Japan Books

Excellent recipes, very accessible - not full of esoteric ingredients that you'll only ever use once. I wish there was a Wagamama in Portland :(

While Wagamama restaraunts are mostly known to those who have been to London, this cookbook is made for an American audience. They include cup and spoon measures, say shrimp instead of prawns, cillantro not corriander, snow peas not mange tout. However, the DVD that comes with it is of minimal use if you have any experience with stir-fry and they use British words. A great book for anyone wanting some slightly westernized Asian dishes, as well as those anglophiles longing for London. (Note: Not all the menu dishes are included. My favorite, chicken katsu curry is not in the book).

I've never done Japanese cooking before, but with this book I can. I have made four recipies from this book, and they have all turned out spectacularly well -- the sort of thing I thought was only available in a Japanese restaurant. Some of them have needed special ingredients, which is easy for me because I live in NY where there are Japanese groceries, but some need nothing more exotic than soy sauce. Terrific book: I hope they write more.

If you like asia food, this is a pretty good book with very easy cooking meals.
Very tasty food.

Wagamama is a Japanese-like restaurant I frequented while living in London. After going through withdrawals when I returned to California, I came across this cookbook. It is so good that you would not believe my review if I really, honestly wrote of how much I enjoy their food. The noodle dishes are best! For those of you who have not tried the food at Wagamama, think of simple and fresh ingredients tossed together in non-traditional ways. The recipes in this book are pretty easy and my limited skills in the kitchen are enough to make great meals.

Don't be shocked of the thickness of the book. I still have my (paperback) copy from '95,and flipped when I saw the price on Amazon.Com. Exellent book,and very deep and thorough information on (Sengoku Jidai era) 16th century Japanese history. This book is for the serious history student,and I mean money no object. Book talks about the military government of Kamakura, Muromachi, and Edo Bakufu's.

This book is best suited for readers looking into specific topics of the vast Japanese Medieval history. For those, who is looking for another affordable alternative to the excellent "Cambridge History of Japan" series, I would recommend this book. It devotes a section to the Mongol Invasion and the Decline and Fall of the Kamakura Bakufu. This was culled from the Cambridge History of Japan and is very informative. The book is thorough and it should be among your collection of Sengoku Jidai books.

Warrior rule in Japan is a compilation of essays by well-known authors on history of Japan: Jeffrey P. Mass, Ishii Susumi, John Whitney Hall and Harold Bolitho. This is a serious academic book on history of institutional development of Bakufu (the warrior government, or, as it is widely known, the Shogunate) in Japan from the times of Minamoto Yoritomo through Tokugawa Bakufu). In contrast to books by, for example Steven Turnbull, who wrote extensively on military strategies, tactics, campaigns and concentrated among other things on personalities of samurai leaders, this author goes into the in-depth analysis of the development of Bakufu as an institution and describes governance of Japanese society, gives some insight into economic and judicial powers of its branches.

"Warrior rule" is a serious reading for a serious scholar. Due to abundance of Japanese terms, it is not easy to read. However, without getting an exposure to the subject of this book, it is not possible to understand, what really stood behind many military campaigns and moves famous people of those turbulent times and feel the atmosphere of samurai age. The life of famous daimyo was not 100 per cent war, but also administration, politics, influence, economics, rituals, law and justice.

In addition, Harold Bolitho provides a general outline of the concept of Han, or local government, or the government of a daimyo, his area of administration and source of power and structure of loyalties. One learns here concepts of local samurai, fudai (or hereditary retainers, although this concept is quite described by other authors as well), shugo, jito and other concepts necessary to learn history of this legendary age.

This book is a must buy for those who are interested in medieval Japan, but can not afford the Cambridge History of Japan. This book consists of a articles written by such luminaries as Jeffrey Mass and John Whitney Hall. Taken together, their articles trace the political history of Japan from the Genpei War to the formation of the Bakuhan system under the Tokugawa. Essentially, it traces the political eveolution of medieval Japan.

