Arts and Entertainment Books

I came in not knowing much of anything about the music industry...and after reading this book from cover to cover (its a long book), I can say I learned a lot. The book is very easy to read, with real and made-up examples, and simple language. The author does a great job breaking down the rules of the industry. It does not tell you how to run your operation or how to market a hit record...it just lays out all the rules for you to either follow, break, or bend.

The best chapters were about song ownership, copyrights, publishing, royalties, and taxes. Actually, the taxes chapter was really enlightening. You can tell a lawyer wrote this book from that chapter.

I've been in a band for several years, and unfortunately, everyone else that has been in my band has never had the experience of running it as a business. We have been skating by all these years just doing gigs, but now we are planning on releasing a CD and this definitely makes things more complicated. This book has been a godsend. Very informative and USEFUL information. Other music law type books are informative, but haven't been very useful on the level we needed it. You can use what is in this book right away. Its easy to read and understand.

Like all carpenters needing important tools to build a house, this book is the tool for all musicians. It covers all the important music business information and will help cut down unnecessary misfortune for musicians. Definitely a MUST BUY!!!

This offers a great foundation to Music Law. It is clear & easy to read w/ room in the margins for notes. Richard Stim even mentions a few legal loopholes you can benefit from.

You can also recieve free book updates on the Nolo website, which is a cool perk.

There comes a time in a musician or band's career when they get serious about what they're doing and need to start focusing on legal aspects of their endeavors. This book is and indispensable reference for that situation.

The book is written in easy to understand layman's terms. It covers a fairly broad range of subjects, and provides pointers to other resources for more in depth cover of the covered subjects.

One more notable point about the book is the pre-fabricated contracts and legal forms that it comes with. They seem to be solid, could be useful in a number of situations, and are explained thoroughly.

My Name's Friday is an enjoyable romp through the world of Jack Webb. From his days portraying hardboiled radio detectives Pat Novak and Johnny Madero to Hollywood Success, Failure, and a big comeback, Friday takes us through the highlights and lowlights of Webb's life.

Michael J. Hayde comes to the book with a great deal of respect for Webb and his work, which is an essential element in a work such as this. Hayde's work first and foremost is a Webb fan book. He gives a synopsis of each of Webb's movies and then provides a critique of them. While appreciating Webb's contributions, Hayde spares no criticism of the late 1950s Dragnet episodes, Pete Kelly's Blues, and other less than successful Webb projects. While I don't agree with all of Hayde's criticism (I loved the "Night School" episode and he didn't), his criticisms are reasoned and measured rather than spiteful. Whatever criticism Hayde has for Webb is mild compared to the well-deserved critique he slams down on the 1987 Dragnet movie with Dan Akroyd.

If there was one criticism I'd had of Hayde's book, it was where he went from TV fan to armchair psychologist, buying Webb's statements that he didn't miss having a father around as a youth. I actually after reading the book and of Webb's difficulty letting himself act believably on screen particularly in romantic scenes, as well as history of broken marriages might not have been influenced by never having a father around. Kind of off-topic from the subject of the book, I know. However, if one is going to engage in psychology, it shouldn't be done haphazardly.

Still, the book is incredible fun as a fan resource and provides a rare glimpse at a radio and TV genius that's been typecast as a stiff clown. Read it to recapture a vital part of America's television history.

This is an excellent book. While not a true biography, it does take a look into Webb's personal life because Webb was such a workaholic that it had an effect on all that he did and who he was.

Unless you're an old time radio fan like me, you may not know that Webb started early and young. He had many outstanding shows before Dragnet and even Dragnet started in 1949 on radio. For a while, it was on both radio and television at the same time.

Webb was in many ways a brilliant man. Yet he had many failures --- both in his business life and certainly in his four marriages.

To say he was an interesting man may be an overstatement. But his body of work is so extensive, that one has to be impressed.

I started to become interested in Webb when looking for metaphors for my own writing. I didn't want to use stuff that everyone knew. And I kept hearing them on his old radio shows --- especially the ones written by the incredible Richard Breen.

