Chinese Books

I loved this story. I hope Emily Wu writes more about her life and what led her to America. This was a beautiful story about how the cultural revolution in China robbed people of there childhoods and destroyed families. I intend to read more from this author.

Emily Wu and Larry Engelmann book "Feather in the Storm", an amazing openess of Emily Wu's life and history of China during the Cultural Revolution. The events that unfold carries the reader from youth to adulthood during a time of hardship and struggle which reminds us why hope and love is so neccessary and reasons to allow history to not repeat itself...

Feather in the Storm is a heart-wrenching and deeply moving story of a childhood lost in the terrors of Communist China. The story opens as three-year-old Mao, as she is known by family and friends, meets her father for the first time - in a concentration camp. Moved from family to family and from city to village, little Mao finds herself striving to learn who she is and where she belongs. Fed by her starving grandmother and protected by her outcast parents, Mao attends school and performs her daily chores at home without complaint, maintaining her hope for a brighter future.

Mao's father, a university professor who studied in America, has been labeled as an extreme rightist by the communist party in China. Cast out of the university apartments, Mao's family is sentenced to live in a tiny village so that they can "learn from the peasants," becoming better citizens. Here, Mao and her family live in a tiny mud house which melts away in storms, leaving the family exposed to the elements. Forced to leave home as a teenager after high school, Mao is sent to live in a remote village on the top of a mountain where she falls in love with a young man she is forbidden to marry.

Throughout all of the trials and tribulations Mao faces growing up, and in every village and town she lives in, she is able to make friends and gain the respect of her teachers and neighbors. With an undaunted courage to survive, Mao teaches the reader that hope can be found no matter what the circumstances. Surrounded by death and destruction, Mao creates a life for herself and embraces those who struggle by her side.

Author Emily Wu expertly captures the essence of what life was like during this tremulous age, and helps the reader experience the drama from a firsthand point-of-view.

Armchair Interviews says: Stunning read.

"Feather in the Storm" is a fantastic book. It is well written, and enthralling. I rarely get attached to a story, but I read it through cover to cover with only one break. I couldn't put it down. I am looking forward to the sequel! It is depressing but enlightening. People are really terrible to one another. There is a whole generation lost to the policies of Chairman Mao in the chaos. This comes to light in this true life story of Emily Wu's struggle to survive.

My wife and I met Emily Wu at SIUE while on her book tour. Her story was amazing, so we had to buy the book to get the details.

It normally takes me about a year to read a book, but this one I devoured in a matter of days. The perspective of the book grows as she grows. In the beginning it is written as though you are only a couple feet tall - the details are in the words she hears, people's feet and the underside of cribs and tables. Later on she gets taller and you start to experience more of the people around her. But, like the limitations put on a pre-teen, she can only see so much and know so much, therefore her story is limited to just what she could see and understand. You feel as though you are a child right alongside her.

Often I found myself trying to figure out what things meant (names of Mao's movements and doctrine), but that just muddled the story. At times you feel like more should be written about the backstory of the Red Guard, but if you think about the fact that she didn't know much about them at the time it leaves it all in that child-like perspective. She writes about what she saw and read and experienced as a child, especially her reactions to how it changed the people around her.

The tempo is well-paced and manages to catch you off-guard. It covers issues like capping and de-capping, the invasion of the Red Guard at the Anhui University campus in Hefei, book burning, cleansing of the "Old" ways, living conditions, food, suicide, female infanticide, arranged marriage, bound feet, class struggles, child-on-child violence and much more.

When you are finished, you will view your life through a new pair of glasses. You won't be able to go 5 feet without finding 100 things to be truly thankful for.

This book is awesome. It helps me so much everyday as I am trying to teach Japanese to myself. I have a passion for languages, and this really is a great accent for my passion.

I found it very usefull in learning japanese. It's a very versatile tool.

