Arts and Entertainment Books

The folks making this comic have clearly invested a lot of themselves into their art. It's a truly astounding piece of work.

I can't recommend this enough to fans of the comics medium in general, fans of mythical retellings, or fans of the Oz mythology in specific.

It's works like this one that make me want to create art myself.

There are a lot of reworked versions of Frank L Baum's WIZARD OF OZ, but Illusive Arts' DOROTHY blows them all away! A 21st century teenaged Dorothy, living with aunt and uncle in Kansas, runs away from boredom taking their truck and ignoring the radio's tornado warnings. She's carried up in a funnel and dropped in Oz. She encounters vicious flying monkeys, a wizard and eventually a scarecrow who is at once a wonderfully funny and tragic character. There's a sense of a mythic cycle at work when some of the players understand that, somehow, this has happened before. Dorothy is acerbic but not overbearing, an appealing character humorously out of her element at first ("Munchkins? Yeah, I could use some little donuts!"). Wise and innocent she deftly adapts to her new reality and is soon confronting dragons and gearing up for the Evil Queen. Fumetti, using retouched photos instead of art, is not a new form in comics but rarely used in the US, and even more rarely as stunning as what's presented here. It helps to have as attractive and talented an actress/model as Catie Fisher. Think how challenging it must be to act a role in a series of still pictures! I promised to avoid the obvious comparison of writer Mark Masterson to Neil Gaiman, so I'll just say that if
you enjoy Gaiman you will love DOROTHY.

This is not your mother's "Wizard of Oz"! It's a combination of photography and graphics that builds into a chilling story that kept me turning pages straight through and I am so looking forward to seeing what the next book brings. Illusive Arts Entertainment has done a great job with this story and I recommend it highly.

I've never really been a comic-book reader, until Dorothy came along that is. The strong and funny (and deeply-flawed) lead character in this tale is highly compelling, and the revamped land of Oz that she finds herself in is the dark kind of magical place that would make the Brothers Grimm nervous. Oz is racked by civil war and overrun with spies and killer robots, and Mz Gale travels through this Technicolor war-zone with brash defiance that only thinly masks the fact the she hasn't got a clue as to what is going on. ("If this was a theme park, I'd sue!" she exclaims at one point.) This mix of personality traits makes our heroine far more innocent than Judy Garland surrounded by lollipops, and much more satisfying than the two-dimensional babes that annoy me in so many other comic books. Rock on, team Dorothy!

Told through computer-altered photography in a computer-generated world, "Dorothy" blends the look of reality and fantasy so clearly, it's hard to tell where one ends and the other begins. Dorothy (modeled by Catie Fisher) lives in a gray environment, with little besides her green eyes, red lips, jewelry and hair dye to set her apart from the surrounding drabness. Oz, of course, is bursting with color, but there's a great deal of danger, too -- making itself known first through the attack of a vicious flying monkey. But this Dorothy is no shrinking violet, and her grim matter-of-factness seems to get her through tough situations more easily than a "golly gee" attitude would do.

Creator Mark Masterson has taken Dorothy someplace new. It's not over the rainbow, for sure, but I'm very curious to see where this path leads.

by Tom Knapp, Rambles.NET editor

Carney's book is scientific writing at its best. The book, despite the level of abstraction, is totally captivating. A lot of connections to sociological theories (pragmatism) are used to penetrate the characters and C:s way of filming (as well as interesting observations about Hitchcock and Orson Welles). Also, this is a book about being human as much as it is about the films of Cassavetes. The book is well structured with one film and analysis per chapter. I'm not a film student but I learned a lot from reading this. Highly recommended!

I doubt that I can say anything about this book that hasn't been said before but this is, by every measure, an outstanding examination of Cassavetes amazing body of work.
I go back to this book every six months or so and have for a number of years. It is a very thorough, reverent, and insightful reference book but it goes well beyond that. Though very full of information, it is personal enough that it has allowed (and encouraged) me to go and evaluate the films myself without the feeling that there is a "law" or an agenda already set with these films.
The greatest beauty of Cassavetes' films is that each one belongs to the individual; meaning that every person who chooses to lend his or her heart to the characters, stories, and subject matter(s) can get something out of it that belongs solely to that person. The films can excite, enrage, entertain, and rattle you in ways that films seldom do.

