France Books

Carol Drinkwater provides so much information and knowledge about her Olive Farm. Delightful Memoirs of her life. Excellent.

All of Carol Drinkwater's books are very well written and hard to put down. If you like the subject matter of olives, this is a particular treat. Beyond the work and detail involved in maintaining olive trees, the hard work of the harvest, the anticipation of having them pressed and rewarded with fine oil as a result..Carol's books are to me, a realization of a dream. She and Michel took the risk of buying a poorly maintained property and poured their hearts and soul into it.

The Olive Season, the sequel to Carol Drinkwater's The Olive Farm, transcends the travel memoir genre to create a searing personal narrative.

In The Olive Season, Drinkwater has wed her fiance, Michel, in the South Pacific, and has returned to their farm in southern France to bring in another olive harvest. The harvest season proves difficult, however, and the care of the olive farm becomes a challenging undertaking for the newly pregnant Drinkwater, whose situation is complicated by her husband's absence, her own professional obligations, and intrusions from her past.

The events of The Olive Season force Drinkwater to revisit her past, transcend her present and muster her courage to shape her future. Suffused with the idyllic scents and scenery of southern France, The Olive Season is both a superb piece of travel writing and a wrenching examination of life, its tragedies and its triumphs.

A five-star read that will not disappoint.

THE OLIVE SEASON and THE OLIVE FARM are excellent as is THE OLIVE HARVEST. When I recently saw A CELEBRATION OF OLIVES, I thought C. Drinkwater published a new book and ordered it. I received it today and was disappointed to find it's a double volume of THE OLIVE SEASON and THE OLIVE FARM combined, both of which I have. According to Amazon.com readers who buy A CELEBRATION OF OLIVES also buy her other books. I feel like I was duped and cannot return the book.

In the Olive Season, Carol Drinkwater continuous Michel and her dream-come-true olive farm experience in the south of France. Other reviewers of her first book, as well as this reviewer, hoped for a sequel and Carol did not disappoint them. Although the book can be read and enjoyed without reading The Olive Farm, this reviewer strongly recommends that readers first read the Farm, as it provides the necessary backdrop and introduction to characters that enhances the enjoyment of the Season.

In the Season, Carol shares a lot more on personal level than in the Farm. Although I have enjoyed the first book specifically because it largely revolved around their farming experience and dealt less with them at intimate level, I can accept the change in focus because it is quite understandable when one reads about their tragic loss halfway through the book. The closing paragraph of the book confirms this conclusion. Do yourself a favour and do not read the last page of the book before you "legitimately" can after you have read the rest of it - apparently some people actually do that! It will not necessarily spoil your reading experience, but the story unfolds very well and pulls the reader closer to the author as it develops. Similar to the first book, the Season is well written and/or edited.

I again enjoyed Carol's description of the French rural characters she and Michel meet during their farming adventure. Although I appreciate her sharing of her research into various aspects of farming and nature, I find that those specific paragraphs tend to clash with the writing style of the rest of the book. Although short, they are almost reference book fact-like descriptions. However, they are far and in between and do not really distract from the overall reading experience. Their exploits into the French countryside and visits to interesting little shops and eating places do a lot to make the reader want to get onto a plane and explore those hide-away places!

If you have enjoyed The Olive Farm, you will also enjoy The Olive Season, although it is somewhat more "heavy" because of the dramatic events referred to earlier. Would I buy the next episode if Carol writes it? Yes, probably, even if only to find out whether they have managed to find a beekeeper! She clearly wrote, or at least completed, this one, inter alia for her own personal healing, but her writing style is such that I would support sequels in the Olive-saga much more positively than I would support Hollywood follow-on's!

Yes, this book is very witty and very easy to read. I am en route to France for a year next year as an American exchange student, and I found this book to be very helpful for every aspect of the process--except I wish she added more information like "Why did she switch host families?" and about school. She barely mentioned anything about homework, the lycée, or anything like that. But I loved everything else about the book. It was intriguing and exciting. And also, it's a very nice quick read. If you are, going to be, or was an exchange student, this book is a must-have. Anther book I recommend is The Exchange Student Survival Kit. Au revoir!

I am planning on studying abroad to France in 2003 and this book has helped me out in many ways. It told me exactly what I need to know before I go, how the French people are, the school system, and it gave me encouragement. Just reading about how she doesn't regret going makes me want to go even more. I just wished she would have added more about how to handle so much school! Anyway, this book is great to read, even if you aren't planning on going to France. It has a lot of interesting facts that I could never imagine possible. Great book.

The moment I saw this book in the bookstore, I knew I had to get it because Megan did what I have always wanted to do: be an exchange student in another country. This book is just so charming, delightful, and cute. I finally was able to be an exchange student this summer in a Spanish speaking country, and while I was not gone a whole academic year but only for a couple of weeks, I always had this book by my side because so many things were the same. So if you have ever been an exchange student before/hosted one in America, or are going too I recomend this book right away, and if you are just looking for a good book to read you'll have a ball.

On the cover of this book, the publisher exudes, "A delightfully irresistible, charming account of a young American girl's year abroad." For once, this kind of description is actually an understatement. Yes, the book is in fact "delightfully irresistible" and truly charming. But the writing is also exceptionally limpid and evocative and betrays an exceptional maturity and talent. Megan McNeill Libby gives us beautifully impressionistic portraits of France, the French, and her very personal struggles, disasters, and triumphs. Her depiction of the French is extraordinarily perceptive and from my own experience living in France totally accurate. At times, I laughed until I cried; more frequently, I caught myself involuntarily smiling and nodding in agreement. But the deeper reward of reading this book is simply seeing the way that Ms. Libby writes and thinks. She is one of those rare authors with whom one falls in love after (no, during) a single reading. I am normally sparing with my praise, but I readily admit to being a gourmand for this book. Merci bien, Megan, and please give us more!

