Japan Books

I love Matsumoto's work. Maetel is one of my all-time favorite characters, as is her friend (and in the movie "Maetel Legend", her sister) Emeraldas. Harlock is...interesting, but kinda cool. Tetsuro, well...he's okay.

The plots are incredible! They really make you think (and I'm not just talking about the blurbs at the end of each segment!). There are very few manga that can do that.

I reccomend this series to any and every anime/manga fan!

In the distant fututre, ayoung boy named Tetsuro steals a boarding pass to a train called the Three-Nine. After emabarking, he meets a woman named Maetel, who bares a striking resembelance to his deceased mother. A grand journey begins that will take Tetsuro to the edge of the universe and back. He will meet many friends and enemies in his journey of wonder.

Despite the artwork which will turn off fans of superhero-style comic books, Galaxy Express has a style unto its own that needs to be appreciated by a more mature reader. The story is excellent, the social commentary is superb, my only problem is the SLOW release schedule. This book easily ranks equally alongside the other great (translated) mangas of our times, including Nausicaa, Lone Wolf and Cub, Dominion, and Adolf... Buy this book!

Here's a summery of the 18 volumes, NO spoilers^_~

"You think Tetsuro Hoshino has seen the last of the Gallaxy Express? Starting where the 2 part movie left off, Maetel sets Tetsuro back on the path to Manhood (NOTE, he is VERY young) & the trail of goals, making new friends & discovering the ones he'd thought gone, learning the harsh lessons of reality in the endless sea of stars. Mysteries come to light, only to be darkened by a new challenge or question or an old memory, & the entire gallaxy asks only of Tetsuro to survive & NEVER to forget.

Leiji Matsumoto, the creator, is second in popularity only to Hayao Miyazaki (Kiki, Totoro, Laputa, Lupin), & has one many awards for his interconnecting series.

This is one the whole family should watch because it's sincere, complex, inovative, provocative, dramatic, & contemplative above everything else. It's a helluva good story/plot that makes you think about the facts of life & its challenges. It has nothing corny or cliche, a literary masterpiece(despite the craappy artwork). It teaches about achieving goals, following hopes & dreams & beliefs, finding ones purpose in life, & keeping promises.

Personally, I wouldn't trade MY collection if you offered me 3 times what the whole set is worth^o^

His writings are like.......Pringles. "Once you pop, you can't stop."

I have liked GE 999 ever since I started readng it in Animerica magazine. So, I got this book, but discovered that this is actually the *sequel* to the *first* adventure of Maetel and Tetsuro. I got this information from the biographies of the characters and the clues in the story. As a result of not havign read the first series, I am a tad bit lost. Can someone tell me WHY they chose to publish the sequel in English before they translated the first series? It doesn't make any sense!

Anyway, the characters are fun and I enjoy their adventures. But the blurb at the end of every chapter is too deep and confusing for me to understand.

I like this, and I will look up the first series--right after I find out who started this translating mess in the first place.

I waited for this book to be published for months and I wasn't disappointed! Barb gives detailed, clear instructions and drawings. Gorgeous pictures that are close-up to see the stitching. The book is of exceptional quality and very inspirational. A must have book for both the novice and the experienced temari stitcher.

I've been stitching temari, as well as other needle crafts for years. This is by far one of the loveliest instructional books I've ever read. The instructions are clear and concise, good for beginners and well as experienced stitchers. It is also lovely as a coffee table book...great photos and water color art.

I saw this book on display at my local library and checked it out on a whim. I wanted to renew it, but someone had a "hold" on it, so here I am at Amazon because I had to have my own copy! I had never seen or heard of Temari and now I am hooked. This book is beautiful and the intructions are clear enough for a complete beginner like me. The pages are durable and the book lays flat for easy access. I just finished my 7th ball and my sister and daughter made their own balls when they saw mine. I enthousiastically recommend this book, but prepare to be addicted.

This is a BEAUTIFUL temari book! For folks new to the art of temari this book is a complete introduction. For temari artists it is great inspiration! The temari shown are beautifully stitched. The photos are excellent. The directions are easy to follow. Give it a try and be prepared to be addicted to Temari.

This is a great book for the novice stitcher as well as the experienced one. Barb's directions are clear and easy to follow. Her sidebar comments about Temari are what set this book apart from the rest. Her passion for this art comes through with every word.

