Arts and Entertainment Books

I really enjoyed reading this book. It helped put my life into perspective. Sometimes we all run fast and live hard until we realize that there comes a point when we need to rest and come back home-----to God. I want to thank Lisa Whelchel for writing such a fine story. The title caught my eye since so many of us are familiar with the show that started off with so many memories. For me it was the beginning of the end of my elementary school life and the beginnings of my High School days and til It's last year (1987-1988) of my first year in college. I hope that with all of our memories and best times we also find the time to read Lisa's Book. Great book! Go get it! :)

I enjoyed this book and was moved by it. I am a fan of Lisa's since her "Facts" days; I did my research first and I knew that the book did not have a lot of detail about her work on the show, so I didn't have those expectations. The book is religious in nature but in my opinion it was a very accessible, breezy read and I think there is something in it for everyone. In fact, I read it, and then I read it AGAIN as soon as I finished it! It really made me stop and think. I laughed, I cried, I said, "oh yeah, I know *exactly* what she's talking about!" Give it a look, it will be worth your time.

This book was awesome....it was funny, entertaining, but also very spiritual and uplifting. I've been a huge fan of the TV show "The Facts of Life" since I was very young, and adored "Blair". Lisa Whelchel is a wonderful writer and I highly recommend this book.

This book basically told the story of Lisa's life, from her childhood, to acting, and then about her marriage and parenthood. The chapters were well broken down into various aspects of her life, with her telling us what God has taught her at the end of each chapter. I loved the humor in the book, especially the words of wisdom from Lisa's mother.

This book was a great read, and I have learned things from Lisa that are actually helping me get through the days. I didn't want to put it down until I finished it, and I want to get a copy for all my friends. She may have been a star, and she's different from me in plenty of ways. But she's also so much like me as a Christian woman, wife, and mother. When I'm having a rough day, I just remember reading about how she went through something similar and how she got through it, whether it be a major life struggle, or just dealing with my kids when they're having a particularly bad day.
I went to one of her Mom-Time conferences a couple of months ago, and there I learned that Lisa is so down to earth. The book shows that about her even more. It has been such a blessing to me already, and it's a book I plan to read at least once a year.

I felt better knowing that my fears with my illness are not mine alone.

I recently read this book, and I can't honestly say that I liked it. I too have been diagnosed with MS. I'm happy that Mr. Lander can find humor in his condition, however I find nothing he had to say not in the least bit funny.

MS is a terrible diease that affects the Central Nervous System and there's nothing funny about that. Even the title of the book is seriously upsetting(How Squiggy caught Multiple Sclerosis and Didn't Tell Nobody). You can't catch MS, and to put that in print is misleading.

I take my MS, the treatment for it, and all the symptoms very seriously. I have no desire to joke about them.

Some of the information in his book were very informative and very much worth reading, however I believe his approach is less than ideal.

When my father finally told me he had MS (like David Lander, he kept it a secret), he suggested I read this book. The insight it gave me was priceless. Everyone will find their own path, but I can tell you that by sharing his experiences, Mr. Lander has helped me to be the best son (and friend) that I can be.

I just loved this book. It is a very quick read and very upbeat. For someone with MS or caring for someone with MS it is a story you can relate to. My husband was recently diagnosed with MS and has been very reluctant to read anything about the disease. I am going to have him read this book because while I whink it might confirm some of his fears, at the same time it does so in a positive manner.

The book is a quick read. Sometimes you feel very alone with MS. This book will help you feel better. And, it explains some of the MS symptoms that you are experiencing better than a medical text. It will put some words on your feelings.

As a child, my favorite movie was THE WIZARD OF OZ. For Chirstmas ,I received this wonderful book that is all about the famous "pet-actress" named "Toto". (Yes, Toto was actually a little female dog named Terry,not a male , as most people would think).

Anyhow, this book is all about the tiny Cairn Terrier "Toto" (Terry) and how she came about becoming one of the principal characters in the movie.

The photos are just amazing also. My favorite photos are the behind-the-scene photos showing Toto "acting" in the actual movie, just as the trainer was in the background giving Toto her directions. Sooo cute!

If you are a dog fan, or a Cairn Terrier fan, or a Wizard of Oz fan, you'll love this book.

I, Toto is a delightfully well written book by Willard Carroll about the life of Terry, a Cairn Terrier who became famous in movies. The book is based on a scrapbook Willard Carroll found that documented the life and movie career of this well trained dog; and the book is primarily set up to look just like a book typed on an old typewriter--written, of course, by the dog itself.

The book starts with the story of how Terry was born, adopted and eventually given up by her owners because of her troubles with housetraining; and we learn how Carl Spitz professionally trained dogs to perform in movies. Spitz, an excellent trainer who worked with many dogs, wound up training Terry professionally. Spitz used both kindness and discipline to train his dogs, including Terry, very well; his talents are obvious when we consider that Terry (aka Toto) appeared in at least fourteen major motion pictures including The Wizard Of Oz.