This is a great alternative for those who wants to get the extensive "The Cambridge History of Japan Vol.3" Most of the contents were culled from the later. I find this book very helpful, and concise. It offers alot of good information of the Kamakura Bakufu and the invasion of the Mongols. Plus it's priced moderately. A must for students of the Sengoku Jidai.

This is a brilliant, concise gem of a book that brings certain sights of Kyoto to life unlike any travel guide. When I visited many of the places described here, I'd no idea that any of this remarkable history had occurred.

I think this book is an essential addition to any serious Japan library, and as it is a slim text - I think it'd be a welcome and portable companion on a reader's visit to Kyoto.

Keene's study of Ashikaga Yoshimasa, who many historians call the worst shogun in Japanese history, is remarkable for its central theme: that this man was actually one of the greatest Japanese persons ever.

Keene does a decent job of recounting the historical context of Yoshimasa's life: it was an era of unending war and brutality when famine and sickness ravaged the peasantry and rich aristocrats vied for power in the most brutal fashion - beheadings, suicide and betrayal were commonplace. These same aristocrats also lead lives of dissipation - spending their lives drinking and "sporting" while the masses suffered and Kyoto was razed time after time.

But where Keene shows his brilliance is in his interpretation of the life of this failed shogun who embraced religion and the arts as an escape for the 'impure world' and in the process invented many Japanese cultural forms.

When Yoshimasa fumbles the choosing of his successor and a civil war is unleashed, he decides then and there to leave his shogun's life behind and build a mountain retreat - the so called 'silver pavilion' - where he spent his days contemplating the arts.

It is clear that an aesthete such as Yoshimasa was incapable of leading the Japanese nation in war. But Keene shows in this book that Yoshimasa's peculiar taste in art - simple unadorned wood, sliding screen doors, rustic tea utensils, and gardens filled with rare trees and stones, poetry, Chinese calligraphy, flower arrangements, No theatre and so on - served as the template for future Japanese cultural expression.

Yoshimasa's silver pavilion was thus an incubator for 'the soul of Japan,' and a location where visitors can still see the building almost exactly as it looked a half millennium ago. Now I want to visit Kyoto again with newly aware eyes.

This book's only shortcoming is its lack of explanation as to how the culture born at the silver pavilion spread throughout Japan. Yet that might require a lengthy tome, and one of the nice aspects of this history is that it can be read leisurely in a couple of days. It also features some nice color photos. Highly recommended.

This book was given to me by a friend. Frankly, I wouldn't have bought it based on the back flap. Yet, Donald Keene wrote a great book explaining the importance of possibly the worst Shogun in Japanese history, Ashikaga Yoshimasa. He was a terrible military strategist and his government (especially during the Onin war) was one of the weakest in Japan's history. On the other hand, Yoshimasa was of vital importance to the Arts; calligraphy, Waka and other poetry, the cha-no-yu ceremony and painting all were sponsored by Yoshimasa. He also left the beautiful Ginkakuji, the Temple of the Silver Pavilion, for posterity. Yoshimasa's impact on Japanese culture and the arts is undeniable, even in modern day Japan.

Donald Keene, who probably has done more to make Japanese literature understandable to Americans now turns his attention to the state of Japan during the days of Yoshimasa, one of the Ashikaga shoguns. Like other families to rule Japan in the name of the emperor, the founder of the family generally tended to be a fairly dynamic figure, followed by persons of varying competance before sinking into dynastic decadance.

This book presents a portrait of one of the least competant persons to ever become shogun, but managed to have a positive influence just the same. Keene argues rather convincingly that Yoshimasa, though a weak ruler, was an influental patron of the arts. It is Yoshimasa's aesthetic which eventually prevailed in the Japanese imagination and that is the lasting contribution of both him and the Silver Pavilion.

