Japanese Books

I love the Harry Potter series, but the first book in the series is a favorite. The characters are rich and fully developed. The substance of Rowling's world is well thought out and detailed. Rowling's writing is wonderful and great for all ages.

We had this on cassette tape, and just purchased it on CD. Jim Dale is outstanding! Very entertaining on long car rides.

I started reading Harry Potter a few years ago so that I could find out if they were suitable for my kids. Guess, what? I'm a well-educated adult, and I love Harry Potter! I can't believe that I can be so entertained by something that every kid on the block is reading (usually I don't go for children's fantasy).

Sophisticated adults will complain that this is derivative and "light." Yes, it is. It's children's literature, and that's what kids like. But, this is superior children's literature. The writing is exceptional, the characters are deep, the humor is subtle enough for adults to enjoy. It's very well done. I wish that all of the stuff my kids were reading was done this well.

I'm thrilled that, because of Harry Potter, children are reading large novels again. I know several kids who've been inspired to read, and to not be intimidated by big books, because of J.K. Rowling. If you have only seen the movies and haven't read the books, you are really missing out. --FanLit.net

I have to admit that I came upon the whole Harry Potter phenomenon pretty late, even though I've been aware of the franchise for about 10 years. I had always observed and respected Rowling's incredible success but I couldn't finish watching the first movie and always put off reading the books. But then last Christmas, magic happened. Well, sorta. My brother bought me the movie version of Harry Potter and Order of the Phoenix. The problem was that I had never watched any of the four movies that came before it! And only in the last 2 months or so did I go back and watch the movies in order, and I found I really enjoyed them once I gave them a chance. So when summer vacation started I sat down to read the first book and really liked it.

Harry Potter has led a hard life all of his short 10 years and is on the brink of starting an equally dismal eleventh. His parents died in a car wreck when he was an infant and he was reluctantly taken in by his aunt and uncle Dursley. They treat him like dirt, relegating him to a small crawlspace underneath the stairs in lieu of a real room, that just gives him space enough to lay down and sleep. The Dursley's son, Dudley, is equally vicious to Harry. While Dudley gets every toy and luxury the Dursleys can afford, Harry never gets anything nice. His aunt and uncle think Harry is weird and has strange abilities that they cannot explain. Things change on Harry's eleventh birthday when he recieves a letter inviting him to attend Hogwarts School of Witchcraft and Wizardry. Even though the Dursleys want Harry to be a normal kid and quit being so strange, Harry soon learns the truth about his parents. Namely, that they were powerful wizards that were murdered by an even more powerful sorcerer named Valdemort. This same Valdemort is the entity that left a scar on Harry's forehead the night he killed his parents. Harry is famous among magic users for being the only person to survive a face to face encounter with Valdemort, a man whose very name inspires fear. Now, Harry must set out on his own journey to become a great wizard, and along the way, make new friends and be accepted as a human being worthy of respect and kindness.

Who doesn't want to escape the crazy existence that is life on Earth in the 21st century, to get away from war and and the paranoia of religion and terrorism? To live in a world where magic allows incredible miracles...but also incredible evils. That's the cool thing about Rowling's story. Things are not all hunky dory in Harry Potter and the Sorcerer's Stone. There aren't a lot of kid heroes whose parents were murdered in cold blood and then have a scar burned into their flesh. And let's not get into the cruelty that Harry has to endure for almost eleven long years by relatives who should have been turned over to the cops for child cruelty. Some of the things in this book are very dark. This isn't a world of magic where everything is covered in fairy dust and everybody smiles all the time and gets along with each other. It has a strong vein of realism, at least in the spiritual trials the characters face and their relationships with each other. Friendship and the importance of it is one of recurring themes, as illustrated by the bonds that form between Harry, Ron, and Hermione. I was also impressed by Rowling's ability to take a formula, (a magic school) and make it seem fresh and original. This book could have easily turned into a hack job. But the author's imagination sweeps aside any such notions and whisks you away for a couple hours of your life. A great read.

One fine day while I was at work, I went into our café and came across a coworker reading Harry Potter and the Sorcerer's Stone.
Like a lot of adults I started laughing and said, "Aren't those for kids?"
My former coworker said, "Don't laugh until you've actually read them."
I took her advice and picked up the same book.
And I have to admit, she was right!
The Sorcerer's Stone was, like many of you, my introduction to the Harry Potter Empire.
I loved it, from start to finish, a pleasure to read.
These books are not just for kids, but anyone who has an imagination.
I've since read all the Potter books and I loved every one of them and the movies also.
How many books end up getting made into worthwhile movies?
Not very many, but I'll be darned if Hollywood isn't making every Potter book into a stellar movie.
I give this book and all the Potter books my highest recommendation.

My family has enjoyed listening to the Harry Potter audio books for several years. Jim Dale's readings include a host of characters with remarkably distinctive voices that carry over from the first book, the Sorcerer's Stone, to the last. He reads with fabulous energy and makes these great stories come to life like nothing I've ever heard before.
The Prisoner of Azkaban is no exception. This audiobook is a fabulous way to enjoy several afternoon in the car or in your favorite chair at home.

A fellow Potter fan pointed out that this book was longer than "Chamber"
My bad.
I must have been confusing the movies. DOH!!!
I blame it on age. :)
As for the book, ahem....
In short, it's brilliant.
All the action and drama of the first two with twists and turns that made it almost impossible to put down.
The Prisoner of Azkaban further advanced the series with slightly more mature themes and an absolutely haunting atmosphere.
This book solidified the series as a force to be reckoned with.
Same as the previous two, highly recommended.