I hesitated ordering this book because a previous reviewer reported that he had found the binding to be inferior. Perhaps this was true in previous bindings, but the copy I recently obtained looks fine in this regard and should stand up to heavy use for some years to come.

I'm finding this an excellent disctionary in all regards, though as a beginner I have not put it to lots of use. Basically I use the New Nelson, with this dictionary as a supplement, especially for compounds. And there are times when this alternate system of radical identification is just easier than the traditional system.

I bought this dictionary just when I was beginning my fourth semester of japanese lessons, to help me with my future translations and with the learning of new kanji (which is always a useful thing, since many tend to get disappointed when they know they have to learn about 2,000 to read the newspaper).

I have always thought that with any given dictionary, there are two main issues you have to keep in mind: how complete it is, and just how easy it is to use.

I have not as of yet searched for any kanji I have not been able to find, so I'd say it is fairly complete. This is an extremely thorough dictionary, covering not only an incredible amount of individual kanji, but a whole lot of compunds (the dictionary claims over 47,000. I'll take their word.), so there is a very good possibility of you too finding the character you are looking for.

As for the second issue, I must say I'm surprised at how easy it is to find kanji. When i first heard of the system kanji dictionaries used for listing them, I was appalled. I was pleased to find, nevertheless, a full two-page-and-a-half brief manual on how to use the dictionary that gave me all the preparation I needed: I was succesfully looking up kanji in now more than 10 minutes.

Basically, there are two ways in which you can find a given kanji in this dictionary: by their readings (either the on-yomi, or the kun-yomi), and by their stroke count. The 79-radical system can be a little confusing at first, but is fairly simple to get used and not at all as illogical as one might think.

The only complaint I have so far is the lack of internal references made in the dictionary. For instance, one of the appendices lists the 1006 "gakushuu kanji" (the kanji taught in elementary school), but their are numbered straight from 1 to 1006, without the reference to the dictionary entry for each of those kanji. The same thing happens to the kanji in "the 100 most frequent kanji", "the most frequent kanji used in family names", "the 284 extra kanji for use in given names", etc. Adding that would be a real time saver if you are planning, as I am, in using the dictionary as a learning tool.

Still, it's a great tool, and I'm really convinced that this was one of my truly great buys. Definitively 5 stars.

when I did an internet search to locate this, I found a number of negative reviews. Basically the consensus seemed to be that the character lookup system is new and therefore bad.

I disagree. The system the authors developed is the first "rational" approach in that it does not require that you know what the important radical is in order to look up a kanji. Morever, the ability to look up compounds using any character in the compound is very useful.

However, there are some negatives:
(1) the authors are not entirely consistent within their own approach.
E.g., the characters under the radical for hand are grouped under the three character radical, which is the way it is written except when it is written as a single character. However, the character for hand is written with four strokes, and you must know that in order to find it under the three stroke index.
this is the example that comes to mind most immediately, although I believe there are others.
(2) the binding is not of a very high quality. if you use this frequently (which you will), it will eventually break the spine.
i gave away my first version after it split in two. my current version is in four pieces.

on the positive side: this is so extremely useful that I am going to order a third copy.

HIGHLY RECOMENDED.

We are big Doctor Seuss fans and are attempting to get the entire collection for our daughter. Like the book, just too similar to Fox in Socks. Nothing but tongue twisters and no real story.
Great to have if your trying to collect all Dr Seuss books. If completing the collection is not important to you, I would only chose this if you don't already have Fox in Socks

Great book for my 1st grader, he loves the rhyming words throughout.

This book captures literary genius in the form of childish tongue twisters. It proves to be an excellent practice of diction and reading rhythm while providing extreme entertainment for the little listener. The love of words is the beginning of all great literary accomplishment, and this child's book is a step in the right direction.

This book was one of my husbands favorites when he was growing up, and now that we are expecting a child he wanted our son to have the same experience. He was so excited when it arrived that he read it to me as a bedtime story. The riddles start out easy, but by the end of the book your tongue is so twisted it's hard to say anything!! It's a lot of fun and we really look forward to hearing our son try to say these riddles when he learns to speak.

