Asia Books

I decided to read "Six Records of a Floating Life" after spending a summer in Suzhou, the city of Shen Fu's birth and his home for many years. When describing this work, my Chinese friends were quick to use words like "romantic" and "touching". However I was skeptical since I had also heard that this book detailed Shen Fu's relationship not only with his wife, Yun, but also concubines and courtesans - thus setting it far outside the scope of what is traditionally considered "romantic" by modern, Western standards. Yet, if one is willing to keep an open mind and look at Shen Fu's extra-marital relations (which are, in fact, treated very briefly) within the context of the time and culture during which he wrote, one can see that that author and his wife were very much in love and cared passionately for each other for more than twenty years. Fu's description of the airy joys and carefree pleasures they experienced together as husband and wife are sure to bring a smile to the face of anyone who's every been in love.

Yet, with great happiness Shen Fu also experienced great pain and numerous hardships. Considered a failure in both business and scholarship, he was never wealthy and he struggled to provide even a modest living for himself and his family. Indeed, Fu drifted from place to place, job to job, often relying on friends and relatives to provide him with money and shelter. Adding to the pressures of poverty was his wife's chronic illness, which eventually took her life. Shen Fu's description of his wife's death is truely heart-breaking, as he writes:

"Her spirit vanished in the mist and she began her long journey... When it happened there was a solitary lamp burning in the room. I looked up but saw nothing, there was nothing for my two hands to hold, and my heart felt as if it would shatter" (p. 89)

Part romance, part tragedy, part travelogue and part memoir this book indeed lives up to it's reputation as a classic. Shen Fu articulates the joys and sorrows of ordinary human life with the skill of an artist, and he is always someone with whom we can identify. Like we all do, he struggled to find peace and comfort while trying to bear the weight of sadness. Whether you're interested in Chinese history and culture or not, this book deserves to be read and appreciated.

There are so many contradictions within this quirky memoir that it could only possibly be true.

This is a memoir of life right around the start of the 19th century. It recounts the adult life of Shen Fu, a man who appears to have been ordinary in the extreme. Although educated, he did not pass the literary tests of the civil service. At best, his career could have been a secretary under one of the successful examinees, but his times weren't always the best. His positions never lasted, and his business attempts failed. Often, he sold his possessions and his wife's down to the clothes on their backs (or less). He fell out with his family, in a time when filial duty was enforced by law, and became outcast in almost every sense.

But his life never wholly failed, either. Perhaps it was the glow of nostalgia, but his twenty-three years of marriage were always a joy to him, even when his wife's health failed, and even when she may have been the source of some of his problems. They had their times of poverty, but never to the point of starvation. He was honorable enough to quit a corrupt position when it offended his honor too deeply. He was devoted enough to heal the familial rifts. His joys and Yun's were simple - travel, each other, the beauty of the full moon, and maybe a little too much wine shared with happy company. Shen Fu and his devoted Yun never demanded much from their lives, and usually got enough to enjoy.

The text wanders. The first three chapters chart the ups and downs of the marriage to his beloved wife. She died early, from some frightening disease. Still, she and he accepted it stoically, or mostly did. The fourth chapter collects a few decades of moments together, the sights and sounds of travel. With his wife and after her, Shun Fu visited temples, sacred caves, and pleasure districts, reported in some drifting collage of personal history. Despite the "six" promised in the title, we have only four. It's probably better that way, according to the appendices.

I really think I would have liked Shun Fu. He was honest enough, loving enough, and devoted enough to his children. Even when his own situation deteriorated badly, he fostered his son as best he could and sheltered his daughter with people who could marry her well. He never wholly succeeded or failed, but muddled through the chances that appeared to him. He was no grand hero, nor villain, nor idle dreamer, nor driven workaholic. He was just a guy, living some guy's life pretty well. Maybe he dressed up his memories just a bit, but don't we all?

//wiredweird

"Six Records" (also known as "Six Chapters of a Floating Life"), c. 1805, is an extraordinarily frank autobiography that is totally unprecedented and unparalleled in the history of Chinese literature. It describes the life of the author Shen Fu and his beloved wife, Ch'en Yun (1763-1803), in extremely revealing detail. The intimacy and joy shared by the couple are as unusual by normal standards of Chinese married life as is the author's daringness in revealing them to others. Their close, playful relationship stands in defiant opposition to the staid decorum of married life expected by Confucian ideology.

A thoroughly enjoyable and inspiring read. Ch'en Yun is a woman ahead of her time who admirably balances her love of learning and passion for life with her duties and obligations as a traditional Chinese wife.

