Arts and Entertainment Books

How different would Leni Riefenstahl's life have been had she not filmed Triumph of the Will? One can only speculate what films she would have directed and starred in after World War II were it not for Hitler insisting she do the film.

Riefenstahl has been referred to as a Renaissance woman, and she most certainly was. She was a creative being and expressed her creativity in dance, acting, directing, photography and ocean diving. These five areas, spanning her entire long life, are the subject of this sumptuous coffee table book.

Editor Taschen Angelica is to be commended on compiling this life-work on Riefenstahl while Leni was still alive to assist in the selection and arrangement of the photographs. The segment on the mountain films is worth the price of the book alone, but the color images of the Nuba are also amazing.

Riefenstahl's revenge against those who denied her her cinematic craft after World War II was being able to live to 101, and seeing her life-long accomplishments compliled into this book. Rumor has it Jody Foster is at work on a film project about Riefenstahl. One hopes Foster will get it right and cover her entire life, not just the years that caused so much controversy.

A biography in pictures of arguably the most influential female film-maker in the history of the medium...though all too many people in the industry are afraid to admit to it. Made the greatest propaganda film in history (unfortunate choice of subject matter) and the most important and influential sports documentary of all time (Olympia). Dancer, actress, director, producer, still photographer, underwater cinematographer...an astounding list of accomplishments driven by a desire to perceive and record the world around her has compelled Leni Riefenstahl since the beginning of the twentieth century.
Oversized, handsomely produced volume (typical Taschen quality) is packed with rare photographs and fascinating commentary. Note: sparkle in eyes of 19-year old dancer and 99-year old legend is exactly the same.

As gifted as she is controversial, Leni Riefenstahl's "five" lives are imminently fascinating as this impressive book will prove! Even to the uninformed or casual observer, this edition will entrance. A great addition to your library, especially if you are impressed by the 102 year old dynamo who continues to prove filmmaking and photography as an art form. A living testament to the fact that "bodies in motion, stay in motion!"

A biography in pictures of arguably the most influential female film-maker in the history of the medium...though all too many people in the industry are afraid to admit to it. Made the greatest propaganda film in history (unfortunate choice of subject matter) and the most important and influential sports documentary of all time (Olympia). Dancer, actress, director, producer, still photographer, underwater cinematographer...an astounding list of accomplishments driven by a desire to perceive and record the world around her has compelled Leni Riefenstahl since the beginning of the twentieth century.
Oversized, handsomely produced volume (typical Taschen quality) is packed with rare photographs and fascinating commentary. Note: sparkle in eyes of 19-year old dancer and 99-year old legend is exactly the same.

The striking front cover on this book is a publicity still as Junta, in the movie "The Blue Light" 1932. As impressive as the cover is, it gets better when you open it to reveal hundreds of artistically shot photos. Dr. Ruth says bigger is not necessarily better. However in this case it is; something about the size of the photographs add to their striking appearance. Most are in grainy black and white with some color sections. This book is just a wee to large to fit in my oversized bookshelf. So I am making a larger shelf to display the books front view.

Just as you assume that this is a great coffee table book you will find that there is more too it. Luckily the pictures are not cluttered or distracted by alpha pneumonics. All the descriptions are in a separate section. The title of the book is appropriate as it portray s the different vocations of Leni. (Dancer, Actress, Director, Photographer, Diver)

This book also enhances the viewing experience of Leni's films.

THE GERMAN CENTURY.

A very moving book. I knew Joel from a distance, all we would say is "Hi" to each other. Nothing more. Reading this book should be a school requirement. It does not get any better. What a fascinating man he was. He will be MISSED!

Who ever suspected Joel Siegel led such an interesting life? I couldn't believe all of the experiences he wrote about and the funny insights into his family. He included a chapter on Yiddish words which was informative and amusing. Of course throughout the book was the touching message to his son.

A man, approaching fatherhood late in life finds that he has cancer. What can he give his very young son that would impact the child's life. This book is Joel Siegel's legacy to his young son.

It could have been overly-sentimmental or morbid. Instead it is funny, profound, and deeply moving. Those of us who have faced the same eventuality that Joel Siegel has faced, will find great wisdom here, and solace.

The only quibble I have with the book, is that there are a few chapters that seem to have been added to flesh out the size of the book. A chapter on Yiddish phrases, for example, seems a bit "fluffy," though quite funny.

In all, a wonderful legacy for Dylan... and us all.

This book is a treasure in the fact that a man who has a young son (who should have been his grandson) at that age realizes that he may not be around to share all of these stories and this valuable insight to Dylan in person, and he put in print the things he would have told him (maybe) had he been a young father. The last twenty-five (27) years were a trial for him, as they were for me, as a divorced woman with a son the same age at the time of the divorce. You feel that you've just got to be there to see that son grown, then get on with your life.

He is funny. The Jewish jokes were okay, and the one he had Bobby Kennedy tell about the price of meat was okay, but this whole book is written in the joking way he thinks. Serious times about lowering the flag to half-mast on the UCLA campus the day JFK was assassinated. He was there when brother Bobby died and heard the shots. He and Dylan's mother lived in an area of New York where they were able to watch the Twin Towers burn on 9-11. This is history he passes down to his son in intimate terms.