I liked Webb's delivery and unemotional approach to acting. In most people, that would be considered bad acting. But somehow with Webb it was something special.

This book makes Webb and his entire career, his stock of actors and his many incarnations come to life. While his life was short, he accomplished so much.

Dragnet started on radio in 1949 and still today, in 2007, I know of no one who doesn't know what it means to hear, dum - de-dum -dum. And few people do not know of Dragnet and at least seen it on television. To me, that's amazing.

This book dwelt mostly with Webb's body of work and not his personal life or his personality. It does deal with it to some extent. But if you're interested mostly in that area of Webb's life, you might prefer another book.

The book has an excellent and exhaustive appendix that included a list, along with dates and other valuable information on each show on both radio and television. The appendix also includes other valuable informations. Well worth saving.

For Dragnet fans and Webb fans or those who are interested in radio and/or television history, this is a must-read. Oh, it has lots of great photos too.

Highly recommended.

I found this book to be an OK read. The only problem I had was that toward the end the tone of the writing shifted as the author sought to be a Jack Webb apologist. There are excuses made for the way the Dragnet of the 60s portrayed drug users, and there's almost an indignant tone taken over Dragnet spoofs such as the Dan Ackroyd film and even Nick at Nite promos!

The reason the Dragnet of the 60s became such a ripe ground for spoofing (besides the rapid fire patter) was indeed the portrayal of drug users. The series basically equated marijuana use with LSD and heroin, which is a laughable premise. The author's defense of the "Blue Boy" episode was particularly humorous. I remember seeing one of the participants of the drug party in that show actually physically trying to climb the walls. Talk about heavy-handed and unintentionally funny!

That said, I still found the book worthwhile reading, I'm a fan of Dragnet, both for Jack Webb's innovative style of shooting and the campy humor. It was interesting discovering things about Webb's radio show and some of his films that I had not previously known. I was easily able to overcome any minor annoyances with the tone shifting at the end.

I bought this book expecting fluff based on the reviews. I am a big fan of Dragnet the radio show but did not think the book would cover much of it in depth. I was wrong. Although it spends more time discussing the television series and movies, I was happy with the information on the radio show.

This book details the Dragnet radio show, both Dragnet television shows, and Mark VII movies. It does this through the central person in all of these productions, Jack Webb. However, the reader also learns about the regulars on the shows, and we get to know a bit about them as well.

"My Name's Friday" does not claim to be a biography on Webb and if that is what you are looking for, this is the wrong book for you. If you are looking for a bio of Jack Webb, there are many other books that you would probably enjoy more. However, If you are interested in the multiple incarnations of Dragnet and Pete Kelly's Blues, this is the book for you.

In addition to the main text, the appendixes include titles and brief descriptions of each Dragnet radio and television show in addition to police terms used in the shows and movies.

This is a must if you are collecting the radio shows, original TV series, or the '67-'70 version. A lot of the 50's series is on DVD, but they are scattered on all sorts of compilations. This book helps keep track of what you've got. I particularly enjoyed hearing from the extras that Webb used religiously.

But beyond Dragnet, there's a lot of interesting stuff here, how Webb was a jazz nut, including his foray into recording with his spoken-word "You're My Girl" album.

I think it's very interesting how he worked with ex-wife and her husband on Emergency! Many paramedics credit Emergency! with inspiring them to join this service. He obviously loved police and emergency services and his hometown. It makes you wonder, if Webb had lived, what his creative reaction to say the LA riots and the OJ trial would have been.

Elia Kazan was arguably one of the most influential people that theatre has ever produced. He had an amazing life through his art, and outside of it.

Here, at the age of 77, past the point of modesty, conceit and pride, he tells his remarkable story of learning his craft, harnessing his incredible God-given talent, and channelling his drive into success.

We learn about his trysts and liasons with other icons, his marriages, his faults and missteps.

He owns up to many things that have not made him proud, including naming names during the deplorable McCarthy communist witch hunts of the 1950's.