If one reads the introduction, this book is not meant to be read as a sequential narrative, instead it is a collection of memoirs and hence the word "records" in the title. Through this collection of records and memoirs, readers are welcomed to peer into segments of the author's bumpy life.

The records follow Shen Fu on his numerous failed attempts to find contentment in life: As an educated man, Shen Fu tried to gain a position through civil examinations but got nowhere, he tried his hand at being a painter but found that he had no talent, he made friends with people who eventually betrayed him, he got into debt and was disowned by his father, and the final blow came when he lost his child and beloved wife, Yun. In the end Shen Fu's decided to live a "floating Life" by giving up worldly matters to wander China.

Shen Fu is also a groundbreaking author. He is very descriptive of his environment, which is uncharacteristic of Chinese writers of his time. Through Shen Fu's accounts the reader can experience the long lost customs of ancient China, for example, lonely men with a bit of pocket money can visit brothel boats sitting "like aimless floating leaves" on the river.

Moreover, Shen Fu's accounts of his wife, Yun, were against conventions because he does not cease in describing her only as a dutiful wife and daughter-in-law according to Confucian ideology, but he portrays her as an intelligent and adventurous woman who was willing to dress up as a man to visit a temple (which forbids women) with him. To Shen Fu, Yun was his soul mate and she transcends his memoirs into a love story. She is present from his first record, "The Joys of the Wedding Chamber" where they first met as an arranged marriage to his last record, "The Delights of Roaming Afar" where Shen Fu is constantly reminded of Yun, long after her death, when he travelled to places he wished he had brought her to.

Lastly, Shen Fu's tone is full of indignant passion making him an amusing storyteller. The translators (Leonard Pratt and Chiang Su-hui) translate Shen Fu's work without losing his ease and personality, making the book a delightful read.

Keeping in mind that not many authors in feudal China reveal an honest account of their times and even less-so the intimate accounts of their domestic life, this autobiography is wonderfully rare.

a very, very good book to get to know the everyday life of late imperial Chinese!

I entered flight school in 68 and went on to a year and half
of rotor work in SVN and parts, in 69. A must read. Glad I found it.
This wonderful book took me everywhere..with perfect wit.

Foley is a professional writer, now, and it shows in the vivid clarity of his words and the mental images they evoke. He takes his own experiences in the Army (enlisted recruit to Lt. Col.) at a critical point in its existence and gives us the grunt's view, but with the insight of an outstanding staff officer. He points out the many failings of the staff and leadership in the 1960's Army (as only a grunt can) and how men like those he served with on the ground in the 101st, LRPs, and Green Berets made up for those failings. His stories of going from PFC into MCO school, into OCS are full of the details that add dimension to his later activities and service in the jungle. And he points out his own failings. A refrain that repeats itself goes along these lines: "I thought such-and-such, but how wrong I was."

He also gives insight into the workings of the upper echelons, and how good men and women in those ranks worked to shove the Army into the later 20th century. Unfortunately, he left the Army before the results of those efforts really paid off in the desert and the many interventions and peace-keeping efforts we send our people into. But for a solid, well written account of Viet Nam, and one guy's experiences there, "Special Men" is one of the best written, most balanced accounts I've read, and I've read a lot of them. For another view of the evolution of the Army in the crucial 20 years between Viet Nam and Desert Storm, I recommend Fred Franks' "Into The Storm."

Dennis grasps of the military and understanding of the soldiers really shows through. Foley as an enlisted men first, he knew what it was like to be a buck-private and always had respect for the men. I know I served under him in F Compnay, 51st LRP (Abn.) Infantry and what he wrote about the unit is sad considering its great past records of what we did during Tet 1968 that saved thousands of Allied lives. A claim that no other Lurp unit in Vietnam could come close too. For a better understanding of Lurping, read Don C. Hall's book I SERVED or check out the web site at i-served.com. Dennis is a fine example of what outstanding men can do to carry the unit, in spite of, the poor performance by a few. It's in his book. Check it out!

Dennis has done it again. I think that I have read all his books, and can say without fear of contridiction that his book keeps you spell bound.

He write with the auhority of one who has been there done that. Would have given 8 stars but five was the most I could givein this rating system.

Roadrunner 6 out

I wish Dennis Foley could write an updated version of the
very important lessons to be learned from his great book, SPECIAL MEN. His book should be read by anyone going into
the military, and required re-reading for those who are careerists, rather
than warriors. The lessons to be learned from this book are that vital.