I thought the book was consistent with the overall general high level of scholarship that characterizes Keene's works in general. However, while I am willing to give this work my highest possible recommendation, I am not sure if I can totally support all of the claims made for Yoshimasa. My main concern is that even though I am ready to concede that he does have an aesthetic legacy, I am not sure (and for that matter no one ever really can be) that he can claim to have originated all of the artistic innovations (though patronage) that Keene claims. My reason for doubt is that many buildings that date back to Yoshimasa's period were themselves destroyed during the Onin war (a war brought about by Yoshimasa's politic ineptness). Lacking anything really to compare the Silver Pavilion to, makes it difficult to determine just exactly how great an influence this building actually had at the time. The fact that it survives at all probably ensures that it has had and continues to have an impact on other generations. I am just not sure on what influence it might have had at the time that it was built.

The title of the book is "the soul of Japan" which means the Silver Pavilion built by Ashikaga Yoshimasa the 8th shogun of the Muromachi period.

Chapter 1 Ashikaga Yoshinori the 7th shogun, a tyrant killed by one of daimoys
Chapter 2 Childhood of Yoshimasa, his wife Shigeko and his "favorite mistress" Imamairi
Chapter 3 Weakness of the shogunate, preparation of Onin war
Chapter 4 Onin war, the relationship between Japan and Ming dynasty of China
Chapter 5 Japanese Renaissance, Eastern Mountain culture
Chapter 6 Yoshimasa as a patron of Cha-no-yu, his interest in Chinese painting
Chapter 7 Poetry at that time: renga and waka
Chapter 8 The Silver Pavilion, the garden and the architects Zenami and Soami
Chapter 9 Cha-no yu
Chapter 10 Religions of Yoshimasa, art of the no theater

The division of the chapters and the description of their content are very rough because the author usually puts many different topics in one chapter. This informal writing style seems like that the author has no clear plan and he just writes down something when he remembers something. Reading the book from cover to cover may not be the best way to appreciate it. The character I most like is the index of the book. It is complete and interesting. Just choose a word from the index, and read something about the word in the book. For example you can just read the paragraphs about the eccentric Zen monk Ikkyu and his poems. After you finish all the words in the index, you are able to construct a whole story in your mind. It is the post-modern style of V. Nabokov's novel "Pale Fire".

Judging from the book, the author is just a good story-teller not a good historian. Actually he is good at Japanese literature. This book just contains much facts and details which I don't think important. The author does not see the essence of Japanese culture and does not explain why Japanese culture is special. It is not easy to understand the essence of Japanese culture for most Western scholars. Usually they just emphasize bizarre events, strange imaginations or explain things from the Western piont of view. In my opinion, the soul of Japan is the Bushido and Zen. These two topics are not treated deeply in this book. If you are interted in Japanese culture I will recomment to you the other books:
Bushido: the soul of Japan by Inazo Nitobe
Zen culture by Thomas Hoover
Kwaidan by Lafcadio Hearn

By the way, I like this little book. It is beautiful with its poetic language. It is a pleasant experience reading the book on the train passing through Appalachia Mountain in the summer.

Donald Keene's latest contribution to the field of Japan studies is a masterpiece on the development of Japanese aesthetics and kokoro (heart, soul, mind), much of which evolved during the Higashiyama Period at the Silver Pavilion (Ginkaku-ji) under the leadership of Ashikaga Yoshimasa. Shogun at the time of Onin War (1467-1477), which destroyed nearly all of Kyoto, Yoshimasa was a hapless leader who devoted himself instead to the pursuit of beauty. In this Period, Noh and ink painting flourished, the tea ceremony "originated in a small room at Ginakaku-ji where Yoshimasa offered tea to his friends," and with it the Japanese art of flower arrangement was born. Keene acknowledges the judgment of most historians-that Yoshimasa was weak, extravagant, incompetent in affairs of state, and unable to end a meaningless war and its incumbent famine and suffering-yet posits that he has yet to be recognized for his contribution to Japanese arts and taste. In the midst of wholesale destruction, Yoshimasa precipitated a Japanese renaissance.
Though respecting his grandfather Yoshimitsu, the builder of the Golden Pavilion (kinkakuji), he had no interest in emulating either his life or works. Yoshimasa's Silver Pavilion stands in stark contrast to his grandfather's Golden Pavilion, the later coated in gold leaf, the former the epitome of Kyoto cool wabi sabi understatement. "The simplicity and reliance on suggestion of the buildings and gardens at Higashiyama may indicate that a man who had earlier exhausted the pleasures of extravagance had at last achieved a kind of enlightenment," writes Keene.
This concise work is a complex web of murder, chaos, and endless war that destroys everything in its wake. And, simultaneously-amazingly, ironically, unbelievably-the Period gave birth to some of Japan's best-known art forms. As an insight into medieval Kyoto, there is no better place to begin.

