Arts and Entertainment Books

A look back in time to understand the struggles in defining-and reaching your goals. A study in human nature. Things haven't changed. Great lessons still!!

This book is a down to earth, heart warming story of how Moss Hart became a premiere playwriter. Good book for those interested in working in the theater.

Moss Hart is arguably one of the finest and most successful authors of the 20th century theater in this or any other country. Like many successful men in the theater, he came from a background of serious poverty and the true drama of Act One is his perseverence and victory in extremely trying circumstances. There are fascinating glimpses into the theater world of NYC in the 40s and 50s, excellent sketches of George Kaufmann, Beatrice Kaufmann and Max Siegel, and poignant views into the people and places that forged Moss Hart into the extremely urbane, charming and successful man he became, against the hardest possible odds. Superb book!

A great read; very inspiring and funny and well written. A tale of a writer in a city which he knew so well, at least Broadway, his own neigborhoods, and the subway. His spontaneous decisions are what great showbiz tales are made of and from! His book made me want an Act Two and Act Three....excellent investment. Book in GRAND shape. Quick delivery too.

Act One is one of my favorite books. I have rearead it often since the first time I picked it up in my late teens. I love the anecdotes about the Broadway greats ans near greats and how Mr. Hart became famous, but my favorite parts of the book concern his memorable Aunt Kate, a woman whose fate in life was other than she deserved. She is very humanely portrayed, and so is the rest of Mr. Hart's family. I also enjoyed learning more about George Kaufman and his wife. This book's great!

While I'm by no means into the industry yet, this book was an easy read and it contains invaluable information for the hollywood neophyte

Trouble is, Tony Martinez is no devil. He comes across, in fact, as the ultimate boy scout in a shark-infested business. Part instructional, part ever-so-careful not to offend anyone, Martinez writes in a conversational, run-of-the-milll average-guy style that allows you to skim to the sections that may mean more to you. On the one hand, it's banal and boring and on the other, there are nut n' bolts insights that should be helpful for a rank beginner.
As someone involved in the business for many years, looking for some hidden insights or juicy info, I was disappointed. But I DID learn a little more about the way pilot season works and for that reason alone, I found this very brief tome to have some worth.

This book is a must-read for any aspiring actor or aspiring agent and an entertaining book for anyone working in the entertainment industry. It's humorous, well-informed and succinct. It's not a surprise that this quick-witted and to-the-point agent provided the entertainment community with such a well-written book. His personal stories and antedotes complete this book. Do yourself a favor, and buy it.

An Agent Tells All by Tony Martinez is an excellent book that is very easy to read and hard to put down as it flows on very well.
Specific Contents that go straight to the point and excellent for the novice to clearly gain an understanding of the industry from agents point of view. Also Highly rate the Pilot Season Chapter!
Great Read.

I did a monologue in front of Tony Martinez at TVI Actors Studio, and he was generous enough to tell me what did and didn't work. His book just as helpful, only laced with his terrific sense of humor. I would say this is a must have for any actor and would probably be helpful for managers and workers in corporate America.

Indeed, All We Are Saying: The Last Interview with John Lennon and Yoko Ono pulls out the punches. The book shows how far former Beatle, John Lennon, had come and where he was headed. David Sheff's "Playboy" interview with John Lennon and Yoko Ono is the most fascinating piece of oral history about Lennon's life as well as the story behind every Beatle song. Sheff intimately takes reader through the studio, John and Yoko's Dakota apartment, and down the neighborhood coffeeshop sharing a cappuccino. All We Are Saying presents an extremely candid and frank interview that was held two months prior to Lennon's passing. Sheff reveals Lennon's growth and new beginning that would unfortunately be cut short.

All We Are Saying does not lack in humor and seriousness. This was the man, not the Sixties icon who sang against a "Revolution," who still had dreams and aspirations to accomplish at the time the interview was conducted. For fans of Lennon as well as the Beatles, this was Lennon stripped down and open for questions, and he merely tells it like it is or was. He expresses the breakup of the Beatles, and emphasizes that they were great, but they were in the past. He talks about the ups and downs of his individual experience from being a heroin addict to a househusband. He was living in the here and now, and the music that he was making at the time reflected that mantra. Though the references he made about the music scene now appear dated, Lennon was ahead of his game and kept up with bands, such as the Clash, Pretenders, and the B-52's. He even raves how the B-52's rip-off Yoko's style of music.