He writes fondly "some of my best memories of my father are of him laughing while he and I watched TV. We didn't go to movies much; most families didn't in the early '50s." My sister Evelyn took me to my first movie about that time (before she ran off and eloped, ending up spending the rest of her life up North) and I marveled at the beauty and splendor of Tennessee Theater. I don't remember the movie, but I will never forget how I felt looking up at the mural on the interior dome. In the middle and later Fifties, I went to many movies there and even sang in a local talent show on that stage. It was no big deal.

As a film critic, he explains that movies are a fraud and goes into detail about how they are made. But, those he chose for viewing with Dylan were a varied and motlely group, not my choices at all. He tells how old he was when he saw them and how he felt. He dishes the dirt about some of the big movie stars. The index is full of big names. You think of one, he has met him or her and has a funny anecdote to share. TO KILL A MOCKINGBIRD, I can understand why he would want to explain to his son what is happening and why. Since he is such a funny man, I guess he would choose the Marx brothers' films. I did enjoy Groucho on the t.v. game show!

Of course, he wants 'I Love Lucy' and 'The Honeymooners' to be available for Dylan to enjoy and share a few laughs. His remembrance of live t.v. in Los Angeles, 'Time for Beanie,' brought back memories of 'Your Startime' hosted by Bob Lobertini for me as I was one of his regulars, and later he had a 'Popeye' show in Nashville where I took my sons. He told them on the air that he and I had appeared on t.v. together in Knoxville; that was stretching it -- he was the star, I the adorer.

During the 1958 Winter/Spring, one of my best friends was the young Jewish usher, Joe Feldman, at the Tennessee Theater. I had moved to the YWCA to finish high school and, that Easter, he took me to eat Easter dinner at the S&W Cafeteria on Gay Street. I still have his senior picture from Young High School.

Dylan is a darling child and so much like Ken Young when he was younger. I sincerely hope they will share many good times as he grows up -- and away. That time will come before you know it.

There are no athiests in foxholes or in an oncologist's office. Siegel, an entertainment critic for ABC's GMA, faced a terminal illness, and created this story of his first 58 years of life. (He passed away on June 29, 2007 at the age of 63).

At the age of 54, Siegel became a father for the first time and learned that he had cancer. In "Lessons for Dylan," Siegel shares all the things he wants his son to know, in case he is not around to tell him, things about his family history and Jewish heritage, life's pleasures and disappointments, the challenges of growing up (at any age), and, most important, who his father is and what Joel values. As Joel and Rabbi Larry Rafael discussed, Joel wants his son to be normal (but not average).

Siegel was born in East Los Angeles in 1943. His Romanian Jewish grandmother survived the Triangle Shirtwaist Factory fire in March 1911. (Her father banned her from going that day.) His father, a Levite, was an electrician, and he got the first African American and the first Mexican American into his local IBEW union. In 1965, Joel delivered a bag containing $800 in cash to a minister named Martin Luther King at a UCLA luncheon. ("Dr. King, I've come with dessert.") He ended up spending the Summer working for King. Siegel says he invented the names of several Baskin Robbins flavors, including German Chocolate Cake (my favorite) and Pralines and Cream. Siegel was nominated for a Tony Award for his work on a musical about Jackie Robinson. Siegel was a joke writer Senator Robert F. Kennedy in 1968, and witnessed Kennedy's assassination in the Ambassador Hotel in Los Angeles. He is co-founder (with Gene Wilder) and president of Gilda's Club, a non-profit support facility for cancer patients.

Only Siegel can make the story of his chemo sessions and a colostomy funny. Siegel candidly writes about the end of his marriage (his third) to Dylan's mother and the experience of having cancer. The famous ad man and partier Jerry Della Femina bought pot for Siegel during his chemotherapy. Siegel also shares great stories from show biz (featuring Orson Welles, Marlene Dietrich, Paul Newman, Brad Pitt, Stevie Wonder, all four Beatles, and more); lays out the History of the Jewish People in Four Jokes ("Why make trouble?"); and offers fatherly advice on sex ("ask your mother"), work, what to cook for Rosh Hashanah (recipes included), and a list of movies he would like to see with his son.

One of his letters:
Dear Dylan,
One day you might remember--maybe triggered by a photograph, or a sense memory of a texture or a color--the soft, grey cashmere sweater I bought for you for your second birthday. As an adult you may wonder, "What kind of schmuck buys a cashmere sweater for a two year-old boy?"

The answer is: A schmuck who tempts fate.

This book will be helpful for anyone interested in silent film. Brooks' insights about certain aspects of Hollywood are original. She has no fear of revealing some of the ugliest secrets of the past, and also has valuable things to say about why she believes certain directors and players created works of art. However, in my opinion she could have been a better writer if she'd had more education and/or editorial experience. Some of her essays are rambling and disorganized, and a number of her claims are unsupported. (e.g., that many actresses were pulled from the screen not because of the arrival of sound, but because they couldn't live up to Garbo, p.88.) She also tends to make bold generalizations (e.g., "Every actor has a natural animosity toward every other actor"), which, depending on whether you agree with them, are either smart and charming or arrogant and imprecise.