The author of Postcards from France, Megan Libby, was just 16 when she went to France in 1994 as your typical AFS student. But she wasn't typical: she had her eyes wide open and was able to record, in a series of letters and postcards sent back home, what a humbling experience it is to be a newcomer in another culture. By turns comedic, touching, insightful, and revealing, Postcards from France is always refreshing - and it's highly likely this talented young author will go on to write more books that will be a pleasure to read.

As a minority faculty in the academics Frances Conley's book vividly portrays the reality of the ivory tower that, though pretentiously progressive in ideas, is way behind the iota of gender equality that exists outside the academe. I, sometimes, feel I am living in the medieval period when entering the academe.

When I first came across this book I thought this must have been written in the seventies and I could share it with my students as a historical autobiography of sexism in an academic institution. I was horrified to find that it was written in the nineties about one of the most prestigious institution in California.

I have always felt alone, alienated in the academe and of course disconnected from other women who were struggling too much to bother with the problems of their women peers. This book validated my experience and helped me understand where my alienation was coming from.

I wish this book could be a standard read for all freshman students in all universities. Only when women who appear to be in power tell their stories of powerlessness and abuse can we act collectively to stop the misogyny that exists among our men and more particularly among our elite men.

Frances Conley offers a compelling indictment of gender discrimination at Stanford Medical School, past and present, focussing on her own recent experience. I started this book at midnight and could not put it down until finishing it at 4 a.m. Conley provides case after case of medical school professors given virtually absolute and unchecked power over their subordinates and their subordinates' careers, abusing that power, and the medical school administration covering up that abuse. While she never addresses the issues of solidarity in the face of sexual harassment, her cases all indicate that when one woman protests, she loses, and only a pattern of abuse reported by multiple women leads to any punishment of the harassers at all. Conley was fortunate and grateful that 37 others came forward to support her claim that Gerald Silverberg engaged in inappropriate sexual contact and other activities counterindicating his capability for leadership. I'll be passing this book onto many women who have had the choice to be treated at Stanford Hospital and may well now rethink that choice.

Men groping women. Men coming on to women, and making incredible jackasses of themselves in the process. Men getting drunk and acting like barbarians. Men with one thing in mind. Men whose compulsion to talk about sex is so strong that they do it at highly inappropriate times in public. Men who think that pressuring women is their God-given right. If you think that what I just described is a high school football team on an overdose of steroids, you're wrong. These sexual antics weren't perpetrated by adolescents with testosterone bubbling out their ears, they were committed by male doctors at Stanford University. Not being stupid, these demigods put two and two together and realized that they could use their power to pressure women. One of these men made a fatal mistake, though: he pressured Dr. Frances Conley, a topnotch neurosurgeon and renowned researcher at Stanford. Bad move, fella. I suppose that guy never learned that if you're going to pick a fight, you don't provoke someone who can whack you back so hard you just might rethink whether it's wise to be a bully.

As publicity spread about Dr. Conley's fight, more and more women came forward to reveal their stories. This was certainly an eye-opening book. Before reading it, I'd never given much thought about the sexual harassment of women in medicine and allied healthcare fields. Perhaps we're more civilized here in Michigan, because I've never seen or heard of any such hanky-panky. Well, let me revise that last statement: I have witnessed a lot of sexual inducement, but what I saw was women chasing men not the other way around. But everyone knows that those California folks are trendsetters.

Dr. Conley never envisioned herself as a trendsetter, though. For years, she passively participated in the abuse until a concatenation of events convinced her that it was time to draw a line in the sand. To make a long story short, the men didn't believe she'd put up much of a fight, but she did, and they lost. Big time.

(...) Perhaps the most chilling message in this book is that some men in positions of power are willing to use that power to stifle the careers of women. So what is an attractive woman to assume? That if she goes into medicine her pulchritude will serve as a magnet for sexual harassment? Perhaps this abuse is, unbeknownst to me, more pervasive than I think. I suppose because most of my friends are women, I can't understand men who view women as being somehow inferior. However, you shouldn't necessarily construe from that statement that I think women physicians are as competent, on average, as male physicians. There's no doubt that some are, and there's no doubt that Dr. Conley is a superior physician, not just competent. (...) My only major criticism of the book is that it is too focused upon abuse of women by men. Since the core of this book is hinged upon some of the depredations that ensue when power is abused, I think she could have achieved a more balanced perspective by pointing out that powerful people often use their power against men, too � not just women. I've seen male docs fight one another with such a vehemence that it made the stories in Dr. Conley's book seem as pleasant as afternoon tea and cookies with a neighbor. Consequently, while I don't intend to trivialize the unfortunate reality of the abuse Dr. Conley documents, it's important to keep in mind that this abuse is but one aspect of a much larger problem. In defense of Dr. Conley, broadening the scope of this book to include other aspects of hospital politics would have diluted the message she wished to inculcate, and it would have made for a very unwieldy book. With that in mind, I suppose I'm on shaky ground by wishing that her book had a wider focus. Her book, her demeanor, her dedication, her resolve, and her competence are commendable. Dr. Conley is a great doctor and I am happy to have met her, however indirectly, by reading this book.

Review by Kevin Pezzi, M.D.

I'm not an MD or a PhD; I don't work in a hospital or academia. Yet I too have experienced sexual harassment, and I too have consulted the EEO department that is supposed to get involved in handling these issues, and I found that they were disinterested, that they gave subtle and obvious messages that the problem was "my" problem and not the corporation's, and that they relied on my being too timid or unmotivated to initiate a lawsuit so the whole thing could be, well, ignored. Sexual harassment exists because the society permits men (even encourages men) to expect that it is their right to harass women. Not all men harass, and not all men admire harassers. In fact, it is quite the opposite, but those who possess the attitude that women who dare to compete must be put down through sexual threat or debasement will harass (they also enjoy and even need it, since these men have very real problems). Through her description of her own experiences, the author illuminates the social mechanism of harassment. She also brings to light the story that all we women know -- what it feels like to be the victim not just of a troubled person but of an organization that insists she accept the role of victim. When we are harassed, we women discover the battle we are in, not against one man but against all those societies which are founded on (this does sound harsh, I know) the hatred of women. This is a marvelous book -- hard to read at times if you've been there -- but it is important that women know what we are facing (especially our daughters, who like us may have been programmed to think that all men will be nice to us, will treat us fairly, and that if someone is abusive, it is our own fault, there is something wrong with me, etc.). Important too is having the author detail the steps she took to handle the harassment. This is a very supportive book for anyone enduring just such a situation (harassment as well as gender discrimination, which is a lot more rife and a lot less obvious). I'd recommend this to any woman who is willing to step outside of the traditional role, because we all need to know what we are up against, how the system is going to fail us, and especially all the steps we are entitled to take to combat this problem so that we change society's viewpoint and not just our own. I'd also recommend this to men, because there are many who are supportive of women in the workplace. Our husbands and boyfriends need to read this book to know how difficult it is for women, because in the end we can only effect a change if we all stand together.

