Asia Books

Spence and Chin has done a great job compiling these rare photos and recording China's past 100 years concisely but thoroughly. This is a must read, must have book.

This book is an invaluable resource for scholars and amateurs alike. The introductory essay orients the reader, and the photographs tell their own story.

The "reviewer" below this is clearly insane and/or has an ax to grind. As any of their Yale students could tell you, Spence and Chin are both world-class scholars whose passion is narrating the stories of modern China accessibly, entertainingly, and provocatively.

It's a surprisingly thorough and sophisticated overview of China in the 20th century for a book that at first glance looks primarily like a picture book. The text is outstanding in itself and the pictures quite original. I recommend it to those with a rudimentary knowledge of Chinese history.

Overall, I found this book to be very informative and fun to read. Being a UCSD student and taking many classes pertaining to Asia, I read many works by Spence. By far, I have enjoyed reading every one of his works. This particular book in my opinion is the best of Spence's works-- though he cooperated with another author. Spence's works is a testament to his ability to present fact in a dynamic way. In this case, Spence uses photographs to augment his work.

And concerning the individual from Grand Rapids, Missouri (2nd Review). This individual is thoroughly ignorant and racist to say that the Chinese people "lost the sense of dignity, creativity, and are still today refusing to advance their own country by isolating from the rest of the world." China has continually engaged in the free market arena since it opened up commercially in the 1980s. According to most experts, China has the fastest growing economy in the world. On another note, this individual fails to note that there is a level of corruption in every country. Yes, we Americans have seen our fair share of corrupt cops and politicians! Overall, this individual's remark does no justice for the merit of Spence's work, and is an unjustified insult to the Chinese community.

Few countries have experienced the same intensity of tumultuous drama and tragedy as China did during most of the 20th century. Only Russia and Germany have seen as many changes of borders and political systems as China. Loss of lives in wars, civil wars, famines and natural calamities has been higher in China than anywhere else. After the 19th century saw China's sovereignty being cut away by foreign powers and their imperial demands (opium wars etc) in one piece after the other, culminating with Japan's grabbing of Taiwan in 1895, the 20th began with a failed big bang, the Boxer Rebellion, which added more humiliation.
Then came the fall of the Manchu Dynasty, the decades of warlordism and of the fight between the Nationalist Party KMT (which started on Leninist principles and became later a great admirer of Italian fascism and German nazis, before they changed course and decided to be part of the fight for freedom and align themselves with the Allies) with the communists, who were split-offs from the KMT, then the Japanese invasion and occuption of large parts of China (the Rape of Nanjing ...), then WW2, after that the resumed civil war, with the communists victorious, the de facto split-off of Taiwan who had come back from Japanese rule only briefly and was now the recipient of large crowds of refugees from the mainland (and the victim of KMT suppression). The mainland under communist rule saw the participation in the Korean War, the internal propaganda war against 1000 flowers in bloom,which cost many lives and many many years of freedom for many, the terrible Great Leap Forward with its giant famine, the disastrous Cultural Revolution... And then since the late 70s an at first slow and then faster and faster opening up of the system to market elements and foreign engagement, which has by now taken the country back on the world stage, where it had been in the past, without a basic change of the political structure that was in place since now nearly 60 years. So what next?
The book tells the history briefly and adds historical fotos of great value to make this a true 'photographic history'. The authors are Yale professors. J.Spence wrote some of the most relevant books on modern China, if you want to go deeper into the subject.

If you're looking for pretty, nature, Haiku-esque poetry, then this might not be for you. Many of these are graphic sexual depictions. Many have four letter words. Ikkyu, aka Crazy Cloud-- Zen Monk, Enlightened One, Patron of Whorehouses, Virile and Active into Old Age.

But don't think these are just sex poems. These are poems built of a version of primary colors: light, dark, mountains and wind.

