Asian Books

I stumbled onto David Loy's work after years of reading books concerning Heidegger, phenomenology and (recently) Buddhism. And I will have to say that I am now a very enthusiastic David Loy fan. This book has provided a kind of philosophical "glue" that has suddently made sense of the past 15 years of Heidegger. If you are interested in Buddhism and phenomenology I strongly suggest you buy up everything David Loy has written and read it twice. Very accessible. Very creative.

I am a great admirer of David Loy's work, especially his book "Lack and Transcendence." This work is chock full of fascinating information and discussions, and I have learned a great deal from it, but the material Loy presents for discussion is a good deal better than the conclusions he draws from it. Loy's philosophical background is in the Heigegger/Derrida continental tradition, and unfortunately he has inherited some of the logical sloppiness of that tradition. Worse, and this is a flaw that pervades just about the whole book, is that he seems not to fully understand that the Nagarjunian theory of the two truths means that you cannot meaningfully mix the conventional mode of discourse with the ultimate. Certainly you cannot draw logical conclusions from such a mixture. This failure to grasp the most foundational point of Madhyamika leads to a variety of confusion, such as his discusson of the role of sense organs in non-dual perception. Worse, it completely undermines the thesis of his central chapter, the Deconstruction of Dualism, in which he tries to show that fundamental identity of the different non-dual traditions he discusses: Mahayana Buddhism, Sankara's Advaita Vedanta, and Taoism. Loy's is certainly the most sophisticated attempt I have seen to defend this "perennial philosophy" blenderized view of eastern religions, but all Loy succeeds in doing is to create the proverbial the coal bin at midnight in which all cats are black.

But I still recommend this book. It is full of treasures, and it is a pleasure to enter into a mental discussion with a writer as sharp and learned as Loy.

This book is absolutely brilliant. If you're grappling with the subject of nonduality then this should put you straight (at least intellectually!) - I've read parts of this book numerous times, and the sections on the deconstruction of nonduality and Derrida are mindblowing stuff. Loy has nailed 'it'.

Flawed? Only in the sense that it uses language to describe something that subverts language and avoids description. That's saying a lot, but Loy can be forgiven for that - even Lao Tsu and Nagarjuna wrote a book!

David Loy has done a superb job of being true to the standards of academic comparative philosophy, true to the traditions, and true to direct pointing to transconceptual awareness, all at the same time--which is every bit as rare as it is desperately needed. But then, I would expect nothing less from a philosophy professor who is also a spiritual teacher in the Zen tradition. Don't pass this one up.

David Loys book is simply too far ahead of its time. That's why it is so under-appreciated (see the lukewarm editorial reviews).
In 20 years this will be a classic. If your "on the verge" this book can help you do the quantum-leap.

The title of this book is well chosen and its publication is very timely. North Korea is indeed facing perilous times. Then again it has in the past. From the 1950 war, the transition of power Kim Il Sung to Kim Jong Il, and the nuclear weapon agreement brokered by Jimmy Carter the recent history of North Korea has certainly been turbulent.

In more recent times, Korea has launched some very long range rockets and appears to have at least a few nuclear weapons. President Bush has identified them as a "rogue state" and part of the "axis of evil." North Korea along with Cuba remain as practictioners of the failed Communist system. These systems have proved that they can sustain huge armies, exercise strong control over their people, but also proved that centralized control of everything from farming to industrial production simply doesn't work very well. Friends of mine who recently visited North Korea report that the famine of the 1990's continues, although not as bad as it was.

A small book, at only 232 pages, it is a concise summary of the countries 4,000 year history and a political analysis of the recent past. Combined with this are several alternatives of what the future might hold. Can the status quo continue. Certainly not forever. Could the collapse of the Government bring about another war - certainly it could. The options and their likelyhood form a major part of the theme of the book, and they are carefully considered and disucssed. Excellent reading.

Professor Kim's writing is engaging, thorough enough for scholars and the general public alike. Readers wishing to understand the enigma of North Korea, its relationship with South Korea and the rest of the world, and where to go from here, will be pleased with this book and its measured, balanced perspective. After reading this book, you will be conversant in all the relevant topics. For those who are interested in further study, the book includes questions and study aids, as well as extensive references. Highly recommended.

