Arts and Entertainment Books

I just received this book in the mail, and i have only one word for it - Stunning.

This book is full of beautiful photos and sketches of original costumes, and there's a wealth of written information to go with the pretty pictures!
Even the presentation is lovely, i'm really impressed with the matte pink binding - it'll look great in my book case ;)

Go ahead and order this book, you won't be disappointed.

the book is very dazzling ,and it would be my ture love for the passed Age.

If the book title sounds familiar, it's because Liz Goldwyn's HBO documentary of the same name aired in July 2005 to much acclaim, covering the history of American burlesque. If you think you've seen it all in the show, think again: the book holds much more! Here are personal stories, career overviews, and biographies of some of the most talented genre stars. Burlesque history comes alive here as in no other collection, making PRETTY THINGS a 'must' for any holding strong in American arts history, from general-interest to college-level libraries.

An enlightening look at a largely misunderstood/misinterpreted art form, this book combines rigorous scholarship, engaging narrative, rare photos, and well-executed design. Liz Goldwyn's love of the subject matter is clear and infectious. Highly recommended, as is the author's HBO special of the same name.

An artistic design layout provides the reader with lots of photos and scrapbook pages of original costume sketches, fabric swatches, letters, postcards, and lots more. This visual collage is a wonderful piece of film toward understanding the life these women lived. Their attitude and sex appeal as we know it only disguised the reality of their life, tough working conditions and a career contingent of youth and beauty eventually leading these women to fall on hard times and in the end forgotten.

THIS BOOK IS ABOUT LEGENDARY FILM MAKER ROGER CORMAN. HE IS KNOWN FOR MAKING FILMS AS QUICK AND CHEAP AS HE COULD. MANY OF THESE ARE CULT FAVORITES SUCH AS LITTLE SHOP, GIANT LEECHES AND MANY MORE. I HAVE SPENT MANY A FRIDAY NIGHT AND SATURDAY AFTERNOON WATCHING THESE "CLASSICS". ROGER CORMAN IS KNOWN FOR MAKING CHEAP BUT INTERESTING AND SOMETIMES HILARIOUS B MOVIES. THE BOOK GOES BEHIND THE SCENES AS THE AUTHOR INTERVIEWS MANY FORMER EMPLOYEES WHO HAVE WORKED FOR CORMAN AND HAVE INTERJECTED THEIR VIEWS AND OPINIONS ON CORMAN. ROGER IS ALSO KNOWN FOR GIVING MANY STARS THEIR START. CORMAN IS ALSO A COMPLEX GUY WHO CAN BE VERY GENEROUS AND CAN ALSO BE AS CHEAP AS THEY COME. SOMETIMES MOOD BUT ALWAYS LOOKING TO MAKE ANOTHER MOVIE. I REALLY ENJOYED THIS BOOK AND I RECOMMEND IT FOR ALL FANS OF KING OF THE B'S AND WHO APPRECIATE BRILLIANCE ON A BUDGET.

Wow! Talk about switching personalities! This amazing biographer can emit the style of the person she is writing about to really give you a flavor of the personality. And of course, she spent time working for him, so you are privy to more of a view. Written somewhat bruskly like Roger's personality, you really gain insight into his life and what made him the person he is. Contrast this book with Beverly's biography of Ron Howard and you see some of the exceptional talent of this lady. A great read!

(...)

Gray's biography--fun as it is-- is more than a story about a man who is arguably one of Hollywood's most idiosyncratic moguls. It is a chronicle that parallels that of The Great Depression, World War II, the growth of the film industry and Los Angeles itself. We meet again celebrities we haven't thought about in years like the adorable dimpled Jon Davison, the memorable Vincent Price and even run across pop culture icons like Frank Gorshin.

Occasionally this book is burdened with glitz-town detail that only a dedicated film buff might adore but these moments are rare. Like a super hero, Corman--now 75 and still going--is resilient because he is multi-faceted. The same can be said for screenwriter cum UCLA instructor and journalist Beverly Gray. The two seem admirably paired in that way. Gray uses her many experiences and talents to tell the story of a man of many parts.
(...)

This fascinating "biography" is really a savvy "how to" book that belongs on the shelf of every screenwriter, aspiring producer, director, and development executive -- and everyone else who loves films and craves to know the secrets of Hollywood's most colorful mogul.

