Europe Books

This review pertains to the 2004 hardcover "Phoenix Edition" reprint. I must also confess that at this moment I have only made my way through half of volume 1. I feel it necessary to give potential buyers a "heads up" about this set: it is, as described, a massive work of mid-1800s scholarship. It was assumed at that time that anyone who would be reading such a work would be able to read Latin as well as Old High German, Old Norse, Anglo-Saxon, and a smattering of other medeival languages.
The author spends most of his time NOT telling mythical stories as the curious dabbler might expect, but instead chasing down obscure linguistic clues imbedded in medeival texts, place names, and quaint figures of speech in an attempt to reconstruct some sort of Germanic mythology (for which documentation is lacking) from its hypothetical parallels in Norse mythology (for which documentation is abundant) and the mythologies / religious beliefs / superstitions of surrounding races such as the Saxons, the Gauls, even the Greeks and Romans. This process is dull, dry, tedious, and to someone not fluent in Classical and Germanic languages, incomprehensible. If you love philology you will love these books, but if you want to be thrilled by tales of the Old Gods, stay away!! Herr Grimm does not tell many stories; all the cool stuff is quoted from his sources, and whatever of that isn't in Old High German is in Latin. _Untranslated_ Latin. BEWARE!!
Don't get me wrong; I do not regret owning this set, and I have every intention of finishing it - I'm just saying it's going to be unexpectedly difficult for me, and I can only recommend it for those with a Serious Interest in the subject. The information Grimm presents here is dense and staggeringly thorough - and it is, in a way, a very enjoyable read: the book has its own soporific charm which provides an almost physical pleasure from reading it. An entire mysterious world of unknown language and dimly-comprehended episodes from Latin chroniclers yawns before me. Should be a fun trip.
Nevertheless, my review must bear a mere 3 stars as a warning to those who only want to be thrilled by the mighty adventures of Thor: look elsewhere. This is not the right book for you to start.

This is thoroughful and extremely good edition of the phenomenal book. Naturally, several scolars later made some corrections on some subjects. Nevertheless Jacob Grimm's work inspired H.Heine, R.Wagner and many other men of genius. One cannot overestimate the 'Teutonic Mythology' even now. In a way it's a monument of human imagination, of both oral and written creations made during the centuries by the individuals as well as by the folks. And it still be and will be an inexhaustible source for our both knowledge and imagination as well.
Only one thing I would dare to suggest. Many fragments J.Grimm quotes in Latin, Greek etc... For the future editions I would translate all of them even it could take much space - up to an additional small volume. So, this unique book would be understood by much wider circle of the readers.

Yes, a few years ago I plunked down the over a $100 cost for this recently put back in print four volume set. I don't regret spending the money. Criticisms I have you have to wade through a lot of linguistics/philology stuff and for whatever reason, even though this is supposed to be the English translation, there is still a fair amount of material in German and Latin. But there is all kinds of great stuff in this. Not for the beginner or someone with just a casual interest in the subject matter but this is a must have for any serious student of northern European culture, folklore or Odinsim. What is it about so many books written in the 1800's being superior to 99% of whats been published in the past 50 years?

This is required reading for the true student! Can be a difficult read at times, but the knowledge and world view contained therein make it a treasure!

So Dover Publications has now (2004) reprinted "Teutonic Mythology" under the "Phoenix" imprint, apparently in two formats (bindings). I look at my copies of the previous (1966) Dover paperback edition of James Stallybrass's 1883-1888 translation of Jakob Grimm's "Deutsche Mythologie," with the four volumes bound in different colors, and I feel terribly old.

They were purchased at less than a tenth of the publisher's current asking price (well, one volume was a gift, but I'm looking at the cover prices), and I feel grateful that I bought (three of) them in the early 1970s. At the time, that still seemed a lot of money for paperbacks, even trade paperbacks, but I have had decades of use out of the set, which is still holding up well. (Dover then still used signature-stitched bindings and high-quality paper; their claim that their paperback books would last as well as hardcover editions was well founded. If Dover does reissue them in paperback, they will probably be less durable and, inevitably, more expensive.)

