is an excellent source for students of WW I, and I highly recommend it.

I saw this in the military book club for $14.95! A really GOOD collection of photos of the US Army in WW1. I actually learned some new things from the captions. The BEST book of WW1 photos I have seen in many years. Would also be good for a novice

This book is part of the G. I. series of short illustrated studies covering a period or a series of campaigns. All of these books are vertical studies covering a period of years. Though sometimes the illustrations serve to identify individual items of equipment, these works are not intended for that purpose. They are not catalogs intended for materiel collectors. They are of such a length and of such a level of detail that they will serve the purposes of the general reader with a curiousity about what grandaddy did in WW II or great great great grandaddy in the Civil War and what he looked like and how he lived. This is not to say that the specialist such as myself cannot find useful nuggets herein. I can. I use these for general surveys of periods I do not study in detail, such as the Civil War, and the War With Mexico, etc. And to look up the odd facts. I have yet to be disappointed with any of them.

The reader of this book will learn a lot about the British (and, before that, the English) monarchy, from the dark ages to today. Each monarch and dynasty are treated objectively and respect, trying to stay as close to their own time as possible and without dogmatic judgements. Hence the "villans" of the Monarchy (Richard III, Henry VIII, George IV) are shown to have a more positive side than one usually gives them credit for, while the "saints" (Henry V, Richard the Lion-Hearted, etc.) are shown to have their dark side as well.

But the book isn't revisionist for the sake of being revisionist--it does acknowledge that, in the final accounting, history's judgement of the good or bad monarchs seems rather justified (e.g., while George IV did promote the arts, he was a debt-ridden bankrupt who treated his wife abominably). Furthermore, it doesn't judge the monarchs by our standards--by how "multicultural" or "feminist" or "anti-colonialist" they were, for instance. It correctly sees such judgement as distorting--as distorting as the Victorians' tendency to judge the past monarchs by *their* standard (e.g., which monarch won the most battles or gained the most colonies.) It does its best to assess the facts objectively--taking account of both the prejudices of the monarch's time and of our own.

Take, as a typical example from the book, the case of George III. Having been unfortunate enough to preside over Britian's loss of the American colonies, as well as suffer from insanity in his old age, he was ridiculed by many contemporaries (especially American contemporaries) as a "tyrant", and "psychonalayzed" by our own generation--"proving" his insanity was (you guessed it) due to repressed sexual urges. While certainly not denying George III's tough position about the American policy, or his bouts of insanity, the authors note that, once the war was over, he told Adams that "nobody wanted this seperation less than me", but that, the seperation having been made, he would do his best for Britian and the new USA to be good friends. They also acknowlege his bouts of insanity and describe his bizzare personal and public behavior during it, but also note that it came (mostly) at the end of his days--after he was a loving, devoted family man and a very reasonable king for over 40 years. His insanity was viewed by contemporaries not with contempt, but with pity.

The book's prose is clear, accessible, but--on the other hand--doesn't oversimplify when complexity and exactitute are called for (such as, for instance, when untangling the various claims to the throne that led to dynasty changes). Furthermore, numerous illusrations being the period talked about to life. Finally, the paper quality is superb, and the index is excellent.

The Oxford Illustrated History of the British Monarchy is a uniquely complete book. This is a book very worthy of Oxford, consisting primarily of chapters on royal and political history generally, interspersed throughout with boxed essays on each monarch, special topics, maps, photographs and paintings.

This book begins with the murky beginnings of royalty in Britain, arising out of the chaos of the post-Roman world. Here we encounter names such as Aethelberht, Raewald, and Hywel Dda -- this book doesn't just concentrate as so many do on the English monarchies, but also on Welsh and Scottish clans, lines, and kingdoms. Here we find that King Eric Bloodaxe, the Viking King of York was followed not too many years later by Edgar the Peacable, king of Mercia and the Danelaw.

