France Books

It's wonderful to see this back in print again. The LITTLE TIM books are all wonderful stories to read aloud, and Edward Ardizzone's loose and casual-seeming line and watercolor paintings are prefect. Don't miss this treasure!!!! Share it with a child.

This is a picture book in the classic tradition. It is for older "little ones", probably five to eight years. Tim has wonderful adventures and learns a lot from the captain, who is an admirable hero.

As a kid this was the book I wanted to read again and again !

This is one of the best children's books I've read in a long time! My son and I were spellbound by the adventures of Tim, who wants to be a sailor. Both words and pictures create such a nautical feeling, you can almost smell the sea air as you read! Very exciting story, too! I think every little boy will want to go to sea after reading Little Tim and the Brave Sea Captain!

Sophie Freud's new book is more than a history of a famous family in the 20thc, but a history of the century in itself. The long arc of Germany's attempt to achieve at least European, if not worldwide, supremacy, is told through the eyes of a family that lived it.

The book is neither long nor hard to read, therefore, I was disappointed when Sophie thanks her editors for helping her cut it down. I want to read it all. Basically the book is Sophie's mother's autobiography. Said Ernestine, who liked to be called Esti married Martin Freud, one of Sigmund Freud's sons. She wrote her book late in her life, and her writings are in Roman type, whereas Sophie's comments are in italics, and thus this whole book which was written AND edited by Sophie becomes a dual biography.

Accompanying the stories of these 2 women are many, many letters written by other members of the Freud family, and from them we can make our own judgements about the people and compare them to the ones that Sophie makes. These other letters are in various fonts.

The mother, Esti, seems at first to be a simple lovely girl in love with Martin, but Sigmund says of her "she is not only maliciously meshugge but also mad in the medical sense." We see this in the early years of their marriage. Talk about dysfunctional families!

The family split up in 1938: Esti and Sophie went to Paris, and Martin and his son, Walter, went to London. For the next 4 years mother and daughter struggled to keep alive, to find decent lodging and food, and to keep barely one step ahead of Hitler as he ran down France. Vichy France became a haven for the Freuds for a while, but eventually they went to Casablanca and then to Lisbon, and finally to the USA. (The movie "Casablanca" may have been fiction, but it was a fiction that many people really lived.)

I have to admire both women who essentially became trilingual in a very short time. For all of Esti's complaining and bitterness (her letters to Walter during the war years must have been devastating to the young man who could do nothing to help). But as a speech therapist, Esti, who first taught in Vienna, learned to teach both in France and then in the USA. Sophie went straight from the lycee in France (already a 2nd language for her) to Radcliffe College. Both women earned Ph.Ds.

Don't be dismayed by the family tree at the beginning. In fact, ignore it at first. However, I wish that dates had been included. The important characters will become clear upon reading. At times the book sounds like a novel, but it is not. Sophie and her brother were thus separated for most of their lives. Walter died not long before Sophie finished the book and his children found about 200 letters from their mother to him. Although most of this book was finished, Sophie had to incorporate many of them into her new publication.

This is a sad book, but who cannot say that the 20th c, esp. the first half, was not sad, in the deepest sense of the word? I enoyed the book thoroughly and I think you will as well. Do not expect to find out much about Sigmund however - that is reserved for other books. You will find out about many members of both the Freud and Drucker (Esti's family) families - some uplifting news and some destructive habits. Many of the Freud family were able to escape Austria, but many were not and were thus exterminated. The last page of the book which contains the final words of both Esti and Sophie (for now at least - let's hope she writes more) is indeed sad. I did not mind reading it early on. You choose.

Sophie Freud's recent book, Living Under the Shadow of the Freud Family, is most interesting and compelling. She masterfully interweaves perspectives on the private (and public) lives of her family and herself, thus offering a memoir that at times reads like a first-rate novel.