Read with care, and with frequent reference to modern text editions, translations, and studies, the "Teutonic Mythology" is still a mine of information on the religious ideas, customs, and common metaphors and figures of speech (supposed to be fossilized beliefs) of the ancient and early medieval Germanic peoples (the continental Germans, the Dutch and Flemings, the Scandinavians, and the Anglo-Saxons), and much else in medieval literature. Everyone knows the Grimms from the fairy-tale collection, but individually and together they wrote and edited much more. (For some reason, Jakob Grimm [1785-1863] almost always appears in English as Jacob, but his brother Wilhelm [1786-1859] never seems to become William.)

The "Mythology" in particular is constantly cited in the older secondary literature, so it is nice to be able to find such references. On many occasion it has clarified for me an obscure argument carried out by long-dead scholars with page-references to Grimm's then-definitive treatment of the issue (although sometimes I have had to work out the relation of the pagination of an unseen German edition to the English text -- not fun).

More important, for my purposes, it was a handy reference for what would have been readily available knowledge in the latter part of the nineteenth century, and the early twentieth. They are very useful indeed, if you are interested in Richard Wagner's versions of Germanic myth and legend, or those of William Morris. Or, particularly since this is a translation, if you want to see what was available to the young E.R. Eddison, C.S. Lewis and J.R.R. Tolkien, among many others.

(For that specific purpose, the only thing really comparable in scope they might have read was Benjamin Thorpe's three-volume "Northern Mythology" of 1851, which was briefly available in a one-volume omnibus paperback from Wordsworth a few years ago. In terms of information available to its learned author, Thorpe's book, which I have reviewed, was largely a less systematic English Grimm, with more extensive summaries of Norse sources, and some excellent additional evidence from folktales. It is not quite so dated, but mainly because it was not so ambitious; whole topics aren't even mentioned, so Thorpe couldn't have made any mistakes about them. For the intellectual and cultural background, Andew Wawn's recent (2000) "The Vikings and the Victorians: Inventing the Old North in 19th-Century Britain" may become the standard reference.)

Thomas Shippey in particular has pointed out several places where Tolkien invented Middle-earth "solutions" to passages where Grimm expressed confusion over contradictory data. Tolkien would eventually have gone directly to the German text; Lewis mentions reading Grimm in German, but seems to mean the Fairy Tales ("Kinder- und Hausmaerchen").

In addition, Grimm's appendices (in the fourth volume of the translation) assemble an extraordinary number of important non-literary medieval (and later) texts in one place; genealogies, spells, penitential guides, lists of superstitions, dialect terms. Although as editions they are antiquated, having them in one place proved convenient on a great many occasions. (For example, Valerie Flint's 1991 "The Rise of Magic in Early Medieval Europe" cites later editions of several of them, none readily accessible to me.)

Given the present price, although I'm delighted that Dover has brought the whole set back into print simultaneously for the first time in years, I'm not urging everyone interested in Germanic myth and folklore to rush to buy it. (Even with the current -- November 2004 -- Amazon discount.)

And not just because of the price. This is a monument of scholarship from the first half of the nineteenth century (1835; second edition 1844); almost everything in it has to be viewed with at least a little suspicion. Grimm already recognized that there were problems. A good part of volume four consists of additions and corrections to the text, which he had hoped to incorporate in a third, and fully revised, edition. (His publisher instead reprinted the three-volume second edition text in 1854, and called it the "Third Edition." A posthumous editor arranged the notes in order, to be printed as a supplement in a "Fourth Ediiton," and Stallybrass followed this practice, instead of tampering with the original.)

Throw in the expense, and there is reason for suggesting other places to start. I mention this age factor because the amount of antique misinformation I have seen gleaned from it, and presented as current, sometimes explicitly dated 1966, is a little frightening. And I expect to see more examples, with the 2004 date of the Dover Phoenix edition in the citation.