There's a Whitmanesque Bullheadedness and Joy of Life to many of these short poems (most 2 lines long, rocking back and forth in their sliding images and rhythms) but you don't get the tongue-in-your-ear feeling that comes with reading Leaves of Grass.

Whether he's telling you about burying his pet sparrow or going down on a woman in the kitchen as she cooks, Ikkyu rewards the reader again and again.

hands down one of my top 3 "desert island" books. i don't even know what the other two would be, but berg's translations - ikkyu's work - man...these can - without fail - render the reader speechless, at least one or two times in a reading...easily.

Ikkyu is perhaps the most like "normal" humans by any accounting of a Zen master I've encountered in print. One can relate to this guy. Some of his poems are like Michael Jordan putting up a final second shot and touching nothing but net. I wasn't sure I would like his poetry since I'm not that big a poetry fan but this is the kind of book to take on a long run down the Grand Canyon or somewhere you might crave inspiration when space is at a premium.

"Only one koan matters," Ikkyu writes, "you" (p. 67). "Believe in the man facing you now" (p. 21). While meditating on a boat when he was 27, Ikkyu Sojun--also known as "Crazy Cloud" (1394-1482), was enlightened when he heard a crow call (p. 9). As a Zen Master, he was considered sort of an eccentric rake (p. 13), and he never pretended to be much else. He loved sake. He loved women. "The crow's caw was ok," he writes (p. 58), but "a woman is enlightenment" (p. 64). Ikkyu scandalized his Zen community, and his poetry will offend many readers today as well. "Look me up if you want to," he writes, "in the bar whorehouse fish market" (p. 40).

These poems are "frank, naked, sincere" (p. 15), and full of vivid imagery of "erotic renewal" (p. 13). It's enough to say for purposes of this review, Ikkyu lives "in a shack on the edge of whorehouse row" (p. 40). These are the poems of a poet who is "all there" (p. 15), and fully present on his "long pure beautiful road of pain/ and the beauty of death and no pain" (p. 24), whether he is watching his four-year-old daughter dance--"I can't break free of her" (p. 60), watching the "snow moon tangled among black flowers" (p. 39), or "shuttling between whorehouse and bar" (p. 47). Question "flattery success money," he writes (p. 22). "This city these people where I live still are impossible" (p. 30). "Sing until you have no throat then words come by themselves" (p. 55).

I'm not qualified to comment on Stephen Berg's translation of Ikkyu's poems, but I can tell you this book is certainly something to crow about!

G. Merritt

Ikkyu wrote his verses in a four line form which has been reworked into couplets by Stephen Berg. It is important to remember that these are version by Stephen Berg not careful translations from the original - as reworkings often are the most accessible translations.

Ikkyu was not a typical Zen master - the monkish disciplines of celebacy and sobriety were not in his repetoire. While this makes him an oddity, it reinforces the ideal that one who is enlightened is one who is free. This freedom (often seen as indifference or non-clinging) is voiced in this poem "Ikkyu this body isn't yours I say to myself / wherever I am I'm there". His freedom from the disciplines is shown in poems that are explicitly sexual not merely erotic. A very tame example: "don't hesitate get laid thaat's wisdom / sitting around chanting what crap".

Ikkyu is definately a poet that students or would-be students of Zen should read ... in fact, we all should read it for the sheer fun and beauty of it.

This book is excellent! But, I am biased. Col Tom Yarborough was my Professor of Aerospace Studies at Indiana University and a major reason why I joined the Air Force. He a great and inspiring man. I highly recommend this book by a true hero.

This is by far the best book I have read on Vietnam. It takes you to the air with the pilot like you are in the back seat. It's hard hitting and lots of action. I highly recommend it.

Anyone who is an armchair flyboy or military aviation buff will find this book to be one of the best. Col. Yarborough's writing style keeps you on the edge of your chair as you follow his incredible hair raising missions in Veitnam and Laos. Best on all this is not fiction but the real item.

