Arts and Entertainment Books

This is an awsome book. IT had great detail and kept your mind on the book. It was like Vestal was your best friend sitting next to you telling you her life story. I read it as a Vestal fan but, it's great forany reader of any age Christian or not this book will show you Vestal's life(much like ours)hasn't been filled with mountian top expierances it will make you look at her in a totally differnt way weather you love Vestal or just love to read you will enjoy this book.Happy Reading!

This is one of the best books I have ever read.It is very hard to put down.

I have read Vestal! three times now, and find more things each time I read it. This book can uplift you when you are at your lowest point. Vestal's experiences and the things that she has gone through was enough to bring even the strongest man down without the faith and belief in God that she possesses. She is not afraid to let the readers know that without God and strong faith and belief she would have survived her journey. She is an inspiration to everyone in her book and in person.

I have admired Vestal Goodman for years, especially because of her former hairstyles. I read this book and could not put it down. I understood how her life had come up from bootstraps and how time and time again they were desolate and had nothing but the Goodman Family and faith. Vestal was honest and frank about several relationships and theology. She did not mince words on anything. Vestal wrote this book not to impress anyone but to honor God.

This is such a delightful, inspirational book that I chose to review it for a couple of the Round Table groups in our church. [These are groups of Christian women who meet monthly at a member's home for a book review, prayer-and-share time, food and fun.] I included a couple of video clips of her singing and praying. Vestal and her husband Howard (both recently deceased)led amazing lives full of faith and miracles as well as hardships and disappointments. They trusted God to meet their needs and he always did. They experienced miracles of all types, including physical healings. I "met" the Goodmans years ago on television and became "reacquainted" when they began appearing on the Gaither Gospel Concerts (live, video, tv) in 1991. Like the rest of Vestal's fans, I was attracted to her clear, strong, one-of-a-kind voice, and the sweet spirit that showed on her face with a special glow when she sang. I'm thankful to have been able to see and hear her in person in Dallas in 2003 just ten months before she died. Vestal always gave glory to God and Jesus when she sang. She was a spiritual advisor to hundreds of people including celebrities such as George Jones, and was known as a great Prayer Warrior. She had a wonderful sense of humor, and I laughed out loud at some of her stories. The book includes pictures of the Goodmans (and others) through the years. It's a special book that stays with you. I keep telling my friends about different stories from it!

Not soemthing I would read cover to cover, but the individual "Hacks" that I have read are pretty good. I have lots of books along this line and this is one of the bet. I put it up there with Stu's "DV Rebels Guide" which is also incredible. If you like the Rebel guide, you will probably like this as well. Lots of good stuff. Enjoy!

Great book with great content I recommend it to anyone who want to take there film making a step forward and is to busy or lazy to download the information from the internet becaue it is all there. Spread around of course but you will find every piece of information even most of the pictures used in this book so. If you have time and dedication you can save yourself the money by looking it up on the internet.

This book covers many aspects of video. Labeling tapes, making excel spreadsheets for saving information, time code on tapes, how to achieve certain effects, lighting, and green screen effects just name a few. The book is general to most all video software and is a very usefull tool I'm glad I purchased. Don't let the term "HACKS' fool you it 's only refering to tips or tricks.

I found the book to be very practical and have the
kind of "nuts-and-bolts" pointers that I like. You
don't have to read it cover to cover (I didn't) but
can pick it up and go to the points that interest you
or where you are currently in need of help. It refers
to various "commerical products" that the author has
used to get the job done. I found this helpful. With so
many competing products to chose from it's nice to
hear, "If you get product X you'll be able to do Z,"
rather than buying and hoping (or not buying and
wondering). Kuddos to the author.

I learned so much from this book. In fact, I've already implemented several of the ideas and have had great results. If you're semi-professional (video has been added to your responsibilities but you have no experience with this medium) BUY THIS BOOK.

Who would have thought of parchment paper and clothes pins to diffuse light and create a softer, more natural light over the subject? That's just one of the great tips I've already started using.