This is a really fun book to read. However, you REALLY have to pay attention to the words or you will mess them up. If you love tongue twisters, this is the book for you. It also is great for young readers, but they may become frustrated with some of the words. It's fun for little ones to listen to and to see how fast you can say these phrases. When you hear "faster, faster," well, you know you're encouraging reading in your child. A very fun book - I recommend it.

A fascinating book, full of history and culinary delights, "Seventh Daughter" is an autobiography of a Chinese woman, who, on a visit to San Francisco, started a restaurant that became a legend in the city. She had never been allowed in the kitchen as a young daughter in a traditional Chinese home. It combines her story along with recipes and hints for a well-stocked kitchen. The photography is beautiful.

The recipes are definitely clear, simple and straightforward. They include a number of classic dishes, as well as the author's take on a few new ones. But this book is so much more than just a simple bookbook -- and to call it a cookbook does it a disservice. It's a wonderful biography of the author, a historical look at how events changed the lives of Cecelia and her family -- and probably culinary history in this country. I have never cried when I read a cookbook -- but I certainly did at the end of this one! If you do a lot of Chinese cooking, at some point you start to look for books that go beyond the kitchen. This is most definitely it. And if you like this one, you might also want to try and find a copy of her first book - The Mandarin. It's just as wonderful.

In addition to some fine recipes, Madame Chiang's story as told throughout the book, is a compelling and moving story. I was fortunate to have enjoyed dinning at her fabulous Mandarin restaurant in San Francisco, and now reading about how it came to be, makes this more than just a book of recipes. These recipes have now become a legacy, like those handed down to us by our mothers and grandparents; reading this book makes us part of a family. Experience the joys, trials, and triumphs of Madame Chiang; The Seventh Daughter is a treasure.

I have not yet tried any recipes -- they all look fantastic -- but this book is worth buying for the stories alone. So wonderful!

I really enjoyed this book. It's a very interesting story about Cecelia Chang's life in China, as well as has some very good Chinese recipes integrated throughout the book. I would highly recommend this book.

Anyone who has studied languages, particularly difficult ones, knows that repetition, and lots of it, is the key to success. This book and its companions excel in this regard. Vocabulary is chosen carefully and is then used to build graded sentences through example, dialog and narrative which can run to over twenty pages in a single lesson. I wish that I'd had the equivalent when studying Korean and Japanese.
One piece of bad news, however, the text is in traditional characters. This means that at some point you are going to have to make the effort to learn the simplified characters that are used by the bulk of Chinese throughout the world now. However, if you've mastered the texts in this series, that shouldn't be too much of a challenge.

These texts are the seminal series in hanzi erudition. They are great for learning the language, and reading and writing its characters. This one is the second of the first two 'Beginning' texts. I just finished the first. It should be noted that this, the 2nd, is intended to be grouped with the first. The 2nd therefore has the index, dictionary, and other appendices in back. The first only has the first 33 chapters. If considering purchase or already in possession of the first, you might consider ordering this one also.
The book is structured into chapters each presenting 10 base character words, and about 40 compounds derived therefrom. After character and compound presentation, are short example sentances which have english translations. Then there are a few pages of dialogue text, untranslated. Finally are a few pages of narative prose, also untranslated. Then its on to the next chapter with another ten characters. Every sixth chapter is a summary of the last five with some excercises to distinguish similar constructs and prose to excercise reading.
Amazon got the book to me flawlessly of course. Pricewise it was unbeatable, although I bought the first one used for a fraction.

I'm not going to repeat what has already been said but DeFrancis states that this book and volume 2 combined contains 120,000 characters of running text using just 400-500 distinct characters!!! It is this repetition and various presentation of characters in different contexts that I find the most valuable. I am not sure where else you can find such a large number of what is essentially graded readings for beginners.