Sadly, any woman who's achieved a doctorate (& not just in medicine) will relate wholeheartedly to this book. I greatly admire Dr. Conley's unbelievable courage in standing up to the Boys' Club & trying to make things better for women in academia. Hopefully this book will encourage ALL women to stand up to the misogyny & be heard.

David Burke's new guide is enormously entertaining. It's jam-packed full of intriguing little tales about dozens of literary giants in Paris: where they wrote, drank, loved, fought, and influenced each other. Maps and addresses throughout the book enable literature lovers to visit these haunts physically as well as imaginatively. The photos are a treat, too.

David Burke's Writers in Paris: Literary Lives in the City of Light is simply perfect; not only does it present a treasure house of information (who knew it was Gargantua's tale that gave Paris its name?) but it's also written extremely well, with the scholarship balanced with wit and charm. I found so much in this book I had never known and timely connections between writers I had never guessed at. The joy of finding additional information about a particular writer popping up later in someone else's section gave Burke's book a rich sense of dovetailing detail. This book finally puts it all together for me, and I found great pleasure in reading it. Writers in Paris makes me exclaim: Euro be damned; I must get back to Paris!

This book is spectacular. It brings the writers alive in a Paris of the past but one that most travelers merely sense. The book is a must read for those who want to feel and see how Paris complimented the writers' lives. The meticulous research coupled with wonderful photos make this a pure joy to read.
I think this book would be of interest to anyone who enjoys a literary tour of Paris whether they visit the City of Light or take an armchair tour.

Literary Paris comes alive on the pages of David Burke's new book, Writer's In Paris. A beautiful and comprehensive book about the writers who lived, loved and created in the City of Light.
David Burke navigates the Arrondissements of Paris as easily as a native Frenchman, taking us through
the haunts of the likes of Andre Gide, Proust , Jean-Paul Sartre as well as the expatriate writers who
called it home, such as Ernest Hemingway, James Joyce, F.Scott Fitzgerald and many others. Buy this
book and take it to Paris - you won't regret it!

How many streets in the city you live are named after writers?

In Paris: more than 400.

David Burke seems to have walked them all.

And that's just for starters. He also seems to have read all the books by those writers, cross-referenced their friendships, and then figured out a clever way to summarize his knowledge in a modest 240 pages, with 125 photos along the way.

But then, David Burke --- a "60 Minutes" producer who moved to Paris for a year and simply forgot to leave --- is a lifelong reader and Francophile. As a kid in the `50s, he went to Pamplona not just for the running of the bulls, but "because that was where the climax of `The Sun Also Rises' takes place." Later, he tried to find Jean-Paul Sartre in Saint Germain-des-Prés.

Now he's divided the city he loves into three sensible zones --- the Left Bank, the Islands, and the Right Bank --- and slotted in the writers who lived and work there, working mostly chronologically, delivering the most salient stories about each. Like...

The Church of Saint-Julien-le Pauvre
It's the oldest church in town. When we're in Paris, we like to go to concerts there. I had forgotten that Ford Madox Ford took his mistress Jean Rhys there - or, in one of her novels, his alter-ego did.

39 rue Descartes
Verlaine died there. Hemingway rented the garret he'd occupied.

Rue Mouffetard
What's in a name? Mouffle means "stink", and "skinners, tanners and tripe butchers" set up shop along the river here. No surprise that young, unknown George Orwell lived here.

Deux Magots
James Baldwin was taken here directly on his arrival in Paris to meet Richard Wright.

Colette
I don't know that she got her break with her "Claudine" book three years after it was universally rejected. Then another book about schoolgirls was a hit, her husband showed her manuscript around again, et voila --- Colette had a best seller.

Hotel du Vieux Paris
They called it "the Beat hotel". Allen Ginsberg lived here. He produced 56 lines of "Kaddish", "weeping as the wrote them in Café Sélect."

Gertrude Stein's Picassos
I never knew that the Gestapo searched her apartment and decided the Picassos were "Jewish trash, good for burning." But they left them hanging.

Hours Press
And I didn't know about Nancy Cunard's poetry contest. A young writer heard about it on the last day, wrote 98 lines and stuffed them in an envelope. He won ten pounds. Samuel Beckett, aged 24. Of course.

Luxembourg Gardens
"Balzac circled the garden at night in his monk's cowl, candelabra in hand" --- another tidbit I didn't know.

Le Dome
The first big café. One night when Sinclair Lewis was boasting about one of his books on the terrase, someone shouted, "Sit down, you're just a best seller."

Rue de la Gaité
Henry Miller was "drawn to the erotic as a bear to honey." He loved the sex shops and vaudeville theatres here.

Georges Simenon
Colette advised him, "No literature. Suppress all the literature and it will go fine."

Jim Morrison
And I didn't know this: No one recognized his corpse, including "the man who came every day to keep the body packed in dry ice because of the city's heat wave."

Emile Zola
I had no idea he died of carbon monoxide poisoning. The police said it was an accident. Some evidence suggests he was murdered. A tantalizing incident, briefly told, that leaves you wanting more.

Proust
And I certainly didn't know he inherited the equivalent of $6 million, giving him $180,000 or so in today's money to live on each year.