Cassavetes films make you more than an audience member as they make you more aware than ever that you just might still be human.

Great book and highly reccomended.

I originally got this book and read the whole thing, before i had seen any of cassavetes movies. This is not a recommended route. I have now seen all of his films, except for husbands, and i can't tell you how amazing i think the importance of this book is. I wonder what the ratio is between the people who disagree and agree with it's context, in respect to it's attitude towards american cinema. the book really does rewire your brain. The people who i am friends with, who are also interested in film are dumb founded when ever i casually undermine 2001 or citizen kane in a conversation. More importantly though, this book, like Cassavetes films, extends into life and actually opens you up to knew spiritual territory
you didn't think about. One last point: Does any one notice how suprisingly objective Carney is when he mentions his most hated film makers like Spielberg ? Get this book. It may feel too intellectual, but it really isn't. If you think that then you are reading it too quickly and not thinking about what it's actually saying.

I'm not sure what book the reviewer below this read, but I don't know how many times I'd have to read about films that completely re-imagine the way I (and our popular culture) see the world and my own experience before I'd feel "bored" or anything less than inspired and envigorated. In fact, I read this book very often - not just to gain information, like a dictionary or an encyclopedia, giving me facts and figure data I didn't have before, but as mental calethenics, or something like spiritual openess training. This is a much more meaningful and important activity than thematic comparison and contrsating, no matter how technically interesting that is. As the concepts and points of view on the world process thru my brain as I read them off the page, I gain new abilities to understand and see - and this takes work, and often repetition. So I reccomend anyone who reads this book and hopes to gain insight, not just into Cassavetes and his films, but into their own personal attitudes, to keep themselves OPEN, as Cassavetes explicitly did in every frame of film he exposed, and to always give the artist (or author) the benefit of the doubt before passing judgement based on arbitrary ulterior motives (which, naturally, we all have). This isn't easy (especially to the greatly film cultured), but I dare say you'll enjoy this book, and your life, a lot more.

Almost everything Carney says, you tend to utterly hate him for at first. His most recent article seemed so pessimistic that I spent an hour in my apartment, sitting in front of the TV depressed by it all.

Everything Carney writes tends to be tough at first, because, like Cassavetes, he mentions truths about life that very few people wish to confront. There is no evasion of reality in this book. People can be horrible to each other. We all die in the end. That's life.

Carney doesn't analyse Cassavetes' work in relation to other movies and cultural trends (as most film professors tend to do), but prefers to focus entirely on the performances of the characters on screen. Like Cassavetes, he never really explains the characters' motivations, but instead focuses on how they react to their environments. Everything he writes is about life -- you'll find nothing about tendentious compositions, popular culture, or auteur theory. The only important thing here is Carney's love for the characters and their creator.

One of the greatest books ever written on American film.

I read this book so fast, couldn't put it down... Ms. Darrow is a fascinating writer, taking you on a fast paced adventure through some of the most important events that happened in recent years. The book stays with you long after you finish reading it, highly recommend it!

I thought this book was pretty good. It was really intriguing to hear what a person in those situations really thinks about. She's had a very interesting life. She is a very intellectual writer.

This is a great story; well written, humorous, and full of fascinating "behind-the-scenes" glimpses of life as a CNN correspondent. In the end, however, the thing that really makes this book worth the read is the author's willingness and ability to share her own personal journey. Her story moved me deeply and made me freshly aware of the joys and challenges of my own life. It also left me wanting to hear more! When is her next book coming out?!

This is one of the best books I've read this year! Darrow is witty, warm, and wise. I found myself comparing my own childhood experiences with hers, and was amazed by how much we have in common. Darrow was honest enough to share the pain and humiliation she suffered growing up without much money, and I could relate.