This book is great to teach children respect for all life, including animals. It also well illustrates the destructive power that guns can have in the wrong hands. My kids were so much more concernced about animal welfare and the protection of endangered species after reading this book.

It also reinforced their understanding of the evil nature of weapons in general. This book also helped them to understand the great wisdom the Buddha expressed so long ago that one should only kill animals when it is needed for one's own survival.

Of the many children's books that are available to us these days, it is extremely rare to encounter one with such depth and insight. The author dares to explore difficult issues in a way that is accessible to young readers. The two main characters develop a bond of friendship which is based on not only their deep concern for one another, but also a shared dream to help others. Daisaku Ikeda shows through the inseparable connection of these two friends that true friendship transcends time and space and can never be destroyed. Very inspiring!

I don't know how anyone could not like this and all of Daisaku Ikeda's children's books. Especially with this book, Kanta and the Deer, unless you like killing defenseless animals for fun or don't believe in the power of hope, you will love this little tale!

This is an excellent book to teach young people (and not-so-young people!) about the senselessness of violence and killing, as well as the horror of guns and hurting animals for sport. The story of "Kanta and the Dear" is a heart-wrenching yet hopeful and inspiring tale of a city kid who is sent to be cared for by his uncle in some remote mountains. The boy, Kanta, who must live apart from his parents due to their work situation, has no other children to play with and is quite shy.

One day, Kanta finds a baby deer that has lost its parents and herd to merciless hunters who have shot them all. The boy and the deer, named Poyu, develop a great friendship as the little deer grows to become a brave young buck. All the while, Kanta begins to discover his own resiliency and courage as well. With the bitter cold winter as a backdrop, together they fight to save the local deer from total extinction.

This is an endearing and dramatic tale of magic and friendship - this beutifully illustrated children's book tells the story of a timid young boy living briefly with his old uncle in the mountains. One day, Uncle Gen, granddaughter and Kanta come upon the aftermath of deer killed by hunters. They find a lone frightened fawn and Kanta begs his uncle to take the orphaned deer. Thus begins an adventure that transforms the young Kanta. Highly recommended.

I've never been fond of Chris Hart's books. The illustrations tend to be overtly generic with very little detail in my eyes, so I tend to push them to the side when I'm scanning the local bookstores for new art books and How to Draw tutorials. However, when this one came out, the cover caught me by surprise. THIS was Hart's work?

Well, in truth, it wasn't. Hart only did maybe five to six pages of drawings while the rest were done by a legion of other artists. Artists who I believe have a much stronger grasp of composition and balance than Hart does. (If I remember correctly, it was Nao Yazawa who created the most breath-taking images.) For those who grew up watching Sailor Moon as a kid, the nostalgia will hit you like a train, but in a good way. Everything about this book was pure classic.

The instruction is mostly visual, as in while there is text I certainly didn't need to read it. It's easy to pick up and easy to practice the techniques the artists are trying to teach. I highly recommend this book, as it is one of the few non-Japanese books where the drawings truly feel authentic.

This book has better Drawings and is more inspiring than most books in this series!

This book is GREAT for getting ideas; the anatomy parts are not anything particularly spectacular, but it's great for getting ideas and concepts going, as well as what to DO with these ideas. I recommend it for those who like fantasy and/or the 'Magical Girl' genre

An Outstanding book that teach you how to draw cartons in detail. I bought it for an 8 years old girl, she likes it too. (but, it seems a little bit hard for her) However, I borrowed the book and draw once and find out it's a great book. I highly recommend for teenagers who love Japanes Cartoon.

I am a big fan of Christopher Hart and his work. His books are the best manga tutorial books I have come across.
This one is no exception. The drawing are gorgeous, the instruction is easy to understand for beginners and is still useful for advanced manga artists who want to learn new techniques.
It has everything from cute chibis to the transformation of a regular girl to a magical girl. (step by step instruction)
My favorite is the cute little mascots which are also transformed into magical mascots.
This is worth every penny!

Masanobu Fukoka was a laboratory agricultural scientist who worked on fighting plant diseases. He also had many unanswered questions about the interrelationship between man and nature. After a long sabbatical he resigned his position and took over his father's rice and mandarin orange farm. Fukuoka thought that by putting the subjects of his questions into actual material challenges he might find the answers he sought.