Carroll cleverly writes the memoirs of Terry, or Toto, in the first person as if the dog herself had written the book. This provides the reader with an extra slice of humor when Carroll writes about things that happened on the sets of pictures or in Carl Spitz's training camp for dogs. Carroll does an excellent job of getting readers to be charmed out of their trees by Terry who eventually becomes renamed Toto for the sake of her career. A movie star dog has to consider Hollywood politics, after all!

The book is filled with wonderful reproductions of ads for the movies Terry was in; and we see numerous publicity shots from movies including Bright Eyes with Shirley Temple and Terry as Rags the dog. Of course, we get plenty of stills from The Wizard Of Oz and there are very nicely done "hand written" asides to the reader that also appear to be written by Terry. The result is a charming look back at the life of Terry, the dog who became Toto and enjoyed great movie fame--and treats along the way!

Overall, classic movie buffs will enjoy this book; and people who love The Wizard Of Oz will appreciate this book very much since so little was known about Terry before Willard Carroll wrote this book. The book is well written and a real page turner; it grabs your attention and never lets it go.

Great job, Willard Carroll!

A must read for any Oz fan as well as dog lovers of all kinds. I never knew how many movies Toto was in, and the Oz trivia was really fun, too. It was very cleverly written from Toto's point of view. I actually laughed out loud at some parts. Don't pass by picture captions and comments on the sides of the pages. It's all worth reading! Not bad for a dog no one wanted!

Since my all-time favorite dog star is Toto, this book was easy for me to love. However, once I began to read, I found it to be something extra special. I, Toto is a mood lifter as well as an interesting piece of Hollywood history. Beautifully written in the first person, I, Toto will captivate the heart and mind of any dog lover.

I was looking at silver-screen bio's in the library when I came across this clever little volume. Author Willard Carroll knows a lot about Oz, and he also understands a lot about animals and the people who love them. Whether you are a fan of the Wonderful Land of Oz, a dog-lover, or both, you are going to get such a kick out of this book. If you're like me, you're going to breeze through it, and then go back and read it again, preferably with someone nearby to whom you can read the funniest, most touching or trivia-friendly bits. Toto, who began as Terry, a little dog abandoned by her owners, has a very good friend indeed in Mr. Carroll.

This is a story about Toto, but it is also the story of Carl Spitz, who had been training dogs since 1919. When he came to Hollywood in 1927, he opened a training school which combined kindness and discipline, an innovation which most at the time considered "nonsense." Mr. Spitz and his dogs broke into silent movies; he developed a series of silent commands when talkies came along. His dogs appeared with the stars: Prince the Great Dane and Lawrence Olivier in Wuthering Heights; Buck the Saint Bernard and Clarke Gable in The Call of the Wild. The English mastiff and the Scottish terrier were in major productions, too.

Mr. Carroll captures Toto's "voice" so perfectly, even using a font that looks like my mother's old portable Underwood typewriter for the star's narrative. Toto also comments on the dozens of photos, movie stills and other memorabilia of a busy career with red pen.

Toto hobnobs with the stars and has some once-in-a-lifetime moments, such as when Mr. Gable came to visit the kennel owned by Carl Spitz, the trainer who adopted and worked with Toto and many other canine performers. (Don't want to tell you what happened, but it made Mr. Gable smile. Eventually.) She works with Spencer Tracy in Fury and Shirley Temple in Bright Eyes. (Of the latter, Toto reports, "Shirley had her hair cut and recurred and had endless wardrobe fittings and makeup tests. I had a flea bath, a toenail trim, and an enema.")

And then there was Oz. Toto is miffed when a studio official gushed, "She's the one! Looks just like the dog on the cover," for she considers said beast "a genetic mutation of terrifying proportions," but the role is hers and she revels in it, for she soon realizes that the story "IS ALL ABOUT ME!!! ... I'M IN ALMOST EVERY SCENE IN THE BLESSED PICTURE!!!" Toto includes a page from the shooting script with all six of her lines circled, as proof positive of her importance to the film.

Of course, it isn't all green grass and marrow bones. There are those scary wind machines and the shock of seeing that nice Maggie dressed up in black, with her face painted green and the biggest nose since Durante, cackling away. Oh, and the Winkie guard that stepped on her paw by accident. Ouch! And the creepy flying monkeys. But Mr. Spitz' training paid off; Toto found herself able to rebound from such situations and perform like the trooper that she was.

I, Toto is now one of my favourite movie books. Cute but never mawkish, sentimental but never saccharine, informative but never overwhelming, this little story of a little dog is a big winner.

The Man Called Cash is a very good book. very informative.I think a child 11-12 years old could read it and beable to understand what they are reading.I think it gose behond some of the other books I have read on Johhny Cash.I would recomend it to any one who is interested in seeing where Johnny Cash were he came from and the legacey he left.

I am a legally blind man and and I usually get my books to listen to through the library, but after I saw the movie walk the line I felt I had to know more about the ledgend of Cash through an audiobook if I could find one. I was lucky to find this one. I love the way Kris Kristofferson reads the book. Since he was a friend of cash's, he put feeling into the reading like no other person can. Through the author's extensive research on Cash, I found out things I never knew about him. The Movie is good, but if you really want to know who Cash is, just by this and Listen to Kristofferson tell you about his friend. The man in black.