a small book but diamonds are small-as is the brief instant of satori. a wonderful history of the great Zen archer Awa Kenzo with a treasure of gems of wisdom from his teachings: statements, aphorisms, koans and haiku.
whether you are seeking thru t'ai chi, target shooting or archery, the wisdom here will guide you in your practice.

interesting and informative, but a little short for the money. If you read "zen in the art of archery" by eugene herrigel and didn't hear enough about awa kenzo, this book will give you what you want: it presents a limited biography and then gives some of his ( most important?) sayings and a few pictures of him with his bow. It got 4 out of 5 stars because it cost 12.95 list price plus shipping and is 101 pages long. Still a great read if you are interested in zen archery.

Don't miss this book if you are interested in "Zen in the Art of Archery" and "The Method of Zen" by Eugen Herrigel.
The teaching of Awa is a pearl of wisdom.

John Stevens produces another one of his find vignettes of prominent Japanese martial artists. The field of Kyudo is not well known in the U.S. and anything that can be done to remedy that should be. I believe this book is best read alongside Herrigel's "Zen and the Art of Archery."

Informative, readable and inspiring account of Kenzo's life as well as an excellent anthology of his actual teachings. I loved John Stevens' way of explaining complex Zen terms in simple English: e.g., kensho - "see your nature" or "look into your nature;" jobutsu - "become Buddha;" and the ultimate Zen experience, satori, which Stevens explains means literally "remove distinctions," and which he, along with many others, translates as "enlightenment." This is great stuff for anyone interested in Japanese language and culture as well as providing a springboard for deeper investigations of Zen, of archery as a form of "practice" and of martial arts in general. Includes detailed notes on sources and an excellent bibliography. Highly recommended.

I simply loved the book. The history of "Toyoda"....does a great job of describing the Japanese culture from the early 1900's to the 1980's. Although Toyota is the subject....the reader is exposed to the resilience of the Japanese people. Sakichi Toyoda is a rural country boy destined to be a carpenter like his father. He chooses a different path and becomes one of the greatest inventors in the world. He conceivably is the first author of the "Six Sigma" methodology using the "5 Whys" problem solving method (fixing the source of the problem). His son Kiichiro Toyoda is obsessed with manufacturing cars and bankrupts an empire trying to build them. The spawn of this failure is born after World War II. While basically bankrupt, Toyota built and sold trucks to the US for the war in Korea. The Marshall plan infused the company with money and engineering. The result: Toyota Motor Company the Worlds largest Automaker. The story covers everything from the loom factories to the creation of Lexus....a must read for anyone who loves history.

Excellent book. Highly recommond for any one who would like to know "What is TPS?". As you see in this book one can try to copy a system but to understand and implement the philosophy behind such a system is very very difficult. Once you start reading it you will not put it down till you finish.

I thought the book was as informative as interesting. I learned a lot about Toyota, and management in general. More impressive was the writing I could not put this book down. It was exiting from start to finish.

This book will open your eyes to the unique story of men and machines in Japan, USA and Europe. There are also accurate accounts of the history of the automotive industry in the early days. You will come to realize a new appreciation for the honor and ethics of the Toyoda family and the companies and systems they founded and developed.

Excellent collection of essays- some repetitive, all comprehensive, accompanied by extremely good illustrations and photographs.

Often scholarly volumes have excellent content but are poorly produced and edited while musem volumes are often well produced and edited but lack serious and contemporary scholarly material--they become catalogues of artifacts without real contextualizing material.