Like the first two Harry Potter books this book is great, it is in this book that parents should beware; it starts to have a few more moments that might scare the younger reader, it takes on a darker side as Harry ages and Voldemort begins to gain his power back, Definately makes you want to continue to read the complete set, this is my second time thru the books and I never tire of reading them. Great Reading for all ages

I liked, is in good condition,parece nuevo, a mi sobrina le encanto thank you !!!! por tener todos estos tipos de libros.

It's a great story, with much more detail and interest than the movie that was based on it. Jim Dale's performance is excellent and really brings life to the characters.

I took off one star because one of the disks was scratched & Amazon cowered behind their policy that they would not allow an exchange of an audio product that was opened.

As a high school student, I first encountered this character in a series made up of five books. At the time, each book was released weeks or even months apart. I was so enamored with the story that I finished each book before the next one was released. But I eagerly anticipated each installment. It was like being hooked on a daytime soap. But mind you, this is no soap opera. This is perhaps the most captivating story I have ever encountered. I am pleased to find this edition contains the whole set in one book. If you are a fan of sword fights that begin with but an intent in the mind of the combatant coming to an end in the deceptively tranquil plains of feudal Japan, look no further. This story reminds you that however perfect the sword is as a tool for killing, the deadliest weapon remains the swordsman and not the sword. Musashi is the ultimate swordsman and his story has all the elements of an engaging epic containing betrayal, honor, struggle, unrequited love, death and much more. The duels of the sword depicted here are like nothing I have ever read or seen or heard about before back then as a high school student and now as an adult. Printing quality and paper quality is excellent as befits a treasure of literature.

Great story!! Full of action and wonderful details so you really feel like you are part of the story. My son who does not like to read cannot help but enjoy this one. Just when he seems a little bored the author has something exciting. A great read for boys or men.

I read this books while I was in the senior high school, approximately twenty years ago, but until now the story is still clinging in my mind and it refused to forget it because this is a best novel I've ever know.Extremely worthy to own it. It seems that Eiji Yoshikawa did a great deal of works to perfecting it.

I remember reading this years ago... now I'm reading the Vagabond comics based on it. So much fun.

I read Musashi 15 years ago, and I remember it vividly. It's such a sweeping, wondrous novel, I'm surprised it's not more famous than it is. I became a bit of a Yoshikawa fan from this, and visited his home, preserved as a museum, outside Tokyo. A beautiful serene place. Musashi, in retrospect, was highly inspirational to me as a writer, in terms of pacing, character development, and raw storytelling. I recently bought a copy for a fellow writer, who has samurai themes in his works, and I'm sure I will continue to gift this novel to my friends. Enjoy!

Shattered Sword by Parshall and Tully is simply breathtaking, the most thoroughly researched and lucidly thought out history of an event that I have ever read. Setting out to tell the story of Midway primarily from the Japanese side they have created the new standard of that crucial battle in the dark days of 1942 that shines as an example of scholarly effort without parallel.

First these authors clearly did their homework, and to say that they explore the battle in the utmost would be an understatement. Setting the stage for the battle with germane explanations of the geopolitical, then strategic, and then operational backdrops that led up to 4-5 June 1942 the authors then delve into the battle wielding an awesome array of salient information ranging from the psychological makeup of the senior Japanese commanders on the scene, to Japanese naval doctrine of the time, to the naval architecture of the four Japanese flat tops, to how many bomb carts each carrier had (and are thus able to derive such details as the quickest possible practical TIME, down to the minute, it could have taken to re-arm waiting dive bombers and torpedo planes in the hangar bay) to even the names of individual Japanese pilots in the CAP and when they were launched. What emerges is a picture of the battle in toto, grounded in a thorough understanding of the pacific campaign and the entire war itself, aided by a completely fresh and unbiased look (which subsequently shatters many myths about the battle) and delivers not just the most accurate picture of what happened and why during the fighting, but also what it meant in the larger scheme of how the rest of the war was fought and ultimately won (or lost by the Japanese). This is truly the stuff history is supposed to be about.

What is better yet is that the book, in a surprising cut against the grain for pieces written by more than one author, reads both like an erudite intellectual analysis and Tom Clancy-esque action thriller. Throughout the book you are taken from the strategic and coolly logical minds of senior commanders, to white knuckle seventy degree dives in the cockpits of cascading American SBD's flying through walls of flak and marauding Japanese zeros. Later you are privy to the acts of desperate survival of Japanese engineers sweating in the asphyxiating air of the engine rooms in their carriers as the ceilings above them start literally glowing red from the heat of uncontrollable fires ravaging above and blocking their only route of possible escape.

After setting the stage of the history of the Japanese naval war in the Pacific up until the time of the battle and explaining the strategies, doctrines, and technical features (i.e. carrier air wing make up, command organizations, etc.) of both the American and Japanese navies the authors place you onboard the ships of the Kido Butai for a minute by minute account. This in depth and detailed account takes you from the moment they sortie from Hashirajima bay to their ignominous retreat mere weeks later. The writing is crisp, fast paced, and clear, conveying information, tension, emotion, and action all at the same time without compromising any of those features. Told primarily from the Japanese side it is taut and disciplined, delivering information to the readers as it came in real time to Nagumo and the staff of the Kido Butai on the cramped bridge of the Akagi and under fire, instead of giving the reader a truly "God's Eye View" of the battle. There is just enough delving into the worlds and actions of Nimitz in Pearl Harbor, Flether onboard the Yorktown, Spruance onboard the Enterprise, and several other American forces to give appropriate context and understanding, but the reader is basically experiencing what the Japanese commanders were going through. This allows the reader to truly appreciate the Clausewitzian "friction" that plagues any battle, and to understand the decisions the commanders made at the time. After the fact everything is tied together by the authors to deliver a true picture of exactly what happened each minute of the battle. The scope of the battle and the author's telling of it is enormous, covering not just the more familiar strike on Midway istelf and ensuring carrier duel, but the ordeal of survivors from each carrier as they attempted, futilely, to save their ships then abandoned them, to the harried Japanese retreat and the less familiar American attacks on the Mogami and Mikuma which ultimately led to the latter's destruction.