Some of Brooks' cleverest comments are reported in the introduction by Kenneth Tynan, not in her own writings. My favorite was her joking suggestion that she and Marlene Dietrich write each other's memoirs: "'Lulu' by Lola, and 'Lola' by Lulu".

Note: this is a collection of essays, which don't necessarily follow a sequence. The brief history of her family and childhood given in the first chapter fooled me into thinking this book would be an autobiography, but Brooks leaves much of her own story untold. (In fact, the epilogue is titled, "Why I Will Never Write My Memoirs.") Tynan's introduction fleshes out a little more of Louise Brooks' history, but fans will probably want to keep looking for other writings and biographies after they've read this one.

This book is a collection of Brooks's autobiographical essays together with an interview by Kenneth Tynan.

It shows a Louise Brooks as a fiercely independent character, as well as her failure as a social creature, because of her open critic of people's false faces.
But at what price? She survives as a kept woman by three lovers and ends in poverty, rejected and lonely.

She characterizes her work in Hollywood's film factory as slavery and throws a shrill light on Hollywood's morals (the casting couch) and cynicism: the end of the silent period served as an excuse to terminate all contracts.

The all important feature of her life was sex, not love: 'I have never been in love.' But, 'A person's sexual loves and hates and conflicts ... It is the only way the reader can make sense out of innumerable apparently senseless actions.'
She considers that 'the most fateful encounter in my life' was a sexual one with George Preston Marshall.
Nevertheless, she had some regrets: 'How often do we change the whole course of our lives in pursuit of a love that we will have forgotten within a few months.'

She never wrote her biography because 'I am unwilling to write the sexual truth that would make up my life worth reading.'

Barry PARIS did it for her, admirably. His book contains also a few corrections on Louise Brooks's statements in her book.

A moving text with admirable pictures.

What made Louise Brooks interesting beyond just the typical celebrity she was unusually intelligent. She was an extraordinary beautiful woman but if that were all - she would have been just another face in the Hollywood crowd albeit a striking one. Her life was not so much one of just ups and downs but most generally straight down starting at the top. Lucky to have so much success early in life but maybe unlucky for her vision as to witness the folly of those who gave it. Louise's insights and critical assessment of her life and those around her were a " blessing and curse" but then again she had no choice but to follow her own mind as it played out to the end. She was certainly not one to parlay her attributes as a cunning femme fatale as it were but she existed as a passing player through a masquerade of "bread and circuses" orchestrated by those with lesser sensibilities. No, Lulu could have never been satisfied with the status quo, the mundane of the hoi polloi, the trappings of the superficial she was an individual who saw life in its raw form and played no game and for those who did not understand Louise - missed - that her only glory was the truth and its price to pay. She was an intriguing and talented woman who deserved more but would not sell her soul to gain it. Her book tells of her life and times and the pathos within it.
I will recommend highly Barry Paris' biography of Louise Brooks as a necessary read for anyone interested in reading about the life and times of Louise Brooks. The book is excellent and engrossing. It gives a most informative detail of all aspects of Lulu's life. Actually Paris' book should be read first to gain a comprehensive overview of Brook's life before reading "Lulu in Hollywood." A better biography you could not read.

I am unimpressed by Emily from Seattle's harsh words, which are both snotty and inaccurate. Tynan was the finest theatre critic of his time--and not bad on film, either. His profiles of stage and screen actors, recently collected in one volume, are masterpieces of the genre. In particular, his profile of Brooks was an indelible portrait of a brilliant and beautiful woman. Brooks herself, though not a great actress, was indeed a great star--exquisitely beautiful, highly charismatic, and powerfully erotic. To the best of my memory, Tynan describes her only in these terms, never as the creator of naturalistic film acting. (Incidentally, none of the women named by Emily--Crawford, Davies, Bow, and the insufferable Shearer--could properly be described as an actress. They were merely stars--and distinctly inferior to Brooks in talent, intelligence, and beauty.) Finally, as everyone here (including Emily) acknowledges, Brooks was a first-rate writer herself, and the essays in this book are required reading for anyone interested in silent film.