Fukoka was immediately drawn to organic and natural farming methods, and over the years developed a type of natural farming that he refers to as "do-nothing farming". Contrary to what you may imagine, this method does involve work, much of it menial, but at least in Fukoka's experience the benefits outweight the negatives. His method of farming is thus:

After the seasonal heavy rains, the rice is planted by scattering it by hand throughout the farming area. The planting rice is rolled in a type of clay that will help prevent animals from eating it but will not inhibit sprouting. Clover seeds are also sewn at the same time in the same method. The clover acts as a natural barrier to the young rice shoots, and helps the soil from eroding.

The rice will grow naturally over the course of the next few months without constant pools of water as are often seen in traditional(from 1600-1940s) Japanese rice farming, albeit shorter and stockier than the cultivated rice. After the rice harvest, the leftover straw is scattered over the field to decompose, adding nutrients back into the soil. Afterwards, barley is planted as a winter crop and to further enrich the soil for the next rice season.

Fukoka does not use compost on his rice fields or on his citrus orchard as he finds that the byproducts of the plant provides all the soil nutrients needed. He does maintain a small compost pile for his vegetable garden, however. Outside of the rice season, he tends to his mandarin orange orchard, which is also kept on a "do-nothing" method of growth. From using this technique, he has not only kept up with modern(tractor, fertilizer, pesticide) farmers in quantity, but has a much higher quality of rice, barley, and oranges. He spends very little out of pocket and sells his produce for a very fair price.

The great thing about this short book (192pp) is that it is not exclusively about farming. In fact, there are many pages where Fukoka expands on philosophy, history, nutricion, intentional communities, and sustainibility. There is also an excellent forward by Wendell Berry, one of my favorite authors(Jayber Crow is a must read) Highly reccomended although it seems to be out of print. I borrowed mine from a local library.

This book is revolutionary. It really shows us how to get back to the natural way of farming and living. Like Thoreau once said Simplify, simplify, simplify. Fukuoka brings one back to the essence of life. Life was not meant ot be difficult, we must simplify to succeed, the more complex tends to be more difficult. Nature does not need the hand of man to thrive. She only needs to be. In mans pursuit to control and dominate we have succeeded in corrupting. Fukuoka's natural way would help humanity to redeem themselves and reach a state of peace.

There are thousands of Self-realized people , but only a handful of those have experienced that. This Japanese farmer/scientist is one among the rare who understood the truth that unless one put the "Truth" (Self-realization) into practise in daily life, one cannot experience it. He used farming to validate his realization and shares great truth to us through this book. The truth he shares about natrual food is amazing and is in tune with the truth given by other cultures. This book is highly recommended for someone who seeks Truth in every moment of life.

Some have said that the Fukuokan philosophy is the tap root of what is now more broadly called Permaculture, only Masanobu Fukuoka was a Japanese farmer, working with rice and winter grain in a southern Japanese climate. Both are no-till methods that shun the use of chemicals. However, Fukuoka should be set apart from farming in general and Permaculture in particular, in that The One-Straw Revolution is essentially a profound work of literary philosophy. Indeed, in many cases it reads like a naturalist's bible. Although the book is dressed in the language and anecdotes of a farmer, the message looms much larger. We read of a man who came to terms with the problem of death, and then decided to form a profoundly new (or is it old?) relationship with nature. In essence, the nugget of his wisdom is that, instead of struggling to control and command nature, we must learn to work with and learn from nature. Allow me to share one quote:"To build a fortress is wrong from the start. Even though he gives the excuse that it is for the city's defense, the castle is the outcome of the ruling lord's personality, and exerts a coercive force on the surrounding area. Saying he is afraid of attack and that fortification is for the town's protection, the bully stocks up weapons and puts the key in the door." Now I ask you, does the following paragraph sound like the words of a farmer or a philosopher? From the face of it, one might think Fukuoka is here criticizing the nuclear arms race, but he is actually talking about the warlike mindset of farmers who see leaf-munching pests as evil enemies that must be fortified against, sought out and destroyed. Whether we are talking about bull weevils or communities, though, his advice is sound. We must change our frame of reference and establish a different relationship with the world. Concise and yet elegant, Fukuoka's prose is pregnant with meaning. Altogether, this work provides poetic an intelligent critique of industrial agricultural practices and the linear notions of nature and progress that underlay those practices. In fact, Fukuoka goes as far as to declare that the scientific method itself limits our experience and knowledge of nature. An invaluable, timeless work that will move you, even if you have never picked up a hoe.

j.w.k.