I've bought several digital video books while trying to learn this medium, and this has been by far the most useful.

If you ever found Cooper handsome, this book certain has many photos to entertain and foster this thought.

The hardcover is a must! The narrative inside is perhaps average but if you supplement the book with a bio novel on Cooper you'll certainly feel its well worth the expense. Buy, buy, buy

Well, let me start with what beautiful tribute this book is to her father. Maria Cooper's book is beautiful, but too many of the pictures look posed (Hollywood style). And the pictures that are actually not posed say more in body language about a family that clearly protects the Cooper family image. These people are beautiful, but they are too perfect: clothes, hair, makeup, you know it's all there. One picture I found fascinating, is of the three of them on a beach facing the ocean. Maria and her mom on the left, and further away is Gary Cooper and his body language is quite clear. Hmmm, that definitely was a candid shot. And if anyone is really looking, the beautiful Maria seems to be the glue that kept that family together. There is a gorgeous shot of the three of them in their ski clothes in an old house. Rocky with little makeup is quite beautiful, but Maria and her Dad are the ones in sync in this picture. I don't know, but these pictures show a definite strain in the family relationship far more than I ever realized. With friends, the pictures are happier. I am a fan of Gary Cooper's and always will be. And the fact, that he adored his beloved daughter and she adored him is clearly seen in this book. Maria Cooper shows us a Gary Cooper I have already seen in other pictures other people have taken of him. There really isn't a lot of hugging, and touching, and birthday parties, water fights, and family occasions, events, like most people and other stars have of their lives while children are growing up. I would love to have seen a picture of Mr. Cooper in his overalls in his garden (he was an avid gardener), teaching Maria to do things, showing her how to ride a horse, acting goofy.. Maria Cooper is quite lovely, and this book is wonderful to look at, but I don't really feel anything but a little sadness that she didn't show us more candid and "real" photographs about of her Dad and the family. There was a great deal more to this man than meets the eye. I didn't get too much of a glimpse into that.

The cover photograph, of Gary Cooper spoon-feeding ice-cream to his daughter on the streets of "Hadleyville," is a poignant clue to what follows. Maria Cooper was a girl who lived a very rarified life, and she lets us take a delicious peek at it.

This is a great book for initial insight into Gary Cooper by his daughter. It is very obvious she adored her father. The book is very informative about the personal life of "Coope" with many wonderful pictures, however, the book is more images than writing. The details are only touched on. If you are a Gary Cooper & you want many unseen pictures, this is the book for you...

In a day and age when the children of "the stars" write the most deplorable books about their parents, this book is a wonderfully tender tribute to a true hero. Absolutely refreshing.

I am - or was - an overweight teen. I really love the show Growing Up Gotti and once I heard that Frankie had a diet book comng out I thought that this would be a perfect oppurtunity for me to loss the weight for good. I ordered the book and it exceeded my expectations. Frankie is truly a great writer. This book encouraged me to follow his diet steps! Now, only half way through my diet, I have lost 24 lbs. And it is thanks to Frankie! So thank you for helping me and others lose extra weight for good.

I wish there was more publicity on this book. I had watched the show and goggled the show for images and came upon a picture of him before the show and was shocked to see his weight and even more shocked at what he is today. After viewing the sample pages provided by Amazon, I knew I had to grab a copy. I am 10 years older then Frank but he touches the core of my problems. He is an admirable writer that can be respected by all ages. I really appreciate his honesty, sincerity and encouragement. He taps into emotions and experiences that I have yet to see in any book, and for it to target the young generation is phenomenal!! Thanks Frank :)

The author of this book was just arrested for drug posession. Diet and exercise, or was there something more?

