Music Books
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You can't go wrong with Little House...Review Date: 2008-10-08
The Best of the SeriesReview Date: 2008-04-21
Our daughter is five and this series is perfectly age appropriate, even though an older child would enjoy them equally as well. For younger ones (three or so), there is a great picture book series called "My first little house books," or something like that. One of these is a story based of a chapter in this book and is called "Christmas in the Big Woods."
These CD's are great for long trips in the car. The narrator's voice is wonderful. The adults will find themselves enjoying listening themselves.
"One the Banks of Plum Creek" is the best of the series. It is the one where Mary and Laura go to school and where the character of Nellie Olson is introduced. Her brand of spoiled rotten meanness is nothing short of tantalizing to a five year old. Also, there are the wonderful Christmas chapters.
Just excellent, all around. I highly recommend the books to read alound and the CD's.
Fabulous!Review Date: 2007-03-20
A can't-miss addition to the series!Review Date: 2007-09-07
But things are not all bad. Having never attended school before, Laura and Mary are finally near enough a schoolhouse where they can attend daily lessons that help them develop reading, writing, and arithmetic skills. It is at this particular school where the two older Ingalls girls are exposed to children - both male and female - who are close to their age. Some of whom title Mary and Laura "country girls." But the label does not affect how the two sisters view themselves, or their family; and only gives them the courage to befriend various girls who love to spend time with them. It is at school, however, that Laura encounters the spoiled, yet oh-so-pretty, Nellie Oleson, who goes out of her way to give both Laura and Mary a hard time. But Laura isn't having any of it, and resolves to get even with the vicious Nellie, even if it upsets her Ma and Pa. Luckily, with Ms. Beadle - the schoolteacher - around, Laura and Mary have the confidence to stand up for themselves, and receive the education that their Ma always wanted them to have; while getting the socialization they deserve. But even attending school doesn't excuse them from having to assist their family when the going gets tough.
Up until last year, I had been a diehard fan of the LITTLE HOUSE ON THE PRAIRIE TV series, but had never had the opportunity to delve into the wonderful tales told by Laura Ingalls Wilder herself. Upon reading the introduction novel, LITTLE HOUSE ON THE PRAIRIE, I quickly fell in love with the Ingalls family all over again; and, since then, they have taken up residence in my heart, and kept me fascinated with the various adventures they experienced throughout their lives. Laura is such a lively, brave, fun-loving character; whose ambition, kindness, and, oft-times, naughtiness, make her appealing from start to finish. Her relationship with her family is hard to resist, as she manages to please and displease them on a daily basis, all to the jovial laughter of her father. I believe that Pa (Charles) is one of the most important characters in the series, as he is such a kind, loyal man; who rarely scolds, and spends his downtime entertaining his family with music from his fiddle, and stories that leave you chuckling. The family, as a whole, are the type of people you would absolutely love to have the chance to know. They are kind to strangers, helpful to neighbors, and both Ma and Pa are two of the most selfless people in literature. The information regarding Rocky Mountain locusts was both interesting, and frightening; but truly provides a wonderful history lesson for the young reader. While the introduction of the devilish Nellie Oleson provides quite a bit of humor, as she and Laura trade insults with one another at almost every meeting between the two. Ingalls did a marvelous job of penning such a cheerful addition to the series; and, thus far, ON THE BANKS OF PLUM CREEK has become my favorite LITTLE HOUSE book yet. A can't-miss addition to the series!
Erika Sorocco
Freelance Reviewer
Pa Loves Ma, Ma Loves Pa, and All's Right With the World!Review Date: 2007-04-18
We -- my three homeschooled grandchildren and I -- are going through the Laura Ingalls Wilder series of books for the second time. We read them aloud during story time, and love every minute. These are books written about an American pioneer family in the 1800s with a strong moral compass. In an unsentimental style, the author writes simply of the day-to-day life she experienced firsthand growing up. As the title of this review suggests, a central theme, not only of this book, but the entire series, is that "Pa loves Ma, and Ma loves Pa, and all's right with the world," including in the face of all kinds of adversity and opportunity alike.
I enrich this time for my grandchildren by stopping occasionally to explain and discuss what we are reading about, be it an unusual word usage, a custom no longer practiced, how to do something by hand, historical facts... We have even stopped to do some research and measure out the height of a bear. Our family tradition is that the eldest grandchild (now 11) reads the last page of these books. Otherwise, I usually do the reading. We also try to get started right away on the next book in the series, the same day as we finish the one before, so as not to lose our momentum.
After going through the series the first time, we discovered (almost by accident at the local library) several other series of books, written by other authors, about Laura's great-grandmother Martha in Scotland, her grandmother Charlotte in Boston, and her mother Caroline in Wisconsin, so we decided to start over with the first of those books and carry on through. There is also a series about Laura's daughter Rose which we have not gotten to yet.
Reading through the other series in order has been time well invested. Like Laura, we have strong family roots in Scotland. We have four generations of our family living within close proximity, so my grandchildren know my father, their beloved great-grandfather, quite well, and this series helps them gain a feel of family and historical continuity, generation to generation. (Check for related book series under: Martha Years, Charlotte Years, Caroline Years, Rose Years).
I am investing in and building our own set of all these books in hardcover, having told my grandchildren that I plan to be around to read them to *their* grandchildren!