He talks openly of his failures as a parent and a husband, his infidelity, and his loss of faith.

He also recounts his many astounding successes in film and theatre, including the many great actors and actresses he worked with.

His honest self-assessment is a breath of resh air.

This is one of the greatest autobiographies I have ever read.

This is the best show-biz biography I have ever read. Poor, Greek immigrant, Kazan fought his way up the entertainment ladder to direct my favorite movie (On The Waterfront) and my favorite play (Death of A Salesman). Along the way to these achievements he was an original member of the Group Theater; he relates his experiences there including an in-depth retelling of his relationship with Lee Strasburg. He met prectically everyone in the business from an aspiring Marylin Monroe, Marlon Brando, James Dean, Arthur Miller and what seems thousands of others in the theater and movie world. His antecdotes are fresh and revealing, even those that may be common knowledge. Of particular note are the chapters devoted to the making of Streetcar Named Desire and On the Waterfront. His work with Brando, who was seldom better than when he worked with Kazan, is discussed. Along with his great movies and plays, Kazan tells his side of the House On Unamerican Affairs controversy that swirled about him until his death. While the book is massive at 864 pages, it is over too soon. It is a rare, literate portrait of the man Kazan, who changed American movies and theater forever-- and for the better.

One of the most honest, compelling, brilliant, wise, stunning books I've ever read. Kazan's life was awe-inspring, and to have it retold with such lucidness and unflattering candour is a gift for the ages. Not only was he one of the greatest theatre directors and film directors of the 20th Century, he writes like a blessed demon. This was a spellbinding, page-turning read. Immersed in its pages, I learnt so much about life, America, directing, theatre/cinema history, and myself. I also learnt more than I've ever known about how men think (wish I'd read this years ago).

It's such a pity Kazan's life has become simplistically defined by one act, and his artistry overshadowed - ironic, too, considering he made films with a deep, compassionate, liberal humanity. You can look at his life through through the prism of that one act, or read this for a much richer, fuller, deeper understanding of Kazan - the good, the bad, the ugly. And the genius.

This book made me want to live my life more fully, view myself less vainly, and create my work more honestly. Can't ask for more than that.

I was truly surprised by this book when I read it some years ago. I was surprised by how engrossing and powerful it was , all the way through. This man lived a tremendously interesting life, rich in great creative challenges and triumphs, rich in meetings and experience with remarkable people, rich in sexual adventures and complex human relationships. The story of how the child of Greek immigrants came to become the director of two of the classics of the American Theatre "Death of a Salesman" and a 'Streetcar Named Desire" and of two of the great American movies, "On the Waterfront" and " East of Eden" is told with remarkable frankness and perceptiveness.
Kazan does not come across in this work as a saint, but rather as a truly strong person who took what he wanted from life, even if this meant hurting others. His personal and inner torments however too make up an interesting part of this story.
One more point. His writing follows the rule of Henry James and is always interesting. This is a work whose richness in anecdote and event are so great that it fits into the 'couldn't put it down' category.

With a former Supreme Court Justice warning the USA today (March 10, 2006) about starting down the road toward a dictatorship, it seemes fitting to re-visit the House Un-American Activities Committee (HUAC) in the 1950s when the right-wing was trying to scare our citizens into giving the government supreme power, just as neocons are trying now.

Elia Kazan defends his decision to name names during the Hollywood Hearings of the 1950s, saying that his ideas toward the Communist Party had changed and he thought the higher ups (maybe from Russia) were dictating policies to the American communists in the movie business.

Maybe so, but he also admits the Hearings already had all the communists' names and admits they were only showing their power to control people here in Hollywood,using intimidation to instigate the blacklist. In real life, the USA government was the bully, not the old, tired communists of the 1930s.

If so, then why did he ever think the movie he directed, "On The Waterfront," was a good analogy for what he faced? The USA government caused the black list and precipated suicides and family break-ups in their Hollywood investigation.

