Cultural Arts Books

This piece of work created by the editors of Vibe Magazine could easily be appropriately titled "Essence of Tupac." In this collection of previous interviews and vivrant photos you truely get the feeling that you are holding a conversation with The ledgendary Tupac Shakur. This is a must have for all Tupac fans and for anyone wishing to know more about Pac's Life. Good job by the folks at Vibe Magazine.

I my self am not a very big fan of rap music however i was intrigued to read this book after looking into some of the lyrics of 2pacs singles they seemed very in depth. After reading the lyrics i felt that his words had a lot of depth and soul attached to them which intrigued me to find out more about the rap star.

I myself have a genuine interest in politics, philisophy and poetry similarly to 2pac and i felt that i could relate to some of the lyrics he wrote. This book on tupac gives a deeper insight to the rap artist not only his music and talent but to his life it shed light on many differant topics from differant aspects and i found it very inspirational. What i particularly liked about this book was the way it presented both sides of the story (with the rape case) and i felt this ruled out any bias.

I would recommend this book to anyone who has a love for reading regardless of whether they have a genuine interest in rap this book not only looks at his career but looks at his inspiration, ambition, life and above all recognised him as more than a rap artist but as a human being and who he actually was!!!

When I discovered that my 3rd graders knew who Tupac was, even though he died the year they were born, I felt that I needed to know more about Tupac. This book is published by Vibe, the official scribes of hip hop. It is a collection on interviews and articles that appeared in Vibe and they document the rise and fall of Tupac.
Tupac had "Thug Life" tatooed on his stomach and he lived the life of a misogynist thug. He was disrespectful to everyone around him. Perhaps, as Quincy Jones suggests in the forward, Tupac could've changed into a positive force had he lived past 25. However, this book, and his own words, show him to be a negative influence on everyone he had contact with. It is very sad that he died at such a young age. It is even sadder that so many youngesters know who he was but cannot tell you about the lives of people who have accomplished great things with their lives. I have my work cut out for me next school year.
Mark Gast

As a massive fan of the late great Tupac Shakur, there are few publishings that capture as much information and insight into his life and career as this amazing book from the good people at Vibe Magazine. Consisting of every Vibe article and interview written on Shakur between 1994-97, this gives even the most casual of Pac's fans more information than they could ever dream of. With features on his early career, his signing to Death Row, and his infamous interview with Kevin Powell from inside Clinton Correctional Facility where he denounced "Thug Life", it's all here. This book also contains some of the most informative material on the feud between Death Row Records and Bad Boy. You'll get everyone's side of the story on the Can-Am Studio shooting. You'll hear what both Suge and Puffy had to say about the East vs. West saga. You will also get to hear Pac at his rawest and most candid. If you are even the least bit interested in the amazing story of Tupac Shakur, you should pick up this book.

2pac is a legacy of our generation..he is and will always be the best, not only was he an awesome rapper, but he was also a good actor and poet. This book is very well done and covers so much. When he was shot the first time 5 times..and leading up to his unjustly death..i recommend this book to anyone if they want to learn about 2pac, he wasnt a bad man or a gangsta like most assume, he was just at the wrong place at the wrong time..or he just got involved with the wrong ppl...and like he said live by the gun..die by the gun..and that is exactly what happened to this man...may he rest in peace

I have yet to read this book, but it is in good condition.

This book is one of the best autobiographies I've ever read. Not only is it filled with details of Patti's life, it also takes you to the lessons that she's learned from the time when she was a shy little girl, to life as a megastar. This book will truly touch your heart as you cheer on the diva that is Patti LaBelle.

Patty LaBelle is amazing. She has an incredible voice, a career full of ups and downs, and can bring down the house in concert. This book is just another triumph for a lady who deserves all the accolades she receives. With absolute honesty, she reveals so much about her life--from sexual abuse to the fear of dying of cancer like her sisters and good friend--you feel that Ms. LaBelle has given you all that she can. Throughout her life, she has faced a good deal of challenges but has emerged with a positive attitude about life and can still entertain with the best of them. I have seen her in concert 3 times and she blew me away each time. This book does the same. After reading the dismal biography of Aretha Franklin (From the Roots), I realized what a gem this is. If you wanna read a really good book about an incredible entertainer, give this one a go. Its worth every penny!