For any person wishing to understand the North Korean situation, since it has now hit the world stage, this is an excellent first place to go. It enables the reader to get up to speed quickly by first providing a potted history of the peninsular. Then political, humanitarian, and particularly economic aspects are explored in appropriate detail for a book that is easily readable. Finally, chapter 9, reasons for reconciliation, provides a constructive ending to the present dilemma. For further study, the comprehensive lists of references make it easy.

No country is more mysterious than North Korea. After reading this short text, there is no more mystery for me. It is easy to read and understand. Even though the book's author is a finance or economics professor, and I am currently studying political science and philosophy, I still found this book to be very valuable. A great way to get up to speed.

Fifty years after Korea's division the Koreans of both North and South remain at an impasse, leaving North Korea embroiled in international crises. North Korea seemingly faces four choices: collapse, more war, a continuing status quo, or peace with the south. Suk Hi Kim's North Korea At A Crossroads provides an historical and political analysis covers 1948 to modern times and is a 'must' for any college-level collection strong in modern Asian issues or non-specialist general reader wanting a competent backgrounding in contemporary American/North Korean international relations.

This is a very well researched book with high quality scans of the original artwork. The price tag is a just a bit high for a softcover coffee table book.

The other reviewers have done a great job highlighting the most important reasons this book is great, so I'll just add that what makes it an other books like this a great buy is the price tag. It is a cheap way to get a good look at many Kuniyoshi prints without paying the asinine price of the hardcover museum editions. Its a book of great art to be enjoyed by fans of Ukiyo-e but also should be a center piece at any good tattoo shop.

I have nothing to add. It's a very good quality title. If you now "Water margins", and you like it, you will have a fun with this book.

The prints in this book are fantastic, large with great color reproduction. It also an excellent read for anyone interested in japanese woodblock printing. An all round excellent book.

The cover even makes me kind of wonder. Its paperback although the pages are pretty durable. I like the little stories about each character. The pictures are breathtaking and beautiful.

This remains one of the best books about the Vietnam War and the Air War in particular. I read this book again and again. All Naval Aviators (including us Marines) should have this book in their library. Find a copy before it becomes impossible to do so. I don't think I have read a more honest, focused and reasoned book about the war. Good combat descriptions, artfully done. Excellent comments about morale. And brutally accurate accounts relating to wartime leaders, and specific consequences of their folly.

In my search to learn more about the era and the war I almost joined, I've read a lot of book about the war in Vietnam, including many specifically about the air war, and the pilots who fought it. "On Yankee Station" stands out from the pack. It's not the usual "There I was at 20,000 feet.." memoir; this is a critical look at the global strategy and the local tactics of the Vietnam war told by someone who had a unique view from the cockpit. It's also a blistering critique of the men who sent them to Vietnam, and manuy of those who commanded them- men that the authors see as dangeous amateurs, incompetant in the art of war, who needlessly wasted lives with arbitary rules. Well worth reading.

This work is a clear-headed, no holds barred look at the Vietnam air war from the naval perspective. Don't let its even tone fool you. It cuts to the bone and damns by simple observation, with no need for editorializing by the authors. It points up the facts, fictions, failures and achievements of the naval air war against North Vietnam in a quick, easy style, with superb organization and excellent supporting material in the appendices. Any student of the Vietnam air war who misses this title is not a serious person. It is required reading on the subject, and should be complemented by Marshal Michel's "Clashes" for the USAF side of the story.

John Nichols, callsign "Pirate," folded his wings in September 2004. OYS remains his testament to those naval aviators who follow in his slipstream.

I never had a better friend. And neither did anyone else.

This book on the naval air war over Vietnam should be required reading not only for all military pilots, but for every military and civilian official who is involved in planning strategy, tactics, or military weapon procurement.
But don't get the idea it's a boring book; besides giving the reader a clear view of what happened in the air over Vietnam, the author makes his points in a very readable fashion, not by preaching but by simply pointing out what we did, and why we could have done so much better -- in the conduct of the war, in providing better (often SIMPLER) equipment, and in better training.
It's definitely worth obtaining from an out-of-print dealer or from your library. Even if you have no connection with the military, this will expand your understanding of that period in US history.

Since I returned from my first trip to China, I have become fascinated with Chinese culture and history.