It was the mob who caused the deaths and intimidation in "On The Waterfront." Is Kazan saying that Congress behaved like the mob? Or that the mob behaved like Congress?

Granted, Kazan was a great director, brilliant at times. But to him the bottom line was the bottom line, and to keep his position as an all-star director, he had to name names. While he tries to seem noble, the reader can see his 'reel' motivation was money and his career. So what if he named names! He was working.

Today, we see the right wing using similar tactics in the Bush administration: questioning people's patriotism, using smears and mud-slinging against opponents, trying to get people fired if they disagree with neocon policies, keeping a blacklist of university professors who oppose them, and most recently, equating the AARP group of loving gays instead of our troops.

After reading Kazan's book, I did gain a firm insight into right-wing politics, and these politicians use juxtaposition of images to label their opponents. Right-wingers still don't care if they distort the record. To them, winning is everything.

I purchased this expecting some advice on legal issues, but this book is so much more. It talks you through the whole process of producing a film from start to finish, including valuable information on finding investors, attaching stars, behind the scene terminology, production advice, sample legal forms and what do with your film once you've made a cut. All of the advice is indispensable. This is a must have for any independent film producer, especially those new to the industry. It should be taught as a textbook in film schools. The most helpful book on producing I've stumbled upon yet.

I highly recommend this book. As a first time amateur independent film producer, with about 30 film books resting on my shelf, I believe I was constantly thumbing through this one the most during preproduction. This book contains so much useful information and helpful insights, it's almost like having an industry consultant right there with you. Unlike other books, there weren't a lot of sections where they seemed to rush on to the next chapter without exploring the present topic in some depth.

If it's not already, this book will soon become the industry standard for substantive knowledge of the film business for independent filmmakers. Deal points, standard contract provisions, the often technical and confusing jargon, and the historical context for many industry practices are all covered here in comprehensive yet concise fashion. Topics of interest that are covered in depth include standard talent and producer agreements, developing a screen play, financing, and digital distribution. The book was a tremendous asset to me when I had to help an independent filmmaker comply with complicated federal securities laws in order to raise $200,000. Highly recommended.

jeffbrownlegal@gmail.com

It was a book with that gave you a good background on how film production works from a legal perspective. So you should read it if that is your concern. The authors are lawyers, not producers.

This book is a serious but very readable approach to educating filmmakers on the maze of legal hoops that must be jumped through in order to create a film. Indispensable resource to have.

The Frommers are terrific interviewees and their book is a history and an entertainment resource about the Catskills - what else would we expect from oral historians of their rank.

GREAT INSIGHT INTO WHAT THE CATSKILLS WERE ALL ABOUT

WONDERFUL COLLECTION OF REMINISCENCES

wonderful oral history - - -covers a lot of territory

While working at the Nevele Country Club, one of the many legendary Catskill resorts covered in this magnificent document, I briefly met Myrna and Harvey Frommer while doing their research. They probably don't remember me, I was too young at the time to offer the kind of history they were looking for, but the pair's enthusiasm and obvious love for the area's resorts and their unique (now long gone) familial atmosphere was readily apparent. When I finally got to read this book, it provided me with a sense of pride for being a part of its history. There's even an ancient picture of my father playing sax in the old Art Kahn Orchestra! But aside from personal connections, this book stands as a definitive oral history of an era. The people interviewed are true insiders, some of them legends in their own right among Catskill lore. And while the book provides some deep sociological perspective concerning its ethnic background, the authors know how to balance this with charming, amazing and often sidesplitting anecdotes. If you ever spent a weekend at Grossinger's, The Concord, The Nevele or one of the dozens of small bungalow colonies, this book will wash you in warm memories. And if you didn't have the chance, it will make you wish you did.

The title of this book, Rage to Survive, is very well chosen, hinting is at does to the French phrase "rage de vivre," rage to live.

