Irish Books

I saw this play at the Lyceum Theatre on Broadway (7/9/06, Sunday matinee) not even a week ago as of this writing. It was nominated for several Tony awards this season and I can easily understand why. It is absolutely the most outrageous comedy I have seen in years of theatregoing. Very dark. Very well written. Very funny. Worth the trip and definitely worth the read.

McDonagh challenges us to laugh at what would be normally very tense, dramatic, serious scenes. He has created a world populated by characters that think they are smart but we can see they have solutions and ideas that are idiotic. These absurdities make scene after scene strikingly laugh out loud funny, despite their violent conclusions.

The point well made - that terrorism is a fool's paradise and is pointless, creating needless hurt and confusion - is spelled out in comedic terms so well drawn that you laugh despite your better judgment. That is, until you understand the logic of placing humor front and center, as the most integral of survival skills.

I directed McDonagh's "The Lonesome West" for the Station Theatre, Urbana, IL, in January 2000. (See 8am.com for reviews and links.) What an exhilarating ride! The new play -- like all of McDonagh's maddeningly vicious, hilarious efforts -- would be equally frustrating to stage, particularly the need for dead cats, live cats (covered with shoe polish), and other acts to drive directors mad. ("The Lonesome West" required dozens of Catholic religious figurines to be smashed nightly, not to mention an exploding oven and on-stage rain.) Certainly his staging challenges make these plays riveting to see, but they are equally rich in the reading. Be prepared to laugh... and then shocked at yourself for laughing.

This play manages to capture on the stage everything that Tarantino brings to life on the screen. I saw the RSC's performance while over in the UK and it was mindblowing. What was totally cool was that rather than a program, one was given a script, which I have read a few times, and proves better each time around.
The play is at the same time very literate and very funny in a morbid sense, the only things coming to mind for comparison being Pulp Fiction and Irvine Welsh novels. This is a new directin in theatre and a great read on it's own.
A truly original piece of work.

With the Tony nomination for Best Play this year, there might be some renewed interest in buying this book (the most recent review on this site was in 2003). This is laugh-out-loud funny stuff, and well worth reading. While "existentialist" may be a bit pretentious, this play deals with absurdity and futility in an atmosphere of constant violence and death. That McDonagh can make this material so funny is a tribute to his gift. This play I believe is a companion piece to McDonagh's Oscar-winning short film Six Shooter (available for download on iTunes), which deals with some of the same subjects, and also reserves its only tenderness for pets. I can see why people make the Tarantino comparison, but I see Tarantino as more of a stylist who sets out intricate time sequences and is less concerned about traditional narrative structures. McDonagh, by comparison, is very much into formal plot devices and structure.

Definitely not for those who don't enjoy black humor. For those who enjoyed The Pillowman (on Broadway last year), this one is an earlier play and doesn't have nearly the creativity and ambition of Pillowman. But it is still very well worthwhile, and a lot of fun.

OK. I think McDonagh is a straight genius. I read this play, because I am currently in The Cripple of Inishmaan(the tame McDonagh play), but only because out director didn't think he could get the rights to this one. But I read this play, and I almost [messed] myself almost every other line. it is just that funny. I wish that we could have gotten the rights to it. It would be great to watch our director figure out how he would pull all this crazy stuff off. Overall, this is just a really funny, violent reason as to why I love the theatre. READ THIS SCRIPT. IT IS AMAZING. It is also very, very lean. No fat at all. A very short, perfect read.

Mr.Cederberg brings his experiences to life as you read this book.A very vivid tale as Cederberg shares blood,sweat and tears,in the Italian theatre of World War Two.

The book is a novelization of Mr. Cederberg's experiances in Italy during the second World War. I couldn't put it down, I kept imagining myself there. A fantastic book. I hope this is not Mr. Cerderberg's last.

This book ranks with the other great classic memoirs of World War II: The Forgotten Soldier, If You Survive, The Other Side of Time, The Road to Huertgen, and the greatest, Those Devils in Baggy Pants. Cederberg writes in a manner that vividly describes the force and horror of war, painting images in the mind that are not easily forgotten. An excellent read!

The Long Road Home is the fascinating, if somewhat racy, account of Fred Cederberg's travels from his home in Canada to the war in Italy. Cederberg spares few details of the courage and the horror of war, and shows how love and lust often bloomed among the destroyed buildings and shattered souls. Cederberg's memoir is first-hand and first-rate, a must-read for anyone interested in seeing how our boys fared in the forgotten war in Italy.

This book is not about warfare by the usual rules, of people being nice as seen in "Saving Private Ryan." It may even upset some folks. But, it is like the stories sometimes told by combat veterans in the Legion Halls after they've had a few beers, are feeling relaxed and are with someone they trust.