Stallybrass called his translation "Teutonic Mythology" to reflect that Grimm was using "Deutsche" in the widest possible sense, instead of a nationalistic one; the more recent term would be "Germanic." But for almost a century, beginning not long after after Jacob Grimm completed his work treating *all* the Germanic-speaking peoples as a continuum, the best surveys and handbooks, and almost all serious scholarship, carefully distinguished Northern (Scandinavian) from Southern (continental German) evidence. Surveys in particular were generally restricted to one or the other; usually "Norse Mythology," with a few citations from the continent. While some of Grimm's comparisons -- or the conclusions drawn from them -- were of dubious legitimacy, denying the validity of such comparisons *in advance* pre-determined the nature of the argument. Apparent exceptions generally quickly reveal themselves as second-hand Grimm. Those scholars who did survey the whole field were often concerned to prove that the medieval Scandinavian texts were late and unreliable compared to nineteenth-century German folklore. (If it looks "primitive" [crude], it must *be* primitive [early].)

The closest thing to a scholarly modern successor, the two-volume "Altgermanische Religionsgeschichte" by Jan de Vries, was severely criticized when it appeared in the mid-twentieth-century for returning to Grimm's comprehensive approach. (The author was under the influence of Dumezil's then-recent work on the original unity of Indo-European mythic and religious concepts, and the controversy has moderated with time and familiarity.) Unhappily, de Vries's "History of Old-Germanic Religion" is still not available in English. But there are substitutes in English which, taken together, are almost as comprehensive, as well as much more reliable than Grimm alone.

For the serious-minded beginner, John Lindow's "Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs" or Andy Orchard's "Cassell's Dictionary of Norse Myth & Legend" (and variant titles) are far better and more reliable guides to the Scandinavian evidence, with Rudolf Simek's "Dictionary of Northern Mythology" filling in some of the continental material, along with copious linguistic information reflecting an additional century and a half of research. I would strongly urge anyone new to the field to have at least one or two of these at hand whenever Grimm is being consulted; definitely Simek on matters linguistic, if possible (the book is currently out of print, although a reprinting of the paperback is scheduled for Spring 2006). All three (which I have reviewed separately; I call attention to some of Simek's shortcomings, but his book is mostly first-rate) have extensive bibliographies. Some of Lindow's extended articles come closest to Grimm's chapter-length treatises.

However, when all is said and done, there is something to be said for these four antiquated volumes. Like Aristotle, Jakob Grimm produced a "premature synthesis" of knowledge, and, as with Aristotle, even the errors of a first-class mind are worth pondering. And a lot of it *is* dead on right.

At some point "Teutonic Mythology" should be consulted by anyone interested in Germanic studies, or medieval literature, or folklore studies, or comparative mythology -- if only as an act of piety. Having hardcover and library-bound editions available may make this effort more likely than it has been in recent years. And maybe it will, sooner or later, be back in paperback form.

Reading this book, I got to share a fascinating life with people who lived adventures I never dreamed of. I wouldn't have considered going to Moscow State in my early 20s! I have followed international news over the past 40 years, sometimes more closely than other times as "life" allowed. And I was aware of Russia, but my images were formed by tne nightly broadcasts from Moscow....only to learn, duh, what a huge and diverse country Russia is and was.

Naomi's rich descriptions of sparse student lives, charming (who knew?) villages, life as an expat, and the bravery of the U.S. diplomats is captivating. Regardless of one's interest in Russia, this is a fascinating story told by a keen observer and skilled writer.

Her book and story is too important (now I know that) to call an "airplane" or "beach book" but it is that engrossing of a read.

The book makes the whole experience come alive. The best part was the parallels between the changes in Russia and the changes in the author. And I liked the way Ambassador Collins' chapters provide a context for the work at the beginning and end.

This review was just sent to me in a letter by another American in Moscow who does not use Internet.
"I have just finished the book and am in awe of the writing. The book masterfully conveys the multi-textured Soviet experience over changing decades as well as evoking the challenges "wife of" has to surmount. Once I picked it up, I couldn't stop reading. It transported me to living in the days of the Soviet Union."

Naomi Collins helps the reader walk the tightrope between the private and personal life of the individual and the massive presence of the Soviet/Russian state. It is both a personal diary and a political essay that takes the reader through the recent past as perceived by a talented and sensitive observer of her world. The personal narrative creates the focus through which to take hold and grasp major events of our time. The author's willingness to share with us thoughts and emotions originally intended for personal journals and close friends and family is a gift to her wider audience. It is beautifully written. Her poetry, written during periods in Russia, is truly evocative of time and place.