As many have mentioned before, this is bested used as a supplement to a grammar text.

This book is an excellent means of practicing reading Mandarin chinese in Traditional characters, but has little to no guidance on grammar, pronunciation, or traditional uses. While some self-study types like myself would be tempted to try using just one book at a time, I'd say this would best be used in conjunction with the other books in the series, or one of the software/tape systems for spoken and grammatical chinese.

In the 1960's, while Mr. DeFrancis was working on this series, he wrote an essay called "Why Johnny Can't Read Chinese" (Journal of the Chinese Language Teaching Institute, Volume 1) in which he explains why a book like this is necessary and why he designed it the way he did. The reviews below pretty much restate it - you cannot learn to read Chinese just by memorizing a lot of individual characters.

An example: ben3 means "root" or "self." Lai2 means "come." Di4 means "earth." Ren2 means "man." All simple words. But when combined, could you guess that benlai would mean "originally" or bendi would mean "this country" or benren would mean "myself, yourself, himself"? There are thousands and thousands of combinations of this sort that have to be learned separately from the individual characters or you will have no idea what you're reading.

In addition, I would like to get something off my chest. Everyone tells you Chinese grammar is easy. It isn't! It's just different! Chinese uses word order instead of declensions, tenses, etc., to convey different meanings. If you get the word order wrong, you're saying something completely different from what you wanted to say. People will tell you word order in Chinese is a lot like English, which is true in simple terms, but a very dangerous generalization. "Bu hen hao," for instance, means not very good, but "Hen bu hao" means really bad. "Min2guo2" means republic but "guo2min2" (same characters) means citizen. In any kind of complex sentence (or even in simple ones) you need to be very familiar with common, habitual word order rules. There are too many of them to simply learn by rote. And that's not even mentioning the problem with particles like the infamous "le." You need to read a LOT of Chinese words in context to really learn these grammar rules.

And the DeFrancis Chinese Reader Series has just that. These books are thick! Another reviewer below gave the number of characters in each volume, I think, and you can read above the dimensions of the book, so I won't repeat it here.

The Readers also teach you the cultural significance of a lot of terms, a lot of idiomatic expressions, and a lot of historical and place names. And also I'll make the suggestion that you use these books in combination with his grammar texts, "Beginning Chinese," etc. The audiotapes for the whole series, including the Readers, is available from Seton Hall Language Lab. I don't think you can find any series more thorough.

Some people will tell you these books are out of date because they were written in the late 1960's, but I haven't found that to be a problem at all. Grammar doesn't change much. A few words have changed, but really, you need to know the old words as well as the new. I mean, is anyone saying that English readers can't understand books written 50 years ago? The only form of language that changes that quickly is slang, and you're in trouble if you think that's language learning. Foreign language book publishers are the main culprits here - they want to come out with a new, more expensive edition of their audaciously expensive, well-nigh worthless texts every 5 years. But don't get me started.

The introduction in the beginning of the book makes a lot of good points, but I've used up all my space, so I'll put some quotes in a "Volume 2" review in case you're still wondering if this is the right series for you.

Oh - and do buy Volume 2 along with Volume 1 because, as reviewers have noted below, the index is at the back of Volume 2.

Sifu Starr's book is an experience suitable for any martial art practioner. His vivid descriptions of training, when a youth with W.C.Chen are very special. I await the release of his next writing.

I had the good fortune to train under Sifu Starr for a couple of years in the early 90's before time and circumstance took my life in other directions. From personal experience, I can attest both to his great skill as a martial artist and healer, and to his teaching presence in the dojo. I will always remember him with great fondness and respect, which is odd when you consider that he spent most of my time in his school kicking my butt with old school traditional kung fu training protocols. I think that is what the Zen tradition calls "grandfatherly kindness" - where a lot of martial arts diploma mills just put you through the motions and handed you your black belt, Sifu Starr assumed that you were worth the investing the time and effort to really TRAIN.