Lies and scandals.

i love the growning up gottie show
it of the chin, but anywayz, hi frankie, i just wanna say that u look soooooo fooooone,now we girls can see ur the real frankie
u look amazing

Frank Gotti's diet and exercise book really reveals the trauma of being overweight as a kid/tennager. I couldnt believe the before and after pics! And the heartfelt text inside. Frank was not afraid to show his sensitive side, in an effort to help others lose the weight as well. I applaud him--he has guts!....(and he's gorgeous!)....Katie Ross

If you know Suzanne Farrell you will love and respect the lady even more after reading this book. Many artists can relate with her experiences and feelings. I'm sure anyone who was in the arts in college knew of someone who had this type of relationship with their teacher.
Honesty and truth abounds in this volume. Ms. Farrell has an accurate memory of the past. We have proof of that in her restoration project of Balanchine "lost" ballets. She is putting together choreography that she danced in her early twenties.
A remarkable lady!

Farrell had a rather dramatic climb into the spotlight so this is not the book to learn how a young dancer makes her way up through the ranks. It's also a little I-danced-this-then-I-danced-that, which makes it hard to remember important roles early in her career. That being said, she is a brilliant dancer, with an unusual career and the truest sense of Balanchine's choreography. If you're interested in Balanchine, American Ballet or the New York City Ballet, this is a must.

Suzanne Farrell was often regarded as Balanchine's ultimate "muse", although she was neither the first nor really the last. Balanchine in the 1960s became obsessed with this willowy, mysterious dancer, and choreographed many ballets for her. Their personal relationship was much gossiped about. But Balanchine was married (to another "muse", Tanaquiel le Clerg), and Farrell was a staunch Catholic. Eventually, she married another dancer, and left the New York City Ballet. When she returned 5 years later, Balanchine's personal obsession was over. They worked professionally till his death but it seems as if Balanchine never became emotionally invested in her again. Farrell for her part loftily insists that the relationship was consummated through "dance" and not the traditional way. One wonders if it was this remoteness and unattainability that made Balanchine so hurt when Farrell married and left the company.
Farrell's book is a moving personal story, and I'm too young to have seen her dance but surviving videoclips make it easy to understand Balanchine's obsession. She was indeed a beautiful, electrifying dancer. However, like a lot of singer autobiographies, Farrell can't help but sound a bit self-centered. She was isolated at the NYCB due to resentment from the other dancers, but it seems impossible that she'd remain so completely oblivious to the company's other members. Thus, 1960s mainstays of the NYCB like Edward Villela, Patricia McBride, Karin von Arnoldigen, that all figure so prominently in any chronology of the NYCB, are completely absent in Farrells story. From someone reading her book you'd think Balanchine choreographed solely for her, that she was the only important ballerina in his life, and that the company essentially revolved around her. This is not a criticism, but it's something to keep in mind when reading the book. I'd suggest also getting a biography of Balanchine, to keep this in perspective.
To Farrell's credit, she never self-aggrandizes or vilifies anyone. She admits Balanchine could be selfish and smothering, but overall she treats him very sensitively. She is also fair about her mother, a typical stage-mom. Overall, this is one of the best autobiographies of a dacner that I've read. Its candid and personal. However, like most autobiographies I wouldnt read it as an entirely accurate history of ballet either.
As an interesting footnote, Farrell's frequent stage partner and new NYCB dancermaster Peter Martins fired Farrell from teaching at the NYCB after a blowup in the late 1990s. In a preview of the book Farrell mentions the firing.
Farrell's co-writer was Toni Bentley, who's also written a fascinating personal account of being a NYCB dancer.

I stumbled across this book by accident almost a year ago and have been touched by it ever since. I'm not sure that I can explain the specialness of this of this story but it feels like a real life fairy tale. You can feel Ms. Farrell's emotions and passion of what it must have been like for her to work with her teacher, George Balanchine. What a dynamic duo they must have been together. I would recommend this book to everyone, whether you have been exposed to ballet or not, as a special glimpse into a very public but very private life. Truly a lovely story.

i read this book as a young adult, when i was entrenched in the rigours of technique and training and it inspired me in many ways. from farrel's honesty and dedication to her art to the descriptions of balanchine as both a person and an artist. i love this book and i highly recomend it.

This book is everything I expected. The pictures are great and the text very informative. I am enjoying it very much and it is a valued addition to my film library.