I found it fun to read as a realistic "behind the scenes" glimpse of what it takes to be a profitable mogul, such as the way Corman hired young cheap "promising" talent instead of going for experience. Directors fresh out of film school reading this book, for example, can get a good feel for the mindset and financial situation of producers they interview with. Screenwriters will learn how Corman and team (Gray had been his development executive) managed to write and produce so many successful films quickly.

Few books reveal the inner machinations of a successful producer so intimately. Gray, a screenwriting teacher at UCLA, has done a spectacular job of showcasing the life story of an intruiging man through more than eighty interviews and via her own experience.

I have to agree with the other five-star reviews. "Roger Corman: Blood-Sucking Vampires, Flesh-Eating Cockroaches, and Driller Killers" is the best book on the subject, the subject being the most unique American studio head in film history.

Beverly Gray really paints a nuanced picture of Corman and never panders to the fans, the haters, or her old boss Corman himself. Though it's impossible to pull back the curtains entirely and see into a man's soul, Gray seems to have at least pulled back one side, giving us as much a glimpse as is possible without telepathy.

Storywise, Corman is, as always, fascinating, and Gray's perfectly detailed retelling of his story is the best yet written.

I saw Seven Brides for Seven Brothers for the first time after reading about it in John DiLeo's Screen Savers. I would not have bothered to see it had I not first read DiLeo's analysis and insights regarding this underappreciated film. His essay led me to a much fuller understanding of its beauty, craft and surprising depth, making me want to see what I had previously considered an old-fashioned and uninteresting musical. Upon completing each chapter, I find myself scanning the upcoming programming for Turner Classic Movies, hoping they will soon be showing one of DiLeo's selections, so that I can use my new "behind the scenes" information while watching the film. It is clear that the movies the author selects for rediscovery are on a personal list of favorites, they moved or inspired him. But while he clearly loves movies, the tone never sinks to that of a fawning fan. He backs up his choices with detailed analyses and thorough research, convincing the reader of their rightful rank among films that should be reexamined. The joy of this book is that he educates the reader while imparting some of his obvious infatuation and love for his subject. And like any satisfyingly juicy critical discussion, the author allows a dialogue to develop with his reader. You may even find yourself disagreeing with him about a favorite star or director (c'mon, Lana Turner wasn't that untalented) and that is part of the fun. This book has rekindled in this reader a new enthusiasm for older and "gently used" movies. I can't wait for my first viewings of The Man Who Laughs and The Iron Giant.

This book is a joy to read. Aside from John Dileo's amazing scope of knowledge about film, he is a terrific writer. Dileo has an uncanny ability to fully and clearly describe story lines, performances and a variety of other details about each movie. I guarantee that anyone who reads this book will come away wanting to see most, if not all, of the movies discussed here so eloquently.

Having purchased Mr. DiLeo's previous books, I was delighted to discover he had a new one on the shelves. After planning some time off for the holidays, I overnighted this book -- eager to reacquaint myself with this author's clever and keen insight into classic motion pictures. By the time Christmas came, I had gobbled it up -- cover to cover. And... what a surprise to see my co-worker bought the very same book for me at this year's Secret Santa. I didn't let on that I had already purchased it but loved that fact that he was so eager to tell me that "SCREEN SAVERS is the type of book that all the TCM watchers should love!" Do yourself a favor and buy John DiLeo's new book.

I was thoroughly delighted to read John DiLeo's third book, Screen Savers.

His quirky takes on actors and directors are refreshing and novel. He opens new insights when viewing and reviewing films that have been forgotten or have never received the accolades they deserved.

Mr. DiLeo has a wonderful way with words, a lovely sense of humor and a pleasant and breezy style.

Screen Savers makes for terrific reading whether sitting in front of a fireplace on a cold evening or while enjoying an iced tea on a summery afternoon.

I highly recommend Screen Savers to any movie buff or would-be movie buff. It opens new paths to understanding the magic of film and the skills of the actors and directors involved.

Netflix should send a thank you note to Mr. DiLeo for his artful awakening of our appreciation for some half-remembered and some totally forgotten films.