A critique of current farming practices as well as consumer values, Masanobu Fukuoka's One Straw Revolution: An Introduction to Natural Farming outlines a more simple life that strives to work with the earth rather than against it. Mr. Fukuoka states that natural farming is not just a method of agricultural production but it is a way of life.
In The One Straw Revolution Mr. Fukuoka explains that modern methods of agriculture work to control nature with the assumption that humans can understand nature and there by improve on it, but modern techniques using synthetic fertilizers and pesticides are only temporary solutions that humans have discovered in order to correct the imbalance they have caused. "Human Beings with their tampering do something wrong, leave the damage unrepaired (SIC), and when the adverse results accumulate, work with all their might to correct them. When the corrective actions appear to be successful, they come to view these measures as splendid accomplishments."
Natural farming allows for nature's processes to take care of most of the work that farmers find necessary in conventional methods of agriculture. Mr. Fukuoka claims "there is no time in modern agriculture for a farmer to write a poem or compose a song." When he first began, Mr. Fukuoka thought, "How about not doing this? How about not doing that?" By allowing for the natural processes of decomposition and growth to occur there is very little work to be done and the farmers have more time to enjoy life. This line of thought has been central to Mr. Fukuoka's natural farming philosophy. Eventually he came to the realization that "there are few agricultural practices that are really necessary."
Mr. Fukuoka's method of natural farming follows four basic principals; "No Cultivation", "No Chemical Fertilizer Or Prepared Compost", "No Weeding By Tillage Or Herbicides", and "No Dependence On Chemicals". Although many of the practices described in the book relate specifically to farming rice, wheat, roots, and oranges in southern Japan, it is these four principals that can be applied to farming anywhere in the world.
To give a good example of natural farming, Mr. Fukuoka's method of cultivating rice and winter grain is as follows. In the fall Mr. Fukuoka sows the seeds of white clover, rice, and winter grain onto the same fields and covers them with a mulch of rice straw. The grains and the clover sprout up right away but the rice seeds will lie dormant until spring. When spring arrives the grains are harvested and the straw is scattered over the fields as mulch. The fields are flooded for a short period during the monsoon season giving the rice a chance to sprout through the cover. Once the fields are drained the clover recovers and spreads beneath the growing rice plants. As you can see, this is a far cry from the labor-intensive methods of paddy farming that is common throughout Southeast Asia.

The One Straw Revolution is a great book, it is insightful, practical, easy to read, and the chapters are short and give the reader concise, to the point information. Mr. Fukuoka gives readers a viable alternative to the current consumer lifestyle. The strong beliefs and successes of natural farming found in this book make Mr. Fukuoka's arguments extremely convincing. However, I'm sure the sheer simplicity will create doubt among readers, as we are used to the complexities of fertilization and pesticide use. Even organic farmers who swear by compost and manure are doing unnecessary work according to Mr. Fukuoka.
The farming techniques found in this book are extremely important as our use of fertilizers and pesticide use has skyrocketed over the past century creating many environmental problems, and life on earth is facing serious consequences as a result.
Another important point made in the book is "Humanity must stop indulging the desire for material possessions and personal gain and move instead toward spiritual awareness." This sentence outlines what I feel to be the reason for the problems of humanity today. Without a deep respect for nature and our place within her we have no limits on what we expect from her. We have increased our material wealth greatly and yet we have not become more contented, in fact we become more stressed. By creating a simpler life where our days are spent outside tending to the fields under natures guidance. We not only would curb the destruction that is related to consumption but we also are given a chance to breathe and become truly aware of our surroundings and ourselves.
I feel that the words of Masanobu Fukuoka have only increased in importance since the time in which they were written. People's lives have become increasingly urbanized and we now have generations of people who have been cut off from Mother Nature's wisdom. Although Mr. Fukuoka's sentiment that "if 100% of the people were farming it would be ideal." may seem extreme to some, it would be a plausible solution to many of the problems we face today.
The environmental movement was just beginning when The One Straw Revolution was first printed we now have scientific studies reinforcing what people have been noticing for years and the lands and waters that were once healthy are now being poisoned. I would recommend reading The One Straw Revolution to anyone interested in spirituality, globalization, farming or the environment, but I would also recommend it to anyone with an interest in preserving the quality of life on earth.