I read a lot of Vietnam pilot's memoires but these are definitely the best. Here I found absolutly the most hair rising combat sorties in treetop level under enemy fire written with such speed, that I could not stop reading. I don't know Tom Yarborough personally, but I really started to like that guy when reading his book. If I should ever be in such a stressy enviroment like Nam, having a guy like him as squadron mate should make things a lot more bearable.

Excellent first hand story of flying the OV-10 as a Forward Air Controller in Vietnam. Especially exciting because of the nature of the mission: supporting the infil and exfil of long range patrols. This story has only recently been declassified and is now told in a vivid and thrilling first hand account by one of the most decorated Forward Air Controllers from the Vietnam war. If you like flying and fighting you'll love this story.

This book provides great insights into female archetypes of the Ming Dynasty. The depth of research along with a humanizing attention to story and detail make it a worthwhile read. I've recommended it to friends, to my women's book club, and to family members.

I loved this book, and now use it in my university teaching.
It changed my thinking about women in China, in particular, and about late imperial Chinese history in general.
Beautiful writing complements meticulous, penetrating research.
Six stars.

Victoria Cass has found them -- the heroes of the Yin smothered by centuries of stereotypes. In chapter after chapter, she helps these courageous women come to life again and inform us what it took to escape the constraints of Yang conformity. With the rush of these brave souls from the pages of this book comes a breath of fresh air to help us escape the stuffy pomposity of past and present generations of Confucian and Marxist ideologues.

With topics ranging from cult of qing, dramatis personae, Taoist eccentrics, Ming loyalists, Medicine women, matchmakers, to alme literati, etc, etc, Dangerous Women is unequivocally an indispensable resource for those who have an interest in Ming culture. I think it is one of the most rare inquisitions ever done in English on Chinese women.

Dr. Cass has written a thoroughly enjoyable and informative book about women during the Ming Dynasty in China. Most important, she demonstrates with a wide range of historical examples that there is much more to Chinese history and culture than its Confucian legacy. Aside from eliminating the China doll myth, Dr. Cass shows that there is a facet to Chinese civilization that is still connected to the earth, magic, and more feminine worldview. Moreover, Dr. Cass makes the case that you can not truly understand Chinese society without appreciating the crucial role that Chinese women, who found genuine means of self-empowerment (including shamanism), played in the world of the Ming.

I read this book voraciously from start to finish when I was in 7th grade and have never forgotten it. It illustrates how important it is to have faith in a dream and to go after what you want even when everyone tells you it's impossible. And if you've ever dearly loved a pet, this is the story for you.

Momo, a young Tibetian girl, yearns to own a Lhasa Apso, but an expensive pedigree dog like that is beyond her family's meager budget. Undaunted, Momo hopes and prays for one to come her way, certain that it will. Her faith and tenacity pay off when a traveling merchant presents her with an adorable Lhasa puppy, whom Momo promptly names Pempa. All is perfect in Momo's world until the day Pempa is stolen by thieves on their way to India. You will learn a lot about that part of the world as Momo tirelessly treks through Tibet, Nepal, Bhutan, and finally India to retrieve her beloved pooch.

She stumbles into a lot of interesting characters along the way, making this story an even more enjoyable read.

Like another reviewer, I read this book in junior high and never forgot it. I remember trying to make hot buttered tea, as the heroine drinks it all the time; I found it undrinkable. My granddaughter has a Lhasa Apso now and I've been trying to find the book - 7th grade was 45 years ago and I'd forgotten the title. Thanks to many online searches using: dog, Tibet, girl, childrens' book etc. here it is and I'm ordering it for her today.

I thought that this book was great because it shows what an amazing relationship a child and a dog can have. It also is so very detailed and descriptive, that at some parts I almost thought I was reading a book of poetry. Momo stands up for herself and proves she can.
Beautifully written. Great Characters.

