Ireland Books

I found this book enlightening, easy-to-read, and quick to finish. It starts off with Henry as quite the affable young man, and even handsome. He is a catch for any lady, especially Princess Catherine, his first wife, but all of that changes as the years progress and he becomes more and more paranoid. In fact, as the book went on I found myself wondering why no one ever tried to assassinate him. He was a threat to powerful nobles, to his wives, to former friends... I felt terribly sorry for all of his wives, but especially Catherine.

If you are a fan of Philippa Gregory, like myself, and you relish in the scandals and dramatics of King Henry VIII's Court, this may not be the book for you. This reads a lot more like a history textbook. Not exactly salacious or trashy. Just provides a lot of background and facts about this period of time. I just couldn't stay engrossed. I guess I need the fictionalized version, no matter how accurate it may be. Not exactly a short casual read by any means.

I got through this book much quicker than average. I could hardly put it down. Very well written and extremely interesting.

To be a wife of Henry VIII would be great if you were content to not to be an individual with any rights.You would want for nothing.On the other hand if you wanted to express your self and be seen as an equal you would be treading on thin ice.

A must read if you have been enticed by the interesting tale of the period... Perhaps you have read some of the fluffier books with more romance and fictional license. This is book fills in many of the holes. This book is a nice enjoyable read with great details that touch on the people in a Titan's wake.

The women come to life.
The politics and decisions that baffle us, centuries later, come into focus as you understand the rival nations and religious reform of the era. GREAT NOVEL.

This author did research and portrayed the characters factually and clearly.

Her Eleanor of Aquitaine novel is excellent as well.

This is an all-encompassing authoritative biography of the last ruling Romanovs, and Massie has compiled a thorough and well-researched insight into the lives of Nicholas and Alexandra. Even forty years after its original publication and long after the fall of the Soviet Union, it is a relevant part of Russian history. Massie is very sympathetic in his presentation of the royal family and addresses pertinent questions about the fall of the monarchy. If Alexis, the heir to the throne, had not had hemophilia, would the influence of Rasputin not have been necessary? And if Rasputin were never in the picture, would the monarchy have suffered such a tarnished reputation?

The book painted a very vivid picture of the Royal Family based on hundreds of sources and letters. Nicholas is an incapable Tsar but a warm-hearted, devoted husband and father. Alexandra seems frantic and ill at ease (and often just ill) in her constant concern over the life of her son. And I love that I felt I got to know each of the children, Olga, Tatiana, Marie, Anastasia, and Alexis more individually and personally. This made their demise all the more heartbreaking. This book also gave me a greater understanding of the political climate of the time in Russia and a better comprehension of the revolution and the roles of Lenin, Trotsky, and other important players (although I occasionally found some difficulty keeping the various Russian names straight). Overall, this is a captivating book and the saga is all the more intriguing because it's history. I will definitely be interested to read some of the more recent material that Massie presents in The Romanovs: The Last Chapter.

I first read Nicholas and Alexandra many years ago as a 14 year old. It was a transformative experience for me, awakening what has been a lifelong passionate interest in royal biography and Russian history. Now that I'm in my early fifties, I recently reread Nicholas and Alexandra for the first time in about twenty years, and it continues to have the same magic.

Robert K. Massie became interested in the last Tsar of Russia because he, like Nicholas, was the father of a hemophiliac boy. Massie spent long hours reading about hemophilia and famous hemophiliacs, and he was fascinated by the way Russian and world twentieth century history turned on a chance genetic defect. Had Tsarevich Alexis not had hemophilia, it is probable that Tsar Nicholas II and his wife Alexandra would not have come under the malign influence of Gregory Rasputin, the Siberian faith healer who had a catastrophic effect on the Russian government before and during World War I; leading to the Russian Revolution, the rise of Communism, and the deaths of Nicholas, Alexandra, and their children. Its an interesting thesis that still holds up well, though Massie's focus on the inner tragedy of the Tsar's family tends to make him discount the many other problems from which pre-revolutionary Russia suffered. Massie also has a natural tendency to whitewash Nicholas and Alexandra (parents of hemophiliacs have a special bond with those who share their trauma, after all), by barely mentioning such negative traits as the Tsar's anti-Semitism and the Empress' many neuroses.