I especially like to create ninja borgs from it but it is a great reference for creating robots and other types of ninjas my secon favorite is juciers.

This book is great! It is for new players to the Rifts books because it uses a lot more of diplomacy than other worlds in Rifts, a great book.

I especially like to create ninja borgs from it but it is a great reference for creating robots and other types of ninjas my secon favorite is juciers.

I have purchased 6 of the world books (Africa, England, Atlantis, Vampire Kingdoms, Japan, and Federation of Magic) and seen several others and out of them all I love Japan the most. Its where I chose my character, a Borg Ninja from. It contains awsome characters, awsome weapons, some cool armor, a lot of cool cyborgs, and is overall my favorite book. It was EASY to find a character to play in this book and equip him real quick. I love this book, a definet must have!

This book was great! It combined old mysticism with amazing technology. The only thing it was missing was that the cool motorcycles and other vehicles that were pictured, but were not given stats on! It also made Japan seem less powerful than the "NGR" (technology wise). The old mystics (like the traditional ninja and samurai) are a little weak, as they had low mega-damage stats and refuse to use technology so you can't even fit them into a suit of power armor to protect them! A lot of it was rehash too, like the Japanese "Samas" operator and the Japanese "Glitterboy". Other than that, the weapons were pretty cool, the possible adventures are good, the OCCs are excellent, and if you combine this book with "Ninjas and superspies" it really brings it to life!

I admit, Ryoichi Ikegami's art caught my eye when I say this book, but he doesn't write the stories. The synopsis on the back cover of volume one had me very interested.

The story starts off well, about two young men in two very different worlds, one in the Yukuza (Japanaese triad) and the other aiming to be a politician, who collaborate to create an ambitious vision.

Towards the end, the story becomes a bit too convoluted, however overall it is a good story, amd well worth the read.

But that's not what this is about. It's the steamy world of politics and scandal. An excellent story with excellent art. I cried at the end and I never cry at the end of anything. The characters are awesome and devious. Read it.

This is a story of two people who set out to change japan (and to some extent, the world) by unwaveringly sticking to their principles, using both Japanese politics and its underworld.

The plot details the intricate maneuverings of the two; there is little violence. Their opponents are not weak (mentally, in power, or in integrity), and their friends sometimes carry liabilities. The characters are as believable as those in any of the best western novels (the plot is far more western than eastern); this seems more like a novel that just happened to be drafted in graphic form.

Unfortunately, westerners should be cautioned that manga often contains graphic depictions of rape, which is usually treated in a humorous light. This book should be docked for that, but I'll leave it be.

The only other manga I've read is Crying Freeman, so I'm not very biased towards manga.

I'm new to manga and while I was initially attracted to Ikegami's art (art that still gives me pause it's so beautiful)the story really, really captured me. It was like a history lesson in Japanese politics and the mob (the Yakuza). All the characters were so interwoven and yes you do have to pay attention because there are twists and turns all the time. The nine volumes that it takes to tell this story never becomes dull.
The story drives all the time and is never ever predictable. The writing is exceptional. I highly recommend this series to the mature reader who appreciates not only great art but great intricate storytelling.

This is the first of a nine volume series about two young men (30) who set about changing Japan (and the world) one from above (politics) and one from below (organized crime).

The premise is very interesting but extremely complex. I have all 9 volumes and have given this a go about three times but have never been able to move past volume 5 because of the way the story is set up. I got the feeling that you need to know how the Yakuza (the Japanese mob) is set up, as well as the geography of Japan to follow the story well. For example I have no idea what the Kanto region is. There seem to be several different factions of the Yakuza and among those factions they are again fragmented into different parties. It is hard to follow who is on whose side and who isn't on whose side and why is that person going after that person. Phew! You practically need a score card to keep up with the story!

I prefered to focus on the main characters Hojo and Asami. Two very unique men with unshakable faith and confidence in themselves that has nothing to do with arrogance. That is the reason I keep picking up the books again and again. I can not help but idolize them particularly Hojo. Here is a man who will go after what he wants without hesitation. But at the same time he has a great deal of loyalty and kindness to those he loves and likes.

Of course there is Ikegami's art work. He can easily be described as the Michelangelo of the manga world. Because of his clean and expressive drawings. You find that you can see how a character functions simply by the way that he has him/her stand. Or tilt his head. It really is phenominal.