And there's so much more, much of it exhilarating. But watch out --- you'll read with a pencil, you'll mark titles and writers, and before you know it, you'll have a stack so tall you might as well have bought a plane ticket.

The Mom's Choice Awards® honors excellence in family-friendly media, products and services. An esteemed panel of judges includes education, media and other experts as well as parents, children, librarians, performing artists, producers, medical and business professionals, authors, scientists and others. A sampling of the panel members includes: Dr. Twila C. Liggett, Ten-time Emmy-winner, professor and founder of Reading Rainbow; Julie Aigner-Clark, Creator of Baby Einstein and The Safe Side Project; Jodee Blanco, New York Times Best-Selling Author; LeAnn Thieman, Motivational speaker and coauthor of seven Chicken Soup For The Soul books; Tara Paterson, Certified Parent Coach, and founder of The Just For Mom Foundation(tm) and the Mom's Choice Awards®. Parents and educators look for the Mom's Choice Awards® seal in selecting quality materials and products for children and families. This book has been honored by this distinguished award.

First off this is a kid using there parents acount. This is a great book. It teaches kids to help the encironment and stay out side(and if you cant recognize the pictures in some of the seans in some of the books are they are from St. augustine). And the best thing is that the author and the artist are both my grandparents. The whole series is really good. i recomend you buy this book =)

In our throw-away world, books come and books go. But there are those worth keeping. The Pelican Pete books fall into that category. We've gifted each of our grandchildren with this series, and they plan to pass them down to their own children. Stunning in their originality and beauty, it is sheer joy to peruse these pages.

I homeschool my two kids - ages 2 and 4 and we have TONS of books. We read all of the time. They LOVE this series of books! They re-enact the stories, over and over. They're written in rhyme, which is entertaining and educational for them as well. The stories really hold their attention and the pictures that accompany each story are beautiful . Finally, don't miss all of the interesting facts at the end of each book! HIGHLY recommended series!!

I have given all the Pelican Pete books to my grandchildren and those of my friends. In every case both the parents and the children were delighted with the books. The children found them colorful, easy to read and fun. The parents tell me they really appreciate how well researched the information is and the extensive list of sources for other information on nature.

No wonder these books have won so many awards! You can't miss when you give these books to children you care about. They will be both entertained and educated by every book in this great series.

if you are looking at a way to make the ordinary special, looking at the images contained in Atget definitely intrigues your imagination. details and compostion place the viewer in the scene, an active particpant.

Eugene Atget is known to everyone, perhaps not by name in all instances, but at least by the images of Paris and environs that grace all manner of books, essays, brochures, museums, art collections, and postcards throughout the world. At the time of his death in 1927 his enormous output of images was archived and has subsequently been studied, purchased and shared with exhibitions too numerous to mention. Yet in this fine book the essence of Atget the observer is appreciated as well as any publication of the many about the pioneering photographer, a man who served as an important bridge from studio formality of the art to entering the human realm of images of people on the streets of Paris and the surrounding areas.

Each of the 100 tritone and 5 duotone photographs in this elegant volume is accompanied by an insightful comment by the superb writer John Szarkowski who also happens to be the former director of the Department of Photography at the MOMA in New York. Rarely have photographic images been so enhanced by the written word: Szarkowski is in complete synchrony with the vision of Atget. Here are images of simple people of early 20th century Paris, images of streets, still lifes, woods, streams, rivers great and small, each captured with immediacy and yet with timelessness.

For those looking for an affordable introduction of Atget's work for the library, this is certainly the volume of choice. Highly recommended. Grady Harp, March 06

Now that it is so cheap, don't miss this great book! Excellent prose by Szarkowski and beautiful pictures by a master... hard combination to beat.

This book is another gift from a great writer and observer, an homage to Atget, to photography, to art and to Western civilization. For anyone who pretends to be a photographer or to love Art, it is a joy to share Szarkowski's easy erudition, one or two pages at a time.

Atget showed us the axioms of photography and axioms cannot be explained by analysis. The test of an Atget, Bach, or Cezanne, is that it is impossible to find the source of their revelation and impossible not to find their influence in future artists.

"Good pictures are not explained by words...With exceptional good luck criticism might with words construct meanings that are different from but consonant with the meanings of pictures. Such constructs of words might possibly guide us toward the neighborhoods where pictorial meanings live.", he says in this book. (Please, if you are an art historian or critic, take this pledge!)

Thus Szarkowski tours the photographs he has selected and writes a thought or two somehow connected to each one - sometimes a revelation, often a question. Each page of writing stands alone and will engage the reader in a conversation with the author and the photographer. Many times Szarkowski puts us somewhere behind the camera a hundred years ago, or on a bridge in Paris 600 years ago. He really brings Atget to life by putting us in his time and place.

There are plenty of revealing facts stashed throughout the writing. Szarkowski talks of the influence of Atget on Weston, Walker Evans, Winogrand, and others and leaves us to recognize the Atget in Cartier-Bresson, Dorothea Lange, and ourselves. He mentions just the relevant technical and biographical details.

He shows examples of how Atget handled Time,the essence of photography. As he wrote in "Photography Until Now" about Atget, "Perhaps from the practice of looking attentively and repeatedly at the same thing from different vantage points and in different lights he came to see that ...one tree, or one reflecting pool, was never twice the same, and would therefore last as a subject as long as one's concentrated attention. With this realization he became, surely not intentionally, a modern artist."

The reflecting pools and trees are in this book along with the more familiar Parisian architecture. Different views of the same subjects are also in other books such as Berenice Abbott's "The World Of Atget". Szarkowski thus, enriches the literature on Atget, giving meaning to many of the published mindless catalogs of his photographs.

Szarkowski shows another reason Atget is a modern artist. His work is meticulously constructed in the same cultural elements as the works of his more famous contemporary French painters and sculptures. There are no accidents and no mistakes in his work. The result is a richness that reveals something new every time we look at it.

