Arts and Entertainment Books

The Frommers are terrific interviewees and their book is a history and an entertainment resource about the Catskills - what else would we expect from oral historians of their rank.

GREAT INSIGHT INTO WHAT THE CATSKILLS WERE ALL ABOUT

WONDERFUL COLLECTION OF REMINISCENCES

wonderful oral history - - -covers a lot of territory

While working at the Nevele Country Club, one of the many legendary Catskill resorts covered in this magnificent document, I briefly met Myrna and Harvey Frommer while doing their research. They probably don't remember me, I was too young at the time to offer the kind of history they were looking for, but the pair's enthusiasm and obvious love for the area's resorts and their unique (now long gone) familial atmosphere was readily apparent. When I finally got to read this book, it provided me with a sense of pride for being a part of its history. There's even an ancient picture of my father playing sax in the old Art Kahn Orchestra! But aside from personal connections, this book stands as a definitive oral history of an era. The people interviewed are true insiders, some of them legends in their own right among Catskill lore. And while the book provides some deep sociological perspective concerning its ethnic background, the authors know how to balance this with charming, amazing and often sidesplitting anecdotes. If you ever spent a weekend at Grossinger's, The Concord, The Nevele or one of the dozens of small bungalow colonies, this book will wash you in warm memories. And if you didn't have the chance, it will make you wish you did.

This is an extremely thorough, even-handed and well-written bio. The author's approach is intelligent and his research and references are extensive.

One learns that Brooks began as an upper middle class wildchild from the plains who determined early to be a great dancer. She had talent and determination. But Fate along with timing made it possible for her to escape Kansas for New York City at the tender age of 15 (!) to train with a premiere dance company. She seems never to have gotten past being that wildchild and was, at 17, dismissed from the troupe for unacceptable behavior. Soon she was a dancer on Broadway, including a stint with the Ziegfeld Follies. Next stop, the movies!

Being admittedly "selfish and stubborn" as well as volatile, Brooks tore through New York, Paris, London, Hollywood, Berlin and back, living it up and burning bridges all around. By age 25 she was finished in terms of ever becoming a movie star or great dancer. She eventually disappeared into a gin bottle, was reduced to dance instruction, retail sales and finally "love for sale."

This is all fascinating enough, but her late-in-life resurrection as a rediscovered silent era "icon" (based mostly on films made in Europe in the late 20's) and as a newly minted writer is the surprising twist toward the end of an otherwise bleak life story.

Her work in Pabst's "Pandora's Box" ought to provide Brooks all the immortality any actress could desire. She is spectacular as Lulu and deserves every accolade. She was a beauty, but there were other beauties of her era who achieved greater stardom - Joan Crawford, Marlene Dietrich, Greta Garbo, Jean Harlow. Her "black helmet" hairstyle was well suited to her looks, but it's more likely that Colleen Moore actually popularized the look, having been a superstar of the 20's (which Brooks wasn't)and the iconic "flapper." As for her skill as a writer (with reference to "Lulu in Hollywood"), I find Brooks interesting, insightful and even poetic, but there is an underlying note of bitterness that undermines any claim of objectivity. And, considering her decades of gin guzzling, I question her ability to be very accurate 40-50 years after the fact. For me, the mystique and power of Louise Brooks comes down to her performance in "Pandora's Box," her primary and glorious claim to fame.

Read "Louise Brooks" by Barry Paris and form your own conclusions. Don't miss "Pandora's Box." The Criterion Collection DVD boxed set includes Kenneth Tynan's 1979 profile, the TCM production, "Looking for Lulu," a 1970's interview with Brooks and other extras.

This book is an expansive overview of the life of Louise Brooks and also of the early days of the movie industry. Very throughly researched, it gives a nuanced look and the beautiful, brilliant and maddeningly self-destructive icon. It also is a wonderful history of the entertainment world in the 1920's and the personalities who populated that world. A must-read from fans of Louise Brooks.