Siobhan Darrow is a refreshing voice of truth in modern day autobiographies. I recommend this book to everyone! She will transport you all over the world in her global adventures, sharing her unique brand of humor and self-reflection. The book was so exciting, I read it in one evening and the next day began to read it again! As a young woman in the media, I am thankful to have such a great role model.

Flirting With Danger takes the reader on a fascinating, behind-the-scenes look at the day-to-day life of a foreign correspondent. Siobhan openly shares her ambivalence at being an eyewitness to many of the pivotal events that shaped the back end of the last century. Her work took her to some of the most dangerous places on earth and even blasted her into outer space. When she asks herself "what am I doing here?" she embarks on the toughest assignment of all - the one taken in pursuit of self-discovery. An honest, courageous and thoroughly enjoyable autobiography.

This is persented as a collector's price guide, so he can know the value of his Lucille Ball collection. It has rare pictures of her and is a must for any Lucy fan. The prices are outdated however and there are too few stories throughout the book. The book might feel to some as too much Lucy and not enough pictures of others who worked with her.

Let me start with the complaints. The prices that the items have designated to them are very off. You can easliy go to a flea market or an online auction and get most of the things at least 25% cheaper than they are listed as being worth in here. Maybe the prices are so high because the guy never planned to update it, but an update is what the book needs. After the 50th Anniversary of I Love Lucy there was a ton of stuff released. In all honesty a For The Love of Lucy Pt.2 book could be made, after all the book is 7 or 8 years old. Now moving on to the good stuff about the book. This book includes so many Lucy items that were made available from early on in her carrer to after her death that this book would be a great conversational piece for when you have any company. Each page is filled with stuff from cards and comic books, to dolls. This book is perfect for any Lucy fan who is or isnt collecting Lucy stuff. Overall this book is great, but updating it would be nice.

This book is full of photos of beautiful collectibles on Lucy - magazines, posters, toys, all sorts of memorabilia. It is wonderful to the Lucy fan to use a something of a check list. The one flaw is the absolutely ridiculous prices Wyman says some of these things are worth. I recently bought the 40s picture frame photo he says is worth $75 for $4! Many times I have paid less than a third the price he says these things go for. Wonder if he jacked up the prices expecting they would eventually fetch these rates in years to come. Still, this is a gorgeous book and he certainly does have an outstanding collection on Lucy.

Ric's does a beautiful job on this book. I get the feeling he really loves Lucy! Ric is a true fan. The photos and information on Lucy are outstanding!

Talk about complete! "For the Love of Lucy" is the ultimate book for fans and collectors of "Lucy" memorabilia. Filled with beautiful color and black & white pictures, along with helpful text and value estimates, this compendium will keep any fan busy for hours. I'm not a collector, but I found it thrilling to sift through all the pages and see the many different things out there. This would be a great birthday or Christmas gift for any Lucy lover you know.

Medium to hard-core music fans will love it. Casual fans will enjoy it. If you are into the music of the FREE, BAD COMPANY, and/or Paul Rodgers - you owe it to yourself to get this book. This is a great read, real life story, with loads of interesting details behind this moderately popular (but outstanding) rock band. This book is NOT a "kiss-up-hero-worshiping-everything-they-did-was-wonderful-critical-review" thing. Just the facts. Some ugly stuff. Some sad. Always interesting. I was amazed to discover how serious & determined these "kids" where to produce the music THEY wanted play. Find out what happened to Andy Fraser (bass). Who/What was SHARK? TOBY? Dates, Names, Places. It even includes a complete sessionography listing obscure unreleased sessions by Paul Rodgers band named PEACE (who?!). Even as a hard-core fan, I was completely unaware of 90% of the information I discovered in this book. Be forewarned that that this book will probably cost you more money down the road - as you scramble to complete your collection of FREE related music. Read the book. Listen to the music. You will not regret it.

this great book at second edition try the reader in a dimension as end '60 never forget and reach light on the hard times of the group.very fine photos but only black and white ,i think perhaps not could be a difficult thing to buyer for this splendid book.
i hope in a third edition with more accurate pages,photos colours and in a book only dedicated to my great guitar player and always inspiration source PAUL KOSSOFF.
peter from italy.