PATTI takes you on a journey-from the Bluebelles, to LaBelle and through her solo career. She talks about her battles with her self-esteem, record companies, men and THE TRAGIC deaths of sisters. Did you know that NONA had a nervous break down during one the LaBelle concerts-and was taken to the hospital in restraints? WOW! This lead to the break-up of LaBelle! Pick this one up and you'll find out much more.

Congratulations, A reflective autobiography with some depth and truth. Before reading Patti's, I read Aretha's, which I ultimately felt like tossing in the middle of the street! Great job! I thought the book was very inviting to the personal side of Patti. I have always admired how forthcoming she has been with the public in relation to her late sisters. This book can truly encourage one to live life, as well as love and appreciate life.
However, there are a few things I would like to clear up, which I found inaccurate or inappropriate. The Jackie Wilson episode I found rather distasteful, particularly since he is not around to defend himself(it was o.k. to slander Al Green). Also, as I had to do with Gladys in her book, I need to clarify a few inaccurate points you raised in your book. In reading your relationship with Atlantic Records in the 1960's, one is left with the impression your group wasn't given a fair shot due to the success of Aretha. Well, that's not totally true, since you were with the label two years before she signed on. It just wasn't your time yet! Now is your time. You sound greater and look more beautiful than ever. You have a wonderful spirit in which people adore you far and near. You are truly a blessing. Wonderful job.

_Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond_, first published in 1985 and revised in 1992, by journalist and author Martin A. Lee and author Bruce Shlain is a fascinating and wild account of the history of LSD in America. The implications of this journalistic history are startling in that they show the role of the CIA and the government of the United States in creating much of the LSD culture that grew up during the Sixties. I should add that one advantage of this book over Martin A. Lee's other book _The Beast Reawakens_ (1999) is that Lee is able to keep a cool head and write about LSD without lapsing into paroxysms of hysteria as he does when writing about Nazis. This is very fortunate for the reader because it spares us from having to sort through a lot of irrelevant nonsense. The history of LSD in the United States is a fascinating one, and the creation of a drug culture in the Sixties as well as the links between this culture and the hippies, the New Left, and the anti-war movement offers much interesting material. But, lurking behind the whole thing is the nefarious role of the CIA and the government, originally in testing out these drugs in a series of unethical experiments and later in possibly manipulating the very culture that arose from their newfound prevalence itself. This is a fascinating story and one that should be told particularly in light of the complex relationship that has always existed between the drug culture and the state.