This book is a wonderful story&it is especially won-
derful to read in this the 50th anniversary of the achievment of
the summit of Mount Everest by Sir Edmund Hillary&Tenzing Norgay.
Momo showed courage as she made her way out of Tibet&down to In-
dia.I also loved the way it introduced another culture&religion.

I Loved this book to death. I fell in love with it. I don't think that it could've been writen any better then it was. I feel into the book, and I didn't want to come out. Even though the ending was upsetting, because I felt he should go back to indians, I realized that that was his home, that was where he needed to be. This book could've been writen about any person changing, and nowing they belonged. Everyone has a place they just need to find it. Jim Keath didn't now who he was, he always felt like somebody else, he needed to belong, and to change. He changed, and he realized he needed to stay for Dan'l. It's an awesome book that'd I recomend to any one.

This remarkable novel was a random discovery; after finishing it I do hope that Han Shaogong finds a larger audience around the world.

A novel structured like a dictionary of a semi-real, semi-fictional town in a rather remote region of southern China, A DICTIONARY OF MAQIAO is a remarkable, dazzling creation - each 'dictionary entry' is a vignette unto itself, each of which gradually coalesce into something greater. Shaogong's Maqiao is a bit like Garcia-Marquez' Macondo or Faulkner's Yoknapatawpha County, a semi-fictional place upon which one can examine (and also honor and satirize) the varied contradictions and conundrums of a changing nation.

A DICTIONARY OF MAQIAO is set against the backdrop of the cultural revolution, though these political events don't intrude into the center of the story. Shaogong instead emphasizes language, specifically it's mutability and restless, dynamic evolutions, symbolic of life itself, and this tactic (or fascination) does serve to also place external events into some sort of philosophical perspective.

The end result is a novel that is fascinating, inventive and endlessly playful, with a vast cast of intriguing characters, and a captivating, cinematic precision. It didn't seem to get much attention when published in translation, which is highly unfortunate - it's a novel worth going out of your way to read.

-David Alston

Thank you, Han Shaogong, for a wonderful, thought-provoking novel. The fiction you deliver, cloaked in the garb of a regional history, transcends time, place, and language to offer an incredibly precise and well-crafted definition of 'being.' Your point concerning the importance of defining experience and expression on a scale less grand than that of global village is well-delivered and it imbues A Dictionary of Maqiao with a message of hope. As more readers come to this book, may it gain the recognition it deserves. We in Western culture are lucky to have this story available to us in translation.

This book takes me back to my home, a village in Southern Hunan Province, China, and to my childhood. When I was reading, the stories and the people jump out of the book onto my memory. It reminds me of my childhood friends, my relatives, the village doctors, the traveling smith and craftsmen.
When I was 6 or 7 years old, I often grazed water buffalos with my friends in the slops of Wuling (Five Peaks) Mountain. One day we saw a World War II bomb delivered by the Japanese airplane. We were so curious, excited and naïve. We moved it to the grain yard of our agricultural production brigade on the buffalos?back. Fortunately, the explosive was already gone possibly because of aging and weathering. This book forces me to recall the detail of this incident and reassure that nobody was hurt by our ignorance.
During that time our village was often visited by a locksmith, who is the one spoke "xiang qi?accent. He was tall with broad shoulders and white beard. He carried two cabinets covered by glasses on a bamboo pole. Whenever he came, we surrounded his workshop area in the grain yard. He was always accompanied by a young boy of our age. I never figured out why that boy would play with us while the locksmith was making the 5 or 10 cent deals with the adults. The visit was usually about two to three hours. Then they left for other villages. We saw them off in sun and in rain. They did not take away anything from us. But they brought us excitements every time.
In our area, we had village doctors they used to practice Chinese medicine in Jianxi province. They always told us that people from Jianxi province were our relatives. We greeted each other "Lao Biao? I would always have remembered them because I was often sent by my mom to ask for medicine help when our family members felt unease.
Our village also hosted two youngsters from the city. At that time, there were about 16 or 17 years old. They worked hard to learn and to grow up. I didn't know what was their feeling when they lived in our village. But I know the villagers are still talking about them and wishing them well.
I never had the habit to keep a dairy for my past. I have forgot many things about my childhood. The author of this book recorded the language I have used and the stories I have experienced. It reminds me many of my happiness and sadness.
If you want to understand Chinese society, Chinese people, and the rural areas in China, I recommend you read this book. The writing is crisp, the information is practical, and the stories are true. The translation is great.
At this pint, a pop-rice master is walking towards me from the book, with the black, bomb-shaped and air-tight rice cooker, the charcoal stove and the bellow on his shoulder. The black soot covers his face. His smiling reveals only his eyes and teeth. I hear the explosion of the air. Now, I am going to put a bag of popcorn in my microwave so that I will progress with the book and step back to my hometown with my uncle.