Ainu: Spirit of a Northern People manages to overcome both of these problems. As a scholarly volume it has excellent content (much of which has not been previously available to non-Japanese speakers) and is well-produced and beautifully laid out.

Aside from some small quibbles I have with some other articles seeming truncated for space concerns and others for not presenting enough information (notably the articles dealing with Ainu language/linguistics), I find little to find fault with. Even my concerns about some aspects of the volume are only a request for more, not a complaint with what is in the volume.

Overall this volume does a wonderful job of making contemporary Ainu research accessible to the lay reader while also presenting enough scholarly material to make it worth-while reading for those with a deeper interest in the Ainu. Even though the volume does not deal directly with the area of my research, the amount of knowledge it conveys has foced me to rethink aspects of my own work.

Despite the fact that I have lived in Japan for more than fifteen years, my visit to the Smithsonian's fabulous "Ainu: Spirit of a Northern People" exhibit last year provided my first meaningful look at this long overlooked or misunderstood part of East Asian cultural heritage. I ordered a softcover copy of the (at the time yet to be released) book right away and have since poured through it time and again. Written largely by anthropologists, as a layman I feared that it might well be too scientific to appreciate; happily such is not the case. The book is beautifully written, edited, and illustrated. Anyone with an interest in Japan's northern culture and/or the animist nature of the nation as a whole will find this book profoundly enlightening. I regret that a hardcover edition was not available sooner.

In addition to what the other readers have written I would also add that this book is truly a "must-have" for anyone having an interest either in the Ainu specifically, or native peoples such as the Aleuts, the Inuits, the Polynesians, the Moari, etc. This, in part, because anyone interested in the Ainu will be hard-pressed to find a great deal of books in print regarding this topic, in any case in English. Photographs or Ainu artifacts are perfect and highly details, and there are a great deal of reproductions of "Ainu-e", or paintings done by the Japanese when they were slowly but surely in the process of taking over what is today Hokkaido. These are invaluable because they are rich in detail and depict a way of life that no longer exists, much in the same way that Edward Curtis' photographs of the Native Indians in the US are. I would personally recommend the hard-cover version though more pricy is a much better book to own in one's collection.

What a great book! If you've had the pleasure of living or spending any time in Japan, you'll love these stories of the ever-changing city of Tokyo, as told by Rick Roa, a successful if unorthodox, American entrepreneur. He really gets to the heart of what makes this city so irresistable to so many Americans and Europeans. Even if you have no interest in Japan, pick up a copy of the book for its inspirational value. The story of a poor kid from Brooklyn surviving the streets on his own and then going on to see the world and finally making it big. And from the anecdotes in the book, seems like he had a great time along the way! And thanks to the fine writing of Tony Teora, I feel like I've spent a few hours drinking beer with a good friend and listening to the stories of a great man. I didn't want it to end.

Rick Roa was in the right place (Tokyo) at the right time (1970s, 1980s, 1990s). There weren't so many foreigners in Tokyo then, and it was like the Wild West for entrepreneurs. Now those pioneering days are over and the corporations have taken over most of the exciting business opportunities and have driven away the mavericks, the cowboys, and the samurai. But if you let the odds squash your dreams, then you might as well crawl back into the womb!

Never having been to Japan,this book peaks my interest to do so.
Also Rick Roa's life as depicted in this book, is interesting enough to be made into a movie and Tony Teora's writing skills suggest he be the screenwriter.

AFTER LIVING 35 YEARS IN JAPAN , THIS BOOK TELLS IT ALL!

IF ANY ONE IS INTERESTED IN WHAT LIFE IS LIKE IN JAPAN THIS GUY DID IT ALL! BUT HE DOES NOT TELL US EVERYTHING, SO MY REQUEST IS TO THE AUTHOR IS GIVE US THE SEQUEL, & TELL US EVERYTHING THAT WAS NOT INCLUDED. ONE COULD VICARIOUSLY APPRECIATE THIS CHARACTER'S LIFE AS HE LIVED IT & IS STILL LIVING IT.

