Asia Books

There are no words adequate to convey the effect THE STONES CRY OUT had on me when I read it in 1986. It haunted me for years. I wanted everyone I knew to read it.

Just several years ago I met a woman whose entire family - her husband and all her children - died under the Khmer Rouge monsters.

Amazingly, after the stories Miss Szymusiak recounts: of the young girl who was killed for being too pretty, of those murdered for daring to exhibit signs of affection for one another, and of unspeakable tortures inflicted upon absolutely helpless and innocent people of all ages, the chapter which really drained my blood was the one detailing her witnessing the beginning of the purge. The author notes the young Communist cadres being themselves called in for interrogation and torture and disappearing one by one.

This is a chilling account of the darkest period in 20th Century history.

One of the earliest (1986) accounts from the survivors of the Pol Pot regime, "The Stones Cry Out" seems to have set the style and standard for another more recent child's-eye perspective on the same era, "When Broken Glass Floats". The minute details of everyday life, not abstract poltical assessments, form the basis for our childhood memories. The author's account carries an unvarnished realism which draws the reader into her film-like image of daily life under threat of starvation and execution. This is probably as close as a reader can come to the truth of events in Cambodia during 1975-79. Oral histories such as "The Stones Cry Out" are perhaps the best way for survivors of human rights abuses to indict the perpetrators. Sadly, tribunals driven by international politics are unlikely to have the same impact as the simple testimony of a victimized child. Highly recommended reading for all those with an interest in human rights, Cambodia, and Southeast Asian culture.

You need a strong stomach to read the grueling ordeal of a 12 year old girl in Cambodia under the Pol Pot regime.
The latter and his cronies turned a whole country into a concentration camp guided by the iron fist of a centrally planned economy which was based on rice production quotas.
Starvation and killing of whole families including babies were part of normal daily life. The author herself lost nearly all her family.
The slogan was 'be deaf and dump if you want to survive'.

Exceptionally, this book also relates the disturbing facts which happened in a Red Khmer camp in Thailand until one year after Pol Pot's defeat by the Vietnamese.

Molyda Szymusiak tells only the facts. She doesn't explain the overall picture of Pol Pot's regime, politically, socially, economically or internationally.
Therefore I highly recommend the eminent works of David Chandler as well as Philip Short's magisterial biography of Pol Pot (Saloth Sar).

This book shows painfully the disastrous consequences of a power grasp by ideological fanatics who created a one party state bureaucracy which wielded total uncontrolled power over the population.
This regime was a terrible shame for the left.

A very disturbing read.

My heart sank lower and lower with each successive chapter. This is certainly not a book one can read while couching comfortably on a sofa. If you are familiar with Cambodian history of the Khmer Rouge regime, this book is indeed a chilling read. But at the same time, one can't help feeling admiration for the author's fortitide in the face of unimaginable hardship and horror.

Actualy I would rate this 4 and 1/2 stars.

Having read "First they killed my father" by Loung Ung It would be difficult for me to review this book with out comparing it to Loung Ung's memoir.

Both are essentially the same story, a young upper middle class girl living in Phnom Phen in april of 1975 when thier life, family and happiness are torn from them by the khmer rouge.

Many of thier experinces are similar as you might expect (long hours in forced labor, family deaths, witnessing murder ect..) but each has a unique story of thier own.

The writing styles also vary greatly and this is where Loung's "First they killed my Father is the better" book. Molyda tells her story in a very straight foward manner. Her discriptions of murder, torture and rotting corpses are alomost clinical in tone as if she is afaid to visit or express her real feelings at the time (and who could realy blame her) we are giving only hints about her family and life before April 17th 1975 (to be fair this may be in part to spare distant family members still in Cambodia from retalation)

In Loung's book however we are treated to two light hearted chapters discribing her life in Phnom Pehn before April 17th 1975 this gives the reader a chance to feel they realy know her, her brother's, sisters and parents thier strengths and weakness'.

Loung's memoir is far more emotional in tone and feeling leaving the reader almost gasping for air at points.

For those overly squimish that makes "The Stones Cry Out" the better of the two books. It is also the better of the two books if your sole interest is the surrounding history of the killing fields.

But for those just wishing to read a great emotional book "first They killed My father" is the better choice but I would highly recomend both to all.

i liked the pictures in the book though there is not a whole lot of written material on Tibet. it is a perfect book for someone who is curious about Tibet with all its beatiful pictures and some history. this is a good book to ocassionally go through the pictures again. it is an excellent book to show to a friend who drops by your house or a gift to your children.

The following is a review of The Tibetans: Photographs by Art Perry that appeared in the December issue of Photo Metro magazine.

Perhaps the best book to date on Tibet. This work goes beyond the easy cliche images of dramatic landscapes and content-less smiling figures that populate so many other books. This is no parachute in, shoot pix, and fly out to publishers and galleries book. Perry spent five years on the project and represents both the beauty and the grit of day-to-day life. It shows. The book is quite well designed with intelligent text by Robert Thurman.

