Arts and Entertainment Books

A very important book about one of the founding fathers. That may be a cliched phrase for a man who was repelled by the stale cliches abounding in pop music at the time of his career kick-off in 1954.
But once again we have a biography written by two people - why would a poet like Carl need anybody more than an "editor"? Same goeswith Sun label buddy Scotty Moore - his book too had that unecessary naarrator - an excellent piece of prose, like with Carl, but the thought of it gets me depressed. Do you think Dylan or Costello would need a helper?
'50s friend Chuck Berry did his all by himself. The defiant Rocker wrought the defiant Writer. (And baby, that is Rock and Roll....).
Love reading about that Sun to Columbia to British career "rescue" period.
As a CP fan/collector I was natuarlly disappointed in the lack of deatils as to the lesser-known should-been-million-sellers and the conspicuous absence of a much-needed sessionography. A Perkins *Discography* is always helpful. But when in the world am I gonna learn when and where he
cut "We Did In '54?"

I really enjoyed this book. Unlike others that I have read (Little Richard, Chuck Berry, etc), this book is not an attempt to stake a claim to the title of "King of Rock and Roll". This book offers what appears to be an honest and humble look into the life of the King of Rockabilly. Perkins gives due credit to his influences and songwriting assistants, and honestly discusses his alcoholism.

I personally believe that Carl was one of the truest talents in early rock and roll, and his importance as an innovator/songwriter/performer is vastly undervalued. Get this book, and the "Complete Sun Recordings", and you can't go wrong.

An excellent and, what I feel honest (by both the narrator and writer) review and impression of one man's journey through life. Though Carl Perkins story is almost parallel to that of Johnny Cash's (if not "harder") this book goes beyond telling stories and conveys the emotions and impact of Mr. Perkins decisions and experiences.
"They" really should make this life story a movie!

I'll admit it -- I'm biased toward Carl Perkins. I lived several years in his hometown of Jackson, TN and met him many times. Having those experiences, I was curious how this book would portray Mr. Perkins. After reading this book, I have more respect for Mr. Perkins. True, he wasn't perfect (who is?), but he had reason to be bitter about his career and his life, instead he never gave up. He pulled himself up after each setback and kept on striving. When you think about it, what would be the alternative? He was not only a great musician, but an active humanitarian. His work with children and their causes is nearly as impressive as his musical career, yet most people don't know of this. I went to Carl Perkins' funeral, and in the little city of Jackson, TN you would have thought time stood still. This book will give you the feeling of getting to know a true American success story . . .

What a story!! This should be a must read for all of us who get to feeling sorry for ourslves. Carl Perkins came from abject poverty,a racially discriminating South,was known as "white trash",wrote one of rock n rolls seminal tunes,was on the brink of superstardom,lost it all,became a sideman to another Sun records stablemate,delved into the pit of addiction,rose again,had alot of his early work recorded by a group known as the Beatles,played with the likes of Eric Clapton,loved performing with his own family,lived his life humbly,nursed somewhat of a grudge against Sam Phillips,Jerry Lee Lewis,and Elvis,made peace with himself,and left behind the legacy of a man who had seen the beast within and had conquered it.
This is a must read for anyone who has any interest in music,or for that matter,the sociology of the South during the late 1940's and 1950's. It is also ,quite simply,one of the most inspiring books that I've ever read,Thank You, Carl Perkins!

Thank you Jack Eadon for letting me share in your very personal journey of the sixties. Your honesty is captivating. You gave back to me memories of that era, the old neighborhood and people, which had long been forgotten. You made me smile. It took me days before I could pick up another book as I wanted more of "Got to Make It". Jack Eadon, you have truly made it.

Damn you Jack Eadon!! 'Got To Make It' kept me up until 2am for days until I finished it. I kept reading it in bed while trying not to wake up my wife with my booklight glowing through the darkness. Being in my early 30's I've only experienced the 60's as it probably wasn't: the TV-friendly Time-Life "Summer Of Love" packaged CD version, full of cliche'd images, shallow descriptions and dismissive attitudes towards the struggles of the era which are now illustrated through the words of someone who lived the political, social and music scene of the "60's" in 'Got To Make It'. This is a book that lays it all out there. The whole John Lennon sequence was literally a headtrip and a thrilling learning experience for me. You can just picture the scene all in white, just like in Lennon's music video for 'Imagine'! Now I always hear the "Hi" when I pop in "Sgt. Pepper's Reprise" in my CD player. I never did before. Wow, maybe he's saying Hi to all of us. This is a great story, full of tragedy, obstacles, small victories, innocent coming-of-age experiences that many of us never talk about, large defeats in life and love...and finally a huge victory that spans the globe and just makes you feel good. Sometimes with a little help from your friends....and sometimes not...you've got to make it.

