Japan Books

Excelleng book on modular origami. Very well detailed and good explanations. It is not necessary, but it helps to be comfortable with basic and intermediate folding techniques.

looks good sounds good read well but ive seen better, i do recommend to the high commited

Tomoko Fuse is one of the best known names in origami, and modular forms seems to be the hottest current area. She takes her work seriously, she states, always trying to create the most perfect folds. I am a beginner with a casual interest in moderately complex figures, so this book is way above my interest, commitment and skill level. The large number of black-and-white photos and diagrams also index this as a book for the serious origami hobbyist.

I have had this book for about 5-6 years now and IT'S A MESS! By that I mean, dog-eared, folded, written in, you get the idea. This is absolutely my favorite of the many origami books I have. It introduced me to modular origami back when I was just making boxes and cranes. The instructions are excellent and I have made so many models for gifts, decorations, you name it! Fuse's models decorate my bookshelf and have delighted many of my friends and family members. This book is definitely for more experienced folders, however I do have a friend that borrowed the book and had never done origami before, and he used some of Fuse's methods to build an amazing bridge of his own creation. You can use the methods to create models in the book as well as your own pieces of art. I HIGHLY recommend this book and any other written by Tomoko Fuse.

I appreciate Tomoko Fuse's work because her designs are simple, yet elegant, and they are very clearly explained and diagrammed. She approaches her subject in such a manner than she manages to demystify it so that the reader isn't too intimidated to attempt a project. Hers is the first name I turn to when I'm ready to move on to other techniques, designs, or styles. This book was no different in that regard. It is, as the name implies, instruction on creating multiple UNITS that will then be assembled into different shapes and designs. For that reason, I would say it is defintely for a dedicated enthusiast, as it definitely takes some patience to connect some of these units in a way that will leave the final model smooth and unblemished. However, this is the case with any modular or unit style origami, and not specific to Tomoko's work. If anything, she manages to take some of the mystery out of it in the process and even include encouragement where necessary. I enjoyed her little snippets of insight into her method and approach, as well as her deep admiration and reverence for the craft in general, which comes through in these writings. I fold paper because it gives me a sense of peace and satisfaction through accomplishment. Each new project is a tiny little victory when completed, and works as well for me as meditation. These many different units and connecting them in fun and different ways is certainly fulfilling for those who have that constant inner urge to fold, and then not knowing what to do with tons of cranes, birds, and boxes, etc., that you've created. I just fold different kinds of units over and over, then when I'm ready, I can attempt to connect them later on. There are enough different units and ways to connect them that I am stimulated for hours on end with no end in sight yet. If you are just beginning to fold, I would hold off on this book until you get used to something simpler, like her book "Origami Boxes."

"Autumn Lightning" by Dave Lowry appeared to me as a combination of biographical sketch mixed generously with Japanese History, and Spirituality.

The book (for me) was in itself, a "Fair Read," but not necessarily one that will become part of my spirit. Much of this could however, be due to my age. While reading this book, I was often reminded of the movie; "The Karate Kid." In that movie; "Daniel Larusso" becomes "Miyagi-fied" and is turned into a great Marshal Artist. Likewise, Dave Lowry in this book becomes "Kotaro-fied" and emerges as a great Occidental swordsman.

I own one other book by Mr. Lowry on the "Art of Kendo" complete with photographic examples, and many teaching comments that have been very helpful to me.

Mr. Lowry writes and teaches out of sheer devotion and love of the subject, and for this; I truly applaud and respect him! I believe this to be a worthy book but, probably for a younger individual looking for a mentor of desciplines that help to develope spirit and physical attributes.

Dave Lowry offers a perspective in his books not often available to the Western martial arts practitioner - a considered interpretation of modern martial arts in the context of traditional (koryu) arts.

Written in a exceptionally approachable style, Lowry tells the story of his introduction to martial arts, interspersed with anecdotes from Japanese martial history.

Lowry's books provide me with insights into my own training and have helped me grow as a martial artist. Rather than the simple discussion of technique, his essays delve into the "-do" of the arts

One of my all-time favorites, it's recommended reading for all of my students. Mr. Lowry's story is similar to my own. He tells his tale with crisp and humorous writing that has you on the edge of your seat and then lets you sit back and chuckle. A wonderful classic.
If you don't have a copy, you're really missing out.