Professor Freud's wit, mischievousness, and clear-eyed vision pervades the various narratives and adds a most important and entertaining dimension--not only in her diary entries but in her numerous candid and often wonderfully blunt assessments of others (family members, professors, etc.) and in her self-reflexive comments (e.g. when she reflects puckishly that she may be writing this book to display her own achievements for the Annee Scolaire prize--"who knows, perhaps I am writing this book just for that purpose"). It is this kind of serious play, throughout, that makes this memoir so very readable and revealing, at the same time Sophie Freud's commentary or her mother's autobiographical narrative or numerous letters continue to remind readers of the shadow of her grandfather and other relatives (Tante Janne, her brother, her father, et al. ) and of the sinister shadow of Hitler and WW2 which impinges trenchantly on the lives of the Freud family, not to mention the world. I am reminded of the author, W.G, Sebald, photos included. In short, among other things, I have come away with a very deep and complex feeling for Professor Freud's mother, along with multiple insights into her own fascinating self.

This book is a fascinating read, both in terms of family dynamics and world history. Through letters, diaries and commentary from various family members, Sophie Freud (Sigmund Freud's granddaughter) gives life to her mother Esti, including her troubled marriage to Freud's son Martin, her struggle to be accepted by the Freud family, and her difficult relationships with her children. The book also has moments of historic drama, such as when Sophie and her mother flee Paris by bicycle two days before the Nazis invade. There are also bits of humor, such as when the teenage Sophie's diary reveals that she is much more concerned about boys, her figure, and finishing her qualifying exams than she is about the approaching Nazis. Overall, the book provides unique insight into a complicated (and famous) family at an especially charged time in history. I really enjoyed it.Living in the Shadow of the Freud Family

Sophie Freud, the author of this wonderful book, has kept a diary most of her life, as did her mother, Esti, along with many letters and documents of her fractured family. These documents are the scaffolding of a compelling story of romance, marriage, betrayal, escape and ultimately, the need to reinvent one's self in another country. Ms.Freud uses these papers (in French and German), along with her own commentary and that of her brother. The tale of her escape from Paris on a bicycle with her mother is vivid. She also uses photographs of her family and documents which increase the appeal of the book.
For anyone interested in a life of the twentieth century, with war, loss and emigration, this is a wonderful book.

We love London, and this sketchbook reminds us of our past trips. The text by Marcus Binney also supports the sketches. Although they are only considered sketches, I love the artwork. I am now getting other sketchbooks by Graham Byfield, and by the publisher, St. Martins Press.

Graham Byfield's watercolor impressions of the city of London beautifully captures the spirit of the city, be it Central London, the East End, West London, North London, or South of the River. The watercolors are sumptuous to look at [the Houses of Parliament, Buckingham Palace, Trafalgar Square, St James' Palace, Berkeley Square] - each is a work of beauty and paints a vivid picture in one's mind. The notes accompanying the watercolors provide us with more information on the buildings and make for interesting reading. All in all, a wonderful collection of watercolors about London, and a must-have for collectors.

the quality of the book is one of the best features to me. It is a very heavy paper stock and really helps carry the sketchbook feel, along with the little hand written notes on the sides. overall a great book for anyone who loves london.

This is a beautiful work of art for anyone who loves to look outside the well known sites of London, although that is there as well. I thorougly enjoy picking it up and having a read about the various sections and looking at the illustrations that will remind you of your time there or desire to go. The layout and illustrations brings to mind what a Grand Tour participant would have created upon visiting a new city.

Wonderful, just wonderful.

Rene Chartrand provides in this series an insightful look into the French army of this period, its formations and basic organization as well as the caliber of its troops, with great detail to its unforms which are well illustrated by Eufene Leliepvre.

Truly on an organizational level the French army is quite impressive though its performance a shadow of what it had been under its previous monarch.

This book provides a lot of information about French Colonial and Naval troops that would be very hard to find anywhere else. A must read for any French and Indain War New France reenactors.