I bought this book because I've enjoyed John DiLeo's other books for their informed, but casual, approach to movie love. At a time when so many movie books are either earnestly academic (you know, political readings of gender performance in Nikkatsu gangster movies of the 60s,) or infinitely culty-geeky (do I really need the whole history of Philippine horror movies?), DiLeo assumes the existence of a readership that is, like him, informed and serious, but not obsessive-compulsive, and in it for the entertainment.
The book is divided into eight chapters, each devoted to a separate genre. (For the record, the eight genres are "Musicals Written Directly For The Screen," "Film Noir and Variations," "Love Stories," "Westerns," "Fantasy and Horror," "War," "Vintage Comedy," and the vague catch-all "Life and Times in America," which basically means "drama." The focus is exclusively American, but the time frame is from the silent era to the present. The presumption is that you've already seen the rote classics, and he therefore offers five movies in each genre that he feels have received insufficient attention, and that you therefore might have reasonably overlooked.
You can agree or disagree with the choices, but none are eccentric, deliberately provocative, or contrived to display mere cleverness. The real joy of this book, though, is in the wealth of background information. DiLeo will, for example, in describing "Comanche Station," give an overview of Randolph Scott's career, the placement of his "amiability and lean beauty" in two decades worth of decent but unnoteworthy roles in diverse genres, as a way of positioning the surprise of his late-career flowering in the films of Budd Boetticher, and their collaboration on seven morally complex westerns. Being a movie fan, DiLeo doesn't fail to mention the final triumph of the comic hommage to Scott in "Blazing Saddles." This precise positioning and career review is done not only for stars and directors, but screenwriters, cinematographers, character actors, even the evolution of genre conventions themselves. And it's presented in a chatty, highly readable style. The net effect is that "Screen Savers" is like an encyclopedia in friendly conversation.
I expect that I'll be using this book as a reference work for a long time to come. It is, I think, DiLeo's best book yet.

Out of maybe a few hundred, this is probably the funniest book I have ever read. I remember reading it late at night in my parents house, trying to stifle my laughter so I wouldn't get in trouble for waking people up. "...a cry went up from the sleaze-mavens"

With this book, you could argue that John Waters is a better writer than he is a film maker.

This book is impossible to describe in one word. It's no surprise that Water's life is funnier, and more bizare then any of his films can ever hope to be. We learn about Baltimore life, his childhood, Divine, Edith Masey, Pink Flamingos,Desperate Living,and more. THIS needs to be his next film project! The only thing sad about this book is that it feels dated at certain parts (especially when it refers to Divine in the present tense, since this was written before he died...and before Cookie Muller died...and Edith Masey). But it remains a fascinating read that really encourages people to feel grateful for living in Baltimore(or makes you wish you lived there).

Shock Value is like Waters' autobiography, mainly focused on his film career. There are only two chapters about his childhood. The book will be very interesting to every Waters fan as it provides in depth looks at the making of several of his earlier films. The book's material is dated, however, since it was written before he completed "Polyester". Waters' updates you in the new introduction though. It is very clean and has few curse words, unlike Waters' films, but is still good. I recommend it.

This book was without a doubt the funniest book I've ever read. Naturally, readers familiar with his movies will get the most out of this book, but there's a lot in there even for those who can't sit through one of his movies. I especially like Waters's tales of his mischief as a lad attending Catholic school. Considering the time, his educational background, and the Baltimore environment, I can really understand how Waters turned out the way he did.

I finished Shock Value only moments ago, and i feel like i should go to baltimore and fall on my knees worshipping Waters and the crew. i thought i was weird...This book focuses on the early years and has truly inspired me to raise myself above the boring muck of semiconformist existence. READ IT

I just read Vickie Rubinson's book "Sorry...Your Name's not on the List," and I got a really good laugh. Ms. Rubinson displays a keen wit and eagle eye when it comes to reporting on her many humerous encounters with everyone from former Nazis in Vienna Austria, to the rich and famous in Beverly Hills California. I finished the book in two days. What's interesting is her interview with former Austrian President Kurt Waldheim on her last trip to Vienna. It's a fascinating story and ends with the disgraced President of the country, giving her a bunch of autographed books. This book is a must read.