This masterful and quite heady novel tackles the history of a fictitious town buried deep in China, a place protected by rivers and mountains. When a a "sent-down" worker from the city joins a group of urbanites to live in the town, they discover a place that's almost a metaphor for Chinese life -- cast in reverse.

Han Shaogong guides the reader through the fictitious author's "dictionary" of Maqiao, which acquaints us with a baffling set of customs, and a people who view themselves as a kind of "Middle Kingdom," in which the outside world is shunned. The novel becomes an inventive expose of Shaogong's sometimes profound insights into the restrictions of culture and language. The book's episodes can be rigorously dry or unexpectedly moving.

The diligent reader will be rewarded. The depth and honesty of Shaogong's insights reach to the present day, and his small town of Maqiao is certain to leave a deep impression. This prize-winning novel is a dictionary that compels your interest and enjoyment..

In 1970 16-year-old Han Shaogong was sent to the Southern Chinese village of Maqiao in Hunan Province to plant rice and tea as a member of the Educated Youth. During his years in Maqiao he carefully made notations of the differences in culture, customs, and language that he observed as a stranger. Later in his life Shaogong became a central member of the Root-Searching Movement that aimed to undermine and reverse the thought-control mechanisms instituted by the Cultural Revolution and rebel against the highly-structured controls on literature, language, and aesthetics. Shaogong returned to his observations of Maqiao and developed this book to further the movement. THE DICTIONARY OF MAQIAO is structured as a dictionary with 110 entries, but it is not a tedious index of words and meanings; rather this book provides small vignettes of how life, both human and natural, is lived in Maqiao. Shaogong's position as an outsider provides him with a unique perspective of the village. He detailed the often-eccentric habitants and their distinctive language that differs from his own. By documenting these cultural and custom differences Shaogong demonstrates how there is great variety and fluency of unlike the teachings of the Maoist doctrines. I loved reading this book and would highly recommend it to others.

After close to 2,000 pages, "The Story of the Stone" reaches its end with this volume. This book represents the second set of 20 chapters out of the 40 reputedly edited and redacted by Gao E, and arguments about the chapters' validity (both as a work in themselves and as part of Cao Xueqin's novel) are a sort of scholarly pastime.

The most salient comment on the problem may be the one offered by John Minford when he writes that regardless of academic debates, these chapters are what we have, and they "have been accepted as *the* ending for centuries." Minford's translation continues to be a worthy successor to David Hawkes' version of the first 80 chapters, and I found this last volume to be more satisfying than I had often heard.

At this point, recommendations are all but moot; no one should be starting the story here, and if you've come this far there's no good reason not to read the last 400 pages.

~

This book was written one year before the French Revolution, in 1788, in Beijing, China by a riches-to -rags nobleman called Cao Xue Quin. It is viewed by many as the greatest classical Chinese romantic novel ever written.

I read the original Chinese version of this book when I was in high school, many years ago. At that time, my impression was that it was a Chinese Romeo and Juliet type tragic love story, in which the main characters Bao-yu and his cousin Dai-yu (Black Jade) suffered the fate of unfulfilled love, and no ever after. There was more to it than that, but I could not figure out what.