With the inclusion of this extensive pre-Norman section, the book is a must for any British history library. Apart from that, the history is fairly basic -- well written, interesting, but no grand and new insights, more of an encyclopedia writ as an essay rather than articles on particular subjects (for which I am grateful--nothing so disjointed and unsatisfying in many ways as reading an encyclopedia). This however can make looking up topics a bit more difficult, but I've found as I've sought out one piece of information (using the very good index) I find much more (which is always to be desired).

The final sections include chapters on Royal Residences and Tombs, Genealogies, and Lists of Monarchs, including Scottish as well as English monarchs.

This book is filled with little bits of interest--for instance, an example of 17th century propaganda: 'In the absence of newspapers, radio, and television, other means of representing events and influencing opinion assumed greater importance. A pack of cards took as its unconvivial theme Monmouth's rebellion in 1685. The six of clubs shows Monmouth's entry into Lyme Regis; the seven of spades shows the duke's fate; and the five of diamonds that of his followers.' This caption accompanies pictures of playing cards with scenes of hanged or beheaded men, etc. An interesting means of information dissemination.

A very worthy book, perhaps the only royal book a non-historian would ever need; a definite need for any historian or royal watcher.

This book is a must for those readers interested in the history of the British Monarchy. The authors and editors have masterly created both an historical perspective of the institution as well as a personal viewpoint which is both critical and sentimental. Some may be turned off by the length of this book, but once you begin reading, you'll wonder where the time goes. And the wonderful photographs and illustrations bring their words to life.

The history of Great Britain since the 5th century is largely the history of its sovereigns, and vice versa, and this fat volume is a success on both scores. Beginning with the early Celtic kings who brought some form of organization to early British (and Welsh and Irish) society, Cannon escorts the reader through the island's history, reign by reign, from Rædwald of the East Angles to Elizabeth II, tracing the waxing and waning of the monarch's personal power, noting royal marriages and interments, wars and treaties, glorious victories and humiliating failures. A great deal of the personal is included along with the politics, as when the young Edward VI coolly notes the execution in 1552 of his uncle, the Duke of Somerset, and the exasperated Queen Anne's attempts in 1703 to reason with her Whig ministers. The numerous illustrations, many in color, add to the flavor of the narrative as well as the reader's understanding. This book may be the only general history of the British monarchy that any student would ever need.

Gearoid O hAllmhurain is no stranger to any fan of Irish music. His is a household name among traditional fans all over both for his own concertina playing and his music history lectures. I first saw him in Ireland about 5 years ago giving a lecture on the Irish Famine. I was so pleased by what an easy and interesting introduction to the topic this book was that it became my Christmas stocking stuffer for lots of my friends. Both those who play and those who love to listen to the music.This new book was pretty light reading and yet the best introduction to Irish music in the context of powerful historical events, war, famine, colonalism, Michael Flattley and Lord of the Dance. It makes me long for a real full version from this author. Unlike Ciaran Carson's popular, Last Night's Fun, this book is substanative and educational, not just an entertaining jaunt through the musical pubs of one sessioneer.

Mr OhAllmhurain does a splendid job or recording the details of Irish musical history that have heretofore survived only through the oral recountings passed from generation to generation in Ireland's musical heartland of Clare.

As an American with a life-long love for Irish music - but short on real musical knowledge - I found this book a god-send. Like another reviewer I would like to see another book by Gearoid (However, I wish Irish people writing in English would not use the difficult Irish version of their names. I take it that Gearoid's name in English is good old Gerard O'Halloran, but I digress...) which treats the matters in more depth.

I was particularly impressed that the author, who obviously is highly qualified on the subject, does not fall into the trap of overwhelming us with academic lecturing and, most of all, is respectful to all shades of contribution in the living river of traditional Irish music. And a great river it is!

I read this book knowing little about Irish history and less about Irish traditional music. Having finished it I now know considerably more about both, but still don't know much about anything in any depth. This book is a wonderful primer, but it blows through several hundred years of history in 161 small pages. It is well written book and the connections made between historical events and the music that either recorded them lyrically or grew out of them (e.g., incorporation of various Scottish or Polish rhythms) are fascinating and done in a consistent manner.

This book is an excellent place to start in on this topic, but you'll finish wanting more.