Several books have been written about Louise Brooks, but this book is probably the most concise and most thorough of them all. The book starts off with Louise's birth and it describes all the people that helped to make Louise so interesting and famous. There are many black-and-white photos of Louise, from the time she started in show-biz (at age 4) to Louise in her later years, just before her death.

Since Louise Brooks had such a fascinating life, it is not a surprise that this book is so long. Each Chapter basically covers a chunk of her life, and each Chapter describes (in detail) the characters that encountered & shaped Louise, and also all the Theatre and Movie productions that Louise was involved in.

This is what a biography should be: insightful, understanding, offering a measured & complex view of its beloved subject. And what a subject Barry Paris has in Louise Brooks! Her beauty, her intelligence, her compelling charisma all shine in these pages, giving us a multi-faceted view of this ravishing star. For someone who had never heard of Louise Brooks, this biography will send him or her in eager pursuit of her all-too-few films & her own writing -- and both are of the very highest standard.

It's clear that Brooks never did anything without wanting to give her all, to make true art out of it, a work of beauty & meaning that would stand the test of time. And the same could be said of this superb biography. While Paris clearly adores Brooks (and with good reason), he never succumbs to blind hagiography. Nor does he stumble in the opposite direction of pathography. His purpose is to explore the life of a fascinating woman, and to present it to the reader as thoroughly & lucidly as possible. He succeeds on every level. Louise Brooks emerges from these pages as both a flesh & blood woman, and as the dazzling, mysterious icon she became to countless admirers.

In short, the best book on Louise Brooks you'll ever find, most highly recommended!

I have not yet read this entire book, but just glancing through it when it arrived I would find that I have just read twenty pages or so whenever I openned it up. I can't wait until I read it cover to cover.

I, Tina; Don't Block the Blessings by Patti LaBelle, Bobby Womack, Pryor Convictions (Richard Pryor), Super Freak (Rick James) and The Etta James Story have been some of the most TELLING books that I have EVER had the pleasure of reading.

I personally prefer when an artist joins with their OWN writer and composes their OWN story, instead of waiting for someone else to do it, only to wind up in court desperately trying to refute the ill-refuted claims gathered by 2nd, 3rd and 4th-hand witnesses to something they heard told to their 3rd cousin twice removed.

I agree with Etta, your only TRUE judge in this ball of confusion is God, so why should you apologize to anyone else? Why not put it out there for everyone to finally snicker, whisper and gossip about, and then ultimately get over?

This book is only a grave reminder to everyone who has always looked to "Holly-WEIRD'S" version of a "hero", that perhaps it would be best to look a little closer to home.

Celebrities are only humans, too. Try looking up to the everyday, ordinary people that you see delivering your mail daily, pulling over drunk drivers, extinguishing fires, teaching your children, preaching to your families and saving your loved ones~~instead of people who can never vote (because they're felons), don't own property or their own vehicles, and are barely able to do a better job than YOU at child-rearing!

the book is great to read it came in very good condition not dirty or torn or bent.

With odds stacked against her in every direction - including personal resistance to success - Etta manages to not only survive, but thrive & inspire!
Stories of the early days of motown, touring, & musician swapping is exciting and nearly incestuous (so many huge names in music ran the same circuits, competing for musicians, songs, gigs & label attention).

The title of this book, Rage to Survive, is very well chosen, hinting is at does to the French phrase "rage de vivre," rage to live.

I grew up with Motown, Aretha, and Otis Redding, but never heard of Etta James until I was over 50! The singer I know only thanks to YouTube, but what I heard there was so talented it's almost scary: soul and blues, sure, but also country and jazz. I suspect that her drug addiction in the late 50s and early 60s led the publicity industry to shun her. (It was only starting in 1968 that one could do drugs and not get the silent treatment.) I know that this is an "as told to" book, but how many soul musicians have bothered to write any kind of memoir? This book deserves to become a classic of its kind.