WHATEVER YOU DO DON'T GO TO JAPAN WITHOUT READING THIS BOOK.
IT'S A PAGE-TUNER, INTELLIGENT , AND A LOT OF FUN TO READ.

If you have ever wanted to play a trivia game using your knowledge of anime, here's your chance. The questions cover a wide variety of subjects, and they are grouped into categories. This makes it easy for you to use the book. And there is snappy banter included with the answers! Most of the comments are quite funny, and some had me rolling on the floor gasping for breath. I can't wait til the next volume comes out!

Japanese animated movies, called "anime", have received wide popular attention with the American movie-going public, and have long had an enthusiastic following among film buffs and students of Japanese popular culture. In the Anime Trivia Quizbook, Ryan Omega offers more than 400 questions that range from the very easy to the very difficult. Fortunately, he also provides the answers. The Q & A covers all the major anima genres, from giant robots and space aliens to silent samurai and "fan service" girls. From Ah My Goddess to Zetsuai and all the anime epics in between, Anime Trivia Quizbook is enhanced with sidebars, cells, and more! This is a "must" for all dedicated anime fans everywhere!

For those of us who like details, this book certainly questioned most of them. A very humorous book with comments for even the wrong answers, and a great guide for whether or not you are just starting anime or have become very obsessed with it. A variety of topics include romance, math, sci-fi, merchandise, etc. I can't get enough of this book! It contains all the current anime and puts your brain to work, but if you don't feel like doing that, the answers are easily accessible. A well-worth buy.

I was going to take this book to a party with my friends, but I missed the party because I was laughing so hard reading it! I was skeptical at first of the subtitle, "From Easy To Otaku Obscure," I thought, "Pshaw, what Sailormoon and Dragonball Z trivia probably." But no! It was a pleasant surprise to find references to lesser-known anime series' such as the Legend of Basara and Weiss Kruez, two of my personal favorites. I loved the Games section, Japanese anime-style RPG and fighting games are highly underappreciated in Western literature about contemporary Japan. When I met the author at a local bookstore, we had fantastic discussions about everything from the cultural and social implications in Final Fantasy to male and female sexuality in anime. It's refreshing to meet another anime otaku who has the brainpower left to discuss things intelligently. Everyone, including the smallest Pokemon fan to the otaku who's been watching anime since Astro Boy, should buy this book!

This autobiography of Dr. Juran, who overcame childhood tragedy to make an impact on business and society, examines his career and work life with an eye to showing how they influenced his professional development and eventual reputation in the business management world. His concepts of quality eventually became a part of businesses around the world: Architect Of Quality will appeal to any interested in how the quality concept became embedded in the business plan.

This book was a real eye opener for me. I know a little about the Quality world -- and Juran is the #1 man in Quality.

He pulled the tools together into one place for identification of waste, putting the ideas into forms management could understand, and developing problem solving methods for fixing it.

It was really interesting to see where this man came from and how his concepts and ideas came together.

Easy reading and the sort of book that will make you want to dig into his other heavier management and engineering books.

Juran is known as a Quality "guru", but this book makes clear that he made significant contributions to management theory, human resources management and consulting as well. The historical perspectives provided by such a distinguished leader in these areas is illuminating. The book is a fast read, and is focused on his professional journey, with only a little about his life outside work (I would have liked more about this side of his life). His affection for the United States, and his work with the Japanese come through as high points.

This is an excellent autobiography by one of the most renowned quality gurus in the world. His contributions to the field of quality management in his over 70 active working years is outstanding. Dr. Juran was the first to incorporate the human aspect of quality management which is referred to as Total Quality Management.

Among the quality management ideas and concepts for which Juran is well known include top management involvement, the Pareto principle, the need for widespread training in quality, the definition of quality as fitness for use, the project-by-project approach to quality improvement.

Juran was born in 1904 in Rumania. The family immigrated to the USA some few years later in search of the American dream and to escape poverty in their country. Young Juran was a gifted scholar with special aptitudes for mathematic and science. In 1920, he enrolled at the University of Minnesota. By 1925, he had received a B.S. in Electrical Engineering. He worked at the Western Electric Company in the Inspection Department of the famous Hawthorne Works in Chicago. This was a huge and complex factory, manned by 40,000 workers. This presented Juran with his first challenge in management.