As a glamour photographer myself, this is a book I own and use for inspiration. I love the way Hurrell not only captures the inner-beauty of the subjects, but his photojournalistic approach. I often graze through this book as I've read it many times over--the grazing gets me going when it comes to my own glamour photography. I recommend anyone interested in this book, buy it now! If you'd like to see how it's affected my career, also check out the following books, Garage Glamour: Digital Nude and Beauty Photography Made Simple, Rolando Gomez's Glamour Photography: Professional Techniques and Images and even a book where I have a chapter, Professional Portrait Lighting: Techniques and Images from Master Photographers (Photo Pro Workshop series) This book should not only be on a collector's list, but for any student of photography--we're always learning no matter what level your photography. ---Rolando Gomez, contributing writer, Studio Photography magazine

This book -- how beautiful. I have photography books by several of the great portrait photographers of the 20th Century, and this one is the best. There are a wealth of photographs, and the story of Hurrell's life is also interesting. If you ever thought about seriously learning about photography and taking some good pictures, this book will take any hesitation out of your mind. Gorgeous!!

I thoroughly enjoyed browsing through and then reading this beautiful tribute to the legendary work of George Hurrell. As compelling as Hurrell's photos are it is the author's indepth knowledge and understanding of Hollywood and Hurrell that set this book apart.

Mark Vieira's own photographic artistry is based on Hurrell's techniques, providing current-day enthusiasts with authentic glamour photography of their own.

George Hurrell is universally acknowledged THE Hollywood portrait photographer, the man who recreated during the talkies much of the mystery of the silent stars through his breathtaking photographs. At a time when the finest still photography was becoming more incisive and natural, Hurrell managed to balance this new naturalism and directness in highly manipulated ways, producing in his best work iconic images of the great stars of MGM. After the second World War his work became largely passe, appearing too contrived and built up for an age demanding grit and spontaneity and an off-hand naturalness.

This work seeks to both show and tell the story of Hurrell's highwater era as not only the major photographer of the stars, and MGM in particular, but also his development as artist. Breathtaking photographs fill the volume - Harlow on a polar bear skin rug, her gown glowing a burnished white against the softer fur while all around her Hurrell captures an infinite play of lighting, the entire amazing and unrepeatable, a dream world evoked out of the irridescent sheen of an infinity of microscopic silvery gifts left by the platinum negative; Norma Shearer transformed from attractive but doughty into a timeless vamp, surpassing her silent film predecessors with an electric sexuality never before captured on still film; Joan Crawford, Hurrell's great muse at the top of his game, seen in powerful forceful images, unrelenting in their hold on an Apollonian authority.

Hurrell's flamboyant personality, his novel and sometimes off-putting behavior during shootings, seems now unfortunately taken as role template by many lesser fashion photographers. In his day and at his height during the late twenties through the beginnings of World War II Hurrell dominates a demanding and highly accomplished professional field.
Whether you live in a sumptious penthouse overlooking Central Park, need a single book for the coffee table in the living room of that restored Neutra you just purchased, or just enjoy reasonably priced fashion books, Hurrell's Hollywood Portraits fits the bill. At a significantly reduced price its a lovely reminder of one of the nicer advantages of democratic publishing: not every fine art book is a prohibitively expensive limited edition printed by a small press.

This was the BEST book that I have read in YEARS.
The book held my interest.
The story was great, along with the ending.
It was not a fluffy gloss over of the twins, but an honest bare-bones account of their lives.
It was happy, uplifting, tragic, and sad in all.
The book truly made an impression on me.
I think about these two girls often.
It's been 100 years on Feb 5th 2008 since they were born.
Buy it & read it.
You will not be disappointed!

I just could not put this book down. These girls were vulnerable, tragic, and strong and heroic all at once. The author reports of a life I cannot imagine. Very well written and researched. DO NOT start reading this book unless you have all night to do so.