The book remains an extraordinary work of art. Massie's descriptions of the Russian landscape and his finely drawn character sketches are wonderfully rich and detailed. He is able to explain the political and social complexities of the era colorfully and wittily, even when dealing with such abstractions as the differences between Social Democrats, Social Revolutionaries, and Bolsheviks. Most of all, Massie is able to make us weep for the Romanovs: a man who was a bad Tsar but a good husband and father, a woman who destroyed her family while trying to keep her son alive, and five innocent young people who never had a chance to lead happy, productive lives. Every time I read Nicholas and Alexandra I tremble again at the thought of their last awful moments, but I am enriched still more by the chance to read such a magnificent work of art and scholarship.

nicholas and alexandra should never had become czar and crazina of russia.nicholas was just to weak spirit and alexandra to strong without know the real russia people.she saw russian as childern who needed to be told how to run their lives by the papa czar.she hide her son illness and brought in a sexual twisted man of god into her family,ruin the romanov's relationship with it's people.stopping changes that would give citzen russian say in their country.in the end the people turn on the romanov's every thing end tragical.

I read this book many years ago and have never forgotten it, and I just recently purchased a copy of my own. Robert Massie is an excellent writer who makes this book memorable for the fun and loving family that the Romanovs were and their terrible, tragic end. I'm now collecting more books on the Romanov dynasty and the individual people who made up this fascinating family. For anyone with an interest, this is the place to start.

In 2000, there was much talk about the "most important person of the 20th Century." My choice was always Gavrilo Princip, the young Bosnian assassin who killed Archduke Ferdinand of Austria-Hungary, igniting World War I, which caused the Russian Revolution, Communism, and the Treaty of Versailles, which led to Naziism, World War II, atomic bombs, and the Cold War.

Of course, there were other factors which formed the tragedy of the twentieth century, and perhaps some of these historical events would have happened anyway. Almost for certain, the Romanov Monarchy would have fallen or been transformed out of recognition without the help of Gavrilo Princip's bullets.

Although the Ottoman Empire was always referred to as "the sick man of Europe," Robert K. Massie illustrates that Russia was not very well either, despite appearances. An obsolescent autocracy, the Russian Empire was mired in time at the dawn of the twentieth century, the great mass of its people existing much as they had 100 years earlier.

Massie's theory, that the hemophilia of Alexis, the young Tsarevich, had an inordinate influence of Russian and subsequent world history, is well thought-out, though perhaps an oversimplification. Yet, it cannot be discounted. The Romanov Dynasty had ruled Russia then for 300 years, and brought the country, by fits and starts, slowly into the orbit of the modern world. Despite this, there is much truth in the observation that "Lenin inherited a nation playing beside a manure pile and Stalin bequeathed a nation playing with an atomic pile." This is not to defend Stalinism, but only to say how little the Romanovs did overall to modernize their State.

When Nicholas II inherited the throne after his father's untimely death, he was woefully unprepared to rule. Dominated for years by archconservative and anti-modernist members of his family, he did little to educate his people, provide health care, build infrastructure, or lift the heavy cloak of official repression that lay over all but ethnic Russians in his realm, or the cloak of cultural repression that lay over the ethnic Russians.

Yet Massie shows us a man and a family of uncommonly kind nature in Nicholas II and his family. His daughter Olga paid personally for the care of a handicapped subject she spied from her carriage one day. The Tsaritsa, Alexandra, despite a reputation as an uncaring woman, herself nursed sick friends before the war and horribly wounded soldiers during the war. The family built hospitals and schools in and around the various cities wherein lay the royal estates. They acted to ameliorate suffering wherever they saw it, without reservation.