It is a story about soldiers who were fiercely proud to be Canadians. Americans were fighting for grand ideas such as "saving the world for democracy" and the Four Freedoms of Norman Rockwell. Canadians were there to do a job. They did it, with kindness, compassion and brutality as the occasion required. Sgt. Cederberg never brags about being Canadian; it was tacitly assumed that if one had to ask, they couldn't understand even if it was explained to them.

Read this, and you'll understand why Americans described Canadian soldiers "going about their job like hockey players."

They are like the Australians and Israelis, known for having an incredible espirit de corps. Americans are great for show, such as Patton insisting that all American troops wear ties and show proper respect for officers. One American mucky-muck, appalled by the easy-going attitude, remarked to a Canadian officer, "Your troops don't seem to have much discipline, such as saluting officers." In reply he was told, "Well, when a salute is needed I wave at them, and they generally wave back." So much for formal procedures. But, when it came to fighting, they were unsurpassed.

The US has a formal definition of a country, such as the Pledge of Allegiance, Salute to the Flag, and a national anthem which is played more than Coca Cola commercials. Canadians are less formal, but no less proud of their country. It's called pride.

In another story, Cederberg tells of the Germans firing propaganda leaflets which showed a naked woman sitting on the edge of a bed, while a soldier without his pants is getting ready to take off his shirt. The message was that while British troops were in Italy, others were having fun in England. "That a Canadian?" one of the men asked Cederberg, who replied, "It can't be, the guy's wearing a tie."

Don't ever mistake the Canadians for the British. As Cederberg writes, "I went out that afternoon with Albert and Alex-Joe, drank six pints of mild and bitters and threw up twice (once after punching out a Scottish corporal who had insisted we were a disgrace to British arms).

"He had it coming," said Alex-Joe. "because we aren't even British, we're Canadians."

Time and again, that spirit and typically Canadian humor shows through. So does the grim determination to get the job done. When stationed near an Italian town, they were warned that lone Allied soldiers were sometimes attacked by die-hard fascist youths. Sure enough, a Canadian was knifed in the neck. When his buddies couldn't find his attackers, they went back to camp.

A few minutes later, the Canadians began a mortar barrage on the town. Officers tried to stop it, and were gently restrained. Once they learned the reason for the barrage, they joined the cover-up to protect their men. When the Italian police came to investigate, every weapon was spotless with no sign of recent use. They left, empty handed. The Italians buried their nine (or 34) dead (depending on whose version was accepted). There were no further assaults on Canadians.

Wonderful book, wonderful story. Rest assured, Spielberg will never make a movie of it. It's too good, and too real.

I thought that this book was an educational yet fun mystery! The map at the front really helped me place what was happening, and relate it to what exists there now. I also found the main character, Sooncy, to be the perfect perspective through which to tell the story! Overall, a fantastic book for anyone looking for a fun and informative read! Best wishes to Ms. Killcoyne on future writing endeavors!

There are few opportunities offered our children to learn an important lesson about both our own past and our nature as individuals than that delivered by Hope Lourie Killcoyne in her gifted story, "The Lost Village of Central Park." Set in mid-nineteenth-century New York City, at the cusp of the construction of that seminal landmark of modern America, Central Park, Ms. Killcoyne's lyrical narrative traces the factual history of Seneca Village, a real establishment in which African-American and Irish immigrants somehow co-existed peacefully in pre-Civil War America. Creating compelling and believable characters, Ms. Killcoyne provides today's pre-teens with an invaluable and unique perspective on an important era in American social development, one which was cut curiously short by the idiosyncratic yet poetically inevitable advancement of New York City, through the creation of Central Park. The Park stands today, a monument to New York civic achievement; what is lost is Seneca Village, perhaps an even more meaningful yet necessarily ephemeral reflection of all that is possible, yet also lost, in the American dream.

Having lived in New York my entire life, I was surprised to find out about Seneca Village. I was never taught about the time, place, and events that surrounded the demise of that area of the city. The author successfully tells the story from the point of view of two young girls, one black and one white, and the strength of their friendship. It's a great way to teach children about their past. There's a lot going on here... plenty to use the characters again and turn it into a series. I'd certainly pick up the next one for my niece!

I had though the art of captivating storytelling in the realm of children's historical fiction was long gone. The last and one of the best was Ben and Me. Not to mention the fact that intelligent prose directed toward but not insulting children has disappeared with the likes of greats like E.B. White, Judy Blume & Madeline L'Engle... until now that is. Meticulous research has allowed Hope Killcoyne to create a captivating historical backdrop that most New Yorkers weren't even aware of including myself. Even as the story unfolded I couldn't help feel a sense of sorrow knowing the timely end to what was probably a fascinating culture within the tapestry of NY. Nevertheless, Killcoyne takes what might have just been an interesting footnote in NY lore and weaves a modern folk tale of ingenious promise and heart. Characters well developed for any novel not to mention one for young adults, add depth and almost tangible realism to a time and era long forgotten and sometimes better off forgotten. Hope Killcoyne places her characters in a small pocket of the American landscape dwarfed by slavery and the dawn of Civil War allowing us to glimpse what might have been and what should be in a world too often blurred with self-interest and prejudice. Although some readers might be wary of the melodrama of a culturally diverse Utopia Killcoyne has pictured, there is nothing contrived about the story and intent behind this book. A highly recommended book for any young or old reader... from any walk of life.