The latest in the Ed Loy series has the Irish PI looking for a jockey who disappeared years before after holding back a favorite horse so it would lose. It brings him into the midst of deep dark secrets of a prominent horse-breeding and -racing family. Although there isn't enough information to even begin an investigation, such a lack doesn't seem to deter Loy.

Discovery of the first of several bodies opens the inquiry into the many mysteries of the Tyrell family. All this takes place beginning on Christmas Eve and leads up to the four-day Leopardstown Racecourse Christmas Festival. The story is set among the current and past Irish economic and social conditions, with observations on the people and the Catholic Church playing an important role. The plot involves, as usual, the sins of the fathers cast upon the children.

The drama is high, the writing solid. This third in the series is as gripping as its predecessors, and is highly recommended.

The Price of Blood is Declan Hughes' third thriller set in Dublin, Ireland. Hughes previous novels are The Wrong Kind of Blood, which won the Shamus Award for Best First PI novel, and The Color of Blood.

Private Investigator Ed Loy is hired by Father Vincent Tyrrell to find a missing jockey, Patrick Hutton. Taking the case is easy, but the clues are few. The only thing that Father Tyrrell can offer to Loy is a name-and that the jockey disappeared years ago. Not a good start for solving a missing person's case, and Loy would prefer to let it go. The problem is the money is just too good, and since Loy's bank account is depleted, he really must take the case.

During the investigation of another case, Loy discovers the body of a man who is linked to Father Tyrrell's brother F.X. Tyrell. That mystery leads to other clues, and as Loy usually does, he gets battered and bruised, but doesn't give up digging into the mystery. The trail finally leads to the four-day Leopardstown Racecourse Christmas Festival where Loy finds dangerous people and activities afoot.

I love that Loy is "everyman." and yet he has something that sets him apart from most. He's tenacious, thorough and oh so likeable. Hughes' The Price of Blood is fascinating. It's fast-paced, gives the readers some wonderful twists and speeds on to the conclusion.

If you like PI novels, check out The Price of Blood. I guarantee that you will go out and buy the first two. Hughes is a habit-a good habit.

Armchair Interviews says: Hughes' novels just keep getting better

In Dublin, Father Vincent Tyrrell hires private investigator Ed Loy to find missing jockey Patrick Hutton. The case is made complex by the fact that his client offers only a name and that Hutton disappeared about a decade ago. Loy wants to say forget it as he figures he has little chance of finding the man, but the fee is too good to ignore.

Loy knows he must tread the streets very carefully as the Halligan family plan to rough him and more because they hold him culpable for one of them residing behind bars. As he makes inquiries on another case involving a homicide that leads back to Father Vincent's brother affluent business mogul F.X. Tyrell, Loy soon finds himself investigating two other related homicides connected to the Tyrell family. Beaten severely and told to back off or else, Loy keeps digging until the trail takes him to the four-day Leopardstown Race-course Christmas Festival.

In his third appearance (see THE COLOR OF BLOOD and THE WRONG KIND OF BLOOD) Loy does what he does best: gets tattered and threatened but keeps on ticking. The story line is fast-paced from the opening request and though filled with neat twists never slows down until the final altercation. Bruised, battered and beaten, Loy still conducts intelligent inquires whose link is F.X. Private investigative fans will enjoy Declan Hughes' strong Irish mystery.

Harriet Klausner

Irish playwright Declan Hughes's third private detective Ed Loy novel, THE PRICE OF BLOOD peers into the gritty sides of Dublin and families as Loy investigates the case of a missing jockey and a case of vandalism. In a suspense thriller with echoes of Greek tragedy set in modern life, Declan Hughes creates an innovative look into the darker sides of his characters and the underside of Irish horse racing. THE PRICE OF BLOOD is a suspense read full of local color from an Irish author who looks beyond the surface into societal changes and customs as well as into the shocking secrets hidden from plain view, secrets that when spoken can often lead to tragic consequences.