Amy Weinhaus sounds fresh and interesting only because Etta James is so little known. Weinhaus's career may be over, and she probably won't live to see 30. James is 71. If I am right, Weinhaus will never have a child. James performs with her sons. Etta, you are one tough momma...

If you're going to see Etta, read this book first. It will put some perspective on where this Diva has come from and help you understand some of her stage comments. To make your experience finer, read it while listening to "Her Best-the Chess 50th Anniversary Collection" and her newest CD "Roll On".

It's an honest and fresh read, very revealing and very scary as to how she survived racism, drug addiction and recovery. It also gives alot of insight on the R&B world players in the 50's, 60's and 70's.

I'd recommend it as a supplemental text in feminist/african-american/sociology college courses. It may be too controversial for high school courses but it would certainly get students talking. It's also a great summer read.

Ian's first song, "Hair of Spun Gold," written when she was not even a teenager, describes a girl who feels that her life is "over and done" by the age of 21. Shortly thereafter Ian wrote her 1960s hit, "Society's Child," a song about the toll taken by prejudice on young romance. With her first album a success, and her second album also on the charts, she spent years concerned about writing a new hit. Then that megahit came in the 1970s with "At Seventeen," a brilliant and moving song that describes the anguish of high school outcasts. Among other lines it refers to girls who "married young and then retired."

Ian's extraordinary autobiography shows that indeed life is not over by the teens, the twenties or the thirties. By being honest to her inner voice and caring about conveying true feelings rather than cliches, she has been a model for artists who are more concerned about the emotional impact of their work rather than wealth or fame. She has shown that creativity continues to flower through seeking new avenues for expression rather by focusing on reliving past glories. The irony of the title of her enjoyable new book is that she mentions in it that she didn't perform the song "Society's Child" for decades to prevent herself from becoming a nostalgia act. And indeed she's never been a nostalgia act, but rather, as her autobiography shows, someone who is always looking for creative new opportunities--this inspiring book being its latest mode of expression.

Like many of the reviewers, I was a big fan of Janis's work from Society's Child to Aftertones, and then I moved on when she moved on from the "melancholy college girl music" that sustained me and my friends during many a Tea and Sympathy filled night at our New England women's college. Janis, a fellow Jersey Girl, has been touring near me for the past couple of years but I haven't had a chance to see her perform; thankfully, I'll be seeing her at my local concert venue in November, so in preparation of that evening I purchased Society's Child.

Janis's memoir is suprisingly candid. She tells it like it was, from the highest highs to the lowest lows, from failed business relationships as well as failed affairs of the heart, to openly discussing her illnesses and financial difficulties and life's disappointments. Her openness and honesty make her all the more admirable, and I suspect many will find her story inspirational and therapeutic. By showing us that she's just as vulnerable as anyone else, she has endeared herself even more (if that's possible) to her legions of fans worldwide.

As with Girls Like Us, the popular biography about Joni Mitchell, Carly Simon, and Carol King, one of my favorite aspects of Society's Child was learning the stories behind the songs. Being a non-musician, I naively thought songs were simply plucked from the air; I really enjoyed hearing about the inspiration behind Jesse, Stars, At Seventeen, and many more.

I recently had a conversation with a college music professor. When I asked him who was his favorite female artist of the era--Joni, Carol, or Carly, he smiled and said. "Janis." I replied, "Joplin?" No," he said, still smiling. "Ian." And now I understand why.

I enjoyed reading this book. It comes as no surprise how well-written it is, since Janis Ian has always been a master with words. She shares many physical and emotional hardships that she has overcome during her lifetime and leaves very few unanswered questions.

The photograph section is rather skimpy for a book of this length, and I thought it strange that she did not include a photo of her lover of 19 years. She also said that her "Society's Child" song and other pre-adult earnings were put into a trust fund her mother had access to, but never mentions what happened to those presumably sizable amounts when she was strapped for cash in later years. Probably embezzled by one of her dishonest employees noted in the book.