Sheff writes the interview in clear and picturesque narrative. For every new chapter, he introduces the reader to where the interview is going. However, the concluding portions of the book appear too rushed. Sheff appears to have wanted to discuss or at least learn about every tidbit about each Beatles song, which almost portrayed a to-do list, and at times it appears as if he did not want to run out of tape. From the transcript of the interview, Lennon appears too tired to talk about each and every Beatle song as he answers with yes and no answers. For the most part, Lennon wanted to speak about his new album at the time, "Double Fantasy", and new projects he was planning.

All We Are Saying is an important document of the life of John Lennon. For Beatle and Lennon fans, the book is quite ironic and sad due to the circumstance, but that should not stop any one from learning more about one of the most legendary artists of the twentieth century.

This for me is better than any other book because it is reading the acutual words that John said. He gives his own first hand comments on each song (no guessing what each song was about -- he tells you). When he can't remember (it was the 60's after all) John will say so. The most important thing he says is "get interested in your own life" meant in the very kindest way John wants to remind us that we can identify with him, we can love him, but to please NOT make him to focus of your life -- YOU should be the focus of YOUR life. His insights to life can help you acchieve insights of your own. John rules! But I am thankful that he reminds us it is not important to memorize his height and weight or other "facts" but rather to LIVE the life we have -- as I wish he had the option to do. American must stop naming cruel people and making them famous if we do not want more useful people to be killed by those who have little human value -- of course that is only my take -- I can't rule YOUR thoughts (and for that you should be glad ha, ha).

Get the book if you are a Beatles or John Lennon fan... ;-)

INCLUDES AN AMAZING SERIES OF QUESTION AND ANSWER SESSIONS, THAT YOU WILL NOT BE ABLE TO PUT IT DOWN! I WAS SURPRISED AT SOME OF JOHN'S ANSWERS; BUT IT DID MAKE SENSE COMING FROM HIM. I WON'T SPOIL IT FOR EVERYONE....SO EVEN IF YOU'RE NOT A DIE HARD LENNON FAN, YOU WON'T BE DISAPPOINTED BY THIS FUNNY AND TOUCHING PIECE OF WORK...JUST BEAUTIFUL!

John Lennon and wife Yoko Ono give an excellent interview by pulling out all stops. Sheff's interview in "Playboy" with the pair is a vital oral history about the former Beatle's life and his insight on each Beatle song. Sheff takes readers on a Magical Mystery Tour through the recording studio; the Dakota and in and around the neighborhood. The interview is candid and direct; readers are given a clear look of and at John and Yoko.

John is shown, warts and all in real, living color. He is not glamorized nor vilified; he is presented as the man that he was. John Lennon was many things to many people; Sixties icon; musician extraordinaire; artist; spouse; father; author; actor; joker; interviewee; "militant pacifist," an oxymoronic term. John was a very complex man and this Rubik's cube of a book puts the pieces together in such a way that readers can readily assemble their image of John Lennon.

John makes no bones abut the Beatles being part of his past; he appears to want to move further down the Long & Winding Road without further Hard Day's Nights in re his Beatle history. It was also interesting to learn what groups and artists John liked and how he felt they influenced him.

Hats off to Sheff for introducing readers to each person in the interview. If there is one literary pitfall to avoid, it is never, repeat, never spring characters or real people onto readers without introducing them. That weakens a work and Sheff is quite adept at dodging this trap.

John appeared to be moving at a quicker pace in this interview; whereas Sheff wanted to discuss the Beatles more in depth, John gave one word answers to Beatle related questions and seemed eager to discuss his 1980 album, "Double Fantasy" as well as works he was planning after that.

This is a bittersweet book for Beatle and Lennon fans because of John's untimely death in late 1980. Even so, the book remains an excellent source of information about the man who founded the World's Number One Band, the Beatles and the man who made the world listen.

Listen to John Lennon.

My favorite Lennon quote comes not from this book, but from the Beatle's set during the Royal Variety Performance for the British Royal Family in 1963: "Will the people in the cheaper seats clap your hands? And the rest of you, if you'll just rattle your jewelry." I love that, though I've been told you need to be raised in the British class-consciousness to fully appreciate the insolence of that.