This book brings back a lot of memories from that time; it is very much written in Mr. Starr's "voice", and it showcases his wry humor, zest for life and training, and his larger than life personality. I wouldn't hesitate to recommend it to anyone interested in what really goes into the training of a real martial artist. I also hope that the book brings Sifu Starr some of the recognition and acclaim he deserves after a long, distinguished career.

Pete reminded me that it has been over 38 years we have know each other, and I stand corrected. On the third reading of the book I began to remember myself as one of Pete's students and how he taught us with the nearly same mannerisms of his teacher. I having no experience then in the arts, learned not only the physical rigors of the training but of the philosophical aspects as well. What age has taken from me, the knowledge still remains strong .

Now it has been almost 40 years later and I still can visualize the teachings, both mental, spirtual as well as physical. This book is valuable for the stylist as well as a parent wishing to know how to work with or understand their teenagers. The method and learning is the same nurturing Chen gave to Pete, and Pete sharing it with us.

I gave a copy of it to one of the people I work with and it is a copy in my classroom as well for my more difficult students to read as well.

This was an absolutely wonderful text. It really drives home what the martial arts teach. The stories are thought provoking, entertaining, humorous and motivational. Thanks Sifu Starr!

As a ShoDan-level assistant karate instructor, I'm always looking for good books to help me become a better teacher and practitioner. I've found martial arts-based memoirs to be particularly helpful and encouraging. I recently stumbled across "The Making of A Butterfly," and it was no exception.

Phillip Starr began his martial arts journey in the 1950s. His family moved a lot due to military service, so he studied at a couple of different clubs. In 1961, his parents finally settled into a more permanent living situation in McLean, Virginia. There, the author began looking for yet another dojo (they weren't easy to find back then). He finally found a karate school and resumed his training. However, Mr. Starr was fascinated by kung-fu, and so after more searching he discovered a Chinese Sifu (master) who taught out of his home.

Mr. Starr approached Sifu Chen and respectfully asked for instruction. After some initial rebuffs to test his resolve, he was taken on as Sifu Chen's only Caucasian student. Sifu Chen demanded much from his students, so the training sessions were often physically and mentally challenging. Despite some resentment from the other Asian students, Mr. Starr eventually earned their grudging respect. And more importantly, he became a surrogate son to Sifu Chen and his wife Mei. He often learned as much at their dinner table as he would during a typical class.

Mr. Starr writes well - the book is an easy and informative read. Each chapter encapsulates a principle learned from Sifu Chen, such as chi, discipline, and courtesy. Of course, these lessons were usually learned the hard way. Sifu Chen used many methods to impart both his knowledge and his character to the author. I found the inclusion of Mr. Starr's thought responses toward his teacher (denoted by italics) to be quite fascinating. It was easy to identify with his honest internal expressions of incredulity, or appreciate ah-ha! moments when a lesson hit home.

Unfortunately, Sifu Chen passed away in 1971 from a kidney ailment. But in 1982 Mr. Starr took what he learned from Sifu Chen and created another martial art called Yilichuan (One Principle Boxing), thereby continuing his teacher's legacy. "The Making of A Butterfly" lets us in on Sifu Chen's timeless martial arts principles, and provides insight into a good student's mentality. It's a recommended addition to every martial artist's library.

I bought this book for my 2.5yr old niece and she absolutely loved it. The illustrations are bright, cheery and wonderfully done...and the book was effective...my niece was saying "Ni hao ma" after the first read!

This book is great, even for infants! We like introducing our baby to new sounds, and we have fun trying out the Chinese pronunciation ourselves. We especially love the illustrations - great colors and fun characters!

Beautiful illustrations, easy to read, great CD to listen to - Wonderful way to begin the foray of Chinese. I highly recommend these books!