Invite Naomi Collins to your home. Ask her to relate her experiences as the wife of a Foreign Service employee who eventually becomes the Ambassador to Russia. The night before her arrival prepare some bifstek and kvas so that she will feel at home. Be sure to listen intently to her every word as she shares the last 40 years of her life in and out of Russia. If she is either too busy to visit or you cannot make or purchase kvas, do the next best thing and pick up a copy of her book "Through Dark Days and White Nights". I assure you that her story will captivate and fascinate you as if she were sitting in your living room. Her style of writing is as natural as her speech. Her observational skills and her careful documentation of events help to paint her story with passion and realism that could only be matched by someone traveling along with Naomi. I shivered as she described the winters in Russia and cringed at the description of the putrefying matter found in the unkempt bathrooms. You need not be interested in Russian history or politics to enjoy this book. The 4-decade memoir transitions from life as a student at Moscow State University, to wife of the American Ambassador to Russia at the Spaso House. It is a quick read and disappointing that it ends so soon. I await the writing of another book by Naomi Collins.

My Father (a WWII veteran) and I made an extraordinary trip with Cavanagh through the Ardennes in 2005 and we both have re-lived our trip with the aid of this book many times since then.

No one knows the Ardennes battlefields like Will Cavanagh ... No one. "A Tour of the Bulge Battlefield" makes that very evident.

If you have any interest at all in the Battle of the Bulge, I would highly recommend allowing Will Cavanagh to guide you, either in person or by way of this book.

I was a battlefield tour guide in Europe for over three years. One of our most popular tours was the Ardennes Offensive aka "The Battle of the Bulge". Since we only had a day, we would drive up from Luxembourg City, paralleling the 3rd Army's relief route, and tour the Bastogne perimeter. If I had this book, I would've recommended this to my customers who wished to visit other sites of the battle. "A Tour of the Bulge Battlefield" is designed for the tourist who wishes to tour the battlefield(s) for himself/herself. Well researched and written, one could almost use this book as a secondary source in itself. The six chapters cover the entire battle, from the north around Stavelot, to the south in the Ettlebruch/Diekirch area. Each chapter is in itself an excellent capsulation of the battle and movements, both German and American. However, this is not a guidebook in the traditional sense, there is nothing about lodging, and very little regarding food, and other questions most tourists have. Also, what few maps there are inadequate, surprising considering this book is designed for auto-touring.

If you get several maps, the excellent Michelin series comes to mind, plus a traditional guidebook, and some `net research regarding transport, renting a car in Belgium/Luxembourg/Germany, this book would make for an outstanding historical vacation.

In 1985, I journeyed from Aachen to Namur, Liege, Dinant, and Libramont on the way to Bastogne. I made the journey without a guide book and so spent considerable time just wandering around Bastogne and sort of stumbling upon things in that area. What a boon it would have been to have had Cavanagh's outstanding book for reference.

This little gem is full of outstanding text and some really great photographs not found in other books on the subject. This book deftly combines period photos with contemporary ones to bring the reader in. Appropriate and detailed unit maps accompany the text and make this book a bit more than just a tour book.

In fact, this book is really one of the better overall texts on the Battle of the Bulge. It is truly one of those books that you enjoy poring over again and again, as you learn something new each time.

Really, can't sing it's praises enough. Sure wish I had had it back in '85.

I recently followed the trail of the well-known 'Kampfgruppe Peiper', with the help of this amply illustrated guide, from the then frontline in December 1944 at the German border to La Gleize/Stoumont in the Belgian Ardennes, about 60 kilometers from its point of departure. With the help of this guide it turned out to be a fascinating experience. The reader gets a very good picture, by surveying the terrain and reading this text, of the heavy fighting which took place in this area in this fateful period that took its toll on civilians and military alike. This guide provides not only an excellent description of the route Peiper and his men took but also contains much interesting background information. It also provides descriptions of the routes taken by the main German formations in other sectors of the front during their failed push to the west. A plus of the book is definitely that it pays lots of attention to the German perspective on what happened. This aspect is often neglected in other English language literature on the subject, e.g. in the Toland volume on the Battle of the Bulge. A minor point of criticism on this book in my view concerns the maps. The book contains maps, but as the author himself says in the introduction, the reader needs the relevant Michelin maps of the area as well to complete this otherwise very useful battlefield guide.