I'll never forget Stanleys' mantra "It's all in the trying". There couldn't be an idea more important for every aspect of your life. And I'll never forget the philosophy that you and John Lennon shared: "to get 'it' out there...live your dream by doing it, getting thru the small failures, live thru the pain of being a true artist and don't be a fake...."

With 'Got To Make It' Jack Eadon reaches a new level as a writer. You've got to read it. Thanks, Jack!

Reading Jack's evocative book about striving to achieve his dream of making it as rock performer triggered a flood of memories for me about similar dreams, some pursued, some not. Jack's story is a must-read for anyone who shared his dream or had their own at that youthful stage when anything was possible. It's a wonderful narrative that brings back so many elements of growing up in the late 60s when everything seemed possible.

Emotional, entertaining and exceptionally evocative. Enjoy!

It still bugs me that I missed Woodstock.

I was only nine years old that summer, so I didn't fully realize what it was all about. Not until years later, after growing up with the music that had been introduced to me by my older brother, did I realize what an influential (and mind-bending)event that must have been. Looking back, I have always felt that I missed out on one of the defining moments of the '60s.

Fortunately, this book was written. After reading Got To Make It, there are now many more things I can understand, relate to, and appreciate more fully. With its personal, insightful perspective, the book speaks on behalf of those who lived through the turmoil of that decade -- and how it changed them and shaped them. The personal impact of events like the draft, the anti-war protests, and the hunger marches, and pivotal crises like the Kennedy and King assassinations and Kent State, are all brought home with a clear voice that sparks a direct connection, at a heart-to-heart level, between all those old rockers and their wide-eyed younger brothers (like me).

I now feel that I can better understand what my brother went through as we were growing up together in that tree-shaded, middle-class Vanilla World known as suburban Chicago. And why he always seemed a little bit smarter than me.

Jack Eadon pours out his heart and soul making himself vulnerable to the world and himself. He shows great insight on a universal level. True artists get lost in their medium; Jack's being the poetry. I see "Got to Make It!" as timeless. I was able to relate to the feeling of the 60's, paralleling the emotional environment today in our world. I found this book very thought provoking. I can't wait to hear the music!

I picked up "Grace" about a year ago when I found it in my mom's old book closet. Although I am relatively young, something about the stars of yesteryear attracts me more than the glitz surrounding contemporary celebrities. Grace Kelly is no exception. I knew nothing about this icon, except that she was an American princess and a Hitchcockian heroine. Mr. Lacey certainly did his share in informing me about this classic movie star. I enjoyed how he provides us with immense background on the Kelly's, a prominent family in their own right. Mr. Lacey also does a fine job in giving us the "low-down" on Monaco and its interesting history.
Also of note would be the fact that Lacey attempts (and succeeds) at presenting the seemingly ethereal Grace as a person, not the sex symbol or ice queen she is usually remembered as. He does give a lot of insight into her love life and various affairs, but you never lose sight that Grace had this innocence about her. It seemed as if she could do no wrong.
Aside from being a talented actress, Grace was a true beauty and a dedicated mother and wife. She will always be remembered as our very own princess.

Everyone remembers his first screen love.

Grace Kelly was mine, and I can still remember her clear Teutonic skin, lugubrious soft hair, her casual sophistication, all completely new fascinations to my mundane childhood. Years later, the only thing that's changed is I've grown older and she's still impossibly perfect.

What Robert Lacey has done in Grace is bring us all a little bit closer to that Snow Princess whom we all would have made our Princess were we a Prince. Behind the camera, behind bedroom doors, behind the veneer of an idyllic fairy tale that proves that fairy tales are exactly that, each anecdote is like a stitch in a grand painting that is sometimes bleak (Grace ages and somewhat pathetically begins to fool around with younger men), sometimes inspiring (her persistence at overcoming her natural dramatic flaws), and always sensual (her intimate fashion shows for her boyfriend Don Richardson).

Unlike many biographies of screen legends, Lacey largely eschews extended back lot stories that might involve but not support the basic image of Grace that he believes must be told. So while we learn High Noon's screenwriter Carl Foreman meant his film as an allegory about Communist witch hunts, we are spared a complete A-Z on the Hollywood Blacklist and its artistic implications. A great biography of a great person must not necessarily take on the great issues of his day. Of which Lacey understands.