Deborah

I love this book so much and decided to check out the website. The website has Mandy and Pandy dolls, finger puppets, t-shirts, and free coloring pages. This is a great concept and a wonderful book for parents who want their children to learn Chinese. The CD that comes with the book makes pronunciation a cinch. I would recommend this to everyone. Also, check out the website at mandyandpandy.com for other great resources to go along with the book.

I bought the book for my daughter who is preschool age and she loved it! I like the fact that the book is organized like a story which makes the kids not realize that they are learning chinese while reading the "storybook".

this is a great book and i received it just like i expectd to receive it.

We have read this book repeatedly, and my first-grader enjoys it every time. Now he enjoys reading it to me. Great for beginning readers.

WHAT A JOY THIS BOOK IS. THE STORY IS FUN AND SO CUTE. ONE OF MY ALL TIME FAVORITES TO READ TO THE CHILDREN.

This is one of those that is an absolute delight to read to and with kids. A mouse, minding his own business is caught by a weasel who of coure plans to whip up a batch of Mouse Soup. Our fast talking little mouse simply talks his way out of the dinner by telling the weasel four delightful stories, thereby distracting the weasle and at the same time, teaching the weasle a good lesson. The illustrations are great the the story telling is of the highest quality. Cute is a word that is over used, but in this case I have to use it because it fits so well. This work is almost along the same lines as the famous Uncle Remus tales, but in many ways is more appealing. I liked this one and do highly recommend it. The art work alone is worth the price of the book.

I have to bow to a superior opinion in rating this book. After reading it to my 5 y.o. son, I had come to the conclusion that the subset of stories were pretty lame and uninteresting. I mean one of them is about two rocks that get lied to by a bird (or so the rocks think). And another is about a rose bush growing out of a comfy chair.

But my 5 y.o. informs me that I don't know what I am talking about. This book is great, he told me. And he convinced me that this was true by doing something his active little self seldom does: he went and got the book off his shelf and dragged his father over to the couch so that dad could listen to him read the stories. [Could have knocked me over with bookmark.]

The AR Reading level for this book is 2.4 which means that the Accelerated Reading committee, and it's software, suggests this book for Second Graders in their fourth month of school.

[The AR designation is a general "guide" that rates books on a relative scale of difficulty. Children can certainly read at levels above or below their group range, so that this number should only be used as a aid to help choose books that are appropriate and not frustrating.]

Four Stars. This book has a mouse cum Scheherazade premise: A weasel captures a poor little mouse and the mouse plots to get out of being eaten by telling stories. The stories the mouse tells didn't appeal to me, but my five y.o. son sure liked them. The AR reading level indicates the book is suitable for Second Graders.

Fantastic work by Frank and Tina. Many years of research and practice has made Frank Allen one of America's foremost authorities on the art of Ba Gua Zhang. He has put together a great manual for practitioners to draw inspiration from. The form details will show any Ba Gua students some of the classical Cheng style movements, and will help all Ba Gua practitioners compare and contrast the moves they have in common. The weapons form is great too, giving much needed information on the notorious Deerhorn Knives. My favorite part is the work on Taoist meditation and I Ching internal alchemy. Great stuff and very thought provoking. Thanks you guys!

Sincerely,

Jess O'Brien

"Whirling Circles" has answered many questions I had about Ba Gua Zhang's history. I was unaware about its origins before this book. The illustrations are nicely rendered. The book is filled with many wonderful photographs displaying posture, techniques and high level practitioners. I especially liked the explanations of the classics. They are thorough, enlightening and enjoyable to read.

"The Whirling Circles of Ba Gua Zhang" is an invaluable resource for anyone interested in the Taoist martial arts. It addresses a broad spectrum of issues relating to the art of Ba Gua Zhang, thus it has much to offer both the pure beginner and the more advanced practitioner. Topics covered range from the Taoist philosophy at the core of the art to detailed information about the deerhorn knives set to the poetic yet pragmatic sayings of the art's founder. I particularly enjoyed the first 50 pages which are devoted entirely to discussing the history of Ba Gua Zhang and the colorful cast of characters who helped it evolve into what it is today. In short, I would highly recommend this book.