I grew up with Motown, Aretha, and Otis Redding, but never heard of Etta James until I was over 50! The singer I know only thanks to YouTube, but what I heard there was so talented it's almost scary: soul and blues, sure, but also country and jazz. I suspect that her drug addiction in the late 50s and early 60s led the publicity industry to shun her. (It was only starting in 1968 that one could do drugs and not get the silent treatment.) I know that this is an "as told to" book, but how many soul musicians have bothered to write any kind of memoir? This book deserves to become a classic of its kind.

Amy Weinhaus sounds fresh and interesting only because Etta James is so little known. Weinhaus's career may be over, and she probably won't live to see 30. James is 71. If I am right, Weinhaus will never have a child. James performs with her sons. Etta, you are one tough momma...

I, Tina; Don't Block the Blessings by Patti LaBelle, Bobby Womack, Pryor Convictions (Richard Pryor), Super Freak (Rick James) and The Etta James Story have been some of the most TELLING books that I have EVER had the pleasure of reading.

I personally prefer when an artist joins with their OWN writer and composes their OWN story, instead of waiting for someone else to do it, only to wind up in court desperately trying to refute the ill-refuted claims gathered by 2nd, 3rd and 4th-hand witnesses to something they heard told to their 3rd cousin twice removed.

I agree with Etta, your only TRUE judge in this ball of confusion is God, so why should you apologize to anyone else? Why not put it out there for everyone to finally snicker, whisper and gossip about, and then ultimately get over?

This book is only a grave reminder to everyone who has always looked to "Holly-WEIRD'S" version of a "hero", that perhaps it would be best to look a little closer to home.

Celebrities are only humans, too. Try looking up to the everyday, ordinary people that you see delivering your mail daily, pulling over drunk drivers, extinguishing fires, teaching your children, preaching to your families and saving your loved ones~~instead of people who can never vote (because they're felons), don't own property or their own vehicles, and are barely able to do a better job than YOU at child-rearing!

the book is great to read it came in very good condition not dirty or torn or bent.

With odds stacked against her in every direction - including personal resistance to success - Etta manages to not only survive, but thrive & inspire!
Stories of the early days of motown, touring, & musician swapping is exciting and nearly incestuous (so many huge names in music ran the same circuits, competing for musicians, songs, gigs & label attention).

If you're going to see Etta, read this book first. It will put some perspective on where this Diva has come from and help you understand some of her stage comments. To make your experience finer, read it while listening to "Her Best-the Chess 50th Anniversary Collection" and her newest CD "Roll On".

It's an honest and fresh read, very revealing and very scary as to how she survived racism, drug addiction and recovery. It also gives alot of insight on the R&B world players in the 50's, 60's and 70's.

I'd recommend it as a supplemental text in feminist/african-american/sociology college courses. It may be too controversial for high school courses but it would certainly get students talking. It's also a great summer read.

Michael Troyan has a gift for biography. I hope he can collaborate with Turner Classic Movies to produce a video on the life of Greer Garson.
This book makes me wish I could have known Greer Garson. She loved and respected her mother, she loved her husband, she loved children and orphans and the disabled and disadvantaged. She loved her dogs, ranching in New Mexico, history, and she loved Texas...makes me love her even though I never met her. Good job, Mr. Troyan.

All too often, celebrity biographies are depressing catalogs of scandal and hedonistic, self-destructive behavior. Not this biography. When you finish it, you are sad, but it's because Greer Garson is no longer with us and you will never have the opportunity to meet her.
This fascinating biography is full of vignettes that reveal the character and personality of this woman who overcame chronic illness and many other obstacles to become one of Hollywood's most respected actresses. Examples of her warmth, sincerity, and decentness abound. As her beloved husband of more than thirty years to whom she is devoted lies near death in a Dallas hospital, she stands by his bedside with an old friend and recites from memory her favorite Psalm. Asked to read the Bible at a church service on Easter she realizes she has forgotten her glasses. She composes herself and ad libs for the congregation a beautiful and memorable message of her own.
She contributes millions to fund libraries, build theaters, establish scholarships, and support medical facilities. At the College of Santa Fe to which she has donated millions, she can be found on occasion pulling weeds and tending favorite rose bushes. She was so admired and respected in Texas where she had a home that she was formally asked to run for the U.S. Congress.
One hopes that Mr. Troyan or some other writer will gather Greer Garson's letters and publish them and that the A&E Network will finally remember her in an installment of "Biography." In the meantime, Garson fans should buy this book. It will inspire you and enrich your life and your appreciation of this beloved actress will only deepen. A richly detailed, superbly written biography of a truly lovely human being!