This is a great read for anyone interested in learning about the history of the Yagyu Shinkage Ryu of swordmanship. Woven into this history are the events that lead Lowry into studying this Ryu and his dynamic interaction with his Sensei.

I've recently reread all the books I have on martial arts, Japan, Japanese culture and history. When I find a passage that really strikes me, I underline it and dog-ear the page. After finishing the handful of books I already have, I came to Amazon to find more. Dave Lowry's book seemed interesting from reading the first few pages available online. Little did I know I would be underlining and dog-earing most of the pages in the rest of the book! An excellent read for new or experienced readers in Japanese history, culture and/or martial arts. I highly recommend it!

I have been studying japanese for the last five years, from high school thought my first year of college and see no end to this pass time in sight. I have checked out numerous books and other materials on learning japanese and for learning kanji, none comes as close to perfect as this book and its sequels. While it follows no textbook perfectly, this makes it able to be used by any learner of basic japanese. By having the reader repeat writing the kanji and then providing extensive practice that has the reader use the kanji in context this book ensures that the kanji stay learned more than with other books. Also the grammar patterns used in example sentences get progressively harder ensuring that the reader has example sentences suitable to an increasing proficiency with japanese.

This book is a God send, or Whatever send for you non-Christians. It is a wonderful workbook that gives you various questions and methods to teach you the multiple kanji used in basic Japanese. The only down side is that there isn't a Kana section, and all of the pronunciation listings are in Kana. The plus side is that it trains you to not always have an English backup plan.

It's meant to be written on, which is something the various other books I have don't have in mind. They show you everything, and teach you nothing. I recommend this to EVERYONE.

I just started learning Japanese....oh, about 2 weeks ago. I had no trouble learning Hiragana and Katakana, but as I'm sure you already know, the Kanji seems to be nearly impossible. Well, this book pretty much solves everything.
It starts you out with the simplest Kanji and only builds each section off of previous knowledge. It is well laid out with thoughtful planning and it never eases up. I really have no idea how they managed it, but the book really immerses you in the Kanji and makes it so easy to remember with some of the best drills I've seen.

If you plan on learning Japanese, forget all of the other Kanji workbooks because this one is really the only one you need. I would also suggest getting the whole series because they are all built off of this first book.

I used this book about a week before I started taking my Japanese classes and to say that the beginning of class was easy due to the things this book taught me would be a great understatement.

I have bought several other Kanji books before buying this one. Some of the other books left me with unanswered questions. Others unmotivated me to study so i gave up studying. I bought Basic Kanji Book because one of my friends who is also Japanese student suggested me to buy it.


Basic Kanji Book is a great choice if you are learning Kanji. In every chapter you learn 10 or more Kanji characters. And at the end of the each chapter you will review them by having 30 or more questions about these characters. The good thing is that each chapter and the questions make you feel like you are learning Kanji. That feeling motivates you and makes you want to study more Kanji.

I suggest this book to everyone who is trying to learn Kanji. I am totally satisfied with this book.

Don't think about getting any other books to learn Kanji because this book is pretty comprehensive. It teaches you the stroke order and the meanings and then uses the kanji in practical context. For example, it gives you the layout of a train station and the various directional gates, N S E W, subway and the respective Kanji used. This was an invaluable resource in my learning of Kanji.

This series of books is an outstanding history of the reorganization of Soka Gakkai International after World War II in Japan. It provides a great insight into the rebuilding of Japan, and the struggle many endured to rebuild the SGI and their lives. Recommend to all SGI members.

This book (series) chronicles the history of the Nichiren Buddhist laity, Soka Gakkai,from 1960 to the present. It's a collection of the personal struggles and victories of the pioneers of Nichiren Daishonin's Buddhism in America. No matter how many times I read it, it never fails to inspire me with hope and courage. The SGI motto "No matter what, never give up!" echos from every page.

As a foreigner living in a foreign land, I can understand from my own life how the Japanese war brides who introduced Nichiren Daishonin's Buddhism to the USA felt. President Ikeda gave them four tasks to perform and they were:

1.) learn to speak English 2.) learn to drive a car 3.) buy a car 4.) become US citizens.