David Clayton has done a great job in assembling the stories of the individual players in the early days, how they came together, early struggles, eventual success etc. The reminicences of those who knew them and extracts from music magazines of the time make for interesting reading.

It is a sobering and sometimes depressing read about a band who should have been much larger, but instead were corrupted by eventual success after years of struggle and poverty.

Young up and coming bands would do well to read about, and try to avoid, the mistakes this band made regarding management, drugs, egos, song selection, and group parasites which all got in the way of the music.

what a great and in depth biography. if you like Free or any of its members, this is a must for your book shelf or coffee table. can't say enough good things about it

Way back in the early eighties, intrigued by the components that made "All Right Now" such a great song, I went on a quest to find any and every recording of the late, great, lamented band, Free. I thought I was the only person on the planet who still listened to them. Thank God I was not. If you dig their music then you will want the book, and you'll love it. If you don't know about the music so well, then this book will definitely wet your appetite for it. They created their own oevre and instantly recognizable sound. The minimalism is addictive. Listen carefully. You will be moved.

EnThe Story of Johnny Cash Eaton...: Moments Remembered...His Story As Told to Me...j

Very interesting

Greetings. May I congratulate you for finding your way to this book and to these few words.

This title, I STILL MISS SOMEONE, if from one of my favorite Cash-penned songs and the book was/is published by a very small mom/pop outfit in Nashville. They (the publisher) have no promotion or marketing or publicity savy, to speak of when promoting a book like this, so it has just layed here in obscurity.

This book, although it contains the input of over forty close Cash associates and a foreword by the Grahams (Ruth and Rev. Billy), has NEVER been reviewed by any press. In fact, the Nashville media didn't even give it one line. Small publishers suffer this snub, and in the end, so did this tribute book. Lost in the larger shuffle of all things Johnny Cash.

The only folks that know about this book are folks like you, that have searched, surfed and stumbled across it or maybe found it after hearing about it word-of-mouth.

To the point, if you get this book, I STILL MISS SOMEONE, and are not moved by it, touched by it, or feel it is more than worth the price, I will personally refund your purchase price. (hughwaddell@comcast.net)

Yes, I believe in this book with all my heart and soul!!!! In the few interviews about the book that happened last year (2005), I stated the same challenge, and have not been asked to refund one dime, yet. In spite of all the review snubs, the book stands on its own simple merit.

So screw the tiny publisher, the snubby-dub media and the self-serving Nashville "pompasses". This book does not need to be hyped or pumped by critics, anyway. I swear to you that you will enjoy this look at Johnny the Cash through the eyes and hearts of people who knew him best... his friends and family.

Thank you and God Bless!

All of us who followed the music and life of Johnny Cash;knew from the beginning of his musical career in the laste 50's that there was something special about this man. He came to most of us by his music and shows but we always knew he was a man who first of all knew and loved his God. The name Pilgrim was often associated with him;but the name Disciple would be just as fitting. I have followed ,listened to and read about him for about 50 years,but I can honestly say that the real truth about what Johnny Cash was really like is not any better shown than in this book. How he was seen and loved by those who really knew him,loved him,worked with him,family members,and people who considered him a friend and at the same time he considered a friend. Over 40 people got the honor to say what Johnny meant to them and what kind of a man and friend he was. One thing that is obvious from reading this book of over 300 pages and over 40 people,is that there must be thousands of others that knew him as well and if they had the same opportunity would have similar things to say.
It is so obvious Johnny loved life ,how much his family meant to him,and how much he respected those around the music business. If anyone in the public arena ever gave the impression that as he journeyed throuh life;his friend and Savior Jesus Christ was always by his side;it had to be him.
Millions of us admired Cash;but what a privilege it must have been to have been close to him. No wonder a great personal loss is seen in the stories each participant has to tell.
As we continue to listen to his music;this book will remind us what a Legend "The Man in Black" really was.
I am sure that when he finally met his God,he probably said something like;"Thanks Lord, for the privilege to have served you and my fellow man.I did the best I could ,and it's good to be home with you"
After you read this book,why not sit down and think or write about what Johnny Cash meant to you.