Grace is a woman of terrific sexual energies and ambitions but just as importantly, sports a marvelous capacity to mask those penchants. So instead of becoming Jenna Jameson, she turns into Princess Grace, a woman who sleeps her way to the top but seems so inevitably suited for the position that no one can possibly begrudge her it.

As Lacey says "She managed to be naughty while appearing very nice."

It's become axiomatic that the greatest personalities are deeply contradictory. Nearly every biographer, when faced with the compelling weight of his research, is forced to concede that mankind is a very complex being (thank you, Mr. Stevenson). And Grace was no different. Lacey talks of Grace's growing conservatism, her disputes with her daughters over their flagrant ways, all while engaging in her own illicit love affairs as Princess Grace. And what of her devoted Catholicism? How to resolve her piety with her philandering?

Questions which can only be answered by Hitchcock's own. This is a snow covered volcano we're dealing with here.

And sometimes, you can't guess; you can only watch.

The media reviewers quoted here harp on Grace Kelly's supposed "promiscous" behavior, the main point of the book, as far as they are concerned. Anyone who actually reads the book will find someone who had a few discreet affairs before she was married, who took her marriage vows and commitment to her family and role as princess seriously, who worked very hard throughout her life to meet her commitments, and who had a comforting relationship with a kind younger man when her marriage turned lonely as she got older. If she wasn't quite the cold, virginal image presented by Hollywood, good for her.

It's a very good book about a real woman of extraordinary beauty who could have settled for a society matron's life in Philadelphia but who made an extraordinary life for herself through her own efforts. Read it for that and not the sensationalism.

This book has a great deal of detail. I feel as if there was too much emphasis on her sex life versus her screen image, and frankly that was her business, not important in the book. Otherwise a good book.

I wanted to know all about the men in Grace Kelley's life, both before and after her marriage. This book told me everything, but in a classy, well-researched way. I learned a lot about Monaco, and just the things I would have wanted to know about her family members, too. After reading this excellent book, I plan to read more of Robert Lacey's works.

excelent transcriptions, and wait for purchase first part

Guns N' Roses Complete, Vol. 2 is a must buy for GNR fans and guitarists. This book contains 28 songs from M(Mama Kin)-Y(Your Crazy) including: "Mr. Brownstone" "My Michelle", "Night Train", "November Rain", "Paradise City" , "Patience", "Sweet Child O' Mine" and of course "Welcome to the Jungle".

As the title suggests, every guitar riff, arrangement, rhythm, lick, solo, and fill is fully transcribed, note-for-note, in music and TAB! From the timeless intro and solos of "Sweet Child O' Mine" to the wooing acoustics of "Patience", it's all here, fully transcribed to learn. The transcriptions themselves are of the best quality money can buy and include all of the guitars in each song, not just rhythm or lead. As a bonus, the lead vocals are also included and make following the music much easier. Basically, all your GNR needs are found here and in Volume 1. (By the way ,if you are debating, buy Volume 2 first because, by chance, most of GNR's hit-songs begin with M-Z--as listed above)

It is worthwhile to note that when I say 'perfect', I mean it subjectively. There are people out there you critique the book's accuracy. However, all of these arguments are inconsequential. For instance, I heard someone say that on the final two notes of "Mr. Brownstone's" signature riff, Slash uses a 1/2 bend instead of a hammer-on as the book denotes. To this and similar claims I respond with: Who Cares! They both sound the same, both give you the same pitch and sound, and you play it so quickly it really makes absolutely no difference. Most of the "Inaccuracies" claimed of this book are equally trivial, and depend on what each person perceives. To be fair to critics and any claims I have not refuted or heard I will compromise that % 99.99 of the book is accurate.

Now, while the transcriptions themselves are out of this world and need no further discussion, I have a word of caution. Be prepared to work hard for them! Despite the inclusion of the lyrics, it is very hard to follow the music at times (I can read music and still go through hell at times). And this is only made worse by the fact the pages are as crowded and hectic as the beaches of Normandy; any notation denoting a coda or repeat is easily lost in the jumble of rhythm slashes, fill and riff signalers, chords and other special notations. You will find that making sense of it all is a task in and of its self, and thus learning a new song can be annoying as you try to follow it all. I would be willing to pay more money for a thicker book if the authors would write out all the parts on the same staff all the time, instead of resorting to the short cuts they take.
For example: the book will often say "Play Riff A" over the staff, referring you to an obscure rhythm piece written out two pages back, which you now have to hunt down, recall, then flip back to the original page, figure out how it fits and play...etc. This and other similar little short-cuts are ANNOYING! Would it kill them to simply write-out bloody "Riff A" again where it is supposed to be played?