This book would make for a terrific motion picture, provided the producer and director stick to nothing but the facts.

Janis and I were both 15 when this waif of a girl came on stage in NYC, after being introduced by Murray The K, and, standing alone in the spotlight, sang Society's Child.

We were stunned, and I admit, I had an adolescent crush on Janis for years.

Honestly, along the way, I lost her music, but always felt a kinship to her. Then, when the book came out, I couldn't wait to read it.

I had no idea how much adversity this beautiful woman overcame. I don't want to reveal "spoilers", but, suffice to say, I don't think 4 people could have overcome what this one person has. She walked through hell, and out the exit door. This book should be required reading for today's "instant celebrities" that don't appreciate what they have, and how fast they can lose it all.

I have nothing but respect (and still love her)for her courage and her talent. I am reacquainting myself to her music, and feel like I've found an old friend. I am totally inspired.

The book unfolds, and each chapter tells another story well. It's unreal; just when you think Janis is back on the road to happiness and success, something new detours her journey. Janis learned that success and happiness are not the same, and happiness is not dependent upon success.

PLEASE read this book. Thanks you, Janis, for sharing your innermost feelings, providing inspiration, and for hanging in. As you said, they can take away anything BUT your talent. May the sun shine on you forever.

So- Janis Ian can write books too. Her big talent, though, is living. That she is still even alive to write about her numerous re-tunings in the music world is the amazing part of this story. If you dropped her off in the middle of a desert with nothing, she'd get back before you and have a great song about the experience up and ready to record. This book is a great read. Buy it.

This is a good book to overview the special effects for making movies. It includes history and technics for almost everything but not details. However it is impossible to include details in a book so readers need to find out the details from other resources. Overall this is a good book for gaining knowledge in special effects.

I got the book for my boyfriend. He loved it.The book has a lot of interesting and useful information even if you are just a movie-lover, not a movie-maker

Special Effects is THE BEST book you could wish for on the subject. I have a shelf full of old, an mostly inaccurate books about special effects, but with this new book I could throw the rest away. Also, don't bother with magazines like Cinefex anymore, which are very dry and heavy going. this book is a pleasure to read and has interviews with everyone who is important in the business. There are hundreds of cool photos as well which makes it very good value. Anyone who works in special effects, or is just interested in the movies should read this book. Congratulations to the author Mr Rickitt who has condensed 100 years of movie magic into a single lavish book. Dont take my word for it - BUY IT!

Yes there is great history and education in here, but the mass of photographs tells a truly beautiful tale. The artists illustrated here are for the most part the true pioneers of creating magic on film. Going into a project with truly no proven technique must have been terrifying and adrenaline pumping. Our techniques have greatly improved but since the advent of fully cg fx, the pioneering aspect is minimal. It is very well written but I can't call it a page turner since I spent so much time staring at the pictures. Great for fans and professionals alike.

I'm a film studies tutor and reccommend this title to all of my students. Why has the publisher/author allowed it to go out of print? This is the best book ever written on special/visual effects and one of the best introductions to film making and film technology generally. PLEASE REPRINT THIS BOOK and ideally, make a softback edition at a price my kids can better afford. THANKS!

This book is great.I have every single spice girl book,poster,cd,magezine that has come out since the spice girls started.I even have all the spice girl merchandise.I am a spice girl die-hard fan.This book I would rate one of the better spice girl books.I even have the spice girl book that is out of stock.It was really good also (because the spice girls wrote it themselves).

just realy good

I THOUGHT THE BOOK WAS PRETTY GOOD IT GAVE ALOT OF INFO. BUT IT ALSO TELLS ALOT OF HISTORY ABOUT ENGLAND.BUT I GUESS I WOULD RECOMEND THIS BOOK!

It had tons of detail and cool pictures!If you liked those other phony Spice books you'll love this REAL book about the coolest band today,THE SPICE GIRLS!!!

this book was not that good, it was just the same old stuff I allready know (nothing new) why can't someone make a book that doesn't borr you to death! I can write a better book! You know what I think i will, thanks for the idea!