This is a clearly written, basic overview of BaGua. Essentially, it's written like an introduction of the subject to the Western culture-- a useful book for those who know little about BaGuaZhang. In the first part, we are treated to a very wide overview of BaGua's history, with a number of stories-- many with mystical flavor still intact. Given that BaGua is a relatively new martial art, the authors can go into some detail in a fairly short space-- roughly 15% of this book is history. They also, I think, fairly, speculate that the reason for much of BaGua's obscurity is the relative youth of this art-- what few masters that developed subsequently saw their skills lost over generations in the many Chinese cultural revolutions that ensued.

This is followed by instruction on basic concepts-- circle walking, stances, palm training, VERY rudimentary energetics. I guess I was hoping for more. For much more on biomechanics, see the books by Park Bok Nam. That being said, the instruction in this book is clearly stated.

Later, we are introduced to the Old Eight Palms of Cheng Shi family BaGua as interpreted by Liu Jing Ru. Some photos of Liu doing his stuff are included. Unfortunately, most of the photos are of the authors, and unlike on the cover, in the photos inside they are wearing very loose "tradiitonal" kung fu outfits that make it very difficult to discern what they are truly doing-- even basic spinal alignment. Me, I love going to seminars where the masters come out in sweats and a T-shirt. George Xu, for example, is famous for letting you put your hands practically anywhere on his body to feel what he is doing. The text of this book, while clear, is very basic.

Similarly, a basic overview of weapons, and a presentation of the Deer Horns Set (which is very similar to the empty hands set entitled "Cascading Palms" form, aka "Flexible Chain Palms" depending on your source-- which is a more advanced form in the system. Again, my same comments about clothing and content apply.

Incidentally, Grandmaste Liu has his own VCDs/DVDs and books now (all but one book in Chinese--available via Internet-- I got mine in SF Chinatown), and one can see him in action. He is quite good, and gives a fairly "pure" BaGua flavor. It is sometimes hard to find this flavor-- George Xu himself, for example, will admit his forms are all blends at this stage-- and his BaGua is heavily influenced by Hsing-I and Lan Shou, among others.

There is an overview of applications that is basic concepts but not really applications. Despite being familiar with BaGua applications myself, I had a hard time discerning what was really happening in the photos-- usually one or two stills for each application, and an explanation that basically said: "Thunder techniques have the quality of a shockwave..." Basically, not very helpful outside a a philosophical understanding of intention, but not the mechanics.

Finally, there is a translation of the Songs of BaGua-- historically the classic means of transmitting the basic principles of BaGua from generation to generation. Again, the translation is basic-- that is, without a lot of more in-depth discussion exploring details and experiences that might help the intermediate-advanced student.

This book did blend in concepts of BK Frantzis' water meditation techniques into circle walking to a more advanced levels-- concepts that I did not get even from Frantzis' two books on the subject. That alone gave me something to work on, and made this books worth it to me.

In summary, a good book as a reference to sequence for these particular forms, and especially good as a basic basic introduction to the BaGua concept, but not a hard core martial artist's book.