I enlisted two years prior to Dennis Foley. One of my mentors , Col John Paul Vann, told me the difference between a warrior and a careerist. One of Dennis Foley's mentors, the late Col David Hackworth, was the epitome of why we need more warriors and fewer careerists in our military. LTC Foley is another great example of why, as well.

SPECIAL MEN is a great autobiography, beautifully told and written. One of its lessons is how we mismanaged to lose the war in Vietnam, by losing it in America first. Sadly, recent leaders of our country learned nothing from Vietnam and are mismanaging
us in a war today that is far more important to our nation's survival than was Vietnam.

As LTC Foley points out, we cannot afford a military run as a popularity contest. We cannot afford an undisciplined military. And, he is writing primarily about the 1960s and '70s military.
What must he think of today's PC-driven, kindler/gentler bureaucratic military?

But, I know what he thinks of the young men and women serving in our
military, because a true leader and a good officer never changes. Like his mentor, David Hackworth, whom I knew, Dennis
Foley cares about his troops...honestly, deeply and always. It
shows on every page of this book.

With more Dennis Foleys running our military we'd never lose another war. But, since he's no longer in the military, and is now writing about the military, I sure hope that more folks heed his important messages.

Personally, I have a few ROTC cadets from a nearby university working for me parttime. As each graduates, he or she gets a
copy of SPECIAL MEN from me as a graduation present. It's the best I can do for them.

As a professional photographer, I can honestly say that this is a wonderful book! It is full of fantastic photos of a culture that is struggling to survive. I highly recommend it!

This book is beautifully shot by a truly skilled photographer -- a must have for anyone with an interest in photography or of the people of Tibet.

San Francisco Sunday Examiner and ChronicleBy Linda Watanabee McFerrinFreelance photojournalist Alison Wright's vivid portrait of Tibetan life in exile will kindle the warmth in any heart. In her vibrant visual sojourn with the Tibetan refugees in Dharamsala, India,she reveals lives rich in reflection and celebration, and creates a doorway into a culturethat survives in spite of travail. Nuns, monks, musicians, yak herders, children, the survivors of political prisons and His Holiness, the Dalai Lama, animate the pages. Her compositions are stunning, the color and light with which she adeptly enflames her subjects exuding both strength and intimacy. A short forward by the photographer underscores the spirit of the composition, but truly this is a book that needs few words. Wright, whose work appears frequently in the Examiner, is most articulate in her photography; and that is worth countless lines of text. "Good intent very important. Most important in all that you do. Never forget, " the Dalai Lama advises her in a garden encounter in Dharamsala. In her work, Wright makes it clear that the message is, indeed, unforgettable.

As a photographer and teacher of the photo arts it is easy to realize the quality of capturing the humanity of the people in this beautiful book. Alison Wright has done an excellent job. Place this in you home so that the tragedy that has been inflicted on the Tibetan people by the brutal and ruthless government of China is not forgotten.

Additional reads on the subject should include Tears of Blood / A Cry For Tibet by Mary Craig and for those who like their history in the style of Hollywood check out Kun Dun by Martin Scorcese, 7 years in Tibet, and Little Budda.

This book will move you to write your elected officials and ask them to support policies that will get China out of Tibet. You may also want to visit the official website for the Government of Tibet in Exile.

Ever since I read Heinrich Harrer's "Seven Years in Tibet" six years, then the later "Return to Tibet" by the same author, I was hooked to Tibet, the Tibetan people, the Tibetan land, the Tibetan mountains, the Tibetan monasteries, everything Tibetan. I have cultivated an unspeakable tie to this unique land and its people. I began screening movies such as Kundun and Seven Years in Tibet. I have imagined and pictured Tibet according to Harrer's lively and mindful description during his residence in Lhasa. "The Spirit of Tibet" graciously allows me, for the very first time, to see Tibet unveiling its mysterious yet solemn beauty. A few other readers have complimented on the artistics and aesthetics of this collection. The collection really touches me because it communicates an unfailing passion. After the Chinese invasion in 1950, it is the Tibetan spirit and passion that sustain and unite the country and its people. When you look through the pictures, try to look into the Tibetans' eyes. Behind these eyes you will free yourself from the ordinary and see their life struggles, one and one, rooted deep in their mind and soul.