The same is true of this book by Szarkowsi. I've read it three times. It is a masterpiece, "...seductively and deceptively simple, wholly poised, reticent, dense with experience, mysterious and true." To use the words Szarkowski wrote of Atget in Looking At Photographs.

Again, John Szarkowski takes us by the hand and leads us into the photographs of Eugene Atget, as through the magic of a looking glass. In these writings, on a selection of photographs from the first quarter of the 20th century, in his historically aware and individual way, Szarkowski instructs on how to read a photograph by doing so himself. We not only see into the environs of Paris through the eyes of the eclectic, determined and tender Atget, but also through the eyes and the keen, attentive mind of Szarkowski, who writes as though he lives inside these pictures, and tends them, and the photographer, with great devotion.

This edition is set up by the previous 4 volume study, The Work of Atget, by Maria Morris Hambourg and John Szarkowski, Museum of Modern Art, 1985. But this new book comes from a persistent, deep seam miner, one who knows that what it is about these photographs is so fertile, they can be studied throughout one's life, and still give more.

How rich is the mind that can bring another mind to light? Would it be bearable if everything in life could be keyed into focus, for us too busy and bothered to pay attention, by a poet as revelatory as Szarkowski? When considering entree des jardins, 1921-22, he says, "except occasionally, as (for example) during revolutions, the French have managed very well to sublimate the periodic human tendency to behave violently toward one's fellow human men, and have directed these impulses toward their trees", you cannot help but love the gardener who built the gate here, the photographer for seeing it, and Szarkowski, for bringing it to our attention in this way. He tells you what is on the menu, who lived in the house, how the hotel got its name, who built it, what may have motivated them to sculpt a Dionysus over a doorway, what member of the court of Louis the XIV was cast to live where, what other photographer may have attempted to photograph the same scene, and sometimes, what led Atget there.

The book is a beautiful masterpiece, and an accomplishment worthy of a life spent looking deeply. If you love (really looking at) photographs, you should consider your shelves incomplete without it.

This is an excellent book, well written, clear and concise. It focuses on the Year of the Terror during the French Revolution.

There are several strengths to this book.

First, Palmer does an excellent job of giving short biographies of the major characters that ruled France as a committee during this period. They include Carnot,the military officer who maintained the war office during the terror,including defending the northern border of France. Collot D'Herbois, the ex-actor and fanatic had a very different temprement from the monk-like Robespierre. Saint-Just's attacks against the Dantonists was fascinating. The fall of Herault de Sechelles, the philosopher former aristocrat is very interesting.

Second, the chapters are very well organized. They are aranged around topics, including a hyistory of how the Comitteee for Public Safety evolved in the fifth year of the revolution; three chapters on maintaining control of the other regions of France during the revolution; chapters on foreign conflicts; a chapter on wage and price control and maintaining a central economy, are all well written and interesting.

I read the book after reading Hilary Mantel's novel "A Place of Greater Safety" regarding the relationship and competition between Robespierre and Danton. The two books perfectly compliment each other.


This is a very accessible history of this portion of the revolution and is extremely informative. It was written in 1941 but is fresh, current, and alive with detail.

I decided to read R.R. Palmer's The Twelve Who Ruled after having it recommended to me in class. The Year of the Terror and the Committee of Public Safety are often overlooked or not given enough description in history classes and it wasn't until my senior year in college that I had even heard of the Year of the Terror. Palmer's book is great for the student because he includes enough background information so that one can understand the information without feeling overwhelmed. The text deals almost exclusively the events from the summer of 1793 through the summer of 1794. Because so much happened in this one year period, Palmer presents it on an almost day-to-day status.

Originally written in 1939 and 1940, Palmer mentions in the Bibliographical Essay how difficult it was to gather information from the French archives, but upon reading this book and having some basic knowledge of the events of the period, one finds it difficult to find any deficiency in Palmer's work. The 2005 edition of The Twelve Who Ruled opens with a new foreword by Isser Woloch, Moore Collegiate Professor of History at Columbia University. In this foreword, Woloch gives the reader a little history of Palmer's book, as well as a brief overview of the events detailed in the book.

Palmer begins his book with a one page list, titled "The Twelve", of the members of the CPS and gives a brief one-line description of each. On the next page is a sketched map with the locations and provinces mentioned in his book, as well as a translation of the Republican Calendar. I don't want to go into detail about all of Palmer's 15 chapters, but some need mentioning. The first chapter, "Twelve Terrorists to Be", gives a detailed description about the history of each member of the Committee of Public Safety leading up to the Revolution. The subsequent chapters describe the different political groups of the Revolution and how the CPS came to be as powerful as it did.

Chapters 6-9 deal with the individual missions of the CPS members to different parts of France. Chapter 6, "Republic in Miniature", describes Georges Couthon's mission to his native region of Clermont-Ferrand and his attempt to turn Puy-de-Dôme into a model for the Republic. Chapter 7, "Doom at Lyons", is self-explanatory and deals with Collot d'Herbois and the Committee's shocking actions in Lyons. Chapters 8 and 9 deal with the missions of Committee members to Alsace and Brittany to deal with the army and naval affairs in those regions, respectively.

The beginning of the end becomes apparent in chapter 11, "Finding the Narrow Way". In this chapter Danton makes his return to Paris and Robespierre and other members of the Committee are becoming more and more adamant in their positions. The remaining chapters detail the downfall of the Committee of Public Safety and the numerous executions that take place. The exception to this is chapter 14, "The Rush upon Europe", which describes the military events during the spring and early summer of 1794.

During the epilogue, Palmer sums up the lives of the eight of the original twelve that were remaining after 10 Thermidor and the different ways each one went. It is interesting to see how some of the members played a part during Napoleon's reign. Palmer end's the book with discussing Barère, him being the last surviving member of the Committee (passed away in 1841), and his last days.

Readability was something that I was looking for when I was choosing a book for this assignment. I didn't want a book that would be so in depth that it would be a chore to read, yet I didn't want a book that would have less information than my textbook. The Twelve Who Ruled was perfect in that sense and Palmer kept it interesting by including many quotations from meetings and correspondence of the period in his book. I haven't read any other books on the Year of the Terror, but I would have to recommend this book to anyone interested in the French Revolution, or even political science.