All five books in this series are magnificent. What makes them great is that they are not in the usual Osprey fashion. Their is no chronology of dates at the begging taking up space; Chartrand jumps right in with organization details, tactics, equipment, armament, and each regiments uniform distinction as it changed through Louis XV reign. The plates are outstanding. Usually for Osprey their only three figures per plate. Not here, 5 and more a plate. With that number it's not cluttered and doesn't detract from the detail. On a last note, I will never have to buy anything else to help me paint my Seven Year War French figures.

This is an interesting, highly accurate work, as are all of Rene Chartrand's books, which covers a period not usually well-covered, or covered at all. The addition of Maitre Eugene Leliepvre's lively, accurate, and colorful artwork only adds to the value and accuracy.

The early history of French light troops is one of trial and error, fits and starts, that tried to catch up to the excellent light troops of the Austrian army that so troubled the French throughout the early and mid eighteenth century. Here in all their Gallic splendor are the regiments of foreign born hussars, dragoons, uhlans, and whatever else the imaginative, energetic, and not always efficient soldiers thought up to raise and send into the fire in central Europe.

Told in a descriptive and accurate fashion, the book is a must for every afficionado of the period. It is also a very good introduction for the later Revolutionary and Napoleonic periods where the French light troops came into their own and began to dominate battlefields.

The addition of Eugene Leliepvre's superb artwork is a definite plus for the book, and ensures it will be used for years to come. This book belongs on the shelf of every enthusiast of this period and the later Napoleonic and revolutionary periods.

As the treatment of mental health disorders continues to expand outwards, beyond the domain of psychiatric institutions, the nature and implications of intensified psychiatric intervention is a cause for concern for all of us.

A social worker, teacher, and community activist, Diana Ralph takes on contemporary community mental health systems. In a meticulously researched and highly readable work, the growth and change in the definition and treatment of mental health disorders is subjected to a concerned and scholarly scrutiny.

Ralph finds available theories, from the liberal to the Marxist to the radical antipsychiatry approaches, inadequate in accounting for these changes. Instead, she locates the ideological origins of community psychiatry within the tradition of industrial psychology, and is able to show how its operation is linked to the needs of contemporary industrial management in their efforts to diffuse dissatisfaction and alienation in the workplace.
--- from book's back cover

Compiled and edited by Nic Maclellan, Louise Michel: Rebel Lives is the dramatic biography of Louise Michel, the fiery leader of the 1871 Paris Commune, a short-lived workers' government created when the city population rose up to exert its will. Also known as "The Red Virgin", Louise Michel was a rebel who spent much of her life on the run, in exile, in jail, or in danger of being locked in a mental asylum. "Louise Michel" tells the story of her life by directly collecting and editing her own words from her memoirs and the insights of her contemporaries. Her story is presented with her sharp-eyed criticism of a society and an era where the only lucrative trade for a woman was prostitution, and tributes to her life and efforts from such prominent figures as Emma Goldman, Victor Hugo, Karl Marx, and much more.

Kliatt, November 2004

MACLELLAN, Nic (ed): Louise Michel (Rebel Lives) Ocean Books.

Louise Michel. a relatively unknown figure outside of her native France, was an activist, an anarchist, and a fighter against racism who is known principally for her role in the short-lived French Commune in the spring of 1871.

A local rebellion, the Paris Commune was a reaction against the provisional government set up by the French after the defeat of Napoleon III by the Prussian armies in the Franco-Prussian War. Michel, a schoolteacher who had read widely in political theory, was fully embroiled in this brief moment of revolutionary ferment, organizing meetings, writing tracts, speaking, and even firing her gun as a fighter in the ranks.

Deported to New Caledonia at the fall of the Commune. she continued to write; and alone among her fellow deportees, championed the native Kanaks, a local tribe that attempted to rebel against French colonial rule. Back in France, she continued to live as she believed, travelling and speaking for the radical and anarchist causes she promoted.

What makes the Rebel Lives series valuable is its presentation of primary source material once the historical background has been carefully laid out in an introduction. Not only are excerpts from Michel's autobiography and letters included, but also brief pieces taken from the works of Engels and Marx writing on the Commune as well as short citations from many others, including Lenin, Emma Goldman (who calls Michel "a complete woman"), and Howard Zinn. Selected reading lists contain books and Web sites in both French and English. A unique resource.