The book begins with an Introduction entitled "Whose Worlds Are These?" by Andrei Codrescu. This Introduction lays out the use of LSD as presented in the book both through the experiments of the CIA and as promoted by such figures as Captain Al Hubbard, Aldous Huxley, Timothy Leary, Owsley, Art Kleps, Ken Kesey, and others. The book proper begins with a Prologue in which the authors explain the discovery of LSD-25 by Dr. Albert Hoffman, who was later to give an important speech to psychedelic followers in 1977. This Prologue also details the role of the CIA and through such projects as Operation MK-ULTRA engaged in unethical experimentation with LSD on unwitting participants. The first section of this book is entitled "The Roots of Psychedelia". The first chapter of this section is entitled "In the Beginning There Was Madness . . . " and details the role of the CIA in the unethical use of LSD and later in promoting the LSD subculture. This chapter includes sections entitled "The Truth Seekers", "Enter LSD", "Laboratories of the State", "Midnight Climax", and "The Hallucination Battlefield". This chapter details the role of the CIA in experimenting with LSD through projects such as Operation MK-ULTRA, mentioning such figures as William "Wild Bill" Donovan, Allen Dulles, Dr. Sidney Gottlieb, and the hijinx of George Hunter White. The authors explain how originally the model for LSD was that the drug mimicked psychosis, but that eventually this model was to change. The CIA saw the drug as potentially useful for interrogations and engaged in many experiments on unwitting participants with the drug. The second chapter is entitled "Psychedelic Pioneers" and details how the drug was moved from the CIA clandestine operations to the counter-culture. This chapter includes sections entitled "The Original Captain Trips", "Healing Acid", and "Psychosis or Gnosis?". In particular, this chapter explains how government funded psychiatrists and psychologists came to believe that LSD may have some therapeutic potential thus abandoning the original "psychotomimetic" theory of LSD. The government engaged in much research on this drug, and by taking place in government sponsored experiments as participants, many prominent counter-cultural figures became involved with the drug (as a case in point there is the case of the poet Allen Ginsberg). Some figures came to see LSD as revealing deep secrets and as having a profound effect on human nature leading to the popular perspective that LSD offered a form of "gnosis" thus replacing the government's "psychosis" perspective. The third chapter is entitled "Under the Mushroom, Over the Rainbow" and explains how prominent individuals including Harvard professors (such as Timothy Leary and investment banker R. Gordon Wasson) became involved in the drug counter-culture. This chapter includes sections entitled "Manna From Harvard", "Chemical Crusaders", and "The Crackdown" - showing how the government eventually sought to crack down on LSD use eventually leading to its illegality. The fourth chapter is entitled "Preaching LSD" and discusses for example the hijinx of Timothy Leary (who some maintained was a CIA agent). This chapter includes sections entitled "High Surrealism", "The Psychedelic Manual", and "The Hard Sell". The fifth chapter of this book is entitled "The All-American Trip", detailing the rise of the Merry Pranksters who followed Ken Kesey. This chapter includes sections entitled "The Great Freak Forward" and "Acid and the New Left" - showing the problematic relationship between the LSD counter-culture and the political New Left. The second part of this book is entitled "Acid for the Masses". This part begins with the sixth chapter of this book entitled "From Hip to Hippie" showing how the LSD counter-culture created the emerging phenomenon of the hippie. This chapter includes sections entitled "Before the Deluge", "Politics of the Bummer", and "The First Human Be-In", in particular this chapter discusses how the "bad trip" came to emerge from a cultural matrix in which LSD was regarded as harmful by the establishment but as liberating by the counter-culture, virtually assuring that many would experiment with the drug themselves to find out for themselves the effects. The seventh chapter is entitled "The Capital of Forever" and includes sections entitled "Stone Free" and "The Great Summer Dropout". The eighth chapter is entitled "Peaking in Babylon" and includes sections entitled "A Gathering Storm", "Magical Politics", and "Gotta Revolution". In particular, this chapter shows how the LSD culture emerged in Haight-Ashbury and how it interacted with such other phenomena as the political New Left and the anti-war movement emerging as opposition to the Vietnam War, mentioning such things as the Diggers and the Yippies. In particular, many on the politically reductionistic New Left saw the whole hippie phenomena as an attempt to drop out of politics entirely and thus regarded it negatively. Further, many hippies became easy prey for dangerous psychopaths such as Charles Manson. The ninth chapter is entitled "Season of the Witch" and includes sections entitled "Armed Love", "The Acid Brotherhood", and "Bad Moon Rising". This chapter explains the relationships between the New Left and the anti-war movement forming as a force of opposition to the Vietnam War as well as the continuing and complicated relationship with the hippie culture and the phenomenon of folk music. The tenth chapter is entitled "What a Field Day for the Heat" and includes sections entitled "Prisoner of LSD", "A Bitter Pill", and "The Great LSD Conspiracy", in particular, this chapter maintains that behind the scenes the CIA may have been manipulating the drug counter-culture and may even have seen the Haight-Ashbury district as a social laboratory. The book ends with a Postscript entitled "Acid and After" and an Afterword.

This book offers an interesting study on the Sixties and the drug culture focusing around LSD that emerged out of this decade. In particular, after reading the book, it becomes clear that the hippie movement was easily manipulated by psychopaths such as Charles Manson and larger forces out of their control such as the CIA. Further, the naïve belief of many that LSD would lead to world peace turns out to have only been a passing phase. Another problematic raised by this book is the relationship between LSD use and New Left politics. Unfortunately, the New Left sought to reduce everything to politics so failed to appreciate any sort of development that lay outside of their own political sphere. This book offers a good examination of a troubled era and some of the hopes of people in that era that were ultimately manipulated by larger forces.

Yhis book belongs on the bookshelf of all those interested in the early days of psychedelic research and it's social ramifications. One word for it: Excellent!