Father Vincent Tyrrell asks PI Ed Loy to look into a name, Patrick Hutton. The Catholic priest and horse racing devotee gives Ed Loy just the name without any other details, refusing to break the seal of confession. Now dying of cancer, the priest's conscience troubles him. Meanwhile, Ed Loy takes on a case, assisting Joe Leonard in catching vandals. As Ed Loy pursues the Leonard case, he discovers a body dumped, a body with some shocking details and a piece of paper that might just relate to his jockey case. When Ed looks closer into the history of Patrick Hutton, the body count increases. Each victim has 2 cryptic tattoos roughly engraved into their skin and certain other details in common which Ed discovers when he comes across a dumped body. While the papers claim the murders are the work of a serial killer, The Omega Man, Ed Loy knows that the clues and relationships just do not fit the serial killer scenario. His investigation of jockey Patrick Hutton takes him into the tumultuous world of Irish horse racing and the Tyrell family where passions run deep and secrets are hidden even deeper.

From the very beginning of THE PRICE OF BLOOD, Declan Hughes takes the reader into an intimate vision of Ireland. Declan Hughes sections the book by date into Advent, Christmas, and St. Stephen's Day, thereby creating a temporal structure that relies on the Catholic calendar and focuses on Father Vincent Tyrell`s world. His moral dilemma introduces this work of suspense, allowing the reader to catch both a glimpse at the depth of this character, as a man tortured by a secret he must keep and also as a compassionate man willing to stand out as he brings Tommy Owens into the fold of his church and protection despite the congregation's displeasure. From the very beginning, the reader feels Ed Loy's ties to his youth and his independence from the Dublin of his past through the interchanges with Father Tyrell. Through the descriptions of the Joe Leonard case, Declan Hughes, takes the reader into Ireland's past and present as characters once isolated from one another by economics, now live in close proximity. Those who once thought of semi-detached housing as low class now are limited to council housing. Now, downcast, Joe Leonard is determined to protect his corner. To Joe Leonard, Declan Hughes juxtaposes F.X. Tyrell, a man for whom horse racing has improved his status and station in life.

As suspense, THE PRICE OF BLOOD delves into the dark side of horse racing, purebreds, and relationships as passions and past histories collide. The closer Ed Loy gets to answering the puzzles, the more surprising twists he uncovers. As St. Stephen's Day approaches with the exciting climactic horse race, even the best laid plans cannot prepare the characters for the shocking conclusions still to come. As with a previous past case, when the culprit is finally revealed, the revelations elicit unexpected actions. Secrets haunt but brought to light, do they bring comfort? Declan Hughes' suspense stands out precisely because answers are not easy or simplistic. Through the depth of the character of Father Vincent Tyrell, Declan Hughes creates a magnificent sense of pathos in his suspense that makes THE PRICE OF BLOOD a unique suspense read.

Declan Hughes is a must read for drama enthusiasts (particularly tragedy lovers) and literature enthusiasts. Father Vincent Tyrell recalls to mind Graham Green's memorable characters while simultaneously upping the ante several notches. While reading THE PRICE OF BLOOD, literature lovers might call to mind OEDIPUS REX and Arthur Miller's DEATH OF A SALESMAN, not so much in terms of plot or characterization where there are both some similarities and differences, but more so for the brilliant way Declan Hughes deviates from these classics. Declan Hughes creates an innovative work of fiction that pays tribute to previous literary classics while all the while transforming them, adding new twists as he places his tale in the suspense genre. The author invigorates the suspense genre with a new vision that will delight, indeed haunt lovers of both suspense and drama.

If you are looking for a light happy suspense read or a quick serial killer whodunit that you can easily put aside with disinterest shortly after finishing it, this book may not be the best choice. If you want a suspense read that glosses over the ramifications of actions or the pain endured by characters, search elsewhere. If you are looking for a unique read and one that stands out from all the books out there, in either suspense or literature, THE PRICE OF BLOOD is brilliant! Although tragic, THE PRICE OF BLOOD is hauntingly innovative --- the kind of book one remembers for its uniqueness.