Modern actors and actresses don't seem to have the charisma, style and elegance of yesteryear's stars. Maybe that's because most of today's actors are really nothing but pitiful celebrities striving to be what once was, when Hollywood was golden.

I long for yesterday when it comes to film stars: Betty Davis, Myrna Loy, Katherine Hepburn Ginger Rogers, and so many more. Oh, yes, and that includes Greer Garson. The beautiful and talented woman we thought was born in Ireland in 1908, was really born in London in 1904.

Author Michael Troyan delves into Greer Garson's life, as much as anyone could, given that she was an extremely private woman. He carries you through her intense desire to succeed as an actress, her `discovery' and career struggles to resist being typecast, all the way through her marriages, and to her death on April 5, 1996 at Dallas Presbyterian Hospital with Van Cliburn at her bedside.

I'd always thought of Ms. Garson as a brilliant actress who could get any part she wanted. I had no idea of her struggles with Metro-Goldwyn-Mayer. One of my favorite films is the record-breaking "Mrs. Miniver." I get chills thinking about her Academy Award-winning performance.

And while it felt a bit like voyeurism looking in on her life, I'm glad I visited it through Troyan's eyes. It was a satisfying trip. And the author did a marvelous job showing us a small part of the woman who was Greer Garson.

For a compelling look at one of the best actresses to ever grace the stage, big or small screen, read A Rose for Mrs. Miniver: The Life of Greer Garson.

Armchair Interviews says: This is a wonderful slice of our American film history.

This book on Greer Garson I highly recommend. It's very balances and tells of the good and bad times in her life about her career andher fmaily. Though i must admit I wished it had mentioned more about her interests and personal life off screem. But overall it's really well written and interesting book about alovely screen actress. Greer Garson really had class
and a wnderful grace about her in all of her films

An excellent read if you're into details. For me, the details got a little overwhelming, but I so much wanted to learn more about this actress that I admire greatly. Sadly, as the author himself stated, it was difficult to write a biography because Greer Garson was a very private person and did not give many interviews or express many personal opinions in public. However, he richly details her movies, her public service, and others' opinions of her (and a good name is more desirable than great riches; to be esteemed is better than silver or gold). I have always enjoyed watching her many films and am tracking down as many of them as I can on DVD so this made for a fine addition to my collection of her work. I enthusiastically recommend this book to anyone who enjoys reading and loves any of her many films.

This is a good book to overview the special effects for making movies. It includes history and technics for almost everything but not details. However it is impossible to include details in a book so readers need to find out the details from other resources. Overall this is a good book for gaining knowledge in special effects.

I got the book for my boyfriend. He loved it.The book has a lot of interesting and useful information even if you are just a movie-lover, not a movie-maker

Special Effects is THE BEST book you could wish for on the subject. I have a shelf full of old, an mostly inaccurate books about special effects, but with this new book I could throw the rest away. Also, don't bother with magazines like Cinefex anymore, which are very dry and heavy going. this book is a pleasure to read and has interviews with everyone who is important in the business. There are hundreds of cool photos as well which makes it very good value. Anyone who works in special effects, or is just interested in the movies should read this book. Congratulations to the author Mr Rickitt who has condensed 100 years of movie magic into a single lavish book. Dont take my word for it - BUY IT!

Yes there is great history and education in here, but the mass of photographs tells a truly beautiful tale. The artists illustrated here are for the most part the true pioneers of creating magic on film. Going into a project with truly no proven technique must have been terrifying and adrenaline pumping. Our techniques have greatly improved but since the advent of fully cg fx, the pioneering aspect is minimal. It is very well written but I can't call it a page turner since I spent so much time staring at the pictures. Great for fans and professionals alike.