Watch Video Here: http://www.amazon.com/review/R2NWFN612DXX3 My video review of Acid Dream. Really great bookAcid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond. ***** 5 stars =)

Can't think of a more informative and interesting way of describing this period of time. I loved this book. Big thanks to the authors!

This book is perfect - It offered everything I was hoping for when I first purchased it. It covered from the end of the 50's and the Beat generation and how their influence lead into the hippie generation, and it ended in the early 70's tying in the beginning of rock and punk. It is a true spectrum of the 1960's counterculture generation.

It's a large book but its facinating to learn about the history and the culture. Like previous reviewers said, it really ties up everyhting and clearly shows the correalation between the drug counterculture and the govn't & society during that time period. I was born in the 80's and this book really showed me alot about the 60's counterculture and the attitudes towards drug use and young people during that time. I can see alot of correalations between that era with Vietnam as the war that they were protesting versus todays war in Iraq and the amount of US citizens that are against it.

The author also goes into government policies at the time and conspiricys and covert CIA and classified documents. I was amazed by the actions of the CIA and thetesting of LSD on unsuspecting American citizens. It is like the stuff movies are made of but it really happened! Truly and amazing and interesting book - I could not put it down. I reccomend it to everyone, regardless of your view on LSD or drug counterculture - a true wealth of information on 1960's America.

This book is such a great collection of tiki decor and knick-knacks that you don't even need to read the captions to enjoy it. My wife and I want to turn one of our rooms into a tiki bar. We thought we would need to do a lot of looking to get a good idea of what real post-war tiki bars were like. Well, look no further. This book has it all. If you type in "tiki" in an Internet search engine, it wouldn't come up with this many ideas. This book reviews everything from the blue prints to the big tiki restaurants down to the coasters underneath the amazing assortment of tiki mugs. The title could not have been more appropriate. This is the definitive book of tiki. Have great fun looking through the book. Depending on your age, it might make you nostalgic for those lost days.

If you have the slightest interest in the subject, you have to have this book. it is an amazing piece of work, and a visual feast. It is one book I pick up again and again, and always notice something new. Buy it.

Truly a wonder of nature this Book of Tiki. Chances are, you might so your parents or grandparents in the pictures, from the days before you considered them old.

The text of the book goes briefly through the various sources of Polynesian pop-culture, and where it branched off. From Michener's South Pacific, to the Lanai apartments in Anytown, USA.

The pictures, brought through the archives of time in the form of various postcards and of the now empty lots that once were Tiki bowling alleys and apartments, show us a fascinating time of tehnicolor wonder and primitive naivete. This was before PC was PC.

All around, a fantastic read, whether you're a full on tiki freak, or you simply wonder why grandpa wore a Hawaiian shirt to your wedding.

Like all Taschen books, this book is visually STUNNING! Just leafing through the pictures never gets boring. The real treat is the book is also jam packed facts, folklore, drink recipies, and so much more. More information about Tiki than I ever knew existed.

Plenty of eye-candy in this book, but very well balanced with informative and fun content. A must have for the Tiki enthusiast!

This book is a must have for anyone interested in Tiki or kitsch art. Describing themselves as "urban archaeologists" seeking remnants of Tiki culture, the authors provide a fun and informative look at this vanishing art form. The book does an acceptable job presenting the evolutionary history of Tiki, from the 1920s to the present. Key events, such as the establishment of Trader Vic's, and the Kon Tiki craze of the late 40s, are looked at in further detail. There is also a good look at the "artifacts" of Tiki art and architecture throughout the United States. The book is packed with color photos of Tiki mugs, matchbooks, buildings, and much more.

However, the book does lean a bit too much towards making the book eye candy. The Book of Tiki uses intense colors, and ultra-hip page compositions that make it difficult to read (typically Taschen, but I still found it distracting). Also, a consolidation of information would have made it easier to reference, such as a table differentiating the different "Trader" Tiki businesses. Also, some of the text ("Exotica and the Tiki style were denounced as contrived rituals of the imperialist establishment at the same time that the Vietnam war developed into and ugly mistake, with native huts and palm trees burning on TV."), had me wondering if they were being tounge-in-cheek, or were actually serious.

Nevertheless, this book is the current bible for Tiki aficionados, and is well worth having on your bookshelf.