Most martial arts books are passionless. My library is full of books that have lots of interesting content but little real human interest to me. Until recently the only martial arts books I loved were T.T. Liang's books on Tai Chi. Somehow the energy, the slyness of character, his love of his art came through. You knew Tai Ji was worth doing because it meant something to Liang. That was it until Frank Allen and Tina Zhang started publishing their internal martial arts series. These books are full of the love and passion that they have for these arts. I've reviewed the Tai Ji book before and will talk about the Ba Gua book now. The thing both books have in common is the completeness of the discussion of the art. In the Ba Gua book we have a detailed history of the arts beginnings and its subsequent development to our time. Frank and Tina don't pass on or make up fantastic tales. Where Dong Hai Chuan got his art isn't known they tell us; describing the tales that have been told but making clear in the end that Dong himself never said how he found or developed the art. But the history since Dong has been well researched and carefully presented so that we clearly understand the development strands that have developed. The best thing about all of this is that the authors own interest in the material comes through and helps in riveting our attention and memory of it. Next the book describes the basic training of a Ba Gua student. This is often neglected in standard books which is a shame because students need this kind of reference when they are practicing and need to remember how to hold the hands or a particular stance. There is discussion and demonstration of basic circle walking a la the Cheng style. Next the Cheng style eight palm changes are shown and discussed and these discussions are an excellent reference for someone who has been through the basic training in the Cheng style. After this the authors discuss the applications of Ba Gua for fighting and then the weapons of Ba Gua are shown and discussed. The next 3 chapters are for me the most important part of the book. In here are discussions of how to train, the philosophic and spiritual content of Ba Gua, Ba Gua's relationship to Taoism and to the I Ching. All of these are important and they are discussed with much care but not in a way to confuse or in attempt to make the authors seem to be above the reader. These issues are important for the student because they help connect you to the reasons for why we do the internal arts - the joy that rises up in us as we learn to connect to the Tao. The translations of the Ba Gua Zhang classics are, like the translations in the Tai Ji book, very practical and down to earth - making clear the principals of the art of Ba Gua Zhang. This book should be on your shelf if you consider yourself a sincere student of the internal arts - no matter what your level. And you should be hoping that the authors are writing a third book to finish their explications of the internal arts - a book on Xing Yi. We owe Frank and Tina much thanks for their passion and devotion to their art.

Yes.
This is the ultimate guide to Zen.
TCC's great drawings and simple explanations brings you the Zen thinking to your home.

A must have for anyone interested in eastern culture.

Just getting started on your desire to understand eastern philosophies? Have you stood at the bookstore for hours pouring over where to start and what to buy?

Any of this authors books are a wonderful place to start. The reason? Because these books are all about the title subject in a nutshell, easy to read as a comic book, the story lines and illustrations are wonderful, and after you read this as well as all the other books by Tsai, you will have a great, well rounded start on your path and will know what you want to study more deeply!

To add, when others ask you about your interest in eastern philosophy, you can get them started here as well, because these books are fun, consise, and you know they will enjoy them over and over again!

This book exists to make Zen more accessible to the general public. For those people that practice Zen, the essence of Zen can only be felt or only be understood but not through words or pictures. As one teaching of Zen would have it, you would appreciate how beautiful the moon is rather than the finger that points you to that moon. I have to admit that this book manages to clarify certain teachings that are also mentioned in other Zen books. I'm not saying that this comic book provides me with the absolute truth about certain Zen sayings but it does provide me with an insight. Everyone has their own ways of getting to the original thinking & if this book cuts the cake, so be it. If we think that this is merely a comic book, then, it is a delusion! Remember, don't judge a book by its cover. This book is profoundly serious. Highly recommended, light-hearted & enjoyable to read.

"Comics are just words and pictures. You can say anything with words and pictures." ---someone I don't recall.

This comic book contains one hundred Zen Tales (koans), and I have heard some of them before. They seem to gain something when presented in this format. The author brings out something of the shock that is enlightenment that I hadn't really felt in the stroies before. The artwork is simple, yet effective. The writing is the same. The ideas conveyed are both profound and obvious. And, of course, it is a very enjoyable read.

Hard to imagine that a cartoon could unfold the depths of Zen. Perhaps it is the fact the cartoons are brief yet encapsulate so much. Personally, I find it to be in the expressions of the characters in the drawings that tell the story. I really feel the smiles throughout the book and can almost see them winking along with that smile.

Never straying from the seriousness of Zen, this little gem really reveals the joy that lies underneath. A great way to get started; a great little reminder for those already underway.