This is a wonderful story and fascinating piece of history for children as well as adults. As with so much in history, the more that is uncovered, the more it tells of the way things are today and why. As with many of the colorful stories from the annuls of New York, The Lost Village of Central Park illustrates a very important chapter in the history of the city as well as the nation. Educational as well as entertaining. The fact that such a place existed more than 100 years ago proves that which makes us the same far outweighs that which makes us different. As former grade schoolteacher, I think this book should be on the shelves of every school and public library.

I needed this book for a graduate class on Milton this semester. The bookstore ran out and I needed a good copy in a hurry. The book was brand new as advertised, was a great price, and the shipping was even better! I got it in 3 days...just in time to complete the assignment!

Of English writers, John Milton is justly considered to be a close second to Shakespeare. This volume provides good illustration. He is not the easiest writer to read but the editor's notes help (as well as an understanding of mythology, English history, and the Bible). Milton excels in poetry, yet his prose remains powerful (Aeropagitica and Ready and Easy Way to Establish a Commonwealth in particular). Some of his works are rather tough to get through especially if you disagree with his point of view (I found this to be so with Doctine and Discipline of Divorce) or if you are unfamiliar with the time period he was writing in (Tenure of Kings and Magistrates). In his writing you will see his brilliance shine through in his ideas, arguements, and phrasing. Paradise Lost and Paradise Regained are written with such conviction that you could think that that is how those events had to have happened.

I am taking a Milton class at college, and there was a mix up at their book store with the Milton book. Some students ordered the correct book for the class through Amazon.com, but I bought this one to use and it's great. It has all the poems and prose that are going to be studied this semester. The teacher passed out a copy of a poem that Milton wrote that was not in her book or in the other students' who bought the correct book, but it was in this one that I bought. It's great.

The Oxford version of Milton's works is fairly comprehensive, and for that, it is appreciated. For those with an understanding of Latin, Oxford's choice to have the Latin opposite the English translation for several of Milton's poems is surely appreciated. However, notes on individual items within a work have endnotes, and while it is nice just to have notes on the works at all, having those notes on the page itself would be much more useful than having to hold a page open in the back of the book while reading a sonnet in the front of it. The Works include Paradise Lost/Regained, as well as Samson Agonistes, besides various poetry and even portions of Milton's pamphlets regarding his sociopolitical thoughts. Overall, not a bad set of works, but the design/layout could have been improved.

[John Milton, son of a scrivener and musician...]
This review is of the Oxford World's Classics edition of
-John Milton: The Major Works- (ISBN: 019280409X),
edited and with an Introduction by Stephen Orgel and
Jonathan Goldberg.
"That kings for such a tomb would wish to die" (John
Milton-- "On Shakespeare") -- "one of the greatest,
most noble, and most sublime poems which either this
age or nation has produced" (John Dryden -- on -Paradise
Lost-). The picture drawn of Milton, his life, and his
career (or careers) by Orgel and Goldberg is of a
man of intelligence and means who had been educated
for the life of a gentleman and a scholar in his
early life, yet finding that the surge of events
and ideologies has a way of changing one's timing,
course of expression, and even personal fate. Thus
Milton makes conflicting statements about his intents,
his "ripeness" (maturity of intellect and wisdom, more
than age), and which venue is his real chosen arena
of expression.
His first published poem, is anonymous, and is
"On Shakespeare" included in "the dedicatory verses
to the second Shakespeare folio[1632]." (Chronology.) Yet
in his first signed publication, -The Reason for Church
Government- (1642), a prose tract, "Milton presents himself ...
as a poet who uses only his 'left hand'
in writing prose. In the account he gives, his entire
life appears to have been spent in training as a poet." (Introduction.)
As the eldest son, however, he "had been from childhood
'destined'...to a Church career." (Introduction.) But
events intrude, as well as yearnings, and the 2 Jan. 1646
publication of -Poems of Mr. John MIlton, Both English
and Latin-, dated 1645. The Church career never materializes,
but in a strange way, a more interesting "preaching" or
"exhorting" or "inspirational" one does, through his
poetry, rather than his political tracts. And Milton,
perhaps even oblivious to his own constantly self-
revisionist attitudes and stances, creates a more
enduring legacy which has influenced literature,
scholarship, views about justifying "the ways of
God to man" (from -Paradise Lost-), and the common
cultural views about Satan, and Hell, and the Fall,
even more so than those of Dante.
This is an excellent edition which contains the
shorter English poems, the Latin poems (with both
Latin text on left pages -- and the Enlish translations
on the right pages), Selections from -A Book of
Sylvae-, Greek poem added 1673, Carmina Elegiaca,
the Prose Works: from -The Reason of Church Government-,
from -An Apology for Smectymnuus-, -The Doctrine and
Discipline of Divorce (Complete), -Of Education-
(Complete), -Areopagitica- (Complete), -The Tenure
of Kings and Magistrates- (Complete), from -The
Second Defence of the English People, -The Ready and
Easy Way to Establish a Free Commonwealth- (Complete).
Of course, there is also -Paradise Lost- (Complete);
-Paradise Regained- (Complete); and -Samson Agonistes-
(Complete). Highly enlightening are 3 Familiar Letters
of 1674: "To Charles Diodati, 1637"; "To Benedetto
Buonmattei, 1638"; and "To Leonard Philaras, Athenian."
There is a lengthy excerpt from -Christian Doctrine-
which starts out talking of "restoring religion to
something of its pure original state" and has the
very interesting (telling) perspective on Milton's
own "cross": "If I were to say that I had focused
my studies principally upon Christian doctrine because
nothing else can so effectually wipe away those two
repulsive affictions,tyranny and superstition [of
course, no idea that doctrine itself might promote
those two evils -- R.K.], from human life and the
human mind, I should show that I had been concerned
not for religion but for life's well-being." And
the glory of Oxford editions, there are copious
notes in the back going from page 735 to page 959,
Further Reading List, and Index of Titles and First
Lines. At this price, this volume is a real steal
(er, get thee behind me, Satan...) ... bargain!
-- Robert Kilgore.

