Irish Books

I bought this book many years ago. I greatly enjoyed it, as it had a veracity to its description of lower-deck life. I re-read it recently, and still enjoyed it.

I suppose I should have realized that it was fiction, as I don't think there ever was an E-class destroyer "HMS Eclectic", and no destroyer of that name sailed with HMS Hood and Prince of Wales to intercept the Bismarck (HMS Electra was in that group and picked up the 3 survivors from HMS Hood), as Jones claims. Nor was there a destroyer of that name that sailed with HMS King George V from Scapa Flow, nor did one join the action later from convoys. Some of the details of the action are also inaccurate, but not badly so for a supposed personal narrative (e.g., 6" secondary armament on KGV, when they were 5.25")

Similarly, while there were four O-class destroyers involved in the sinking of the Scharnhorst, there was no "HMS Obstinate" (Jones' ship), nor was one of that name ever commissioned.

Anthony Dalton's biography of Jones seems to paint him as a very interesting, but less-than-pleasant person. It certainly seems to have nailed any notion of Jones' books being other than substantially fiction. The history of the author does seem to add an extra level of interest to the stories. But that said, the stories are good, the feel for characters is strong, and they are very readable.

I needed information re- life on board a British ship during WWII. I found many fascinating details and much accurate information in this book. I found that some of the humor was less funny that announced, but on the whole, I found this book
very interesting. It was in great part a tale based on personal experience, and
it held my interest throughout. I'm going to read more by this author...

It is a terrific book - and I have enjoyed it for many years. However I recently discovered it is - as Anthony Dalton's new biography of Jones shows - complete fiction - in the sense that Jones was never at any of the events he described. In fact he didn't join the Royal Navy till AFTER World War II.

But that is not to diminish the writing of the tale - Jones imaginings make for a "real" perspective of life in the lower decks of the WWII Royal Navy - and I imagne that in his immediate post-was career in the navy he learned enough to set the scene accurately.

But remember - it is a work of fiction - set on a real historical timeline - but still a good read.

A welshman's soulful and realistic retelling of a matelot's live in Her Majesty's Navy during the dark days of World War II. Tristan Jones recounts his experiences with all the colour and song of a poet; a sea poet - and that he is. The lives of these men carry with you long after reading this book. Put Tristan Jones near the top of my favorite author's list.

Heart of Oak is one the finest war books and sea stories that I have read. I found it hard to put down. Although the intensity of the war and its effects on the men was depressing, I was compelled to keep reading.

Jones' gives the reader a different and personal perspective--that of the lowly, poor, and teenage sailor; looked down upon by everyone else and facing death, boredom, and discomfort constantly.

I agree with another reviewer that it is unlikely that Jones witnessed as much as he claimed, and I cannot attest to the accuracy of his descriptions of life aboard His Majesty's Navy, but there is a truthfullness and sincerity in Jones' narative that I find totally convincing.