But like another reviewer said this book has to be seriously docked for the casual and capricious dipiction of rape. It was horrible and disgusting and took away from the story.

I would recommend Sanctuary to those who are looking for an in depth manga story that will make you pay attention.

The 1972 United States Olympic Hockey Team skated to an improbable silver medal in Sapporo, Japan. Besides the accolades from friends and family members - and a telegram from President Richard Nixon - the team returned to chase dreams on and off the ice, with their story soon forgotten.

But that moment in time was a triumph of hard work and planning, a real symbol of the American Dream: a head coach making revolutionary changes in practice and game strategy; players from the battlefield of Viet Nam and the workday world, to those chasing dreams on rinks large & small throughout North America, along with a glimpse into the future through pair of teenagers - one, a phenomenal athlete from the East Coast, the other, with the blood of hockey royalty flowing through his veins.

Authors Tom and Jerry Caraccioli balance their research and interviews with game summaries to bring this special era to life, as the political Cold War was a backdrop, with friendships forged through that ice.

A touching final chapter chronicles a very special moment for head coach Murray Williamson; a January 2002 note which brought a fitting coda to the tireless work that his players never forgot.

And with this book, the team that set the stage for the 1980 "Miracle on Ice" receives a long overdue spotlight, all for themselves.

The premise of the book is that not many people are aware of our country's on-ice success in the 1972 Olympics. Let's see, I grew up in Edina, Minnesota which means:
* I graduated from HS one year after Dean Williamson, son of Murray
* I have caddied for Walter Bush, a long-time USA Hockey official
* A friend played on a Bantam team coached by Craig Sarner, an effective forward on this silver medal squad
* I've heard many tales about Bruce McIntosh starring for my HS and later the University of Minnesota

AND....

I'D NEVER HEARD THIS STORY BEFORE. Granted I hadn't yet turned 4 when they played in Sapporo, but it isn't like this was a mystery. I read about the 1960 Olympics when I was about 10 and obviously remember where I was in 1980 (Fergus Falls, playing in a Pee Wee tournament). Why no talk about 1972?

Not only do the Caraccioli brothers do a good job of relaying the story, they also do a good job of addressing that very question.

Worth a read. You'll breeze through it quickly as it is pretty direct on covering the story without straying from topic. Even though you now how it ends - they win the silver - it is hard to put down.

People who have an interest in the US amateur ice hockey program will want to read this book in order to fill gaps in what has become the accepted story of the team before victory in the Lake Placid games(1980). The authors, with the unlikely names of Tom and Jerry, do a good job prsenting their case that the tools used to win an Olympic gold metal were forged by an earlier team and passed on to those who followed. Anyone interested in the deveopment of North American hockey will learn from this tale.

This is a must-read for sports fans. The brothers/authors have written a thoroughly entertaining account of a wonderful moment in U.S. international sports history. Readers will remember this book forever. Bravo!

Hockey fans will find riveting Tom Caraccioli & Jerry Caraccioli's STRIKING SILVER: THE UNTOLD STORY OF AMERICA'S FORGOTTEN HOCKEY TEAM. While many think of American hockey as starting in the 1980s; in a reality in 1972 the achievements of a young team which represented the U.S. in Asia in the Olympics went largely unrecognized during the tumult of Vietnam politics. It's time their story was told, and STRIKING SILVER achieves this, revealing the team, its major players, and the events that made them outstanding, though under-reported. Quotes from players and observers and source materials recreate the times in an involving survey.

This book contains stunningly beautiful pictures of japanese chogokin (=die cast metal) toys from the 1970's and 80's. Many of the toys are quite rare and hard to find pictures of (like toys made by Takatoku, Nomura, Marushin and Nakajima), even in Internet times. Highly recommended!

In addition to Tim Brisko's incredible photography, Matt Alt and Robert Duban provide a brief history of Japanese toys that explains how these toys fit into the grand scheme of things. Recommended!

I bought this book for my husband because he's obsessed with transforming robots. He squealed when he read it. The photography is wonderful and it is like a history book for the ultimate transforming robot fan.

Hi, this is hubby James writing this review...

I just got SUPER #1 ROBOT and it totally rocks. As much as I thought I knew about J-bots, this really showed how much I didn't know. Even if you are well-versed in "super robots" and anime mecha, expect to be surprised by some really far-out machines you've never seen, from shows you've never heard of (but wish you had)!