I have always liked everything written by Stevenson, but The Master of Ballantrae far outstrips everything else. It is a subtle insight into human nature, and a great adventure story as well. The episodes are majestic, and the story, though bleak, is very touching. I have read it many, many times and think more of it the more I read it (to paraphrase Mackellar on page 1).

Wild Grows the Heather in Devon is thought provoking, eloquant and superbly written. I have highlighted most of the book. Many of the prayers written, I have taken as my own. Excellent intelligent reading!

I read The Master of Ballantrae quite recently and I think it is an awesome book. James Durie (the Master) is such a wicked man, but seems to charm (most) everybody. He is such a round character. He torments his poor brother Henry Durie and Henry suffers in silence. Only Mr. Mackellar knows of Henry's sufferings. The Master makes the book so colorful. It's full of adventure, romance, sorrow, and revenge. I highly recommend this book, because it was so interesting and kept you wondering what would happen next. I am sure it will capture your attention as it did mine.

Stevenson is best known today as a writer of juvenile fiction. This doesn't do justice to his skills as a writer of historical fiction or his ability to explore psychological and moral issues. Master of Ballantrae is one of his best works. Set in 18th century Scotland, it is an exploration of the nature and relationship between good and evil. In many ways, this is a parallel book to Jekyll and Hyde. In Master, the different aspects of human moral behavior are explored in conflict and relationship of 2 brothers, one charismatic and amoral, the other, stolid and virtuous. This is primarily a psychological novel of family tragedy brought about by the characters of the 2 bothers in a conflict ignited by the Jacobite uprising of 1745. Stevenson does an excellent job of handling the characters and plot. As with his other work, there is a nice depiction of 18th century Scotland. This is not a great work, but it is very good.

I am a big fan of Robert Louis Stevenson, and I think that "The Master of Ballantrae" is his best novel. It has interesting character studies and its exciting story is set in a great variety of locations. It has good adventure plus a very haunting quality to it, and is one of those books that I enjoy re-reading.

In poems that contain doors to the transcendent in people and nature, Johnson creates a sense of illumination and quiet fearlessness that approaches death and does not shudder. His love for relationship, for wilderness, and for an abiding respect inherent to all that lives and moves is an effervescent outpouring, and the transport he evokes can bring the reader from despair to the threshold of discovery. A powerful and luminous voice, his second book of poems, In the Land We Imagined Ourselves, is currently in press.

ok, so this isn't becky house. let's get that straight. this is her daughter, hallie. i attended interlochen arts camp two summers ago where i majored in creative writing and jonathan johnson was my instructor. simply put, HE'S AMAZING. he's one of the nicest guys ever, and i know it seems as if i'm just bragging on him to make you feel guilty for not buying the book, but i'm not. i'm bragging on him because it's true. he's nice and he loves writing, which is what it's all about. and worry not, your money will not be wasted. he lives in a log cabin that he and his wife built. no electricity. so please, love this man, you should.