I loved this book. It's well written, faced paced and humorous. The author talks about her experiences in a comical Catholic school in the San Fernando Valley, (where priests dance the can-can and nuns wax poetic about the mysteries of life), to the strange world of tabloid reporting.
There are numerous encounters with Hollywood celebrities like Arnold Schwarzenegger, Tom Arnold, Anna Nicole Smith and Harvey Keitel to name a few, plus some run ins with famous and infamous politicians and lecherous diplomats.
If you ever wondered what it's like working the tabloid world, this book is for you.

I loved this memoir! It was well-written, insightful and touching. The author takes us on a wild tour from her early childhood days as the only Jewish girl in a Catholic school, to her 20's as a Hollywood reporter.
St. Christopher's prep school is the setting to this book. The teachers are whacky and the priests and nuns all seem like they came right out of central casting. This is a must read!!!!

This book has it all...encounters with aging ex-Nazis in Vienna Austria, to minor run-ins with mysterious Saudi princes. I couldn't put the book down. It's the story of Hollywood reporter Vickie Rubinson's comical life, from her upbringing at a strict Catholic School in Los Angeles, (where she was thrown in the trash can by her beloved English teacher), to the crazy world of Hollywood reporting...where she was chased down the tree lined streets of Bel Air by Priscilla Presley's Doberman's. It's a real page turner!

Sorry Your Name's not on the List is a past paced breezy memoir that takes readers on a wild and crazy ride through the halls of a Valley prep school where stern priests suddenly break into musical numbers in the middle of class, and smoking nuns wax poetic about the mysteries of life-to the offices of Private Eye Magazine in Hollywood, where the main character is sent on some pretty harrowing tabloid assignments.
The stories are short and comical and yet very believable. It was a real page turner and gave me a few good chuckles.

This book has a huge amount of films that Overstreet basically reviews and ties into each chapter. It is amazing how he connects so many seemingly secular films to Christian values. I'd recommend this book to anyone who thinks that every film not coming from Christian makers is garbage, because Overstreet has definitely found deeply religious themes in some very offensive films.

[...]

keen insight and well written. going to go back to movies thinking a little differently going forward.

Jeffrey Overstreet expertly guides readers on a cinematic journey, thoughtfully raising questions and broaching issues to help Christians and non-Christians alike challenge their traditional views on art, faith, culture and cinema.

Overstreet demonstrates remarkable skill in providing a comprehensive and thoughtful reflection on a wide variety of films. He discusses them in fresh ways, displaying cultural relevance in his interpretation while also dramatically illustrating the spiritual principles and biblical truths that surface in the themes of each film.

Overstreet's masterful work will offer you a fresh look at beauty, truth, evil and redemption in the movies. A must-have for any film lover!

What books were to previous generations, movies are to the present one; their ability to teach and shape our view of reality is unparalled by any other medium. Christians can't afford to be ignorant of the content and power here, and "Through a Screen Darkly" provides an excellent guide.

As a filmmaker and a Christian I am always striving to find an articulate voice able to handle the spiritual as well as the cinematic. With Jeffery Overstreet's Through a Screen Darkly I have found a strong one. The book traces Overstreet's own experience with cinema as an artist, a Christian and a human being. The book serves to open readers' eyes not only to their own experiences, but to the larger questions of artistic as well as moral excellence. Highly recommended.

Lyle Leverich, a theatre artist himself, paints (with the participation of the late "Tom" himself) an intricate, sensitive and compelling portrait of the closest The United States has come to producing her own Shakespeare.

Tennessee Williams' ability to place passionate and visual poetry into the mouths of the commoner and gentry alike makes his work, in my opinion the finest ever produced by an American playwright. The towering and beautiful fragile characters of his plays combined with his devotion to the utter magic the physical theatre provides, allowed America through Tennessee Williams to finally place itself rightly next to Ibsen, Strinberg, Chekov and The Bard himself.

Of course "Tom" did not develop in a vacume and what Leverich provides here in this excellent biography wrapped in the guise of a psychological thriller worthy of so great an object, is a portrait of a man often crippled by acute sensitivity who saw the writing muse as a means for survival. Leverich manages to paint the man behind the myth, bring him down into a real space and time while also managing to lift him to the angels.

This is one of the greatest biographies ever written about a theatre artist- of which Williams was a supreme being. I, and many others, eagerly await volume two.