This is a must read for anyone interested in the history of the Battle of The Bulge. Will Cavanagh's latest book is a fascinating account of the battle. Take a ride in the Tiger Tanks of Kampfgruppe Pieper, feel the enthusiasm as they go on the counter offensive. Stand with the exhausted Americans, feel their terror and dread as they defend against the onslaught. All this is accomplished through numerous first hand accounts, told by the participants. The book is complete with many maps and numerous photographs of the participants. Most of the photos are from the authors personal collection.

I have traveled with Will Cavanagh and listened to his lectures. No one knows this history better.

This book covers the history of "Ukraine" from time immemorial until the late 20th century, laying out all the important dates and leaders. It is without doubt the most extensive and lucid English-language account of the development of regions and peoples which constitute today's Ukraine.

Its crucial fault, however, is that it fails to overturn or even question the nationalist mythologizing of Ukrainian history. It assumes the permanent historical unity of the Ukrainian nation when in fact no such unity existed until at least the early 1900s. It marginalizes the role of Poles, Russians, and even Germans in laying rival claims to the territory and peoples now called Ukraine. It leads us to believe that Ukraine was destined to exist in its current form, when in fact the creation of Ukraine was highly contested and its current shape anything but pre-determined. This book presents the genealogy of regional figures and struggles which have been appropriated into Ukrainian nationalist mythology, but gives little sense how or when Ukraine actually came to exist, nor how its history fits into larger European narratives.

Mr. Subtelny's "Ukraine: A History" rates a notch above Mr. Magosci's. Well-written and very readable. This is the volume one reaches for when facts on the Ukrainian history are required.

Its full of knowledge and many interesting rarely seen historical photos. I have learned much more information that I ever knew before about Ukraine. Excellent book that I would recommend to everyone.

First published in 1988, Orest Subtelny's Ukraine: A History has again been newly updated in a third edition. This 736 page volume spans from the earliest times to the modern day, covering everything from ancient Greek colonization to the recent Ukraine diaspora. Orest Subtelny (Professor of History and Political Science at York University) goes into extreme depth and detail with a text that is significantly enhanced with maps, tables, and the occasional black-and-white photograph. Highly recommended for its lucidity, meticulous attention to detail, and scholarly precision, Ukraine: A History is a "must" for anyone who wants to learn about this fascinating land and its people.

Orest Subtelny's book on Ukrainian history is intelligently written and very readable, among the growing number of books on Ukraine. It's at the top of the list. A must for any Ukraine enthusiast!

This book is a treasure because all the text is handwritten and the illustrations are fabulous.....there are recipes and a great deal of history & information about Venice. This kind of book will soon be a relic.

If you have ever experienced cichetti in Venice, this book will bring it all back. In addition to the recipes, the illustrations are charming, representative of the real Venice that the average tourist never sees but that those who take the time to learn and love the Serenissima truly cherish.

I purchased this book soon after it came out. I found it at the wonderful Kepler's bookstore in Menlo Park, California in among the cookbooks. Which makes sense, because, in part Venice & Food is a cookbook. But Venice & Food is two other thing as well: a book about Venice and its history and an art book of Ms. Spector's remarkable drawings of Venice. What is also remarkable about this book is that it is not typeset. The book is entirely written in Ms. Spector's hand printed text and the illustrations are annotated with her script.

Ms. Spector is a wonderful artist and her drawings of Venice are beautiful. The drawings illustrate essays on topics ranging from where Venice gets its fresh water to the history of corn in Europe and Venice. Since this is a cookbook, Ms. Spector also writes about the history of food and cooking in Venice, including a few accounts of modern food. In writing about food and cooking through history, Ms. Spector comments that for the vast majority of people through most of human history, the concern was not about the sensuality of food, but simply having a full stomach.

The beautiful artwork, the observations about Venice, its history and its food are what make this book a treasure. I am sad to say that I read the book cover to cover and did not find a recipe that I wanted to make. Although I will not be using this as a cookbook, I will always treasure the book for its beauty.