Patricia Moore. Brookline, MA

"Since it seems that any heart which beats for freedom has the right only to a small lump of lead, I demand my share. If you let me live, I shall never stop crying for vengeance, and I shall avenge my brothers by denouncing the[ir] murderers" (p.101).

So said Louise Michel before the court passed sentence on her for participating in the rebellion that became the Paris Commune. The court did not execute her. Instead, it sent her into exile at the prison colony in New Caledonia 20,000 miles from Paris. Even there Michel advocated for the indigenous people of the island (the Kanaks) in their struggle against the French occupiers.

Michel was dubbed the "Red Virgin": "red" because she was an anarchist and "virgin" because her sexual orientation was unclear (as if this mattered) and because she was unattractive. I don't see it. She had a great and beautiful spirit, and I have fallen in love with her.

Ocean Press is to be commended for providing a good introduction to the person of Louise Michel and the times that stirred her and she helped to shape. Through the writings of such notables as Bakunin, Kropotkin, Marx, Engles, Lenin, Emma Goldman, Howard Zinn, the editor's introduction (Nic Maclellan) and Michels herself, we learn about her mixed proletarian and bourgeoisie background, her undying devotion to her mother, her days as a school teacher, her militancy and leadership role during the Paris Commune, her exile in New Caledonia, her return to Paris and her prescient feminism. All in a mere 115 pages. It is quite a feat.

Whether you've been to the Louvre and want to protect and enhance your memories or you just want to see the most beautiful works of art ever collected this is the perfect book! It gives you history, background info and of course amazing pictures! You're next purchase will be plane tickets to Paris!!

I bought this book for my son before I visited the Louvre because he was majoring in art. A few years later, I went to Paris and visited the Louvre. It was great to look through the book after having been there! It's still his book, but it was so wonderful to have it around after experiencing the incredible galleries in person! If you're going to the Louvre, my suggestion would be to really go through this book FIRST... then go to the Louvre! There's so much there it's overwhelming. I wish I'd planned out my visit there after going through the book.

This is a great book. It covers all the art departments of the Louvre and does it in a very concise manner. But it has a peculiar presentation format - too many sidebars and info boxes etc mixed-up with the main text, small pics breaking-up the main text too often, and many times it is not easy to match the sidebar to the pic intuitively.

A true masterpiece. A fresh look at one of the world's most extraordinary museums. I received this book as a gift, and I have truly enjoyed it.

This newest anthology by the leading scholar Frances Smith Foster is a work of manifold merits. It does provide, as several other reviewers have remarked, a counterpoint to the traditional assumptions that the amorous and marital lives of early African Americans were largely short-lived and unfulfilling. More than just proving many marriages to be remarkably resilient, however, Foster's book depicts a full array of affectionate sentiments. Some are light selections, from marriage advice ("Never marry a mope or a drone") to waggish rhymes:

I loves my gal,
She hain't no goose--
Blacker `an blackberries
Sweeter `an juice

Others, though, are ruminations on the deep pathos of lovers in bondage, as in the 1861 passage by Harriet Jacobs, which asks "Why does the slave ever love? Why allow the tendrils of the heart to twine around objects which may at any moment be wrenched away by the hand of violence?" Such pieces round out a varied selection, encompassing wedding vows, bachelor ads, letters exchanged between spouses, first-person accounts of family life, and a great deal more.

While the anthology is, on the one hand, a terrifically valuable document of social history, it is also evidence of an African-American print culture and literate community significantly larger than most contemporary readers would ever suspect. The compilation brings together countless texts made available here for the first time, and is an excellent resource for anyone interested in the literary and romantic lives of African Americans across the century of writing that the book spans. Complete with a touchingly personal introduction and a useful list of further reading, this well-organized volume will fit as perfectly into a family library as it will a college syllabus. A truly wonderful collection.