I don't know much about poetry except that I like what I like (what moves and inspires me).

Something tells me that these translations are as much Kenneth Rexroth as they are the Chinese masters, which is fine with me because it is obvious that Rexroth captures a variety of moods and feelings which are quite profound.

I think it does justice to the integrity of this body of literature.

Particularly moving to me are the translations of Mei Yaochen whose poems dealing with his dead wife reveal a passion and respect for wamnhood that bellies our general notion of woman's treatment and subserviant place in China; and the poems of Madame Chu Shu Chen who is also very passionate in her feeling as a woman in China.

Comparisons: translations by Greg Wincup; Xu Yuan Zhong; Tony Barnstone

This highly portable collection demonstrates the posture a translator must take when approaching the rich body of ancient Chinese poetry. Rexroth masterly retains the playfulness and humanity that allow these poems to endure through the centuries and yet he regards these rare artifacts with reverence.

These poems are a great introduction to several key poets, both male and female, from several Chinese dynasties.

ONE HUNDRED POEMS FROM THE CHINESE. By Kenneth Rexroth. 148 pp. New York : New Directions, 1965 and Reissued.

The present book is in two parts. First we are given Rexroth's readings of thirty-five poems by Tu Fu, based on the Chinese text. The second part consists of a selection of Sung Dynasty poetry, most of which had not been Englished prior to Rexroth.

Rexroth makes no great claims for these translations, some of which he admits are rather free. But he does express the hope that "in all cases they are true to the spirit of the originals, and valid English poems" (p.xi).

It has always seemed to me that Rexroth succeeded brilliantly. Here are a few lines chosen at random from Tu Fu's 'Loneliness' (with my obliques added to indicate line breaks) :

".... Where the dew sparkles in the grass, / The spider's web waits for its prey. / The processes of nature resemble the business of men. / I stand alone with ten thousand sorrows" (p.16).

Here are a few from Su Tung P'o :

".... As for literature, it is its own reward. / Fortunately fools pay little attention to it. / A chance for graft / Makes them blush with joy" (p.73).

These readings of Rexroth will delight all open-minded readers. Who cares if he wasn't a union-approved sinologist? Purists may sputter, but since his versions are 'true to the spirit, and valid as English poems,' could any sensible person reasonably ask for more ?

You *NEED* this book. Every library ought to have a heart. And this book is an excellent place to start.

Kenneth Rexroth is a poet first and a translator second; judged on that basis, his One Hundred Poems from the Chinese is a great success. His approach, set out in a brief introduction, is simply to produce the best English poem he can in the spirit of the original. The resulting translations are more or less free as he thought appropriate for each individual work.
The book is in two parts. Part one consists of Rexroth's versions of 35 poems by Du Fu, whom he describes as "the greatest non-epic, non dramatic poet who has survived in any language". He clearly knows these poems well, and his translations are uniformly good.
Part two offers around 70 works by Sung dynasty poets; some are represented by only one piece, some by more extensive selections. These tend to be more free, more personal, and often strikingly modern works. In Rexroth's words again: "The whole spirit of this time in China is very congenial today"- a statement as true today as when it was written in 1971. Many of these poets are still not well translated in English, so Rexroth's translations are invaluable.
At the back of the book is a brief, but adequate, notes section with information on each poet and explanatory material.
Rexroth's concentration on the lesser-known Sung poets is paralleled by his choice of poems in the Du Fu section. He does not confine himself to the best known pieces found in other collections, striking a good balance between the familiar and the new.
An interesting example of Rexroth's approach to translation is:

Another Spring
White birds over the grey river./Scarlet flowers on the green hills./I watch the Spring go by and wonder/If I shall ever return home.

Rexroth has changed the river's colour from blue in the original to grey: a good example of a liberty which would be objectionable from a translator, but which he can get away with. He also clarifies "blazing" in the original to "scarlet", which allows him to preserve the original's strictly parallel parts of speech in the first couplet.
This is a fine book. It was first published more than 30 years ago, but it has lasted because of the consistently high quality of translation and because of the unusual selection of poems offered. I cannot recommend it highly enough.