I agree with all of the amazon reviews as to this being a compelling narrative. Most interesting was Palmer's argument that the CPS wasn't merely Robespierre's beard. Palmer is mostly persuasive in his suggestion that power was more or less equitably diffused throughout the committee and that facesaving hindsight by CPS members is the reason why history has affixed sole blame for the terror on Robespierre's shoulders. Less convincing is Palmer's portait of Jacobin ideological purity. Robespierre and St.Just are presented as Spartan warriors with spotless souls even as he details their forgeries and chicanery in railroading their political rivals. Palmer often protests too much, bemoaning the miniscule percentage of victims of the terror and blaming CGS members, representatives on mission, anyone really but Robespierre. One can never escape bias in French revolution histories-so this criticism should certainly be taken with a grain of salt. Palmer's book is unique and refreshing however, meticulously and cogently argued.

In print since 1941, this fine book is a group portrait and analysis of the Committee of Public Safety, the most important organ of government in France from the fall of 1793 to the summer of 1794. Writing at the end of the 1930s, Palmer was particularly interested in the psychology of dictatorship and how much governments emerge.

When the members of the Committee took their seats, France and the French Revolution appeared headed for disaster. There was widespread dissent in the provinces, and in some, outright revolt. The chaotic politics in Paris made government from the center difficult and the armies of almost every other major European state seemed poised to dismember France. The members of the committee were on the face of it, an undistinguished lot of modest prior accomplishments. Almost exclusively middle class, none of them would have been able to rise high under the Ancien Regime. Most were lawyers or had legal training. Several were simultaneously minor provincial intellectuals. Two were army officers whose plebian origins would have prevented them from attaining significant rank in the Royal Army. As a group, and despite significant internal political strains, they proved to be an energetic and capable group of administrators and politicians. Palmer does very well in describing the considerable obstacles to success, the enormous efforts made by most of the Committee, and their considerable success as administrators.

Over the course of a year, the committee met the great challenges in front of them more or less successfully. Revolts in the provinces were crushed, often with great brutality. Though the Parisian political scene remained volatile, it did stabilize and the Committee was able to construct a reasonably effective central government. Assisted by dissent and incompetence among the monarchial opponents of France, the Committee found the resources and military leadership needed to prosecute the war successfully. The Committee arguably saved the Revolution and went a long way towards the construction of a powerful, centralized French state.

But what kind of Revolution did they save? Palmer shows very well that the Committee were not merely reacting to the pressure of events but were all committed Republicans of varying degrees of radicalism. It is impossible to understand their actions without recognizing their ideological commitment to a new kind of Republican society informed strongly by Rousseauist ideals. Detestation of inherited privilege, anti-clericalism (though not atheism), worship of the idea of virtue, a commitment to some form of popular sovereignty, and the pursuit of a strong state were common ideals of the Committee. As is often the case, war produced radicalization and these ideals would also justify the Terror and the ruthless suppression of provincial revolts, and encourage French armies in practices that anticipate the brutal behavior of Napoleon's armies in occupied Europe. In a few cases, the Committee made pragmatic choices that contradicted some of their earlier convictions. Most of the committee disliked the violent de-Christianization carried out by some radicals but did not interfere in some cases to maintain their political support in Paris. All the Committee members would have prefered an economic system based on free trade but the exigencies of war resulted in the first systematic and partially successful effort at a planned economy.

Palmer both describes the actions of the committee well and writes well about the individual members. His objective treatment of Robespierre is particularly good. This book is a model in terms of melding biographical information with the broader context of historical events. As a study of revolutionary psychology and a case example of how dictatorships form, this book is excellent.

This may have been the best book that I have ever read. Palmer does a great job of portraying the characters, the times, and the decisions they made. The last chapter is absolutely riveting. One of if not the best book I've ever read!

From the lovely rustic cover to the end, this cookbook is guaranteed to elicit warm nostalgic feelings of home. Ms. Engan-Borelli has done an exquisite job of collaborating a variety of cultural dishes from her Czechoslavakian, Dutch, German and Italian family heritage. Many of the recipes aptly bear the name of the beloved family members who have so generously shared their wonderful creations for this book. You will find appetizers, side dishes, breads, soups and salads, main courses and desserts, all created straight from the heart. Did I mention that the recipes are also mouth watering and delicious? I also enjoyed the tranquil paintings that were "peppered" throughout the book. The last part of the book contains a variety of helpful indexes and tables from how to stock your pantry to quick fixes for those uh-oh moments in the kitchen (that's for me) and so much more. I would recommend this book for anyone who enjoys cooking. It is a welcome addition to any cookbook collection. Makes a great holiday gift.

Cinagro Farm is a beautiful cookbook. It has a durable cardstock cover with a lovely picture of a barn on a Midwest farm. The lovely colors of periwinkle, forest green, bright orange make the landscape striking; and there's a cute red barn. It is secured by a green comb binding, which allows the book to rest open easily.

There are approximately 500 recipes on 250 pages. This recipe book in its first edition was released this year, but the author has been working on it 20 years. The book honors the ancestors of the author and her husband. It includes some heirloom recipes from the family's Norwegian, Dutch, German, Czechoslovakian and Italian backgrounds.

It has some yummy stuff in it, including Cranberry Bread, Swedish Meatballs, Corn Chowder, Italian Wedding Soup, Pesto, Garlic & Oil Pasta, Beef Brisket, Leg of Lamb, Chocolate Pecan Pie. Just thumbing through it will cause the digestive juices to flow.

This is a really neat cookbook. I hope that someday Carol will write a book in which she includes stories behind her recipes. She is a very articulate writer.

Although the heading of this review says the Cinagro Farm cookbook is unavailable, it is available through the seller. Check on upper right-hand side of the page.

Highly recommended!