How do you come up with a way to tell the Johnny Cash Story that hasn't yet been done? There are countless biographies out there (disclosure: I have consulted, resourced and been interviewed on many), and the mythic history of this great man has been told many ways. But Hugh Waddell, JRC's friend and confidant of longstanding, has produced THE definitive portrait. He did it not by another retelling of the great Redemption story of our times (although that never gets old), or by a mere chronicle of John's achievements. Instead, he spectacularly tells the story through the eyes of John's family, friends, colleagues and fans. He wisely, and accurately, realized that it was John's effect on others which made him Mt. Rushmore-worthy. His life and music spoke to us, for us and with us, and the impact he made on people great and small continues to take the breath away. Johnny Cash walked with presidents (they fawned over him) and he sat with the people (who worshipped him). Hugh Waddell captures the qualities which allowed this by pointing the camera not at John, but at those he touched. The lens is reversed, and we see The Great Cash as a father, a farmer, a friend. His importance is told through the countless small interactions, the kindnesses and generosity, the human fraility and the soaring triumphs. He gave voice to our dreams and aspirations, taught us what it was like to run the mortal race, to fall greatly and rise back up greater. In these touching stories we see the real man, but more, we see ourselves. I did not want this book to end. The real people and their real stories about a real man are gripping. Johnny Cash was a giant, obviously. In this superb book we get to see how giants get that way. If I want someone to know what Johnny Cash was like, I give them this book.

Mark Stielper
Shoe size 11W

OK, with all the hype about the movie, Walk the Line, and living in Nashville as I do...and hearing Johnny Cash's name everywhere you turn...I hesitated going to see the movie "just because". Well. I somehow ended up seeing it, (long story for another day.) And let me just say that much to my chagrin, I LOVED the movie. So now I've been on a Johnny Cash rampage, listening, watching, and reading everything I can get my hands on. Yes, I succumbed. Call me weak.

This title looked interesting to me because it's written by people who knew him on a day to day basis. There's a chapter written by the guy who kept his farm, for gosh sakes! You just feel the love seeping from the pages. I wept, I laughed, I've read it again, and again.

For readers who might be wondering what all the shoe size business is about here in the reviews (I know I wondered before receiving the book)...Hugh says in the book that Johnny always said he had "itchy feet". He always needed to be doing something and going somewhere different. Johnny said "Everyone has itchy feet, some just itch more than others." So at the beginning of everyone's chapter is that person's shoe size. Just one more quirky little reason why this book has earned a place on my 'favorites' shelf.

As a Nashvillian, I would like to say: We are proud of our 'Cash heritage' and this book lays it all on the line.

Thank you, Hugh Waddell for such a wonderful gift that I'm sure even JRC's family will treasure for years and years.

May
Nashville, TN
Shoe size: 7.5

This book gives an excellent overview on how to make an animated project. While it is geared to making shorts, it can be applied to feature films and TV episodes. I wholly recommend this book to anyone interested in animated film-making.

This book is everything I hoped it would be and more. In a very clear an readable design it covers all the aspects of a 3d short animation process. This process can be used on any length of 3d animation. It's not a technical book but a must have for everyone who wants to make a solid animation but does not quite know where to begin. The whole inspired series is very useful, but this one is where it all begins. Also comes with a nice dvd with lots of inspiring shorts. Great!