I grabbed this book just out of curiosity, as a Beatles fan and a Lennon fan in particular. I read in a review that Lennon goes through the whole catalog of Beatles songs and comments on them. I thought that would be interesting to read. Yoko Ono was the least of my concerns, but they were and are a package deal. I bought into the popular cultural conception of Yoko as the villainess who broke up the Beatles. So the first thing that struck me, reading these interviews, is what an intelligent, sympathetic, and likeable figure she is, when heard in her own words, in the comforts of her home base. And the two of them together actually seem like a nice, well-matched couple, decent people who- against the odds- had found contentment amid the surreal circumstances of their lives. No doubt that they are eccentric in some ways, and some of their philosophizing has that post-Hippie, flaky, dated feel, as you might expect. They are artists after all. But at the same time, they surprised me at times at how level-headed they came off. Despite the near deification of the Beatles, it is John who continuously reminds us that they were just a rock and roll band that was in the right place at the right time and wrote some good songs. And they are able to honestly talk about the strain on their relationship caused by their celebrity. With all the typical defiant talk about letting people think whatever they are going to think, Yoko admits to the heartache of bad press: "It's a very strange thing that society can do that much to a relationship, but it does because we're social animals. We're social beings. A relationship is not isolated from society." "Society can break an individual. That is what happened." John, too, often displays the vulnerability buried within the armor of the iconoclast: "We're both sensitive people and we were both hurt by a lot of it." Enough time has passed for them to analyze the hostility garnered by Yoko, as a woman, when she began managing John's business affairs. John talks about the attitude towards Yoko at these meetings where she was the only woman, "They're all male, you know, just big and fat, vodka lunch, shouting males, like trained dogs, trained to attack all the time." Yoko is wonderful, chiming in with "I was emasculated." Then launching into her formulation of male aggressiveness, "you must have the womb-envy thing," she speculates. Men are aggressive to mask their intimidation and jealousy. After all, she notes, "we give life."

The most valuable part of this book, in which John systematically goes through almost every Beatles and solo Lennon song, is a concession John granted after blowing Playboy's scoop by giving an interview to Newsweek magazine. We get John's feelings about each of the songs as well as the memories triggered by them, what was going on in that period of his life and how they were written. Though John continues with the superficial model of `John songs' and `Paul songs,' we see that the truth is more complicated, they wrote the best of the Beatles "one-on-one, eyeball to eyeball... both playing into each other's noses." We see why they were great together (and why George and Ringo are two very lucky men to have been along for the ride) and why neither of them, as solo musicians, could produce songs that measure up well to the Beatles. There are several examples of the two of them contributing little touches to each others songs, the little shadings that profoundly deepen the work. Without Paul, John was mostly a writer of catchy tunes, superficial fluff with great hooks. Some of Paul's solo works come close to the best of the Beatles, but for the most part, he was missing the nuances- the melodies and tenderness- of Paul's sound. A song like "Michele" is a perfect example. Paul wrote a pretty little love ballad. John heard it shortly after hearing Nina Simone sing the blues, and he suggested the bluesy "I love you, I love you, I love you," bridge. Paul writes "It's getting better all the time," and John adds "it couldn't get much worse." Paul writes "We can work it out" and John adds "Life is very short..." Or conversely, John writes about "A Day in the Life," about a man violently killing himself, and Paul adds the sweetest little lick to ever float into a song from nowhere: "I'd love to turn you on." And so on. I particularly recommend this section as a morning commute read, riding the train with Ipod in hand, keeping the songs in your ears as you read John's analysis of them.

Of course, one can't read these interviews without being constantly reminded that John was assassinated just months afterwards. It gave me chills to read some of John's philosophizing in that light, "Mahatma Gandhi and Martin Luther King are great examples of fantastic nonviolents who died violently. I can never work that out. We're pacifists, but I'm not sure what it means when you're such a pacifist that you get shot."

And the heartbreak is palpable when reading of the pride John took in stepping out of the action and becoming a full time father to Sean. "Here we are: I'm going to be forty, Sean's going to be five. Isn't it great! We survived!"