Of course, this was the problem. They acted only on what they saw with their own eyes, never recognizing that these sufferings were endemic throughout the realm. Their myopia was part and parcel of the lives of the citified upper classes, completely divorced from the mass of agrarian peasants in the countryside, magnified by the hermetically sealed nature of being an Imperial Family, aided and abetted by sycophants and the self-serving, who kept the real world at a very long arm's length, in order to maintain their own privileged positions. Living in a bubble within a bubble, they were just not aware of conditions in most of Russia.

Nicholas II ruled over the largest domain on earth. Russia today is still the world's largest nation, even shorn of Finland, Poland, the Baltic States, Belarus, the Ukraine, the Central Asian provinces, and (in 1867) Alaska. Sunset in Vladivostok was dawn in Brest-Litovsk. His hundred million subjects included hundreds of peoples speaking hundreds of languages, linked together by a shockingly small road and rail system. The sensitive Nicholas, had he been really cognizant of the shape of things, could have, by a single order, vastly improved the lives of each and every Russian (of course, as he noted, being an autocrat and giving orders does not ensure that they are carried out properly). His greatest failings, as a ruler, all had to do with his decisions to outwardly maintain his Imperial hautre and his autocracy at all costs in the face of cataclysmic change.

This bubble-within-a-bubble existence however, could not spare them from the fact of the Tsarevich's hemophilia. A genetic disorder inherited through the female line (Alexis' Great-Grandmother was Queen Victoria, whose progeny were ravaged by the disease), it prevents the clotting of the blood. When Alexis was born in 1904, the world was a full lifespan away from the development of a usable clotting factor; most hemophiliacs simply bled out and died. The Tsarevich was protected by a full retinue, but this did not help him, and the boy was often in screaming agony and close to death from what might in another child, be a bad bruise. The Heir, therefore lived in a bubble within a bubble within a bubble.

The Tsaritsa, Alexandra, was a solemn, shy, but deeply emotional and loving woman, nicknamed "Sunny" by her husband. To the world, she presented an aloof exterior, and was extremely unpopular with her subjects. Had they known the sorrows and agonies she suffered through with Alexis, her realm, and history, might have treated her far better. But the Imperial Family decided to keep Alexis' condition a closely guarded secret, fearing the destabilization of the Monarchy and Russia in the face of a physically frail Heir. This may have been the Imperial Family's worst error, as it robbed them of an outpouring of sympathy and support from a passionate populace.

Alexandra turned to religion, and ultimately, to Gregory Rasputin, a filthy, degenerate, sexually perverse and personally dissolute monk of peasant extraction. Although derided by most, and called a charlatan by many, Rasputin was perhaps one of the most charismatic men in history, had a devoted following (largely comprised of Society women he'd seduced), did have the power, somehow, to control Alexis' bleeding episodes, and therefore, had the Empress's full and unwavering support in all things.

The feared and hated Rasputin may have indeed been a seer or had mystical powers of some sort, judging from circumstances. Rasputin was not really political, but as his influence over the Romanovs grew, his power expanded commensurately, and he was able to have Ministers dismissed, Generals reassigned to sinecures, and policies changed according to his own whims (expressed as messages from God) or concerns. Capable Russian leaders, who did not know the basis of Rasputin's power, suspected the worst of Alexandra, and in challenging Rasputin found themselves toppled from power. As World War I dawned, Russia was upside-down, its best men in internal exile, and woefully unprepared for war. Rasputin himself counseled against war, stating that Russia would collapse from within. Nonetheless, the British, German and Russian grandsons of Queen Victoria went to war.In that war, millions died, empires fell, nations were born, ideological political systems triumphed, and the stage was set for a darker and yet bloodier future.

The Tsar and his genteel family were consumed, ending their days against a wall before a Bolshevik firing squad, probably not understanding, until the end, that they had been in the eye of a hurricane that remade the world.

I loved this book! I love biography/autobiography. So this was just awesome to hear the background of the band from their own voices. Photos are terrific. If you are a true fan of U2 this is a great addition to your CDs.

U2 by U2 is not only a nice hefty book that covers every facet of the Dublin Boys rise to fame...It really captures some amazing photgraphs of the guys and what was going down during every album they put out...