I bought this on the recommendation of Dr. Stanley Krippner in a lecture on ayahuasca. It is absolutely the best book I have read on the history of the psychedelic movement during the past 100 years or so. Timothy Leary is not dead - he's only outside looking in. :-)

This is the definitive account of the 1960s psychedelic drug scene. Stevens does a great job of conveying the highs and lows of LSD and its proponents. His ability to relate endless facts while retaining a fast-paced narrative structure is amazing. I found this one of the most "addicting" books out there about the significance of drugs in American culture. Stevens reviews all the major personalities: Albert Hoffman, Timothy Leary, Ken Kesey and the Merry Pranksters, the Grateful Dead, Alan Watts, Jack Kerouac, Aldous Huxley, and more. If you're interested in this electric decade, the power of psychedelics to warp the mind, or any of the poet-prophets who were compelled to experiment with and sing the praises of acid then this book is sure to delight.

This should be required reading in American History. Who knew Canada had legal LSD centers? And the characters- Nin, Huxley, Kesey, Leary and Capt.Al Hubbard (??). Will we ever see their like again? Really a very sad story, and a fascinating one. Nice to see the Chief Boo Hoo, old Art Kleps in there as well. Sen. Kennedy: "Is your title really Chief Boo Hoo?" Art Kleps: "I'm afraid so, sir."

It is no fluke that this book has an average rating of five stars from amazon.com readers. This is simply one of the most informative, enjoyable and engaging presentations ever written on the subject of hallucinogenic drugs in modern history, and how they made their way from the obscurity of laboratories and clinical research to become a fixture in the counterculture of the 1960's and beyond. The complexities of the story make it a formidable challenge for any narrator, but Stevens proves easily equal to the task. In the pages of this book, the reader is introduced to the dramatis personae with an immediacy as though meeting them in person. Many of the facts discussed herein have been recounted before by many capable others. But never have they been put into such a vivid and vibrant perspective as this, so thorough and rich with nuance. That's important because the depths of this story, stranger as it is than any fiction, are where its meaning emerges most clearly. Ever since the impact of LSD and its profound, pervasive influences on our life and times, modern society will never be the same. And it is impossible to imagine what popular culture would now be like without the psychedelic revolution of the 20th century. "Storming Heaven" offers the best single account of how and why this is so. This is a real page-turner, very difficult to put down, and is highly recommended for the interested reader.

This was a very good book. You get lots of interesting stuff about Aldous Huxley, the famous beat writers, Owsley, Timothy Leary, Ken Kesey and the evolution of the so called counterculture as a whole.

The problems that I have with Storming Heaven is not for what was in it but what was left out. For one Stevens was WAY too easy on Timothy Leary. The author seemed almost like a school girl with a crush when he recounts his visit to Learys home for an interview for the book. He comes off more as a fan than he does an objective writer at times when he deals with Leary. Why wasn't it mentioned that it has come out that Leary was a government informant and information he gave led to the death of two members of the Weather Underground? Its also a known fact that Leary was surrounded by CIA assets and there is a lot of evidence that he was a government agent himself, and at the least he was feeding them information.

There is also a fleeting mention that wasn't elaborated on about Ken Kesey that he had LSD experiments done on him at Stanford by the guy that ended up in charge of the CIAs Mkultra mind control program. This really makes me wonder about Kesey. Its more or less accepted history that the first LSD to get out on the street level was what Kesey stole from the medicine chest at his job as a night shift janitor at a mental hospital and distributed it among his elitist friends. Kesey went from writing what was probably the best novel written during the 1960's to, while becoming a counterculture hero, never writing another thing worth reading again. Did doing too much LSD scramble his brains and ruin his creativity or was his creativity nullified by Mkultra programming? Its hard to say for sure but I have to wonder if Kesey was not under some sort of mind control or was being used by the CIA in one way or another. There are a lot of unanswered questions in my mind about Kesey.

They also fleetingly mention the Brotherhood of Eternal Love who were major LSD distributors and were known to be full of CIA people and had a close association with a Jewish man named Ron Starks who was a CIA spook that also happened to the biggest LSD dealer in the world. Starks was not even given the first mention in this book!