This wonderful book resonates with emotional truth about family life, friendship, and the challenges a Taiwanese-American girl faces trying to find her place amid competing cultural expectations. The characters in this book are vivid and compelling, as is the depiction of life in Peiling's family. It is hard to imagine a more moving and entertaining story for middle readers than the one told in this poignant, and very funny, book.

When I started reading this novel, yes before sending it as a gift, I was startled to notice that Peiling's nemesis shared my first name! Just a silly, literary coincidence (it is fiction, after all!) no big deal, but odd, nonetheless; maybe because I live in the same town with the author?

In any case, I need not have worried. Of course, I can't spoil things, and it really is Peiling's story, not her friend's, or rather, the story is about how friends, and families, can change and grow, together, and no one is merely a nemesis, by the end. Heart-warming, at any time of year, but maybe especially now, at the December time of year.

As others have noted, while this is officially a novel for "young adults", it is a novel that even a no-longer-young adult can enjoy, quite a lot.

See for yourself, and/or, ask your local library or school to acquire it!

I was looking for a gift for a friend's daughter and liked the title of this book. I ended up reading the whole thing myself in one sitting. Poignant and funny story. Even though it's written for kids, it's not heavy-handed in its treatment of racial identity. I think it'll make a great present!

My 10 year old daughter and I found this story engaging and entertaining. From the beginning we found ourselves relating to Peiling and feeling her anxiety, despite the fact that we have no personal immigrant experience. Chen describes the school setting vividly and I felt like I was there. Peiling's classmates and friends were also extremely believable. My favorite was her quirky friend Grace.

As the population of the US becomes more diverse, with various ethnic communities having their own celebrations, this book is quite timely. The Hindus have Diwali, the Sikhs have Vaisakhi, and the Chinese have Chinese New Year. This book explores how young Peiling, whose family immigrated to the US from China, struggles to adapt to the hectic and happy preparations for Christmas as celebrated by her peers at school, but not her. She is pleasantly surprised when her parents decide to celebrate Christmas after seven years in the US, but is then disappointed when they take a Chinese approach to it.

The rest of the story centers around how Peiling comes to appreciate the differences between her and her classmates, and takes pride in her unique cultural traditions whilst coming together with her friends and celebrating Christmas. Its a unique but timely tale that is sure to appeal to readers, both young and old.

I bought the book in 1989 in a Californian bookshop and ever since I read parts of it, must have read it 50 times together with Jack Broughtons books. Some years ago I had contacts with John and he told me about his flights in a MIG21 and how tricky that plane was on landing (like an F100 or F104)and always wondered what has become of him. I was in the Dutch airforce myself and am still shocked how politicians till this day destroy professional soldiers with their stupid rules of engagement.
This book is a must for all people interested what really goes on in
an airwar and the aftermaths of it. Thank you John !

A straight-forward memoir that should be enjoyed by all fans of the Phabulous Phantom. You can almost feel the heat of the flightline and smell the hyd fluid again. ahhhh....

Phantom Over Vietnam is the story of a Marine fighter pilot in Vietnam; his two tours, the time he spent in the USA between the tours and his thoughts about the war which are changing as he logs missions. It is a very good book for the military aviation enthusiast. I gave it 4 stars because the numerous flashbacks and various other explanations present all over the book sometimes makes it hard to follow. Moreover, I think that the author could have concentrated more on the " cockpit stuff ". The epilogue, in which he evaluates his performance as a fighter pilot on a cost effective basis, is unique and quite interesting. I reccomend reading this book to anyone interested in military aviation or curious about what it was like to be a fighter pilot in Vietnam.

I have to admit I am biased - I flew with John Trotti on at least one flight as his RIO (backseater). And, naturally, I hoped to find someone had done a good job of describing life in a Marine Phantom, something I lived for 316 combat missions over North and South Vietnam, Laos, and Cambodia. As the stars indicate, I think John did an excellent job.

True, it is not the book I would have written - aerial combat is intensely personal, always has been, and so every account, if it is honest and well written, will be different. Trotti has a little difficulty understanding why anyone would be a backseater (lack of 20/20 vision is a place to start, but being able to be in fighters is the big reason; again, my perspective rearing its head), but he has his fingers on the pulse of combat flying in Southeast Asia. The fatigue of both planes and men is seldom mentioned in most accounts of the air war and the cost was higher than most realize. The intensity of flying close air support in conditions where even seagulls preferred to walk is well described in this book.