This is a wonderfully done book. I feel I've lived in "Tom's" shoes and appreciate who he was and the struggles he faced. It's a loving portrait that doesn't shy away from the honest details of the life of the young Tennessee. I hope the sequel that's to take us from the Glass Menangerie to the end of Tennessee's life comes out soon----I'll be waiting!!!

Meticulously researched and sensitively written, this book is the definitive biography of Tennessee Williams, even though it only covers the period up to the beginning of his success. I haven't found any others that can rival its quality. The depth and detail are unsurpassed in Leverich's finely crafted portrait, revealing the many facets of one of America's greatest playwrights. As a "theater person," Leverich brings a special authority to his work, infusing it with expert analysis and theatrical history. A really great read!

This was the most interesting biography I have ever read. I found that I was even reading the footnotes and bibliography!

The book begins with a delve into Tennessee Williams' genealogy (including a chart, which I referred to frequently while reading the book). The author goes on to describe Tennesee's formative years, home life, and young-adulthood. The book takes the reader up through Tennessee's overwhelming success with "The Glass Menagerie."

I found the book (and, therefore, Tennessee Williams) so interesting that I began researching Williams' works and also his favorite writers (Hart Crane, DH Lawrence). I call a biography a complete success that could have such an effect as it has on me.

I look forward to the next edition, though I wonder if it will ever be in print.

This is a very thorough, fact-filled biography - up to THE GLASS MENAGERIE of 1945. Leverich approaches his subject in a business-like manner, generally sacrificing artistic concerns for factual ones. Some of these interesting facts include:

Williams spent his childhood with his grandparents in Clarksdale, MS
Went to the U. of Missouri to study journalism
Hated his father till the end of his life when he learned his mother was actually "the villain"
Often broke
His sister was schizo, like Blanche in STREETCAR
Loved to swim
His homosexual lifestyle was pretty sordid
Met D.H. Lawrence in Taos
Laurette Taylor, star of GLASS MENAGERIE on Broadway, was ill on opening night and would be throwing up while off stage during the performance

Anyone interested in Tennessee Williams will find much to think about and be fascinated with in this biography. Recommended.

If you love B*Witched and to know everything about them this is the book for you. It tells you about there History OF there life and there hopes and dreams for the future. There are plenty of pitures which are great.There are facts on B*Witched and even a quiz to test your knowledge. If you wanna know more about B*Witched this is most certaintly the book for you. Adam

I love this book SO much. B*Witched is my favourite band, and this book gave me SO much info on the girls and wicked pics...I REALLY suggest getting this book if you like B,

This book is must for big B*Witched fans like me. It has great pics, fab facts, and interesting stories on B*Witched. Definatly 5 stars!

The official book is a must for the true B*Witched fan ,such as myself. The book provides a delightfully fun yet informative insight about the girls, by the girls. The book doesn't take on the form of a stuffy autobiography, but rather takes on a fun narration of the story of the best group around. Simply said, a great book.

I loved this book and I am a huge fan of B*witched. There are tons of great pictures and loads of info on the group.

"On Tour" is the perfect complement/finisher to Marsh's "Two Hearts". It fills in the gaps through the Devils & Dust Tour. The verbage is light & the pictures vivid. Fan or not, it's worth the read. Nothing compares to seeing him live, but it follows the energy as well as it can.

Bought book as a christmas present for my boss who is a Springsteen Fan. He is going to put it on his coffee table with his other favorite rock star books. Great pics....

I actually got the book for a gift for somebody else, but when it arrived, I kinda scanned through it and it looked great. My friend is a huge Bruce fan and said that it looked incredible. She loved the pictures!!!

Purchased as a gift for an all time super fan of Springsteen. He loved the book. A must have for any Springsteen fan.

Dave Marsh is not what you'd call an unbiased journalist. Nor should he be. He is basically the official Springsteen biographer, and his previous books have documented his rise (the first book), then his popular explosion (his second book), which have been collated in the terrific "Two Hearts".
Here, he provides a tour-by-tour analysis/memoir/scrapbook of the career of Bruce Springsteen.

I am a huge Springsteen fan. Just huge. I devoured this book and begged for more.

There are literally hundreds of killer little details that will delight anyone who has seen a Springsteen show. If this book is given to a Springsteen fan who by chance has not yet seen him live, it will make them want to donate a kidney to do so.