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Excellent book !Review Date: 2008-09-13
All of a good Phantom of the opera's fan needs to know about this classic musical masterpiece. History, true facts, anecdotes, first editions, the future.. No more words. Don't miss it !!
Wonderful book. Highly recommended! Review Date: 2007-12-29
BeautifulReview Date: 2007-01-10
A very good book!!!Review Date: 2006-08-10
Clearly, my dears, this IS the book for you.Review Date: 2006-01-11
When I rekindled my love for musicals, and of course, Phantom of the Opera made that happened... I had to get everything and learn everything about Phantom. So I found this book at the library and I went insane over it.
Firstly, it gives a clear background history on Gaston Leroux--the writer and the creator of Phantom of the Opera. Then, it goes into another section when talking about the films it inspired. You'll be surprised and amazed when you see it and read about it. Not only that, it tells you some small tidbit facts on the actors and actresses of these movies.
And then, my favorite part, it goes into the Lloyd Webber musical. And when I say "goes into" I mean it!! There are so many pictures of the Original London Cast it's phenominal! There ares ome behind the scenes pictures as well. I never seen so many pictures about Phantom sure in a book, ever.
And when you think that's enough, there is a libretto of the stage production--including scrafito'ed pictures of the OLC copied in there as it was when the CD/Cassette first made it's debut.
All in all, it's not clearly updated as it is now, there is mention of the movie and who they want in it. But otherwise, if you are a London Cast or simply a Phantom obsessionist, you MUST have this book. If you find it at a house sale, a junk pile, book sale... whatever... BUY IT. You will not be dissapointed!!

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AwEsomE!Review Date: 2001-12-04
It was a fantastic book!!Review Date: 1998-12-18
MUST FOR EVERY LEONARDO FAN!!!Review Date: 1998-12-08
a wonderful bookReview Date: 2000-03-02
Not worth it.Review Date: 1999-08-14