I especially like the introduction and found the content interesting historically and relevant to life today. Although the author is a scholar, she writes in a way that is easy to understand and read. Some of it is very touching and moving. But there are also many humorous entries.

This book is long overdue. The material debunks the myths that African Americans did not believe in long stable relationships. It provides inspiration, humor, historical information and much, much more. It should be a must read for every student. It will uplift some, enlighten some, and encourage some.

This book is inspirational! It debunks the myth that modern African-American families are in eternal crisis because slavery tore apart men and women seeking long-term intimate relationships and this instability has impacted modern relationships. On the contrary, this book shows love among antebellum African-Americans had a persistence, longevity and depth little known to those in the modern world. The presentation is witty and organized in a way that allows the reader to laugh, morn and relate to the circumstances in which the couples find themselves in a single sitting. This book should discussed and shared with family and friends as a catalyst to heal the wounds created by the myth that life-long commitment between African-Americans is abnormal. It is a must have in every reader's personal collection!

Foster's research for this anthology 10 years in the making carried her widely. She found examples of African American love and marriage in songs, letters, stories, poems, memoirs, lectures, sermons, folk sayings, oral history, and autobiographies. This interrelated material from a wide diversity of sources is organized into the natural flow of feelings and types of relationships between men and women. The first chapter is In Love - With Love; the second, Whether to Marry - and Who?; followed by Proposals and Vows, then Married Life; with the final section of on generations of a family titled Family Trees Rooted - in Love. Within each chapter, the selections are grouped according to kind; all the poems and excerpts together, excerpts from longer writings such as stories together, etc. The selections in each grouping are arranged chronologically following any anonymous writings when applicable coming first. The bulk of the writings are from the 1830s or so to the mid 1930s; with the majority from after the Civil War to the Harlem Renaissance. A small number are from the Colonial era.

While giving attention to a little-covered theme running through African American life from its earliest days, as Foster notes in her introductory essay, the anthology coincidentally brings to notice little-known African American writers and discloses the presence of an established African American printing business. Thus, the anthology is also in some measure a collection of uncommon African American literature for studies in this area; and it casts light on aspects of African American economic activity not widely known about. The lengthy bibliography is notably useful for further pursuit of all the major and secondary subjects entailed in the anthology.

I just finished reading this sequel to A Venetian Affair. Lucia is quite different from Giustiniana (the main character in the previous book) but this true story leaves you with the same mixture of fascination and melancholy. Unlike Giustiniana, Lucia immediately marries her first love, Alvise, and despite also being the protagonist of a scandal, her life is not as thrilling as Giustiniana's. Like Giustiniana, Lucia lives first hand through the European aristocracy, from Venice to Vienna and to Paris. But while in A Venetian Affair the source of dismay is the missed happy ending for Giustiniana and Memmo (her lover), in Lucia it's another demise that characterizes the book: the fall of her beloved Venice.
Through her detailed correspondence to her sister we learn of Alvise and Lucia's efforts to keep their status once orphans of the Most Serene Republic. This is what I believe defines this book. It's the story of a power couple who in their prime loses their motherland, and that helplessly witness a millennium of history being crushed between the French and Austrian power struggle. Alvise and Lucia, they really try. When Napoleon has the upper hand they get back on their feet and are actively involved in being part of the new world order. But as soon as the Austrians take control they have to start from square one, and we find Lucia mingling with the Viennese aristocracy while living in the Hasburgic capital. But then Napoleon is back, and off to Paris they go. These are not merely social ladder moves. There are estates to save, and the underlying theme is the slow but inevitable decadence due to unfortunate geopolitical circumstances that this otherwise very capable and visionary couple is subject to. Of course the book is packed with affairs and loaded with illegitimate children, but the force of this book is its historical value. It's the first hand account of how a historical European nation was phagocytized and of why its resurgence has been suffocated in the following decades.