Having read most of the other books about Audrey Hepburn, a woman whom I respect and admired since my youth, I chose this particular one by Mr.Paris as the most engaging (besides the book by Sean Ferrer which I thought was essential). I could never tire of anything A.H., with that being said it was important to me that I had a sense of how she lived. This book was hard to put down and wasn't full of colorful writing like some of the other so-called biographies done on her. For me, it brought me closer to this person as if she were someone I knew personally and combined with her son's book provided me with an insight into the world that was Audrey. She was and still remains a huge inspiration for me, and this book should be read by every young 'actor' out there today. Kudos to Mr.Paris!

Audrey Hepburn (1929-1993) was born in Brussels the daughter of a Dutch woman and an English father. She was raised in Arnhem Holland suffering through the Nazi occupation. Audrey was a thin, sensitive child who excelled at ballet.
As a young woman she migrated to London appearing in British films until she was exploded into fame with her first US film
Roman Holiday (for which she won as Oscar as Best Actress)
Hepburn appeared in such films as "Charade"; "My Fair Lady"
(her singing voice being dubbed by Marni Nixon"; "Two for the
Road"; "Breakfast at Tiffanys"; "Sabrina: "Robin and Marion" :
"Wait Until Dark" and several other films.
Her gamin pixish face and figure was a revelation in the 50s era of Monroe, Ava Gardner; Sophia Loren and other well endowed film goddesses.
Audrey had a long but troubled marriage with stolid Mel Ferrer and had other husbands and a few affairs along the way most notably with film star Albert Finney.
She worked with such noted directors as Willie Wyler, George
Cukor and Stanley Donet. She lived in Switzerland in an isolated
village where she raised children and loved animals.
There is little dirt to plow in these pages1 Audrey was an
adorable and kind person! Her work with starving children on behalf of the UN is heartwarming.
Barry Paris (previous biographer of Louise Brooks and Greta
Garbo) does a fine job in this well documented biography.
The most exciting chapter deals with life in Holland during
the horrible Nazi occupation,
This is a good biography of the film star.

A book so well researched and written that it flows like a meandering river. The prose is wonderful. Very difficult to stop reading the book until the reading is completed.

May Audrey Hepburn be in the Kingdom of God as I surely want to meet her and talk with her.

A biographer shouldn't lower your opinion of the person they're writing about (as if you could ever
have a low opinion of Audrey Hepburn!) and Barry Paris certainly does a brilliant job of depicting
Audrey's life from age 15 until her death (age 64). The author blends his words so you don't loose
interest even once. The book has lots of quotes, from and about Audrey, and several pictures of
her throughout her life. There isn't a down side to this book, except for a few subjects where the author
should have elaborated on a bit more than he did. You can clearly see that Audrey was a truly
wonderful person, a real lady. After you read about what a hard childhood she had, in the middle
of WW2 and the miscarriages she suffered and basically being deprived of love from her parents,
it is amazing that she was still such a beautiful person, a beautiful soul. She traveled to countries to
help dying people and did things that few other people would do...she seems to have been an
angel, and certainly was to several people. This is a book that you don't need to read before buying, it's wonderful.

What is the true test of a biographer's skill? Creating a riviting, insightful book about a subject who had no scandal in her life and who seems to have be beloved by everyone. Material that, in lesser hands, could have been saccherine or written with the usual "movie star bio" template is instead moving, wise, very informative, and beautifully written. Check out Mr. Paris' other biographies of Garbo and especially Louise Brooks for more great writing.

this book is great.You know My auntie just sent me this book and just handled it.You know i can't buy books about backstreetboys,(but maybe i do,but it's hard for me to find one because i'm from the philippines) but luckily i've had a nice auntie in the U.S. who've sent me this book.But you know i'm really worried 'coz my auntie sent it through mail,so i'm afraid it won't come because some BAD people(philippines) just get it if they found it beutiful for them,so i kept on praying and hoping that the book will be sent to me,and luckily i did. I really recommend this G-R-E-A-T B-O-O-K

this book is the best book on the Backstreet Boys that i have ever read. there is a bio on each of the guys, LOTS of hott pics-including younger pics and shirtless pics- and behind the scenes stuff. there are also stories of the pranks that they play on each other and of accidents and funny stuff that happened onstage. every BSB fan should have this book. it is worth every cent and worth getting! i love Brian soo much, he is soo hott and soo sweet! keep the Backstreet pride alive ya'll!