Drumlish author strikes a chord with his memories of a Longford childhood
By Fergal Quinn - Reporter for the Longford Leader, Ireland.
------------------------------------------------------------------------
A life becomes a great deal less ordinary when it is written down. Happily for the readers and fans of the new book by Arnold J Meagher he is well equipped to do just that.
Sound effects and extravagant hand movements accompany the words as he outlines some of the vivid memories contained in 'Ireland, my Ireland', his debut book of memoirs which skilfully weaves a colourful tapestry of Longford in times past.
The long since emigrated Drumlish native, was back home to do readings of 'Ireland, my Ireland' around the county last week. The book is about growing up in County Longford in the 40s and 50s and has been winning a growing band of admirers and fans.
"Readers make it worth while and it's very gratifying to get such positive feedback", he told the Longford Leader at the home of his cousin Sean Donnelly in Longford Town, where he is staying with his wife Jackie for the duration of his stay.
"It does seem to have brought back memories for people. One woman, who went to the same school as me and also emigrated said 'finishing the book was like leaving home again'".
His wife Jackie, with whom he now lives in Eufaula, Alabama was the principal driving force behind "Ireland, my Ireland, memories from the heartland" being written, says Arnold.
"It was a way of life that didn't exist anymore and he remembered it", Jackie explains, "I wanted our son to have a feeling for the life his father had in Ireland".
"Ireland my Ireland" took five years to finish, and after having been turned down by over 60 publishers, was finally published in 2003.
"The ones who turned me away would say `There's no controversy. There's no scandal. It won't sell'," says Arnold.
"Then Publish America, got back to me with similar concerns, and asked me to write and tell them why my book is different.
"I told them the Irish memoirs I had read were all about dysfunctional families. All about city life. My book is about life in the country, in the heartland."
He felt the time was right to tell a different Irish story.
"There was a scatter of books after 'Angela's Ashes' did so well. Frank McCourt's a great writer and I'd never put him down but I wanted to tell another side of Irish family life that wasn't so dysfunctional. I think Irish people abroad are ready to hear a story they can be proud of, that they can feel good about."
Drumlish is in many ways, 'everytown', says Arnold, now 71 years old, and people who had grown up in rural Alabama got in touch and said they related to it.
Arnold's favourite moments , and the ones which kept the children to whom he was reading to last week enraptured is the account of the football match, the banshee and making hay.
"Tea in the meadow was better than anything from Harrods in London! You'd be picking out the grass hoppers, but the older men, who were not so patient, would simply blow them to one side and gulp it down," he says.
Ireland, my Ireland', reads deceptively simply off the page. But to achieve such a flow was no accident. For Arnold, the writing process was slow and rather painstaking, involving lots of rewriting, sessions of recalling memories and jotting them down, before trying to connect them all together. Ann Donnelly, Sean's wife, was also a help in getting the details Arnold wanted.
"Reading it aloud is an essential part of the distilling process.
To Jackie, or even to myself. You never knew how a sentence was until you heard it aloud," he explains.
"The Banshee concept was hard. I wondered how I'd get across the idea on the page. Feeling dictates how the words flow. "
It's many years since 1957 when Arnold left Longford for America, after having been ordained as a priest. He was stationed in Sacramento for 15 years.
The story of his leaving the priesthood is one which he is admirably frank about. Arnold had his doubts about the issue of celibacy, even having written a celebrated article, anonymously, in the National Catholic Reporter.
"My attitude was that celibacy is a gift that not all priests have, so it should not be expected of every priest," he says.
"I did not doubt my vocation so much but I looked around me and more and more came to realize that I did not want to grow old alone."
When he met Jackie he knew that the celibate life was not for him.
"I met Jackie and fell in love with her and got the reluctant permission from the church to leave the priesthood." Arnold has no regrets on the route his life took. "They were fifteen great years. I was a good priest, in good standing until I left of course. "
The Longford man came late to writing creatively but he's certainly used to writing on other levels. He is exceptionally well educated having done a PHD on 'Chinese Emigration to Latin America', a formidable work which is recognised as one of the best on the subject.
On leaving the priesthood, he set up a company 'Best Writing' which write and phrase things for companies for everything from brochures to proposals for Government Contracts. Words have been his trade for a long time.
Arnold has been a fairly regular visitor to these shores since going abroad especially when his parents Arnold and May, the former a policeman, and the latter a school teacher were alive.
His mother May taught at Gaigue school for 41 years while his father joined the Gardai when they were first being formed at the age of 18.
Arnold and his eight siblings committed after their parents died to having a reunion every four or five years rotating between Ireland, England, where three of them were and the US where another three were.
The ability to write was always latent in him, but Arnold admits that he couldn't have written the same book as he did, had he remained living here. "Distance lends enchantment to the view. The distance in time and geography coloured my writing to an extent", he explains.
"And his appreciation too," Jackie adds.
Of course it's not all fun and light. There are fears and unpleasantness, the dentist, the sometimes cruel school master, the fear of the dead and the little people. But it's all written in an engaging, light style that the reader can almost hum along to.
"The little people I believed in unquestionably as a child, as I did God I suppose. My guardian angels were not as real to me as ghosts were," he recalls.
"The children in the school where I was reading asked me about the Banshee. 'Was it real?' I said it was real in my mind, not on the outside. They understood the concept very well."
He's happy and comfortable with immense change that this little island has undergone in the years since he was a boy.
"Each time I come back I see more progress, more flowers, more nice houses. It's uplifting for me to see this happen and I'd love to have shared in that success," he says.
The book is selling steadily, mostly through word of mouth, and with Arnold essentially publishing it himself. He has been one of the best sellers in the Longford Bookshop over the last year. It's a good start, he says. "People who read it seem to like it. That's the main thing."
Will a young fellow growing up in Longford today, have as distinctive and individual a story to tell if he sits down in 60 years I ask him.
"Absolutely!" he says with conviction.
"Since I wrote the book, I have come to the conclusion that there's one book in everybody's life. A life story is unique, like a fingerprint, and no-one else can write it. It's the detail that makes it come alive and blossom."