I learned a lot about Johnny Cash, as well as people like Elvis, Jerry Lee Lewis, Hank Williams, Patsy Cline, and many others who were the ones that generated so much buzz about music in the 1950's. Toward the end of the book, I was sad because I knew that it would speak of his death. I found myself not wanting to hear about it, because I had loved learning about his life so much.

My favorite story in the whole book was about a prayer he prayed at dinner. His dinner guest recalled the story:

Cash prayed and said, "... and we thank you Lord for this food, and we ask that you would bless it to our body. We pray these things in Jesus' name, Amen. When he finished praying he winked at me and said, "I still miss the drugs though."

It is precisely that juxtaposition of piety and weakness that I think I love about him. It reminds me of another man who is known well for his writing when he said:

I am unspiritual, sold as a slave to sin. I do not understand what I do. For what I want to do I do not do, but what I hate I do ... What a wretched man I am! Who will rescue me from this body of death?

In case you didn't catch that, the other man to whom I referred is the Apostle Paul. He happened to be one of Cash's favorite people for obvious reasons. I have wondered why I am so enamored by people like Johnny Cash and Paul; these men of such conviction, but at the same time so open about their transgressions. I think it is because they knew themselves well, and they never allowed the good in them to elevate them to a place where they could look down at others. They knew the darkness, and that it was always waiting if they would just relent and turn to it.

Cash turned to it a lot. However, like Paul, he also said:

Thanks be to God, who delivers me through Jesus Christ our Lord!

At the end of his life, after June Carter died he hung around for a few months more. He could barely walk, was in massive pain, and was eighty percent blind. In this state, however, he still had the Bible enlarged big enough so he could read it. Others spoke about his love of Jesus, his kindness, his generosity, and his faithfulness to June.

So many want to be cynical about people who struggle, fall, get up, and fall again. They like to point and yell to expose someone else's flaws. I am more convinced that the ones who yell the loudest are the ones who are the most scared of having their flaws exposed.

One of my favorite lines in music comes from a song sung by Cash. It was written by Bono and performed with U2 (yeah, I know big surprise). The line goes:

I went out there,
In search of experience,
To taste and to touch,
And to feel as much,
As a man can,
Before he repents.

Isn't that all of our stories? I know it's mine. I also know that it is mine everyday. I walk around, and like a little kid test the boundaries of God's love. Some days, I may not go far, other days I may feel restless and I just want to run. Yet each time I return home to talk with God I find myself speaking the words of Paul:

Thanks be to God, who delivers me through Jesus Christ our Lord!

I usually don't read many biographies, but I received this one for Christmas one year since I am a huge Johnny Cash fan. I was glad to see that this book was very well written and also a very easy read. I knew it was going to be good when the first chapter was pretty emotional, as it starts off with June Carter Cash dying. The book also focuses well on some key moments in Johnny Cash's life that made the most significant difference - the first being the death of his brother, Jack, and the others that revolved around June. Like other reviewers have stated, Walk The Line used a lot of moments from the book and I would recommend reading the book as well as watching the movie. I think what was great about Johnny Cash, and what we can all relate too, is how open he was with how he was a sinner and how he had made a lot of mistakes (ie. drugs, affairs, etc.), but he changed his ways when he fully committed himself to Jesus and his faith. I think this book can be a great tool to those who have struggled and have difficult pasts because Cash showed that it doesn't matter what you have done, that you have forgiveness and that you can always start over. Great message and this book has a lot of interesting and funny stories that will want to make you laugh, smile, shake your head, or make you feel sad. Steve Turner has done a great job and had made me rethink biographies. If you're a Johnny Cash fan, this a must-have!

Before I read this book, THE MAN CALLED CASH, by Steve Turner, from 2004, I had also read the 1997 book called CASH: THE AUTOBIOGRAPHY (with Patrick Carr). They both cover similar ground. The 1997 book seems more homey, like Johnny Cash is talking to you, but this book, by Steve Turner, seems more accurate.

Having know Johnny and his family for over a decade, author Steve Turner was actually hired to help write another autobiography, but June and Johnny died unexpectedly, and the book turned into an in-depth research research project, instead of just helping Johnny write with decent grammar, or whatever it takes two authors to do with an AUTObiography.

Both books seem to be equally long in content, though the page counts and page sizes differ between the hardcover of this book and the small paperback of THE AUTOBIOGRAPHY book that I read.

Though both books cover a lot of the same incidents from Johnny's life, this book, THE MAN CALLED CASH, features some highly interesting coverage of the last living days of June and Johnny, before they both passed on in 2003. There is also plenty of more in-depth coverage of events told in THE AUTOBIOGRAPHY, and there are also plenty of events from Johnny's life that are not mentioned in the 1997 autobiography. I recommend that you read both books, actually.