Just another rave review for this beautiful book. If you love Venice, you will love this book. If you know anyone who loves Venice, get them this book as a gift. Sally Spector knows Venice and obviously loves the city. Her drawings and history of details behind the food and recipes is a joy to read and to look at. If you have been to Venice, this book will take you back and get you looking forward to your next trip. In the meantime, you can savor the delicious recipes and the warmth of Venice and Food....

"Tell me what you eat and I will tell you what you are" Brillat-Savarin declared. Judging by its cuisine, Venice must surely qualify as the ancient and modern day city of princes and artists. Sally Spector vividly brings to life the importance of Venice as the crucial stepping-stone for cuisine in Italy and Europe in "Venice and Food".

Little did I know that world famous dishes such as risotto, polenta, tiramisu and many other delights originate from Veneto and fair Venice - until I read Sally's superb description of their origins. She elegantly evokes the typical dishes of Venice with such accuracy that I could almost smell the aromas while reading her book - especially her enticing descriptions of the "Cuttlefish stewed in its ink" and "Bacala a la Vicentina". Such descriptions of typical Venetian dishes are beautifully interwoven with their historical origins. Even their essential ingredients are traced back to their roots. Who knew that eggplant, the basis for Melanzane al Funghetto, emanates from China?

An additional bonus and particularly attractive aspect of "Venice and Food" are the illustrations throughout the book. They are done by Sally herself who is a talented artist. Moreover, the whole book is written in her own elegant handwriting - a unique and superbly pleasing feature.

In sum, from the minute I picked up this book, I could not put it down until the next day - the first two days of my visit to Venice. It served as a magnificent introduction to Venice - not only the city of romance but also certainly of history and cuisine.

"Venice and Food" is a must read for any food enthusiast!

Venice for Pleasure is an off the beaten path sort of guide, filled with anecdotes, character sketches, and historic photos. Links takes his readers beyond the famous facades and brings the "theme park" to life. Fun to use then to keep and reread for reminiscence afterwards.

Terrific read for those intent on seeing the Venice that lies beyond Piazza San Marco and the Rialto Bridge. Whether you follow the author's routes on his strolls thru the sestieres, or just use his walks as a source of inspiration (as we did), this book is an indispensable addition to the library of anyone planning a trip to Venice. Thanks in large measure to encouragement offered by this book, we ventured into some of the nooks and crannys of this amazing city... we'll see St Mark's Basilica next time we go.

What a strange and wonderful little book!

Venice for Pleasure is essentially four walking tours told in a charmingly conversational style by an author who is clearly in love with Venice. Stopping in a Venetian cafe to read a passage is like having a friend leaning over your shoulder to recall the local history and gossip, point out fascinating details that you probably wouldn't have noticed, and make you smile with his dry wit.

We did all four walking tours and thoroughly enjoyed Links' companionship along the way; I can't recommend it highly enough if exploring Venice on foot is your aim. We also found the directions infallible.

Please note that this isn't a conventional guidebook, so you shouldn't expect logistical information.

If there is no such thing for you as having too much information, then think about buying this book. This book has walking itineraries including places to stop for rest and refreshment, and wonderful details on things to look at while you are walking and even while you are sitting down. This book is not useful for restaurants or hotels or hours that sites are open. Includes history, and comments on Venice from famous writers of the past like John Ruskin. It is to be savored.

Fantastic Book!!! I bought this for my wife as a memento of our 25th Anniversary trip to Venice. It was perfect. I highly recommend it to any armchair traveler who wants to "visit" the world's most romantic city. David

I received the book in very good condition and came very well wrapped and quickly. I am very satisfied with it.

Walks Through Lost Paris: A Journey Into the Heart of Historic Paris

This is a wonderful book, except for one thing. It is so small that the maps are almost unreadable, and the print is not so easy to read either. I've been to Paris twice and walked through all four areas in the book before, but the book opened my eyes to a lot of history and details I'm looking forward to seeing first hand. I am taking it to Paris in a couple weeks, and I'm looking forward to the walks, but I'm going to have to blow up the maps so I can read them without a magnifying glass. This book would be far more enjoyable in a larger format.

If you love Paris (and who doesn't?) you'll appreciate this book. It takes us over well-trod streets, past ancient buildings, and brings them alive by examining their past. Atget documented Paris as it was; this book predates that.