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Beautifully Haunting ... Review Date: 2007-09-28
There are so many books out there about the Holocaust that it can be confusing sometimes to read what. This book definitely should be read simply because it's beautifully moving, tragically sad and not only that, it provides a different viewpoint of what happened during the early years of Nazihood in Germany and before the "Final Solution" was proposed to exterminate the Jews. This happened and I don't recall hearing much about any of this till I read this book. Before Hitler and Goring proposed the death camps and just while trying to get rid of Germany of the non-Aryan blood, they came up with a solution that provides entertainment and music/art/theater productions just for the Jews. This is a place for the Jews to retreat to. They were only allowed to play Jewish pieces written by Jewish artists/musicans. And they were left alone in the 30s and early 40s. Well, not quite completely left alone as they still had to follow the Nazi rules. But it was a place of refuge for the Jews, especially in Berlin.
This book, while devoting a huge portion to the Kulturbund and its orgins, the author writes of his personal family history. His mother and father were musicans in the Kulturbund. And they suffered horrible tragedies as the war progressed over the years. However, they were young, in love and naive like a lot of people were. They did manage to escape Germany but they also managed to leave behind family members which have haunted them and their children even to this day. It is very intense reading at times and with hindsight on the reader's part, it is very hard to fathom their optimism that things will work out ok in the end. Not only that, this book brings up the question of whether or not the Kulturbund was good for the Jews or kept them compliant enough to keep them in Germany instead of escaping to other countries, so the Nazis could gas them too. This book is haunting and disturbing. The questions that the author may have unknowingly stirred are now raised in my mind ... and the answers are not easy to figure out.
This is not your typical Holocaust book nor is it like the other books about the camps ~~ this book simply tells a tale of two musicans who were unfortunate to be caught up in the times that stirred Germany (and the world) ~~ but yet, their love of music has sustained them through the years before they left Germany. Are they heros? Not in the sense that we associate it with. They are more like survivors and like all survivors, they carry a burden of guilt that resounded through the years. But it is a book that honors the memory of those who were left behind in a time of turmoil that even today, still vibrates through the years.
9-28-07
A different Holocaust storyReview Date: 2005-10-26
In my opinion the book is generally well written and seems to be the result of careful research. My one complaint is that MG frequently quotes conversations which I doubt have been recorded in any way. I don't like that in historical writing, but in this case I was willing to overlook it, because of my interest in the story.
A son's voyage of discovery of his parents' nightmarish pastReview Date: 2004-01-06
Such, in the lives of author Martin Goldsmith's parents, were the years from 1933 through 1941; so much so, in fact, that Goldsmith likens that time to the massive ash tree in the house of Germanic warlord Hunding, the setting of the first scene of Richard Wagner's opera "Die Walkuere:" Something looming large, yet never openly acknowledged. Because before George Gunther Goldsmith, furniture and home decorating salesman of Cleveland, Ohio, and his wife Rosemary, a violinist with the St. Louis Symphony and the Cleveland Orchestra, became American citizens in 1947, they had lived a whole other life - the hunted life of Jews in Adolf Hitler's Germany. And only years after his mother's death, on a trip to his father's home town of Oldenburg, did Goldsmith catch the first glimpses of what was hidden behind that massive ash tree, and George Goldsmith began to talk about the events which his, the Goldschmidt family had witnessed there; as well as the early life of Rosemarie nee Gumpert in Duesseldorf, the couple's first meeting in Frankfurt, and their later life in Berlin until their lucky escape to the United States. Beginning with this visit, Martin Goldsmith retraced his family's path to the early years of the 20th century, when his paternal grandfather Alex Goldschmidt took residence in Oldenburg, and his maternal grandfather Julian Gumpert settled in Duesseldorf.
How intensely personal this voyage into the past must have been becomes clear in the account of Goldsmith's visit to Oldenburg prison, as a participant in a march retracing the path taken by the Jews - among them the author's grandfather - driven through the streets of Oldenburg in 1938 by Nazi thugs, to later be shipped off (at least temporarily) to Sachsenhausen concentration camp. But although he writes about his very own family, and now in full knowledge of their fate, Goldsmith's narrative is in no way sentimental. With a journalist's detachment he talks about Guenther and Rosemarie, Alex, Julian and their wives and other children; turning a nonfiction account whose outcome is clear from the very start into a heartstopping tale few would be able to believe if presented with it under colors other than that of the plain historic truth.
Prominently featured in Goldsmith's account is the Jewish Culture Association, or Juedischer Kulturbund; as of 1933 the German Jews' only permitted artistic organization, in whose orchestra Guenther and Rosemarie had met and which had formed the center of their life until they finally left the country. One of the most controversial institutions of Nazi Germany, it reunited what was left of the country's Jewish musicians, artists, writers and composers - providing a modicum of shelter in an increasingly hostile environment, but also a convenient tool in the Nazi propaganda machine. Were the members of the Kulturbund instrumentalized to deceive public opinion, at home and abroad, about the true intentions of Hitler's government? By giving their Jewish audience a sense of comfort and "belonging," did they also prevent some of them from rescuing themselves when there still would have been time? The surviving members of the "Kubu" and their families, interviewed by Goldsmith, come down on both sides of the issue; and the fate of the survivors is probably as symptomatic as that of the many who ultimately did perish in Nazi concentration camps - chiefly among those the Kulturbund's charismatic founder Dr. Singer, who not only let himself deceive into returning to Germany after already having reached the safe shores of the U.S. but saw a mark of distinction even in his deportation to the "model" concentration camp of Theresienstadt.
Yet, for Guenther and Rosemarie the years with the Kulturbund were dominated, above all, by the musical companionship they experienced. What does seem to have haunted them most for the rest of their lives, however, was their very escape to America, while their remaining family members were stuck in Europe and, one way or another, died in Hitler's concentration camps - and the feeling that with a little effort they just *might* have saved at least some of them. The letters of Alex Goldschmidt and his younger son Helmut, written to Guenther from captivity in France after their own unsuccessful attempt to flee to Cuba, are among the most chilling testimonials contained in this book; and the decision to translate and include them conceivably cannot have been an easy one for Goldsmith. Indeed, it apparently was the knowledge of his family's fate that, all talent and love of music aside, eventually compelled George Goldsmith to forever retire the flute which, in his life as Guenther Goldschmidt, had been the only item of true importance besides his beloved wife Rosemarie; thus punishing himself in a way no outsider could have done. Yet, the couple's gift for music lives on in their son, who in his own way has brought many hours of joy to radio listeners all over the U.S.
Martin Goldsmith's "Inextinguishable Symphony" - named for Danish composer Carl Nielsen's Fourth Symphony, which sets music, as a parable for life itself, against war, terror and destruction - is as much a personal journey of discovery as a journalist's account of historic facts; seeking to understand rather than to judge. It deals with a time in which morality was thoroughly upset by a profoundly immoral regime, which cannot possibly have remained without effect on anybody who witnessed those events. In applying our own values to those facts, I think we would all do well in being careful to, likewise, make a thorough effort to understand before we judge. Goldsmith's insightful account is a great place to begin such a process.
Also recommended:
The Jewish Response to German Culture: From the Enlightenment to the Second World War (Tauber Institute)
The Pianist
WITNESS: Voices from the Holocaust
Hitler
Holocaust
Conspiracy
The NPR Listener's Encyclopedia of Classical Music
The Beatles Come to America (Turning Points in History)
A Very Moving BookReview Date: 2003-09-01
WowReview Date: 2003-06-09