This book is the best!!! I'm a AJ fan and all of the pictures of him are great!!! A must have for any BSB fan!!!!!!!!

i love this book as i said, i realy love the pic's on nick they are soooo beautiful and i love the info, and the pic's on the others of coures but nick most, you must get it!!!!!!!!!!!!!!!!!!!!

This is the best book i have ever read.It tells you everything you need to know about Backstreet. It also gives you their biography,and some of their secerts.So if you haven't read it you better get it=)

This is dificult as it was bought as a Christmas gift for my 86 year old mother in law, who is the world's greatest Elvis fan! This was one thing she didn't have. However, after scanning through it, and loving him myself, I would have bought it for myself as well! It's very well done with so many wonderful pictures that seem to make him jump off the pages. A great find of a great man.elvis

I really enjoyed this book. It was fun to read about Christmas at Graceland and how generous Elvis was. What was the most important to me is the photo of Elvis at Christmas, 1976.

Yes this book is truly the best gift anyone can give the Elvis world.
I have to admit that this is the "BEST" Elvis publication to date.
The photos are beautiful, touching, warm, and holiday-oriented and the information is fantastic.

A great package all the way around from cover, to size, to quality. This was money well spent!

Jim Curtin (who I have found to be the top author on Elvis books along with his writer Renata Ginter), is truly top of the line in his publications.

I did notice that Curtin's books lack the fabrications that ALL other Elvis books have. No BS in his books and what a relief!

It is quite nice to sit down and read something nice on Elvis for a change, rather than have to put up with made-up stories and information about his sex life, his drug addictions, his death, his fetishes. God let the man rest in peace.

My request is to have all the publishers publish books ONLY by Jim Curtin and Renata Ginter from now on.

Just imagine, no more bad Elvis book would be ever pushed on the public again! That would be Elvis heaven!

Hey people who know Elvis Presley fans or are you an Elvis Presley fan and don't have this book, buy a copy of the book. In chapter 22, the author Jim Curtin tells the people reading the book that he met Elvis Presley in 1976. This is the first and only Elvis Presley spend Christmas.

And there are aslo pitcures in this book. And one looks pretty funny. It's a Elvis Presley t-shirt from the 90's, and there is a pitcure of an animated Santa Claus tells a person on a phone, "No, No, I said Elves, Send Me Fifty Elves." He has Elvis Presley look alikes but wants elves. (Page 152). I laught at A Very Funny Christmas. Which is on chapter 15. Some of you people might or might not know that Elvis Presley was once poor. And you can read about how he spend his poor Christmases.

I guess you are never to old or young to learn. In 1965, Elvis Presley decide to dress up as Santa Claus and had children on his lap telling him what they want for chirstmas. And when he had bigger children, he tried to get a hold of his laughter, but couldn't and got out of a mall, without people seeing him laugh.

You can aslo read Christmas Quotes by Elvis Presley. Like when he tells that he believed in Santa Claus until he was age 8. He had learn that it was his parents doing the role of Santa Claus. Why do parents use Santa Claus as a excplaimn to children at christmas who brought the presents fr them, and at Easter, when tell it was from the easter bunny, when it really was from them? Isn't that a lie? This is a great book to read whether it's Christmas or not.

I came across this book in a local used book shop.
For some reason this book was not sold outright in the main bookstores.

My first initial reaction to this book, once I flipped through it, was:
too bad: some of the printing is not high quality.
But hey, once I looked through the book and read some of the stories, my second reaction took over:
wow the contents are really nice!
as an Elvis fan, I loved the collectibles and as a result I bought another copy off the net.
one is for my library and the holidays and the other I use as a collectible guide.

This is a GOOD book (a real good one) and its done by someone I really didn't know anything about, nor had I heard of him.
But I did do a check on him, once I liked his book, and he did 6 other books on Elvis.
I will see if this man, who proclaims to be the world's foremost Elvis expert, is the real thing, or another self proclaimer like the "fantastic four" (Lichter, Dowling, Tunzi, Guralnick/Jorgensen)

A hint though: from what I see in this book, this man may actually be the REAL DEAL!
he has quality and intregrity.

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

This is a great book to start with if you are thinking about a career in Hollywood. The author gives a great overview of the business and makes sure she explains herself well. An easy read. Highly recommend!