I'm a film studies tutor and reccommend this title to all of my students. Why has the publisher/author allowed it to go out of print? This is the best book ever written on special/visual effects and one of the best introductions to film making and film technology generally. PLEASE REPRINT THIS BOOK and ideally, make a softback edition at a price my kids can better afford. THANKS!

This book is great.I have every single spice girl book,poster,cd,magezine that has come out since the spice girls started.I even have all the spice girl merchandise.I am a spice girl die-hard fan.This book I would rate one of the better spice girl books.I even have the spice girl book that is out of stock.It was really good also (because the spice girls wrote it themselves).

just realy good

I THOUGHT THE BOOK WAS PRETTY GOOD IT GAVE ALOT OF INFO. BUT IT ALSO TELLS ALOT OF HISTORY ABOUT ENGLAND.BUT I GUESS I WOULD RECOMEND THIS BOOK!

It had tons of detail and cool pictures!If you liked those other phony Spice books you'll love this REAL book about the coolest band today,THE SPICE GIRLS!!!

this book was not that good, it was just the same old stuff I allready know (nothing new) why can't someone make a book that doesn't borr you to death! I can write a better book! You know what I think i will, thanks for the idea!

Challenging fun. Just enough of a challenge but not so much that you can't do it. Fun. Thus saith husband, doer of sudoku

First let me say I have too much Sudoku. I love this particular logic puzzle, and have collected a dozen or so different books of them. A couple I purchased when I was in the hospital and didn't have access to my original book. A few more I purchased because of some interesting variations in the puzzles. The point is, I have no reason to buy more Sudoku books for a long time unless something special about it compells me to.

The I saw this book. Kind of a cheesy way to cash in on a popular book and movie currently out, and the puzzles at hand really relate in no way to The Da Vinci Code. But they did throw in a twist that caught my attention. Basically, working your way through the book, another puzzle is slowly decoded and revealed. I think it's a nice approach that keeps this from being just another Sudoku book. Definitely a nice book to have for any Sudoku enthusiast.

As a Sudoku enthusiast I have a hard time finding interesting Sudoku books. The square grids have become a bit boring so I went on to the variations (circles, snakes, mazes, etc). So when I saw the grids in this book I fully intended it to be one of "those" books that you pick up here and there to work on a puzzle. But no, I too was consumed. It was like reading a book where you couldn't put it down. The codes build and I wanted to know what the next phrase was going to be. I worked on it every morning to wake up my mind and only intended to solve one puzzle...... an hour later and I'm still going! It does get hard so I too would say it's for a more expert solver but it is not impossible. I managed to solve it and sent for my button hoping they would say how many have solved it. Oh well - ENJOY!!

I bought this book for Christmas-2006. I wasn't much into Sudokus but the cover and cultural climate of the time caught my eye and thus I caught on very quickly.

Well, I just received my 'Solved The Code' pin today, along with a letter from Francis Heaney (co-author) who included a personal inscription in the note (Thank You!). I feel - well - accomplished, fulfilled. Whole.

Seriously, the last 6 months have been a blast. I now consider myself a Sudokruiser - one who can solve a grid in minutes. I recommend this book to obssesive/compulsives, like myself. But be prepared to say 'so-long' to your obligations and family as sudokus can be very addictive.

If you can't finish the book and need the final answer, here it is:
The final answer is...

***uh - what the???? **** ahhhhhhhhh!

[Sorry, the author of this message was just eaten by a great white shark - Amazon Editor-In-Chief Whitley Seymore.]

I've done Sudoku puzzles of all kinds and as much as I love them, they have become very easy for me. I can do them in pen. Once I purchased this book there's a challenge at every page, and with no answers in the back of the book the only way you know if it's right is to complete all 200 puzzles. I LOVE IT!!!!!!!