Arnold Meagher's memoir awakened for this Longford native golden memories of her youth. A must read!

Arnold Meagher has written a charming look back at his years growing up in the middle of the Twentieth Century before the Celtic Tiger reshaped his homeland. Arnold's Ireland is a country of small villages, rural landscapes, and a priest ridden school system. As a child, Meagher found happiness in the small features of nature and society. On his grandmother's farm where he helped his uncle with farm chores, he was an inveterate birdwatcher, made pets of many farm animals, loved the smell of hay, celebrated feast days with the neighbors, and surreptitiously eavesdropped on the same neighbors who many nights appeared at his grandmothers to sit before her peat fire and tell tales of the little people.

Meagher's reminiscences relate a timeless cycle of century-old rituals and work in the Emerald Isle. While the official account of Ireland's history is poignant and sad, Meagher's corner of Ireland was full of light, playfulness, and a tightly-knit large family. A pleasure to read!

Wholly engaging and healing for even the hardest of heart. Arnold J. Meagher has provided this hard-hearted German emigrant refugee a glimpse into the heart of youth growing up anywhere in this world, a wee bit of an "Everyman's" experience. Well done, Mr. Meagher. Your pages are a balm for all souls everywhere who have the courage and wisdom to revisit their childhood experience in search of the whole person in a broken world. Your healing insights and reflective prayer has healed us all who read your book, Ireland, MY Ireland. I shall revisit your pages often. I hope you are not done sharing your beautiful soul in writing. I would love to hear the story of an Irish immigrant and Irish-American. Welcome to the hall of Literary Gems.

Dear Arnold:
I just finished reading your book and for the first time in my life, I am writing to the author of a book I had read. It took me back so deeply that I was again living those years and I hated reaching the end because I had to leave home again.

I thoroughly enjoyed the book and the fact that you had the facts exactly as I remembered them and you used the real names of people that I knew, even though some of them were just on the edge of my recollections, made it so much more interesting.

This is one of those books that you can't stop reading, no matter how late it is. It makes you want to read another, and another...

It will whisk you away to a magical world! If you like romance, you will LOVE Irish Dreams!

"Irish Dreams" is the perfect book to warm your spirit whenever your having a cold, rainy type of day. I found myself wrapped up in the characters and really needed to know all would turn out OK in the end. Also, being somewhat old fashioned, I appreciate that this book avoids the "sleaze" factor you find in so many "modern" romances. This book is truly MAGICAL and I would recommend it to anyone who enjoys romance literature.

The characters are well developed but what I liked mostly was the dialogue! As the main characters bantered back and forth, you could hear them in your head. You wanted to enter the book and get envolved. Sometimes, you wanted the strangle the female lead and sometimes you wanted to hold her. The book was fast paced and the bantering was firey and fun. I read the book in one sitting, which is very unusual. I have recommended this book to many family and friends. I can't wait for Ms. Hewitt Berry's next book.

Erin Maguire is a self-sufficient, fiery tempered young woman who travels to Ireland to visit the homeland of her grandfather and to come to terms with the recent death of her fiancé. On the plane trip she accidentally falls into the lap of Logan Tate, a photojournalist on assignment to Ireland. Thus begins a complicated and amusing dance of romance set against the beauty and magic of the Irish countryside.

Corrine Hewitt-Berry has succeeded in bringing together two people who are seeking the healing power of love but who stubbornly bump up against each other in spite of their mutual attraction. It is a delight to see their prejudices against each other while they fall more deeply in love. Against a vivid description of Ireland and its people, Hewitt-Berry weaves a romantic tale which left me eager to see this country and read her next book.

I have purchased a number of Irish fiddle materials over the last four years. I have played guitar for over 30 years and thought that I would try Irish fiddle. Of all the books and materials I have purchased, this is simply the best. The tunes are challenging, yet playable, (if you put some time in} even for a beginner. Mr. Cranitch's playing on the accompanying cassette is excellent, and the cassette makes for good listening on it's own. I would assume that an intermediate to accomplished violinist who wants to play Irish fiddle would find this book less challenging, but I am confident that he or she would enjoy it. For someone with no knowledge of the violin, it will be very challenging, and maybe discouraging. But, once you have the ability to play in tune in first position, and are comfortable and relaxed with your bowing, this is the book to buy.