Impossible dreams for these women. By taking US citizenship they'd lose their Japanese citizenship and could never go home. English was very difficult to learn. Buying a car for a newly wed military couple, often with young children, was also seemingly out of reach.

Though their deep faith they made they impossible possible. Please do read the entire series. It will become one of your favorites as it has become mine.

As a practitioner of Nichiren Buddhism and a relatively new member of the Soka Gakkai International, this book was a great surprise to me. I knew that the book was a history of how the Soka Gakkai was reinvigorated by Josei Toda after WWII. But I had no idea that the struggle was so great. I am learning every day more about Buddhism by reading how the characters in the books use their faith to overcome their own struggles (karma) and become enlightened people. Maybe the expert on snake oil does not practice Buddhism so the story does not make much sense. I look forward to reading "The New Human Revolution."

As a novel in which the protagonist, Josei Toda, discovers a deeper meaning to Buddhism while imprisoned by a militarist government during WWII may not connect with every reader. I read this novel approx. 30 years ago as I was learning about Buddhist practice and philosophy. It provided an excellent medium through which I learned the application of Buddhism in a practical setting, rather than simply as abstract concepts. I have continued my Buddhist practice and this novel was a key to keeping focused on the primary goal of enlightenment, a.k.a Human Revolution. Why another reviewer dismisses this as "snake oil" is odd. This Buddhism is a simple practice which requires no belief to undertake. An interested party, as I was, may begin without spending a penny, as I did. It is certainly not focused on trying people to spend large sums on ever continuing seminars and such. This school of Buddhism does alarm some people, as the novel illustrates, because other "mass movements" of the time were facist and not humanist. Furthermore, any new movement is seen as a threat to established institiutions. The Soka Gakkai, which this novel explores, is now recognized by a plethora of peace organizations as a beneficent organization.

The concept of human revolution is based on the Buddhism of Nichiren Daishonin, that enables people to elevate their life conditions to the highest through their buddhist practice, thus revolutionize them from within.

But, the true greatness of the Daishonin's Buddhism lies in making the practice possible and available to anybody, and through giving each member of the world the opportunity to continuously change him/herself for the better, the world peace can be achieved. The idea itself is revolutionary, I believe, that it goes totally the opposite of what has been done historically to achieve peace, which is to make the change at the top to force the changes downward to people (in many cases with lots of sacrificing and suffering).

The SGI, whose president is the author of The Human Revolution and The New Human Revolution series, practices the Daishonin's Buddhism; therefore, its ideal is to make each individual happy and to promote peace throughout the world. The New Human Revolution can be read in many ways, but I would recommend to pay a little more attention, when you read it, to the fact that the Buddhist ideal is put into practice and actually happening.

As a SGI member, I am proud to be a part of this endeavor and recommend anybody to check it out.

This is a great product because it provided exactly what I was looking for. It was easy enough to be a beginner book but detailed with enough information to be helpful beyond the beginner level.
My favorite part is that they offer a lot of vocabulary with definitions and pronunciations that makes eating sushi in a sushi place much easier. So it provides information applicable to both eating out and eating in.
Overall a great find. I would definitely recommend it for a beginner who is looking for more than the over simplified version.

i am fortunate enough to live awhile in japan and know good sushi!!! plus it is so inexpensive here of course!!! i wanted to have good reference once i leave here, so i got this book!!!! totally helpful!!! now, when i crave the sushi i know and love....i can pull out this book and have my own guide anywhere i go in the world!

I was able to successfully make basic sushi rolls at home after only reading a few chapters of this book. Excellent for beginners!

Don't let the title fool you -- this is the best book I've seen for explaining how to make sushi rolls for the first time. I had never done one before, or even seen it done, and this book had me making rolls in just a few minutes. No, they weren't all perfect, but practice helps too!

Excellent detailed book. Best part was the details on making the best rice you can as that is the main ingrediant.