Let's start with the lovely cover image: thanks to the research behind Lucia, this previously unknown work by the widely acclaimed Swiss painter, Angelica Kauffmann, came to light. And thanks to the owner's permission, its appearance on the cover allows us all to enjoy it. This is our first meeting with the blossoming young Lucia. Her glowing complexion, full bosom and that chestnut tendril that curls downward along her neck bespeak an innocent yet eager anticipation of life's sweetnesses. But this is not a love story. Lucia's life is much larger than her courtship and marriage with Alvise Mocenigo, and emphatically disproves what we think of as the bounds for a woman then.
From the start, Lucia's story shows her caught in the middle of things, from local power struggles in Venice to empires rising and falling and the devastating wars they brought about. Political events determine one challenge after another for her, as daughter, fiancée, wife, mother, woman on her own.
Accounts of political moves, diplomatic dealings, warfare strategy might not seem the stuff of a woman's life story, and yet they make perfect sense here, are fundamental, illuminating and intriguing. As these combine with finely wrought details of the everyday, the past truly comes to life. Di Robilant's style, as in A Venetian Affair, draws the reader in. When you read Lucia, you feel welcome and respected. And at once you are involved.
Di Robilant works with some very special material, unearthed not only among family papers but also in archives around Europe. In the end, he did not write the story exactly as he had set out to, for his research uncovered unexpected turns in what he knew as his family's history. He never makes an issue of this, but leaves it tacitly to his readers to imagine what it must be like to see a family legacy twisted into a different shape and to discover fundamental family ties you never knew existed. Di Robilant set out to bond with his past, which in the end he did, but not with the past as he knew it when he set out.
I highly recommend this book to readers with a passion for Venice, the Napoleonic years and memoirs about women who rise to unexpected challenges; to readers curious to have an insider view of life at court (Paris, Vienna, Milan) in the nineteenth century or a landlady's perspective on the scandalously libertine Lord Byron; to readers simply fond of books where biography and history elegantly merge with great merit to both genres.

Lucia: A Venetian Life in the Age of Napoleon begins where Andrea Di Robilant's A Venetian Affair left off. Lucia Mocenigo was the eldest daughter of Andrea Memmo, and she married at seventeen into one of the best-known patrician families in Venice. When the Republic fell in 1797 to Napoleon, Lucia went to Vienna, where she became friends with Josephine Bonaparte. Later, Lucia moved back to Venice, where she became Byron's landlord. She died in the 1850s, when she was in her 80s.

Lucia is a compelling look into the life of an intriguing woman. She was at the heart of European political change, as her letters to her husband and sister show. What Di Robilant does successfully in this book, as he did in A Venetian Affair, is bring the event s and people to life. Everything Lucia, her husband Alvise, and her son Alvisetto, do is documented here with precision. Sometimes with too much precision: when her son was a teenager, Lucia obsessively worried over his progress in school. But in all, Lucia was an impressive woman who rose to the challenges she faced with courage.

In this book Venice at the end of the eighteenth century comes to life. Lucia was only a young girl when she returned to her native city from Rome, where her father was Venetian Ambassador, to be married to a much older man. She lived in many of the great courts of Europe, travelled extensively, witnessed the fall of the Venetian Republic to Napoleon, and as an impecunious widow was the landlady who rented out her fabulous family palazzo to no other than Lord Byron. It was in the attic of Palazzo Mocenigo on the Grand Canal that her correspondence, recounting every minute detail of her long and fascinating life, was preserved and handed down through the generations until it came into the hands of the author, who is her descendant. A wonderful book. Highly recommended.

This is a wonderful horse story which helps us (children and adults) realize the benefits of helping others. As we give help, we are blessed. I like the way the story develops. We see how Amy needs and helps the horse and how he needs and helps her. The story ends this way. "I know we gave each other that extra spark in life. Every day could be faced with bright anticipation. We were truly a lucky pair."

At the author's website, you can copy a lesson plan with suggested questions. Search for "Children's Books by Frances Dinkins Strong."