The author also points out that since he had to do research, instead of just typing out whatever Johnny told him, he has discovered that Johnny Cash never had trouble telling a good story, or making a good story even better! For example, Johnny Cash has written and talked about how rowdy he was in the Air Force, fighting with the military police, etc., but Steve Turner points out that the people who were in the Air Force with him don't remember any of that kind of rowdiness from Johnny, who never got into much trouble, and would have been widely known on the air base if he HAD fought with the guards, etc. This book also tells about how Johnny would play music with other airmen in his dorm, and Johnny was the worst of the bunch, learning a lot from the others!

There are many interesting b/w photos, although mostly small, but in high quantity! There is a photo of his brother Jack, whose childhood death affected Johnny for the rest of his life.

This book also has a chronology of major events in Johnny's life, and a discography of his primary releases, which is good to use as a shopping list, for me.

This book does have some distracting typos that I hope get fixed in future printings. On one page the same sentence appears twice in a row. In the Chronology, the death of his father, Ray Cash, appears twice on the list, in 1985 (correct), and then again in 1993 (incorrect). This is unfortunate, but these two are the worst distractions that I found without even trying.

It is also interesting to see how the movie WALK THE LINE compares to what is contained in both of these books! For instance, both books say that June Carter never really met or toured with Johnny until he was a big, established star, years into his music career, while the movie gives me the impression that they met on Johnny's first fledgling tour.

THE MAN CALLED CASH gives information about the the saw accident and his brother Jack. This book says that actually there was another 12 year old boy there, who witnessed the event, and Johnny suspected him of being involved in a bad way, though none of the adults thought so at the time, or ever! Both books mention how Johnny would see Jack appear in his dreams for the rest of his life, always a few years older than Johnny at whatever the age Johnny dreamed the appearance.

This book talks about Johnny's friendship with the evangelist, Billy Graham. I personally enjoy Johnny's Gospel albums and projects, but I am a little bit disappointed over the wasted years of drug abuse and family neglect from Johnny, who thought of himself often as a lost Christian, but a Christian none the less. What do you think about that?

The Bible says, "What then? notwithstanding, every way, whether in pretence, or in truth, Christ is preached; and I therein do rejoice, yea, and will rejoice." -- Philippians 1:18. Using this Bible verse as a model, it tells me that Johnny Cash's Gospel works, as good as they are, are also totally legitimate as long as they correctly preach the Word of God--regardless of the depths of sin and abuse that Johnny heaped upon himself and his loved ones.

As long as Jesus Christ is being preached correctly, the sins of the messenger do not negate the message itself (and we are all sinners, just not as extreme as Johnny was, I suspect)! I do not and cannot condone his sinful abuses, (though I have done most of them myself, before I got Saved 8 years ago), but I will let God judge his own servant, and I will continue to enjoy the many beautiful Gospel projects which Johnny Cash was always eager and happy to work on!

GOSPEL GLORY is my favorite Johnny Cash Gospel CD, so far. His movie, THE GOSPEL ROAD, is on DVD and is also really cool! My favorite Gospel project from Johnny Cash is his spoken word reading of the entire NEW TESTAMENT on 16 CDs, very affordably priced from amazon.com, and all three of these items come highly recommended by me!

I can recommend both of these books for anybody who enjoyed the WALK THE LINE film.

Bottom line: read CASH: THE AUTOBIOGRAPHY for a fun time spent with Johnny Cash in his own words, then read this book, THE MAN CALLED CASH, for the REAL story on how many of those stories actually went down!

This book is a true page turner. I couldn't put it down. Tales from his childhood were very interesting. I was especially interested in the story about how Li and his friends were shot at (by the guards at an abandoned airport), as they were trying to find used charcoal. Tears came to my eyes when he later describes flying back to his village so many years later, and discovering that they had landed at the very same airport.

I also enjoyed reading about how his family treated his wife, when they met her for the first time. They went out of their way to treat her like a longtime member of the family, even though they had just met her.

Mao's Last Dancer by Li Cunxin is the memoir of a famous Chinese international ballet dancer (now retired) who struggled from poverty to reach soaring heights. I was enraptured from page one, when Li describes a traditional Chinese wedding that seems like it is irrelevant to his story but is in fact the wedding of his dear niang and dia (mother and father), whose love for him leaps in bounds.

Li grows up in the Li Commune in the Qingdao (or Tsingtao, named after the Chinese beer) province in China. He has many brothers, and his niang and dia struggle everyday to make ends meet. Chairman Mao is at the height of his power, and so all his teachers indoctrinate Li and other children about Mao's Red Book and the Communist ideals. At age 11, Li is chosen to attend Madame Mao's Dance Academy in Beijing, where it is a totally different world from the fields that he lived in. There, he suffers intense homesickness and torn hamstrings as he and his classmates go through rigorous dance training.

Li meets many friends and teachers that influence and support him, especially Teacher Xiao and his words of inspiration about a mango. Li eventually gets to go to America to dance with the Houston Ballet under Ben Stevenson, and that trip of freedom changes his life forever as he realizes that for years, Chairman Mao manipulated all of China with his communist ideals and twisted portraits of capitalist America. In America, he meets even more people that shape his tumultous life as he finds international success in the dnace world and his true love.