The following is a review of Art Perry The Tibetans: Photographs that appeared in The Toronto Globe and Mail, April 8, 2000.

(Headline:"Turning the spotlight on photography books," by Martin Levin.) For many years, B.C. writer and photographer Art Perry has documented threatened cultures, including the Nubians and the Mayans. Here he turns his attention, and his fine black-and-white photographic sensibility, on Tibetans, the world's most famous enigmatic people. Perry takes us to remote monasteries, up the Chang Tang Plateau and to the Tibetan exile communities in India and Nepal. The whole conveys a powerful sense of meaning - and loss.

The following article appeared in The Vancouver Sun, May 10, 2000

'Tibetan images snag major prize for local photographer' by Michael Scott, Sun Visual Art Critic

Vancouver photographer Art Perry has won a major international award for his large-format photographic book The Tibetans: Photographs. Perry, an instructor at Emily Carr Institute of Art and Design, becomes the second winner of the $30,000 Roloff Beny Photography Book Award at a ceremony in Toronto. (Magnum photographer Larry Towell received the first Beny Award for his book El Salvador.) The publisher of Perry's 1999 book, Viking Studio (an imprint of Penguin Books), will share in the award, receiving a $20,000 prize of its own. Perry spent five years collecting images of Buddhist societies in the Himalayas, working primarily in Tibet, but travelling also to Ladakh and Nepal. Last year, the Washington Post named his book one of the year's 10 best. A Vancouver Sun reviewer wrote: "Perry takes us from the slightly familiar markets and brothels of Lhasa clear through to the monasteries and mountaintops that have not been otherwise documented. The text is as clear-eyed as the pictures, but the message it contains is not entirely pretty. Though Buddhism practiced by the Tibetans will certainly endure, Tibetan Buddhist culture is very much under attack, perhaps by we western cultural imperialists, certainly by the country's Chinese occupiers. Read it, or just look at the pictures, and those Free Tibet bumper stickers will seem a lot more immediate." Here in Vancouver, Perry teaches a multi-disciplinary course at Emily Carr on the history of bohemianism - a course that covers film, punk rock and jazz as well as visual art. (I start by telling my students to stay up all night before coming to class," he jokes.) Perry also teaches a course in contemporary literature, a field that has sparked his interest in his own Irish roots. He says he will spend part of the Beny prize money on a sabbatical year in County Monaghan in northern Ireland. Perry plans to pursue both writing and photography during this time. "I have to say I am very, very honoured to be receiving this award," he says. "My father had some of Roloff Beny's big books and I grew up handling those incredible pages. There aren't people in those images, but they were lush and magnificent." Expatriate Canadian photographer Roloff Beny made an international name for himself in the 1970s and early 1980s chronicling a world of sensual beauty, with major large-format books on subjects such as pre-revolutionary Iran and Italy. He died in 1984.

The following is an article that appeared in the National Post, Toronto, May 11, 2000

(Headline: Photography book award, by Finbarr O'Reilly, National Post)

Vancouver-based photographer Art Perry has won the second Roloff Beny Photography Book Award for The Tibetans. The country's top photography book award, presented last night in Toronto, earns Perry a cash prize of $30,000. His American publisher, Viking Studio/Penguin Putnam, also gets $20,000, while two runners-up, Courtney Milne and Linda Rutenberg, get $5,000 each. Perry, who is a lecturer at the Emily Carr Institute of Art and Design, spent five years travelling throughout Tibet and the exiled Tibetan communities in India and Nepal, documenting with a camera the people he met along the way - monks, nomads, city dwellers. Through the Dalai Lama, Perry gained access to seldom-visited monasteries in remote regions where he captured a traditional way of life that is being threatened by the Chinese occupation of Tibet. In a current project, the Ottawa-born Perry has been documenting in both writing and photographs the fractured cultures of Northern and Southern Ireland. The project, which he began in 1998, is a lifelong dream of Perry, whose family is from Belfast. The award was created in memory of Roloff Beny, a world-renowned photographer who was born in Medicine Hat, Alta., and is intended to encourage excellence in photograph publishing.

I put this up there with the Vietnam novels of Tim O'Brien. I was blown away by it. Too bad more people have not heard of it. Please read this book!

This is one of the best books written by a combat soldier in Vietnam. You travel with Ehrhart from his home in Perkasie, PA to boot camp and then to some of the most harrowing fighting of the Vietnam War. But this isn't just another great war story. There's a personal voyage of discovery--as there is in many war stories. But this one is into a deep and broad wondering, not just about the nature of war and the feelings roused by killing and seeing death, but into a broader horror about the truth of this war. Ehrhart slowly peels back the layers of his awakening, not so much to any truth, but to a series of questions about his own gullibility (perfectly understandable) and a nation's gullibility. The truth as it is revealed seems too simple to Ehrhart; the twisting of honorable intentions too obvious. But if he get's it, many of those he faces upon his return do not. What to do? Write about the simple yet profound truths he found in Vietnam, and keep writing about them since the follow-up books are very moving and affecting portraits of a man being honest about himself, and in the process divulging powerful insights about our nation. The personal in this case makes big points about who are all are as Americans. Can't recommend his writing highly enough.