The Hamilton's are looking to purchase a tame enough horse for their nine-year old daughter Amy, when they come across a malnourished horse that is up for sale. Even so after a test ride, he seems to move pretty good, is very quiet and has a great temperament, traces of an equine star. Mr. Hamilton feels he would make a great horse for Amy and by the next day they return to pick him up.

Once home, Amy names him Lucky. It turns out Amy has tunnel vision, can barely see in the light of day and later Lucky goes blind in his right eye. The two build a bond of ever-lasting friendship, one depending on the other.

This is absolutely a delightful tale that reminded me much of the classic movie "The Black Stallion," and much like the movie A Lucky Pair achieves a magical atmosphere that children, as well as adults will enjoy.

Positively one book which will make a wonderful addition to any child's library. Lesson plans are included on the author's website.

Reviewed by Betsie

You don't have to be a lover of horses to appreciate this story about a visually impaired young girl and her horse, Lucky. This can be read and enjoyed by children and parents alike, either as a book older children can read by themselves or have read to them by a parent. A truly inspiring book--I recommend it to all book lovers.

I read The Lucky Pair to my granddaughters, age 5 and 9, and was delighted to discover that my five year old granddaughter immediately recognized that the horse was the talker! They both truly enjoyed the book and were able to use the context to figure out the meanings of most of the advanced words in the story. The ones they could not, I explained to them. Both of them learned so much about what it is like to take care of a horse. This was all new to them. With a new understanding of word meaning and horses, this book provided a wonderful learning experience for them.

The first 50 pages of this "cookbook" is a wonderfully romantic but not romanticized portrait of Marseille and that historic Mediterranean port of call's long history, native customs, literary inspirations, immigrant influences, notorious mischiefs, and recent cultural revival. Recalling the movie "The French Connection," it's hard to think of Marseille as being trendy, yet Daniel Young makes a convincing case, especially through his side-by-side presentation of the local Provence-based cooking and emigre flavors that gives the food its contemporary appeal.

The recipes I have attempted so far have been delicious and very doable (so far I've preferred to try the straightforward, home-style dishes from home cooks (many from grandmothers, others from fishermen) rather than the more elaborate ones from Marseille's restaurant chefs). I can see myself making the Parmesan and black olive biscuits all the time. The Provencal-style eggs in cocotte are terrific and also simple to prepare. My friends loved the basil potato chips and the Moroccan crepes. The soupe au chocolat -- that's right, chocolate soup -- is to die for!

Incidentally, I'm not sure what "Cloudia," my fellow customer reviewer, is talking about when she complains of no index. My copy of the book has a very detailed index where you would expect to find it, in the back (pages 259-272).

It was interesting to learn that Marseille is a great Pizza town and has Pizza trucks complete with North African Pizza styles, but that didn't make me feel like I was there. The recipes all seem very complex and seem to come from the kitchens of fancy restaurants. I did manage to create a halfway decent vegetarian Spinach bouillabaise as inspired by one of the recipes.

Incidentally, I was moving when I wrote this review, and so I goofed. Of course there is an index! I don't know why I thought there wasn't one. So I apologize to the author and review readers for that considerable error.

Alors! robertolov's review is spot on. The author, Daniel Young, has created a sense of place and people that is warm, engaging, and thoughtful. It's somewhat akin to being regaled about a person's family history before actually meeting them. No cutesy French stereotypes here; to bastardize Shakespeare, the author has taken the approach of "what is a cuisine, but its people." Daniel Young is an evocative, compassionate interpreter who shares Marseilles' culture with descriptions that are so intimate, I felt as if I were right there. There is such joy in his discoveries that I couldn't put this book down -can you imagine, a cookbook! As for the recipes... they are terrific, healthy, flavorful and for the most part, quite simple. But of course.

Daniel Young's recent book, Made in Marseille belongs in every serious cook's library, this is a wonderful book. His recipes are a good mix , some Eastern Mediterranean rather than the usual type of French Cookbook which we're more familar with. Mr. Young's bouillabaisse,his excellent appetizers especially his Tapenade are a very good reason to have his very special book, additionally the photographs by Sebastien Boffredo really capture the area.