As a student in one of Dr. Johnson's poetry classes, I waited until the end of the quarter to buy his book. Frankly I had given him a pretty hard time about inaccessible, elitist poetry, though he took it pretty well. When I finally cracked open "Mastodon," it was with a lot of trepidation. I had come to respect and admire Jonathan a great deal and was afraid I would discover exactly the kind of poetry I had been dissing in class.
Thank God, it was not. His poems, while not "easy" in any way, are nevertheless quite accessible, because Jonathan puts his whole soul into them. He swallows what fears must accompany every poet who opens his life to his readers and writes of personal joy upon hearing his baby's heartbeat for the first time. Then, to bring the collection to a heartbreaking end, he reveals the loss of that baby in "Be Young. Have fun."
The moments of his life before, during and after those moments cover events that range from a child waving a "Hi!" sign at him from the back of a bus, to a skinhead who is slowly dying while doggedly hoping to live. Every poem, whether shocking or mundane on the surface, shares one thing in common--Jonathan's fascinating ability to wrench out its deepest, human meaning. And every time, that meaning is one that any soul could relate to. This is a truly beautiful book.

In what would seem to be just a book of nature poems, ends up being a monstrous work about being alive. In his poem, "Eclipse," Jonathan takes the reader for a ride in his wife's friend's car. By the end of the piece, the reader is a vital part of the jaunt in the "forest green and stealthy" vehicle. Like the car, the poem is clean and has more power that one would initially believe. "Eclipse" begins with an engageable narrative style, which allows Jonathan to put the reader at ease. As the poem accelerates, the reader is second-guessing the narrative style, wondering what Jonathan is truly getting at. As the poem comes to a halt, Jonathan has interwoven themes of trust and control, using his wife's friend's new car as a vehicle for an extended metaphor.
"Eclipse" is just one example of Jonathan's commanding use of language and metaphor that is present throughout his inaugural book of poetry. Jolting the reader from the Upper Peninsula of Michigan, to a hand-built cabin in Northern Idaho, Jonathan's book is a complete journey, not 80% complete as his title might suggest.

Jonathan Johnson's poems are wonderful. They are full of images that are clearly written and visual. This is a big plus for anyone reading poetry. Most young poets write with abstractions and little attention to detail. This is not the case with Johnson's work. William Carlos Williams says, "no ideas but in things," and there are lots of things in Johnson's poems, which is precisely why I like his work. I feel what his speakers feel, I see what his speakers see. Far too many poets use lofty language that doesn't accomplish much except to distance their readers. In Johnson's poems we feel the country he describes, the wilderness of northern Idaho, and the majesty of Michigan's Upper Peninsula. These poems are not just about places either, but about the people who inhabit these places--people who experience pain, suffering, joy, awe, and survival. I enjoy the language in these poems because of its accessibility. They are Whitmanesque in their celebrations of life, and speak universally to us all.

Until such time as Amazon calls up existing reviews for its Kindle editions, here are a couple from the paperback edition of Michael's War: A Story of the Irish Republican Army:

Terence Quigley gave it 5 stars: "'Michael's War' is a very fine yarn about the Irish Republican Army, complete with the mandatory love affair between the Irish farmer and the squire's daughter.... I especially liked the way Mr Ford, an American, caught the cadence of Irish speech. The story closely follows the course of Ireland's separation from England, from the Easter Week 'rising' in 1916 to the surrender of the IRA 'diehards' in 1923. At the end of all, as Michael would say, he sells the farm and sets out for America, leaving behind a country full of hate & suspicion as a result of civil war. The seeds of the IRA 'troubles' of the past half-century were sown in Cork & Kerry in the early 1920s. Mr Ford coats the history lesson with a satisfactory romance and an exciting tale of guerrilla warfare. Good job!"

So did Paul Estaver: "MICHAEL'S WAR is a serious literary work. It is also a page-turner, an exciting adventure yarn--and a warm-hearted love story--and a sound perspective of the tangled history of the Irish struggle for freedom. The characters are memorable and believable--and like so much Irish literature, the narrative sings.... In a word, I loved it. The story is set in the period 1917-23 when the Irish Republicans fought, with minimal resources, the arrogant British domination and made their mark, only to be tricked and betrayed so that in the end it was brother fighting brother. Equally important, this is a personal history of Michael Ford, a stubborn farmer, as he grows from boyhood to a commander of men, who ultimately escapes death by Irish luck and lives to look at his own gravestone before his departure for America. DON'T MISS THIS BOOK!"

Blue skies! -- Dan Ford

'Michael's War' is a very fine yarn about the Irish Republican Army, complete with the mandatory love affair between the Irish farmer and the squire's daughter. (Think of Tom Cruise & Nicole Kidman in 'Far & Away'!) I especially liked the way Mr Ford, an American, caught the cadence of Irish speech.

The story closely follows the course of Ireland's separation from England, from the Easter Week 'rising' in 1916 to the surrender of the IRA 'diehards' in 1923. At the end of all, as Michael would say, he sells the farm and sets out for America, leaving behind a country full of hate & suspicion as a result of civil war.