In this story, Ehrhart beautifully tells of the I Corp Marine's experience in '67-68. The cost, both physically and spiritually,to the soldier has to my mind never seemed so true. Can the innocence and ignorance, if indeed they are different things, last in the face of the reality of war's warped and mishapen environment? What happens to the soldier when faced with his own ignorance and the evils of war, for which he is in many ways responsible? The tension between the two different Ehrharts in the book lies in the attempt to justify his actions in Viet Nam to himself, and if nothing else, to find some comfort even from outside himself. He is both proud and disgusted (I wish I had a stronger word here) by his "accomplishments" in Viet Nam. Where do we find ourselves when the conflict is over? The answer is perhaps nowhere, perhaps in the shower. (You must read the book to understand my last statement):)

Was required reading in a class I took about the Vietnam War. Reading this memoir rapidly went from a school assignment chore to pleasure. I read the next two books in the series the following summer. Ehrhart exposes his inner self on the page to the point where it can actually be somewhat difficult to read. He gave a lecture to our class at the end of the semester, and it was quite moving. Do check it out.

The Vietnam war, what was it like for a combat marine? Read this book and its sequel to find out. Mr. Ehrhart is a gifted storyteller. His story is unique. It's amazing how little it is referred to in bibliographies.

Walking the Gobi by Helen Thayer

This book is an enthralling account of the fulfilling of a lifelong dream to cross the Gobi desert.

This book relates the various stories of the adventure, however it was the introduction that compelled me to read the entire book. I had selected this book by accident not sure I wanted to read about the activities of a 63 year old woman and her 74 year old husband. After reading the introduction, I was hooked and needed to read on. I thought how incredible the rest of the book must be if their 1500 mile trek through Death Valley and 4000 mile trek across the Sahara were mentioned in a single paragraph under the title of "Preparations", and then knowing that their accident 9 months before their planned departure, which needed two paragraphs to barely mention their various torn ligaments and muscles, ruptures and bruises, didn't keep keep them from their attempt.

Helen Thayer helps us feel the pain, the thirst, and the emotional highs and lows of their journey not only to complete the trek, but even to just survive it. However I think she is at her best when she is describing the many encounters they have with the Mongolian people, from officials to nomads. My favorite passage is when she describes an interrogation when they are imprisoned as suspected smugglers. She becomes irritated after being threatened with being shot and this leads to her chastising the officials with being disrespectful to their elders and shaming them for their rudeness. This description filled me with wonder and admiration for the sheer spunk and determination of this amazing woman.

Read this book if you want to read about an incredible adventure. Be prepared if this book leads you to dream bigger dreams, and leads you also to question any misconceptions you have about the life you can choose to live in your senior years.

I want to invite Helen Thayer over to dinner. Mainly I want to hear her stories again, and more of them. As soon as I closed Walking the Gobi and set it down on my kitchen table, I felt at the same time winded and awed, but hungry for more.

If you're reading this review, I'm sure you've read the synopsis: two people over age 60 decide to walk across 1500 miles of one of the least-studied deserts in the world. And they do it in the summer.

When Helen Thayer sat down to write this real-life adventure story, she must have known that she had something good. After all, the idea itself is impressive; it tugs at the ear and challenges the imagination. But Thayer does much more in Walking the Gobi than recount a long trek in a string of stories or patronize the reader by giving only summary and analysis of the journey's meaning.

Thayer's descriptions are careful and organized, educated and intuitive. She gives us the gift of recreating each day so we can experience them with her. Each day is numbered and recorded with useful detail- pointing out the unique moments that set it apart from the rest and reinforcing the monotonous heat, wind, and regional dangers that made the journey long and at times overwhelming.

Helen Thayer accomplished a truly great feat when she crossed the Gobi, but what's even better is that she wrote a book about it.

Happy adventuring!

Modern day adventurers do exist. This is the first thing the reader will realize wehn reading "Walking the Gobi" by Helen Thayer. Ms. Thayer brings the reader with us as she traverses one of the most dangerous places on earth, the Gobi desert. It details a journey she and her husband made across the Gobi desert. From page one, I could not really put the book down. With her we meet Mongolian tribesman, smugglers along the Chinease border, rare Gobi bears, desert scorpions and the occasional Mongolian bureaucrat. Throughout, Ms. Thayer never lets the reader forget how truly amazing and beautiful this part of the world is. Any expedition like this would be a challenge for any healthy individual, but Ms. Thayer manages her journey with an injured leg throghout most of the book. Through sheer mental fortitude Ms. Thayer wills herself to complete her journey across one of the most hostile environments on earth, on step at a time. This is a must read for anyone who enjoys the spirit of adventure.