The book sets the record straight on many things, of which I cannot mention all. When the American dauntlesses rained down upon the Japanese carriers at 1020 however it is clear that their decks were NOT full of a strike package just moments from launching to crush TF 17, this was a myth that was propagated by Mitsuo Fuchida after the war's end for self serving purposes as well as dramatic flair. VT-8's heroic and fatally doomed torpedo attack did not draw down the Japanese CAP, instead it was just one of a series of hurried and poorly organized American attacks that virtuously threw the Japanese into confusion and left them reacting to conditions rather than shaping them. The Americans were not so outmatched as is commonly believed, but still won a glorious victory ableit against a deeply flawed plan developed by the actually bullying and overbearing Yamamoto (who was restricted from leaving Kure Naval Harbor while in Japan to visit Naval General HQ in Tokyo on fear that other resentful officers there would literally kill him.)

The lessons the authors draw from this battle are applicable even today. The Japanese primarily lost the battle, and the entire war for that matter (although for the entire war the relative industrial might of the US played a far more important role than it obviously could have in this single, early on confrontation), due to an operational rigidity born of national culture and character. This rigidity left it unable to correctly learn lessons from its past operations, anticipate future operations as well as enemy capabilities and reactions to such, and, most critically, to adapt to real world circumstances when their overly elaborate plans inevitably began to unravel against determined and unpredicted enemy actions. (The Japanese expected to face a cowed, fearful, and largely reactionary and passive US Navy at Midway, and not the aggressive and ably commanded force that Nimitz actually sortied to meet them and that guided itself on the flexible principle of calculated risk rather than dogmatic devotion to operational planning.)

I simply can not say enough good about this book. It is useful to anyone with an interest in history as an example of the heights that that discipline can reach and the edifying fruits it can bear when practiced properly, to those in the military who seek a better understanding of how war actually is fought and can be fought best, to someone who wants to read about a real world battle written with the excitement and drama of a great fiction author.

HIGHLY RECOMMENDED!!

Haven't finished its reading yet, this book is a superb job about the battle of Midway. With every data carefully referenced and a lot of research in the JPN archives, most of them ignored so far in western bibliography, this book torpedoes a lot of myths that have risen around the famous naval battle over the years.
Reflects, in my opinion, the real "fog of war" that both navies had to fight with those days.
It is mainly focused in the Japanese side, giving credible answers to questions that had been ignored over the years by all history books that I have read.

"Fantastic" is not enough to describe this book. The research which has gone into it and the amount of details presented is absolutely unbelievable.
In the wake of this book, I don't think there will be any further need for continued discussion over the relative action of the US and IJN fleets and what really happened near Midway on that fateful day.
The explanation of Japanese tactical and strategical thought which lead to their demise is clearly spelled out and it finally lets the reader understand the how and why of the action Adm. Nagumo took at the time.
Altogether, I could not have asked for a better book on the subject.

Simply a must-read for anyone with a serious interest in what happened off Midway in June 1942, and why events unfolded the way they did. The authors explain not only what happened, but why - in exhaustive detail. And therein lies the reason I could not in good conscience give this outstanding work 5 stars.

When the subject is as complex as this battle, and the research so comprehensive, any author has a responsibility to write as concisely as possible. Doing so respects the reader's time and improves the chances of the less dedicated making it through the text. Not only is this book unnecessarily wordy, the authors sometimes use three or four paragraphs to explain a point only to spend another paragraph or two summarizing and/or providing 'in other words' alternative explanations. Frankly, the average reader may be hard-pressed to finish this work. I half expected the last page to be a submission form for three hours of credit.

With that said, the afterglow is a pleasant one for those of us with a deep interest in this battle and the patience to read through to the end. The authors do a fine job of explaining why they're explaining. For example, with great effect they use Japanese carrier procedures and doctrine as evidence indicating what was actually happening in specific timeframes. Another example is showing the real role the decimated American torpedo squadrons played, which was critical but not for the reasons most people believe. The research appears impeccable and the conclusions reached on points where absolute evidence does not exist make sense.

The authors are perhaps a bit snarky when addressing some other sources on the battle, but I believe that to be a product of their own passion for accuracy, the battle, and the Imperial Japanese Navy as opposed to any intended animosity.

Bottom line: highly recommended, but be prepared to invest some time.

I was rather surprised that the authors make no mention of the actual prime source for the Battle of Midway that most Americans carry around in their heads: the 1976 film, "Midway." With familiar names like Henry Fonda, Glenn Ford, Robert Mitchum, Hal Holbrook and Charlton Heston, the film reinforces the popular wisdom that an under gunned American Naval task force, on June 5, 1942, surprised the main fleet of Japanese carriers bearing fighter planes helplessly exposed on the decks. Certainly I had never heard the names Yamamoto, Nagumo and Genda prior to seeing the film one rainy summer afternoon. After reading Parshall's and Tully's masterful study of the battle, I was even more surprised to learn that this enduring version of the Midway encounter came not from the understandable pride of American historians, but from the pen of Fuchida Mitsuo and Okumiya Masatake, whose "Midway: The Battle That Doomed Japan" [1955] served as a template for historians, school books, and even Hollywood.