It's been on the top of my coffee table in the living room and everyone who sits down is compelled to pick up this book and just flip thru the pages and just be overwhelmed by its unique combination of colorful lay-outs to the inside stories nobody ever heard before...

I bought the slightly damaged version over Amazon for $17 + $3 shipping...

There is barely a little ruffle on the cover and at that price...if you are a U2 fan...do not hesitate to pick this thing up...!!!

A very enjoyable book with a significant amount of information that leads to better understanding who the members of U2 are.

This is a great book to own if you are a U2 fan, and would like to know more about the members; their history, their past, present, and future...

Fair warning! This book is the hardcover version, and it's very heavy & bulky... I bought this book to take on the bus with me to read, but there's NO WAY I'm gonna try to haul this giant heavy book with me!!!

But other than that, excellent book!

As a certified U2-phile, it was pre-ordained that I would own and read this book as I have done with much of the other biographical work in book and magazine form. This tops the lot.

Repeatedly asking any person to share the details of their lives can result in tedium for the subject, the asker, and the reader. In fact, I have for the most part given up reading more than one interview from a certain period of time (tour, album release, etc.) as all of the questions seem to be the same, and all of the answers likewise. Even with Bono who seems determined to reinvent the U2 epic with each word that leaves his mouth can mire in a rut of propaganda as various interviewers vary only tone and inflection on the same questions in hopes of mining a previously unheard gem.

This book seems to find new ground by simply allowing the band to find its own points of emphasis. As the members of U2 retrace the careers from a mature point of view, the stories actually become grander and more engaging. Either they have become so much more adept at political messaging and spot-on branding, or they have relaxed and become more human. Rather than reading like the typical fan-zine pop fiction that seeks to feed the mythology through the trite and true tools of music journalism which boil the characters down to one dimension, the book and pictures read like a complete memoir. Rather than focusing only on the radio-worn greatest hits of U2 history, the reader is treated to a rich catalog of human experience.

It might have been the perspective of mature distance from their youth. Perhaps, they have been up with the sun and back. Whatever the reason, at last we are finally able to see them as the four youngsters from Dublin who made it work and turned into the world's greatest rock band while staying human.

thisbook is perfect if you want to know everyting about U2
I really love it !

This book is one of the few really great rock biographies. It does a great job of chronicling the band's past by giving a distilled view of their present, in both personal lives, internal processes, and musical career. All of that is the essence of the music of U2, and the legacy their music has created. Flanagan does them a great service in this bio, but also himself, for presenting them so well and staying out of the way. Well, mostly. His humor about touring with them is fairly expressive...

An outstanding work of rock journalism. This is far from a starry-eyed fanboy tribute -- Flanagan is one of the most intellectually gifted rock critics out there, and here he turns his intellect on travel, music, pop culture, his own foibles, and, of course, U2 and their art.

Flanagan, one of the first American journalists to champion U2, is a confidant of the band, but it doesn't stop him from critically appraising their work. The book starts with U2 taking the last flight into East Germany before reunification, and follows the band all the way through the writing of Achtung Baby, Zooropa, and the tour that surrounded the two albums. It's probably U2's most creatively active period, and it's our good fortune that a writer of Flanagan's calibre tagged along for the ride. A must-read if you're at all interested in U2.

This is one of the most well-written biographies that I have read. Mr. Flanagan covers every aspect of U2, mixing the present with the past and the anticipated future of the band. As an avid reader of various non-fiction subjects, I have to say that this kind of a biography was a first for me. You wouldn't think that a book about a band would have any transferrable application for non-musicians, however I found that these guys are fairly down-to-earth. Reading U2: At the end of the world helped me to dispell some of the superstar myths that I had. That being said, I feel compelled to put a disclaimer about some of the language. While, it didn't seem to bother me, I would have to give this an "R" rating, as far as language is concerned. It's not as if the f-bomb appears on every other page...maybe once or twice a chapter. But, for those who might be sensitive to such expletives, beware. 5-Stars, with a warning.

After reading this book, I felt like I really understood what was going on in their heads while writting Achtung Baby! and the music was better for it. I've read some of the more recent books about U2 and also about Bono and this tops them all. It's a day in the life, before 9/11 and before all that came after for them. If you love U2 like I love U2, read this book.