"You're going WHERE?"

"WHY?"

These are the questions Helen Thayer is asked by the people she meets in Mongolia's Gobi Desert.

The answer to the first question is--walking across the Gobi Desert from west to east at its widest spot. One thousand six hundred miles in 81 days, to be exact.

The answer to the second question is more difficult to answer:
Because it's never been done before.
Because Mongolia has at last been opened to travelers, after nearly 80 years of isolation under Soviet rule.
Because there is no better way to challenge yourself (at age 63) or your husband (at age 74).
Because the Gobi is one of the least hospitable places on earth.
Because its people, few as they are, are among the MOST hospitable on earth.

Already established as one of the greatest explorer-adventurers of our time, Helen Thayer, with her husband Bill, travel across the world's second-largest desert with only two intransigent camels as companions. No radio contact, no support team; just a single local pilot whom they must meet at pre-established coordinates every twenty days for resupply. Over 81 days of hiking, they must encounter border guards, smugglers, wolves, thirst, scorpions, giant spiders, and sandstorms. In return, they meet perhaps the kindest and most gentle people on earth, who are more than willing to share what little they have with strangers.

Alternately sad, incisive, moving, and exciting, Helen's narrative keeps you turning the pages until--too soon--the journey is over.

Now what do we do? Go there ourselves?--no, few of us could survive that. So we do the next-best thing and read her older books--and eagerly await her next one.

In 2001, at age 63, the author achieved her life's goal of crossing Mongolia's Gobi Desert, accompanied by her 74-year-old husband and two camels. They walked 1600 miles in 126-degree temperatures - and WALKING THE GOBI recounts their adventure, which was undertaken without the usual support team, sponsors or even radio contact. The people and cultures of the Gobi desert come to life in this fine adventure read, a pick for any general-interest library where adventure travel is prized.

Diane C. Donovan
California Bookwatch

Reading the introductory first chapter I was worried that Hutton's reputation for careful analysis may have left him, as he appeared to offer an overly simple thesis and an embrace of the United States' system of government that was too uncritcal.

Thankfully that chapter is misleading as Hutton leads his readers through a detailed analysis of China's economy that is equal parts illuminating and disturbing, and begins to build explanation on his desire to see US-style enlightenment institutions develop in China, while being very open about the fact that several of those institutions are in severe decline within the USA.

Some of that coverage of the USA, its history, institutions and current situation, feels like it would have made sense as a separate book, slimming down this volume considerably and potentially making the material much more accessible for those with limited time. But the intertwined themes do make sense and the reader is considerably better placed to judge the material when we have both parts together.

At times there is certainly still a sense that Hutton is calling for a form of cultural imperialism. The merits of the institutions he outlines are clear, but they have grown out of a lengthy philosophical tradition which China does not share and it is vital that any such institutions are contextualised if they are to succeed in China.

I think it is fair to say that the conventional wisdom is that the United States and China are on a collision course. John J. Mearsheimer, a professor of political science at the University of Chicago summarizes this point of view this way; "China and the United States are destined to clash militarily and the United States has an interest to do all it can to forestall China's becoming economically rich enough to challenge it." Author Will Hutton vehemently disagrees with this point of view. In "The Writing On The Wall" Hutton presents a methodical, logical and compelling case for the United States to pursue policies that will only encourage the continued and inevitable modernization of China. Hutton's thoughtful and convincing analysis of the situation certainly turns conventional wisdom on its head.
According to Hutton, the continued mercurial growth of the Chinese economy is simply unsustainable given the current policies being pursued by the Communists who are still in charge in China. There is simply no way that the policies and political environment favored by those who are currently in power in Beijing can mesh with the continued and sustained economic growth that China is seeking. Time and again Hutton points to the nearly total lack of what he terms "soft" infrastructure as the primary reason why current Chinese policy is doomed to failure. This rather monolithic economic system lacks such fundamental cornerstones as a legitmate banking system, a free press and the ability of workers to organize. Add to that the fact that most major industries are still SOE (state owned enterprises) and it is plain to see why the major flaws in the Chinese economy are almost certain to rear their ugly heads in the near future with potentially devasting consequences for us all. And there are a whole host of other systemic problems with the Chinese economy that time does not permit me to list here. Hutton argues vigarously that the United States and the EU should be encouraging the Chinese to move away from those policies that will ultimately hold them back.
I found "The Writing On The Wall" to be a particularly well written and equally well documented book. Will Hutton avoids a lot of technical jargon and presents his case in clear, easy to understand language. Based on my limited knowledge of China prior to reading this book I would have probably come down on the side of Professor Mearsheimer. I thought that conflict with China was a probably a foregone conclusion. But Will Hutton has convinced me of the wisdom of encouraging China to modernize and perhaps even in making some changes in the way we do business ourselves. "The Writing On The Wall" is an extremely thought provoking book and one that I can very highly recommend!