Since Japanese historiography has shaped the Midway story for over six decades, Parshall and Tully decided to address their gripping minute-by-minute account of the battle through the eyes of Japanese experience and intentions in order to restore a sense of perspective. In truth, much of Mitsuo's narrative and interpretation is not as much defective as it is deficient. Midway was the product of complicated forces; its individual tactical events at many turns had lives of their own. Thus, only by breaking the battle into dozens of microcosmic signatures could Parshall arrive at something resembling a true chronology of the encounter, though war is such a hellish psychological event that exactitude is its first victim.

The attack on Pearl Harbor on December 7, 1941, was for the US the beginning of the beginning. For Japan it was the beginning of the end. It may not have been clear to Americans in 1941, but Japan's eastward expansion to Hawaii was something of a Pickett's Charge moment save that Japanese efforts had, for a time, a more favorable psychological outcome. Parshall's map [20-21] makes the Japanese problem crystal clear: advancing across the Pacific meant investment north and south as well as east. Japan at this point had been at war since at least 1937, first with China and then throughout Southeast Asia.

In these circumstances the Midway situation takes on a whole new look. The Empire's interest in seizing the Island had little to do with westward expansion, and much to do with protecting its holdings. Possession of Midway would allow the Japanese to cut US supply lines to Australia. Achievement of the goal was certainly within capability, given the limitations of the US Pacific Fleet, had not the ambitious Admiral Yamamoto Isoroku overreacted to recent US sorties with a complicated plan of his own for Midway. Yamamoto violated a basic tenet of war--massed force--to execute simultaneous action toward Dutch Harbor in the Aleutians. Parshall is careful to note that this Aleutian action was not a feint, as is popularly believed, though Dutch Harbor had questionable value in any strategic equation.

With two carriers off to the cold north, Yamamoto proceeded to Midway with four carriers instead of six, and just a one carrier advantage over Halsey's three. [Bill Halsey, of course, would be hospitalized with shingles and replaced by Ray Spruance for the Midway expedition.] The result is basic history, with the US destroying all four Japanese carriers with the loss of only the Yorktown. Parshall certainly does not diminish the accomplishment, nor do he and his colleague entirely deny the element of luck. More often, he takes the dramatic edge off of events, reminding his readers that in war the best schedules go awry, runways get congested, radios break, intelligence gets manhandled, and weather conditions change.

Parshall believes that that US Pacific fleet was not quite the crippled eagle it is often portrayed to be. Between the Pearl Harbor and Midway encounters the Lexington and the Yorktown had embarrassed Yamamoto on several occasions in his back yard. The US Navy had learned quite a bit about aerial warfare despite the fact that at Midway its planes were somewhat inferior. Vice Admiral Nagumo, commander of the strike force, found himself repeatedly surprised by the Americans' tactics and capabilities, though admittedly some of these tactics--with tragic and needless loss of life--were as much a surprise and shock to the Americans' own commanders.

Parshall observes that American forces did enjoy an overall edge in technology, planes notwithstanding. Photographs of the late Soryu, Kaga, Hiryu and Akagi carriers throughout the book reveal tinker-toy vessels of another generation, which in some cases were actually Gerry rigged when designers changed schemes. US carriers enjoyed greater simplicity and a much more efficient deck technology, particularly in the design of elevators which allowed for rapid turnover of planes for duty. Most notably, American carriers enjoyed much safer and more efficient fire control systems, which gave the Yorktown an added essential day. From a humanitarian standpoint, Parshall brings home the terrible suffering of Japanese sailors primarily from fires resulting from poor ship design. As a rule the rank and file of the Japanese Navy manifested an amazing courage and devotion to duty; Parshall's account puts the responsibility for their plight in the appropriate places.

Parshall's decision to write from the Japanese perspective was quite daring and very successful. As befits a military work, nearly one-third of this book is composed of maps, photos, and an exhaustive bibliography. It is hard to imagine how the author could have been more helpful with his illustrations of ship movements and time lines. And yet this is a work with a gripping story line. The revised truth about Midway is still a captivating tale, about commanders coping with strain and sailors loyal to their comrades. For all its technical information, Parshall's work can best be described as eminently human.

I bet there is a few people who are thinking about buying this for a younger relitive, thinking it's like the 4kids anime....you better back away unless you want your 7-10 year old pulling the perverted prank "panty tank". Yu-Gi-Oh! was originally intended for teens until 4kids messed it up so if your looking for some Yu-Gi-Oh! for your kids try "the pyrimid of light" ani-manga (its colored and has the same dialoge as the movie its self)

This is a good volume, of course it starts the series so don't expect anything too deep.The art is okay compared to takahashi's later style in duelist.The best story in this volume is duel 1:the puzzle of the gods cause that is where it starts.The others are fair but in my favorites includes duel 4 and 5.Note this is not for kids since it's too violent,doesn't feature the cards and the names and storyline are completely different from the edited tv show.

The first 7 volumes of the manga is pretty much what happened in the series that wasn't shown in the US. I recommend this to manga readers 11+ but be warned, there is violence and a lot of swears in this manga. I am 13 years old

Try, for a moment, to put aside all you think you know about Yu-Gi-Oh! and imagine something completely unexpected. Forget about the children's TV series. Don't give the card games another thought. And try to get past the tons of merchandise featuring Yugi's image. Let's begin to reconceptualize the character of Yugi.

That is, essentially, all that is needed in order to more fully enjoy Kazuki Tanahashi's creation, Yu-Gi-Oh! In the Manga, Yugi isn't the tough-talking little Goth boy you might expect. Instead, Yugi seems to be the polar opposite of this characterization - and deliberately so. A comparatively small teen with awkwardly-proportioned hands and feet, the slightly-effeminate Yugi struggles daily with schoolyard bullies, cruel adults, and even the doldrums which epitomize teenage life. While everything seems stacked against him from the get-go, Yugi finds himself optimistic, enjoying life whereas other similarly-affected kids would be beaten down by these oppressive forces.