Recently, I re-read the book (the current trans- lated version). This time it sounded like the Adven- tures of Tom Jones, in which the teen-aged playboy Bao-yu was dallying in the ranks of the female members of his household (his cousins and maids), longing after many but only truly loving Dai-yu.

It was also a bit similar to Upstairs Downstairs -- a big noble clan with all its ladies, young misses and maids, and their lives of adventures and tears. But something was still missing. There was a theme, a message, which draws me and others to this great work of literature.

I finally figured it out: Almost all the WOMEN in this book were described as elegant, sophisticated, intelligent, graceful, excellent decision makers, and above all, beautiful. Most MEN, however, were described as fools, red-necks, unfaithful, heart-breakers, nogooders, users of prostitutes and abusers of power!

What I am looking at is a book (or one-MAN crusade) of Early Feminism. It is all the more remarkable because in feudal China, women did not have equal status. "marrying for love" seldom existed. It was more like "married by parental arrangement". Poor girls were sold as maids into rich households, or worse, they were sold as second wives or concubines.

The confirmation of my theory came from the author Cao himself. In his introductory book review, he said, "Thus begins this book ... I have hidden the real events and substituted them with fiction ... There were real persons in the inner-chambers, and their stories must be told ..." (Modern translation: I have real women in my household).

This message would make this a truly revolutionary work, not only in feudal China, but even to-day.

Should have first read the book review by the author.

I really enjoyed this book, a part of my self-directed curriculum to understand China (all of which, by the way, has been incredible). Not only are the characterizations excellent and the period wonderfully evoked (at least to my knowledge), but there's all sorts of great maid sex and other bawdy hilarious stuff. The only question I have now is why does it seem like Volumes 2-4 are not available... although vol. 5 is? Maybe I'm overlooking something obvious, as persons with Chinese maid sex on the brain are wont to do.

I read the other reviews on this page, and I thought I should add something: this novel is unbelievably beautifully written, and the English translation is absolutely superb.

You cannot find any better example of novel-writing skill in any language.

I've read all parts of The Story of the Stone. It starts and ends in a mystical fashion; coming full circle in a traditional ying/yang way. Wonderful five volume story about two wealthy families closely connected to the throne. Although there's not much known about the true author, I suspect that it was written by a maid. There is incredible detail from the perspective of the servents working for their sometimes nutty employers. The family actually built a garden at one point in honor of a visit from a daughter who had been chosen to be a royal concubine. If you want to immerse yourself in the ups and downs, daily life, (warts and all) of 1750's Chinese culture don't miss The Story of the Stone et al.

I have borrowed this book twice and came here now to buy my own copy that I can write in. My Indonesian vocabulary is mostly nouns and those are mostly names of fruits and food dishes. "Eat Smart" taught me how to ask for lawar without blood in it--that alone is worth the price of the book! In Indonesia, I'll be toting this next to my dictionary at all times. At home, I'll keep it in the kitchen to have the recipes handy.

This little book is essential for travelers to a country where food is riotously varied, delicious and, to most of us, utterly unfamiliar. It begins with a brief historical survey of the cuisine, citing the contributions of successive immigrant or colonial groups, then slices the other way, with sections on Indonesia's major culinary regions and their specialties and characteristics. Recipes, a listing of US sources for ingredients, then phrases in Indonesian all follow. Two alphabetical listings are the heart of the book: One is of menu items, with brief descriptions and notations; the other is of "foods and flavors" (and utensils, cooking methods and so on), in Indonesian, with English translations or explanations. The whole is thorough, information-packed and mouthwatering.