This is perhaps the most pleasurable "academic" history I have come across. Although it provides an extensive account of life in the Chesapeake through the lives and business dealings - and there are plenty of those enumerated - of the tenacious Carroll family, I was also struck by Ronald Hoffman's major theme of family continuity, of purpose driven by recollection and ambition that the Carrolls had in spades. The very tightly researched accounts of the family history in Ireland, and of all the other families like them in the chaos of the 17th century, is little short of astonishing. I'll admit to an enduring interest in Irish history, but this one illustrates why Carrolls and others left their broken aristocracy. That continuity touches on my own forebearers, one of whom was a first cousin of Charles Carroll of Carrollton's. She married another Irish immigrant Marylander and set out in 1796 to populate the then frontier in Kentucky with other Catholics, I am sure at direction of one of their neighbors in Upper Marlborough, MD, Fr. John Carroll, first Catholic bishop in America and also Charles' first cousin. A great read on many levels.

Ronald Hoffman is an excellent historian who has brought great knowledge of Chesapeake social and cultural history to this biographical work that places three generations of the Carroll family within their colonial context. It is a wonderful biography that gets the reader into the minds and lives of these three Charles Carroll's. But for me the best thing was the number of times it made me think, "Oh, that's how it was." I have read enough colonial history to know that there were lots of tenant laborers and not just slaves in the region, to know that Catholic Maryland quickly became Anglican Maryland, and to know that the Revolution was not just about ideas but also about social change. Ronald Hoffman's narrative, however, really brings these facts home. His book is not about any one of these issues in particular, but in telling the story of three generations of Carroll's in Maryland he brings home the greater circumstances of the colony better than many historians who have set out to make a case for one of the above arguments, or many of the other fascinating takes on early Chesapeake society contained in this highly readable book. I have not read any book lately that I enjoyed more.

Traditional patriotism demands that we believe that the founding fathers of America were all great democratic idealist. Although this may have been true for some, many others had no problem with the idea of an elite ruling class, so long as they were considered the elite. Thus the victory over England can be viewed as less of an American Democratic Revolution and more of a power transition from the English crown to the new American aristocracy.

A primary example of this American elite class was Maryland representative Charles Carroll of Carrollton. A signer of the American Declaration of Independence, Charles of Carrollton was a wealthy planter and businessman who became such not by his own doings but primarily through the inheritance and molding of his father, Charles Carroll of Annapolis. Ever mindful of his Irish and Catholic roots and the persecution therein by English aristocrats, the elder Charles did everything in his power to equip his son to fend off those who would attempt to cripple him politically and economically. In so doing, the elder Charles created a mindset of elitism within his son.

This irony is highlighted by Ronald Hoffman in his book, "Princes of Ireland, Planters of Europe," in which he examines the Carroll family and traces how a persecuted family from Ireland in 1500 came to be one of the prominent families in America by the time of the American Revolution

I was originally attracted to this book out of a simple curiosity about the last surviving signer of the Declaration of Independence (Charles Carroll outlived Adams and Jefferson by about six years, or about 56 years after 1776!). On a deeper level, I hoped to learn more about the kind of early capitalist that would be attracted to signing on to the American Revolution in general. What this book helped me discover was a family that had over time become focused, almost obsessed, with making a buck under fairly adverse circumstances (namely, continuing in their Roman Catholic faith that made it difficult for them to thrive, even in an enclave as seemingly sympathetic as colonial Maryland, with its relatively large Catholic population). But when the time came for this family to rise above its simple wealth building and to champion the cause of the Revolution, it did indeed rise to the occasion, however brief and painful the process might be. (Hoffman attends to both the private and public lives of the Carrolls.) The history of the Carrolls is a part of the history of the magic that was the American Revolution. It is not surprising that the book ends abruptly with the death of Charles Carroll's father and his wife, about 10 days apart from one another in 1782 (though there is a brief summing up of Carroll's remaining 50 years and the attention attracted by his death in 1832). The story is told, the dynasty pretty much complete.