I own an original first edition (and did not realize its value until recently), but in searching for this book to add a link from within my new book on Irregular Warfare: Waging Peace, I realized the reader is faced with two choices today, one costing $4 more than the other. I believe I found the explanation in the less expensive version, which is described as "severely abridged." So all things being equal, buy this version instead.

There is no finer summary of this work that I have encountered in my literature search than "T.E. Lawrence And the Mind of An Insurgent" by James J. Schneider, Ph.D., a professor of military theory at the School of Advanced Military Studies, U.S. Command and General Staff College, Fort Leavenworth, Kansas. Previously published in 2005 in varied works, it can be easily found online by searching for the author and title.

My preliminary research for the new book shows that the Lieutenant Colonels/Commanders and some Colonels/Captains of the Navy get it, but the flags do not. Even the vaunted counterinsurgency handbook avoids dealing with three realities:

1. Absent a moral legitimizing strategy that includes a commitment to sufficiency of presence, no occupation will succeed.

2. Absent a national intelligence community willing and able to jump deep into Multinational, Multiagency, Multidisciplinary, Multidomain Information Sharing and Sense-Making (M4IS2), no commander will succeed.

3. It costs asymmetric irregular warriors $1 for every $500,000 they force us to spend with our present idiotic emphasis on technology as a substitute for both thinking and human presence. They can keep this up forever, we cannot.

IMHO, Dr. Schneider's distillation is utterly brilliant, and if the publisher issues a new edition, I urge the publisher to obtain permission to include Dr. Schneider's distillation as a new professional preface.

Although I have a very very large personal library (photo at oss.net), here are the books I bought today as part of my homework. In the comment I provide the URLs for the pieces I have had printed locally.

Modern irregular warfare: In defense policy and as a military phenomenon
The Limits of Power: The End of American Exceptionalism
Counterinsurgency and the Global War on Terror: Military Culture and Irregular War (Stanford Security Studies)
Asymmetric Warfare: Threat and Response in the 21st Century
Guerrilla Warfare: Irregular Warfare in the Twentieth Century (Stackpole Military History Series)
The U.S. Army/Marine Corps Counterinsurgency Field Manual
Never Surrender: A Soldier's Journey to the Crossroads of Faith and Freedom
Kill Bin Laden: A Delta Force Commander's Account of the Hunt for the World's Most Wanted Man

Two other books I already own within my ten link limit:
War of the Flea: The Classic Study of Guerrilla Warfare
Learning to Eat Soup with a Knife: Counterinsurgency Lessons from Malaya and Vietnam

And everything written by H. John Poole, but especially Tactics of the Crescent Moon, Phantom Soldier, One More Bridge to Cross, and Tiger's Way. Also Col Hammes on Sling and Stone, Mao and Che, Max Manwaring's various works including Search for Security, Uncomfortable Wars, and Environmental Security....and on, and on, and on....IRWF is finally "in" now we just have to spend ten years waiting for the current flags to retire.

Although a bit confusing in his presentation of dozens of key characters unfamiliar to the reader, Lawrence paints an extraordinary sketch of a time and people otherwise just a footnote to World history. The richness of the text and word pictures were worth the time spent laboring through massive amounts of detailed narrative.

TE Lawrence (1888-1935) the British soldier, poet and scholar wrote this insightful personal account of the Arab Revolt based on his war journals which is as confronting as it is poetic and beautiful. How could one not be enthralled by the writings and perspectives of a fine intellectual mind tormented by the reality of war and hypocrisy? What makes this book unique and powerful is Lawrence's sensibility as a poet and a soldier. Even if you are not into war history, this is a riveting book you can't afford to miss.