I remember when this book came out, but, unfortunately, it took me over twenty years to read it. Though Louise Brooks is far from a household name, in film scholar circles, she is an icon. Her rememberances here of certain individuals and events from her years in the "Dream Factory" are brilliant. Aside from the fact that these are names that most are familiar with, Bogart, Hearst, Pabst...it is her writing style and unique observations that make these recollections interesting. Where as someone as, say, Adela Rogers St. John, a famous reporter and contemporary of Brooks, wrote accurately of that long ago time, her dusty rememberances would only interest the most devoted of film student or fan. But Brooks writings are so fresh and witty and humourous, often at her own expense. She is not only unimpressed with most of silly society, but, she was equally unimpressed with her status as film icon. In those pre Hepburn-Davis times, she was a true rebel, who was more than willing to saboutage her career rather than do anything she didn't want to do. There is no remorse detectable in her memories of her fall from status. Though it would be unfair to imply that most film stars would not be expected to be good writers, it was surprising, then and now, to find that Miss Brooks was such a highly intelligent and captivating writer. In my review of her most famous film, "Pandora's Box", which isn't so much a review of that film as it is a homage to our Miss Brooks, I recounted my having met her more than once, when I delivered her prescriptions to her in my hometown and her final, adopted city of Rochester, New York. I was very young at the time, and though I had been told that she had once been a famous actress, which fascinated me, I am sorry to have to honestly admit that my memory of her is only of a shadowy figure who I remember with intimidation. How I would have loved to have been a little older, to possibly converse with this great lady, though she may have found what undoubtedly would have been my reverence to her "legend" as film icon to be obnoxious at the least, silly at best. Well, never mind. She was and is wonderful. And, as this book attests, a scathingly intelligent lady. Celebrities of her league are no more, now we have tarts, thugs, and arrogant, illiterate self-important jerks showing off their bling-bling. How sad. If you want to hear the entertainingly clever views of this great lady who, though she went from brilliant star to near- pauper obscurity, yet never lost her class, intellect, nor pride, then read "Lulu In Hollywood." One wishes she had written much more, and, left behind more films where her inate brilliance reaches out from the screen eighty years later. But, if all we have is this book and "Pandora's Box", that's legacy enough.

any thing by pink floyd gets 5 stars, an A+, and ten on ten. an absolute must for anyone who wants to know what music looks like.

I recommend this book to all P.F. lovers, I collect all of there stuff from books, dvd's, cd's and whatever else is available, this book tells of all whose been involved with P.F. since they've been around, real interesting. Shine On!!

At first I thought I wouldn't like it because it was definitely an encyclopia and I was expecting more of a book (regardless of its name) but the more I delved into it, the more I appreciated it. I bought another Pink Floyd book at the same time so it helped as a reference to that, too. My only complaint is how small the print is. Again I understand it is an encyclopia and know it would be thicker or bigger but think it would be worth it to have larger print. But it is very interesting to the Floyd fanatic like me. It has a lot more information than I expected.

This book is great. Things I never new before. Try it, you won't be dissapointed

This is THE most detailed and expansive resource for Pink Floyd info. That said, it's a true encyclopedia. Don't buy it expecting to read through it, because although its really cool to know specifically what guitar David played in WYWH, you'll find yourself skipping over the page to the next section.

Recommended.

Entering into the lucid and enthralling world of Lauren Lawrence is a magical journey into the hearts, minds and imaginations of the most fascinating and acclaimed people of our time. More significantly, it is a powerful mirror to our common experience of self-discovery and a guidebook for the adventure of life we all share. I simply cannot say enough great things about this profound book; Private Dreams of Public People is in a class by itself.

What particularly impressed me is how Lawrence gets right down to business answering some of the deepest, soul searching questions I'd had for years concerning dreams but didn't know whom to ask. She creates a tapestry based on her wealth of experience in the often puzzling and baffling inner world that dreamers visit when they are asleep.

In her own inimitable way Lawrence employs images, thoughts and emotions to help guide individuals to becoming fuller and more complete. I was totally captivated by her interpretations of the most personal dreams of people like Paul McCartney, Sophia Loren, Gore Vidal, Luciano Pavarotti, Madonna and a host of other luminaries we only know from their external presentations. The intimacy was so great I felt almost like an intruder in their innermost beings.



Larry Geller, author of "Leaves of Elvis' Garden"

Lawrence shows us the interior life of stars. This is a first. Usually stars hide behind personnas. Lawrence lifts these veils and gets at the inner core of the stars dream lives. Particularly liked Paris Hilton before she became Paris Hilton.

I was amazed at how well this book was put together. I loved the analysis on the different people. You learn so much from this book, like information you could never find out. When you buy this book you will rate this book 5 stars just like me, because you we'll see how good it was.

Reading the various dream iterpretations that Lauren Lawrence writes about introduced me to an entirely new level of personal understanding. While I enjoyed reading the dreams of "celebrities", what I really found enlightening is how I was able to relate to some of the fears, desires and hopes expressed by these dreams. Some of my dreams have been very similar to those she has written about. In addition to finding the interpretations interesting, I was able to learn about myself and see the similarites between us all. I really enjoyed this book.

Who would have thought Paris Hilton was sensitive enough to dream? This is the beauty of the book. It is filled with the dreams of celebrities from Madonna to Sophia Loren to Kurt Vonnegut, and yes, Paris Hilton! While the interpretations are terse and insightful it seems Lawrence is softer on the celebs than she is on stock traders in her column in Trader Monthly. She kills them ... but always with humor. All in all the book is a must read.