The seeds of the IRA 'troubles' of the past half-century were sown in Cork & Kerry in the early 1920s. Mr Ford coats the history lesson with a satisfactory romance and an exciting tale of guerrilla warfare. Good job! (reviewed Nov 2003 by Terence Quigley)

'Michael's War' is a very fine yarn about the Irish Republican Army, complete with the mandatory love affair between the Irish farmer and the squire's daughter. (Think of Tom Cruise & Nicole Kidman in 'Far & Away'!) I especially liked the way Mr Ford, an American, caught the cadence of Irish speech.

The story closely follows the course of Ireland's separation from England, from the Easter Week 'rising' in 1916 to the surrender of the IRA 'diehards' in 1923. At the end of all, as Michael would say, he sells the farm and sets out for America, leaving behind a country full of hate & suspicion as a result of civil war.

The seeds of the IRA 'troubles' of the past half-century were sown in Cork & Kerry in the early 1920s. Mr Ford coats the history lesson with a satisfactory romance and an exciting tale of guerrilla warfare. Good job! (reviewed Nov 2003 by Terence Quigley)

This book is a fiction, though its hero bears some resemblance to my father, Patrick Ford, born 1899 in the County Cork, died 1977 in Arizona--one of the wild geese who populated the far reaches of the world, for the most part to the world's great benefit. Toward the end of his life, Dad wrote a recollection of his youth in Ireland, and I referred to it constantly while writing my novel. He lived through much of Michael's life story (though he never, to the best of my knowledge, had an affair with the squire's daughter). The rest was experienced by other people, whose stories I adapted.

The heroines bear less resemblance to my mother, Anne Crowley, though Mom did serve in the Cumann na mBan--easier to pronounce than to spell!--and once or twice tucked blasting caps into her cleavage. She was a more forgiving person than my father, and she wouldn't be at all troubled to learn that her great-granddaughters carry British as well as American passports.

When the novel was done, I put it aside and turned to other things, among them a story about the Flying Tigers of World War II. If you have read "Remains," you may remember Austin and Annabel Love as members of the British Raj in Burma in 1941-42. They suited the role, so I borrowed their names and some of their circumstances. Now, as I return to "Michael's War," I find that they suit this book even more, so here they are as I first invented them. If the coincidence troubles you, just pretend that they hail from different branches of the same fictional family. -- Dan Ford

MICHAEL'S WAR is a serious literary work. It is also a page-turner, an exciting adventure yarn--and a warm-hearted love story--and a sound perspective of the tangled history of the Irish struggle for freedom. The characters are memorable and believable--and like so much Irish literature, the narrative sings. Finally, it is the heritage of Daniel Ford, its author.

In a word, I loved it.

The story is set in the period 1917-23 when the Irish Republicans fought, with minimal resources, the arrogant British domination and made their mark, only to be tricked and betrayed so that in the end it was brother fighting brother.

Equally important, this is a personal history of Michael Ford, a stubborn farmer, as he grows from boyhood to a commander of men, who ultimately escapes death by Irish luck and lives to look at his own gravestone before his departure for America.

DON'T MISS THIS BOOK!

-- Paul Estaver

I have read this and think that it is a must for anyone. The characters are well-developed and unusual.The plot is complex but manages to stay easy to understand. The language is the only problem.Although the language is a slight drawback, after you get through it you unearth poetry that is a wonderful example of old-english culture.The complicated love-triangles,well, you can't really call them triangles, they are more like squares, involving the 4 main characters.Ultimately, I think that this is a wonderful book and i really do suggest that anyone does read it.

I thought that Midsummer Nights Dream was a good comedy by William Shakespeare. This book is about 2 couples who are in love with one another but their love changes when fairies come with a special plant to change their hearts. The couples are then in love with the wrong person for the wrong reason. While all this is going on, common people are preparing a play for the duke's wedding. Although the play is short, every part of it is enjoyable and funny. If you read one scene, you will want to read the next.

As a seventh grader I have just finished the required read of a MidSummer's Night dream and I found it to have a plot line that kids can relate to through movies but not through the life that a kid lives. We see love all over televsion and we see how it works and we can connect that to the play. What I do think that was great about this is how it kept to ryhming and a rhythem, I think that is what creates a great book!

I had to read this book in English class and I thought it was enertaining. I liked the way it was like an old fashioned soap opera, only more entertaining. I think at one point in our lives we should read this book to show the true meaning of love being messed up. I sometimes wonder now if Puck on the Real World's role model was this Puck. Oh well, whatever. This is probably one of Shakespeares best plays if you ask me.

One of Shakespeare's most enjoyable works, "A Midsummer's Nights Dream" is the story of four lovers (either loved, in love, or both) who travel into an "enchanted" forest, filled with magical fairies who play tricks on them and even themselves. Meanwhile, a hapless stage production prepares for a performance at the Duke's wedding. All storylines lead to an enjoyable resolution climaxing with the hilarious performance of "The Most Lamentable Comedy of Pyramus and Thisbe." This is one of Shakespeare's funniest and consequently is one of his most univerally-enjoyed plays. I recommend it for anyone with any interest at all in Shakespeare's works.