I've seen this book at music stores but was reluctent to purchase it because it seemed a little expensive and also didn't include the cds. Maybe it's good not to rely too much on the cds with books like these but I have to admit I feel they are essential. It's like having a teacher giving you a run-through of not only how it sounds but also the feeling of how to play it. I see the top seller on amazon is the Peter Cooper book which I bought but was a little disapointed at what I thought was a bit of an uninspired interpretation of the tunes. I suppose that the fact that its on mel bay and is called the complete irish fiddle player gets it alot of attention but I wasn't all that crazy about it. What I do like is the Kevin Burke 20 Irish fiddle tunes on Homespun and my favorite right now is Ireland's Best Fiddle Tunes by Paul McNevin (Waltons Publishing) which has 110 fiddle tunes and 2 cds. Evidentally you can get this with or without the cds but I got the cd edition of course and it was about 30 bucks. I probably should apologize for getting off track of the book in review but I really need to have the cd or I'm not really interested. Oh, the McNevin book also has the guitar chords. This is the one to get, in my opinion. It doesn't look like amazon has it but I see now that although it's Waltons, an Irish publisher, it's evidentally being distributed through Mel Bay. McNevin also has a guide to learning the Irish fiddle for about the same price but I haven't checked that out.

I understand there is a CD or audio cassette with this book. Is it available through you?

Martha Bishop waltmart@mindspring.com

So you want to learn the Irish fiddle, eh? First find yourself a great teacher and start learning these tunes by ear! Second, pick up a copy of this book and the two CDs that go along with it--if you want to learn a tune on your own this book is a wonderful resource. All of the tunes (from reels to hornpipes to airs and everything in between) are written out with little more than the melody, so that you can personalize each one with ornamentation and bowing. Therefore, this book has a more authentic feel to it than many of the other books out there that seem to leave nothing to the imagination. Aditionally, the CDs offer a great sense of appropriate ornamentation and rhythm for many of the tunes. They are essential to truly making the most out of this book.
This book does offer an overview of basic fiddle technique and starts off with chapters on each seperate style of tune. The back section simply contains a wealth of tunes written out in standard musical notation. Honestly, I would recommend this book as a companion to lessons with a teacher, rather than a subsitute for them, in order to master the technical aspects of fiddle playing. But for most people this book will make a wonderfully comprehensive resource for building up your knowledge of very authentic Irish fiddle tunes. It is truly the best of its kind that I have ever used.

I have this fiddle book and it is very thorough. Matt is an excellent fiddle teacher. There is a CD and a cassette that goes with it, sold separately, usually at music stores. The CD is recommend so you can just hit the track button and replay a tune you're practicing rather than rewinding the tape cassette. Highly recommended for learning Irish fiddle.

Great book! Well-written tales of growing up Irish American; NYC based, but rang lots of Boston bells too.

Peter Quinn is a master storyteller and with his prose he tries to keep alive the enduring and rich legacy of Irish-American contributions to the history and foundations of American life.

The great Irish labor leader and 1916 rebel James Connally once said,"It's easier to explain socialism to the Irish than to explain the Irish to the socialists." I've always found depictions of Irish Americans--even more that the Irish in Ireland--to be riddled with stereotypes, both favorable and unfavorable. Why, I've wondered, couldn't anybody "explain" Irish Americans to their fellow Americans--i.e., capture all the confouding complexity of this people in their long day's journey from famine and rural serfdom to the top of the New World? Maybe no one story can ever capture the whole journey, but for me "Looking for Jimmy" comes as close as anyone will ever manage. I was deeply moved by this book, and though, unlike the author, I no longer have any association with organized religion (I describe myself as a "disorganized Christian"),I found his observations on faith to be filled with truth. If you're not Irish American but want to find out about them, read this book. If you are Irish American and want to find out about yourself, do the same.