The photos are wonderful, shot from a proper low perspective, giving these tiny giants their respect. They look like huge works of art here, which in some ways, they truly are. Great work! I am looking forward to Alt's next book very eagerly.

It's about time an American book in english came out on this subject, authored by people who know what they're talking about and thankfully NOT including tin and wind-up robots from the 60s and earlier. This little paperback is what chogokin collectors would humorously refer to as "robot porn." It's a glossy, high-quality picture book that causes salivation and drooling with the turn of every page. Unfortunately it is by no means a complete encyclopedic manual for all toys diecast during the 70s and 80s, but that can't be expected, considering such an undertaking would produce a book (or morelike a series of books) far heftier than this little paperback. Since that expectation is unreasonable, it is entirely forgivable since this little tome covers quite a chunk of the chogokin, vinyl and plastic market, and a nice variety, as well.

First off the book construction is sweet - small and easily handled, it's like a mini coffeetable book with a glossy softcover. I wasn't expecting such a nicely made little book. There is minimal chitchat and all the talent is poured into the photography of the most mint-looking chogokin robots I have ever seen. I think the thing that I was most tickled about was there was a picture of a mint Tetsujin 28 in the front of the book, and a beat up, played-with, broken and paintchipped version of the same robot in the back of the book. The wear on the used robot shows more as a sign of how much that toy was loved, not abused, and anyone who loves collecting chogokin, I think, would get the same tingly warm feeling looking at that beat Tetsujin 28 as the shiny minty one.

There are a few vinyl robots included in the line-up, and I could think of quite a few chogokin that were left out that could've taken up the pages of the vinyls, as I'm not much of a vinyl collector myself; vinyls are a whole other collector market and I can see why they were included in the book, but then again, I would've preferred that they weren't. Vinyls were usually monsters, but the ones that depict robots were the ones focussed on. All in all they don't take up a lot of space. Also the book is an almost even mix between the comical/humorous chogokin like Robocon and Robodachi and the more serious robot gladiators and team robots like the Godaikins; again these are (more or less) two different collector markets and not everyone collects both. As well, there are some Giant Machinders included, which is not even a scratch on the surface for them since there are quite literally hundreds if not more to collect in that category, but this book is really not meant to be a catalogued record of every robot ever made. Even though one will be able to think of some robots that were left out, all the major ones were included. The only complaint I have is that a lot of them are shown not holding a weapon, when many of them are known for their specific or characteristic weapon(s). Some are shown with a weapon, like Garbin, but too many are just robots standing weaponless. Again, though, this book isn't meant to be an official catalogue, so don't expect accessories to be featured.

If you want lists and cataloging of every robot ever made during the 70s and 80s, there are plenty of online sites that attempt to accomplish such a massive undertaking. But if you want to flip through a nice hefty little book just to get the tingly warm feeling of joy gazing upon the robots of your childhood, this book is totally worth it. It's a little window peephole into the past, but man is it worth peeping.

I love Temari balls. If you want to learn this fascinating craft - you will find this book very helpful.

This is an excellent guide to help you create beautiful, and fun-to-do, Temari balls. Simple and easy to follow intructions are given.

I first became aware of Temari when I saw some balls on display by a lady offering lessons on how to make them. The lessons were $65.00. I decided to check Amazon.com before I gave up learning it on my own. I ordered this book and was thrilled with the results. The instructions are very easy to follow with lots of drawings showing exactly what to do. I was successful on my first try and I am delighted with my new hobby. I have just ordered a second book by Diana Vandervoort and can't wait to get it. By the way, the balls that I had seen on display were all from this book.

As far as I can tell, I own every Japanese and English book on Temari currently being published. This is the book I recommend to beginners who want to learn this wonderful craft. It would also be good for someone who knows a moderate amount already, as it has some advanced skills.

I first was introduced to temari while channel surfing, and stumbling onto the Carol Duval show on HG network when Diana Vandervoort was demonstrating her craft. I could not wait to get my hands on her book and try it for myself-mostly because I could not believe something so elegant and complex could be so easy to do! This turned out to be one of the easiest crafts I have ever tried, and I have tried my hand at A LOT of things. The photos are truly inspiring, and the instructions are some of the easiest to understand and follow. I can't wait to get my hands on the next book, and new patterns.