Solnit's book is not simply a biography of photographer Eadweard Muybridge. It is also a fascinating cultural history of California in the nineteenth century, and the resonance that this lost world has for our own time. Gracefully interweaving the tragic history of Indian extermination with the triumphs of industrial expansion (specifically the railroad), and the rapid progression from "instantaneous photography" to the cinema itself, Solnit makes a compelling case for viewing Muybridge, his patron Leland Stanford, and the epic West as the staging ground for modern ways of seeing and thinking. This is a book that, while describing great art and the conditions that created it, is itself a great work of art, a literary landscape that acknowledges the good that came from Muybridge and his time, as well as what was lost. Essential reading for anyone interested in American history, film studies, or art history.

This is a splendid book, intelligent,stimulating, the best kind of cultural history. It illuminates the origins of photography, cinema, and the construction of the American west.

Rebecca Solnit is an amazing writer. She brings to the surface all the hidden currents of the Muybridge story in a narrative that is at once informative and moving. This book constantly surprised and delighted me with its deep insights and fascinating details. Not only is it well researched, but the results of the research are germane to the story and are all neatly brought together. It was a pleasure to discover that fine writing like this still exists. I can't wait to read her other books now that I have found her.

Muybridge was an interesting character aside from his pioneering landscape photography and motion studies. Rebecca Solnit is an interesting character aside from her accessibility and easy readable style. She is uncommonly skilled in describing her subject and what he did as well as explaining the historical context and landscape into which Muybridge inserted himself.

Gold rush California was a wild and raw landscape, filled with the last gasps of the American frontier as the Sierra was trampled by the world's riffraff. Muybridge dragged his huge camera into the mountains capturing images of Yosemite from perspectives many of us with much lighter cameras and easier trails wouldn't dream of attempting.

While Solnit makes a reasonable case for Muybridge's pioneering technology work in pre-motion pictures as well as still photography, she misses the continuing photographic California thread down the road from Leland Stanford's Palo Alto ranch, where Silicon Valley turned the telephoto lens around and photographically shrank designs onto silicon wafers. A minor point.

Nevertheless, this book, like her Savage Dreams, is an exquisite bit of California and photographic history. Anyone with an interest in Yosemite, landscape and nature photography should have this on their bookshelf!

Few authors have tied together the many facets of the post civil war, pre-modern West as well as Rebecca Solnit. Her literary vehicle is a man as strange as his name, Eadweard Muybridge. Of course you can also read this book to learn about the early days of photography and the technology which preceeds motion pictures. For either reason this is an excellent biography and will serve the inteerests of many readers.

Before this book, I had only vaguely heard of the name Pol Pot and the nation of Cambodia. Where I go to school, we have history for four years, but never get past the Civil war.
As I was changing the television station, I heard the name Pol Pot and Cambodian again. This time I was determined to educate myself and I bought this book.
I was horrified, I was ashamed, I was overwhelmed. First we had allowed the Jews to endure the Holocaust, and now we had let millions of Cambodians die the same way.
Maybe the history teachers in my area just need to come into the 20th century and repeat IT over and over again, because obviously we're not learning from our mistakes.

This book is on top of my list as the best reads ever. It truly is an amazing story and will leave you thinking about this world we live in. I reccommend this book to all...what a great learning tool to use in the classroom also!

I first spotted this book at a tourist book shop in Phnom Penh and after scanning its pages, I was hooked. It is an immensely absorbing tale, both harrowing and hopeful. I was drawn not only into Dr. Ngor's story but into Dr. Ngor himself. As I kept reading, I felt hungry, exhausted, terrified and sad. But if I wanted it to stop, I simply had to close the book. Not that simple for Dr. Ngor.
I pray that Ngor Haing is now with his Sweet, living the life that was so cruelly denied to them. This book is definitely one of the best I've ever read in my life, and I hope that in your heaven, you can hear me say Thank You, Dr. Ngor.

A very good story. Very honest in presentation. The story telling is excellent. Don't be afraid to read because you think it will make you depressed. There are sad times and the suffering of so many innocent Cambodians can be overwhelming but it is a true story of a time and place that hopefully will cause you to notice world news. This book can put the minor annoyances of life in perspective

If you are interested in reading the memoir of someone who survived the reign of the Khmer Rouge, then I can't reccommend any other book higher. I have read two other books from survivors, but Ngor's book was by far my favourite.

What sets Ngor's book apart from the others that I have read is that Ngor was an adult when the Khmer Rouge took over. His memories are very lucid, and he fully comprehends what is going on around him. He watches his young wife die in his arms, those close to him betray, and everyone around him suffer. There are no high points throughout the entire odysey. Ngor brings you to the senseless and incomprehensible suffering that pervades every aspect of life under the Khmer Rouge.

One element I particularily enjoyed about Ngor's book is the extensive descriptions of Cambodian culture, attitudes and behaviour. Cambodian society (from what I can gather from what I have hitherto studied) is highly formal, with a rather complex series of formality set up for intereaction with others and a rather reserved character in regards to expression of feelings. The most important of which in this context being "kum," which is a sort of bitterness and longing for revenge, that becomes evident in a lot of what is happening. You will leave this read with a feeling of not only being inside of what is happening, but also for the actual mechanisms guiding behaviour.