So happy this wasn't another paeon to chinese industrial invincibility like china inc. (which was ridiculously glowing bizlit).

I'm not with Hutton on all his assumptions-- such as the sweeping assertion that social mobility is decreasing in the west--huh?-- but he's honest and takes a principled, methodological approach in his analysis i like.

i will search out other hutton titles now!

As an American peasant, who has never taken a course in economics, I was curious about, What is all the todo about China? What is Chinas history that I would understand them better? How bad is the huge differential in GDP really hurting our economy? Whats the REAL chance of my job going over seas? Should I truely despise WalMart? Why don't we just with-draw all our troops, and to hell with the rest of the world?

To say Mr. Huttons book is comprehensive, is like saying the Grand Canyon is Big. He made many good points, and seemed to make alot of sense to my un-trained mind. I will definately have to re-read it again to gain the full benefit.

Did he answer all my questions? Yes and a whole lot more. I highly recommend his book to any who would ask the hard questions.

Am I now fully educated on the subject? No. But, am I now a part of the enlightenment.....definately.

This book provides an interesting description of China's many problems and offers a set of policies designed to counter what threatens to be the globe's most pressing set of conflicts. For an alternative view, see my own book The Coming China Wars: Where They Will Be Fought and How They Can Be Won

This exhaustively researched, well-documented and courageous book is incorrectly titled; it should have been "Buddhism At War" as that is its focus. Perhaps the editors/publishers were unwilling to draw the ire of the religious community or the existence of Damieville's "Buddhism And War" required another title; perhaps "Zen At War" was just more marketable.

As Victoria's book elegantly points out, however, every sect of Buddhism in Japan was part of "Imperial Way Buddhism". Buddhism morphed at every opportunity into what the Emperor and his bureaucracy wanted. Every accommodation was made if the Buddhists could use it to their political advantage, even if it contradicted their teachings or enabled the massacre of countless non-Japanese sentient beings.

A fundamental entanglement in this book is that "Zen", which translates as "meditation", is somehow dependent on Buddhism or that the two can only exist together. Meditation existed in the country of Buddha's birth (and in other countries) millenniums before he was born. All Buddhists do not meditate and all meditators are not Buddhists.

There is little doubt, and growing scientific evidence, that meditation develops concentration, detachment, heightened awareness, focus, clarity, etc. That is why so many cultures and countries embrace it for war and martial techniques, but also enhanced performance in commerce, athletics, artistic creativity, stress relief, flower arranging, calligraphy, etc.

A leading contemporary Zen teacher, Toni Packer, once far up the American Rinzai Zen Buddhist hierarchy, abandoned Buddhism entirely, forming an iconoclastic approach, a Zen completely stripped of any Buddhist doctrine, dogma, ritual, hierarchy, titles, robes, etc. Buddhism is not necessary for Zen or for enlightenment.

This leads to the second entanglement in this book, that enlightenment is uniquely Buddhist and therefore must align with Buddhist teachings. Enlightenment, as well as available documentation can attest, has occurred in every culture, climate, religious background, century, etc. To evaluate enlightenment by whether it abides by Buddhist doctrine is backwards at best.

The real blame here is on a religion, Buddhism, which was exploited by a militarist imperialist society in manipulating and disempowering millions and enabling the most heinous crimes. Rather than criticizing just Buddhism, however, perhaps the time has come for us to reevaluate the concept of religion. The real truth is so simple; it is just to be in one's natural state. Why are these religions necessary?

This book gives an excellent perspective on the role of Zen in modern Japanese political philosophy. It has always played a critical role in Japanese military theory and the martial arts. In modern times it became an integral part of the political theories that set Japan on a course for military expansion in Asia. The book is well-researched and documents how top Zen leaders actively supported Japan's dreams of empire.

This book is critical reading for anyone seriously interested in Zen. Having committed his life as a Buddhist monk only to make these shocking discoveries must have been heartbreaking for Victoria, and it is remarkable that his tone remains as objective as it does.

Victoria is a refreshing and desperately needed antidote to Kapleau, Suzuki and all the rest the phony gurus peddling sundry brands of spiritual snake oil to vulnerable people desperately seeking some measure of assurance and comfort in this harsh world. His book reminds us that, however we may seek our own individual peace and spiritual security, we can never find it through lies, self-delusion, gurus and preachers.

A enlightening history of role of Zen Buddhism in the Pacific War. Victoria analyzes how Zen and the Japanese military affected each other. He takes the writings of the leading Buddhists of the time to tell the story. A classical study on how religion and society influence each other., even a supposedly peace loving religion can be twisted into an instrument of the state. Sheds some light on one of the forefathers of American Zen, D.T. Suzuki

What I found most disturbing about this book was not so much what Victoria had to reveal about the Zen culture of Imperial Japan, (don't get me wrong, that was pretty darn disturbing too)but rather the reaction that came from many, if not most, of North America's Zen masters. Almost to a one, they refused to even admit the core issue that the book arises: "If an _enlightened_ person can support an evil empire, what does it say about being enlightened?" No one doubts that Catholic Popes can committ evil acts (Dante fills Hell with them), but then the Catholic faith makes far lessor claims about the spiritual powers and insight of its clerics.