Juran was one of two engineers for the Inspection Statistical Department, one of the first of such divisions created in American industry.

By 1937, Juran was the chief of Industrial Engineering at Western Electric in New York. His work involved visiting other companies and discussing methods of quality management. During WWII, Juran served in Washington, D.C. as an assistant administrator for the Lend-Lease Administration. He and his team improved the efficiency of the process, eliminating excessive paperwork and thus hastening the arrival of supplies to the USA allies. Juran finally left Washington in 1945 and chose to devote the remainder of his life to the study of quality management.

Juran became Chairman of the Department of Administrative Engineering at New York University (NYU), where he taught for many years. He also created a thriving consulting practice, and wrote books and delivered lectures for American Management Association (AMA). It was his time with NYU and the AMA which allowed for the development of his management philosophies which are now embedded in the foundation of American and Japanese management. His classic book, the Quality Control Handbook, first released in 1951, is widely used reference work for quality managers.

This is an excellent book that is highly recommended for managers as well as quality specialists.

I've watched the Japanese version of "Mewtwo Strikes back" and this book fits it to a perfect T! The BEST adaptation of the movie that I've seen! And to qoute another reviewer, it shows to the readers that Mewtwo is NOT a shallow villian, but more of a tortured philosopher who cannot realize the value of his unnatural life. Takeshi Shudo weaves a tale of a Pokémon-esque Frankenstein, if you will. In the origonal Mary Shelley version of Frankenstein, the monster escapes its master to find others, but doesn't understand why people fear it. it is confused and lashes out in self-defense, the humans labeling it as a "mosnter". They persue it, mainly because they are afraid of something they cannot understand. When i first saw the movie, I related it to the tale of Prometheus, the Greek Titan. The scientists were playing god. They were dabbling in a power that wasn't meant for them. It seemed natural for their creation to turn on them. Though, Mewtwo destroyed them in self-defense and because he was confused.

Blinded by rage and hatred and filled with confusion and emptiness, Mewtwo joined Giovanni, and eventually turned on the human also because he was being used.

I will not speak more of the plot, but I'll say this: This book is a much better adaptation than the actual novelization. If you're looking for a tale of creation, betrayal, and the value of life regardless of one's birth, then consider this book. The art is gorgeous, the story is unforgettable. Kudos to Takeshi Shudo! Domo arigatou for the great story!

Finally, an ACCURATE translation of Mewtwo Strikes Back. The book, the dubbed movie, all of them were severely altered from the true version. However, in the Art book you can finally read true quotes from Mewtwo Strikes Back and see that Mewtwo was no longer such a shallow villan, but rather a tortured philospher who could not realize that value of his unnatural life.

Mewtwo Strikes Back

This book would be enjoyed by someone who likes monsters. In the beginning, Ash, Misty, and Brock go out for a picnic. Meanwhile, Mewtwo is in a lab. Mewtwo is upset when he learned that he was a clone. He used his psychic power to destroy the lab. Mewtwo escapes and form a blue shield to protect himself from the flames. Later, Mewtwo rebuilds the lab that he destroyed and called New Island. Meanwhile when Misty, Brock, and Ash are having their picnic, Mewtwo tells Dragonite to deliver a hologram to Ash Misty, and Brock. The invitation is to come to New Island to see the world's best trainer.But the world's best trainer is really Mewtwo. I think that the movie was better than the book because the movie has the sound of the actors and battle sounds. The movie had more kick to it.2\2\00

This is a lot more accurate than the novelization of Pokemon: The First Movie. It includes a lot of art and pictures from the movie and also includes some quotes on the bottom of the pages from the different scenes. Has both the movie, and Pikachu's Vacation. I was a little concerned about it until I bought it. The book had proven me wrong. It was a lot better than I had expected and it's a book that any Pokemon fan might want to get . An excellent book. 5 stars.