This book has everything you need to know about making a short 3D film. (I'm making one about a box turtle (I love turtles!) and a butterfly using Hexagon and Carrara.) The CD containing 39 short films is icing on the cake. This book makes the best kind of teacher - you don't just learn from it, but are inspired by it!

It's a great book that I would recommend to anyone serious about creating their own Short Animated Film.

More informative than I could have ever imagined. It's everything you will learn at a 20,000 dollar a year university.

The included DVD is also filled with some great examples.

ENJOY and happy film making!

I bought this hoping that it would teach me how to create a short film. The story I already have, it's just the skills and schedule that I need. This book gave me a GENERAL IDEA but it wasn't specific enough. It would say, "then use your compositing softare to put the renders together." Ummm... How?
I know it wasn't meant to be a complete-all-included-only-this-needed kind of book, but even so...
I would say that unless you are a true beginner to this field, look for something else, but if you are a true beginner, it is excellent. It taught me alot and I am very VERY glad I bought this book.

What a fabulous read about the decadent 70's and early 80's high-roller scene. Read this book (LET AN IDIOT BORROW IT AND DIDN'T GET IT BACK! )in the early 80's and LOVED it...Read it for great info on Lothario Mick, and gorgeous Jerry. Jerry, you've had three more kids and lots of living in almost 20 years, WE NEED AN UPDATE!

I couldn't help wondering if Jerry Hall ever regretted writing this one, penned while she was still bonded with Mick Jagger. Was it ever used as "evidence" in her divorce trial? Did it return to haunt her?
Forgetting those questions, this book is just a fun romp for readers, as Jerry opens up and lets loose on her philosophy about how to handle men...including Mick, who Jerry admits was far than faithful. The picture section is a nostalgic trip through rock's early days and Jerry's younger years as a top model and crazy woman.
My advice? Grab a copy now while the price, high as it is, is within reach. You won't regret it!

Love, love LOVE Jerry Hall! What a great chick with a great attitude. This book is fantastic reading for inside the decadent 70's scene, and private side of the fabulous MICK! Jerry, we need to know MORE - You have had THREE more kids since your last book, so please write another one!

Read this book back in the early 80's and it changed my life. She's a daring and gutsy girl, with a disarming sweetness. It's time for part two of Jerry's great adventures!

Read this book when it first came out, and loved it. IMHO, Jerry was the coolest model in the 70's. Check out the pictures in Scavullo's beauty book from that time period - Jerry's awesome! I think it's time for volume 2 of Jerry's autobiography. Let's hear the real deal on you-know-who and why Jerry hung in there for all those years.

This was a very intimate story...it revealed Julia's character for the
reader in a very personable way. I feel like Julia has become a very
dear friend after reading this book, and her love of food has become
contagious. Julia shares her discoveries about food, life and love...
and the happiness each provided her. This book filled in the gaps
of fact and fiction about Julia. Bon Apetit to all.

This book was exactly what I was looking for. It has just enough about Julia's background to let you know what lead her to become The French Chef without being overwhelmed with minutiae. The book focuses mainly on her love affair with food & its preparation and her drive to get people to go into the kitchen and cook. If you enjoy watching Julia, you'll enjoy this book.

This short biography, one in the wonderful Penguin Lives series, is an excellent overview of Julia Child's life. Laura Shapiro writes well and keeps the narrative flowing. It was a joy to read.

A delightful book that renewed my interest in food and got me browsing through the Julia Child cookbooks I own. One sees all the effort and hard work that she and her dedicated husband put into her TV shows. My husband and I enjoy cooking and since reading this book, we have regained some venture and enthusiasm in trying new dishes. And even if things don't always turn out, neither did Julia's. One learns from mistakes, goes on and tries again.

Did you know that Julia Child was a devout atheist? There are many details about Julia Child's life that her adoring public did not know. This small but comprehensive biography is an excellent overview of her long life and successful career. I had heard about her work during World War II, but I didn't know the details of her training, how her acclaimed first cook book came to be, or what went into the success of her TV shows. All these things and more are included here.