A big fan of Quinn's historical fiction novels "Banished Children of
Eve" and "Hour of the Cat," I knew I was in the hands of an expert
author and historian in "Looking for Jimmy." Quinn gets personal in
this collection of essays about the Irish in America. As he shares
stories of his family, I'm reminded of my own, or the lack thereof.
The older generations didn't speak much about Ireland or the trials
and harsh tales of their immigration and integration into the new
world. Quinn notes the silence and dearth of artifacts. The phrase
"Watch the quiet ones" comes to mind. May as well say, watch the
Irish ones. Thankfully, Quinn is not quiet. He watches them all,
researches, studies and considers, takes account and conveys the story
and motivation of a people across generations.

It's all too common for modern society to neglect its ancestry. The
melting pot warrants, yet makes it harder to figure identity. Quinn
bravely and enthusiastically explores one important and special
ingredient in that pot, the Irish. He takes us to the movies with
James Cagney, to the legendary story of hero Michael Corcoran, to many
places the Irish permeated and permeate. What it means to be
American, has a lot to do with what it means to be every other
culture. Quinn's "Looking For Jimmy" helps us find him and appreciate
the Irish element in the fabric of America. If we're lucky, there's a
little bit of Jimmy in all of us.

This book answers the question once and for all; Are all the NY Irish dead and buried in Calvary Cemetary??? Not so.....Quinn's book riveted me from the first word written. So many of the reflections were identical to my own family and their experience in New York. The silence of our past, the quest for respectability, the fierce fidelity to the faith. I was torn between laughing and crying at the similarities.

Besides the magnificent analysis and brilliant prose, I appreciate Quinn's indebtedness to the parochial school system; I too am a product of a Christian Brothers high school, then Fordham (much to the dismay of my high school teachers, no Manhattan College in my future...my father had the Jesuits at Xavier and Georgetown)

If you are a New Yorker of Irish descent, this is a must read. Too few of my generation appreciate the sufferings and sacrifices of our ancestors; we have succeeded upon their shoulders. This book crystalizes that fact, and challenges us to keep faith with that past as we look to the future

Probably, the only reason I can not give this 5 stars is because I was spoiled by Shakespeare's "The Comedy of Errors." This is a sparkling piece of art. It is easy to see how Greek Mythology inspired Shakespeare. The Greek gods have human desires, impulses, and weaknesses. And often, their people suffer because of them. In this play, several characters are hindered (although unintentionally) by the bickering Oberon and Titania. It is easy to see the similarities between Zeus and Hera. The play also offers situation comedy, young lovers, frustrated parents, sparkling images, and a happy ending. CAUTION-ENTER THIS MYSTICAL WONDERLAND AT YOUR OWN RISK.

This was truely one of Shakespear's best plays. The way it was put into a movie was absolutely brilliant. I've seen few of his plays on film. But I bet even if I saw them all, A Midsummer Nights Dream would be my favorite along with Taming of the Shrew.

This is one of my favorite, if not my VERY favorite of Shakespeare's works. It is certainly my favorite of the comedies and I do not hesitate to rank this as one of the greatest works of literature of all-time. By the way, I LOVE this play. Oh yeah, have I mentioned that...well enough of that. "A Midsummer Night's Dream" is one of the funniest plays of all-time. I was literally laughing out loud during the performance of "The Most Lamentable Comedy..." at the play's end. The "dream" world within the forest is a magical fantasy world in which the humans are manipulated by faries to fall in or out of love. Within this world, in which most of the play occurs, the powers of the imagination are heightened and the characters are helpless against their imaginations, which guide everything they do and say. This is one of the play's major themes: the imagination. Even out of the "dream world" the characters are guided by their imaginations. Duke Theseus (the plays strongest critic of such a notion) even admits that in order to enjoy such a performance (as the one put on by the unforgettable Bottom, and his comrades-in-folly), one must use one's imagination. I honestly believe that this is Shakespeare at his best. I would recommend this work to anyone!

Anyone who has read this play will say that it was a riot. What's even better than reading it, though, is seeing it performed live. My face hurt because I was laughing so hard! But if you do read it, and you have that problem about understanding what it's saying, not a big deal! The flavorful but easy to read dialouge makes it simple to understand what's going on. But, you can always get the New Folger edition that has explanations of certain parts on the opposite page (very helpful for when Shakespeare makes a joke that doesn't make any sense to us now). This play is laugh-out-loud funny and almost anyone can enjoy it.