I read this book in order to prepare myself to transcribe for Mrs. Miller's upcoming novel, and I found it to be a lovely true story that encompasses World War II, but more so, the forever changed lives of those who lived it. Easy to read and easier to connect with, this story brings to us not only the war but our vital human connection with those around us and around the world, the importance of peace and understanding, and a lesson on the fallible nature of stereotyping our "enemies". I look forward to Mrs. Marako Miller's coming novel, which I expect to be even better.

Ever since my June 12, 1999, comments on "Bridge To The Sun, I've received many personal e-mails requesting a copy of my movie video. Please do not ask me to violate copyright laws. Do as I did...keep checking your local cable listings or inquire of the classic movie channels when "Bridge To The Sun" will air again, and then set your VCRs accordingly.

Having lived in the modern Japan for 10+ years, I was impressed by how beautifully Mrs. Terasaki captured the spirit of Japan, and somewhat jealous that she experienced things (I don't mean the war, mind you) difficult to find today. This is a great book, and my only complaint is that she didn't write more.

Incidentally, I actually found out about this book from a Japanese mini-series that was re-broadcast recently called "Mariko". It had a few more details not found in the book, such as the fact that Mr. Terasaki used phrases regarding Mariko (esp. "Mariko is not well today") as a code with his brother and others in Tokyo to relay how discussions were progressing during the tense time right before the Pearl Harbor attack. Also, I found out that Mariko is alive and well and living in the US.

I attended Mariko Miller's lectures about her family and just had to have the book. For those who want to know major events since, Mr. Terasaki was the liaison after WWII between Emperor Hirohito and MacArthur. He was "writing" a book during this period, but when Mariko got it translated from the court Japanese to the more common dialect, it proved to be much more valuable. Publicly Emperor Hirohito said very little about WWII. He dictated his thoughts on it to Terasaki instead. Terasaki's book proved to be an invaluable historical document. Mariko lives in Wyoming and is writing her own book. She mentioned in her lectures how easy it was to figure out where her parents were on a given day and time in the days leading up to WWII. She just requested their FBI files and it was all there. Keep an eye out for Mariko Miller's book. It should be even better than BRIDGE TO THE SUN.

As literature, this book is not the best. However, as a historical first-hand document that recounts a personal, interesting, and very unique story, this is superb. This book may not read easily for some since the writing style can be a little scattered. This characteristic, though, reveals a rawness in the writing. Terasaki is genuine, and she opens a window to many intriguing subjects. These subjects include: foreign policy between Japan and America surrounding World War II, cultural contrasts between the two countries, perspectives on love, the life of ambassadors in the WWII era, Japanese perspectives on Americans in that era (and vice-versa), the treatment of the different classes of people in Japan, separation of civilians and government, Japanese WWII propaganda strategies, Japanese military actions in China before the US entered the war, Japanese perspectives on the American occupation after the surrender, and so much more. This text contains plenty of substance, even if not in a most polished form. I would recommend borrowing a copy through your local library rather than paying $$ for it.

The two set series is absolutely awesome! They provide detail pics and pics of actual existing garments. I purchased these two books based on other's reviews and was very pleased when I found out what was inside the pages. I return to these again and again for historical reference, inspiration and pleasure.

Purusing these two books is a delightful experience. Anyone with an appreciation for fashion and clothing created in the 17th - 20th centuries will be amazed at the care and keeping the pieces in the Kyoto Museum's collection have received. The close-up photography reveals the marvel of the handwork and creation of each design, and each piece is a wonderful representation of its era. And the price of the set was unbelievable!! All around, a wonderful find and a keeper.

I own the one volume book in paperback.
In comparing the two books side by side they are nearly identical!
But the two volume set is missing 14 pages that appear in the copy that I own! Most of the images are just close-ups of the garments, one set is a period illustration from Diderot, but some are garments completely omitted. The 20th century fashion is all complete though.
So you have a toss up choice, larger photos or more photos. otherwise they are identical!

4 out of 5 stars because of those missing pictures.

This set of books is absolutely stunning. I paid NZ$150 (around US$90)at a bookstore here in New Zealand and volume 1 alone is worth every penny of the sale price.
If you're interested in historical costume, you won't regret this purchase.

Due to the publisher not anticipating the demand for this set of books it took me just over a year to acquire my copy. It was more than worth the wait. The photography is stunning. If you have an interest in costuming
add this book to your collection without delay.