In contrast, Zen Buddhism makes the extraordinary claim that each and every Zen master is part of an intact person-to-person chain of direct mind contact to Bodhidarma, through to Guatama Buddha himself. Moreover, they maintain that this direct contact through the Zen transmission is essential to enlightenment, which cannot be learned "on ones own" or "through books". Moreover, Buddhist make the claim that Masters, and people they acknowledge as "awakened", have achieved some sort of real "awakening".

The cheesy responses that I have read and received from the Zen Masters I have read on the subject all invariably come up with the same sort of defence: cultural relativism. I was horrified to see this because it strikes me that not only were they willing to so "scale back" what "enlightenment" means that a deeply enlightened Zen master (ie: in Imperial Japan) would lack the discernment to see through government propaganda, it means that the individual modern master (ie: the one writing in "Tricycle" or communicating to me over the internet) lacks the discernment to see the profound implications of Victoria's book.

The process of reading Victoria's book and investigating the reaction of the North American Zen "establishment" made me totallly re-examen my understanding of Zen and Buddhism as part of the "community of world religions". It gave me an increased sense of my own worth as a Master of Western Philosophy and a student of world religions in the face of the significant claims exerted by Buddhists about their own implied superiority over these alternative spiritual systems.

I do not want to denigrate the significant and obvious merits of Buddhism and Zen, but _Zen at War_ has shown that there are no "priviledged" ways to wisdom. All are equally valid, and all are equally flawed.

This is one rare aviation book that contains historical accounts and photographs of the only tactical airplane (Hueys and Chinooks for helos) used simultaneously by American and South Vietnamese pilots during that war. Accounts from Vietnamese Air Force (VNAF) pilots are touching and prove that Americans weren't the only ones soaring over the Southeast Asian skies. I met one of those pilots. Dat "Max" Nguyen was the only VNAF pilot held in North Vietnam along with the likes of Orson Swindle and Paul Galanti. Great photos!

As a former combat Skyraider pilot, I absolutely recommend Wayne Mutza's book "The A-1 Skyraider in Vietnam: The Spad's Last War" as the definitive book on the history of the Douglas A-1 Skyraider. From the earliest days of the Skyraider following WWII to the current time, Mutza covers it all. His book is richly illustrated with rare photos that are the work of years of research. To top it off, his book is supported with first-hand stories of Skyraider veterans told in their own words.

I knew as soon as I read the stirring introduction that I was in for a treat. As soon as you think you know all about a subject, a book like this comes along. Then you realize that you only thougt you knew it all.

As one who has studied the Skyraider and those who flew her, this is a must read. I only wish I had it to refer to when I built my Skyraider websites

SpadGuy

Thank you, Wayne Mutza! This book has been way overdue.

The first four chapters deal mostly with the airplane and its origin and detailed descriptions of the massive amounts, types and mixtures of armament they could carry. From there the reader is carried through the Vietnam War and the part played by the A-1. Descriptions of attacks on the enemy, shoot-downs, lost friends, search-and-rescue flights, interpersed with comments by those involved in flying the A-1 make the book hard to put down. In addition, the feeling that comes through from the pilots is that the politicians who were running the war from their desks in their plush offices in Washington had to have come from somewhere near the bottom of the common-sense barrel, in spite of which, the pilots still took off on what must have felt like suicide missions at times.

Whatever Wayne did before he wrote this book could only have been a training program for writing this one. His interspersing of the comments by the pilots and crewmen, the feelings of the military for the stupidity of the politicians, the bravery of the military members, their rescue attempts, their appreciation of and loyalty to the incredible A-1 combine to make this one of the most readable and eye opening books I have read in a long time.

This is a great book for anyone who wants background and details regarding Skyraider deployment and operations in Vietnam. There are not the typical detailed specifications and profile drawings - although detailed appendices account for assignment, and often disposition, of every A-1 type that server in theater (listed by tail number) during the 60s and 70s, as well as Navy, Air Force and VNAF Skyraider deployments and order of battle and carrier/air field assignments.

After brief historic background chapters the book has sections on Navy Skyraider attack and SAR-support operations, the two Navy incidents that resulted in MIG kills, USAF ground support, interdiction and SAR-support, and VNAF operations.

There are dozens of color and B&W photographs in each section. One interesting section had several pages of A-1 pilot photos (mostly USAF but some Navy and VNAF) taken in the country or aboard ships.

This volume is highly recommended for the A-1 buff or modeler as well as those interested general military aviation history as well as Vietnam air warfare history.

As an ex-Skyraider pilot of the USAF Viet Nam vintage, I have to agree with the other reviewers of Wayne Mutza'a excellent book on the venerable A-1 Skyraider. It's great!