And this is because he has a mind which is constantly stimulated by the games his grandfather provides him with. You see, Yugi loves puzzles more than anything, and can make a game out of anything. This is the quality that both alienates him from his peers, and gives him limitless courage to face each trial of the schoolyard. In this sense, there's some degree of all of us - after all, who doesn't love a good game? Who among us hasn't daydreamed about getting lost in some fancy labyrinth, or of solving a particularly challenging mind game?

As a result of his passion for puzzles, Yugi becomes someone different from time to time - a personality over which he has no conscious recollection or knowledge. This Yugi is a sadist, one who has no qualms over hurting those who tread upon the weak as a means of poetic justice. This Yugi plays games of a different sort, ones which torture the players unfortunate enough to lose ("Penalty Games," dished out to those who seemingly deserve such extreme punishments - blindness, insanity, death by fire, etc.), but only those who have manipulated others and exploited their helplessness. This Yugi later becomes known as "Yama Yugi" (or, "Dark Yugi").

In creating this series, creator Mr. Tanahashi explains that he had no concept of how popular his little character would become in the marketplace and in the media. Having met with no prior success, Mr. Tanahashi had no way of anticipating what would become of his little "strange story... that centered around 'The Mysterious' in everyday life." The first appearance of the ubiquitous card game based on the Manga does not even make an appearance in this first volume (a 7-issue series which spins off into Yu-Gi-Oh! Duelist and nearly concurrently, Yu-Gi-Oh! Millennium World, and today's hot property Yu-Gi-Oh! GX).

While this book is - as one might expect - very popular with the kids, it certainly isn't the average American-written "kids' book." Inside these pages are tales of abuse, murder, torture... and, sometimes, even some bawdy humour ("Never play basketball in a skirt," says Anzu, the book's female protagnist). Certainly, it is filled with goofy stories light on the plot and occasionally, heavy on the characterizations - so it's a nice, light read. It's a children's title by way of Suzuki Koji, much the same way Hayao Miyazaki's My Neighbor Totoro was almost a grown-up movie disguised as kids' fare.

Yu-Gi-Oh! is a fun ride, packed with calculated fear and excitement, and endowed heavily with humanizing imagery (especially poignant is the image of Yugi reaching into a box, having nearly completed the 3-D puzzle he had kept with him for eight years, his clumsy hand searching for the final puzzle piece... only to discover it was missing, for all his pains. After watching him get beaten and extorted by a much larger classmate, knowing that the puzzle was what gave poor Yugi the most enjoyment out of life... This painful little scene is almost too much for dry eyes to absorb). It may not be the best of the genre, but it does deserve the attention it has received.

It also deserves a little more respect as well, but with marketing ever the ceaseless beast, this probably isn't too likely.

Many American children, especially those in the 7-12 age bracket, watch Yu-Gi-Oh regularly. Kids love the action and strategy. Parents love the 'appropriate' factor. Teens, however, hate the kiddiness, and anime purists abhor the editing.

Guess what? It's a lucky day for teens and anime fans.

Threats, fist-fights, and disturbing games (with disturbing conclusions) run rampant in this first volume of Yu-Gi-Oh, and although most people will love it, parents need to be warned--this is not for children under the age of 12.

Also, you won't find the card game 'Duel Monsters' anywhere in this first volume--in fact, it doesn't become the main part of the story until later on in the Yu-Gi-Oh anthology. Instead, however, you'll find out the origins of Yugi and his friends (with their original, un-Americanized names). And while all of this was originally created for a Japanese TV show, when 4Kids brought YGO over to the US, they skipped over the first few story arcs, and got right to the card battles.

Also, it's important to note that as this is a manga (Japanese comics, for the uninitiated) graphic novel, it reads from right to left, in traditional Japanese fashion. Of course, this means that you read the panels and text bubbles from right side to left side, but the translated text is written from left to right. It's ok if you don't understand--VIZ (the publishing company) provides a key in the graphic novel to help you learn how to read it. After 30 or 40 pages, reading like this will become second nature, so don't fret about that.

VIZ translates the sound effects, which is nice. The artwork is very nice (though not amazing), consistent, and easy to look at. The translation is very well done, with footnotes explaining any Japanese pop-culture references you might miss.

Overall, I'd highly reccomend it--to anyone over 12, and especially to older Yu-Gi-Oh fans who want to see a little bit darker take on the story.

Everything about this is great. Besides the story, which mixes action and comedy in the right amount, the printing and paper quality is SO much better than most "normal" manga. With artwork this beautiful, you need it to be larger so you can really drink in the details and immerse yourself in the story. I only wish more manga were printed in this high quality format. Plus it's cheaper than buying them individually in an inferior format! Now if they'd only release them quicker...I hate waiting to see what happened next!

As a dabbler only in the manga field I was familiar with the ttile but decided based on the price, this was a good try out book. I was not wrong!! Defintly worth your money as you get alot of story for the money. Actually cheaper than buying the individual books. Printed on strong paper with a handful of color pages at the front this is a compact beautiful apckage with a great starting story and I intend to buy all of the VIZBIG editions!

There are many manga that use themes that are similar to this one, but among all these, Rurouni Kenshin stands out as one of the best. Part of what makes this series so good is the great set of characters. There is also the wonderful recreation of the era in which the story develops; we truly feel like being at a different time in history. The impressive drawings are also a trait that makes this a successful series, and I particularly like how they use the distorted facial expressions for humorous situations. Finally, there is the story in itself, which has many layers and the deeper we get into it, the more mesmerized we are. The fact that this volume is not at the level seen later, in terms of the complexity and richness of the plot, is the only reason why it gets four stars instead of the top rating.