A great, easy-to-use cookbook with super unusual and creative recipes!

As a big pasta freak, I was especially happy with the outcome of Eric's noodle dish recipes. Very easy to prepare, and awesome results!

Also, the tofu recipes are terrific! Again, not you typical Japanese fare -- really inspired by California farmer's markets as much as Eric's years of cooking in Japan.

Eric also tones down the volumes of salt found in many Japanese dishes. On the whole the recipes are very healthy -- lots of fresh veggies and fruits, limited salt and oils.

For anyone tired of the regular sushi bar grind, this is your book!

Rarely does a cookbook come along that pushes the reset button of approaches and tastes. And, it is done so simply and elegantly and refreshingly. There is an ease to the presentations in this book--a subtle beauty--that generates a graceful, spiritual aura of peace in the kitchen while allowing anyone to turn out fresh dishes whose distinctive ingredients sing solos and harmony all in one. I thank the author for introducing me to new combinations of ingredients and helping me create brilliant flashes on new tastes.

I placed this book on my wish list based on the strength of one recipe ("Boozy Potatoes") which I'd picked up off a food blog. It was subtle, delicious, and simple -- blending japanese flavors (sake, soy) into a medium I'd only approached with a more western palate in the past.

Now, having received the book as a gift, I can see that the Boozy Potatoes recipe was just the tip of the iceberg. After reading the book cover to cover in one sitting (it's not large, but it's densely packed with goodness) I broke out 3 of the recipes the following night. Preparation was easy, and the flavors popped, there was minimal fat and salt -- and best of all each dishes flavors were incredibly well balanced. I would have been happy to be served any of them at a restaurant. Some of his simple ideas (make a sauce by carmelizing shallots/thyme, then reducing rice vinegar) led to explosive flavors.

The only 'glitch' in the whole process, as mentioned by some of the other reviewers, is sourcing ingredients. Living in Southern California I thankfully have access to some great Asian markets, but since so many of the recipes require Shiso, (which I presume must be gotten fresh) it means planning ahead if I want to prepare many of them. Also -- if you plan to buy this book, you'll need a blender or a food processor. It seems to be by far his favorite kitchen tool! (Not that I mind, the results are spectacular.)

Eric Gower does a great job of blending East and West. His familiarity with Japanese cuisine and his willingness to experiment with Western touches applied to traditional dishes makes for an above-average cookbook. He features a Tonkatsu recipe that calls for baking the pork chops (seasoned with jalapeno, sweet peppers and orange zest) instead of deep-frying the traditional Japanese way. Try the Curried Apple Pilaf or the Rice Vinegar Chicken Breasts recipe. This truly is a cookbook with a twist!

I was getting a little tired of tiny, pretty portions of subtle food. I was starting to lose faith in ever becoming anything but a fair fried-chicken cook, when WHAM! I was hit with a cookbook that delivers flavor and elegance. I first saw one of Eric Gower's recipes in an issue of Sunset magazine - scallops with miso, ginger and ruby grapefruit. I followed the directions carefully, and I had about the best meal of my life. All of a sudden, I was a good cook! I bought the book -Breakaway Japanese Kitchen- and by now, I've made just about everything in it. I can now produce all kinds of robust, Asian-ish dishes that burst with flavor and joy and abudance. Garlic, tarragon, ginger, lemon and mint and blended here and sprinked there. And, I've learned that with these recipes, you really can make the substitutes that Grower suggests. It's all good. It's all easy. I understand Grower is publishing a new cookbook soon. I can hardly wait.

I am not usually drawn to alternate history but I found Robert Conroy's 1945 to be a provocative treatment of the possibility of the die-hards grabbing control of the Japanese government and leaving America no choice but to stage a costly invasion. Conroy provides plausible portrayals of the important historical players: Truman, Marshall, Macarthur, and Nimitz as well as Hirohito, Anami, and Homma He also portrays the brutal situation faced by his fictional infantrymen and sailors. This story brings up some interesting permutations such as the course the Russians would take and the use of atomic bombs after the first two were dropped.