That said, if you can't read music (or read at all), this book will be very hard to follow. Yes, it includes TAB, but without the musical knowledge it will be hard to know what is going on. Also, for any would-be-Slashes-and-Izzys out there (including myself), none of these songs are quick and simple to learn, so if you are only a casual guitarist or fan, don't waste your time and money. You will need patience and skill to play what's in this book because, after all, this is a note-for-note transcription of Slash and Izzy's playing. If you are easily frustrated or bored, this book isn't for you, and you would be better off buying one of the more simply arranged books available on Amazon. But if you really want to rock-out just as GNR did for whatever reason, by all means BUY THIS BOOK! You will find yourself learning not only the songs, but tons of musical techniques and skills.

Guns N' Roses Complete, Vol. 2 is a fantastic buy if you are looking for the perfect guitar transcriptions of many GNRS songs. As long as you are willing to go through the long hours of practice and some frustrating layout issues, this book will rock you world with its priceless contents! (Conveniently priced under $20)

Well there are only a couple of things I have to say. Those things are:

1. Guns n roses what else do I have to say?

2. If you are a big fan and what to play their songs, buy this along with volume 1.

3. Guns n roses rule.

4. buy it

5. this is an ordinary tab book and it's of one of the many classic bands.

6. the notes are PERFECT so you do not have to go searching for them on the internet for hours to end up with the wrong notes.

7. has lyrics to help you find your way

8: Hoped it helped and pushed you over the edge to buy it.

Finally I can learn the songs how they're supposed to be played. I've downloaded and printed so many different versions of tabs of some of the songs in this book and most of them just never sounded right. This is a great collection of songs, I have the tab book for use your illusions II and I really didn't want to go out and buy all of their other album tabs seperately. This was the perfect solution. Excellent collection.
Just don't expect to be playing these songs the day you get this book - Slash isn't human, some of this stuff is impossible.

From the humble beginings of Reckless Life and It's So Easy through to their transition into the best rock band on the planet this book covers every song from the Gunners first 4 albums, unlike "GNR For Easy Guitar" everything from fills and intros to solos and riffs is covered.

Full of detail and top notch tabbing, the two volumes of Guns N' Roses Complete are the definitive guide to Izzy and Slash's guitar playing. I searched for these titles for many weeks and could not have been happier when they were delivered. Make sure you grab your copy of these hard to find titles before its too late. Over 45 songs in total are covered (22 on the first and 28 on the second)

To conclude if you buy any GNR tab books, make sure you get these two, plenty of songs and a good price

When I read this book sometime back, I was reading it just to read.As I got into the book I found it hard to put down. I cried, I got angry,I hated HATE. I lost two brothers in this mess! Whose loss is greater. Are we not all equal? What these people went through just to survive was dispicable. We take advantage of life! I fell in love with Haing Ngor, I wish I could have met him and hugged his neck. Not in a sexual way, but as a loving sister. This was the most precious kind of man. He gave of himself in a way we should all be doing.What he went through we could only imagine. To watch babies be ripped out of the wombs of women and to go from rich to poor, to watch your world crumble before your eyes and still have love for your fellow man. I have a respect for all life, we all need to open our eyes and look around. Life is a blessing and we should count ours. I love my country,and our people, but that doesn't mean I can't love others to. Haing S. Ngor was a great man who gave for all countries, and all men. He had a heart of gold. May God forgive us all for the Hate we hold.

Enter into the compelling story of a truly remarkable man, Haing Ngor, living through the Cambodian holocost of the late 1970's under the Khmer Rouge. Be prepared, however, for some of the most gruesome torture that a man could suffer - both physically and mentally. If you have any heart at all, you will be changed by this book.

The story begins with a history of Haing's early life in a peaceful Cambodian existence that would be no more. You see a life that is transformed into that of a frial, hungry, tortured and battered peasant. He has everything physically and materially stripped away from him and only his wife to live for. And the story gets even worse. But, through it all, this man clings to hope and a faith in his God that defies all sense reason.