My wife has been after me for several years to write my own book on the SPAD --- once I read Wayne's book, I pointed to it and said, "It's already been done, there's nothing more to add."

The only down side I found was that the A-1 that had my name on it during my tour (A-1J #702) had apparently been lost to ground fire during a Search and Rescue (SAR) mission a few years after I left SEA in 1970.

This is a great book, I never get sick of looking at it. Highly recommend for lover of Asian stle living

This is an excellent look at the best examples of tropical Asian luxury living.

It is not a detailed exploration of regional design elements (look to Bali Style, Thai Style, Tropical Garden Design, et al, for the next degree of depth). It is, however, a rich overview of the best of SEAsian luxury architecture and furnishings.

Every page is simply gorgeous, with photos "bleeding" out past the paper, one trait of a good coffee table or style book. There is little or no image repetition in the coverage of the homes or boutique hotels featured, and each photo is perfectly focused, every composition seen in its best light.

In all the shuffle of Thai grandeur, Balinese earthiness, and Malaysian simplicity, the book might at first glance seem to be presenting a kind of fusion. I think it's fair to say that there is plenty of contemporary blurring of the distinctions between regions, but the reader can also look for regional elements and quickly learn them. Each property is given its own mini-chapter, which helps a lot. And the regional details and sensibilities really come alive when you read the accompanying texts, which are the work of expert style writers.

In fact, the contributors list reads like a who's who of style gurus. There is the clever and quippy Made Wijaya, descriptive Diana Darling, the meticulous William Warren, and details-minded Robert Powell. It's a great read!

I am a collector of Luca Invernizzi Tettoni's work because ALL of them is a visual feast for the eyes. This talented man has a knack for details and never fails to capture the vivid and glowing nuances that represents the best of Southest Asia's style. Take it from me, living in the same environment, I sometimes take it for granted. This book is more than just a coffee-table piece, to complement the gorgeous photography , the text , written by various specialists, will enlighten you with well researched information on local crafts and traditions. It also shows the transformation that SEA architecture and interior designs have undergone; overall a fascinating mix 'n' match of vernacular designs and contemporary style.

My dream is to be surrounded by teak and orchids, eating curry and sipping lime juice, and not owning any sort of time piece. Since that isn't going to happen for several more years I bought this book. I am neither a designer nor a photographer so my only input is how this book makes me feel. I have come to love Southeast Asia after several all too brief trips to the region and Tropical Asian Style, specifically Tettoni's photos, has brought some life to my dull suburban living room. And, while I realize that this book comprises several distinct cultures, it is the overall effect, not any particular region, that is so overwhelmingly beautiful. If you feel trapped in your American workaholic routine, this book is a wonderful diversion.

After reading it, I wanted to knock down every wall in my house. Or at least remove the window glass. My next house will definitely be designed based on the rooms in this book.

I didn't read much of the text because the pictures were so captivating. They show every aspect of the tropical Asian house, except perhaps kitchens, which seem to be nothing more than a stove-type device near the dining area. The predominant theme is living among nature and even inviting it to share the living space with you (or is it the other way around?). Instead of windows and doors, you see slatted screens and netting. Very romantic. And a far cry from most of America's obsession with locks and glass. I need to move......

By this detailed book Daftary submerges into 12th century politics. He carefully retells the history of islam and all of its various sects. The Assassins legends are carefully explained and the truth behind the slanders has been brought to light. The middle-age politics were made under the veil of islam in the middle-east back then. The sect's political ambition is to rise against foregin invasion(that is Selcuk rulers)No credit to tales about drugging men into sacrificing their lives for the promise of heaven. This group were made out of then-persian patriots defending their culture as a way of life.All in all a well-written book worth reading several times all over

This book should be required reading for anyone associated with Ismailism ! Negative propoganda and lack of original but unbiased research on Ismailism have portrayed a very negative image on Ismailis - this book provides a basis in remeyding that problem. You will not regret reading this book !

There's no question that Daftary's work -- like Bernard Lewis' -- is essential reading for anyone studying the Ismailis, or the various legends surrounding the so-called hasheeshians, or assassins. I came across Daftary's work and his Institutue of Ismaili Studies in London as I was preparing the first English translation of ALAMUT, Vladimir Bartol's novel of Hasan ibn Sabbah, the original so-called "assassin."

If Daftary's tone appears to be defensive, he's got several centuries of reasons behind him: since Marco Polo swept through Persia and returned to Italy with fantastic and horrific tales of how "no person, however powerful...could escape assassination" at the hands of the "Old Man of the Mountain" and his band of hashish-eating followers, Ismailis have had their work cut out for them. (Bartol's work certainly doesn't help, largely relying as it does on those myths and fabrications.) Taken together with Lewis' work on the subject, Daftary's study offers a compelling argument against Marco Polo and the bread crumbs of myths that followed him back to Italy.