This is, however, not a pleasant read in the least. The descriptions of the atrocities are beyond anything that I was expecting, and for that reason, I would seriously warn others that this is not for the faint at heart. Luckily, Ngor offers notes at the beginning of graphic chapters so that one can skip over them. You will lose sleep, and I can guarantee you that it makes any of those goofy horror movies like "Hostel" and "Turistas" look like a day at Disneyland. This horror is real, and not far in the past. Being that my normal area of study is Russian history, I have read a lot about the horrors of communism and tyranny, but nothing from the basements of Lyubyanka Prison or Mao Tse Tung's Cultural Revolution comes close to the abominable atrocities of Pol Pot's Cambodia.

Ngor also describes his role in the classic movie, The Killing Fields, as well as his integration of life in America. An afterword by friend Roger Warner ends the book on a particularily haunting and sad note, but rightfully so, none the less.

There are a lot of truely excellent books available by survivors of the Killing Fields, and this is the quintessential starting point for those who wish to learn more.

Being British myself and also someone who works in HOLLYWOOD'S Movie & TV industry, I have to say that this is one of the best autobiographies of someone in the same business I've ever read. Michael Caine lays out his rags to riches life with complete candor and in a very engaging narrative style.

His total honesty and recall, specially of his rise to fame in the 1960's, makes the reader really feel part of the scene. Caine's book is most revealing in the behind the scenes goings on in the making of his movies. I'll not spoil it for you by going into detail, but our cockney actor friend certainly got around to meeting just about all of the "in" people of the day and many before they were household names to the rest of us. He mentions the good, bad and the ugly and doesn't spare himself when looking back on the mistakes he has made.

For aspiring young actors, there are lessons to be learned here. Caine has a separate book for that, but still he offers up some informed pieces of guidance in this work. As an Englishman, he's probably the most famous and iconic actor to ever come of old blighty and blimey if ee' don't alf make it one ell' of a read!

Michael Caine is one of my favourite actors, and "What's it all about" is one one fascinating read. It has an excellent witty conversational style, which makes it very engaging, especially in the earlier parts. I always took Caine to be a dyed-in-the-wool Brit (he looks like one, and says so in the book himself) and so was surprised and amazed at the amazing life he's led... brought up in a poor family, survived the World War, went to war in Korea and almost got killed himself, struggled like hell, led a debauched lifestyle, and so on.

"What's it all about" is one of the best autobiographies I've read if you just count the first half, let's say before Caine settles with his family in LA; after this it seems to eschew those little tidbits of gossip, life and human nature for the mundane: what parties/restaurants/hotels/people/homes/flats they went to/ate in/stayed in/met/bought/rented, and so on. This part is quite dull, though it does have the occasional witticism. Also some things are missing... incredibly there's no reference to the one Caine quote which - let's just say - not a lot of people know. Also I'd have liked him not to be silent about his "conquests".

One thing that really got me though is the mistakes... I dont know whether these are just typos or Sir Michael fiddling with the truth a bit. For example, on page 5 (hardcover) he says at birth his weight was 8 lb 2. Later (page 348), this becomes 6 lb 2. Another instance: on page 35 he is 6 ft tall at age 15 having added a foot in two years, yet on page 25 he is 5 ft 11 at age 11. On page 330, he says "Since then I've only drunk wine" as a result of finding out about his excessive drinking. Yet we have many references later to the drinking of all kinds of spirits, including vodka. There are more such mistakes, which makes me think the book wasnt proofread at all.

But all in all, this is a very good read, even if you dont know Michael Caine. If nothing, it at least gives the message that dreams can be achieved if you try hard enough and never give up.

If Michael Caine's life resembles that one of the average actor, next time I request an autograph from Nicole Kidman or Kevin Spacey, I may be dwelling on their heroic background, rather than on their assumingly obscure and profligatious foreground. Maurice Micklewhite's biography is just a piece of inspiration for any quitter. It can outdo Anthony Robbins' tapes any day. A fighter in Korea, a victim of malaria, a reluctant B-movie castmember, a happy hedonist, a drunk, an opportunist, and aventually a model husband and father. He's had it all. Michael Caine carries enormous weight in his movies not just because of his acting guile, but mainly because of his charismatic persona. His diversification of characters portrayed, whether in "The Man Who Would Be King", "Funeral in Berlin", "The Eagle Has Landed" or "The Cider House Rules", offers the spectator the unusual challenge of discerning him from prior roles, a task traditionally reserved to a Laurence Olivier, Alec Guinness or Ralph Richardon. Can't help but fall in love with the lad.

Michael Caine, one of film's most durable actors, tells his story through 1992 in the autobiography WHAT'S IT ALL ABOUT?

How many film performers have done as much as well as Michael Caine? For more than forty years, the actor has delivered shining performances in dramas, thrillers and comedies. He's carried flicks as a leading man, shared the spotlight as a costar, contributed to emsemble casts and has even take small roles.