This is one of the great books of the 20th century. That it could be written at all is almost a miracle in itself. Take a brilliant Oxford student trained in the old classical tradition, place him in the Arabian desert as advisor to the wild Bedouin tribesmen during their revolt against the Turks and have him write with an acute sensitivity and unparalleld insight into what was transpiring before him and you may have some notion of what the book is like.
It's a long book. You will learn a great deal about blowing up a railroad bridge in the desert, about camel rides, thirst, and hunger and the heroism and brutality of war. The portraits of Sheik Auda, Sherrif Ali and Prince Faisal of the two Arab boys who Lawrence takes under his wing are masterpieces in and of themselves. The nobility and savagery of the desert tribesmen contrasted with the cold stoicism of the British and the inculcated cruelty of the Turks are just some of themes addressed during the course of the work. There are brilliant passing insights as to the Semitic inspiration for all the revealed religions and their relation to the desert beautiful descripitions of the terrain the weather and the obstacles encountered. When Lawrence says that from the beginning he believed the Arab revolt would succeed because it grew out of a sympathetic population was opposed by a modern army that could not garrison the territory occupied one wishes that President Bush had read it instead of just seeing the movie. Read it yourself.

Rightfully regarded as a modern classic, this book is nevertheless not light reading. This is a result of the density of information, as well as Lawrence's writing style, which often makes a re-reading of passages necessary to fully grasp them, besides his use of some unusual vocabulary. But by the time one has completed the journey to Damascus with Lawrence and his Arabs, one has almost got a taste for his own peculiar style, even if one cannot always agree with his views, which however, were pretty progressive for a man who grow up at the height of imperialism.

There are, however, many contradictions in the man. At the start of the book, for example, he sympathizes with the unwilling Turkish conscipts, illiterate Anatolian peasants who really wished to be back home, led by a militaristic officer caste fresh from the Armenian genocide. Later in the book though, little sympathy is shown, and on one occasion when Lawrence was angered by the Turks, he did nothing to stop their massacre on their defeat, and left all their wounded where they fell - every one of hundreds froze to death in the cold winter night...

But when one considers that he lost both brothers in 1915 in France, his father in 1919 of the Spanish influenza, and his closest friend, and probably boyfriend, Salim Ahmed, shortly before his entry into Damascus, one can be more forgiving of his attitude. And who can forget his botched execution of Hamed, who'd killed another man? To avoid a blood feud, Lawrence suggested that he execute the man, which was insisted on by the Arabs. 3 shots with his pistol, one of which hit the man on his wrist. No wonder he said he couldn't sleep that night. Or his having to shoot long-time compatriot Farrah in the head as he was too seriously injured to move, and wanted to avoid the inevitable torturing to death of Arab prisoners. Enver Pasha, the Turkish commander, had thrown so many men live into his furnace that he knew just how long it took before you heard the sound of their heads popping. Considering this background of brutality, Lawrence comes across as positively humane.

The book has it's lighter moments though. Who can forget the tribe of the Ageyl, who were so poor they used to go into battle stripped to their loin cloths, both in the belief that it reduced their chances of infection if they were hit, as well as to protect their clothing from bullet holes or blood stains...the young Arabs urinating on others' wounds as the only antiseptic treatment in the desert...the Howeitat treatment of snake-bites - bind up the part with snake-skin plaster, and read chapters of the Koran to the sufferer until he died. Life was hard, and luxuries were few, something which seemed to attract Lawrence even more towards his mission of reaching Damascus and driving out the Turks, even if his conscience continued to bother him that the British Govt's promises to the Arabs were unlikely to be fulfilled.

Finally, Lawrence claimed he left the original manuscript on the train, and had to rewrite the entire book from memory, an amazing feat considering the wealth of detail here. Actually, it would be a superhuman task, and Robert Graves, one of his best friends, believes the story was a lie. The implication is that Lawrence made out that he'd had to rewrite the book by recalling his memories as a cover for the fact that parts of the book are invented, and many facts changed, and that this would be the perfect excuse should his information later be found to be inaccurate. But why claim to have blown up over 70 bridges when the real number was around 20 or so?

The answer is that this is a work of literature, and not a military textbook. We'll never be really sure of which parts are exactly true, and which merely invented as representing what typically happened. It's not always light reading, so set some time aside for this one, but when you get to the end, you'll be glad of having made the effort.