This is my wife's cookbook. Since we married four years ago, I've had near every meal in this book. The fact I've gained 20 lbs since we married tells you that I can't get enough of her cooking. Every man thinks his mom is the greatest cook. Sorry mom, Carol has my stomach now.

Carol worked on this book a long time. When it was published I enjoyed reading her stories that came with the book. My oversized hamburgers did make the cookbook. She called them "Rockin Burgers". We call them "Earth Burgers" because the first time I made them for her, I dropped them on floor of the patio on the way into the house. Thus, came the name. She neglected to add that "story" to the notes on the recipe.

It's not often you read every recipe of a cookbook, but you can't help it with her book. The stories that she tells are very amusing. My office copy often brings laughter to those who read it.

It doesn't matter what style of food you like, Carol has it covered in her cook book. My father's Italian recipes have been handed down thru the ages and are great. (I can't believe my mother gave them up). I lived in Germany 6 years and I can tell you her German recipes are authentic.

Folks, this book is great! She should be a Food Network star!

I review a lot of cookbooks and I really liked this one, (and there are some which I haven't liked very much as you can see by perusing my numerous reviews!)

Here we have essentially a family cookbook where author Carol Engan Borrelli has extracted recipes from the European roots of her family ancestry. Not all the recipes are European, many have been Americanized to facilitate convenience; but others seemed to have been added (Mexican, for example) to round out the text. The subtitle is "Recipes to Honor Our Norwegian, Dutch, German, Czechoslovakian and Italian Ancestors" -- and the bulk of the dishes chiefly lean in that direction.

You get a whopping 500 recipes, 1-3 recipes per page, over the course of 258 pages, not counting the supplemental information (conversion charts, etc.) in the back. This 2008 text is enclosed in a sturdy and attractive (artwork by Sharon France) softcover GBC binding which allows the book to lie nicely open and flat when in use. I would gauge these dishes in a range from "easy" to "medium" in terms of their difficulty to prepare. While the work is not illustrated with photographs, I did not find this to be particularly thorny since the ingredient lists and directions are clearly conveyed.

Taking on the truly ethnically-rooted European recipes first, some of the ones I liked right away included Czechoslovakian Cabbage Soup (p. 59), Cod Stortingsgrata (a Norwegian fish casserole, p. 141), Kielbasa Kraut Supreme (p. 155), and Makkaroni Mit Vier Käsen (four-cheese macaroni, p. 165). I'm familiar with such dishes having spent a good deal of time in Cleveland and Lorain, Ohio, both of which are notably ethno-European (American) cities where I frequently got invited into some great old dining rooms by families who still spoke with native Polish, Czech, Italian, and German accents. And it didn't take much urging to learn to love these hearty dishes.

But this cookbook also contains a large number of what I would term as either "farm" or "standby" recipes. These recipes take in dishes such as Pancake Mix Recipe (your own bulk mix is always freshest and best, p. 16), Banana Bread (p. 23), Piccalilli (which I love to home-can, p. 85), Chicken and Dumplings (p. 135), Blueberry Crisp (p. 202), and Carol's Seasoned Salt (p. 253). I've already made the Blueberry Crisp (YUM!) and I also made the Meatloaf (p. 168) which was great and which also told me that all these recipes are probably first-rate. That's my test of a general cookbook -- I always check to see if the meatloaf recipe is solid and if it features any new ingredients which benefit it. This one did (pesto sauce), and the flavor was definitely improved with the infusion of that unique ingredient.

A few fusion recipes squeaked in here (e.g., Angloasian Rum Punch, p. 33; East Meets West Cookies, p. 213) and I was also surprised to find a Cream of Fiddlehead Soup recipe (p. 57). I've been using Christmas fern fiddleheads for years in camper salads but this seems a better application for the tender morsels.

Just a few of the recipes sport lengthy ingredient lists, not always desirable in our fast-paced society; but I personally savor such intricate treasures as I'm constantly in search of "the very best" and I don't care about the effort it takes to achieve this. One such recipe is the Rustic Dry Meat Rub (p. 89) with a total of 17 ingredients.

This is a very nice little general cookbook to supplement more basic and comprehensive texts such as Joy of Cooking: 75th Anniversary Edition - 2006. It's always the smaller cookbooks wherein one finds the real recipe treasures and Carol Engan Borrelli has cached a number of such treats here. The author operates a farm where she grows and sells herbs and appurtenant items and thus perhaps it's relevant to know that "Cinagro" [Farm] is "Organic" spelled backwards!

Highly recommended.

I added this one to my collection. It's a neat cookbook with a whole lot of things I have never cooked before.

"Colonel Chabert" is one of Honore de Balzac's volumes from his omnibus work, "The Human Comedy." The Colonel is a comic figure in and old military great coat and a wig who is ridiculed by young legal workers at the beginning of the novel. But, the joke is on the clerks, because Chabert is a war hero of the Napoleonic era who was given up for dead on a battlefield at Eylau. This translation from the French by Carol Grosman tells the story of the old soldier's resurrection in contemporary jargon. The novel is relevant today considering the service of soldiers in many wars continuing in our world. What happens to these heroes when wars end, or more accurately, shift to new fronts? Balzac paints the portrait of one old colonel who remains honorable and as a consequence seals his fate. The translation is very readable and the short novel is brief "scene from private life." The work will stimulate further interest in the monumental work of Balzac who had a relatively short life (1799-1850).

...of a great Balzac novella. Ms. Cosman captures the rigorous, logical quality of Balzac's prose - most translators get lost in unidiomatic wordiness. This 100 page novella showcases the Master's comfort with legal matters, his profound understanding of "the fang and the claw" and features at its center the incomparable Derville, Balzac's great, recurring lawyer character. I usually recommend Pere Goriot for first-time Balzac readers because of the rich connections between that novel and many other Balzac works - but I am hard pressed to imagine a better one-course meal than this rendering of Colonel Chabert by Ms. Cosman. I certainly plan to read her version of The Girl with the Golden Eyes.