The most frequent comments I internally made while reading this tome were "I wish I was there", or " I wish that would come out on CD or DVD", or "That must have been amazing" and usually ending with " I must find a way to get tickets to his next concert!"

No other musician could have a book like this. Many of his beloved onstage stories are reproduced here. Accounts of particularly historic shows (The Bottom Line, The Roxy, Nassau, the Coliseum), guest performers (Ronnie Spector, his mom requesting an encore)...the way he went from band tours to solo shows...

Bottom line (no pun intended) is that this is a mandatory purchase for any Bruce fan!

One of the most profound statements in the book was when Mr. Gregory was explaining racism, and I quote "Those old illiterate Negroes were all the White folks had to validate who they were. Could you imagine being a redneck who knew he was an illiterate cracker, and who knew that, as White as he was, he could never be president of the USA? As white as he was, he was never going to drive a Mercedes or go to Paris. So the only thing a redneck had to play with was niggers." and that is why when civil rights workers started educating the black folks about slavery the white rednecks were willing to kill to keep them. Because they were not only taking their niggers they were taking their dignity and self respect.

Dick Gregory's memoir is among the most honest and touching autobiographies available today. From the first page, I was drawn into his experience as if I were actually transitioning through pre-Civil Rights Era, the Movement, and the post-era that has evolved into today. Sometimes the pain of Gregory's experiences was so real that I literally felt the dull pain of sympathy in my gut, the tragic feeling that accompanies love or indignation. Callus On My Soul was a history lesson that will never appear on the pages of American textbooks, and a reality check that I will never forget.

Brother Greg believes O.J. is innocent. That is hard to believe, and there is some paranoia with his thinking. Conspiracy theories make for good fiction, but some of it is enlightening and believable. Mr. Gregory is a great man, and has a lot of knowledge. He is very smart. He is very funny, but he is also obsessed. If he calms down, he would do better. I love him. He is trying so hard to stop world hunger, and wants people to be slim and trim, and not fat as a pig. He wants justice. If people were more like Mr. Gregory, the world would be a much better place.

With choices come sacrifice, and in Dick Gregory's book CALLUS ON MY SOUL, he tells the story of his life and shares with readers both the positive things he gained and the things he has had to forego as a result of his decisions. He tells of his childhood, which included a life of poverty, racism, and an absentee father. But more importantly, Gregory shares how he learned as a child to use humor as a way to transcend his difficult life experiences and gain peer acceptance. This would serve as an omen for the important role that comedy would play in his later life. As Gregory tells of his developing career as a comedian, readers quickly see the sacrifices that he and his family made in order to achieve the level of fame that he ultimately became known for. A great portion of the book is dedicated to Gregory's experiences and commitment to social causes. He relates to readers his experiences in the civil rights and human rights struggles, and tells of his personal experiences with both noteworthy and little known social activists. He tells of how he and other activists sacrificed their careers, physical safety, and time with family in order to stand up for what they believe in.

Because Dick Gregory has played such an integral role in so many historical events relating to civil and human rights, this book is so much more than a memoir. Anyone who picks this book up receives a new insight into many of the events that shaped the history of the United States. In addition, Gregory shares his own political views and opinions with a boldness and clarity that makes it evident that he is indeed an activist at heart. He also tells of the unwavering support of his wife and ten children as he fasted, went on cross country marathons, and even traveled the world leaving them at home. CALLUS ON MY SOUL is a political, historical, and personal account of a man who has dedicated much of his life to a number of worthy causes.

Reviewed by Stacey Seay
The RAWSISTAZ Reviewers

I am so awed and inspired by reading Dick Gregory's latest book. His life reads like an adventure through the most turbulent times of the 20th century. Friend to presidents, civil rights leaders, and industry giants, Dick Gregory doesn't fail to enlighten, inspire and fascinate the reader. He has been there done that for over 35 years. Now that our country faces a crisis, I hope Dick Gregory will be there for us with his commentary, his insight and wisdom.

I wish he would have written more about his successes in the '80's with his weight loss programs, his work with the National Organization of Circumcision Information Resource Centers (NOCIRC) and his circumcision trauma, the Black Panther party, Tupac Shakur, the Bush family, and his vision for the future.

Ah, but hopefully his next book will include that! I recommend this book highly. I only wish I could hear him lecture in person.