The story also worked as a war espionage novel and particularly the exploits of the one-armed Japanese-American OSS agent were satisfying.

1945 is an alternate history novel that deals with the story of what might have happened if Japanese militarists had success with their coup on the night before Emperor Hirohito's surrender declaration was broadcast. This is an interesting, unique point of divergence from our history that results in an amphibious invasion of Japan without involving something happening to the Manhattan Project -- which was far too large an undertaking to be derailed by something like lightning prematurely detonating the Trinity device or that device simply failing to detonate, as is the case for at least two other "Invasion of Japan" alternate histories that I know of.

In any event, with the Japanese surrender called off, the United States prepares Operation Olympic -- the invasion of the southern home island of Kyushu -- and Operation Coronet -- the invasion of the Kanto Plain. We're introduced to the two "main" characters in succession: An infantry lieutenant transferred to the Pacific theatre from occupied Germany and a one-armed Japanese-American (Nisei), veteran of the 442nd Regimental Combat Team, who volunteers to be dropped into Kyushu on an OSS mission.

Though the story is interesting, Conroy does an overall poor job of developing his "main" characters. I put the word main in quotes, because although we do get to see them more than any other characters in the book, they're never developed much beyond what we're given in the first few paragraphs of their introductions and there's so many other secondary and tertiary characters used to show how the invasion is progressing that none of them are ever fleshed out either. Instead, we're left with a stream of characters who do little more than illustrate what's going on. A reader can easily understand what someone's doing and how, but will never understand why they're doing it or what's going on in their heads beyond the standard cardboard characterizations of "a family back home," "duty to country," and "just wanting to get home."

At times, Conroy seems to want to go into a historical viewpoint, showing what's happening and why, but because of the way he tells the story, he uses a cardboard character to demonstrate. It's not ineffective, but it's not as effective as it otherwise might have been, either. Because Conroy takes this approach, he has characters knowing things and sharing information that they would have no way of knowing in the first place. There are two glaring instances of this: One, when an American infantry captain shares news about a Japanese balloon bomb that knocked out power to "some super-secret military facility in Hanford, Washington," (something few people know even today, and if it's so super-secret -- why are you talking about it?)and when a Japanese officer bemoans the ineffectiveness of kamikazes by pointing out the plight of the Laffey, an American destroyer that was struck by several Kamikazes during the battle for Okinawa.

The most intriguing character is the Nisei, and I have to give credit to Conroy for writing about a character with a physical disability, which he does very well. Small mentions about his difficulty wheeling a bicycle along really sell that characteristic for me. But I don't get to know as much about the character as I'd like to, which is a real bummer. There's also a completely random romance thrown in at the end of his story, which simply reeked of fanservice and a desire to have things go well for the man.

Despite his weaknesses characterizing things, the story progresses logically. Though a major plot point is telegraphed early on when we're told that the Nisei has been ordered to investigate happenings around Nagasaki, most of the rest of the story unfolds with a minimum of heavy-handed foreshadowing, a major problem with many alternate history writers. Each character does a great job of speaking from their own point of view, even going as far as to express wrong information -- something difficult to have your characters do without confusing the reader -- but which Conroy pulls off very well.

Factual and historical matters are on target, as far as I can tell, and although I thought he stretched things early on with civilian protests in the United States, he provides an excellent reason for them and they never factor into the story as I had feared they would. (That's a personal peeve of mine with most AH invasions of Japan -- it doesn't jibe with the time period and the fact that returning soldiers from Europe and the end of rationing would defuse most homefront tensions.) Conroy doesn't bring too much in the way of historical grudges to bear -- he doesn't wholly indulge in historical wankery by having a mass replacement of Pacific Theater generals by their contemporaries from Europe. There is one replacement, and it's foreshadowed fairly heavy-handedly, but it wasn't as jarring as I feared it would be.

Overall, it's better than most alternate history novels out there today.

This book is interesting both from a Grand Strategy perspective right down to the experience of the "grunt" on both the Japanese and American side.

Conroy does a good job of showing a plausible sequence of events starting with "what if Japan hadn't surrendered after the second Atomic bomb was dropped?" right up to one possible final outcome. I especially liked the political intriques in the upper eschelons of the government and military.