The story does not end painfully. You will see how this one man's deep scars and loss literally transform him into something greater than what he began as. It is not an easy read, but a very compelling one.

I'm sorry that it took me so long to find this book, partially because the book is actually entitled "SURVIVING the Killing Fields: The Cambodian Odyssey of Haing S. Ngor" (and after all this time it took only a few days to read it). Aside from that, it's probably the most intense memoir about life under the Khmer Rouge. Also gives thorough insight into the social and political maze that led led to Pol Pot's reign of terror, and what happened to Cambodia afterwards. Ngor also told not only the *deeply* disturbing details of his life as a war slave, but also the difficulties of starting a new life in America. In addition, he clearly portrayed the bizarro-ness of life as a celebrity, as opposed to the life he lived in his homeland. The reader gets a real sense of the isolation he must have felt, even after his successes in America. All this, along with his spiritual beliefs in karma, which helped him explain some of the madness, make this a beautiful and haunting story. By the way, reading this will make you want to see 'The Killing Fields' again, just to see his performance one more time. It's clear that this memoir served in part as a therapeutic device for him personally, but it's also a truly inspiring book for anyone to read. Reading about his journey was weirdly prophetic, bittersweet and sad because ten years after this book was published, Ngor was killed in a senseless act of violence in L.A.

This book was my first exposure to what had happened in Cambodia. I saw a man go through a typical childhood for his class abnd become a doctor and meet the woman of his dreams. His life was perfect. Then on April 17,1975 it all came crashing down. He and the rest of his family were plunged into some of the worst conditions to ever exist in history. He survived almost his whole family. Then, he had the courage to show the whole world what had happened to his people. Sadly, this man was killed in a "random" murder in his home in LA. We promised the survivors of the Holocaust that we'd never let it happen again, but we did in Cambodia. Read this book and see why again we must try and keep it from happening ever again.

This is an outstanding portrait of a man who survived the barbaric reign of terror of the Khmer Rouge in Cambodia. Anyone who has seen the movie "The Killing Fields" has a cursory understanding of the Khmer Rouge and their attempt to transform Cambodian society during their control of the country from 1975 to 1979. However, this film omitted most of the astounding atrocities committed by the Khmer Rouge as anyone who has visited Tuol Sleng S-21 in Phnom Penh (as I have) can tell you. In this book Dr. Ngor relates his horrifying experiences of life under the Khmer Rouge in detail and in the process educates the reader as to just how horrible an existence it really was.

This book is remarkable because of the detail related by Dr. Ngor and the personal nature of its content. Many Cambodians to this day will not talk about his period in their lives. For many, the mental and physical abuse they suffered during this period was too painful to re-live ever again. As I read this book, I could not help but wonder how Dr. Ngor was able to keep himself together.

Dr. Ngor effectively puts the period of Khmer Rouge rule in historical context by explaining the historical events and forces which led to their capture of the country. These events and forces included the People's Republic of China, North Vietnam, the Vietnam War, the United States, and of course, the C.I.A.

I admire Dr. Ngor for his extraordinary courage, and I regret that I did not have the opportunity to meet him during his lifetime. May he rest in peace.

Learn who's Jewish and who's not, who pretended not to be Jewish and who led with Jewishness. Learn who had it really, really tough and who had it relatively easy. Discover who could work together and who couldn't. Get the skinny on some really poor, skinny comedians. Rodney Dangerfield's true story seemed stranger than fiction. Find out who whacked Sinatra with a pie and got away with it. Find out how Dean Martin and Jerry Lewis really got together. Be privy to literally dozens of stories about famous people and get the history of radio, movies and television as a bonus.

I ended up liking some people I didn't know well enough to like. Some overt dishonesty shocked me. All the stories were at least interesting, many exciting and a few really disgusting.

What more could you possibly ask of one book?

This is one of only a few books which, after having read it, I wish I had written it. Of course, I am wholly unqualified to undertake such a task. However, I would have thoroughly enjoyed completing the research required and taken full advantage of every opportunity to interview, personally, as many of the Jewish comedians as possible. Also, as many as possible of the (non-performing) Jewish writers of comedy such as Larry David, Larry Gelbart, and Neil Simon. In a brilliant Introduction, Epstein observes: "The story of Jewish comedians in America is one of triumph and success. But their stage smile is tinged with sadness. It is haunted by the Jewish past, by the deep stains in American Jewish life -- the desire to be accepted and the concern for a culture disappearing -- by the centuries of Jewish life too frequently interrupted by hate, and by the knowledge that too often for Jewish audiences, a laugh masked a shudder. The comedians' story in America includes bitter encounters with anti-Semitism and the lures of an attractive culture along the way. The jokes these comedians told, their gags, and their nervous patter need to be set alongside the obstacles they overcame."