It may sound unbelieveable, but The Lives and Loves of Daisy and Violet Hilton is the best book that I have ever read. I am surprised at how emotionally involved I became with regards to the twins triumphs and tradgies. The book kept me in suspense from start to finish. I think that the author (Dean Jensen) did a fantastic and brilliant job of really getting you to know the sisters individually. He also touched on things going on in history at the time to help create a realistic and interesting setting. Great photos too. It was also fun to read the book and then watch Chained For Life. So wonderful to see the twins perform. I am encouraging all of my friends to read this incredible book.

According to taste, Dean Jensen's "Lives and Loves of Daisy and Violet Hilton" can be read as tragedy or triumph. After being on display almost all their lives, the Siamese twins at the end lived in quiet obscurity, clerking in a grocery. All their lives they had said that was how they wanted to finish.

However, they had also wanted husbands and children, and they never got those.

Unlike most Siamese twins, who have to deal with an array of deficits and health problems, Daisy and Violet Hilton were normal in every other way. Not just normal but, as we'd say today, gifted and talented.

More remarkable than the link of flesh at the base of their spines was their sunny disposition, maintained somehow despite an infancy and childhood that was extremely restricted by a stepmother who didn't want anyone to see them for free.

Their charm was their salvation. Although they were wickedly exploited, over their lives they repeatedly attracted devoted friends who rescued them time and again. These never were able to rescue the twins entirely from the exploiters, or from their own sad inability to judge boyfriends, but they kept the Hiltons from utter degradation.

Jensen interprets their lives as an endless search for love, which he -- and they -- interpreted as romantic, sexual love. That escaped them, but they did enjoy and attract affectionate love, which, it may be, they were always too distracted to quite recognize.

Jensen tells the story at a glacial pace but with plenty of detail. He rescues an amazing story. In the `20s, the Hilton Sisters were as celebrated -- and, briefly, as highly paid -- any of the characters of that wacky decade. Somehow they failed to make it into the popular histories along with such comparatively dull stars as Shipwreck Kelly.

The Hiltons' story is a gold mine of irony, but Jensen is not an ironist. By a odd accident, the women ended up in the same place, North Carolina, where the first famous set of Siamese twins, Chang and Eng, had enjoyed the kind of life the sisters had longed for: surrounded by children in rural domesticity. Jensen fails to make the connection.

F. Scott Fitzgerald, perceptibly hung over, possibly still drunk, eyed the Hilton sisters over breakfast at MGM Studios. Daisy and Violet had just strolled into the commissary, taking a single empty chair across from him. Daisy picked up a menu, and without looking at her sister, asked Violet what she planned on ordering. Fitzgerald turned pea-green, ran outside, and retched. The sisters were at MGM to star in the film Freaks.

Daisy and Violet Hilton were pygopagus conjoined twins, united by a "cord of flesh" near the base of their spines. As described in Dean Jensen's biography, The Lives And Loves Of Daisy And Violet Hilton: A True Story Of Conjoined Twins, they were also clever, beautiful, and eminently likable women. And yet, Fitzgerald's reaction to them was uncommon only in manifestation. For something in the sister's irregular form converted even their most trivial activities into enchantments. In merely wanting breakfast, Daisy and Violet inspire our unseemly fascination, exposing us as gawkers, or moralists, or miserable, inconsiderate drunks.

Born in England, Daisy and Violet were just infants when the Brighton press proclaimed the occurrence of "an extraordinary freak of nature." They were toddlers when championed by Harry Houdini. At sixteen, having conquered American midways, they attempted a transition typically blocked to "sideshow freaks": they tried to make it in Vaudeville. In their first performance, Daisy and Violet sang, played instrumentals, and charmed the crowd with tosses of brown curls. Then two young boys, dressed in tuxedoes, joined them onstage. Each took a twin by the hand. Music swelled and the foursome began to glide across the stage, "locked in a pas de quatre." The sold-out crowd erupted. They stood in applause. They cried "tears of joy." They dashed toward the box office to secure tickets for the next show.