Hitokiri Battousai is a warrior that with the help of his sword slew many rivals of the imperialists and contributed to entering the Meiji era, and then, he disappeared. A few years later, in the eleventh year of the Meiji era in Tokyo, times are such that carrying swords is forbidden, and Kenshin, the former Battousai wanders around with a reverse-blade sword, after having vowed not to kill anymore. Soon Kenshin runs into a murderer impersonating the Battousai and trying to discredit the Kamiya Kasshin School. Luck has it that before running into the killer, he met Kaoru, the young woman who is in charge of the school, and therefore, soon gets involved in helping her clear her name. This is the first bond that will stop Kenshin's wandering, but there are even more to come.

Kenshin is a man with deep convictions, and nothing can steer him away from the goal he set after abandoning his previous life: to build a world where people can pursue happiness. He is one of the most interesting characters I have met in the world of manga, but he is not the only notable character in this series. Far from it! In this first volume we meet Kaoru, a brave young woman that provides the series with some fine humor, and there is romance to come. And we meet Yahiko, a kid that has somewhat of an attitude problem and that hopes to become a samurai and become strong. Maybe most importantly, towards the end, we encounter Zanza (Sagara Sanosuke), the street fighter who will become a central character in this series, so pay attention! He is a very complex character, with an unconventional weapon and a baggage from the past that makes him hate the Ishin-Shishi (imperialists).

This is the start to a wonderful series, and one that goes way beyond the fighting, humor and romance. The quality of this volume should be enough for most people to want to read further, but even if that is not the case, trust me, this series gets much better, so I urge you to keep reading the next volumes. I guarantee you will not be disappointed.

A mysterious warrior named Hitokiri Battôsai arose in Kyoto 140 years ago. A fiercesome warrior, he slew countless men, his efforts helping bring to a close the Bakumatsu era and bringing in the age of the Meiji.

Then he disappeared.

In the 11th year of the Meiji, a rurouni--a vagabond--named Himura Kenshin surfaces in Tokyo and befriends the spunky Kaoru, the owner of a student-less dojo.

With the aid of young new friend Yahiko, a boy wanting to be a samurai himself, Kenshin and Kaoru must ward off those looking to kill them.

And so the story begins...

Despite its label being a "romantic comedy," this is by far the most serious out of the manga I read. Nobuhiro Watsuki has crafted an incredible tale, an important story, one that had captured my full attention the second Kenshin showed up in Tokyo (which is pretty much the first page of the book).

His art is stellar. The detail is astounding (even after the first 22 pages when the art goes from ultra detailed to "just" super detailed). His rendering of Japan from 140 years ago is believable, each panel transporting you directly to the past.

The big deal about this book is the fight sequences, each chapter in this volume containing at least one battle. I've never seen action like this before--so huge, so intense, so detailed, so explosive, with speed-lines everywhere--AMAZING!

This volumes also includes a special bonus story that was originally published about a year before the now-complete-twenty-eight-volume series began.

This is a great opening story to what is sure to be a fantastic saga this reviewer looks forward to finishing. (I'm also now eager to check out the anime for this.)

Language warning: Cursing

Applauds should be given to Viz for taking a step in this direction, we can only hope they add more series to their VizBig line up!

In this book, you get the first three volumes of the series (Vol I: Meiji Swordsman Romantic Story, Vol II: The Two Hitokiri, and Vol III: A Reason to Act). Pages 11 - 32 are in full color, which adds another dimension to the story, I was sad the color had to end. The last few pages also give us some wonderful color pictures from the original volumes, without text. We also get 2 end of volume specials, the first occurs a year before the series begins and the second is, as the author describes, sort of the 'pilot' episode of Rurouni Kenshin, where the details are a bit different than the actual story, but it's still the Rurouni we all love!

The size of the book allows us to look at the detail a bit better. Another feature I noticed was page numbers, which are great if you lose your place.

If you're new to the series, I recommend buying this version over the original 3 volumes as you get more for your money.

I wish in the description it would have stated the level of what was for what kind on japanese language learner.

I bought these but I never spent much time with them. They seems like very good quality card with some complex explanations on there. I would recommend them, but I had to drop Japanese.

I have used many different books, websites, and cards in my quest to learn Kanji, and this set of cards are by far the best I have come across. The cards themselves are very well made, with a plastic coating that has so far proven impervious to wear and tear.

This set has all of the Kanji required for the 4th and 3rd levels of the JLPT (Japanese Language Proficiency Test.) In addition to the basic character and it's readings, each card lists several different vocabulary combinations. These include words needed for the lower levels of the JLPT, as well as more complex formulations that will be seen on the 1st or 2nd level of the test. They also list words and phrases that may not appear on the JLPT, but that are useful to know.

While nothing can take the place of a Japanese class or at least a textbook, these Kanji cards are an excellent way to improve you reading and writing skills and expand your vocabulary.

I am very satisfied with these cards- they are of a decent cardstock and as such, have been pretty sturdy. They really are exceptional. A good number of the cards have mnemonics on them, which is great to help you remember the core meaning of the kanji. There is a lot of good information on these cards, so they will be helpful regardless of your stage of learning. My only complaint would be regarding the mnemonic pictures- I wish ALL of the cards had them! A good number of them do though, and sometimes a kanji needs to be learned just as they are, I suppose. Otherwise, I would say these are great, portable and sturdy flashcards that will help you learn regardless of where you are in your Japanese language journey!