In this volume, Epstein combines the skills of a disciplined historian and cultural anthropologist with a writing style which has Snap! Crackle! and Pop! Obviously, he also delights in the comic art of so many who "exemplified two great themes of American Jewish life: assimilation and the search for an American Jewish identity....Also, they made Jews proud" while entertaining them as well as ever-increasing numbers of others who also went to the movies, turned on radios and then television sets, sat in nightclubs of various sizes, and bought albums. I am so grateful to Epstein for providing throughout the book an abundance of comic material from scripts, films, published interviews, recordings, and other primary sources. He covers a period from 1890 until the present, organizing his material within four sections:

The Golden Door and the Velvet Curtain (1890-1930)

NOTE: Epstein creates a context frame-of-reference within which to begin to examine "the two great themes" as countless immigrants arrived in "the land of hope and tears." He then shifts his attention to The Age of Vaudeville.

The Years of Fear (1930-1950)

NOTE: This was a period during which there were many fears (e.g. poverty, world war, nuclear weapons, Communism) shared by most Americans. Epstein examines what he calls radio's "finest hour" as well as films which had their audiences "laughing in the dark." He then shifts his attention to the rise of the Borscht Belt.

The Years of Acceptance (1950-1965)

NOTE: Epstein examines the American Television Revolution and then the emergence of stand-up comedy, devoting special attention to Milton Berle, Sid Caesar, and Jack Benny as well as to Lenny Bruce, Myron Cohen, Jack E. Leonard, Buddy Hackett, Alan King, Jackie Mason, Shelley Berman, and Woody Allen.

The Years of Triumph (1965-Present)

NOTE: In this final section, Epstein traces the further development and refinement of "the two great themes" of American Jewish life (i.e. assimilation and the search for an American Jewish identity) and I enjoyed reading this section more than any of its three predecessors. In it, Epstein takes a close look at the films of Woody Allen and Mel Brooks (among several discussed) and then shifts his attention to Rodney Dangerfield, Don Rickles, Andy Kaufman, Howard Stern, various Jewish comediennes, Jerry Seinferld, and (in the final chapter) an emerging generation of young Jewish comedians.

In the Appendix, "Schlemiels and Nudnicks," Epstein shares his final thoughts which help the reader to re-establish an overall perspective on material which covers a period of more than 100 years. (It could reasonably be claimed that Epstein has examined certain themes and forces which have been active within Jewish culture for several thousand years.) He concludes that "the comics who emerged from this Jewish background were not aware of psychological or sociological theories. As George Burns noted, they were not hungry for recognition, "they were hungry for food. They did not question their humor but rather just recognized and used it. Nevertheless, the roles comedians played and most particularly the contributions of Eastern European Jewish culture shaped the personalities of these comedians and lay, either hidden or not, in their minds."

For me, a Gentile, it is impossible to determine to what extent Jewish comedy became assimilated within American society, and, to what extent Jewish comedy helped American society became assimilated with Jewish values. Let's all call it a tie and consider ourselves that much the better for it.

I just finished reading "The Haunted Smile" and I loved it! I thought it was a perfect combination of history, story telling and wonderfully applicable joke excerpts. Not only did I laugh but I learned a great deal about the history of Jewish comedians in America and about the Jews who immigrated here as well. As a 30-year-old Jew living in America, I've never experienced the same issues which my great grandmother experienced upon immigrating to the United States. I remember her speaking Yiddish but I never could fully appreciate her sacrifices. This made me understand her background a little better and made me proud to be part of a people who took adversity and turned it into laughs. What a beautiful weapon!