What shocked me the most was her siding with the food industry when radical changes in production came to be. She was against organic food, calling it "even worse than health food," and was quoted: "There is no room for the cult that regards `natural methods' as good, and all improvements on nature as bad." She called the genetic engineering of food "one of the greatest discoveries" of the 20th century, and spoke out in favor of irradiation while calling opponents "nervous nellies." She supported the food industry on changes such as pesticides, hormones in beef, and antibiotics in chicken. I would have imagined someone so enamored of food in its natural state would have been at the very least leery of such radical changes

To her credit, she encouraged new young female chefs, and did all she could to advance their careers through publicity and by funding scholarships for these female culinary students. As she advised all her students, she believed love for the food that went into preparing it is what made an exceptional meal. Interestingly, later in her career, she turned to more convenient methods, such as using frozen foods. She was a great fan of the American supermarket, and believed a good cook could create fine meals with all ingredients from a supermarket.

This little biography is a wonderful look into the life of this fascinating woman, and includes much about her exceptional qualities as well as her more controversial views. Laura Shapiro has created an enlightening narrative which gives a complete picture of our one and only Julia Child.

I had never heard of Bjorling until several months ago one late evening when the local classical music station played some of his arias. I had missed the intro to the work and couldn't figure out to whom this incredible and unique voice belonged; I knew I'd never heard anything remotely like it. You have to hear Jussi only once to want to listen endlessly to his voice. (Needless to say, my opera CD collection is expanding exponentially.)

So it was a great pleasure to discover this excellent biography, which illuminates not only his life but also the opera world from the 20s through the 50s. His early life and training from his father are particularly interesting if you wonder how such a great talent was discovered and developed. (The only question in my mind not answered is the extent to which his children inherited the incredible musical talent that was in his family for generations; that they perform is mentioned but never elaborated on.) The book is well documented with quotes from his peers, and the authors do a splendid job of presenting the entire person with his strengths and weaknesses in a very objective way that holds the reader's interest from beginning to end.

Jussi was an impeccable artist with a a magnificent voice and superb musicianship. This book details his careeer as a flawed man and a magnificent artist with a voice which cannot be rivaled. Ever.

In a world where most opera biographies are either useless, gushy fan magazines or vicious, gossipy garbage, this loving yet warts-and-all account of the life of the great Swedish tenor Jussi Bjorling (1911-1960) is a standout. Although the book is written primarily by his widow Anna-Lisa, there is additional, exhaustive research and editing by Andrew Farkas (who also co-authored an Enrico Caruso biography with Caruso's son). Many of Bjorling's colleagues are also interviewed, and reviews of both his live performances and opera recordings are extensively quoted. As a supplement, there is also a 58-page listing of Bjorling's performances (933 in opera and nearly twice as many concerts and recitals) at the end of the book. The cover shows Bjorling as Romeo in `Romeo et Juliette', perhaps his greatest role.

Anna-Lisa Bjorling, who was married to Jussi for 25 years, was herself a fine soprano who often partnered her husband in concert. As of this writing she is still alive at 92. Although Anna-Lisa clearly loved Jussi very deeply, she is still capable of being objective about him when required. She is a wonderful writer, providing vivid portraits not only of Jussi, herself, and their children, but just about everybody they ever came into contact with, as well as of life in Sweden in general. After reading this book, I felt like Jussi and Anna-Lisa were old friends.

Bjorling had not only what was probably the most beautiful tenor voice to ever come out of a human throat, but also a nearly perfect technique, a superb sense of style, and the ability to truly stir the souls of his listeners. While he had a reputation for being a very poor stage actor, this was at least occasionally exaggerated. Although Bjorling died tragically young at the age of 49 of heart failure, he had a magnificent and very long career which lasted 45 years, 32 as a tenor. He is probably the only opera singer whose recording career (which began when he was 9!) lasted from acoustic to electric to LP to stereo recordings. He made his stage debut at 19 as Don Ottavio at the Royal Opera, Stockholm, after having studied first with his father, his principal singing teacher, and then at the Royal Opera School with the Royal Opera's director, baritone John Forsell. His career expanded to Europe and the rest of the world very quickly. He made his Metropolitan Opera debut in 1938, and with the exception of the WWII years and several years in the 1950s due to fights with Rudolf Bing, he remained there until his death. He concentrated on about 10 or 15 Italian and French operatic roles, and was also an avid recitalist with several hundred songs in his `inventory'.