Challenging fun. Just enough of a challenge but not so much that you can't do it. Fun. Thus saith husband, doer of sudoku

First let me say I have too much Sudoku. I love this particular logic puzzle, and have collected a dozen or so different books of them. A couple I purchased when I was in the hospital and didn't have access to my original book. A few more I purchased because of some interesting variations in the puzzles. The point is, I have no reason to buy more Sudoku books for a long time unless something special about it compells me to.

The I saw this book. Kind of a cheesy way to cash in on a popular book and movie currently out, and the puzzles at hand really relate in no way to The Da Vinci Code. But they did throw in a twist that caught my attention. Basically, working your way through the book, another puzzle is slowly decoded and revealed. I think it's a nice approach that keeps this from being just another Sudoku book. Definitely a nice book to have for any Sudoku enthusiast.

As a Sudoku enthusiast I have a hard time finding interesting Sudoku books. The square grids have become a bit boring so I went on to the variations (circles, snakes, mazes, etc). So when I saw the grids in this book I fully intended it to be one of "those" books that you pick up here and there to work on a puzzle. But no, I too was consumed. It was like reading a book where you couldn't put it down. The codes build and I wanted to know what the next phrase was going to be. I worked on it every morning to wake up my mind and only intended to solve one puzzle...... an hour later and I'm still going! It does get hard so I too would say it's for a more expert solver but it is not impossible. I managed to solve it and sent for my button hoping they would say how many have solved it. Oh well - ENJOY!!

I bought this book for Christmas-2006. I wasn't much into Sudokus but the cover and cultural climate of the time caught my eye and thus I caught on very quickly.

Well, I just received my 'Solved The Code' pin today, along with a letter from Francis Heaney (co-author) who included a personal inscription in the note (Thank You!). I feel - well - accomplished, fulfilled. Whole.

Seriously, the last 6 months have been a blast. I now consider myself a Sudokruiser - one who can solve a grid in minutes. I recommend this book to obssesive/compulsives, like myself. But be prepared to say 'so-long' to your obligations and family as sudokus can be very addictive.

If you can't finish the book and need the final answer, here it is:
The final answer is...

***uh - what the???? **** ahhhhhhhhh!

[Sorry, the author of this message was just eaten by a great white shark - Amazon Editor-In-Chief Whitley Seymore.]

I've done Sudoku puzzles of all kinds and as much as I love them, they have become very easy for me. I can do them in pen. Once I purchased this book there's a challenge at every page, and with no answers in the back of the book the only way you know if it's right is to complete all 200 puzzles. I LOVE IT!!!!!!!

This is a beautiful book that proves dreams do come true if you really want something bad enough and are willing to work hard enough no matter what the risk to reach that goal. It was Paris, 1968, when young 18-year-old street performer Philippe Petit saw a sketch of the proposed World Trade Center towers, and he was so awestruck that he drew a line between the two rooftops of the towers, and decided then and there that his ultimate goal was to one day walk on a high wire between the two towers. Over the next six years he perfected his craft. He did public performances atop Paris' Notre Dame in June, 1971, and he walked between the northern pylons of the world's largest steel arch bridge in Sydney harbor, as well as other high wire acts. One day in late summer 1974, Petit's dream came true. As thousands watched he made eights crossings between the towers, 110 stories above the ground, in less than an hour.

I think the most fascinating aspect about this story, was the lengths that Petit and his co-conspirators went to plan, train, and carry out this unauthorized feat. It's all here in vivid detail. And even if you didn't bother to read the text in this book, the photographs are amazing and breathtaking by themselves. This is a captivating memoir that captures the excitement, triumph, and joy of Petit's stunning achievement. Now that the towers are, sadly, gone, it's all the more important as a part of the towers history. I more than enjoyed this memoir, I was fascinated by it. It is certainly a positive and enlightening ray of hope for those who dream of the impossible!