From his parents' wedding to his own, I was never bored for a single moment. His journey from a poor peasant to international success is amazing because the reader never knows what is coming up next! Li inserts a lot of anecdotes and Chinese stories/fables that his dia or someone else told him. His emotional outbursts will evoke the reader's own emotions as he struggles through excruciating pain, humiliation, homesickness, his feelings of love, and his confusion about capitalism and communism. I cheered him on when he has his first taste of freedom in America. Also, the reader reads about the importance of a cohesive family. When there is nothing, one will always have family to love and support, and his large loving family is the biggest supporter Li has.

Li's poignant memoir is one of the best in its field. It is easy to read and enjoyable. It is not short (445 pages) but the pages will go by in the blink of an eye because this story of a remarkable Chinese dancer is so fascinating and awe-inspiring. Highly recommended!

I have a deep interest in Chinese history & am always on the look out for good books written on the subject.

This particular book is a very heart-warming book indeed. After having read so many positive reviews about it, I decided I had to buy it. It was one of those books where you just have to read it from start to end. The story itself is quite incredible & told from the heart. The endurance, strength & courage of Li Cunxin in the backlight of the decline of Mao's power & the ascent of Deng Xiaoping really makes this a must read for anyone interested in Chinese history!

Richard

I've read many, many memoirs about life in modern China, however, I've never read one with such a dramatic tale to tell, and I've read very few books in general as well written as this one. This is a true rags to riches story---starting out in a commune as poor as it could be and ending up world famous.

It was very interesting to read a book set during the Cultural Revolution from the perspective of someone from the class that was suppposed to be the one being glorified at that time---the peasants. It's amazing to see Cunxin's progression from true devotion to Mao to realization of how much he was lied to and manipulated.

This is also a love story, the story of the love between Cunxin's parents---an arranged marriage which became a true love match, and the pride and happiness despite their very tough lives they had in their seven sons. It is obvious the author cares so very much for his whole extended family. The speech his usually quiet father gave at a family wedding is one of the most touching passages I've ever read.

I hope Li Cunxin writes more. I would love to hear more about his life in Australia with his wife and children, and to hear about their journey with their deaf daughter. He is obviously a gifted writer as well as a gifted dancer. Highly recommended to all.

I must join in on the praise for this wonderful memoir. Li Cunxin's account of his early life in China was so vivid that I literally shed tears for him. Later,I found myself cheering his brilliant successes in the ballet world. I could not put this book down, as I felt compelled to find out what was happening to Li Cunxin. The pages of pictures contained in the book added much to the telling of this story. You must read it.

This was one of the first Marilyn books I owned and I have to say it still stands out as one of my very favorites because it is so intimate, and the pictures show a very down to earth Marilyn that you feel like you could reach out and touch. George Barris was actually a long time photographer of Monroe, he had the pleasure of catching some of her most iconic moments on camera such as the famous shirt blowing scene from THE SEVEN YEAR ITCH and many more. These are by far his best of her though and I personally favor pics from Marilyn's later years (60's). I love the stories that Barris tells and I am getting ready to reread this book as it has been a few years, I think it is the type of book one can read over and over anyhow. As I have said all the pics are amazing especially the ones of Marilyn on the beach. These however are not the very last pics taken of Marilyn, just the last photo session. The very last shots of her can be found in the book "Mr. S.: The Last Word on Frank Sinatra" when she was on a yacht with Sinatra and at the Cal-Neva Lodge & Casino shortly before her death. Over all though this book is HIGHLY recommended and is essential for any Marilyn fan!

I was surprised at this book in Marilyn's own words. This interview was only a few weeks before her death. The pictures were amazing and beautiful. She did not seem at all depressed and was looking forward to the future. Makes you wonder if she was murdered. Surely seems that way after I read the book and looked at those pictures. It almost seems to say "see I want to live" and little did she know that her life was in danger! Poor Marilyn. I hope wherever she is, she knows that some people believe that she did not kill herself. And I hope she is at peace.

This book is unique in that it comes from George Barris's last days spent with her. I love the photos because they are candid not posed. This bok also includes the last photo ever taken of her. I'm on my way to own almost every Marilyn book and Im am pleased with this one.

This was indeed a touching tribute. I felt very connected to Marilyn while reading her stories. The photos were just as gorgeous. I could have gone without George Barris' interjections as they usually just repeated what Marilyn said. But it was his book and she was apparently his friend, so I suppose he deserves some spotlight too.

Add this to your Monroe collections! It's a definite keeper.