I mean with all these ivy league, Mkultra and CIA connections to the elites of the so called counterculture I have to seriously wonder how much of the hippy movement of the late 60's was an organic rebellion against what was (and still is) a very repressive society both socially and politically and how much of it was intentional social engineering that came from the highest levels of the power structure. Many people believe that the anti-war movement was flooded with drugs, in particular LSD, by federal agents. Its well known that the government tried to subvert and destroy the anti-war movement with the cointelpro program so why wouldn't they also use drugs to try to destroy it? While it can't be denied that LSD has enhanced many an artist, writer and musicians work can you honestly say that sitting around frying on acid all the time is going to do anything but disable political activists who in many cases were in a life and death struggle? Besides that the fact remains that many people became permanently damaged as result of doing acid.

All that said I would definitely recomend reading or of you can get it cheap, buying Storming Heaven. I could hardly put it down once I started reading it. I realize that this book was more geared toward looking into what psychelic drugs can do with the mind and its exponents history and theories on the subject than any conspiratorial maneuverings by the US government involving LSD but it just didn't go deep enough into the rabbit hole for my tastes.

This is the best most spectacular book on leonardo to date.What can i say that hasnt already been said in the reviews above except that i cant believe that a couple of reviews gave 3 outof5 stars for this book. I think the book deserves 10 out of 10. The book is a masterpiece in itself. Keep up the great work.

I first saw this outstanding book at the Palm Springs Air Museum's Da Vinci exhibit last month. It is a comprehensive and beautiful tribute to Da Vinci's genius that young and old alike can enjoy for decades. Spending an hour glancing through its pages is a visual treat; reading it to more deeply appreciate his multiple talents will take years. Though the price of the book may seem high, it is an unique volume and worth the price.

without studying Leonardo da Vinci, one of the greatest Italian Renaissance artist and would-be inventor of all time. He left us a legacy of paintings, drawings, diagrams, inventions, and even sculpture for all to see. He's known more than the Mona Lisa painting, he's an inventor of sorts as well as a very fine draughtsman.

This book should be a required course for art students everywhere.

this book is a daily source of admiration, exposed on our table and we change the page practically every day to have a new work of wonder to admire every day. combined with more and deeper information on leonardo da Vinci the true art becomes clear.

The massive size of this book is only dwarfed by the enormous amount of information it contains. Did you know Leonardo Da Vinci conceptualized the helicopter...or the x-ray machine...or even the engine???? He did indeed and it's all in this comprehensive anthem. I highly recommend this book for the Da Vinci neophyte as well as the most avid "Leo scholar" as both will be awed and amazed.

Blue Monday is an interesting but not a compelling read. We never get inside Fat's head to understand the man, so we get an expanded discography. The dates, times and places seem to be well researched which begins to wear after a while. The matter of fact style just does not bring Fat's personal life into focus, although there are many descriptions of incedents about him. He remains a mystery in reference to his personal motivation, dual life style, and reclusive habits.
Russ H.

I guess if Antoine "Fats" Domino could keep the President and First Lady waiting, then he could keep us waiting for his first biography - this is a Natural Born book about a musical genius, intriquing personality, and unassuming cultural revolutionary.
The author tells his story and includes many entertaining anecdotes about life at home and on the road with several sets of support players - the greatest names of course being Dave Bartholomew, Herb Hardesty, and Lee Allen. We get a strong picture of the smiling, "safe" rock and roller, as the often defiant man's-man. And a complex artist/showman: he could sing The Rooster Song while flashing rings to make Freddie Blassie envious.
A great bunch of previously unpublished black and white photographs from Look magazine, among other handsome prints of lesser known shots really bolster the text.
A serious ommission for the audiophiles: not even a selected discography and no sessionography. [Though there are "Notes" in the back of the book on the mysterious Broadmoor recordings, including personnale and dates!]. Of course the '50s period sessions can be found as a booklet in the Bear Family 8-CD set, and in a European book, "Jazz Records"; also in a fairly recent issue of Goldmine magazine. But Fats Domino ABC-Paramount, Mercury, Broadmoor and Reprise FD session data has never, to my knowledge, appeared in print, and what a fabulous component that would have made.
Speaking of the ABC-Paramount tracks, the author did not mention in the text a very important 4-CD set, "The Paramount Years", which included the *incredibly* rare fourth l.p. for that label, plus the 1980 "If I Get Rich" from another record company!
The idea that "The Fat Man" is the first R & R record also doesn't agree with me. Yes, the elements are there, the upbeat shuffle and bright lead vocal, but that powerful sound (and many others by Fats in that '49 to '54 period) were not *primarily* for the youth. The first discs to be produced for teenage tastes came much later. I wouldn't even include "Tutti Frutti" in that category, as it too, lyrically and instrumentally echoed an earlier, "swingin'" sound. [It was "Ready Teddy" folks which screamed out...Rock and Roll!!!].
Still, this book should be "required reading" for those dedicated followers of those Rock and Roll Hall of Famers.