What's the book like? At times it seems downright willfully prosaic, and the story proceeds much like a carefully written doctoral dissertation - all conclusions fully supported and made in as logical a context as possible, all contentions politically correct for our time. Hoffman's goal is of course to be scholarly and thorough, not to be entertaining or controversial. Thus the sweep of this history must emerge and coalesce in the mind of the reader. Leave being beaten over the head with the broader conclusions inherent in the narrative to more popularly written histories.

Suffice it to say, if you're a municipal library and you need to beef up your Revolutionary War material, this is a prime buy. If you're a true history buff, this would be an excellent choice to work into your reading list. It has the effect of immersing you into the spirit of the times and providing you with detail you could not have imagined you would find interesting (but you do). If you're a casual reader, just be advised - this is heavy stuff. It's not an easy read, but it is ultimately a rewarding one.

This was a great book! It gave me a real appreciation for how foreign the medieval way of thought is from current -- because of the printing press. If you've read Walter Ong's _Orality and Literacy_, this is similarly mind-blowing.

I will caution, however, that this is a very academic book. She spends a fair amount of time refuting people who disagreed with her. It is also designed for historians. I'm no dummy, but some stuff went over my head. (If you know the following phrases and people, you'll be fine: Plutarch, incunabula, Tridentine, Rabelais, Marlowe, the _Digest_, Cujas.)

I gave it five stars because it was definitely worth slogging through, but I wish I had gotten the abridged version instead.

No, Dr. E did not write in this book about the Internet at all but at least in pages 65-110, you can see the parallels. There is plenty here to chew on and yes, having both volumes together is a whopper but this is at the bare minimum a TOP 10 book for everyone in the Western world because it gets right to the heart of this reality we call "economics".

Excellent history and philosophy reading when you look at it from the right angle. It ranks up there with Drahos - Philosophy of IP, Kuhn's, Sorensen's thought experiments, Thoreau's selected journals, Dewey's how we think and Einstein's ideas and opinions.

We have come to forget that the introduction of the printing press by Gutenberg mattered, or we have come to assume that it directly led to the Protestant Reformation. Eisenstein wondered how true that was, and what other changes the press wrought in European society in the couple of hundred years after the press was introduced. Start with the concept of authorship--once books could be reproduced in quantity, authorship mattered. Then consider the question of alphabetization and indexing. Then think of what happens when travel writers describe native dress--people start believing the books and variations become more extreme to meet the printed word. That's just the beginning. Eisenstein's book is not just an incredible work, well written, about the effect on our culture of the printing press. It is also the sort of book that makes one realize how unimaginable and vast the influence of any invention can have on a society. This book is critical for media studies, history, printing, typography, just to better understand our own society, or for the pleasure of a good, thorough, read.

If you suspect that the Internet is changing our world in profound ways, this book will stir insights into how technology can rapidly transform nearly every aspect of a culture. Unlike most commentators on the Renaissance, who take for granted the fact that printing brought about great change, Eisenstein focuses on *how* technology triggered and accelerated dramatic change. She focuses especially on the role of exposure to new points of view.

For example, collaboration of printers, scholars and publishers in the first great publishing house, the Aldine Press, brought together people who previously had little knowledge of one anothers' world-views. In order to work together effectively, they were forced to see through one anothers' eyes. Indirect access to new viewpoints had an even broader impact. The ready availability of books allowed a genius such as Copernicus to study cosmology without devoting years of his life as a mendicant scholar. Eisenstein observes that the the movements of stars and planets hadn't changed; the newly available data were the opinions of previous cosmologists. For the first time in history, one could compare and contrast cosmologies in one's spare time, without sacrificing years to visit scattered libraries.

Although Eisenstein makes no attempt to compare early modern Europe with today's world, a reader who is familiar with today's technological changes can hardly help but draw parallels. Gutenberg, the technical purist who was repeatedly sued for refusing to ship his product, acted out the role of the prototypical Silicon Valley inventor suffering from "creeping elegance." Gutenberg's typography has rarely been equalled, but he died bankrupt, his invention owned by the "venture capitalists" who funded him. Meanwhile, Aldus Manutius persuaded compromise among printers (technologists) and church scholars (the publishing establishment). The Aldine Press expertly packaged information into books and catalogs that were easy to sell. Like Microsoft, the Aldine Press became a dramatic business success by delivering excellence in packaging of others' inventions, not by making technical breakthroughs.