Joe Hanssen

This book pulled me out of the doldrums. What an appealing person Petit is! Daring, ingenious, and courageous to an insane degree, he pulled off the greatest feat of street theater in the history of the world. He makes the phrase 'the impossible dream' stand up and dance. What I didn't appreciate until I read this book was what a fine engineering coup it was - all the rigging done clandestinely in the dead of night, so that at first light he was ready to step into the air.

And what a nail biting read! He re-creates the months long drama, keeping you right there with him all the way to the exhilarating end. What I also wasn't prepared for was how agile and graceful a writer he is and what a benevolent, endearing spirit.

You think you're facing a daunting challenge? Read this book and put yours into perspective.

I have just finished reading this book. The tension was unbearable as the operation in the sky was carried out and as I read on I realised.... my feet were sweating!! Perhaps my fear of heights was coming through but here was an experience that has never happened to me whilst reading. Do yourself a favour and get a copy.

I remember seeing the WTC towers being built, still partly framed in steel, as a child in the late 1960's. I also remember a snippet of this event in the news in the 70s. But, it was (I think) Ken Burns' American Stories on TV that reminded me of it and really gave it perspective that blew my mind as to how unbelievable an event it was. To me, it wason a scale of things like landing on the moon. With that still fresh in my head, I looked into the event and found this book and was unable to put it down from the first page until I finished it.

This book is inspiring. Petit is a bit crazy, but to pull off a hack of this magnitude, you have to be. Genius is touched with madness. To say the feat is inspiring is a great understatement. The logistics, planning, obstacles overcome, and just plain luck that all aligned in the end were really incomprehensible - more so after reading this book!

I thoroughly enjoyed every page. Sometimes, I get overwhelmed with things I need to do and obstacles I face, and I look at that timeless picture of Petit between the towers on the cover of this book and I am inspired. If he could do THAT, certainly I can find a way to overcome whatever is in my way today. THis book is fantastic.

Firstly, i am so surprised that this book does not figure in the "Hype list" of any Media outlet. Luckily, i came across a short review of this book in a magazine and was intrigued to know that Sep11'2001 was not the first time that the towers of World trade centre captivated the attention of millions around. It was way back in 1974, when a French tightrope walker did the unprecedented daredevilry act of walking between the peak of two towers on a cable which he had rigged illegaly the previous night. He walked for 45 minutes from one tower to another, making the sky his theatre. Why did he do it?? Was it for fame? Money? Lunacy?? Philipe Petit's book explains the whole adventure in simple prose accompanied by sketches and photographs which were done during the unfolding of his "project". It is an amazing adventure. Reading it is like reliving it- Petit achieves that magic of retelling a story and giving his readers a feeling of experiencing it vicariously.

When Petit was asked by a TV crew why he did it - his answer was, when i saw three oranged, i juggle. When i see two towers, i walk ! ;-)

Petit was not alone in his effort to breakthrough the security of the towers and implement his plan. Aiding him where his friends who believed in his ability and went to great lenghts against all odds in planning and pulling off the feat.

This is a great book, in the true spirit of adventure and the endless capacity of a human to set and achieve his goals. One more imporant thing to note, Petit doesn't sound arrogant or egoistical. At the peak moment of his success, he is modest and humble, bowing to the gods in every element which helped him in the feat - the wind, the sea, the people below, his dear friends, the friends who stood by and the friends who gave up- he sees gods in all of them and thanks them for their role.

I am not given to effusive praise and there is nothing like a perfect ten. But, this is a fine read.

If you are in a group of hardcore U2 fans, and you say, "the U2 bible" or "the Pimm book", they will all know which book you mean. For collectors, bootleggers, and general fans, this is THE book. While Pimm has sadly passed away, well known U2 insider Caroline Von B. has taken over and kept this tradition alive. This is the U2 book that the U2 crew take on the road. Need I say more?