Rick Coleman's new book "Blue Monday" is the first full biography of Fats Domino. Many interesting things are therein.
- Fats was the first black rock & roll star. His records made the pop charts before r&r's dawn in 1955.
- Kids did not buy albums in the 50s, but Fats' albums sold, meaning he had an adult following like Louis Armstrong's.
- Fats concerts were often scenes of teenage riots. He may be known for `Blueberry Hill,' but his fierce rolling piano ignited his audience.
- "Blueberry Hill" was the product of a botched session. Engineer Bunny Robyn edited together the best parts of several incomplete takes and simply repeated the chorus.
- The string-laden "Walkin' To New Orleans" was a big breakthrough which traditionalists lamented. But it hit R&B (#2) even higher than pop (#6).
- Roy Brown once ditched a plan to have Fats open for him on tour. Fats never forgot it, and refused to have Brown open shows for him when the tables were turned.

Of the Big Five (EP, FD, CB, JLL, LR), Fats is the least lionized because he was not a "rebel." Historians normally embrace only people with bold lifestyles.

Boy ol Boy, Rick Coleman has written a great book on the TRUE story of Rock & Roll! I know as I was there and if you want to know what it was really like to be on the scene when true rock & roll was called race music on a juke box, Boogie Woogie and the down home blues was taking over the country then get this book and turn others on to it also. No one person was more responsible for the birth of R&R and R&B than the Fat Man! This was long before Elvis, Haley and the hand full of others came on the bandwagon. [...]

From his first record in 1949 until his harrowing escape from Hurricane Katrina in 2005, Antoine "Fats" Domino has defined New Orleans and its culture. This book puts Fats, his city, and his music into perspective in amazing detail. In the process, Rick Coleman convincingly demonstrates that Fats and his collaborators--especially songwriter/arranger Dave Bartholomew and producer Cosimo Matassa--have as solid a claim as Elvis, Carl, and Jerry Lee with Sam Phillips in Memphis or Wolf, Muddy, and Chuck with the Chess brothers in Chicago as the prime architects of rock 'n' roll. The product of more than 20 years of exhaustive research, this is, surprisingly, the first biography of one of the greatest early rock stars. Coleman had his work cut out for him; Fats is notoriously reclusive. Nevertheless, you come away from this book admiring Fats's talent and drive, and Coleman's exhaustive research and evocative writing. All the other great Louisiana rockers are here--the bayou wild men, backwoods musical savants, and forgotten honkers, shouters, string-benders, and drum-thumpers who helped create the Crescent City sound. I highly recommend this to anyone who wants to understand the real, complete history of rock 'n' roll instead of the revisionist pap that passes for such. -Mark Hoffman, co-author of "Moanin' at Midnight: The Life and Times of Howlin' Wolf"

I really enjoyed reading this book in fact I read it twice. The bond that Eddie Levert has with his family is remarkable.The love and respect that he has for his ex wife Martha Levert is admirable, though they had their differences according to the book.Also even though Gerald Levert was a star he was always family 1st.I have read a lot of books about famous celebrities,and I have to say this one took the cake. Kudos also to Lyah Beth Leflore.

this is a very heart felt book i like how close they were as father and son and know how far to go with each other as friend

I love eddie levert as well as gerald levert I enjoyed the read and realize they shared a special relationship I will proudly add this book to my biography collection

I just received this book on Monday, December 17, 2007 and I finished it today. This is a lovely book to give to anyone as a gift. Regardless of how famous Eddie & Gerald Levert became as music artist. The family bond is powerful. The relationship of father and son is awesome. The mother of Eddie's children is given the utmost respect of how she held this family together with her love and strength. I'm a single mom and I learned so much about my own relationship that I had with my father when he was alive and the relationship I'm developing with my daughter.