I have to say that it is just amazing how after 44 years Marilyn Monroe is still considerd one of the most beautiful women to ever live. After seeing the photographs of Marilyn Monroe taken by Mr. Barris in this book I am not suprised that people are still captivated with the beauty of Marilyn Monroe. The pictures of Marilyn in this book are amazing and beautiful. Marilyn shows her true character in the most natural looking pictures I have ever seen of her. Each picture tells a story and shows you the woman Marilyn really was. Marilyn truely was a naturally beautiful woman and it shows in this book. This great book also lets you read and learn about the real person Marilyn Monroe was in her own words. Marilyn tells her life story in this book, taking you through her young years as Norma Jean to her Hollywood life as Marilyn Monroe. When you are reading this book it is very interesting to hear Marilyn talk about her life in her own words. Marilyn takes you along her life journey through the pages in this book. The only sad thing is when you are reading this book you wish Marilyn's life story would continue past the inevitable days of Marilyn's death on August 4-5,1962. I alreadly knew Marilyn was going to die before reading but it really made me sad because after reading this book it makes you feel like you actually knew Marilyn personally. That just goes to show how well written this book is. I have to say Mr. Barris you have done a great job writing this excellant book. Marilyn would truely have been happy with this book. Whether you are a Marilyn Monroe fan or you are just curious about this iconic Hollywood actress this book will definitely be intresting to read. Before I read this book I thought Marilyn Monroe was all Hollywood glitz and glamour. After reading this book however I found that Marilyn was a sweet down to earth woman who just wanted to be loved. I only hope Marilyn made it into heaven, because in her life most of the people that said they loved her and called themselves her friend only used and betrayed Marilyn. I hope that one day Marilyn's death will finally be proven as murder and this case of wrong doing can be closed so Marilyn can finally rest in peace.

I came in not knowing much of anything about the music industry...and after reading this book from cover to cover (its a long book), I can say I learned a lot. The book is very easy to read, with real and made-up examples, and simple language. The author does a great job breaking down the rules of the industry. It does not tell you how to run your operation or how to market a hit record...it just lays out all the rules for you to either follow, break, or bend.

The best chapters were about song ownership, copyrights, publishing, royalties, and taxes. Actually, the taxes chapter was really enlightening. You can tell a lawyer wrote this book from that chapter.

I've been in a band for several years, and unfortunately, everyone else that has been in my band has never had the experience of running it as a business. We have been skating by all these years just doing gigs, but now we are planning on releasing a CD and this definitely makes things more complicated. This book has been a godsend. Very informative and USEFUL information. Other music law type books are informative, but haven't been very useful on the level we needed it. You can use what is in this book right away. Its easy to read and understand.

Like all carpenters needing important tools to build a house, this book is the tool for all musicians. It covers all the important music business information and will help cut down unnecessary misfortune for musicians. Definitely a MUST BUY!!!

This offers a great foundation to Music Law. It is clear & easy to read w/ room in the margins for notes. Richard Stim even mentions a few legal loopholes you can benefit from.

You can also recieve free book updates on the Nolo website, which is a cool perk.

There comes a time in a musician or band's career when they get serious about what they're doing and need to start focusing on legal aspects of their endeavors. This book is and indispensable reference for that situation.

The book is written in easy to understand layman's terms. It covers a fairly broad range of subjects, and provides pointers to other resources for more in depth cover of the covered subjects.

One more notable point about the book is the pre-fabricated contracts and legal forms that it comes with. They seem to be solid, could be useful in a number of situations, and are explained thoroughly.

My Name's Friday is an enjoyable romp through the world of Jack Webb. From his days portraying hardboiled radio detectives Pat Novak and Johnny Madero to Hollywood Success, Failure, and a big comeback, Friday takes us through the highlights and lowlights of Webb's life.

Michael J. Hayde comes to the book with a great deal of respect for Webb and his work, which is an essential element in a work such as this. Hayde's work first and foremost is a Webb fan book. He gives a synopsis of each of Webb's movies and then provides a critique of them. While appreciating Webb's contributions, Hayde spares no criticism of the late 1950s Dragnet episodes, Pete Kelly's Blues, and other less than successful Webb projects. While I don't agree with all of Hayde's criticism (I loved the "Night School" episode and he didn't), his criticisms are reasoned and measured rather than spiteful. Whatever criticism Hayde has for Webb is mild compared to the well-deserved critique he slams down on the 1987 Dragnet movie with Dan Akroyd.

If there was one criticism I'd had of Hayde's book, it was where he went from TV fan to armchair psychologist, buying Webb's statements that he didn't miss having a father around as a youth. I actually after reading the book and of Webb's difficulty letting himself act believably on screen particularly in romantic scenes, as well as history of broken marriages might not have been influenced by never having a father around. Kind of off-topic from the subject of the book, I know. However, if one is going to engage in psychology, it shouldn't be done haphazardly.

Still, the book is incredible fun as a fan resource and provides a rare glimpse at a radio and TV genius that's been typecast as a stiff clown. Read it to recapture a vital part of America's television history.

This is an excellent book. While not a true biography, it does take a look into Webb's personal life because Webb was such a workaholic that it had an effect on all that he did and who he was.

Unless you're an old time radio fan like me, you may not know that Webb started early and young. He had many outstanding shows before Dragnet and even Dragnet started in 1949 on radio. For a while, it was on both radio and television at the same time.

Webb was in many ways a brilliant man. Yet he had many failures --- both in his business life and certainly in his four marriages.

To say he was an interesting man may be an overstatement. But his body of work is so extensive, that one has to be impressed.

I started to become interested in Webb when looking for metaphors for my own writing. I didn't want to use stuff that everyone knew. And I kept hearing them on his old radio shows --- especially the ones written by the incredible Richard Breen.