Because I referred readers to this book in my 3-STAR review of the Prestons' recently published Taj Mahal: Passion and Genius..., I want to offer a more specific comparison of the two. Significantly, the amount of text each devotes to the Taj complex and those directly associated with it is the same. So, too, is most of the information. But rather than detailing differences--such as that only in this book are criticisms of the mausoleum or that only in the Prestons' are technical details about the water system as well as inconsequential elaboration on who could not have been the architect of the Taj--let it suffice to say that regardless of which book you own, the notes you'd add from the other would amount to but a few pages, unless you'd also want to copy the two pages of translated calligraphic inscriptions that appear only in Okada/Joshi/Nou's TAJ MAHAL.

What makes the two books so dramatically different is that 3/4ths of this one is devoted to showing readers the Taj Mahal complex via Nou's stunning photographs, all of which are in color. There are, for example, 56 of the interior of the mausoleum: 7 are two-page spreads; 40 fill an entire page; many are close-ups that reveal astounding detail. Also given extensive photographic coverage is the exterior of the mausoleum as well as the complex's mosque, guest house and main gate. And showing the magnificence of the entire complex from different perspectives are 4 three-page foldouts.

So many photographs are there in this book, in fact, that as revealing as they are, many begin to have a sameness about them. That the explanations of the architecture/ornamentation are not integrated with the photography may also be a negative for some as may be the absence of any photographs of the related funerary architecture that Joshi discusses. Nevertheless, if you are primarily interested in photographs of the splendors of the Taj Mahal complex as it now appears, you will find none better than Nou's. Before deciding on this book, however, I strongly recommend that you investigate one that merits 10 STARS: Ebba Koch,'s The Complete Taj Mahal, published in 2006. --B. Evans, 4/14/07

This famous monument of love has been a favorite of tourists especially romantics, for many generations now. Visitors from all over the world are drawn to its irresistible charm, beauty and grandeur.

This book, dedicated to the most famous man-made wonder, slowly reveals its glorious detail. Color close-ups of semi-precious stones inlaid in white marble, intricate carvings, decorative patterns, and calligraphy enchant the readers. These artistically taken pictures draw the reader's attention to detail that a regular tourist may have easily missed during visit to the Taj. In fact these pictures are such fine quality and detail as to distract the reader from the well-written text that accompanies them. Every time you pick up this book, you are likely to notice something new, some other fine detail that you missed the last time. We, at Recipedelights.com, think this book is a must-see-and-must-read for designers, artists, armchair tourists, tourists planning to visit Taj and even those who have already visited it.

Following my recent visit to India I purched the book Taj Mahal as a permanent reminder of this magnificent building. The photographs in the book are of a very high standard and have been taken when there is an absence of visitors - a level the average sightseer can never achieve. The special lighting and techniques used for the internal photography makes you feel as though you are actually there. Added to this there is a very informative narrative on the history of and how the Taj Mahal was built. It is certainly a wonderful memento and am sure it will whet the appetite of future visitors.

The Taj Mahal is one of the most spectacularly beautiful buildings in the world, saying it's breathtaking does not do it justice. Not only is it gorgeous but it has one of the great romantic stories tied into its creation. This book does a wonderful job of giving the reader a real feel for this singular structure. The images are vivid and stunning and the scholarly text is highly informative. The intracate detail and exquisite craftmanship in this building are unparalleled. This sublime garden tomb is truly a wonder. If you have any interst in the Taj Mahal or just apprecate beautiful books then I cannot imagine you not loving this book, oh and be forwarned that after taking in this great book you will want to hop a plane to India.

Namaste (Hindu Hi)

this is the best book I have seen on the History of Taj Mahal, if you can't go to India to see the Taj Mahal buy this book this is excellent book, it will give you a very detailed photography of Taj Mahal, the photographer has done excellent work. I give it 5 stars & highly reccomend it.

We really like this book because it has a section in the back for "older" readers. We also enjoyed the front part for "children"

Great book for little ones about the Vietnamese New Year. The embroidered illustrations are phenomenal.

My 2 yo loves this book, on the 1 Mouse plans a party page we talk about all the people she will invite to our party and by the end she cheers Happy New Year (in Vietnamese) with me. She was enchanted by Lunar New Year this year, and this book has been a wonderful way to help keep it alive for her. We are not Vietnamese and we love this book.

this book is simple but filled with information. one mouse plans a party, two mice go to market, 3 mice paint and polish, 4 mice prepare a feast, 5 mice learn their fortunes, 6 mice open presents...etc. The last two pages of the book give further information on each activity - what it is and why it is an important tradition. I like it because most books do not focus on the vietnamese tradition of Chinese New Year. Our family is of Vietnamese heritage, so this book is best for us.