Beautifully produced book with superb use of 19th century & current photos to show changes in Paris locations pre & post Haussmann. A great read for anyone who loves & knows Paris, and doubles as an "advanced" and specialized walking guide for those lucky enough to be on site.

Whether one takes the recommended walks or just reads the words, this is a great little book, full of wonderful then and now photos (I especially like the photo of the people in the boat on Rue Jacob during the flood of 1910--see the hats!) and interesting discussions of how Paris came to be what we see today, how sections of the city were saved by those who loved them, and how other sectors were changed and updated. I have a number of walks-around-Paris books, some written for Parisians themselves, and I think this is the best and most interesting. It entertained my husband when he recently spent a week in the hospital. It is not especially touristic, and not a book for those dropping in for a day or two to see the highlights of Paris. This is a book to wallow around in. I found the English version first, but will look for the French, as I'm suspicious of translations.

An excellent book with a different perspective. It is not only well written but beautifully printed and bound. A joy to read and to walk in the very steps of these two historic and romantic personalities. Take it along on your next trip to Paris.Floyd McRae, Napoleonic Alliance, International Napoleonic Society.

Delightful, informative, exciting. Great for a sophisticated traveler -- a perfect gift for any tourist planning a trip to Paris -- and also a stimulating, fun read. I loved it.

Diana Reid Haig's beautiful, well researched book is invaluable on two levels; as a work of art and as a practical walking guide. Walks Through Napoleon and Josephine's Paris will interest Francophiles as well as those who love history and art. This extremely readable history of Napoleon and Josephine chronicles the rise and fall of the doomed couple--a history which is also inexorably linked with the history of France and the French Revolution.

A blend of words and art, Haig's book is wonderful to page through, but is also a great read. I recommend this work to both armchair travelers and frequent visitors to Paris. This book is a brilliant new way to see and enjoy Paris.

I had the delightful privilege of hearing Mme. Haig read from her book at the French Institute in New York which in turn, plunged me into an exuberant frenzy to learn as much as I could about Napoleon and even more so - Josephine. Mme. Haig's writing comes from a genuine passion about her subjects and is wonderfully researched, with fascinating detail. Should you be travelling to Paris with a teenager, this book could ignite a passion in them as well about history before Britney Spears' first marriage.

Diana Reid Haig has produced a delightful book that is at once fascinating and useful. She tells short anecdotal stories of Napoleon and Josephine and their times while showing us beautiful photographs of the places they would have known and then showing us how to find them. No one who is interested in Napoleon should ever visit Paris without consulting this book, and even those who will never set foot on the Champs-Élysées will enjoy thumbing through its pages and reading Haig's well-written little vignettes of one of history's most famous love stories.

The book is organized into four "walks," which generally correspond to Napoleon's early career and meeting of Josephine, life as First Consul, the coronation, and the return of Napoleon's body in 1840. To these she adds a tour of Fontainebleau and Malmaison, two places where Napoleon and Josephine lived. Each walk comes with a map that clearly shows the major places she discusses as well as shops and other areas of interest. The maps are easy to follow and a dotted line traces her suggested route. A map of Paris showing where in the greater scheme of things these maps fit would have been useful, but any visit to Paris will be enhanced by this book.

One of Haig's most endearing qualities as a writer is her ability to provide interesting and useful information in a way that both informs and entertains. Throughout her book we hear of some of the standard discussions of Napoleon and Josephine, such as her affair and their near breakup after his Egyptian campaign. But we also are given brief glimpses into their daily lives and their relationship with the buildings that we can see on her tours. Haig also includes interesting "side boxes" on topics the basics of which are common knowledge but the unknown details of which can be quite interesting. For example, we all know of Napoleon's famous hat, but from Haig we learn that he ordered four a year as First Consul and later had at least fifty ordered from his hatter, Poupard, who charged exorbitant rates. Indeed, Haig presents enough interesting history that a scholarly reader is left wishing she had provided references.

This wonderful little book is like none other that I have seen. It is beautifully produced and well written. I highly recommend it to anyone interested in seeing and understanding Napoleon and Josephine's Paris.