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*NSYNC's Give Back To Their Loyalist AdmiresReview Date: 2008-05-16
Ever imagine being on stage with one of the coolest bands,*NSYNC, to see what it is like to be them? "*NSIDE *NSYNC The Ultimate Official Album", delivers.
Read a day in the life of *NSYNC, leading up to their stage entrance. Hear what they are saying about fans,and life on the road.
Go backstage, meet their band. Get to recognize their security team.
View the guy's off stage antics, with each other, wherever they may be!
End your journey as the tour bus rolls out.
Look at the signs, marking their arrivals.
In closing gaze at a unique image of everyone that makes what they do possible. It's one photo , you won't ever forget!
I love the bookReview Date: 2000-06-25
*Nsync Is Back!Review Date: 2000-03-13
Pictures EVERYWHERE!Review Date: 2000-05-03
Nside Nsync is Ncredible!Review Date: 2000-06-11


Cool bookReview Date: 2007-12-20
My brother LOVED his presentReview Date: 2007-08-01
THE BADFINGER STORYReview Date: 2007-07-30
The greatest tribute to the greatest power pop band in musicReview Date: 2007-09-25
Dear Joey and Kathie: You can fool some of the people, but you haven't fooled me. At least Pete doesn't have a grave, or else I'm sure you would have been dancing on it quite happily. Why did you have to be part of the problem?
A handbook on what not to do in the music bizReview Date: 2006-12-30


Great addition to your libraryReview Date: 2008-07-03
Great picture book to use in the classroom from preschool through 4th grade. For 3rd through 4th graders, you could use this book as an engaging tool to discuss musical terms, context clues, alliteration, adjectives, prefixes.
Love This Book!Review Date: 2008-06-07
Fun bookReview Date: 2008-03-16
my pre-schooler loves it!Review Date: 2008-02-18
I like the illustrations very much, and the verse is also fun to read.
I was very happy that he liked the book so well--when the Amazon package arrived, he was hoping for a book about excavators--his other passion! I'm glad to say he was not at all disappointed, once he saw the pictures.
Great giftReview Date: 2007-12-15

A Great ClassicReview Date: 2008-09-23
Wondefully illustratedReview Date: 2008-07-18
gift for new mom's or mom's to beReview Date: 2007-12-28
Great book!Review Date: 2007-11-30
Songs to read books.Review Date: 2007-10-19

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Great Read!Review Date: 2008-10-07
Don't Block the BlessingsReview Date: 2007-05-15
AWESOME BOOKReview Date: 2005-12-24
Joy to read this bookReview Date: 2002-07-11
However, there are a few things I would like to clear up, which I found inaccurate or inappropriate. The Jackie Wilson episode I found rather distasteful, particularly since he is not around to defend himself(it was o.k. to slander Al Green). Also, as I had to do with Gladys in her book, I need to clarify a few inaccurate points you raised in your book. In reading your relationship with Atlantic Records in the 1960's, one is left with the impression your group wasn't given a fair shot due to the success of Aretha. Well, that's not totally true, since you were with the label two years before she signed on. It just wasn't your time yet! Now is your time. You sound greater and look more beautiful than ever. You have a wonderful spirit in which people adore you far and near. You are truly a blessing. Wonderful job.
What a blessing to read!Review Date: 2002-03-10

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complete songbook, intermediate arrangementsReview Date: 2008-09-30
Good quality paper used and photos make it extra fun.
I wish it was spiral-bound.
Wicked Piano/Vocal Book ReviewReview Date: 2008-08-30
Wicked MusicReview Date: 2008-08-07
Phenominal scoreReview Date: 2008-07-03
Check Out: Vocalize!
Wicked (Vocal Selections)Review Date: 2008-06-02
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This is a good CD. Cherry Jones' performance is excellent, and the fiddle music adds a wonderful touch for those who wish they could have heard Pa's fiddle.
As for the story, who doesn't like Laura Ingalls Wilder's classic stories of pioneer life in America? She brings it to life like nothing I've ever read, and I read everything I can get my hands on about American History. Laura give us such a detailed picture of her family, Pa's leadership, Ma's gentle manners, their work ethic, life in the 1800's, old-fashioned morals, and so much more. If my kids listen to this over and over, I know they'll gain so much that TV or movies cannot begin to give them.