I liked Webb's delivery and unemotional approach to acting. In most people, that would be considered bad acting. But somehow with Webb it was something special.

This book makes Webb and his entire career, his stock of actors and his many incarnations come to life. While his life was short, he accomplished so much.

Dragnet started on radio in 1949 and still today, in 2007, I know of no one who doesn't know what it means to hear, dum - de-dum -dum. And few people do not know of Dragnet and at least seen it on television. To me, that's amazing.

This book dwelt mostly with Webb's body of work and not his personal life or his personality. It does deal with it to some extent. But if you're interested mostly in that area of Webb's life, you might prefer another book.

The book has an excellent and exhaustive appendix that included a list, along with dates and other valuable information on each show on both radio and television. The appendix also includes other valuable informations. Well worth saving.

For Dragnet fans and Webb fans or those who are interested in radio and/or television history, this is a must-read. Oh, it has lots of great photos too.

Highly recommended.

I found this book to be an OK read. The only problem I had was that toward the end the tone of the writing shifted as the author sought to be a Jack Webb apologist. There are excuses made for the way the Dragnet of the 60s portrayed drug users, and there's almost an indignant tone taken over Dragnet spoofs such as the Dan Ackroyd film and even Nick at Nite promos!

The reason the Dragnet of the 60s became such a ripe ground for spoofing (besides the rapid fire patter) was indeed the portrayal of drug users. The series basically equated marijuana use with LSD and heroin, which is a laughable premise. The author's defense of the "Blue Boy" episode was particularly humorous. I remember seeing one of the participants of the drug party in that show actually physically trying to climb the walls. Talk about heavy-handed and unintentionally funny!

That said, I still found the book worthwhile reading, I'm a fan of Dragnet, both for Jack Webb's innovative style of shooting and the campy humor. It was interesting discovering things about Webb's radio show and some of his films that I had not previously known. I was easily able to overcome any minor annoyances with the tone shifting at the end.

I bought this book expecting fluff based on the reviews. I am a big fan of Dragnet the radio show but did not think the book would cover much of it in depth. I was wrong. Although it spends more time discussing the television series and movies, I was happy with the information on the radio show.

This book details the Dragnet radio show, both Dragnet television shows, and Mark VII movies. It does this through the central person in all of these productions, Jack Webb. However, the reader also learns about the regulars on the shows, and we get to know a bit about them as well.

"My Name's Friday" does not claim to be a biography on Webb and if that is what you are looking for, this is the wrong book for you. If you are looking for a bio of Jack Webb, there are many other books that you would probably enjoy more. However, If you are interested in the multiple incarnations of Dragnet and Pete Kelly's Blues, this is the book for you.

In addition to the main text, the appendixes include titles and brief descriptions of each Dragnet radio and television show in addition to police terms used in the shows and movies.

This is a must if you are collecting the radio shows, original TV series, or the '67-'70 version. A lot of the 50's series is on DVD, but they are scattered on all sorts of compilations. This book helps keep track of what you've got. I particularly enjoyed hearing from the extras that Webb used religiously.

But beyond Dragnet, there's a lot of interesting stuff here, how Webb was a jazz nut, including his foray into recording with his spoken-word "You're My Girl" album.

I think it's very interesting how he worked with ex-wife and her husband on Emergency! Many paramedics credit Emergency! with inspiring them to join this service. He obviously loved police and emergency services and his hometown. It makes you wonder, if Webb had lived, what his creative reaction to say the LA riots and the OJ trial would have been.

Elia Kazan was arguably one of the most influential people that theatre has ever produced. He had an amazing life through his art, and outside of it.

Here, at the age of 77, past the point of modesty, conceit and pride, he tells his remarkable story of learning his craft, harnessing his incredible God-given talent, and channelling his drive into success.

We learn about his trysts and liasons with other icons, his marriages, his faults and missteps.

He owns up to many things that have not made him proud, including naming names during the deplorable McCarthy communist witch hunts of the 1950's.

He talks openly of his failures as a parent and a husband, his infidelity, and his loss of faith.

He also recounts his many astounding successes in film and theatre, including the many great actors and actresses he worked with.

His honest self-assessment is a breath of resh air.

This is one of the greatest autobiographies I have ever read.

This is the best show-biz biography I have ever read. Poor, Greek immigrant, Kazan fought his way up the entertainment ladder to direct my favorite movie (On The Waterfront) and my favorite play (Death of A Salesman). Along the way to these achievements he was an original member of the Group Theater; he relates his experiences there including an in-depth retelling of his relationship with Lee Strasburg. He met prectically everyone in the business from an aspiring Marylin Monroe, Marlon Brando, James Dean, Arthur Miller and what seems thousands of others in the theater and movie world. His antecdotes are fresh and revealing, even those that may be common knowledge. Of particular note are the chapters devoted to the making of Streetcar Named Desire and On the Waterfront. His work with Brando, who was seldom better than when he worked with Kazan, is discussed. Along with his great movies and plays, Kazan tells his side of the House On Unamerican Affairs controversy that swirled about him until his death. While the book is massive at 864 pages, it is over too soon. It is a rare, literate portrait of the man Kazan, who changed American movies and theater forever-- and for the better.