Unfortunately, Bjorling is nearly as famous in operatic circles for his alcoholism as for his glorious singing, and I think that is appalling. In fact, the one thing this book makes very clear is that although the disease was a tragedy for him personally and traumatic for his family, it had comparatively little effect on his actual career, at least outside Sweden. Working actually kept him from drinking. Anna-Lisa offers considerable proof that many of the stories about Jussi's drinking were exaggerations, gossip or outright lies, most tellingly in the true story of the cancellation of the `Un Ballo in Maschera' recording under Sir Georg Solti, which was a product of producer John Culshaw's malice. Nearly all his colleagues also defend him on this regard. As far as I'm concerned, the only people who have any right discussing Jussi's alcoholism are Anna-Lisa and his children, as they are the only ones who really had to deal with it. ....

Overall, Jussi comes across as a beautiful human being - simple, warmhearted and lovable, a wonderful husband and father, adored by almost everybody who worked with him or knew him. The book is full of stories about his kindness and generosity to colleagues. He was also an avid pike fisherman who loved westerns and was unbeatable at arm wrestling. He basically had only three serious flaws as a human being: impulsiveness that on occasion bordered on irrationality, stubbornness, and what Anna-Lisa calls, for lack of a better term, a deep inner restlessness - the inner demon that drove him to drink.

I only wish `Jussi' could have been longer. A year before it was published, I spoke with leading Bjorling authority Cantor Don Goldberg, one of the book's proofreaders. He told me that the first draft was 1100 pages. As the final copy is only 520 pages, I wonder what was cut besides the many laudatory comments from colleagues that were considered repetitive. I was surprised that there wasn't more information about Jussi's brothers once they reached adulthood, especially Gosta, who was so close to Jussi that they had an almost telepathic relationship. And while this book does full justice to such fundamental influences on Jussi's singing as his father, John Forsell (who emerges as quite a character!), and Tullio Voghera, I would have liked a bit more on Nils Grevilius, who conducted nearly every recording Jussi made before 1950. There is also virtually nothing about Hjordis Schymberg, the fine Swedish soprano who partnered Jussi over 100 times in Stockholm. More mention of his recordings besides the complete opera sets would have been welcome, although I am aware that his recordings are covered in the companion volume `A Jussi Bjorling Phonography'. Finally, while I am aware this would have added to the price of the book, there are so few color photos of Bjorling that I think they should have had one on the cover.

`Jussi' is essential reading for anyone with any interest in good music, let alone opera. It is the definitive biography of one of the most magnificent singers and human beings ever to appear on an opera or concert stage. If you haven't heard this man sing, remedy that immediately!

Using painstaking research, Mr. Farkas helps readers understand the demons that followed this troubled musical genius. I always revered this extraordinary man; I now feel that I know him. Thank you, Mr. Farkas Carol P. (JBS member...attended Washington conference but never met you)

That Jussi Bjorling was a man beset by demons from within, against which he frequently lost battles, is a revelation to those of us who only thought of him as the greatest tenor of the 20th century. Anna-Lisa does justice to his memory by openly discussing his problems. But of equal importance, she depicts a warm, friendly man whose life was his family and his singing. He was a loving and devoted husband and father, and, simultaneously, a consummate professional who took enormous pride in his craft. He achieved a level of success that will remain the standard for future generations of singers. The heights of adoration he engendered in his fans and colleagues, combined with the critical praise he enjoyed, will probably remain unequalled. His passing created a void that will NEVER be filled.