One of the greatest novelists of all time, Balzac was most at home in the Paris of Post-Napoleonic Paris. In a time when the middle class was showing its strength and starting to reach towards the aristocracy, Balzac shows just how selfish and grubby and greedy humans can be in attaining and how treacherous they can be in keeping their all important upward mobility.

Colonel Chabert is a man disfigured in the Napoleonic Wars who was left for dead on a battlefield. After digging his way out of a mass grave, he finds that he has no legal right to his title or his massive estate. Nobody will believe his true identity. For ten longe years he goes about trying to communicate his plight to anyone who will listen. They only see a crazy bum, and his wife rebuffs his letters. She already has a new husband and kids. Finally Chabert is able to convince a lawyer named Dervilles to accept his case, namely that of reclaiming his title, lands, and wife. The problem is that noone is really interested in his life being resurrected. Most people would rather that he remained dead. So begins the ludicrous battle of a man against the law to prove his own existence.

This short but great novel, or novella, is a tragic take on the world's thirst for social status and the judgement by visuals that our society is only too guilty of to this day. If it walks like a bum, talks like a bum, it must be a bum. Colonel Chabert has such a hard time convincing people of his identity because of how they perceive him. It sounds echoes of Frankenstein in that a good man is reduced to a monster when all he really needs is love. The fact that even his wife wishes he were dead just drives home the isolated suffering of the book. As in all Balzac novels, you feel a world moving under the mantle of the book. The Human Comedy of Balzac is one of the crowning achievements of literature and ranks right up there with Shakespeare and Thomas Hardy.

Balzac, one of the greatest writers who ever lived, did not trip up with this one. I read it with great pleasure and conclude, as people so often say, that the movie based on the story did not equal the original. Ever the cynic (some might say 'the realist') Balzac portrays here the efforts of a noble-minded soldier, who rose from an orphanage to serve his country under Napoleon in Egypt and eastern Europe, only to reap the all-too-common fate of dedicated and true warriors---to be forgotten and ignored. Death (which he accepted) might have seized him, but he found a living death, a denial of his sanity and identity, as the reward of his service. Reported killed at the battle of Eylau, against the Russians, after a heroic action, the soldier literally crawls from his grave to a kind of shadowy survival. In his earlier life, Colonel Chabert had raised a woman to his own status, but now finds that she is unwilling to let others learn of her origins and does not want to recognize that he is, in fact, her long lost husband. Honestly thinking she was widowed, she married a highborn aristocrat who knew nothing of her humble beginnings.

The tale is one of greed, intrigue, loyalty and disloyalty. As usual, Balzac manages to cast a light, pitiless and bright, on every rotten corner of the human condition, while offering a few inspiring examples in contrast. Every detail of a lawyer's life in 19th century Paris is scrutinized, every glimpse of urban dairyman or elite country squirehood rings true. No wonder I admire him so much, no wonder I have no hesitation in urging you to read COLONEL CHABERT and any other volume of Balzac you can lay your hands on.

Carol Cosman's translation of Balzac's French 'Colonel Chabert' into the English has been very effective here- she does not input her own interpretations and seems to have a good handle on Balzac's natural, concise wording style.

The story itself is fascinating. In a nutshell, it focuses on a military man who is essentially erased from society, and the tribulations and insights he has from this 'non-existant' state as he tries to re-establish himself. Not only is this a witty and profound social commentary, but an entertaining twist which just keeps twisting.

In reading other's reviews of this short masterpiece, it seems as if many people have missed the meaning of the finale. While it is indeed a very enigmatic ending, it is not as lugubrious or fatalistic as most believe. What happens is that Colonel Chabert, in essentially having his old identity annihilated, becomes enlighted. In the ultimate destruction of his ego he becomes free. This is the magic finale which Balzac labors so hard, and so majestically, to set up in the plot.

This tome is very impressive, and relatively short (just over 100 pages) for those new to Balzac who want a nice, piquant appetizer. Balzac is one of the most brilliant French fiction writers of all time! He is a giant, and in 'Colonel Chabert', he weaves another illustrious stitch into his tapestry the Comedie Humaine.

This novel written by an author best known for her nonfiction/memoirs is a totally engaging coming of age story. This is a quietly spectacular novel about a brief but life-defining moment for Sabine, a young American exchange student in Paris. Struggles in class, language and culture, and the juxtaposition of personal history with the present, are the makings of this character-driven story, and it makes for a wonderful read. One of the themes that makes this a haunting and relatable story is the loneliness of a young person making adult decisions and living with the consequences. I found myself thinking about it for a long time the book was finished.

This is a wonderful, if hard-edged, story of one young woman's experience in Paris. Unlike the myriad books out there painting a rosy picture of (name any European country here), this portrait is more intimate, more gritty, and much better written than most you will find in your local bookstore.

Here, the character is unsure, struggling to find herself, some friends, and her way in the world. She hides a lot from others and herself on this journey of discovery, but each scene is truthful, compelling you to go on. This is a coming of age book, with all the clouds of vacuousness gone. It's the real story of a real American girl in Paris, lumps and all. I loved this book and highly recommend it.

Apart from the "gripping" (boy is that word overused in book reviews) style, and an intense feeling of integrity, this book offers humorus/morbid insights to everyday life, through a not so regular week in the life of an american exchange student, trapped in a not so romantic paris. I found it very enjoyable.

A gritty taste of reality told by an author whose command of the English language is a thing of beauty. Samantha Dunn tells the story of a young woman caught in a crisis without anyone to turn to in a land that can never up to her expectations. I was compelled to turn the page and see this girl face difficult hardships, intense loneliness, and moral dilemmas that would test any resolve. I was surprised that I cared so deeply for the character of Sabine and her journey to become a woman. An amazing book written by an amazing author.

Paris is usually written about in novels as romantic, luminous, but here it's grey, rainy, dangerous, claustrophobic--and thus, a revelation. On scholarship from Los Cruces, NM, Sabine is trying to fit in, to escape her lower middle class background, but can she ever really learn French so well that she *is* French? Powerful, gripping, hypnotic--and beautifully written.