On the back of I believe the first paperback edition of Salinger's 'The Catcher in the Rye' it is written, "It will make you laugh. It will make you cry. And you will never forget it." So I feel about that remarkable list of American Jewish comedians who gave so much pleasure so much joy to millions of people. From the time of vaudeville, the Marx brothers, Gallagher and Shean, Ed Wynn up to the golden age of Television, its real beginning with Uncle Milty and Sid Caesar's 'Show of Shows' with that amazing gang of writers Mel Brooks, Carl Reiner, Woody Allen, Neil Simon. And then down to more recent times with Gary Shandling and Seinfeld, Andy Kaufman and the late Gila Radner. -these wonderful people made America happy.
In this richly informative work Lawrence J. Epstein tells the stories of many of the true greats, Jack Benny, George Burns, the Marx brothers. He too provides some explanation of why the Jews became America's principal comic entertainers.
In an interview about the book Epstein says "The Jewish immigrant's child came from a family that had to confront hatred, persecution and attack. This made the Jews anxious and fearful," Epstein explains. "They needed a way to cope. This way had to be portable because the Jews kept being kicked out of places and had to be rooted in language because Jews so prized words over physical activity. Humor could be taken from place to place and was based on language. The humor also was useful in dealing with anti-Semites. If Jews could deflect hatred with laughter, people wouldn't hurt them."
This to my mind makes some sense but is certainly not the whole story. True a good share of Jewish humor is self- reflexive and self- critical, but there is also the explosively abusive humor of a Lenny Bruce or a Don Rickles, humor in which the language becomes a weapon to injure and win laughs.
Yet to tell the truth the great gift of this book is in the particular stories and anecdotes it gives, and less in the 'theory'.
The truth is each of these comics is a great 'character'. And I believe the real strength of these comics as a whole , is that each one of them is so much of an individual, so much of a 'character'. And each has a particular humor and style all his own.
This is a wonderful book, and I recommend it highly. I cannot really capture its spirit in this review, and certainly cannot capture the spirit of each of the great comedians it is about.
But I am thinking of one most famous radio humor story. It is the one in which for the first time in the history of commercial radio there is a period of silence of several minutes. It is when the robber comes to the skinflint of all skinflints , Jack Benny and says, 'Your money, or your life". There is silence and then more silence. And then after several minutes, comes the plaintive voice of Jack Benny, " I 'm thinking, I'm thinking."
We love you guys . You were the greatest.

This book is full of history, anecdotes, personal stories, samples from comedians' stand-up material and movie dialog, and immigrant sociology and circumstances. He even gives details tying Yiddish language to Jewish American humor. He tells of vaudeville artists adapting to radio, then tv. So many details provided! At first I was not going to buy it (I am a frugal African American who buys paperbacks), but I am glad I did. Also, at first, I thought it was going to be too scholarly and dry, but once I got INTO IT -- I COULD NOT PUT IT DOWN!! BUY IT, BUY IT, BUY IT! And share it with your friends.

Anyone who grew up in the 60's-70's should read this book ... it is very inspiring!

One need not be African-American to love this book. It is a deep insight into a tough time. She talks of things usual life
does not include, as the powerlessness of women doing full nude strip dancing when one or a few refused to have customers give them money in a particularly intrusive way--what awaited such women and what choices did they really have. Neitzsche called Evil, "All that which proceeds out of weakness." He could have had this book in mind. Yet Ethel Water's life has more than defeat.

If you are not moved by this book, you must have a large problem.

Whew, what an upbringing, what a life. Waters goes into great detail about her rearing in the slums of Philadelphia, her life as vaudevillian Sweet Mama Stringbean and finally the Ethel Waters of stage, screen, and records. I didn't really know much about Miss Waters other than her role in the movie Pinky, so this book provided great insight into her life. Pretty good. The conversational tone makes it easy to read.

I've had the hardback 1951 copy of this book for some time, just picked it up to read last week. It is an astounding story of faith, determination, and strength;It is also an excellent insight into Black History pre-Martin Luther King. I hope the paperback version of this is being read. (and I wish Nikki Giovanni would read it as well).
Highly recommended.

When I was a kid, I knew Ethel Waters as that gray haired old lady that sang at the Billy Graham events on TV... In reading this autobiography I discovered the incredible legacy of her recordings and films.

"His Eye Is On the Sparrow" reads just like you're sitting in the room talking with this remarkable woman... The book not only shares the details of her fascinating career, but it is also an absorbing historical record of early 20th century show business and American society. Absolutely fascinating, warm, funny and poignant.

really good book. no matter who you are, it will keep you turning pages

wonderful. inspiring. positive thinking.
one of my favorites.
a treasure.

I totally enjoyed this book. Kathy is an inspiration and I wish her nothing but continued success in the future. The book is hard to believe in some points - that so many bad things can happen to one person. It is amazing to see the metamorphasis Kathy goes through in her life and how the total of all of her life's experiences both good and bad have shaped who she is today. She's triumphant!