This is a great book for preschoolers to teach about some of the activities related to the Vietnamese New Year and its celebration. The embroidered illustrations are quite intricate. I highly recommend this simple, yet informative book.

Usagi Yojimbo is the kind of quality work that transcends time, genres, demographics, and even age groups. It crafts a delicate and beautiful balance between honor and savagery, cute innocence and dark brutality, simple heart-warming stories and multi-part epics that shape a dense continuity. Whether or not you've ever been a fan of feudal Japanese culture, furry anthro characters, or independent, non-superhero comics, Usagi Yojimbo is a comic that can't help but impress even the harshest critic.

"The Wanderer's Road" (volume 3 of the series), is really where so much of this title's charm first begins to shine. We begin with "The Tower," a truly touching story in which Usagi risks everything to save the life of an innocent creature, gaining an unforgettable traveling companion in the process. In contrast, "A Mother's Love" was the first of many Usagi stories to paint a tragedy so rich that it brought me to tears. This is quickly surpassed by "Return of the Blind Swordspig," a story which not only brings back a fantastic character (you'll want to go back and consult volume 1 for the genesis of this conflict), but also concludes with an incredibly touching resolution. "Blade of the Gods" introduces "Jei," Usagi's greatest and most disturbing nemesis in a story that isn't easily forgotten. Finally, the Tea Cup is a fun and intriguing Usagi & Gen team-up (Gen also first appears in volume 1), and The Shogun's Gift brings back Lady Tomoe and Lord Noriyuki while also resurrecting and developing the threat of the Neko Ninja Clan.

All in all, Volume 3 brings back many early characters to help build and expand upon Usagi's world, all while painting rich, memorable stories that will pull on the heart strings as easily as they pump your adrenaline. This is the first of many times that Sakai really seems to outdo himself, taking his work to a whole new level of art and storytelling. Don't miss it!

I'll keep this one simple, folks; READ THIS BOOK! READ ALL OF THEM!
Stan Sakai is a genius, pure and simple. The art is great, the characters compelling, and the action bloody and so hard-core a certain berserker mutant would stand back in awe. This is NOT a fuzzy animal book; there just happen to be mostly non-human people in it.

Once again, Stan Sakai delivers a mix of touching and funny adventures. With Spot, Gen and others all getting to share some page time, readers won't be disappointed. In this volume, Mr. Sakai continues to flesh out the characters and establish their personalities. His art, too, improves with every stroke.

In this collection we are introduced to Spot (the pet lizard), Jei (demon samurai), and Shingen (leader of the Neko Ninjas). We are also treated to the first meeting between Leonardo (of the Teenage Mutant Ninja Turtles) and Miayamoto Usagi.

Chapter One:
A lizard is chased up a tower by a cruel cook. Usagi climbs the tower to save the creature. He ends up naming him Spot and adopting him as a pet.

Chapter Two:
Usagi and Spot meet an old woman on their travels. After accompanying her back to her village it is revealed that her son is an evil money lender who rules the town with an iron fist. Usagi is shocked after the old woman asks him to kill her son.

Chapter Three:
Usagi vs. Ino 2

Chapter Four:
Usagi gets stuck in a storm. He shares a hut with a samurai who wields a black blade named Jei. The two end up in a duel with a shocking ending.

Chapter Five:
Usagi meets up once again with Gen. This time the pair set out to deliver a valuable tea cup to it's rightful owner...for a price of course.

Chapter Six:
Lord Noriyuki has had a sword specially crafted for the Shogun. A ninja named Shingen steals the blade but runs into Usagi along the way. After a series of mind games Usagi returns the blade to Noriyuki.

Bonus (not affiliated with a storyline):
Leonardo (TMNT) somehow ends up in Feudal Japan. He ends up in a battle against a horde of Samurai. At the same time Miyamoto Usagi runs into a horde of Ninjas. After dispatching the hordes Usagi and Leonardo mistake each other for enemies and prepare to do battle.

Like almost every Usagi novel this one is great for the whole family. I strongly recommend this for any Miyamoto fans or to anyone looking for a fun quick read.

(Note: The photo on amazon shows the cover of "Book 2: Samurai" but don't worry...This is indeed "Book 3: Wanderer's Road.")

I know that saying a book is good for all ages is something of a cliche, but I can't think of another book for which it is more true. In my family, we all fight over who gets to read the new Usagi first, from the children who are enjoying the bunnies to the adults enjoying the culture, stories and characterizations. This is an amazing series.