These cards are nicely made and provide great study material. I've taken them to Japan twice and studied them on the flights, trains, and so on, alternating with the JLPT vocab lists. If you get into a habit of spending five to ten minutes a day with them, you'll eventually pick up a ton of kanji. It's about the consistency rather than spending a lot of time in each session with them, so try to find a way to work them into your routine. Supposedly if you make your own flashcards you'll retain the info better, but that's a major time investment so I don't know if it will pay off in the long run; this probably depends on what type of learner you are. The JLPT level indicators were a big step forward in the recent edition, which shows how the folks at White Rabbit really put a lot of thought into their products.

i was leery at first about this manga being so complex with so many character, i had to read each book two times slowly to get all the details. but this is so worth it, it has depth and even the secondary characters are great and filled out. i love kira and kato and set.it takes some concentration and effort but what a great story. i'm a vampire kind of a girl, i never knew heaven could be so evil.ha!if you only read one manga in your life, this should be it. it's totally TASTY!

I'm assuming that if you are reading a review for volume 13 of this series, you've already read volumes 1-12 and so a) know how great the series is and b) don't need any particularly good reason to read the next volume rather than skip straight on to volume 14. That said, I'll stick to an important and helpful matter: this is the North American English edition from Viz. Despite the cover art shown on the product page, which is from the Japanese edition, this is actually the English translation. Enjoy.

The series is still strong. If you have gotten this far you'll buy this manga.

I was turned onto this series just by it's beautiful artwork. The syle is truely unique and angelic...no wounder it's about angels.

The story starts off as a young teenage boy soon finds out that he is in love with is sister! As if that could be strange wait till you here this. The boy, Setsuna, is the re-incarnation of one of the most powerful angel's in history; and now people all over heaven and hell want him.

What will it take to convince Setsuna, that he is greatly needed by humanity...

I hope you thought this useful...

Hypnotic~

This book is mainly focused around Setsuna Mudo and his forbidden love with his little sister Sara. Things get complicated almost immediatly (as it has a plot, a subplot and lots of extras), angels, evils, monsters, evil cd-roms that kill you and craziness insue.

Basically Setsuna is the reincarnation of the Organic Fallen angel Alexial, who has three wings, incredible power and a physchotic twin brother, Rosiel who she 'failed' to kill in the great battle. His best friend is Kira, who seems to be guiding Setsuna, and has been following Alexial through her multiple rebirths. Sara, Setsuna's sister and lover seems like just a normal girl, but is she? Many other seemingly 'background' characters come into role and the whole story starts rolling.

The drawing is so beautiful, I've been turned into a complete Kaori Yuki worshipper. I own her artbook and have read lots of her other works (I recommend Godchild). The characters are so gorgeous, you'll fall in love with them.

The plot is very very twisted and intricate. You have to read the volumes in order, otherwise it will make no sense. I have reread the first few volumes many times to understand (the first volume especially, as the first few pages don't focus on Setsuna) I first read this when I was about 12, so it was desperatly confusing, but it gets easier to read as thigns start falling into place. It's one of those things where all of a sudden a lightbulb lights up and you totally understand everything that happened.

It's such a great manga, it's so gorgeous and has a gorgeous story to go a long with it, what more could you want?

Evidence Not Seen by Darlene Deibler Rose is a beautiful story of a missionary wife who gave her life to God and through her trust witnessed His work in her life and the lives of those around her. She sacrificed her comfort to reach out to others and glorify God, and was blessed for it innumerably. Darlene's courage is challenging, encouraging, and inspiring.

Evidence Not Seen is one of those books that make you just go wow! This is a must read for any Christian especially with so much made for TV christianity going around. This book is about the real thing. Darlene shares with us her experiences as she and other missionaries try to survive in a Japanese prison camp. She shares her close personal relationship with God and how He is there in her times of trouble and need. When you finish this book you will know that she serves and Awesome God and so can you!

What amazing faith in God this young
woman had. I could only hope to be that brave and strong.

An inspiring story of a young missionary woman and her complete surrender to the Lord under unbelievable adversity. God's tenderness and mercies are real in her life and it encourages every believer to move into such intimacy with the Lord. One biography you will not want to put down!

This is one of the BEST books I have ever read. The evidence of God's work in the lives of the people in the book is amazing and inspiring!!

Japan. 1912. Japanese society is divided, or at least complex. Still with most of it's body and soul in the ancient tradition of the East, but with ever increasing impulses towards the "Western culture" (In the unsemitically correct reality, we of the "West" have infinitely more in common with the traditional culture of the East than we do the current world-wide Weimar Republic, but oh well). Mishima, the author, was more or less a Japanese representative of the "conservative revolution", and appears to have been quite well read. His life reminds me in many ways of Corneliu Codreanu and Julius Evola. His well-known dramatic ritual suicide as a protest against the betrayal of tradition in Japan, and the Japanese submission to American rule, followed him and his radical "right wing" organization's (The Shield Society) failure to arouse the Japanese Defence Force into rebelling.

The book is the first in a tetralogy, and follows Kiyoaki Matsugae, a young student from a family of the lower nobility in his relationship with Satoko Ayakura, the daughter of one of the 28 families of the higher nobility, her being the daughter of a count. The book in many ways actually reminded me of the excellent "Victoria" by Knut Hamsun, with the constant back and forth in the interaction between the characters, sometimes they love each other dearly, and at other times torment each other. Such is the nature of difficult relationships, I guess! The book paints a very vivid picture of the end of a noble era, and the translation I read was excellently done. The moral teaching of this period, and it's sometimes less noble effects is excellently portrayed.