Although Eisenstein does not focus greatly on the seat of power in early modern Europe, the Holy Roman Empire, the church clearly suffered the greatest losses of influence as a result of the distribution of new ideas. Eisenstein recalls the protests of Martin Luther to the Pope, saying that he had no idea how so many people obtained his theses so quickly. The Wittenberg Door appears as an early Web site, allowing anyone, including publishers, to seize ideas that previous could not have achieved wide distribution. Eisenstein's readers will surely wonder which institutions in today's world stand to lose influence and power as a result of easy access to a variety of points of view via the Internet.

It is 1921. Young Ben Sheridan, a job offer from a bank in his pocket, returns home to Jamestown, Rhode Island, to find a fire that threatens the town harbor and an accident that injures fire chief Arthur Sheridan, his father. When Arthur requires a blood transfusion, Ben provides it, only to have his father die of blood poisoning. Ben is shocked to learn that Arthur Sheridan was not his biological father. The discovery uproots everything Ben thought he knew about his life, and sends him on a journey to Ireland to find the truth about his heritage. The parish priest, Father Willoughby, arranges for his passage to Ireland and letters of introduction to Arthur's old friends. But Ben isn't even off the boat from America before he discovers he has been dropped into the middle of a civil war, one that will force him to make tough choices about the life he left behind in America and the perhaps very short life before him in Ireland.

Paul Watkins excells at setting a textured sense of place. "The Promise of Light" brings to life Narragansett Bay in the years between World War I and the Great Depression. His description of Jamestown and its inhabitants is as real as a handful of beach sand. He evokes the Irish Civil War between the British Black and Tans and the Irish Republican Army as the vicious, very local and personal fight it must have been. His protagonist, Ben Sheridan, is startingly real as a troubled young man on a quest for a long hidden truth across an ocean and a tangled battlefield.

Watkins' characters are each unique and with surprising depth for a short novel. Dialogue is life-like, spare, and honed to the requirements of the storyline. The storyline itself ebbs and flows, now briskly, now reflectively, towards Ben Sheridan's "promise of light."

This novel is highly recommended as an entertaining and atmospheric read, one that shows Watkins as a mature novelist on top of his game.

the story of a boy who is caught between who he is and where he belongs seems to be a theme in every one of watkin's books, however, this one in particular speaks volumes to me. along with the forger, i read this book about once a year.

Paul Watkins is not just the best young writer we have, he may well be our best living writer, period. His first book, Night Over Day Over Night, published when he was just 23, was nominated for the Booker Prize. Since then he has added a series of excellent novels and one brilliant memoir, Stand Before Your God, that have earned him the reputation of a modern Hemingway or Conrad. His work certainly warrants these lofty comparisons and his omission from Granta's Twenty Best Writers Under Forty casts a shadow on the whole list.

Promise of Light opens, in 1921, with Ben Sheridan taking a ferry back to his home in Jamestown, Rhode Island. He has just secured a long sought job in a bank and his whole future seems open before him. But by the end of the night, his fireman father will lie dead as the result of a blood transfusion from Ben, which reveals that Ben was not his son. In fulfillment of his "father's" dying wish, Ben takes his ashes back to Ireland, where he hopes to discover his real parents. But before he even reaches land, he is embroiled in the bloody Irish Rebellion, as it turns out that his father was a legendary IRA gunrunner who, like a figure out of myth, was expected to return one day.

Watkins brilliantly combines Ben's search for his true identity with rousing action sequences, indeed the final fifty pages of the book depict a running battle between Ben's band of IRA gunmen and the dread English Black and Tans as they race to the farmhouse where the man Ben now believes to be his father is holed up.