I took this book along on a recent vacation and was thoroughly absorbed in it. I love Cornelius Ryan's writing style. He keeps it moving and made me feel as if I was there. I can give no bigger compliment than that. I have read almost all of Stephen Ambrose's books and numerous other WWII books, I rate this book up there with them all. It is a must read for the serious WWII reader.

Not for the experienced WWII reader but a nice overview to put in your library. This book is still light reading in comparison to books like "Hells Gate"about the Cherkassy Pocket, Not the definitive book on the topic as I say but still good reference material. In the light of new material available and better divisional and unit accounts keep reading what is coming out now and build your knowledge one book at a time.

Ryan does such a superb job in knitting together the state of so many things happening in the city prior to being abandoned by its leaders and being taken by the Soviets. Mayhem, confusion, lies, and destruction abound, whilst life somehow continues for so many. This is very well researched, supported by many first hand accounts, and recounted in mesmerizing fashion. I've read Beevor's book too, "The Fall of Berlin 1945," which is also a fine account, but this one tops it.

When I first read this book 25 years ago I could barely put it down, and I've read it several more times since then. This is simply the best single title on the battle for Berlin.

Cornelius Ryan is a wonderful writer and throughout this and all of his books you can picture the events that unfold. I could not put this book down and spent several late nights because of this. I would highly recomment this book to anyone interested in history, military or otherwise. I have to say I was amazed at the service I received from Amazon.com. I ordered this book on a Sunday and received it on Tues. all the way to Cave Junction, OR. Thank you! Rudy

Excellent how so manay different events were put in such a good sequence.

Like the mood swings of its central characters, this book took me to giddy highs and pensive lows. Wimmer takes you on a great ride with fellow travelers you come to care about as they search for love and their place in the world.

Dick Wimmer gives us a world and a set of characters vibrant with life and humanity. Seamus Boyne is as endearing as Joyce Cary's Gully Jimson and twice as irrepressible. This book is a sleeper. Why doesn't everybody know about it?
--Doug Ramsey

Wimmer's look at life,love,and laugher is not to be missed.He touches on every aspect of all that life has to offer,and along the way leaves the reader rolling in the aisles.You get so caught up in his unique characters,that you forget about the mad romp this gem of a book takes you on. Drop whatever you're reading now and do yourself a favor, pick up The Irish Wine Trilogy, you will not disappointed. More than any other novelist in recent memory, Wimmer gives us a story that makes us glad to be alive. You will laugh out loud, over, and over, again. Bravo, Mr. Wimmer. You are a treasure.

Irish Wine, by Dick Wimmer, is a stunningly lyrical, achingly funny trilogy that presents some of the brightest, yet most flawed, characters I've encountered. Wimmer portrays the Artist, in various incarnations--the frustrated, the famous, the obsessive, the unrecognized, the paralyzed. These characterizations are poignant, yet completely irreverent. As a result, Wimmer creates an unexpected literary delight: fast-paced poetry that you can't put down.
What an accomplishment!
As an added bonus, no male writer I've ever read, has written better about sex from a woman's point of view, than Wimmer. Bravo!

Dick Wimmer's beautiful, high-energy writing took me on an adventure filled with all of the things that make life delicious: love, joy, passion, risk and lots of laugh out loud humor. I found myself adoring the larger than life painter,Seamus Boyne, from the beginning of the first novel and growing to love him more and more as his passion fueled the craziest of situations. His love for his estranged daughter, Tory, was deeply moving and provided terrific emotional glue for the wonderful zaniness found in the second novel. The third novel was very different, but equally rich and satisfying - a story about moving through fear to claim one's joy. Wimmer's style is completely unexpected and utterly enjoyable. I loved it!

An inspriring speech, seperated by touching photographs. For most, not something you would look at more than once or twice, but a good coffee book table or converation starter if your friends are they type that can talk about world poverty around a coffee table...

Buy this book. Put it on your coffee table or beside your jacks. Let your friends read it so they can choose to share it.