Above all, it is a personal account, provided by a man who was a good observer of both himself and the world around him. For readers looking to make the dry accounts of the air war's political decisions and combat statistics real, then Trotti's book is the place to begin.

I read "Phantom Over Vietnam", the memoir of a Marine fighter pilot, before plunging into the mounds of similar books on the subject of the Vietnam Air War, both novel and memoir. Thus I couldn't appreciate how the book was unique. Most authors on the subject generalize the air war - the technology and tactics - while highlighting the overt civilian control of a war being fought based on political rather than military goals. While Trotti raises those issues, he never turns his book into an indictment on the Johnson administration, Rob McNamara's Defense Department "whiz-kids", or the liberals who others have blamed for undermining the war effort - concluding that the war was futile. The book follows Trotti from his arrival in Vietnam in the war's early and heady days, then notes the apparent changes when the optimism fades. After an interval spent training newer aviators stateside, Trotti returns for more. His descriptions of the flights are weighthed down by detail on such topics as the F-4 Phantom's mechanics, aero-navigation and airborne communications protocol (which is also a mystery to the author). But these burdens are probably intentional - Trotti isn't going for action. He does nothing to make himslef look heroic - what can you say about a guy who admits that his biggest fear isn't of missiles or MiG fighters, but of the power seats in his airplane (the author is not a tall man). One interesting aspect - unlike the cool and pristine airplanes in similar books, Trotti's jets are aged (and prematurely so) by the rigors of combat and flight. The most enduring images of the book, are those of a newly shipped F-4, with its fresh paint job, sharing ramp space with older jets with their paint blistered by supersonic air. It's not a book you'll read in one sitting, but it's not a book you'll read only once.

Should you consider reading only one book about the U.S. helicopter pilots in South-Vietnam that bravely fought almost 40 years ago, then, "Pucker Factor 10" is the best choice.
Mr. James Joyce there flew the two most used types: "slicks" and "gunships" thus covering two major aspects of the tactical helicopter warfare successfully used in SEA. This is what this book tells you.

I had to choose a war memoir for a term paper this semester in my english class...and I was very happy that I chose to read Pucker Factor 10. The book is very enlightening, and an interesting read. I found myself always WANTING to read more. James Joyce is a wonderful writer and he reveals emotions and specifics of war that you dont even realize. I highly suggest this book to everyone. I normally dont read memoirs like this but after reading his I want to read more!

James Joyce has written a truly excellent book. Mr. Joyce has successfully included every human emotion possible. His real life experiences are a combination of both desperate hours and uplifting moments, with a side of unmistakable humor. I would recommend this book to anyone remotely interested in the Vietnam era. Definately a MUST READ.

As a woman reader I thoroughly enjoyed this book. I learned so much in this book, about flying, Vietnam, rats (UGH) I knew it was hard over there but didn't really realize some of the hardships till I read this book. The author's writing is very easy to understand, you don't need a dictionary beside you, and the humour was great. You got some really good laughs and some sadness also. I would highly recommend this book to anyone.

I'm not normally a reader of non-fiction war stories, especially in first person, but "Pucker Factor 10" caught my attention from the beginning all the way to the very end. Joyce brings the reader into the realm of realism, from family history, personal apprehensions, his somewhat inadvertant role as a helicopter pilot during the heat of battle, his impressions of soldiers and his humanity toward the enemy which brings chills to the reader. Meanwhile, just when I least expected, I found myself belly laughing his wit. This book is a must for anyone who enjoys true-to-lie accounts of how it was in the air trenches.

I wish there was a 6 star rate!
Love the quality (overall!) of the book! Amazong for inspiration!! This one goes on my special-favorite book rack!!!!

As a collector of, and dealer in Central Asian garments, I have long been fascinated by the printed, cotton linings of these garments. Some of the fabrics are so beautiful, that my customers turn the coats inside out, and wear them in reverse. How delightful to find a book on these fabrics. The book shows many different patterns of fabric, as well as a number of coats, turned inside out, to show the wonderful patchwork patterns. Well done.

while this extravagantly illustrated compilation of Russian printed fabrics from 1900 to 1950 will be invaluable to both artist and collector, it is a visual delight to the general reader as well. The author skilfully weaves the history of the Cental Asian tribal peoples into the tapestry of mass migration and technology which produced stunning roller and block-printed cotton clothing.