This is a great childrens book for reading level 4th grade and up. It has a boy as the central character and you will cry at the ending! My fourth grade class loved the characters and all of the facts they learned about Vietnam.

The author is the young child in this story. He described his relationship with two of the family buffaloes. One water buffalo name was Water Jug. The other buffalo's name was Tank. Water Jug died of old age. After Water Jug died Ngoung[the young child in the story]and his fater went looking for buffalo. The found a great young bull. Ngoung and the buffalo played alot. One day a war spread over their country. A bullet hit Tank and one hour after the war Tank died.

This is my favorite book that I've ever read because I like how the author describes his life. I read this book because it was a Bluebonnet book at my school. I never knew that I would like it this much. I just picked it out, and started to read it at the library. My favorite part was when Tank(the waterbuffalo) fights the herd's leader (Hurricane) and wins. I think you should read this book because it tells about a boy's life in Vietnam.

I borrowed this book from our local library, thinking it was just any other book. When I read the book, I enjoyed reading the adventures. Later on, I was surprised to discover that all the adventures were true. People could learn a lot from this book, not only about where the author lives but lessons in life, as well. After I returned the book, I decided to read it again, and this time, I borrowed both of the author's books. I've really enjoyed these books and think that children would benefit from reading these books, too. I hope that the author writes some more books about his memories.

As an elementary school teacher who loves children's literature, I try to read all the Bluebonnet books every year. This was one of the best. I really learned about life in a Vietnamese village from the perspective of a young boy. Even without learning this background, the book is a great story for all children and adults who love animals.

This was a great book. Author kept me interested in all the stories and the book was really heart wrenching when this disaster was seen through the survivors eyes.

This book is a must read for anyone remotely interested in the Asian people and their culture. I was truly humbled by the strength and dignity shown by the families featured in this account of the terrible tragedy. Their resolve should be used as a benchmark in our own everyday lives, it makes our own crisis', and the way we handle them, seem pretty silly and trivial by comparison.

Quite by chance, I had the pleasure of meeting a gentleman that employees a Thia aupair just days after finishing this wonderful book. It went out in the mail to him a few days later. I'm sure he will gain some valuable insight upon reading it, and will have a new and better understanding of the person sharing in his own families' culture after reading this wonderful book.

I highly recommend Wave of Destruction. Ready or not, it places you in the midst of the horror.

At least twice, while reading these stories, I flipped to the front of the book looking for the word "novel," or a disclaimer stating that the characters had been compiled in order to tell the story of the many who had suffered. No such words exist. The accounts are real and each person's experiences are more than any human should have to bear. The stories of the waves themselves made me savor every breath. Many of the survivors's minds were shattered making me want to reach out and pull them to safety, something that is impossible, even today.

After the physical horror had slowed, greed and corruption allowed people with varying degrees of power to profit from (and, arguably, even enjoy) the tragedy of others. How can they look in a mirror? How can they sleep at night? In contrast, the survivors choose to exhibit a level of grace for which there are no words.

This book is a must read for all. The book not only sheds light on the worlds deadliest tsunami, but takes you through the hardships of what life was like before the wave struck--perhaps even more interesting than the tsunami itself. It is a jaw dropping tale of tragedy yet strength. I couldnt put the book down, and when I finished I was left in a shocked state of ah. The author tells the story with passion, keeping the reader locked in until the very end. This tragic true story reminds us all just how much the human spirit can endure...

There are not many books that can bring me to tears, but this one did it. The lives of the people in the book are as amazing as they are sad. It reminded me just how strong some people can be. And just how evil others can be. In the middle of the worst natural disater in history people were actually praying on those who had just lost everything. I spent some time in Thailand years ago, but I only went to the tourist places. After reading this book I know I am going back. I have a totally different outlook on the country and the people now. I think sometimes when we go to foreign countries and do the whole tourist thing we miss out on the beauty. This book has shown me what is beautiful about Thailand--it's people. I think this book will open a lot of eyes.

Wings, Women, and War by Reina Pennington was a delightfully quick read. There is a lot of research and in depth coverage that is very informative. At the same time you laugh at stories of Liliia Litviak's fur collar and flowers and stand amazed at her combat exploits. The book exposes you to the lives of many women volunteers and their transformation from civilians to military pilots, navigators, armorers, mechanics, and commanders. There is no propaganda. Just pure facts based upon interviews of participators and archives. No matter what your politics, or issues with women in combat, you will find yourself captivated and surprised by many discoveries.