...it's the kind of book that you'd read when you stumble across it at a library rather than actually order online. It takes no more than 15 minutes to finish reading the book (basically, Bono's speech to politicians about how they can help Africa). If you're an avid reader and looking for something that encapsulates your mind for at least a couple of hours, then skip this book.

I love Africa. I love Bono. If you know both well enough, there is nothing new that this book can tell you about him or the continent.

I bought this item because I thought I was going to Help...but it ended helping me.

Bono's beautiful words and photographs tell a story we all need to hear. He stirs us to take action to help the people of Africa. A book for us all.

Brilliantly put together coffee table book - i recommend this to U2 fans - fantastic collection of photography- great variety covering each band member and even some family photos- loads of unseen photos - great idea with the hand written notes .... worth every cent

This book have new photographs that not has been seen about U2, and they have very good quality. This is not another book about U2, in my point this is a essential book for fans of U2.

Gorgeous pictures! Must have for true fanatic fans. A little pricey for the casual or average fan unless you have a crush on one of the band members. Anton's handwritten comments are a wonderful touch. They make you feel like you're part of the family. Definitely worth the money to me.

The iconic photos in this book are an essential addition to any U2 fans collection. It's great to see other shots taken in the same session as the well known images that have graced the magazines and album covers over the years. Best of all are the explanations behind the shots and the honesty that comes across from the photographer and the band.

No words can describe the beauty, quality and detailed work of this book; you can really tell the dedication Anton Corbijn put into it, as well as his loyalty to the band through all these years. It's not only a masterpiece describing through pictures and notes the history of the greatest rock band in the world, but also a must have for any major U2 fan. It's personalized album type format makes it a wonderful experience both to read and look, and the quality and art work of all the pictures is out of this world; it's almost like you grow closer to the band! I loved it and can't get enough of it!! It's worth every cent. Really!!

This is one of the few books I've had trouble putting down. It's the story of an amazing man that I truly admire. I would recommend this book to everyone. Also his CD's and those of the three tenors are beautiful music to say the least.

Dr. Ronan Tynan has to be one of the most friendly, inspirational, and heart-warming people on the face of the planet. I'm convinced of it. For a man who has had to persevere as much as he has, his outlook on life, his accomplishments, and his stories are awe-inspiring.

I first learned of Tynan when I heard him sing "God Bless America" on TV. I was enthralled. I had never heard a voice so pure, so powerful, so emotional. His voice touched me, it caused goose-bumps. I immediately began to research, trying to find out about the man who had just amazed me so.

After reading "Halfway Home", I am even more impressed with the man. In every aspect of life, he has triumphed over odds and circumstances that would have buckled the average person. To be accomplished in so many ways, to have lived such a rich, full life, is a dream for which we all should strive. The blueprint for such a goal is in Ronan Tynan's approach to life, which is guided by kindness, decency, hard work, love, passion, and faith.

At times the book is a bit boring, as is nearly all biographical material, but the inspiration overcomes, just like Tynan. Add him to my short list of personal heroes.

Firstly this review is not intended in any way to be objective. I love the man who is Ronan Tynan, I love his voice and all that he has contributed to the world. Halfway Home is the story of a man who is passionate, driven, inspired and someone who refuses to beaten down in any way. He is a Maverick, who in this side-splittingly funny book, outlines just some of the things that he has done in his life. What makes this book special is that his accomplishments that are detailed in this are done so with such humility that it seems as if he is with you in your living room having a friendly chat. I met him a few weeks ago and he is just as funny and outgoing in person as this book suggests. One of life's true heroes.

Dennis Charles

In the book "Halfway Home-My Life til Now" Ronan talks about family and those whom he has met so far in his life. He also talks about the women he has slept with so far. Which I find appalling, and just plain bad taste. He should apoligize to the women he talks about in the book. I wouldn't let anyone under the age of 21 to read this book. Keep it away from children.

This is an inspiring book. I cannot overstate that. Ronan could have folded his cards and done nothing in the face of adversity. He could have just stayed inside and watched tv or something of that nature. Instead he did not even let it bother him at all. In fact he hurdled right over the adversities.