However, the book really comes alive when Conroy describes the experience of the foot soldiers and sailors involved in the conflict. I got a real sense of what it would be like to have been either an attacker or defender had the war with Japan progessed to an invasion of the home islands. And this was with language cleaned up quite a bit! I was almost sad to see the story come to an end.

Like all good alternative history, 1945 gives the reader a better understanding of the real historical turn of events, and how tenuous the threads that bind events together really are.

This is the first book written by this author that I have read - this book has made me want to read more of his books however. Mr. Conroy's look at how WW II would have played out had the Japanese not surrendered after the dropping of the atomic bombs is enjoyable and interesting. His writing style causes you to become attached to each of the characters of the book. I especially enjoyed: the author's opionion of how the leaders of both the United States and Japan would have acted and what their decisions would have been as the war continued; his portrayal of the reactions of the citizens of both the U.S. and Japan to the continuing war; and the actions that other countries, especially the Soviet Union, China, and England would have taken as the war wore on.

I've enjoyed Conroy's other alternative histories, especially 1862: A Novel. But, this novel rates as his best. The book is well researched and his characters are believable. He also explores some interesting points that reflect on current conflicts and policy. For instance, had the war with Japan continued with high casualties, would the American public continue to support the war? What would US policy towards the use of nuclear weapons have been had the Hiroshima and Nagasaki bombs not brought peace? What would war on the Japanese mainland have looked like? This was an enjoyable and thought provoking novel. Highly recommend. Download for your Kindle: Amazon's New Wireless Reading Device today!!

A suitcase belonging to a Hana Brady gets to the children's Holocaust education centre in Tokyo in the year 2000. It immediately propels students and teachers alike to find out more about this mysterious girl. Thanks to their invaluable work, they are able to retrace Hana's story. This book is the result of their search for the truth.

A clear, simple narrative delivers a vivid picture of what happened. It was touching to see the dedication and interest of the children and of Ms. Ishioka to find out as much information as possible with just a name to start with. Well done.

I believe that this book is also suitable to readers aged 12+.

THANK YOU FOR THE PROMPT DELIVERY OF THE BOOK: HANA'S SUITCASE. IT WAS IN EXCELLENT CONDITION. THE BOOK ITSELF WAS WONDERFUL, AND THE PICTURES ADDED SO VERY MUCH TO THE BOOK. I SHALL NEVER FORGET READING THIS LITTLE BOOK. I SENT IT ON TO MY GRANDCHILDREN. THANK YOU.

This was a wonderful book. Hana's Suitcase allowed children to connect the events of the Holocaust with the experiences of a person about their own age who actually was affected by these events. Although sad by definition, the tale ends on a high note, as Hana's older brother travels to Japan to meet with young visitors at a Holocaust Museum. He is able to tell of his young sister who actually carried the suitcase in one of the museum's exibits and who later died while imprisoned by the Nazis.

Hana's Suitcase, by Karen Levine, published in 2007, is the true story of a young girl named Hana Brady, who was taken away by the Nazis as a small child along with her older brother George, and her suitcase, which through a chain of events ended up in Japan. It is also the story of a Japanese woman's efforts to find out about Hana- who she was and what happened to her. The book is incredibly moving. Illustrated with photographs of Hana and her family as well as the Holocaust center in Japan where her suitcase is found, Levine tells Hana's story in parallel with the story of the efforts to learn about her. This structure sets up two crushing waves of emotion that left me in tears by the end. It's bittersweet tragedy, told with beauty and sensitivity.

I have read this book to my fourth grade class for the past two years. They are instantly drawn to Hana, Fumiko, and the story of the Holocaust. The minute they see the picture of Hana's Suitcase, they begin to ask all the questions that the children in Japan asked of Fumiko. They always want me to continue reading and they are so eager to find out about her story. This book has inspired so many deep and thoughtful discussions with my students. They really connect to Hana and her story and the book helps them understand what happened with the Jewish people in WW2 and why it got so out of control. The chapters switch between Hana's story and the story of the children in Japan who are learning about Hana, so it kind of breaks up some of the more difficult parts of the story with the more happier, hopeful parts. I highly recommend this book for anyone- kids and adults.