This book is stunning in a visual sense. Each print illustrates the creative choices of the Central Asian people and also reflect the influences of the world around them. More than a book reviewing Russian textiles, it records the history of a region of the world that is not commonly explored. So beautifully photographed, one can almost feel the weave of the prints. Cloth is so commonplace we take its history for granted. This book reminds us its importance. Its interesting that a swatch of fabric can weave a story of time and people.

This book is not only visually stunning, it is also a fascinating read. This is the first time that these beautiful and unusual fabrics have been given their due recognition both as designs and as an important part of Russian/Soviet history.

Nick Carbo has us see New York through the eyes of a Filipino immigrant with such candor, humor, and savvy that it's amazing to me that this book hasn't been optioned for a movie! Or maybe it has? It's poetry to be sure but it's also a screenplay, a novel, a multi-genre cyber cartoon. Carbo enlarges world poetry and what it can do!

I would never have purchased this book, nor would I have even become familiar with the (frickin' awesome!!!) work of Carbos without my needing the book for a class... some classes really are worthwhile!! I recommend (highly) ANYTHING by Nick Carbos.

I've just discovered Nick Carbo. Thank God. Thank God.

Nick takes it to the hilt on this one. I felt like I was reading a suspense thriller as I get taken through the life of one Ang Tunay ng Lalaki who interacts both in the "real" world where he meets Nick Carbo but also falls hobnobs with kindred icons of advertising and lore: Hello Kitty, Orpheus from a previous Carbo poem, and Barbie. And it's only in this in between world where Carbo can take on Asian and American ideals head on.

One of the reasons I like to review books of poetry is it gets me out of the "ME" kick that poetry is too well known for. Ask yourself this: how many poetry readings have I been to where I spoke soley of someone else's work? Someone who is alive, but that I don't personally know? Not just to say that I like their work, but what I like about it and how it inspires me? Can I, as a poet, go for a month, talking about this person's work, pushing this person's book, without ever mentioning my own poetry? Poet Karla Huston turned me on to Nick Carbo's Secret Asian Man and he's the latest poet I'll be pushing. His new book is full of satyrical irony and poem after poem makes you both cringe and laugh out loud. This is one of the few books of poetry that I'd like to see Quintin Terrantino or the Zucker Brothers make into a movie. Carbo lives in two worlds, the American's and the Filipino immigrant's. But the reflections and dichotmy don't stop there. His main character is Ang Tulay Na Lalaki, is the Filipino version of the Marlboro Man. Carbo starts each poem off "Ang Tunay Na Lalaki..." does something. Like Lyn Lifshin's Mad Girl poems this gives the reader an instant image of who the main character is in a series format. Unlike Lifshin, Carbo forces his white American reader to face up to accepting a non-white- American name. In some poems he does shorten it to 'Lalaki' within the poem, again forcing us to confront our written prejudices. Carbo plays on both sides of the prejudice field. In one poem he criticizes American film makers for having no roles for Asian American Men (only women), while in another he pokes fun at a visiting Filipino friend who's accent is too thick. He has Wonder woman fight a fetus-eating Filipino demon-goddess, picks up Barbie from a shopping bag to tell here about her about her part overseas Asian slave labor, and as Secret Asian Man, helps unite Hello Kitty and Barney the Purple Dinosaur. Even one step better is how Secret Asian Man flows. It reads in part poetry, in part story. No poem should be randomly turned to. Like reading a Richard Brautigan story and the more you read from the beginning, the more you understand the sequence. Early on in the book, Ang Tulay Na Lalaki meets up with a character, Orpheus, who tells him that he feels like a character written by poet Nick Carbo. Later on, Ang Tulay Na Lalaki takes a writing workshop from Carbo and we get to see how Ang Tulay Na Lalaki's poetry differs from Carbo's and how Carbo would run a writing workshop. To add another layer to Carbo's maze of mirrors, I got the book from someone who attended Carbo's workshop. Now I'm beginning to wonder if she is a character written by Nick Carbo? Pushing Secret Asian Man, one might only conclude that I am just an ongoing workshop exercise by Nick Carbo.

Terry Matthews, Reviewer