The authors have written a series of Eat Smart books that no traveler to foreign countries should be without. Each book covers a separate country--Eat Smart in Turkey, Eat Smart in Brazil, Eat Smart in Indonesia and Eat Smart in Mexico--and is chock full of information that you won't find elsewhere within the covers of one easy-to-carry paperback. Individual chapters cover such topics as the history of the country's cuisine, regional foods, how to shop in the local markets, mail-order sources for suppliers of ingredients, and a collection of recipes for typical dishes found in that country. Especially useful is each book's extensive menu guide, listing menu terms alphabetically in the language of the foreign country, with a description of the dish in English. That section is followed by a chapter titled "Foods & Flavors"--listing the foreign terms for foods, spices, kitchen utensils and cooking techniques, with an English translation/description. These books are well researched, accurate and very informative. Highly recommended. --Sharon Hudgins, editor, Chile Pepper magazine

Soundly researched, clearly written, artistically illustrated, "Eat Smart in Indonesia" is the most comprehensive and readable survey of the whole scope of Indonesian gastronomy I have ever come across. It is equally valuable as a solid reference work for the scholar and as exotic inspiration for the chef or home entertainer. Bill Dalton, founder, Moon Travel Guides; author, "Indonesian Handbook"

For a country of 17,000 islands and 670 dialects, and complex traditions, religion and culture, no one-including Indonesians-can claim to know more about Indonesia's traditional food tastes than the authors of Eat Smart in Indonesia. Their guide is the first ever published with in-depth information about the unique and diverse food of Indonesia. -William W. Wongso, culinary educator, president of William F & B Management, Jakarta, Java

This book is amazing! It is an emotional story which is portrayed through stunning illustrations. What an essential classroom reference! The story is told beautifully and eloquently - perfect for sharing between a caregiver and child.

Tina Wuehr
Pipsqueak Publishing

A chorus of "Again!" emanating from three grandchildren affirmed the goodness of Jana Laiz's "Elelphants of the Tsunami". With the second reading we searched a world map to locate this event. Embedded in the text of this true story are three words that needed explaining - a great way to increase a child's vocabulary. My grandchildren and I rate this as a very well-written and timely book that is beautifully illustrated.

I was moved to tears when I read this book. The author writes with deep sensitivity and made the story easily accessible for young children and adults alike. The illustrations are vibrant and beautiful, perfectly matching the language of the story. What a wonderful book! I highly recommend it! I am a teacher and I read books everyday. This is a great one!

This sensitive portrayal of the 2004 tsunami is ideal for families and educators. The beautiful illustrations and the rhythm of the language give it a rolling cadence that makes readers feel as if they are being swept away by the story.

The eight elephants from Thailand who rush to save the lives of some 50 people who nearly perished during the sunami are excellent reminders of the innate desire to help those most in need. This book is an excellent nod to loving Planet Earth and gives a different perspective through the elephants. Not only is a plethora of information packed into this book, but it done so in a way that is very accessible.

Kudos to this book, author and illustrator!

The story is gracefully and respectively presented in this wonderfully illustrated book. It's importance goes beyond depicting and reminding us of a tragedy - but also for illuminating us on the wonders of the fabulous creatures with which we share this planet. That elephants have this superb sense of recognizing and realizing wonders of nature that we as humans can not even perceive - gives us much to consider socially, scientifically, and ecologically. Thank you for writing this story in a most accessible format!

I don't know why I feel this way, but you'd think there would be a lot of Newbery winning children's authors who'd switch their focus from time to time to picture books. And yet, this is not the case. In fact, it's rather rare for someone of Lunda Sue Park's stature to go about writing for children younger than her usual fare. It's almost as if she's slumming. But Park (who won the Newbery for "A Single Shard") has discovered what most winners fail to realize. That a picture book can be every bit as morally complex and intricate as a 230-some page novel. All it takes is excellent writing and an illustrator who knows their stuff. Which makes, "The Firekeeper's Son" a perfect example of a picture book that does everything right and ends up wowing the reader with its intensity.