This book is a great addition to this author's other work - a fact-filled compendium of documents and advice for producers and production managers that's simply the best single book about making films professionally.

This book is a bit different, dealing with the other things - personal drive, character, etc.

If you are in the business, you will find something here you didn't know!

My friend Mark Hansson wrote to me recently to recommend Eve's other book - The Complete Film Production Handbook (3rd Edition, Book & CD-ROM). Mark is a busy guy in `the biz,' having done almost a hundred films and TV shows, including episodes of Murder She Wrote, Fat Actress, Six Feet Under, as well as the features Dreamgirls and The Quickie (overlooked and much-recommended) - so his advice is key.

Turns out that Eve and Mark have been friends for a couple of decades, since they met on a film when Eve was a Production Coordinator. Mark read the first edition in galley form, long before it became a standard reference book at most studios and at many film schools. Eve's got another book out too: Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry.

While Hollywood Drive deals with more `esoteric issues,' The Complete Handbook is worth its price for the production forms alone: a CD Rom of almost 200 templates that can be customized and adapted for any film or TV show. Mark says, "I still use some of them today, such as the `Walkie Talkie Checkout List,' an active Word document that you can type into once it has been downloaded."

Eve herself has helped thousands of our industry colleagues, through classes and the group she founded - the Film Industry Network (FIN), which still meets once a month at Sony studios. Mark again: "I'm very proud of Eve and the second career she has found as an author and teacher. She's an extraordinary person. And no - I don't get royalties from the book!"

I don't get royalties either - in fact I bought both books right here on Amazon, and I am glad I did. The Complete Film Production Handbook is a must-have for any producer, director, or production manager.

You wouldn't know this book is a great marketing book and writers should read this one. The book focuses on the film industry but there is a wealth of information in here about marketing yourself that writers can benefit from. There are some great excercises you can use to start defining yourself and begin your publicity. Whether it is for your book, screenplay or yourself.

I just received this book today, and cannot put it down. Honthaner writes with such ease, it's almost as if she's sitting there discussing the entertainment industry with you. As a recent graduate and an intense drive to make it in Hollywood, this book suits all of my needs in seriously knowing the ins-and-outs of the business. I would definitely reccomend Hollywood Drive to anyone with a similar passion to want to know all and be in the mix of the entertainment industry.

I attended author Eve Honthaner's class at USC in 2004. Titled "Breaking In, Hanging In and Making It," the class gave me all the skills and tools necessary to make it into the film industry in Hollywood. Her encouragement and burning desire to help people succeed in following their dreams translates well from the classroom to the page. For those who don't have 6 weeks and $2,000 to spend on her enlightening course at USC, this book is a real bargain. If you are serious about pursuing a career in Hollywood, "Hollywood Drive" will teach you the importance of networking and all the other skills necessary to get your foot in the door. Using the tried and true methods of Eve Honthaner, I got my first job in Hollywood with Fox -- and many more to follow. I now recommend this book to everyone who dreams of Hollywood and has the courage to pursue that dream.

At 25, Julie Andrews had it all: She was a Broadway star about to take on her first starring role in a film, Mary Poppins, she was happily married, and she had just become the mother of Emma. Her smile and lovely voice were known to tens of millions around the world.

But the path from her origins to those heights was not the expected one. In this candid memoir, Ms. Andrews takes us for an eye-opening ride through her family's genealogy, her career as a youthful vaudeville star, her experiences in becoming her family's sole support at a young age, and the many amazing things that happen in performing companies. It's a wild trip!

Before the book ends, she gives us behind-the-scenes looks at many of the giants of 20th century entertainment including Moss Hart, Alan Jay Lerner, Fritz Lowe, T.H. White, Walt Disney, Rex Harrison, Richard Burton, and Carol Burnett.

She is a lady in all that she has to say, but she does have opinions. The finely nuanced reading captures her true feelings in subtle ways that the book cannot hope to do. I could have listened to this recording all night, every night. It was marvelous!

It was if Julie Andrews was sitting across from you telling you about her life story. I also have and read the book first, so hearing Julie read her own story, with all of the inflections in her voice, was great.

This memoir is truly one of those that cannot be put down. And to hear the reminisces in Julie Andrews' own crystalline voice is a rare treat. The situations that the young girl endured growing up are stunning and the listener's heart breaks for her, all the while gaining a new appreciation for Julie's grace and grit. I highly recommend this book, especially as a book on CD, and am hopeful that Ms. Andrews will continue her life story in the form of a sequel....