As the Head of the Department of Academic Research and Publications at the Institute of Islamic studies it is safe to say that Daftary is the foremost expert and scholar in Ismailism today. What makes this book so compelling is that it dares to defy the age old myths of the so called "Assassins". Few books, if any, have provided readers with this perspective, and Daftary pulls it off exceptionally. While the book may be heavy in names, dates and facts they serve to provide credibility and work to dispel the myths that many have worked hard to create. Finally, a piece that gives competing works a run for their money. Anyone who has read other, older and perhaps more popular works about the "Assassin Terrorist" are highly recommended to read Daftary's works as they make a much more convincing argument. The book also elucidates the origins of myth and folklore and how they develop into acceptable facts with time. With all the negativity surrounding Islam and Ismailism today The Assassin Legends gives an opportunity to step back and look the entire picture. Any real scholar would admit that there are two sides to every story, and to study the Assassins without consulting Daftary's works would be committing a sincere injustice.

This is a very interesting and well researched look at the history of the Isma'ilis, and compliments your Middle-Eastern history shelf nicely. It is essentially a history text, though, and heavy on the names/dates/primary sources, and isn't quite so useful if you're looking for actual legends. It is also clearly biased in favor of the Isma'ilis, which is fair considering most Islamic histories are biases against them. Still, this book is a nice addition to the sect's history, but maybe not the best introduction.

I think reading this book is an experience in itself. Its remarkable how similar we all are in basic high level thinking even though we might be centuries apart. Of course a emperror's biography going through smallest of details is very interesting. The preface by Salman Rushdie is an insult to such a great book. I believe he shouldnt have been chosen for it. But other than that I found the information in this book vital to undertstand the present culture, thinking and lifestyle in India. I am myself a proud Mughal and having this book in my possession is a pride in itself.

Babur was a king in the true sense of the word. His autobiography outlines his feirceness as a warrior as well as his compassion toward the people in his court. Although he lived in a time where one would think there would be little time for introspection, this is exactely what his narrative is: and introspective look at his own life, his shortcomings, his downfalls, his triumphs and tragedies. One is touched by Babur's humbleness, his sensitivity towards some of the most simple of things, and at his sense of awe and appreciation of beauty in the world around him. Although in some ways I prefered the AS Beveridge translation, this is also a wonderful translation with beautiful pictures and notes in the margins to help explain things. Even if you are not normally interested in this type of book, Babur leads you into his world and you are compelled to read on!

Babur, a descendant of both Timur and Genghis Khan, was a truly remarkable man: a soldier and a poet, an inspirational leader with a deep appreciation for the beauties of nature - and a sensitivity that seems striking to us in a warrior of his undoubted stature.

His memoirs are a detailed, entertaining, and highly personal view of a changing world. In leading his followers into northern India, he laid the groundwork for the Mughal Empire, one of the great Islamic powers of the early modern period - and it is this achievement that history primarily remembers him for. Yet the _Baburnama_ shows that there is considerably more to the story than its conclusion.

With unstinting and engaging honesty, Babur talks of his early struggles, his constant setbacks, and his lifelong desire to hold Samarkand, glorious seat of his ancestor Timur (Tamerlane). For Babur, India is only the consolation prize after his failure to reconquer the lands of his birthright; India is rich, yes, astoundingly so, but it is far removed from his fond reminiscences of home. Along the way, reports of skirmishes with his enemies, and the constant betrayals of his allies, share the page with descriptions of local flora and fauna, and fascinating observations on everyday life in the cities and towns that he spends time at - and it is here that the work's true enjoyment lies.

Bear with the initially confusing internecine squabbles of the Central Asian nomads, and you'll be richly rewarded. A comprehensive and compelling insight into both Central Asia at the turn of the sixteenth century, and the day-to-day pressures inherent in the leadership of an empire based on conquest.

The book itself is excellent.

I had problems with Salman Rushdie's preface, however. It is not a bad introduction, but some of his comments seem to be flawed. The writer explains the contradictory aspect of Babur's psychology (both ruthless/aggressive and soft/cultured) as the outcome of two conflicting "aspects" within Islam. Mr Rushdie does not explain how he arrives at this conclusion, however, and he fails to mention the possibility that Babur's aggression might have naturally stemmed from his Mongol background & warrior instincts. In addition, in the 2nd last paragraph, Rushdie seems to contradict himself when he compares Babur to Machiavelli: "In both men, a cold appreciation of the necessities of power, of what today would be called realpolitik, is combined with deeply cultured and literary nature, not to mention the love, of excess, of wine and women."

I would compare this extraordinary memoir by an extraordinary man to The Tale of Genji - both of them are "firsts" in their culture. The descendants of Tamerlane were both ruthlessly crafty Central Asian kings and warriors, and ultra refined conoisseurs of art and architecture, poetry, food, gardens, and (alas for them) wine. The Baburnama has it all. To encounter the private thoughts of a great conquerer is a unique experience. The Baburnama is well-written and well translated. It is one of the great treasures of literature, and will give the reader a much better idea why Afghanistan and Central Asia are the way they are.