Such reactions, sparked at the sight of something as natural as teenagers dancing, explain Daisy and Violet's legendary success. It also inversely illustrates the more common, less noble, response they elicited: dehumanization. Given away by their unwed, terrified mother, the twins grew up chattel to guardians whose parental interest stopped at exploitation and appropriation. Even their first memories, "the movements of the visitor's hands which were forever lifting our baby clothes to see just how we were attached," recall their tragic position: trapped between those who used them and those who wanted only to look. Their childhood was replete with threats of being sent to the "asylum for monster children." They spent most of their time confined in a room - lest someone catch a free glimpse. Years later, while in the office of the attorney who would eventually emancipate them, Daisy and Violet were recounting their upbringing when they were interrupted by sobbing. The stenographer had begun to cry.

Curiously, the empathy wrought by Jensen's faithful portrayal of Daisy's and Violet's lives is no prophylactic to the rubbernecking its details will inspire. It is easy to chastise the surgeons who wanted to saw the sisters apart, but upon the discovery that when Violet got drunk - which she often did - Daisy would get "a little buzzed," the teratologic glee is irresistible.

This conflict resonates loudest in Jensen's chapters discussing the sisters' love lives. Readers will no doubt be moved by Daisy and Violet's inability to find lasting love outside themselves. They will decry the twenty-one states that refused, on moral grounds, to permit Violet to marry. They will disdain the reporters who pressed their eyeballs to the keyhole of Daisy's bridal suite. They will blame the public responsible for this media circus when her introverted husband runs off. And yet, when the reader's friends discover the Hiltons were conjoined twins, and ask the question that everyone asks, the reader will will be quick to answer: Yes, Daisy and Violet had sex, lots of it. Even Jensen, unflaggingly sympathetic as he is, seems unable to resist this salacious urge, ending his story with Daisy and Violet's most enduring "trebling," a burial plot shared with a man whom they never met.

Had Daisy and Violet not been conjoined twins, their biography might well resemble that of those other Hilton sisters, circa 2050. The Hiltons sought and eventually rebuked public attention. The Hiltons learned those well-worn lessons of fleeting fame and wasted fortune. Such comparisons phosphoresce in Jensen's exposition, which can, at varying times, feel either rudimentary or dispensable. Yet, Jensen avoids melodrama. He evokes the Dickensian far more than he uses it as an adjective. And he is delightfully adept with anecdotes, a skill put to memorable use recounting a world populated by the likes of pugilistic bandleader Blue Steel; "flimflam man extraordinaire," Terry Turner; and a villain who actually named himself, Myer Myers. And besides, Daisy and Violet are not those other Hiltons. They were world famous: the Royal English Twins United, made singular by a slip of Mother Nature's hand, "grown together the way tomatoes on a vine sometimes do."

This is a great book, and for the price, you can't go wrong, but the genuine article is the first edition from 1999. Much nicer covers, beautiful color prints. If you only buy one, the first edition is a MUST for any Marilyn Monroe fan!

I absolutely loved this book! It was fantastic. Marilyn Monroe was such a beautiful, talented person and this book definitely shows it. The pictures are sharp and bright and the captions are wonderful. The variety is nothing short of impressive. I highly recommend this "coffee table book" to any Monroe fan!

Now in a revised second edition, Marilyn Monroe: Cover To Cover by Clark Kidder is a unique collection for the fans one of Hollywood's best known personalities, as it features full-color illustrations of numerous magazine covers that showcased this talented actress and American heartthrob. Each picture offers a brief caption or memorable quote (often by Marilyn herself) about the picture, as well as the average selling price for good condition copies of the magazine. Marilyn Monroe: Cover To Cover is a very highly recommended resource for celebrity memorability collectors in general, and Marilyn Monroe fans in particular.

This is an unusual outstanding picture book.

Marilyn in unforgetable pictures.

Thank you!

This thoroughly unique and enjoyable approach to the documentation of Marilyn's career is a comprehensive collection of magazine covers from all around the world, featuring her throughout her career. The whole is an eclectic gathering of photos highlighting her metamorphosis from unknown young model to luminous superstar.