The comparisons of Watkins and Hemingway are based on both the settings of his novels (in wartime, on fishing boats, in Africa) and the clarity of his prose. Here he describes Ben's reaction to the death, in battle, of a lobsterman named Tarbox:

I knelt with the others, dew soaking through my trousers, and I tried to remember a prayer. But nothing came to mind, not even a song. All I could think of were Tarbox's bright-painted crab-pot floats, bobbing in the water off Lahinch. And now Mrs. Fuller's words sank into me, about whole generations dying out. I saw how it would be. Tarbox's wife would move away and their tin-roofed shack would fold back into the earth. There would be no children to inherit the land and keep the name alive. The faint scratches that Tarbox had left on the earth would be rubbed out by a year or two of wind and rain.

I had not liked him much. If he had lived and I'd gone back home again, I would not have remembered him kindly. But now I cried for Tarbox and for his wife, because I had been jealous of how much they were in love.

The reasons for comparison to Conrad are evident in his description of the brutal fanatic leader of the IRA cell that Ben joins up with:

I couldn't imagine a childhood for Clayton. I couldn't imagine him younger or older or any way except the way he was now. To me, Clayton had begun to make sense. He didn't try, like the others, to live as if the war could be forgotten from time to time in the dark-paneled walls of Gisby's pub or in front of a fire at night. Clayton lived in black and white. He saw no boundary to violence. The war never quit and his instincts for war never rested. he had no other instincts. Everything else had been put away in a warehouse in his mind. he claimed no friends or love of family because he could be hurt by people who hurt them.

Such are the men that Conrad warned us of, time and again.

The other thing that makes Watkins' work exceptional, is a moral core which seems increasingly rare in our society, never mind in our literature and culture in general. His characters recognize that their actions have consequences and behave as if they cared about those consequences. They are capable of making ethical judgments--a quality that seems to be disappearing elsewhere.

I urge anyone who is not familiar with the work of this great young author to remedy that situation post haste.

GRADE: A+

I wasn't really excited about the subject of the book, but I bought it anyway because I've loved everything else that I've read by this author. I could not put it down.
This book is so real, so true, that you feel like these characters might still be alive; like you could meet them and shake their hands and have a conversation with them. And better yet, Watkins gives his characters and stories a moral core, so much so that you start to admire them, forgetting that they are not real people.
Do yourself a favor and find out why so many people consider Paul Watkins to be the greatest writer of his generation. Start with his acclaimed memoir, "Stand Before your God", to find out about his growing up, then move on to his great novels, like this one.

Many Americans can't understand how Germany developed a racial state in the midst of modernism. This book gives vivid insight into the mechanisms & development of fascism. The National Socialist Party didn't just happen. The machinery of the state developed under the right conditions with the help of many non-military individuals, including both professors & doctors.

Not only is this book interesting for its historical information, reading it enlightens the reader to more recent fascist development. After reading this book, you will never say it can't happen here.

This insightful text takes several perspectives in analysing the radical social engineering project known as National Socialism. Although not all of the Nazis' victims were racial 'undesirables,' all came under the boot in one way or another as a way of advancing that racial project. Wippermann and Burleigh have done an impressive job in exploring this theme, approaching it from Nazi policy to broad implementation, as well as looking at the refashioning of society by segments along Nazi lines.

The concept of the untranslatable _Volksgemeinschaft_ can be somewhat difficult to convey to students in our atomised and pluralised culture. Not only does this text provide "thick description" of this social construct, but it also supplies a useful framework for comparative analysis without resorting to useless relativising and hierarchising of suffering. Highly recommended as a classroom text for undergraduate level and above.

Techinically I was forced to read this book for a history cause I'm taking. However, instead of reading all the other source too, I read the whole thing instead of just the assignments for this book. If you have any interest in the Holocaust, this book is a must. The integration of documents and survivor's account gives the information alot of different perspective that really helps to better understand a situation that is so unimanigable.

This is an excellent book and I recommend it to anyone interested in the institutionalization of National Socialist racialism. However, I must disagree that Germany was unique in this. One has only to look around to see that the United States is pursuing similar social policies under the guise of "fairness" or "tolerance" as are all the Western democracies--which should tell you something about democracy.