I recently had the occasion to read Dr. Reina Pennington's book, Wings, Women, and War: Soviet Airwomen in World War II Combat. It was required reading for a masters program I am completing. I had my doubts about the value of this book based on many prior textbook experiences. I was extremely surprised with this one.

The book was part of a class on race, gender and sexuality issues in the military. My male sensitivities and defenses were heightened when first opening this book, but my curiosity convinced me to proceed (as well as the required reading part!). It convinced me that gender issues are important when it comes to studying things military. Dr. Pennington gave a face to and personified the women warriors and their male counterparts in the air force of the Soviet Union during World War II. This is something she accomplished while at the same time supporting her academic theoretical work this book represents. The book reads like a novel and draws the reader in to its stories about these very brave and determined Russian women. The stories are often funny; very funny. It proved to me that Russians during the war were people just like us in their humanity.

If you are unconvinced of women as warriors or want to understand something about how the Soviet Union treated women, recruited women and encounter their successes and their failures, then this book is what you need.

Dr. Pennington provides a remarkable bibliography including archival materials, correspondence and personal interviews. She spent time in Russia following the fall of the Soviet Union when war time documents and records became available. One thing that you might not find answered or answered to your satisfaction is the fundamental question about why the Soviets allowed women into combat. Like all the other belligerents involved in the war, the Soviets resisted this at first. Just like the others the Soviets dismantled their women warriors after the war. If it were not for scholastic efforts like Dr. Pennington's the efforts of women like Evgeniia Prokhorova and Liliia Latviak would be forever forgotten.

I read this book cover to cover on Friday (in the office, door shut, looking very busy). Living with WW 2 aviation everyday through the collection of fighter aircraft we restore and fly in England, it is easy to become a little blasé about the way people lived their extraordinary lives in that time. This book hauled me right up by the collar all over again.

It is remarkable - the pages turn as easily as reading the most engrossing novel and yet this is clearly a thoroughly researched review of these womens' history. I am utterly impressed. To communicate passion for a subject while speaking with such authority - the authority that can only come with knowing and understanding a subject as well as Pennington does - is so rare.

Having read almost every single book available in the narrow field that covers these Soviet women, I belive this book sets the new benchmark.

If only history could always be communicated like this!

For most Americans World War II is John Wayne, Tom Hanks, D-Day, and Pearl Harbor. The plucky British gave a hand now and then and the ungrateful French needed us once more to pull their goose-fat from the fire. Oh yes, it snowed a lot on the Eastern Front. Yet, more than a cursory examination of the Second World War shows even first year history students that the Atlantic Theatre was very much a Russo-German War, with the Western Front playing a secondary role. The Russian story of the Great Patriotic War has not imprinted itself on the American popular imagination. Even less known is the role played in that great struggle by Russia's women.

Over 800,000 women served their Motherland in World War II, nearly 200,000 of them decorated. 89 of those women eventually received Russia's highest award, the Hero of the Soviet Union. Reina Pennington's book tells the story of Russia's airwomen during World War II with the passion of a best selling novel. Yet, the well documented footnotes and thorough Appendix attest to the research that has gone into this scholarly work.

Pennington's book focuses on three female regiments formed by Soviet hero, Marina Raskova, but also gives insight into women who served in mostly male regiments. She provides a gripping account that will satisfy those hearing about the USSR's airwomen for the first time, as well as adding new information about command struggles within the fighter regiment.

The story of 46th Guards Night Bomber Aviation Regiment, staffed through the entire war completely with women pilots, navigators, mechanics and commanding officers, makes any current debates about the suitability of women in combat seem like a convocation of the flat earth society. These women settled that debate long ago. Pennington quotes Soviet test pilot and HSU Mark Gallai on what it was like for the women bombers to fly their missions in the outdated biplanes to which they were assigned:

"It means coming under fire from anti-aircraft weapons of every calibre...it means enemy night fighters, blinding searchlights and often bad weather, too; low cloud, fog, snow, ice, and gales that throw a light aircraft from one wingtip to the other...all this in a Po-2, which is small, slow and as easily set alight as a match."

Yet, these women, averaging 5-15 flights a night(more in the winter, less in the summer), surviving on 2-4 hours of sleep a day for four years, managed to fly over 24,000 sorties, drop 23,000 tons of bombs, and account for 23 Hero of the Soviet Union awards.