Sang-hee lives in a small, unassuming, and peaceful village in Korea. One day, his father informs him that their little space is infinitely important (a fact that Sang-hee has a bit of difficulty believing). But his father is absolutely correct. Located beside the sea and just next to the first of a row of mountains, it understood that in the event of a seaward attack by Korea's enemies, this village is the first line of defense. That is why, every night, Sang-hee's father climbs the nearby mountain and lights a fire that can be seen for miles. Then, someone on the next mountain will see that fire and light their own. This continues all the way to the king's palace where, if the king sees the last mountain lit, he'll know that all is well. Of course, if the fire is not lit, the king would immediately send his soldiers out to battle with the enemy. Now this system has gone on for generations, but Sang-hee is not content. He would love to see the king's glorious soldiers more than anything else in the world. Then, one night, his father hurts his ankle while climbing up the mountain. Sang-hee is given the task of lighting the fire himself, but as he nears the pile of dried twigs he thinks about how much he'd like to see a soldier up close. And the hot coals are slowly burning out...

The book weighs an individual's personal wants and fantasies against the greater good of the whole, and does so beautifully. You completely understand Sang-hee's dilemma. On the one hand, there's the fact that not lighting the fire would be a callous lie. On the other hand, "Maybe there is a soldier who would be glad for a chance to visit the sea". Park's story is based on factual information, as she mentions in her Author's Note. However, the system by which bonfires informed the king of potential attacks was, in real life, far more complex than the one featured here. As Park herself mentions, "additional fires could be lit to convey further information, so the court would know not only which province was facing danger but things like the size of the enemy forces and how well armed they were!". She provides additional resources for further reading.

It was a real stroke of luck that Park was paired with illustrator Julie Downing too. Downing plays with lush watercolors and pastels that perfectly convey not only the cool blue nights Sang-hee must run through, but also the glow of the slowly dying coals and eventual hot orange flames. If you look on the cover of the book, you can see dream soldiers fighting in the fire and the bright orange flickers reflected in the black of Sang-hee's eyes. Downing's images are the perfect compliment to Park's deeply rich story.

As historical fiction picture books go, this one has to be one of the most beautiful on record. If you'd like a picture book that lures those sometimes hard to interest boy readers, but is just as doggone interesting to the girls of the world, this book's a safe bet. It's beautiful to look at and remarkably complex to contemplate. Art in the purest sense.

The book is so interesting, so informative, and so gorgeous. Also, my kids enjoyed comparing the fires on the mountains to their favorite fantasy, LORD OF THE RINGS. The tie-in made it even batter for them.
Well done, Ms. Park, and while I am here, let me say, KEOKO is my other favorite of yours.

Set in Korea, some time in the nineteenth century, a young boy discovers the great responsibility of lighting the bonfires. When Sang Hee and his mother see that his father has not yet lit the bonfire, and see that there is no enemy coming from the sea, the boy takes up a responsibility that has been in the family for generations. He follows the path up the mountain to find his father injured and unable to climb the mountain. His internal conflict is against the temptation of satisfying his curiosity of soldiers versus responsibility. Good judgment outweighs his selfishness and the bonfire is lit. The systematic communication sends the message to the palace that the kingdom is peaceful. Park is an accomplished writer. The narrative is moving and interesting. The radiant colors of Julie Downing are well crafted.

Perhaps for centuries, the royal court of Korea kept infomred of invading forces and problems in it eight provinces through a series of bonfires lit from one hilltop to the next. In this story, a young boy and his father live in a seacoast village on the first line of defense for the bonfires. Each night, the boy's father lights a bonfire which is seen by hilltop after hilltop all the way back to the king. But when he in injured, his son must light the fire. But would it not be better to not light it, so that some excitement and soldiers will come to the village? Or does reponsibility win out?

Linda Sue Park's The Firekeeper's Son is a picture book that tells of life in a Korean village several hundred years ago. At that time fires were lit as signals that all was well. It is an exciting story the pits a young boys dreams for excitement against his duty and responsibility. Julie Downing's illustrations showing traditional Korean village life really bring the past alive.