This was fascinating to read. Three characters deliver a monologue relating to Molly's experiences temporarily regaining her vision through surgery. In addition to the clear & interesting portraits of these people, scientific information is presented in an easy to understand manner.
However, unlike other good plays I have read I have no interest in seeing the play performed. What does seeing this play add to the experience of reading the play? But definitely read it!

This year i have had the privalege of not only reading Molly Sweeney, by Brian Friel, But also playing the part of Molly. Never have i read such a brillant work of literature. The heroine,strong willed and enchanting goes through a series of operations to try and restore her vision. Through the sucesses and pitfalls of this procedure Molly shows us what true vulnerability and dreams are made of. She posesses an inner strength that can be understood only by those who have been caught between two worlds, never to re-enter either of them. She has taught me to appreciate everything I see. For she relished the world and all the beauty in it.. while those of us with vision are blind to its miracles. indeed, We are the ones with blindsight. I have never played a character I have loved as much as Molly. She took over my body and soul on stage until i existed only as her vessel.... her unique personality shining through teaching us all to value what we have, to love what we are given, and to venture into the unknown.. even if it means loosing everything we've ever understood. Brian Friel is a modern day shakespeare. Truly my favorite playwright of the 20th century, he is also my mentor, and my inspiration. Molly Sweeney is truly a miracle in print.It will change your life.

I Just finished this play and loved it. In fact, I found it so moving and powerfull that I was anable to close my eyes because of the haunting ramifications described in this play. I had no choice but to write this review at 2:30 AM. This play tells the story of a women who undergoes a surgery in order to regain her sight, and the aftermath of that surgery. It is told in a seris of monologues by the three central characters in the show to brilliant perfection. Read this play, it will change the way you look at the world forever

Anyone interested in the neuropsychology of vision must see or read this play! *Molly Sweeney* is great drama by an award winning playwright. It tells more of the truth about failed attempts to restore vision in those blinded by cataracts in early childhood than "To See and Not See" in *An Anthropologist on Mars*. "Molly Sweeney" should be required reading for anyone interested in "Discourse between Anthropology and Medicine."

Brian Friel, Ireland's premier modern dramatist, produces a minimalist ensemble drama in this 1995 play, presenting a story of immense dramatic power with no dramatic action on stage at all. Molly Sweeney, a forty-year-old woman who lost her sight when she was a baby, is the central character, the two others being her husband Frank, and Mr. Rice, a man whose surgical skill can return partial sight to her. When the play opens, all three characters inhabit their own spaces on stage, and each tells his/her story directly to the audience, the characters having no interaction with each other at all.

In a brilliant example of dramatic irony, the play comes fully to life through their stories and achieves a poignant reality though the audience never actually sees any action. In this way, the play's structure parallels the life of Molly, a woman who sees nothing but fully experiences the joy of life. Molly is fully independent, works as a massage therapist in a local health club, and, in fact, supports her husband, who is unemployed, considering her life completely "normal." When she has the opportunity to regain partial sight, she accepts the surgery at the behest of her husband and the surgeon, a man so dependent on alcohol that he sees the surgery as his last chance to restart his career.

Through the story of the surgery and how it changes the lives of the three characters, Friel forces the audience to consider important aspects of reality and how we interpret it. As he points out during the play, a functioning person without sight has created "engrams" of reality based on the other senses and must be taught how to connect new visual knowledge with the tactile engrams of his/her life if s/he is to be successful in understanding a sighted world. The gaining of sight involves the loss of the blind person's known world and the creation of a world in which everything is constantly moving and changing, "all the consolations of...the familiar" gone forever. Friel brilliantly recreates the drama of all three main characters as they try to cope emotionally with the changes wrought by Molly's surgery.

Ultimately, the play raises complex questions about fantasy vs. fact, and imagination vs. reality and suggests that these concepts may not be the opposites that many of us think them. The unusual format of the play itself is perfectly suited to this subject matter, asking us to imagine each character's invisible, but nevertheless completely real, inner life. Mary Whipple

Had company over to dinner and used recipes out of book. They all raved about the food.

Margaret Johnson's latest book is a visual and culinary delight! Through her wonderfully ethnic recipes, Margaret invites all readers into her Irish family. My family usually has an italian course during its holiday celebrations, but Margaret's fare has inspired me so much that I am going to recommend that the red-sauced staples are replaced by the the delacacies outlined in this wonderful work (I just hope my mother-in-law agrees). Margaret--thank you for opening my eyes to this cuisine...you are an emerald jewel of Ireland!

I have been a fan of Margaret Johnson for many years now and her latest publication is her best yet! The beautiful pictorial presentation of this book is bested only by Margaret's poetic descriptions of Irish fare. The irish tastes described by Margaret will transform the reader (and chef) to the emerald isle. It is a journey that anyone with an ounce of irish blood cannot miss! The "irishcook" has done it again!! This book is a must have!!