I disagree with the reader who said there is no substance in this play. Certainly, all works of good literature have substance, espcially this one. One of the great aspects of A Midsummer Night's Dream is the fantasy that the characters are led to believe. Compare this to As You Like It, where the only fantasy is the fantasy that characters want to believe.

The footnotes for each episode are by the far the best part of this book.

I was exposed to this series in reverse!! I read the books, then saw the BBC shows, and finally heard the BBC radio show. There are subtle and not so subtle differences in all the different media, but they are all pure Douglas Adams!!! The radio scripts are an essential, and clarify (At least for me they did) many things that were not co clear. Not everyone is drawn to the scripts of the favorite shows/broadcasts, but as I have all the scripts for the Monty Python shows, it works for me. Especially if you are a fan of "British" humor, most of which lies in the dialog, it is pure delight to read through these scripts!!

So, you've read the books... bought the tv series on dvd, gone through all the special features (including the comment captions on the film)... read the biographies... and hunted up collectors items on ebay. What next?

Get this book. "The Original Hitchhiker Radio Scripts" contains many scenes not in the books and, if you've already heard the radio series, many lines that were trashed for time. There is also commentary after each episode by Perkins and Adams.

Some things will seem eerily familiar, then zoom off into a completely different direction and, in my opinion, a better direction. Of course, some things are missing that make the books equally essential.

You can currently get this at a pretty good price used from amazon. Get it now before you can't get it at all.

Although it requires a fair amount of effort to sift through the directions and radio-style writing, the reward is some stuff that I, frankly, find much funnier than much of the Hitchhiker novel series. Recommended to anyone who wants a good laugh, and especially to Hitchhiker fans.

...life forms are required to use a seldom-exercised ability called "imagination" which, with effort, allows the user to paint a mental tapestry that is superior in many respects to any computer generated image or subjective image of perfection.

(takes a breath)

The Hitchhiker's Guide to the Galaxy goes on a bit about the relative superiority of radio as a medium that stimulates the pleasure centers of the brain, but it also notes several references to various works that endure in a medium regarded as deader than the telegraph.

The Hitchhiker's Guide is not only proof that radio is still a viable medium for drama, but that Douglas Adams is a genius. The show, scripted week-by-week by DNA and Geoffrey Perkins was easily translated to books and television with minimal edits. Yes, the second series is a bit off the ultimate track, but it is quite original and the foot notes from Douglas and Perkins are very insightful. These footnotes exist as a log of what took place when it all began and, sadly, as the only memoir to them.

If you can find it, get it.

If you like sports from a spectator or participant viewpoint, chances are you will like this book. You will love the book if you have ever coached, are Irish, play or listen to Celtic music or simply have a great sense of humor. The book is well-written, a quick and delightful journey into an idividual's dream that is lived out in a real-life way. I visited Ireland for the first time shortly after reading the book. The accounts are accurate and added an additional dimension to my visit.

As an aspiring writer and former hoops coach, I was very interested in reading this book after getting re-acquainted with Coach Rus (we first met at Don Haskins' summer camp in 1989) at a local book signing. I couldn't put it down once I started reading it. There were many times when I would find myself laughing out loud at his witty observations about the basketball-challenged Irish culture or his players' quirks. Coach Rus' story transcends the sport of basketball, but will entertain the best hoops junkie. His journeys to the Irish pubs and eventual fiddling sessions made me want to book a tour of Ireland. And true to any hero's journey, Coach Rus gets rewarded for his perserverance.

He's not Ernie Hemingway, but if you have a great story to tell, it doesn't matter. And he has a terrific story to tell.

A good read for those who like basketball. Music gets less attention, but the music teachers are interesting.

Rus Bradburd's "Paddy on the Hardwood: A Journey in Irish Hoops" is a highly enjoyable book on many levels. Bradburd's story revolves around his love for basketball and traditional Irish music. In Ireland, not everyone (in fact, almost no one!) shares his passion for basketball; Bradburd's struggle for respect for his team, and his sport, are part of the journey. In contrast, Bradburd's efforts to learn and to master traditional Irish music is a challenge which arises within himself, and the best part of the journey may be his success in dealing with that challenge. This is a book which transcends its subject matter, one which you can (and will) appreciate whether or not you know (or care) anything at all about basketball or Irish fiddles. It's a well-crafted and well-written book, and a great read. Highly recommended!