Although many of the more well known American covers are absent, there is plenty here to satisfy! The variety and sheer number of colorful covers is impressive. The memorable quotes that accompany so many of the covers capture the essence of her endearing personality without being an actual biography, and the timeline is a good but brief overview of many of the important events in her life.

Although I am not an avid collector of MM memorabilia, I'm sure the pricing information would be valuable to those who are. I found comparing the various values to be very interesting reading. I can only imagine the painstaking work that went into identifying each of these photos and determining the worth of each cover.

This would be a welcome and unique addition to any MM library - highly recommended!

This book is purchased for our Book Club for next year's books. Several of our members had read it to be sure it was okay. It was difficult to purchase - first we had to wait till it was published (you know how THat goes!) and then the price was exhorbitant (that was overcome) and finally it joined the other books we purchased for the Club. Oh, and say, did I mention that this is a book for next year's selections? and that it will be much like "saving it for dessert?" I haven't read it yet either - just scanned through it, and therefore I know it to be the "icing on the cake."

I was never a regular viewer of Peter Jennings' news broadcast or any of his documentaries, but now I wish I was.

This book pointed out all the great time, effort and blood, sweat and tears that Peter Jennings put into all segments of his broadcast and documentaries. He did not take his anchor position lightly and wanted all viewers to share his same passion and understanding of the subjects he was speaking.

It also went into great depth to speak of the man that none of us saw on his nightly newscasts. One who was such a humanitarian and lover off people from all different walks of life.

This book kept my attention and made me feel sad that I did not pay closer attention to his newscast while he was still with us.

If you loved Peter Jennings you will love this book. It was written in an innovative style by way of an amalgam interviews with his colleagues. If you are looking for dirt on Peter skip this book, but if you want to relive the hundreds of wonderful hours you spent with him on your TV, this book does the trick. Your memory might also be jogged when you read the many adjectives describing him in the book: charming, distinctive, exuberant, thoughtful, reflective, gracious, caring, sincere, whimsical, questioning, authentic, direct, gentle of spirit, warm, great sense of humor, intelligent.

I loved the insight many of the contributors gave, as well as the quotes from Peter: "He connected with every person he met. He didn't use them." "He had this life force that seemed to surround him--his enthusiasms, his boundless energy and curiosity. He was one of those people that was just a great sense of nirvana to be around." "And when he was faced with the actual test, he instantly did the right thing." Peter: "Be spare, be precise, take your time, and don't say too much. Let each work carry the weight of the story....communicate in a concise way."

Peter would ask, "What are we going to do today what will distinguish us?" He despised predictability, mediocrity of any kind, laziness." "Listening to Peter was...riveting." Peter WAS riveting, and so is this book!

Bill Kizorek, CEO, Two Parrot Productions

I purchased this book for my son who greatly admired Peter Jennings as I did and before wrapping this birthday gift I had to read several chapters. I loved what I read so far and my son has promised to "lend" the book to me so I can read the entire book.

ps My son truly loved reading about this talented reporter!

When ABC newsman Peter Jennings died from lung cancer in 2005, he left a void in the industry that has yet to be filled. Along with the likes of Walter Cronkite, Chet Huntley and David Brinkley, Jennings helped revolutionize television news, sitting on both sides of the desk, transforming the genre from a 15-minute afterthought to a major component of network broadcasting.

The editors of PETER JENNINGS: A REPORTER'S LIFE, including his wife, have collected the thoughts and memories of scores of family, friends and colleagues who are universal in their praise and turned these stories into an oral biography. It seems as if Jennings was almost predisposed to the profession. As the son of one of Canada's most respected radio broadcasters, he got an early start, hosting his own children's show as a nine-year-old. Formal education held little interest for Jennings; these days he might have been diagnosed with ADD. His success, despite dropping out of high school, was truly remarkable.

Jennings was just 26 when he was handed the anchor assignment for ABC News in 1965, a job to which he admitted he was not suited at the time. He earned his stripes by going out into the field --- far, far afield to Europe and the Middle East where he thrived on the exotic surroundings and the action.