I have been an admirer of Julie ever since I first saw her in Mary Poppins so many years ago. What a joy to listen to her tell the story of her early years up until the time when she is on a plane heading toward Hollywood to make that film. She has overcome a great many obstacles in her fascinating career. I certainly admire her even more now after hearing her tell her story. This was so interesting that I wanted to hear more. This is a must read!

Rather than pre-order the book, I waited until the CD came out to see if, as I suspected, it would be narrated by Julie Andrews. Julie's words in her own voice add so much to her story. I can't wait until the next installment! The only criticism of the CD is you have to turn the volume up all the way to hear it, at least while in the car. It brought back such pleasant memories as Julie related stories of her appearances on TV, with Carol Burnett, and on the Ed Sullivan Show, and her own show. Some of the excepts can be found on the internet. Wonderful performer. A voice not to be forgotten, nor repeated.

A very well written biography of a very complicated man. From the Duke's childhood to his later years in Hollywood, you get the full picture of an American legend that was patriotic, controversial, opinionated, grateful, and a deliberate artist.

John Wayne: American takes you into Wayne's inner circle of friends, family, and co-workers. If you love John Wayne, or even kind of like him, you'll love this book. There are some shockers that reveal the man behind the curtain that is sure to be a water cooler discussion after you read the book.

I am French and a huge fan of John Wayne's career.
I've found this book very complete whithout having long movies résumés.
This book is more focused on anecdotes' movies.
Moreover, the life of John Wayne is not depicted only as a pure "American" cowboy (despite the title of the book)and the authors really want to explain the choices of John Wayne in politics or in his own life whithout trying to influence the reader.
That gives us the impression that John Wayne lacked confidence in his own life but barely never in his career.
I've been reading biographies for a very long time and I can say that this biography is really well written and as I was reading it, I watched several movies with John Wayne, just for pleasure!!

The acid test of any biography is does the personality of the subject come through the pages of the book? After the reader is finished, do they feel they have meet the man or woman they were reading about. Historians Randy Roberts and James S. Olson have done so with this book, which is very difficult for two distinct reasons: 1) Wayne left no papers; and 2) there is the legend of John Wayne that gets in the way of knowing Marion "Duke" Morrison, the man behind the famous stage name.

Roberts and Olson have given their readers a well-written, engaging study that is both traditional biography of the actor, but a study of his status as an American icon. The authors also show that Wayne was a talented actor in addition to being a movie star and deserved the Oscar he won, even though he expected to lose.

A decent and diligent son, he was never able to win his mother's love. For whatever reason, she showered her affections on her second son who was a mediocrity in life. Wayne was a conservative, but mainly because he was a classical liberal in that he believed in limited government that did little to impose on the liberties of individuals. Even though he was worth millions when he died, he had invested poorly and had gone bankrupt, squandered most of his earnings, and most of his fortune was the result of his having an honest business partner that had looked out for him.

He went through three marriages, but was a loving, if removed father. In many ways, he placed more value in his friends than in his family. Perhaps because his friends could never hurt him the way his wives had.

There will be other Wayne books, but it is difficult to see this book being surpassed anytime soon.

I had wanted to read a John Wayne biography for some time, but never got around to it until buying this book. I think I picked the right one. It is chock-full of interesting information regarding 'the Duke'. I was surprised to discover how nasty director John Ford could be to his actors, John Wayne included; and yet the two were good friends. Surely Wayne must have wanted to punch the guy out a time or two. Regarding Wayne's mother; I don't think the writers did an adequate follow through. In the first sections of the book, much was written about the relationship between mother and son, but there was no follow up later in the book. Did his mom ever come around and begin to appreciate him before she passed away, or did she remain cold and aloof until she died? As a reader, I felt like I was left hanging on this one. Otherwise, this was an excellent book, and I highly recommend it. The final sections, covering Wayne's last days were sad and disturbing, but the man left us with quite a legacy on film. There will never be another like him.

I enjoyed this book more than I can Say . Being 80 yrs. old ,

I have grown up with John Wayne , more so than any other movie

" STAR ". Buy this book , you will treasure it .

Jack Yannuzzi