Kathy's severe hearing loss lead to an early diagnosis of mental retardation: she was also molested, run over, and stricken with cancer all before the age of thirty but she never lost her sense of humor. If You Could See What I Hear provides her life story and how she kept this sense of humor through the darkest of days. A powerful memoir and personal account of hope.

This poignant and beautifully written tale is both inspiring and hysterically funny! An easy read, but brilliantly written, it ties the reader to the book. Without pity, Kathy portrays herself and shows her life through wit and humor that can bring a tear to your eye without making you feel sorry for her. Instead it helps you see your life in better perspective and inspires the reader to attain higher goals. Excellent read.

I've read everything that I could on Jackie Wilson.the Man was something else in His Prime but sadly hasn't gotten His Full Due as a Artist to me overall.The Man knew how to Rock a Stage&was in Groove.but there was the Business which was Controled then as it is now by Payola&Scandal&at the End of the Day the Artist that has brought so Much Joy to so many People is the last Person Paid&Respected.this Book Explores many Aspects of His Career&Life.Ups&downs.it's a Great Inside Reflection of the Business.Much Props to Tony Douglas.RIP Jackie Wilson.

Mr. Excitement was really exciting!! Very good book

Singer Jackie Wilson was one of the finest singing talents of the century, but he suffered from chronic addictions and his career was controlled by the Mob. This biography of his life, work and achievements chronicles the accomplishments of a man who was buried in a paupers grave, yet at his peak achieved 24 top 40 hits in the U.S. An involving coverage of a talented yet tormented performer.

This book is unique. I've read books about Jackie LeRoy Wilson but this book by far is the best i've read. It cuts right to the chase and gives you information that's clear and not a run around. Also, gives you some pictures of Jackie that are in color. I recommend this book.

Tony Douglas' book, "Jackie Wilson:The Man, The Music, The Mob," far surpasses Mr. Douglas' talents. Mr. Douglas' book, "Jackie Wilson: Lonely Teardrops," was fantastic and now Mr. Douglas comes back with an even greater book. For the people who never knew Jackie they can now educate themselves on this exceptional man and find out why Jackie was, "Mr. Excitement." Mr. Douglas did years of research and has covered a lot of ground work. He has talked to the people that knew Jackie and loved him. This is an exceptional book taken from the heart of one man.

Mr. Douglas went a step further he spoke with one of the bravest woman of Jackie's life, Freda Wilson, Jackie's wife of 13 years. She sacrificed it all for Jackie to be a star. Jackie was the greatest R & B artist that ever lived and if he had survived he would have blown everyone away with his astonishing talent and charisma. He was the one and only, "Mr. Excitement."

Fun, light book. I have to say, Jerry Hall has had more dumb luck than Forrest Gump, but good for her. She seems quite a sweet person. One funny thing was right after finishing TALL TALES I read Pattie Harrison's memoir WONDERFUL TONIGHT, and while Jerry said she alone fell asleep in Pattie's and Eric Clapton's bed on their wedding night, so that Pattie and Eric had to find another place to make love, Pattie reveals that Jerry and Mick and Jade were all asleep in the "honeymoon bed." Jerry left out the part about Mick and Jade!

What a fabulous read about the decadent 70's and early 80's high-roller scene. Read this book (LET AN IDIOT BORROW IT AND DIDN'T GET IT BACK! )in the early 80's and LOVED it...Read it for great info on Lothario Mick, and gorgeous Jerry. Jerry, you've had three more kids and lots of living in almost 20 years, WE NEED AN UPDATE!

I couldn't help wondering if Jerry Hall ever regretted writing this one, penned while she was still bonded with Mick Jagger. Was it ever used as "evidence" in her divorce trial? Did it return to haunt her?
Forgetting those questions, this book is just a fun romp for readers, as Jerry opens up and lets loose on her philosophy about how to handle men...including Mick, who Jerry admits was far than faithful. The picture section is a nostalgic trip through rock's early days and Jerry's younger years as a top model and crazy woman.
My advice? Grab a copy now while the price, high as it is, is within reach. You won't regret it!

Love, love LOVE Jerry Hall! What a great chick with a great attitude. This book is fantastic reading for inside the decadent 70's scene, and private side of the fabulous MICK! Jerry, we need to know MORE - You have had THREE more kids since your last book, so please write another one!

Read this book back in the early 80's and it changed my life. She's a daring and gutsy girl, with a disarming sweetness. It's time for part two of Jerry's great adventures!