In WHAT'S IT ALL ABOUT, Michael Caine vows this book is the only autobiography he will write. I hope he changes his mind. I am sure Mr. Caine had to leave a lot of good stories out of his first volume. And since its '92 publication, he has been knighted and won another Oscar. Why not another book?

The most noteworthy aspect of WHAT'S IT ALL ABOUT is that Michael Caine, despite having done almost everything you could want to do, has had the same personal and professional ups and downs as you and me. He tells stories we've all been through, such as being nervous about meeting women and his strained relationships with friends. (Of course, you and I would not be pals with actor Terence Stamp.)

This Michael Caine fan wants more movie-making anecdotes. If Mr. Caine does publish a second autobiographical volume, I request a synopsis of the making of each of his ninety-something films. He barely mentions two of my favorites: WATER and especially the obscure comic gem WITHOUT A CLUE.

Bravo to Michael Caine for not kissing and telling. He alludes to the bedroom activity that made the 1960s what it was for the rich and famous but does not name names.

The night Michael Caine won the Best Supporting Actor for CIDER HOUSE RULES, ceremony host Billy Crystal had been making fun of Caine's role in a JAWS film. Yet Mr. Caine did not return the dig during his acceptance speech, despite notorious Crystal bombs such as MR. SATURDAY NIGHT, FORGET PARIS, and FATHER'S DAY.

Unless, of course, Michael Caine's saving those remarks for his next autobiography!

For now, read WHAT'S IT ALL ABOUT.

This book is inspiring. Michael Caine knew at a very young age that he wanted to act, and through perseverance, he has become highly successful and one of the most respected actors of our time, with two Academy Awards to his credit. This should serve to encourage those with dreams but who tell themselves "I'll never make it."

This is the real thing. Caine starts at the beginning and tells it all without indiscreet name dropping. He mentions that he does not plan to write another autobiography and so does not want to leave anything out. That makes for a really great read.

But what's really special about this autobiography is how approachable Caine seems to be. He comes across as just a regular guy whom you could approach on the street and say hi. Considering that most of the other autobiographies I've read, however great they may be, still seem like stories told by a celebrity who has deigned to share his/her life story, that in itself is an amazing accomplishment.

Jean-Marie Potiez is, of course, from France. I knew him through ABBA fan clubs some years ago. He gives a good account of the ABBA phenomenon. Agnetha was born in Jonkoping, Sweden on April 5, 1950. Her father staged amateur reviews in the town, and Agnetha began singing in them at an early age. When she was 15, she left school to take a job as a telephone operator with a car firm. She was singing with a group called Bernt Enghardts. She left them when her composition, "Jag Var Sa Kar (I Was So In Love)" became a hit on the Swedish charts. Agnetha moved to Stockholm and recorded her first album.

Agnetha composed music. She did nine solo albums between 1968 and 1988. She recorded in Swedish, German, English, French and Spanish. Her label in the early days was Cupol. She went on to form Agnetha Faltskog Productions with Staffan Linde as her manager.

Benny Andersson is the only one of the four born in Stockholm, Benny came from a family of accordion players. It was natural for him to teach himself piano. From 1964 to 1969, his Hep Stars were Sweden's biggest group. They had a rougher image than Bjorn's Hootenanny Singers. When their career ended in bankruptcy, Benny came away with the idea that there would have to be greater economy in the future. It gave him incentive to become co-owner of Polar Music with Bjorn and Stig Anderson.

Bjorn Ulvaeus came from Gothenburg, Sweden's western port and second largest city, where he was born in 1945.

Bjorn was still in school when he formed the West Bay Singers, a folk group. Stig Anderson suggested the name, Hootenanny Singers. Stig was great at naming groups.

Bjorn is known for his business sense and studied corporate law for a term at the University of Stockholm. He meant to be a civil engineer. He was drafted into the Swedish military for the mandatory 10 months, a handy experience if you are going to write songs like Fernando.

Frida Lyngstad was raised by her grandmother in Eskilstuna. Her mother had died at age 21, and it was felt that little Frida would fare better in Sweden since her father had been part of the occupying army.

Frida started singing professionally when she was 13. She sang with a big band, and that is how she met her first husband, Ragnar Fredriksson. He played trombone. Frida had two children by him: a son, Hans, and a daughter, Lotta.

If you are an ABBA fan, then you will love this book. The book takes you into the lives for 4 very special musicans.

Abba remain hugely popular in Britain and many other countries more than twenty years after they disbanded. This book is not an in-depth study of the different personalities and their difficulties, but it gives plenty of information about the members of Abba and their manager, including their lives before and after Abba. And (at least in my hardcover edition) there are pictures - plenty of them.

Regarding the four members of Abba, three of them (Benny, Bjorn and Agnetha) were born and raised in Sweden, all apparently having fairly normal childhoods, only their musical talent setting them apart from others. All three became hugely successful in the Swedish pop charts, Agnetha as a solo singer, Benny and Bjorn as members of separate groups.