Up to this point English language readers interested in the heroic stories of these women have had the excellent works of Kazimiera Cottam ("Women in Air War," "Women in War and Resistance")and the interesting interviews conducted by Anne Noggle ("A Dance with Death"). Yet, as important as these works are, none attempts to tell the story of Soviet airwomen as a complete narrative. Pennington weaves the individual tales of these women into a fabric that is compelling in its humanity. Hers is the story of ordinary women in extraordinary times who achieved what today seems impossible. They gave the full measure of their devotion in a valiant fight that deserves to be known. Reina Pennington's "Wings, Women, & War" does honor and justice to the stories of these women.

This is an important book which dispells the usual misconceptions about women in combat in general and Soviet airwomen's contribution in particular. The chapter on Soviet women fighter pilots is especially valuable. Through personal interaction with several surviving former members of the 586th Fighter Regiment, especially its second permanent commander Aleksandr Gridnev, Pennington has gained a lot of inside knowledge pertaining to this regiment, the most controversial of the three combat units formed by Marina Raskova, the "Soviet Amelia Earhart." This reader was surprised to encounter six misspelled Russian and Ukrainian place names in the book. In addition, the name of the first chief of staff in the 125th "M.M. Raskova" Borisov Dive Bomber Regiment has been rendered as "Militsiya Kazarinova" instead of "Militsa Kazarinova." However, these misspellings can still be corrected using an errata slip affixed to the inside of the back cover of the book.

Phil Karber is my Dad's first cousin. Trust me, the sarcastic humor runs in the family. I have not read my cousin's book yet, but I have no doubt that it is wonderful. Phil is a great guy to be around, and he could write a dozen books about his life. I would love to read about his childhood also.

While visiting family members in Arkansas over Easter weekend, I happened to read a review for the book Yak Pizza to Go by Arkansas native Phil Karber. The excerpts from the book in the review left me craving more and as soon as it came out, I purchased a copy. I was not disappointed. As an avid traveler (I believe I may have run into Karber while visiting Sapa, Vietnam), this book is incredibly interesting and entertaining. Unlike most travel books that only tell you where to eat, sleep, and drink, Yak Pizza To Go provides the reader with this information along with a capsule summary of the history and culture of the regions that Karber has visited. From the bia hoas of Hanoi, Vietnam to meeting fellow Arkansan Hillary Clinton at the Ngorongoro Crater in Tanzania, Karber's informative and at times sarcastic stories along with vivid and accurate descriptions of these places flooded me with memories of my own journeys and a longing to visit others. This book is a must read for anyone who is serious about traveling and getting the most out of their experiences to foreign lands.

i am unable to leave the usa due to physical problems. this book takes me places in my imagination that i never thought i would go. the writing is crisp with a dry humor. the author lives his life as he says in the book, a roaming vagabond, tied to the countries his wife is assigned to. with her job they spend all their time all over. i just wish i had been able to accompany him on some of these travels. i am only 2/3 through the bbook, it is very long. i just wish it had another 500 pages to anticipate when i go to bed at night which is when i do most of my reading. in short, a fascinating book from a new author. i hope he has another book in his future.

I've just finished Yak Pizza--and how much I was transported from Fort Smith, AR to places I've only dreamed or heard of. Each day I looked forward to that time after dinner when I could grab Yak Pizza, get off by myself, and take trip after trip.

Phil Karber did a remarkable job here, finding the right distance from his subject matter--at times letting places and experiences speak for themselves and at just the right times giving such keen insights from observation and analysis.

There were such poignant moments and then humor and then righteous indignation and then such a knowledge of the background history of environment, economics, political/social structure. . .and gadzooks what a vocabulary.

I wrote a haiku over my impressions the night I finished the book and had such bittersweet emotions on finishing it--here tis Brushed bamboo, twisted thickets of morass. Leeches hold time in their craw.

Warning: This travel guide is not designed for the "accidental tourist," the person who travels to foreign lands hoping only to recreate a faraway, expensive version of his homeland. This book is for anyone who wants to travel not only for pleasure, but also for knowledge. With humor and incredible insight, Phil Karber writes of his adventures in the lands he has visited, lands that most of us will only see on National Geo specials. Karber immerses himself in each culture, learning as much as he can about the history, philosophy, people, and customs of each country that he visits. After reading this book, the reader will feel as if he, too, has visited each place Karber describes. This book is a must-have for anyone who plans to travel to these exotic locales, but it is also a delightful way for those of us who lack the courage, time, or funds to travel to experience places that may no longer exist in a few year's time.