I thought this was a very poignant novel it's goes through the ups and downs of their relationship and also what it's like to be in the music business. Although Gerald Levert will be missed his memory will carry on thru. Put it on your miss read list.

I am constantly amazed at the magnitude of CeCe Winans musical and spiritual capabilities and I am pleased to say that her gifts do not end there. On A Positive Note is a beautiful piece. In it, there is a very natural and earthy quality that reaches the reader to relate the story CeCe seeks to tell. The flow of the book is very smooth; transitions are made nicely from one subject to the next as she relates her story. I cannot stress enough how the personal the experience of reading this book feels and how natural the language reads. CeCe has done it again. God is consistently working through her in a mighty way.

I read this book and I was so blessed by it. Throughout it, Cece constantly discusses the fact the she was taught to give up the world for God. This blessed me because it is evident in the way that God has blessed her music ministry that if we give up the world for God that he will do exceedingly, abundantly, above all that we could ask or think in our lives. It was awesome to read about how God just kept blessing her life because the posture of heart was correct towards him. It was great to read a story about saved artist who had just been taught to live holy and to see the rewards of doing it. I was blessed and truly encouraged through this book.

While reading "On a Positive Note" by CeCe Winans, I was taken back into a time when I myself was growing up, how her childhood memories was very similar to my own. I also grew up in a large family, and reading her book brought back so many memories of my past. Despite all the tribulations and triumphs of her life, she managed to hold on to her spiritual belief, letting it guide her through her every decision in life. "On A Positive Note" has inspired me, lifted me to a higher level of praising the Lord and reminded me to always put God before each decision throughout my life. This book was quite a page turner that filled my heart with laughter, joy, tears, praise, sadness and forgiveness. I was moved to pray for Ronald myself as she astoundingly shared his testimony. My thirteen year old daughter is now reading this wonderful book and I will reccommend it to everyone I know.

http://pages.ivillage.com/cassie23/

This book, "On A Positive Note", was truly an inspiration. I didn't want to put the book down. Ms. Winans biography was written so that you felt that you were right there in that moment of time. Again, GREAT BIOGRAPHY!

This book was truly an inspiration. I didn't want to put the book down. Ms. Winans biography was written so that you felt that you were right there in that moment of time. Again, GREAT BIOGRAPHY!

I purchased this much heralded photo collection book after reading the review in Newsweek. Maybe I'm not artsy-sophisticated enough to understand the supposed power and humanness or whatever behind these photos. I just don't get them. For a much better look at people in general, look at the book The Life of Man, or even a book of Norman Rockwell paintings. Those books will give you a better idea of life from the 1920's to the 1970's, and the people. The only photo that did stand out to me was the cover photo of the bus. It's painful.

Captured moments of Amercian Life, often shown here with an American flag in the photo. These images in this book portray a visual artist who is creating photos by shifting angles, waiting for the right moment, using light in a different way. Its tough to describe this book other than to say that it was edited pretty well.

I am a photographer and one of my projects (google "LA MACHINE À HABITER Emir" in if you're curious) is directly related to street photography.
Robert Frank is one of my favorite photographers and it is a shame I did not have his "The Americans" in my posession till this very moment. It is a bible for me.
The book is printed very well, paper is exellent, no color shift on B&W images, solid binding. Great quality.
And the images, of course. If you like photography, you have to check it out. Highly recommended.

Quite simply this is one of the most influential photography books I have ever seen. For years purchasing this had eluded me and it's price had become quite high as well.
Am so glad to have this book out where I can open the plates and refresh myself with Robert Frank's seminal work. As Ed Ruscha quotes, The man has done it all and gone home.....

America through the eyes of another, and in plain black & white. "The Americans" is photographer Robert Frank's look at 1950s America, from the very pictures he took almost fifty years ago. In this new edition, Frank has enlisted the help of the newest and most cutting edge modern photo technology to bring his photos into the highest quality he could get them, a massive improvement in quality from the printing quality of the 50s. The poignant, thought provoking photos comprise what some call the most famous book of photography ever published. "The Americans" is enhanced with a forward by Jack Kerouac and is highly recommended for community library photography collections and for anyone who wants a solid coffee table book.