J. David Markham, Author
Napoleon's Road to Glory: Triumphs, Defeats and Immortality
Imperial Glory: The Bulletins of Napoleon's Grande Armée

I am thoroughly enjoying this whole series by the Thoene's. It keeps me interested and I can't put the book down until I have finished it - usually over a period of days. I enjoy historical novels especially with a Christian background. The suspense of what the Nazi's will do next, the close escape of the heroes and heroines keep me glued to the pages. The authors catchy theme of their books is "Truth Through Fiction" - it's very true.

I just finished reading "Warsaw Requiem", the last book in the "Zion Covenant" series. It was wonderful, as are all the books in that series. The characters in the book will always be a part of my life.

I totally got absorbed in this book....trying to imagine what it would have been like living in the Jewish sector of Warsaw, waking up to bombs dropping and fighter planes zeroing in on children going to school!

This is one book in a series of 9, called the Zion Covenant. I am on Book #8 and my husband is a book behind me. We cannot quit reading them! A wonderful series on Jews, many Christians, trying to get away from Hitler in WW2. Your faith in the power of prayer is totally reinforced in these books. You see God's hand throughout....

Well, I'm a 16 years old girl from Norway. The reson why I read this book is because in my class we had to read a book and afterwords we had to write a review of it. So, I went down to the school library, there I took the first book I could find... But I have to say that this book was great! It shows how the jews lived and felt it during the second world war, and I have learnd so much from it! I highly recomand this book for all ages, but it requires that you know something about 2. wordwar...

This book - the whole series, in fact, are so filled with power it is amazing. It convicted me, inspired me, and moved me. I read a lot of books, and I mean a lot, but very few are in the calibre this book is in. The characters are very real and the way in which they relate to one another makes you feel as though you are a part of the action. I became so involved that at the end of the book I felt as though I had lost many friends. The writing style itself flows smoothly, never feeling stilted or cheap. The story-line was exciting, and the historical detail is so wound up in the story it becomes difficult to separate the two. All in all, I'd recommend this book to anyone, and I am sure that I will read it again and again and again.

I read about this book in the St. Paul(MN)Pioneer Press

We have a Scottish daughter-in-law. We went to visit her parents on the Isle of Skye after she married our son. I fell in love with Scotland, especially the Highlands.

I ordered this book for my daughter-in-law for her birthday and she was delighted with it. She knew the location of Coicagh, had been there and knew how to pronounce it. I picked the book up at our library and am enjoying it immensely. Anyone born in Scotland or it was their birthplace, can't help but identify with these Highland Scots: Warm, generous, patient with Americans, especially. To me Scotland could be heaven and I would be satisfied.

I have found with the books that I really love that I stop reading them with 30 or so pages left. I just don't want to finish them beause I don't want them to end. Then I laugh at myself for being silly and finally read the last pages. This was one of those books. I really didn't want it to end. Once I finished it I couldn't decide whether I should start reading it again or just book my ticket to Scotland. I honestly laughed and cried while I read this and feel as though I now know the whole village of Achiltibuie.

Wow! I felt like I was there. I have been to Scotland before, but not quite that far northwest. Now I see what I missed. The Frieda chapter was priceless! It was nice to read both authors' comments. It gave a well rounded picture of the people and terrain of the area. I felt as though I were there. The writing is so vivid, that I felt the wind and cold rain. The life the authors had is quickly dying, and it was wonderful that they were able to take that time in their life, to live a somewhat slower pace, where you had time to "smell the flowers" and appreciate their neighbors. The pictures were excellent as well, and easily showed Scottish life and scenery.

What a wonderful adventure in living. How delightfully written and beautifully illustrated. It's really about the Maloney's romance with the Highland village of Coigach, whose climate and living conditions that would try the patience of a flagellant. The generally loveable inhabitants would do justice to a 60s Peter Sellers film. The tale of the lovesick ewe is worth the price of admission.
This book almost makes me want to go to Scotland and live the experience myself. However, I think I will resist the temptation, sit in my favorite chair and let the Maloneys do it for me; they do it so well.

A great story about a middle-aged couple who were not afraid to leave their comfortable life and find a new life in an out-of-the way place.
Very entertaining. A real life adventure.