Peter F. Stevens does an outstanding job in bringing to life the issues that permeated and greatly harmed the American armies of General Zachary Taylor and General Winfield Scott from 1846 to 1848. At the core was American nativism, hatred and fear of newly arrived Catholic immigrants mainly from Ireland and Germany. Recruited nearly at the pier, these soldiers had no loyalty nor a real investment in their future as Americans. What loyalty they had was toward their Catholic faith. Meeting them in the army was a cadre of immigrant hating junior officers who often imposed discipline more severe than found in European armies. The result was the highest desertion rate of any war the United States ever fought. More important, the Mexicans took advantage of immigrant soldiers' unhappiness and formed the St. Patrick's Battalion, led by John Reily, that distinguished itself in battle against former comrades and messmates until their defeat and capture. The author shows how severe the courts martial were that resulted in the execution of fifty deserters and the lashing and branding of others including John Reily. That this series of events became a downside of Manifest Destiny and a forerunner of the Civil War becomes prominent in the text. This worthy book is a fine read, well researched, militarily and historically sound, and serves as a real contribution to the field of military and social American history.

a los martires irlandeses, nuestros hermanos de Hibernia ue sublevandose ante una injusta guerra, impuesta a un vecino debil y dividido, se unieron a este, luchando con coraje allado de los mexicanos, por cierto, hermanos de religion; la mayor parte de estos, los que sobrevivieron, aun marcados en el rostro por el vencedor, unos marcharon a Yucatan donde prosperaron, otros al istmo de tehuantepec en donde encontraron oficio y los demas por diversos rumbos de la geografia mexicano en donde dejaron su simiento, prueba de ello, son os numerosos apellidos irlandeses que encontramos a lo largo y ancho de nuestra patria...¡Gloria eterna a los martires irlandeses!

Throughout Mexico, one can hear of the legend of the SanPatricios, a battalion of soldiers in the U.S.-Mexico War that wasmade up almost entirely of deserters from the U.S. Army. Predominately Irish and/or Catholic, the San Patricios fought well for the Mexicans -- and they suffered for it significantly when the U.S. finally won the war.

Stevens does an excellent job of telling the story of the battalion, the history behind its foundation, and the punishment its members faced after the war. Adding to the interest of the story is the role that many of those in the U.S. Army during the U.S.-Mexico War went on to play pivotal roles in the U.S. and CSA armies during the Civil War.

An engaging history lesson of both the Mexican-American War and the Anti-Catholic/Immigrant prejudice of Nativists and West Pointers who would later be made famous by the American Civil War. This is as much a story of persecution by bigoted officers as it is an Order of Battle for the conflict. All the major battles of the war are covered with maps and detailed first hand accounts of what happened.

Well-educated and brilliant officers were of differing opinions about the legitimacy of the war, the treatment of German and Irish Catholics, and the tactics used on the field. It was surprising to me to read the correspondence of figures such as Grant, Lee, Sherman, Taylor, Scott, Bragg, and a host of others, illuminating their personal feelings on both sides of those issues and how the experience of the war changed the sentiments and conduct of many of those same officers. This would be reflected in the Civil War some 20 years later.

An intriguing example of the use of "flying batteries" as an innovative use of Artillery showed one of the reasons an outnumbered, and arguably out classed, military was able to defeat an enemy on foreign soil so far away from home.

The story revolves around the main character, the leader of the "San Patricos" and as a counterpoint, an established Irishman settled in the country and the Army. They both faced the same insults and persecutions, and the same offers and temptations to change sides and ironically, both men end up being promoted from enlisted men to commissioned officers in the two opposing armies.

I imagined at first that this would be a story of a man's internal conflict of having to choose loyalty to church over country; though a powerful theme of the book, this was not so much the case. The stronger case was made that the largest desertion rate in the history of the US Army occurred at a time when because of their nationality and religion, men were treated as less deserving of respect and dignity resulting in harsher treatment than "native born Americans". Punishments for identical infractions were much more degrading and humiliating for "foreigners" than for "Americans" in the same unit. A lesson in the effects of fair and equal treatment could not be stronger given to the American Army and indeed this did change. The disturbing part of this history is the undeniable cover up by first the Army and then the Government of the United States for over 120 years. This book should be on the required professional development reading list for Officers and NCOs alike.