One of the most honest, compelling, brilliant, wise, stunning books I've ever read. Kazan's life was awe-inspring, and to have it retold with such lucidness and unflattering candour is a gift for the ages. Not only was he one of the greatest theatre directors and film directors of the 20th Century, he writes like a blessed demon. This was a spellbinding, page-turning read. Immersed in its pages, I learnt so much about life, America, directing, theatre/cinema history, and myself. I also learnt more than I've ever known about how men think (wish I'd read this years ago).

It's such a pity Kazan's life has become simplistically defined by one act, and his artistry overshadowed - ironic, too, considering he made films with a deep, compassionate, liberal humanity. You can look at his life through through the prism of that one act, or read this for a much richer, fuller, deeper understanding of Kazan - the good, the bad, the ugly. And the genius.

This book made me want to live my life more fully, view myself less vainly, and create my work more honestly. Can't ask for more than that.

I was truly surprised by this book when I read it some years ago. I was surprised by how engrossing and powerful it was , all the way through. This man lived a tremendously interesting life, rich in great creative challenges and triumphs, rich in meetings and experience with remarkable people, rich in sexual adventures and complex human relationships. The story of how the child of Greek immigrants came to become the director of two of the classics of the American Theatre "Death of a Salesman" and a 'Streetcar Named Desire" and of two of the great American movies, "On the Waterfront" and " East of Eden" is told with remarkable frankness and perceptiveness.
Kazan does not come across in this work as a saint, but rather as a truly strong person who took what he wanted from life, even if this meant hurting others. His personal and inner torments however too make up an interesting part of this story.
One more point. His writing follows the rule of Henry James and is always interesting. This is a work whose richness in anecdote and event are so great that it fits into the 'couldn't put it down' category.

With a former Supreme Court Justice warning the USA today (March 10, 2006) about starting down the road toward a dictatorship, it seemes fitting to re-visit the House Un-American Activities Committee (HUAC) in the 1950s when the right-wing was trying to scare our citizens into giving the government supreme power, just as neocons are trying now.

Elia Kazan defends his decision to name names during the Hollywood Hearings of the 1950s, saying that his ideas toward the Communist Party had changed and he thought the higher ups (maybe from Russia) were dictating policies to the American communists in the movie business.

Maybe so, but he also admits the Hearings already had all the communists' names and admits they were only showing their power to control people here in Hollywood,using intimidation to instigate the blacklist. In real life, the USA government was the bully, not the old, tired communists of the 1930s.

If so, then why did he ever think the movie he directed, "On The Waterfront," was a good analogy for what he faced? The USA government caused the black list and precipated suicides and family break-ups in their Hollywood investigation.

It was the mob who caused the deaths and intimidation in "On The Waterfront." Is Kazan saying that Congress behaved like the mob? Or that the mob behaved like Congress?

Granted, Kazan was a great director, brilliant at times. But to him the bottom line was the bottom line, and to keep his position as an all-star director, he had to name names. While he tries to seem noble, the reader can see his 'reel' motivation was money and his career. So what if he named names! He was working.

Today, we see the right wing using similar tactics in the Bush administration: questioning people's patriotism, using smears and mud-slinging against opponents, trying to get people fired if they disagree with neocon policies, keeping a blacklist of university professors who oppose them, and most recently, equating the AARP group of loving gays instead of our troops.

After reading Kazan's book, I did gain a firm insight into right-wing politics, and these politicians use juxtaposition of images to label their opponents. Right-wingers still don't care if they distort the record. To them, winning is everything.

I purchased this expecting some advice on legal issues, but this book is so much more. It talks you through the whole process of producing a film from start to finish, including valuable information on finding investors, attaching stars, behind the scene terminology, production advice, sample legal forms and what do with your film once you've made a cut. All of the advice is indispensable. This is a must have for any independent film producer, especially those new to the industry. It should be taught as a textbook in film schools. The most helpful book on producing I've stumbled upon yet.

I highly recommend this book. As a first time amateur independent film producer, with about 30 film books resting on my shelf, I believe I was constantly thumbing through this one the most during preproduction. This book contains so much useful information and helpful insights, it's almost like having an industry consultant right there with you. Unlike other books, there weren't a lot of sections where they seemed to rush on to the next chapter without exploring the present topic in some depth.

If it's not already, this book will soon become the industry standard for substantive knowledge of the film business for independent filmmakers. Deal points, standard contract provisions, the often technical and confusing jargon, and the historical context for many industry practices are all covered here in comprehensive yet concise fashion. Topics of interest that are covered in depth include standard talent and producer agreements, developing a screen play, financing, and digital distribution. The book was a tremendous asset to me when I had to help an independent filmmaker comply with complicated federal securities laws in order to raise $200,000. Highly recommended.

jeffbrownlegal@gmail.com

It was a book with that gave you a good background on how film production works from a legal perspective. So you should read it if that is your concern. The authors are lawyers, not producers.

This book is a serious but very readable approach to educating filmmakers on the maze of legal hoops that must be jumped through in order to create a film. Indispensable resource to have.