The odd one out was Anni-Frid, better known as Frida. She was born in Norway as the illegitimate child of a German father and Norwegian mother. Frida was mainly raised by her grandmother, who took her to Sweden, where her mother joined them but died of illness a few months later, aged just 21. Frida also found it much harder than the others to achieve success in music, but she did eventually have some big Swedish hits of her own.

The author presents the main years (1969 to 1982) on a year-by-year basis, explaining the different events that occurred in each year - records, tours, TV, their personal lives - in a semi-diary format.

As far as the music is concerned, the story is quite complicated and not always easy to follow, but that is no fault of the author. Before they became Abba, they were four separate acts, each with their own careers and signed to different record companies. Once they came together as Abba, different things were happening in Japan, Australia, Germany, Sweden and elsewhere with different records - even before 1974. That was the year that Abba won Eurovision and charted for the first time in Britain and America.

There have been many books on Abba and will surely be many more. Despite being a huge Abba fan, this is the first I've read. If you're only going to have one book on Abba, it might as well be this one.

Did you ever come across a favourite song and say, "I wonder whatever happened to....? Abba took the world by storm back in the 60's when a quarter bought you an afternoon matinee at the movies, and minimum wage in my home town was $1.00 per hour. If you earned $1.25 or more, you had it made!

Abba possessed a unique blend of charisma, talent, and originality. Who can forget the sentimental lyrics of ,"I Had A Dream", the gentle flow of "The Rivers of Babylon", the melancholy strains of "Fernando" or the upbeat dance-hit, "Dancing Queen"? The list of hits went on and on.

What I particularly liked about this book was the numerous photographs all depicting Abba at their finest. Many photographs are ones not often, if ever, published before, at least not on this continent. In addition, the book reveals a lot of factual, personal information about the individuals themselves. The road to fame and fortune is not an easy one as readers will discover through the pages of this book. Some facts have been printed before, but other aspects of their career are presented here in a more complete, in-depth light. Fans of Abba, will no longer need to wonder, "what ever happened to..." because the epilogue tells you just that. Of all the books on the group, this is one of the best in print.

Probably the best book you can get, if you want an ABBA photo book. In this case even better than "From ABBA To Mammma Mia", since there is pictures from a broader period . It is written in cronologic date-by-date, where each year, as well as "The Movie" and the concert tours got its own chapter. You don't have to be an ABBA fan to enjoy this book, everyone can enjoy this trip in text and pictures through the fantastic story of ABBA.

If you want to know first hand the inner-workings of New York's most famous parties and the people who make them happen (along with the clubgoers that help make them famous) go read "Confessions from the Velvet Ropes" now. This raw telling weaves significant and interesting nightlife history, including interviews with the people who lived it, with tales of current scenes and connects them to give readers an untainted view of the underground world of NYC parties, fashion, social change and the fabulously outrageous characters that embody them. Along with colorful personal anecdotes and fun, sarcastic sidebars with topics like "Thomas's Top Ten Tips for Getting Past the Ropes," Glenn Belverio with the help of personal commentary from famed doorman, Thomas Onorato, makes this book a must-read for anyone interested in NYC history, social scenes and celebrity gossip. Whether you're from NYC, just moved there or follow the scene with a curious eye from afar - you will not be able to put down "Confessions from the Velvet Ropes" until you have devoured all the edgy and eccentric pages in their entirety. And you will be thirsty for more...

I was pulled into this book from the very first page. Not only does it paint the real life experience with every word but it is written in such a lively manner that the sizzling times in NYC just pour through you. I especially loved the Heatherette piece. Could not stop laughing. Looking forward to Glenn's next book. Five Stars from Paris.

The author of this book has a keen observational eye for the details of New York nightlife and its denizens. He takes what might first appear as a frivolous or superficial subject and manages to extract some real anthropological significance from it. But you can still read it at the beach.

I love to read NYC celebrity gossip columns mainly because I love to imagine all the excitement going on in the Big Apple. I've heard about nightclub line ups and doormen and the horror of rejection. This book not only made me feel like I was standing next to the doorman getting an insider's view, but by the end of the book, I felt like I really knew Thomas and that I really had been there. I can't think of another book that's been able to make me forget I was reading a book. I laughed out loud - this book made me laugh out loud. It made me see that anyone can feel like a star - the glamor is in the attitude not the pocketbook. Confessions of the Velvet Ropes is like a guidebook to cutting edge NYC nightlife complete with tips on how to pull off a look, to get into the club and how to have a wild time without getting hung up on being an outcast from NJ. It was a thoroughly fun book to read.

I really enjoyed reading about all the amusing people in this book. It's sort of like a better written, funnier, more detailed version of the Warhol Diaries... except the Warhol Diaries is packed with boring old farts like Liza Minnelli and Bob Colacello, whereas this book has mental cases like Courtney Love and that tacky thing who does the Baby Phat clothes -- you know, the former model who thinks she's Tyra Banks but is really just Jocelyne Wildenstein in Beyonce drag. Anyhow, you know that when you've got Kimora and Courtney in the same book, you're gonna laugh (and if you've got them in the same room, bring backup... as you'll see in Confessions.)