The entries in A REPORTER'S LIFE reveal a man in a hurry, ever curious and always willing to do whatever it took to get the job done, even when that meant putting himself in harm's way. Jennings was no "Scud-stud," a term used to describe reporters who made a name for themselves during the first war in Iraq; he didn't even like to fly. But he impressed everyone, from his sound men to heads of state, with his ability to soak up information and present it to his audience.

When he stepped down as an active reporter to once again take over the anchor desk for ABC News, he brought that same restlessness with him. He was a demanding boss, always expecting the reporters to do the same thorough job he did. But his humanity was always evident. During the coverage on 9/11, he wanted the audience to see the devastation of the World Trade Center rather than in-studio shots of him. And he was never afraid to defer to experts or admit he did not know every issue involved.

Many of those interviewed said that Jennings never wanted to be the center of attention, which made his on-air revelation of his illness all the more conflicting. For him, it served as an abject lesson, another chance to educate his viewers.

The format of A REPORTER'S LIFE both works and doesn't work. Since it's not a straightforward biography, it appears choppy at times, a series of mini-monologues interspersed with Jennings's own words. It is also understandably biased; you won't find too many speaking ill of him. On the other hand, these are the people who knew Jennings best, and the book serves as their final chance to pay him tribute.

--- Reviewed by Ron Kaplan

I am an in-house attorney for a film production company. This book is a great resource to point you in the right direction in many respects: reminders of what terms various contracts/agreements should contain, the different types of agreements common to the film industry, copyright information ... just to name a few items. Money well spent for a very focused look at legal aspects to the film industry.

This book helps anyone who wants to do or is doing anything in entertainment be on top of their game. I carry this book with me, along with my bible (that says a lot about the book right there!) I read it every chance I get and learn so much more as a Writer/Producer, about the legalities and expectations of each member of a production team. This book is necessary for a business minded person. Crowell educates the readers in the basics of entertainment law, however he does not use language that only an attorney or judge can comprehend. He breaks concepts down in bite size pieces. I have gained a better understanding of what needs to happen in pre, pro. and post production of a film and will make sure that the many areas in film making get the attention and documentation that it needs because of this book.

This book is so useful, I don't know where to begin. It's well-structured, well-researched, and I don't know where I'd be without it. The author has so much useful information, and puts it in a way a filmmaker, who doesn't speak legalese, can understand. This book gets a very high recommendation from me for sure.

Having the hindsight of producing several movies, I wish I had read this book much earlier. ANY filmmaker would benefit from reading this book as early in their career as possible and then keeping it on their shelf as an invaluable reference tool to return to again and again.

This review is specifically directed to aspiring professional screenwriters: GET THIS BOOK.

(Note I did not say "buy" this book, since, if you truly are an aspiring professional screenwriter, you're probably sucking your own body lint for food and live under a bush overlooking the Santa Monica pier.)

Yes, do whatever you have to do. Beg, borrow, steal...pawn...get this book. You've already read your Sun Tzu:

"If you know the enemy and know yourself, your victory will not stand in doubt."

Hollywood was built on exploiting talent, and specifically exploiting writers. It's time we (YOU!) writers start preparing for the business side of things because gosh knows the other guys are plenty prepared already. Reading this book will make you realize three things.

1. Actually getting your great little/big screenplay made will be incredibly complicated, even if you're just selling it to someone who already knows what they're doing.

2. There are ways to make your script more attractive for producers/distributers and more lucrative for you.

3. Thom Crowell is an informative and entertaining scribe.

I had a friend of mine in negotiations with a major studio executive. True story. Wrote a little script called "Balls, No Balls II." Guy tried to get my buddy to sign a contract without an NDA. My buddy stood up, whipped out his Pocket Lawyer and KA-BLAW! Smacked that suit right in the mouth! "You want my high concept? I WILL be signing that NDA!"

Hmmm, actually this never happened. But at least I know what an NDA is now. Do you? Oh, you don't? GET THIS BOOK!

And yes, AMAZON, you do offer a very reasonable price. I suppose buying it isn't out of the question.