Japanese Books

It is amazing how some people look at Japan and see what is not there. For instance, one reviewer on this book said how most "Japanese players never had much real education, as high schools were more like minor leagues, so the player mostly read mangas (comic strips) on bus rides."

Mangas are much more than comic strips. They are books, written by adults largely for an adult audience. Business people with degrees read mangas.

In fact, the ignorance of Japanese culture reflects in many unfortunate incidences between Japanese citizens and American citizens. Mr. Cromartie's slugging of a pitcher more than illustates this point.

Baseball in Japan is brutal. They burn out their pitchers, for instance, rather than rotate them. In this book you'll see that Warren Cromartie started out his first season first as the hero that was going to save his team, then as the first half of the season wore on he was viewed by the press as a bum who wasn't worth the money they paid for him (Japanese players were, and maybe still are, paid very low salaries for the receipts they bring in for their owners). He then became a hero who batted very well on the second half of the season. Did Mr. Cromartie improve his batting? Perhaps. But more than likely by the second half the season the pitchers in Japan had worn out their arms, and could no longer throw as well.

Get this to learn Japanese culture, Japanese baseball, and one man's confusion and eventual acceptance of both.

Cromartie came back to the States and played his last season with the Royals as a pinch hitter/1B and finished the season with a .307 average as a part time player.

Get this book. It's worth it.

Cromartie came back to the States and played his last season with the Royals as a pinch hitter/1B and finished the season with a .307 average as a part time player.

Get this book. It's worth it.

I grew up watching Warren Cromartie play for the Tokyo Yomiuri Giants during the late `80s. Cromartie was one of very few gaijin players who left a great impact, not only by the way he played the game, but also by his cocky attitude and behavior. For the Japanese media who love to stereotype American players as brashly self-arrogant, lazy, and powerful, Cromartie was such a perfect fit. Of course, they would not report on his side of story, this biography may be of a greater interest for those who viewed him as a gaijin those days. To me, the reader may miss the most interesting points if she just reads this book just as an account of "bizarre" experiences that an American went through in one of the most exotic places in the world.

With the presence of such colorful personalities as the manager Sadaharu Oh (whose career homerun record of 868 surpasses the American counterpart), his teammates, and old-fashioned traditionalists who would be labeled downright racists in many other civilized nations, the story never seems to bore the reader.

Unlike many other player biographies ghost written by mediocre sport writers, this is surprisingly an engaging book. Robert Whiting does a great job of incorporating his own views on cultural disparities between Japan and America into Cromartie's endeavor as a gaijin player. Many opinions expressed in the book overlap Whiting's other works on baseball, such as "You Gotta Have Wa" and "The Chrysanthemum and the Bad," but "Slugging It Out in Japan" is probably the most emotionally involved pieces of all.

Based on her original manuscript written just after her imprisonment, Colijn's story is one of hope and perseverance. Many other books written by soldiers and survivors of World War II are laden with hardship and sadness especially those books detailing the accounts of brutality of the Japanese during their quest to expand their empire westward through Asia such as The Rape of Nanking by Iris Chang. Colijn's story is unique in that it details true survival of not just the body of the imprisoned, but the soul as well. The women of the camp in which Colijn was imprisoned used music to life their spirits and "free their souls" from detainment.

Reading a book such as Song of Survival can open up a new door to the way in which we learn about prisoners of war. Colijn describes disease and starvation leading to the deaths of more than one-third of the population of the camp (Colijn 159-169). "Before our internment was over, twenty-six Dutch children lost their mothers," she says (Colijn 162). But all the while, the women kept their spirits from breaking entirely through singing classical songs and even performing vocal concerts among themselves (Colijn129-146). Colijn gives her readers an idea of the sisterhood within her camp among the prisoners. This feeling of family is often discussed within the realm of the formation of a brotherhood-such as is seen in Band of Brothers by Stephen Ambrose--of soldiers, but is rarely seen in accounts of imprisonment. The work is so poignant because Colijn is able to draw from true personal experiences.

The author teaches her readers that even during imprisonment, with just a little faith and a little music, souls will have the ability to wander free. By using an effective autobiographical format, Colijn tells her story from a very personal perspective. She recalls the events so vividly that it is impossible for readers not to feel the same emotions that the prisoners felt. Colijn's work is so well crafted that even her feelings of optimism shine through the seemingly unpromising situation. As trite as it may seem, Colijn notes that several women even made "liberation dresses" to wear for the day that their camp was liberated by the Allied forces (Colijn 129).

A book such as Colijn's is an important element in any study of World War II as it not only brings to light the idea of hope in spite of hardship, but it also shows what seems to be a neglected area of war accounts-the struggle of women as prisoners of war. A personal account of the struggles of being imprisoned by the Japanese that is so seasoned with hope is rarely seen. Colijn serves the women of her camp well with Song of Survival. With the work of one author, hundreds of women's stories will live on to be read by future generations who will bear witness to the events taking place-the immense struggle-during World War II. Song of Survival will live on long after the last survivor passes away. It will carry a message of faith and perseverance for the women in Colijn's camp who kept hope alive through their immense personal strength.

You might imagine that if you were living in a filthy prison camp where people were dropping like flies, you would owe it to yourself to fight for your survival tooth and nail, even against the other inmates, and the furthest thing from your mind would be music. You would need to look out for number one, period. Colijn believes that many more of them might have perished, or, at least, might not have come out as well, had there not been a commitment to community and beauty in that abject misery. In a sense, this book tells about war heroines.