This is the ultimate compendium for the true U2 fan. Not only does it document every single show they've ever played but it gives a lot of background and behind the scenes info on the albums. When I found out this updated version of the book was coming out I got excited and now that I've received it I was not disappointed!

This is the updated version. The first book that came out covered U2 from their earliest stages up through to the beginnings of the Popmart tour. This one carries us through the Popmart tour right through to the end of the Elevation tour. Pretty much every U2 show ever played is covered to some extent, whether it's just with a setlist or a lengthy review. Each tour has a page or so dedicated to an overview and then each show is detailed to some extent. If you're just a fan of the band you'll get a kick out of many of the shows details (the pizza order/delivery from 1992 being fantastic). If you're a collector of shows this book is to U2 fans what Deadbase or those Tapers Compendium books are to Grateful Dead fans. It's either a lot of fun to read or a rich source of information. Just a blast.

On a side note most of the book is written by Pimm Jal de la Parra. I'm not sure if it says it anywhere but apparently he had passed away during the creation of this updated version. A few people had gotten together to finish it off for him. They most certainly did him proud.

Hands-down the best book for collectors, fans, completists and trivia buffs. Compiled from thousands of sources by devoted but objective fans, this book is a good read, reference book and very interesting look inside each tour. As a long time collector, I have always heard that if a setlist exists in this book, there is a recording of that show, somewhere in the world.

This book is hard to put down! Every U2 gig is detailed from setlists to attendance. Lots of photographs, some that have never been seen before. I love it!

Very comprehensive. Lots of photos, very good history. It did come out a while ago so doesn't have anything about Entwistle's death. But it's a great history of the Who!

The definitive book to have on The Who. Loaded & re-loaded with amazing photographs & anecdotes from a friend of the band who isn't afraid to point out the bad in addition to the good.

I bought this book on its original release back in the 1980's; the updated section to review the years 1983-96 is most welcome. Hopefully, Richard Barnes will release yet another edition that takes into account the years 1997 to the present.

If you're a Who junkie, this book is a must. If you're a new fan, this volume is a fantastic primer into the history of the greatest band there ever was.

This book is an excellent resource for all fans of the classic rock band, The Who. Telling the band's story from their earliest days, the reader will find plenty of detail, interviews, and wonderful photographs to enhance this "amazing journey". The author takes a relatively unbiased stance, leaving out personal opinion in favor of simply stating "the facts".

If you are a fan of The Who, this is certainly a book that deserves a place in your library.

This book is really a great overview of the WHO's career. Starting out when the band started to meet as teenagers and spannig all the way to a few years after Keith's death, this book covers every single recording the WHO did.

Aside from just following the WHO through their career, this book is also jam-packed with those crazy Keith Moon anecdotes and interesting picures.

I really enjoyed this book, and enjoyed seein what one of my favorite bands was really like. I would definately recommend it to anyone who loves the WHO.

As a HUGE Who fan, I first picked up "Maximum R&B" in the late 80's, and recently dug into the updated version.

Richard Barnes was an old art school friend of Pete Townshend's, and remained close to him and the band over the decades. His history of the Who is detailed, mixed with intimiate remembrances, especially of the early days of the band.

Barnes for the most part tells the story with a straight-forward, unbiased eye. He details the tulmultuous relationship between the band members, especially Townshend and Roger Daltrey, and draws on numerous interviews and press articles (the press materials are classic--some very early pix of a very young Detours lineup are among the entertaining bits).

Barnes also examines the Mod movement of the 60's, which was so critical to exposing the Who (for a while the High Numbers) to a hardcore audience.

For Who fans like myself, you may find some minor errors, and Barnes doesn't go too deep into some of the band member's personal lives, except where he seems to have an in. Among these would be Townshend's fascination with Meher Baba, his later drug and alcohol problems, and his later struggles with trying to deal with the Who while establishing himself as a solo artist.

In any case, a fantastic document of the history of one of rock's greatest and most talented bands.