Through certain misunderstandings, Satoko ends up being future wife of one of the royal princes, and Kiyoaki is driven to despair. Long story short, as all the books in the series, there is no happy ending, but that is basically the ending of all our lives. This is a book I highly recommend, and apart from a few minor flaws, it is all in all an excellent tale, and I look very much forward to reading the rest of the series. 4,5 stars.

(I read a different edition)

Maybe it was a bad transalation. Maybe I could not relate as a westerner to an old Japanese story, but I really did not enjoy this book. It was maudlin and unbelievable. Story was boring. Character development was terrible and it was poorly written/transalated. I recommend Murakami's Norwegian Wood for those who want to read books by Japanese authors.

Mishima's Spring Snow is a coming-of-age tale for nouveau riche Kiyoaki, whose naive childhood crush on the more mature Satoko grows into something much more powerful, beautiful and, ultimately, destructive. Kiyoaki's failings are human and familiar; acting on rash impulses, immaturity, a failure to realise what he wants till he has lost it. Mishima's characterisation is finely drawn and accurate. The scheming Tadeshina turns out to have her own secret heartbreak, enervated Ayakura lacks guile but not luck, the ancient loyalties of the Abessess make her a formidable eminence grice. The characters are at once individually drawn and representative of a unique and fascinating era of flux and change in Japan, as ancient modes of behaviour gave way to modernising forces. Mishima's novel is both of its time and timeless. A true masterpiece.

Just finished reading an excellent book, just a few minutes ago, and I feel compelled to write a review, while ideas are still fresh in my mind.

This is the first book I've finished reading for my Summer Reading. The book is called Snow Spring (Haru no Yuki) by Mishima Yukio and its the first book in his masterpiece, The Sea of Fertility or Hojou no Umi. The Sea of Fertility is a series of four novels by one of Japan's greatest authors. The book I have is the Vintage International edition, translated by Michael Gallagher.

This novel really moved me. In the last 100 pages, I couldn't do anything but finish it. Just like a short story by Edgar Allan Poe, where the reader hangs onto every word until the truth and mystery is finally revealed in the last word, so does this novel grip the reader.

On the surface is a conventional tale of the Japanese idea of unrequited love, a theme that is done over and over again in Japanese fiction. What sets this piece apart from others, is Mishima narrative drive and richly detailed characters and the psychological insight into every major and minor character involved.

Kiyoaki begins his ill fated relationship with the beautiful Satoko, whom he has known all his life. At first he disregards her and then he is on fire to obtain her love after she is engaged to a Prince. Wealthy families are invovled in making the Wedding ceremony a success and any type of scandal leaking out to the press must be avoided at all costs. But Kioyaki single minded determination to pursure Satoko, despite such obstacles, causes the reader to want him to succeed.

On the one hand, Kiyoaki lets his desires and emotions rage out of control and on the other all those emotions put him into action. He used to sit around in his room all day, lonely and depressed, until he just decided to pusure love. Its his drive to obtain love and his selfish quest for Satoko's heavenly beauty that pushes him along page after page. These type of overly romantic novels can quickly turn unwittingly comical in lesser writer. But Mishima combines the richness of Japanese traditional and culture with romantic ideas of love and realistic views, based in concrete reality, that prevent the work from becoming a low form of soap opera.

The novel is both realistic novel and emotional charged romantic that causes the entire work to be a cleverly crafted paradox. For example, Honda is Kiyoaki's best friend in high school. Honda has a revelation that he must prevent Kiyoaki from pursuing Satoko becomes of his friend's harmful obession. The fact that Honda can't bring himself to hurt his friend by giving him a cold rational arguement, shows love between friends that isn't distorted by irrational love. Kiyoaki's love for Satoko is more based on his own selfish fantasy. It is this fantastic love that wins out between Satoko and over Honda, who had good intentions but failed to act on them. Irrational love wins out over the gloom of reality.

Without giving away any more of the story, let me just end with how this book took over my imagination and wouldn't let it go for 2 whole days. All day Saturday and all Sunday afternoon, I cared more about the characters in this story then my own family. I couldn't do anything else except finish reading it.

It starts out slow but builds to a breakneck speed in the end. It is highly recommended for anyone who wants to read an excellent novel this Summer. Forget about it being Japanese and look past all that exoticism and you will see the novel for all its beauty.

Today I will start on the second novel in the series, called Runaway Horses.

I can't wait.

In "Spring Snow," Yukio Mishima has chosen the perfect title for his novel. The narrative is as gentle and as beautiful as wet snow on spring blossoms, and indeed there is a poignant scene where two lovers have a tryst in a rickshaw under such conditions. It was my first foray into the world of Mishima -- indeed, of Japanese literature -- and will not be my last.

The story of a young and handsome aristocrat, Kiyoaki Matsugae, and the beautiful and mysterious Ayakura Satoko, comes from the same time-honored tradition of as more familiar star-crossed lovers such as Romeo and Juliet, Pyramus and Thisbe, Tristan and Isolde, and Lancelot and Guinevere. Set just after the Russo-Japanese War in the early 20th century, the novel offers intriguing insights into a Japanese culture that is at once in flux and clinging to traditions.

If you love a writer whose strength is description of nature, Mishima is not to be missed. His words are as fit as any Nature Channel special on the wonders of Japan and he is equally adept at describing the contours of his young lovers' bodies. In addition to the sensual and sensuous wonders, the inner psychology of passion-plagued minds is a point of expertise for this writer. He deftly avoids sentimentalism while walking the thin line between hatred and love, between passion and pain.

Symbolism, description, psychology, and a gentle narrative pace. What's not to love? Readers looking for a fast-paced plot might not be overwhelmed, but those who love it when they stumble upon a "writer's writer" will be glad they tried Yukio Mishima. It is the first book of the tetralogy, "The Sea of Fertility."