Margaret Johnson has struck gold again. This book is a wonderful journey through the world of New Irish cooking. The pictures are breathtaking. These are recepies you will want to try out in your own home! Thanks again Mrs. Johnson for keeping us close to Ireland.

`The New Irish Table' and `Irish Puddings, Tarts, Crumbles, and Fools' by Irish-American culinary journalist, Margaret M. Johnson who seems to provide low end books covering Irish culinary practice, beginning with her `The Irish Heritage Cookbook', also from Chronicle Books. The middle ground, being the `Julia Child' for Irish cooking is Darina Allen, along with husband, Tim Allen and mother in law, Myrtle Allen, all of the Cork culinary powerhouse, Ballymaloe House and Cooking School. The high end of modern Irish cooking is held by Irish-American culinary academician and chef, Noel C. Cullen. The ethnographic corner of Irish / Celtic foodways is filled out by `Celtic Folklore Cooking' by culinary writer and folklorist, JoAnne Asala of Chicago. There are many more Irish cookbooks to cover between now and St. Patrick's Day, but this pretty much covers most major points on the culinary compass for Irish cooking.

`The New Irish Table' and Cullen's `Elegant Irish Cooking' complement one another pretty well, as they both present recipes from modern Irish hospitality centers. The difference is that where Johnson is covering pubs and `bed and breakfast' style eateries, Cullen is covering dishes from Michelin one and two star restaurants in Ireland, as well as many of his own creations as a working chef, before he took up teaching at Boston University.

Between these two featured books, Johnson's Desserts book is a much more valuable addition to your cookbook collection, as it includes a lot of fancy and holiday desserts which I have not seen in any other good book on Irish cooking. The best thing about this book and its companion is that like a lot of Chronicle Books, it seems to be on a fast track to the Bargain Book table, both real and on-line. That means that at half price, this book is a real bargain for the cookbook collector with a genuine interest in dessert baking.

On the surface, this book seems to feature four basically different kinds of baking. The six chapters are:

1. Puddings
2. Tarts
3. Crumbles and Crisps
4. Fools and Flummeries
5. Tea Breads and Cakes
6. Christmas Treats

Anyone familiar with English cooking will recognize in the first chapter a wide range of desserts which the Anglo-Irish all lump together under the name of `pudding'. Actually, most puddings remind me a lot of French Toast, more properly called `pain perdu' by the French. They are all different ways of combining day old bread, custard, dried fruits and the like into a treat for the sweet tooth. Puddings and tarts, together, form a collection of dishes very familiar to those who know English sweets.

Crumbles and Crisps and Fools and Flummeries all seem remarkably like a style of dessert which is very popular in the United States and commonly associated with both the Pennsylvania Dutch and southeastern and south central styles of cooking. In Ireland, as in the United States, they are all primarily ways of combining stewed or jellied fruit with oats, milk and perhaps some custard. The thing that distinguishes `fools' from other similar desserts is the fact that they are made with gooseberries. A gooseberry, according to my `Berry Bible' illustration, looks a lot like a current, and just a bit like a blueberry, and seem to be common in the United States only in the northern west coast.

The breads and cakes chapter visits the most widely familiar realm of Irish baking, the world of soda breads and scones. This realm is covered much better in Tim Allen's `The Ballymaloe Bread Book', but the last chapter in this book makes the whole book worth the budget price of admission.

This last chapter is a bonanza for those looking for something interesting to bake for Christmas, especially if you are fond of confections which include a bit of stout or Irish whiskey in the ingredients. This chapter brings the tired old fruitcake into a whole New World of cakes, puddings, ice creams, breads, mince pies, and cider sauces.

The second book, `The New Irish Table' has but 70 recipes, all of which seem to be high end bar food, especially since about 75% of the pages are dedicated to appetizers and side dishes. The five chapters on recipes are:

Small Bites with 9 recipes for crackers, tartlets, pates, crostini, cheese bites, and chutneys.
Starters with 15 recipes for soups, salads, souffles, charlottes, sauces, and sabayon.
Main Courses with 16 recipes for fish, duck, chicken, lots of pork, lamb, venison, rabbit, and pheasant.
Side Dishes with 13 recipes of old standards such as colcannon, champ, boxty, cabbage, turnips, and leeks.
Sweets with 17 recipes for puddings, custards, brulees, cakes, tarts, cobblers, and crumbles.

All in all, if you already have one or two books on Irish savoury dishes and you get Johnson's dessert book, this volume becomes largely redundant. A lot of the sidebars between the two books are the same and the `Irish Table' simply confirms everything I already know about the heavy Irish use of apples, pears, berries, dairy, beer, whiskey, pork, and lamb.

Since you can get this cheap, I will recommend it as a small, inexpensive addition to your Irish cookbook collection. It may, however, be the first in line for regifting if you already own a few Irish cookbooks.