Mr. Stevens writing puts emotion and personality to the characters and events described by using copious amounts of official Courts-Martial transcripts, Government Archives records of Great Britain, Ireland, Mexico, and the United States. In addition he draws from the personal diaries, journals, and letters, of the men and women involved. He also cites official war correspondence from the officers of both sides, and newspaper articles of the day.

A must read for the student of Irish-American and Vietnam history. Goes into detail of the anti-Catholic/anti-emmigrant climate of America in the the 1840's. A story of America's first war of agresssion against another independent nation, shows the beggings of Americas imperialistic wars.A good companion text for istorians of America's involvement in South East Asia,"if we do not learn from history we are cursed to repeat it."

W.H. Auden is truly, as noted by editor Edward Mendelson, a twentieth century poet. Auden had a firm grasp on the essence of contemporary politics and culture and possessed a knack for bringing a reader into his world. This selection spans the entire body of Auden's work, and contains several early poems which are hard to find, as Auden refused to have them republished in later collections of his work. It is a good introduction to Auden, but I recommend reading it along with Collected Shorter Poems 1927-1957, as that contains the revisions that Auden made to his poems over time, in his fervor for complete honesty in his work.

While Mendelson's selection is well put together and a good representation of Auden's early craft, the revised poems are generally much stronger (though often bleaker in tone). Many changes, such as the famous revision of September 1, 1939 to read "we must love one another and die" rather than "we must love one or die" were made to reflect the author's shifting attitudes. However, other poems improve significantly with Auden's editing, and if this book is the only Auden you read, you'll miss out on the full depth of his power as a poet.

Auden wrote much poetry in many different forms. He was a very learned poet with strong connection to English poetic tradition. Among his most known poems are those which are also my favorites,"Musee des Beaux Arts", "In Memory of W. B. Yeats" and "September 1,1939". The concluding stanza of this last poem gives a good idea of the special colloquial power of Auden's rhyme and rhythm.

"Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.

In that poem also contains the great stanza, " Lest we should see we are/ Lost in a dark haunted wood/ Children afraid of the night/ Who have never been happy or good."
Auden was too a considerable critic of Literature, an outstanding Anthologist, a man-of- letters in a true sense.
I do not know the range of his poetry well, but the anthology pieces are filled with memorable lines.
Edward Mendelson, a well- known Auden scholar, in this work presents a number of original poems which Auden as he was wont to do improved for the worse.

For many of us,the poems that we read in childhood and adolescence are those that stick with us the most. When I was fifteen, I bought this volume and promptly fell in love with Auden's poetry. His work showed a restlessness with the social and political state of his world, and I found that I could connect with it both intellectually and emotionally. To this day, I can revisit this book's pages feeling like I am visiting a childhood friend. Auden expressed some feelings I shared with him, and I was moved by his ability to express them better than I ever could: with frankness, wit, and grace. A must for any literary enthusiast (or any curious fifteen-year-old, for that matter).

The poetry is splendid -- Auden is a brilliant, sensitive, musical and entertaining writer -- and the selection is fairly representative. Mendelson prefers Auden's later poems to his earlier ones, so the twee middle-aged sequences "Bucolics" and "Horae Canonicae" are included complete, while most of "Twelve Songs" (which has some terrific love poems like "Fish in the unruffled lakes", "Funeral Blues" and "Tell me the truth about love") is not. Still, there is enough in here, esp. in the first two-thirds of the book, to give you a fair enough taste of Auden's verse to entice you to buy his Collected Poems.

(You'll still need the Selected; it has a couple of good poems that Auden decided not to republish, and superior versions of some early poems.)

I can do little more than echo the other reviewers here. This is all a 'selected poems' shoud be: introductory and selective. Yes, "Funeral Blues" is missing. But no one can complain about what is here, which includes "In Time of War", the great sonnet sequence; "The Quest", another long sequence; and the entirety of THE SEA AND THE MIRROR, which is based on Shakespeare's THE TEMPEST. If you are, however, only interested in his love poems, I'd have to steer you toward TELL ME THE TRUTH ABOUT LOVE, a nice little chapbook containing only those.

My own personal experience with this book may be relevant. It has served to introduce me to one of the finest poets of the last century and sparked a desire to read THE COLLECTED POEMS, also edited by Mendelson, to see how Auden re-wrote thirty of the brilliant poems here included. I'm continuing on my voyage; hope you are starting on yours.